1333:
522:
goods themselves, and it was only in the twentieth century that that became essential to the definition of craftsmanship. Although Morris was famous for getting hands-on experience himself of many crafts (including weaving, dying, printing, calligraphy and embroidery), he did not regard the separation of designer and executant in his factory as problematic. Walter Crane, a close political associate of Morris's, took an unsympathetic view of the division of labour on both moral and artistic grounds, and strongly advocated that designing and making should come from the same hand. Lewis
Foreman Day, a friend and contemporary of Crane's, as unstinting as Crane in his admiration of Morris, disagreed strongly with Crane. He thought that the separation of design and execution was not only inevitable in the modern world, but also that only that sort of specialisation allowed the best in design and the best in making.
1755:
of their producers and the degradation of their users. It is a protest against the turning of men into machines, against artificial distinctions in art, and against making the immediate market value, or possibility of profit, the chief test of artistic merit. It also advances the claim of all and each to the common possession of beauty in things common and familiar, and would awaken the sense of this beauty, deadened and depressed as it now too often is, either on the one hand by luxurious superfluities, or on the other by the absence of the commonest necessities and the gnawing anxiety for the means of livelihood; not to speak of the everyday uglinesses to which we have accustomed our eyes, confused by the flood of false taste, or darkened by the hurried life of modern towns in which huge aggregations of humanity exist, equally removed from both art and nature and their kindly and refining influences.
2512:
1297:
236:
2494:
2542:
44:
2527:
787:
442:
514:, a central figure in the Arts and Crafts movement, said in 1888, that, "We do not reject the machine, we welcome it. But we would desire to see it mastered." After unsuccessfully pitting his Guild and School of Handicraft guild against modern methods of manufacture, he acknowledged that "Modern civilisation rests on machinery", but he continued to criticise the deleterious effects of what he called "mechanism", saying that "the production of certain mechanical commodities is as bad for the national health as is the production of slave-grown cane or child-sweated wares."
185:(1804–1888), all of whom deprecated excessive ornament and impractical or badly-made things. The organizers were "unanimous in their condemnation of the exhibits." Owen Jones, for example, complained that "the architect, the upholsterer, the paper-stainer, the weaver, the calico-printer, and the potter" produced "novelty without beauty, or beauty without intelligence." From these criticisms of manufactured goods emerged several publications that set out what the writers considered to be the correct principles of design. Richard Redgrave's
885:
964:
1321:
5238:
1313:
426:
9343:
282:
1467:, graphic designer. The success of this exhibition resulted in the incorporation of The Society of Arts and Crafts (SAC), on June 28, 1897, with a mandate to "develop and encourage higher standards in the handicrafts." The 21 founders claimed to be interested in more than sales, and emphasized encouragement of artists to produce work with the best quality of workmanship and design. This mandate was soon expanded into a credo, possibly written by the SAC's first president,
370:
8852:
5734:
2233:, an important figure in the Arts and Crafts movement, took a different view in his dissenting report to the committee of inquiry, arguing for greater emphasis on principles of design against the growing orthodoxy of teaching design by direct working in materials. Nevertheless, the Arts and Crafts ethos thoroughly pervaded British art schools and persisted, in the view of the historian of art education, Stuart MacDonald, until after the Second World War.
1277:
1305:
5724:
1089:
1180:, had conflicting opinions about standardization. Muthesius believed that it was essential were Germany to become a leading nation in trade and culture. Van de Velde, representing a more traditional Arts and Crafts attitude, believed that artists would forever "protest against the imposition of orders or standardization," and that "The artist ... will never, of his own accord, submit to a discipline which imposes on him a canon or a type."
2168:
5744:
304:. For example, he advocated truth to material, structure, and function, as did the Arts and Crafts artists. Pugin articulated the tendency of social critics to compare the faults of modern society with the Middle Ages, such as the sprawling growth of cities and the treatment of the poor – a tendency that became routine with Ruskin, Morris, and the Arts and Crafts movement. His book
1476:
dignity and value of good design; to counteract the popular impatience of Law and Form, and the desire for over-ornamentation and specious originality. It will insist upon the necessity of sobriety and restraint, or ordered arrangement, of due regard for the relation between the form of an object and its use, and of harmony and fitness in the decoration put upon it.
491:
by machinery was "altogether an evil", but at others times, he was willing to commission work from manufacturers who were able to meet his standards with the aid of machines. Morris said that in a "true society", where neither luxuries nor cheap trash were made, machinery could be improved and used to reduce the hours of labor. The 19th-century cultural historian
507:
common people. ... The treasures in our museums now are only the common utensils used in households of that age, when hundreds of medieval churches – each one a masterpiece – were built by unsophisticated peasants." Medieval art was the model for much of Arts and Crafts design, and medieval life, literature and building was idealized by the movement.
762:. The guild's work is characterised by plain surfaces of hammered silver, flowing wirework and colored stones in simple settings. Ashbee designed jewellery and silver tableware. The guild flourished at Chipping Camden but did not prosper and was liquidated in 1908. Some craftsmen stayed, contributing to the tradition of modern craftsmanship in the area.
1709:, expanded and substantially revised Dow's ideas in over 150 monographs and articles for art schools in the United States and Britain. Among his many unorthodox teachings was his belief that manufactured products could express "the sublime beauty" and that great insight was to be found in the abstract "design forms" of pre-Columbian civilizations.
471:, an architectural history of Venice that contains a powerful denunciation of modern industrialism to which Arts and Crafts designers returned again and again. Distrust for the machine lay behind the many little workshops that turned their backs on the industrial world around 1900, using preindustrial techniques to create what they called 'crafts.'
2152:, which "led the way in introducing executed design to the teaching of art and design nationally (working in the material for which the design was intended rather than designing on paper). In his external examiner's report of 1889, Walter Crane praised Birmingham School of Art in that it 'considered design in relationship to materials and usage.
1007:. Edwards was a reforming politician dedicated to renewing Welsh pride by exposing its people to their own language and history. For Edwards, "There is nothing that Wales requires more than an education in the arts and crafts." – though Edwards was more inclined to resurrecting Welsh Nationalism than admiring glazes or rustic integrity.
819:, the Arts and Crafts Exhibition Society, now under the control of an old guard, was withdrawing from commerce and collaboration with manufacturers into purist handwork and what Tania Harrod describes as "decommoditisation" Its rejection of a commercial role has been seen as a turning point in its fortunes. Nikolaus Pevsner in his book
438:
physical creation was both socially and aesthetically damaging. Morris further developed this idea, insisting that no work should be carried out in his workshops before he had personally mastered the appropriate techniques and materials, arguing that "without dignified, creative human occupation people became disconnected from life".
626:(now the Victoria and Albert Museum). Later his work became popular with the middle and upper classes, despite his wish to create a democratic art, and by the end of the 19th century, Arts and Crafts design in houses and domestic interiors was the dominant style in Britain, copied in products made by conventional industrial methods.
1435:(MFA) in Boston to organize an exhibition of contemporary crafts. When craftsmen, consumers, and manufacturers realised the aesthetic and technical potential of the applied arts, the process of design reform in Boston started. Present at this meeting were General Charles Loring, Chairman of the Trustees of the MFA;
2222:, who then appointed Augustus Spencer to implement his plan. Spencer brought in Lethaby to head its school of design and several members of the Art Workers' Guild as teachers. Ten years after reform, a committee of inquiry reviewed the RCA and found that it was still not adequately training students for industry.
844:, published in 1940, which denounced industrial society in terms as vehement as those of Ruskin and Morris. Thus the Arts and Crafts philosophy was perpetuated among British craft workers in the 1950s and 1960s, long after the demise of the Arts and Crafts movement and at the high tide of Modernism. British
1084:
building. In central Europe, where several diverse nationalities lived under powerful empires (Germany, Austria-Hungary and Russia), the discovery of the vernacular was associated with the assertion of national pride and the striving for independence, and, whereas for Arts and Crafts practitioners in
995:
Scotland become known in the Arts and Crafts movement for its stained glass; Wales would become known for its pottery. By the mid 19th century, the heavy, salt glazes used for generations by local craftsmen had gone out of fashion, not least as mass-produced ceramics undercut prices. But the Arts and
797:
By the end of the nineteenth century, Arts and Crafts ideals had influenced architecture, painting, sculpture, graphics, illustration, book making and photography, domestic design and the decorative arts, including furniture and woodwork, stained glass, leatherwork, lacemaking, embroidery, rug making
490:
William Morris shared Ruskin's critique of industrial society and at one time or another attacked the modern factory, the use of machinery, the division of labor, capitalism and the loss of traditional craft methods. But his attitude to machinery was inconsistent. He said at one point that production
453:
In 1861, Morris began making furniture and decorative objects commercially, modelling his designs on medieval styles and using bold forms and strong colours. His patterns were based on flora and fauna, and his products were inspired by the vernacular or domestic traditions of the
British countryside.
153:
The Arts and Crafts movement emerged from the attempt to reform design and decoration in mid-19th century
Britain. It was a reaction against a perceived decline in standards that the reformers associated with machinery and factory production. Their critique was sharpened by the items that they saw in
81:
Others consider Art and Crafts to be in opposition to Art
Nouveau. Arts and Crafts indeed criticized Art Nouveau for its use of industrial materials such as iron. And as for Art Nouveau artists, the Arts and Crafts utopia was intrinsically contradictory: "the paradoxical confinement of the Arts &
1430:
Arts and Crafts ideals disseminated in
America through journal and newspaper writing were supplemented by societies that sponsored lectures. The first was organized in Boston in the late 1890s, when a group of influential architects, designers, and educators determined to bring to America the design
529:
insisted that the designer should also be the maker. Peter Floud, writing in the 1950s, said that "The founders of the
Society ... never executed their own designs, but invariably turned them over to commercial firms." The idea that the designer should be the maker and the maker the designer derived
506:
Morris insisted that the artist should be a craftsman-designer working by hand and advocated a society of free craftspeople, such as he believed had existed during the Middle Ages. "Because craftsmen took pleasure in their work", he wrote, "the Middle Ages was a period of greatness in the art of the
341:
whom he taught to all of his pupils. In a letter to one of his pupils Ruskin writes : "There is only one book of any value and that is the
Dictionnary of Viollet le Duc. Everyone should learn French". And according to some Ruskin's influence on Arts and Crafts was supplanted in 1860 by that of
227:
Jones declared that ornament "must be secondary to the thing decorated", that there must be "fitness in the ornament to the thing ornamented", and that wallpapers and carpets must not have any patterns "suggestive of anything but a level or plain". A fabric or wallpaper in the Great
Exhibition might
2147:
Arts and Crafts practitioners in
Britain were critical of the government system of art education based on design in the abstract with little teaching of practical craft. This lack of craft training also caused concern in industrial and official circles, and in 1884 a Royal Commission (accepting the
1754:
The movement ... represents in some sense a revolt against the hard mechanical conventional life and its insensibility to beauty (quite another thing to ornament). It is a protest against that so-called industrial progress which produces shoddy wares, the cheapness of which is paid for by the lives
466:
Unlike their counterparts in the United States, most Arts and Crafts practitioners in
Britain had strong, slightly incoherent, negative feelings about machinery. They thought of 'the craftsman' as free, creative, and working with his hands, 'the machine' as soulless, repetitive, and inhuman. These
1414:
While the Europeans tried to recreate the virtuous crafts being replaced by industrialisation, Americans tried to establish a new type of virtue to replace heroic craft production: well-decorated middle-class homes. They claimed that the simple but refined aesthetics of Arts and Crafts decorative
521:
Morris and his followers believed the division of labour on which modern industry depended was undesirable, but the extent to which every design should be carried out by the designer was a matter for debate and disagreement. Not all Arts and Crafts artists carried out every stage in the making of
437:
Morris began experimenting with various crafts and designing furniture and interiors. He was personally involved in manufacture as well as design, which was the hallmark of the Arts and Crafts movement. Ruskin had argued that the separation of the intellectual act of design from the manual act of
272:
However, the design reformers of the mid-19th century did not go as far as the designers of the Arts and Crafts movement. They were more concerned with ornamentation than construction, they had an incomplete understanding of methods of manufacture, and they did not criticise industrial methods as
1786:, exemplifies the early Arts and Crafts style, with its well-proportioned solid forms, wide porches, steep roof, pointed window arches, brick fireplaces and wooden fittings. Webb rejected classical and other revivals of historical styles based on grand buildings, and based his design on British
312:
notes that he "reached conclusions, almost in passing, about the importance of craftsmanship and tradition in architecture that it would take the rest of the century and the combined efforts of Ruskin and Morris to work out in detail." She describes the spare furnishings which he specified for a
2178:
Other local authority schools also began to introduce more practical teaching of crafts, and by the 1890s Arts and Crafts ideals were being disseminated by members of the Art Workers Guild into art schools throughout the country. Members of the Guild held influential positions: Walter Crane was
806:
The Arts and Crafts Exhibition Society held eleven exhibitions between 1888 and 1916. By the outbreak of war in 1914 it was in decline and faced a crisis. Its 1912 exhibition had been a financial failure. While designers in continental Europe were making innovations in design and alliances with
802:
and ceramics. By 1910, there was a fashion for "Arts and Crafts" and all things hand-made. There was a proliferation of amateur handicrafts of variable quality and of incompetent imitators who caused the public to regard Arts and Crafts as "something less, instead of more, competent and fit for
1475:
This Society was incorporated for the purpose of promoting artistic work in all branches of handicraft. It hopes to bring Designers and Workmen into mutually helpful relations, and to encourage workmen to execute designs of their own. It endeavors to stimulate in workmen an appreciation of the
629:
The spread of Arts and Crafts ideas during the late 19th and early 20th centuries resulted in the establishment of many associations and craft communities, although Morris had little to do with them because of his preoccupation with socialism at the time. A hundred and thirty Arts and Crafts
749:
in the East End of London. The guild was a craft co-operative modelled on the medieval guilds and intended to give working men satisfaction in their craftsmanship. Skilled craftsmen, working on the principles of Ruskin and Morris, were to produce hand-crafted goods and manage a school for
855:, chairman of the Utility Furniture Design Panel, was imbued with Arts and Crafts ideas. He manufactured furniture in the Cotswold Hills, a region of Arts and Crafts furniture-making since Ashbee, and he was a member of the Arts and Crafts Exhibition Society. William Morris's biographer,
768:(1857–1941) was an Arts and Crafts architect who also designed fabrics, tiles, ceramics, furniture and metalwork. His style combined simplicity with sophistication. His wallpapers and textiles, featuring stylised bird and plant forms in bold outlines with flat colors, were used widely.
1026:
The movement spread to Ireland, representing an important time for the nation's cultural development, a visual counterpart to the literary revival of the same time and was a publication of Irish nationalism. The Arts and Crafts use of stained glass was popular in Ireland, with
228:
be decorated with a natural motif made to look as real as possible, whereas these writers advocated flat and simplified natural motifs. Redgrave insisted that "style" demanded sound construction before ornamentation, and a proper awareness of the quality of materials used. "
1386:
in the US, or approximately the period from 1910 to 1925. The movement was particularly notable for the professional opportunities it opened up for women as artisans, designers and entrepreneurs who founded and ran, or were employed by, such successful enterprises as the
645:
to encourage the working classes, especially those in rural areas, to take up handicrafts under supervision, not for profit, but in order to provide them with useful occupations and to improve their taste. By 1889 it had 450 classes, 1,000 teachers and 5,000 students.
1462:
featuring more than 1000 objects made by 160 craftsmen, half of whom were women. Some of the advocates of the exhibit were Langford Warren, founder of Harvard's School of Architecture; Mrs. Richard Morris Hunt; Arthur Astor Carey and Edwin Mead, social reformers; and
454:
Some were deliberately left unfinished in order to display the beauty of the materials and the work of the craftsman, thus creating a rustic appearance. Morris strove to unite all the arts within the decoration of the home, emphasizing nature and simplicity of form.
1340:
In the United States, the Arts and Crafts style initiated a variety of attempts to reinterpret European Arts and Crafts ideals for Americans. These included the "Craftsman"-style architecture, furniture, and other decorative arts such as designs promoted by
333:
to be "servile labour", and he thought that a healthy and moral society required independent workers who designed the things that they made. He believed factory-made works to be "dishonest," and that handwork and craftsmanship merged dignity with labour.
82:
Crafts movement in an artisanal practice was completely out of step with the evolution of the status of the artist-decorator, but also with the democratic will of an art 'for the people and by the people' proclaimed by William Morris". For example, while
69:
Initiated in reaction against the perceived impoverishment of the decorative arts and the conditions in which they were produced, the movement flourished in Europe and North America between about 1880 and 1920. Some consider that it is the root of the
839:
about the moral and social value of simple crafts; both were enthusiastic readers of Ruskin. Leach was an active propagandist for these ideas, which struck a chord with practitioners of the crafts in the inter-war years, and he expounded them in
1694:, which distilled into a distinctly American approach the essence of Japanese composition, combining into a decorative harmonious amalgam three elements: simplicity of line, "notan" (the balance of light and dark areas), and symmetry of color.
1172:(German Association of Craftsmen) was formed in 1907 as an association of artists, architects, designers, and industrialists to improve the global competitiveness of German businesses and became an important element in the development of
1741:
movement which promoted folk art from the 1920s onwards, was influenced by the writings of Morris and Ruskin. Like the Arts and Crafts movement in Europe, Mingei sought to preserve traditional crafts in the face of modernising industry.
1415:
arts would ennoble the new experience of industrial consumerism, making individuals more rational and society more harmonious. The American Arts and Crafts movement was the aesthetic counterpart of its contemporary political philosophy,
1771:
Many of the leaders of the Arts and Crafts movement were trained as architects (e.g. William Morris, A. H. Mackmurdo, C. R. Ashbee, W. R. Lethaby) and it was on building that the movement had its most visible and lasting influence.
1000:(which dated back to the 17th century) in 1885, to both find local pieces and encourage a style compatible with the movement. The pieces he brought back to London for the next twenty years revivified interest in Welsh pottery work.
329:. Ruskin related the moral and social health of a nation to the qualities of its architecture and to the nature of its work. Ruskin considered the sort of mechanized production and division of labour that had been created in the
380:(1834–1896) was the towering figure in late 19th-century design and the main influence on the Arts and Crafts movement. The aesthetic and social vision of the movement grew out of ideas that he developed in the 1850s with the
606:. All were linked, in some degree, by the ideal of "the Simple Life". In continental Europe the movement was associated with the preservation of national traditions in building, the applied arts, domestic design and costume.
570:. In the early 1880s, Morris was spending more of his time on promoting socialism than on designing and making. Ashbee established a community of craftsmen called the Guild of Handicraft in east London, later moving to
2511:
1067:
In continental Europe, the revival and preservation of national styles was an important motive of Arts and Crafts designers; for example, in Germany, after unification in 1871 under the encouragement of the
1840:'s jibe about "every fruit-juice drinker, nudist, sandal-wearer, sex-maniac, Quaker, 'Nature Cure' quack, pacifist, and feminist in England" going to a socialist conference in Letchworth has become famous.
2148:
advice of William Morris) recommended that art education should pay more attention to the suitability of design to the material in which it was to be executed. The first school to make this change was the
618:
in London. Much of this work is directly inspired from the Dictionnaire of Viollet le Duc. Most of Morris & Co's early work was for churches and Morris won important interior design commissions at
4358:
4242:
2116:
which is also laid out in a series of outdoor rooms and where, like Goddards, the landscaping becomes less formal further away from the house. Other examples of Arts and Crafts gardens include
2211:
and made them joint principals. Until the formation of the Bauhaus in Germany, the Central School was regarded as the most progressive art school in Europe. Shortly after its foundation, the
1758:
349:
than by machinery itself. William Morris's idea of "handicraft" was essentially work without any division of labour rather than work without any sort of machinery. Morris admired Ruskin's
86:
understood the social discourse of Arts and Crafts, he was not an unconditional disciple of the movement and ended up turning away from it, considering it as anachronistic and tinged with
754:
and thought Ashbee's scheme trivial. From 1888 to 1902 the guild prospered, employing about 50 men. In 1902 Ashbee relocated the guild out of London to begin an experimental community in
816:
1156:
Arts and Crafts products were admired in Austria and Germany in the early 20th century, and under their inspiration design moved rapidly forward while it stagnated in Britain. The
109:
styles of decoration. It advocated economic and social reform and was anti-industrial in its orientation. It had a strong influence on the arts in Europe until it was displaced by
9596:
738:
observed, "here for the first time one can measure a bit the change that has happened in the last twenty years". The society still exists as the Society of Designer Craftsmen.
345:
His followers favoured craft production over industrial manufacture and were concerned about the loss of traditional skills, but they were more troubled by the effects of the
361:. On his side, Ruskin dissented firmly from the idea that became Arts-and-Crafts orthodoxy, that decoration should be flat and should not represent three-dimensional forms.
8953:
530:"not from Morris or early Arts and Crafts teaching, but rather from the second-generation elaboration doctrine worked out in the first decade of century by men such as
2593:
2026:
8694:
1431:
reforms begun in Britain by William Morris; they met to organize an exhibition of contemporary craft objects. The first meeting was held on January 4, 1897, at the
1059:
estate buildings and round tower). Irish Celtic motifs were popular with the movement in silvercraft, carpet design, book illustrations, and hand-carved furniture.
3997:
273:
such. By contrast, the Arts and Crafts movement was as much a movement of social reform as design reform, and its leading practitioners did not separate the two.
4269:
124:
in 1887, although the principles and style on which it was based had been developing in England for at least 20 years. It was inspired by the ideas of historian
2218:
As head of the Royal College of Art in 1898, Crane tried to reform it along more practical lines, but resigned after a year, defeated by the bureaucracy of the
166:
writes that the exhibits showed "ignorance of that basic need in creating patterns, the integrity of the surface", as well as displaying "vulgarity in detail".
2493:
7319:
5355:
4896:
4347:
1560:
4246:
2229:, in which he called for the system of art education to be completely dismantled and for the crafts to be learned in state-subsidised workshops instead.
3601:
2541:
823:
presents the Arts and Crafts movement as design radicals who influenced the modern movement, but failed to change and were eventually superseded by it.
5140:
4464:
1524:
66:
that developed earliest and most fully in the British Isles and subsequently spread across the British Empire and to the rest of Europe and America.
6281:
518:, on the other hand, had no qualms about adapting the Arts and Crafts style to metalwork produced under industrial conditions. (See quotation box.)
9495:
3806:
1879:
5790:
1718:
4172:
8196:
1832:
style popularized by the movement and the town became associated with high-mindedness and simple living. The sandal-making workshop set up by
1678:
As theoreticians, educators, and prolific artists in mediums from printmaking to pottery and pastel, two of the most influential figures were
1332:
2526:
1353:. Both men used their magazines as a vehicle to promote the goods produced with the Craftsman workshop in Eastwood, NY and Elbert Hubbard's
7648:
3909:
7682:
5752:
700:. By 1890 the Guild had 150 members, representing the increasing number of practitioners of the Arts and Crafts style. It still exists.
8189:
292:, from 1843. Its simplified Gothic style, adapted to domestic building, helped shape the architecture of the Arts and Crafts movement.
5747:
3495:
1378:
are often used to denote the style of architecture, interior design, and decorative arts that prevailed between the dominant eras of
1790:, expressing the texture of ordinary materials, such as stone and tiles, with an asymmetrical and picturesque building composition.
433:
in Bexleyheath, designed by Philip Webb and completed in 1860; one of the most significant buildings of the Arts and Crafts movement
9081:
9020:
8888:
3880:
2561:
1697:
His purpose was to create objects that were finely crafted and beautifully rendered. His student de Lemos, who became head of the
71:
2101:
the garden incorporated a number of features that reflected the arts and crafts style of the house, such as the use of hedges and
140:. Viollet le Duc's books on nature and Gothique art also play an essential part in the esthetics of the Arts and Crafts movement.
4387:
4320:
2825:
582:
was another successful and influential Arts and Crafts designer who was not a socialist, despite his long friendship with Crane.
2089:, an exponent of the Arts and Crafts movement and known as the "Lutyens of the North". The garden for Brierley's final project,
8471:
7006:
6440:
5133:
2052:
696:, with the goal of bringing together fine and applied arts and raising the status of the latter. It was directed originally by
4414:
3094:
9266:
7409:
6491:
6207:
5064:
5026:
4837:
4777:
4732:
4711:
4668:
4626:
4226:
4061:
3974:
3946:
3919:
3892:
3719:
3414:
3213:
3070:
2888:
2670:
2629:
2191:
and C.J.Allen were respectively professor of architecture, instructor in painting and design, and instructor in sculpture at
984:
The situation in Wales was different from elsewhere in the UK. Insofar as craftsmanship was concerned, Arts and Crafts was a
9130:
6051:
5109:
4545:
3019:
2781:
2212:
750:
apprentices. The idea was greeted with enthusiasm by almost everyone except Morris, who was by now involved with promoting
642:
308:(1836) drew examples of bad modern buildings and town planning in contrast with good medieval examples, and his biographer
4675:
1659:
style of architecture. Restored and landmark-protected examples are still present in America, especially in California in
9531:
6789:
6772:
6173:
5783:
2219:
1996:
1933:
1543:, featuring clusters of bungalow and chateau homes built by Herbert J. Hapgood, and the contemporary studio craft style.
1296:
1052:
7758:
6118:
3990:
948:
movement. The movement had an "extraordinary flowering" in Scotland where it was represented by the development of the '
897:
The beginnings of the Arts and Crafts movement in Scotland were in the stained glass revival of the 1850s, pioneered by
9586:
9581:
7826:
6677:
5479:
5054:
4392:
4325:
1668:
1452:
1231:
992:, a genuine craft tradition still existed. Local materials, stone or clay, continued to be used as a matter of course.
715:
526:
121:
6146:
4273:
1176:
and industrial design through its advocacy of standardized production. However, its leading members, van de Velde and
9576:
9571:
9516:
9086:
9004:
7905:
7900:
6745:
6236:
5737:
5126:
4986:
4967:
4930:
4803:
4758:
4690:
4649:
4607:
4201:
3866:
3845:
3792:
3589:
3348:
3328:
2925:
2848:
2225:
In the debate that followed the publication of the committee's report, C.R.Ashbee published a highly critical essay,
2208:
1219:
1085:
Britain the ideal style was to be found in the medieval, in central Europe it was sought in remote peasant villages.
422:
set the standard for their early style. In Burne-Jones' words, they intended to "wage Holy warfare against the age".
235:
189:(1852) analysed the principles of design and ornament and pleaded for "more logic in the application of decoration."
35:
4872:
Luckman, Susan. "Precarious labour then and now: The British arts and crafts movement and cultural work revisited."
3936:
9109:
9091:
6163:
5289:
2583:
1667:, and the sections of other towns originally developed during the era and not experiencing post-war urban renewal.
17:
6911:
9591:
9536:
9306:
9036:
8331:
7804:
6095:
6011:
5587:
5561:
2195:; Robert Catterson-Smith, the headmaster of the Birmingham Art School from 1902 to 1920, was also an AWG member;
4877:
2724:
9546:
9366:
9104:
9028:
8912:
8084:
7633:
7492:
7256:
6276:
6112:
5821:
5776:
2588:
2268:
746:
224:
was particularly influential, liberally distributed as a student prize and running into nine reprints by 1910.
5370:
3675:
1797:, built mainly in the 1880s and 1890s, has about 360 Arts and Crafts style houses and was once famous for its
9561:
9521:
7173:
6926:
5757:
5474:
5428:
5410:
4939:
Mascia-Lees, Frances E. "American Beauty: The Middle Class Arts and Crafts Revival in the United States." in
3964:
615:
996:
Crafts Movement brought new appreciation to their work. Horace W Elliot, an English gallerist, visited the
113:
in the 1930s, and its influence continued among craft makers, designers, and town planners long afterwards.
9290:
8881:
8555:
7927:
7768:
7596:
6401:
6313:
6286:
4786:
Danahay, Martin. "Arts and Crafts as a Transatlantic Movement: CR Ashbee in the United States, 1896–1915."
4703:
So Various Are The Forms It Assumes: American Arts & Crafts Furniture from the Two Red Roses Foundation
4475:
155:
5096:
5040:
4439:
614:
Morris's designs quickly became popular, attracting interest when his company's work was exhibited at the
9314:
8216:
7917:
6583:
5464:
3966:
Beyond the Difference: Welsh Literature in Comparative Contexts : Essays for M. Wynn Thomas at Sixty
2423:
2113:
1951:
1698:
1632:
1432:
515:
475:
301:
264:
7870:
4862:
Krugh, Michele. "Joy in labour: The politicization of craft from the arts and crafts movement to Etsy."
4040:
Competing visions: aesthetic invention and social imagination in Central European Architecture 1867–1918
3803:
9460:
9382:
9190:
8988:
8931:
8513:
8129:
7952:
7326:
6940:
6916:
6469:
6428:
6141:
5279:
2789:
1891:
1592:
1540:
6864:
5035:
Thomas, Zoë. "Between Art and Commerce: Women, Business Ownership, and the Arts and Crafts Movement."
3468:
793:
was designed in 1925 as a holiday home in Kingswear, Devon, England, in the Arts and Crafts tradition.
726:, London, in November 1888. It was the first show of contemporary decorative arts in London since the
9259:
9012:
8980:
7712:
7591:
7547:
6955:
6598:
6566:
6464:
5950:
2358:
2098:
2090:
1576:
1536:
1168:, was influenced by the Arts and Crafts principles of the "unity of the arts" and the hand-made. The
1097:
957:
940:(1834–1904) was one of the first, and most important, independent designers, a pivotal figure in the
137:
2705:
9556:
8476:
8459:
8114:
7957:
7942:
7753:
7623:
7497:
7289:
7244:
7205:
7117:
6517:
5883:
5858:
5768:
5694:
5496:
5390:
5342:
5195:
5149:
4465:"Charles Harvey and Jon Press, "William Morris and the Royal Commission on Technical Instruction",
2937:
2180:
2124:
and the gardens of some of the architectural examples of arts and crafts buildings (listed above).
1419:. Characteristically, when the Arts and Crafts Society began in October 1897 in Chicago, it was at
654:
43:
7653:
7613:
2878:
338:
8874:
8637:
7974:
7814:
7569:
7178:
7124:
6728:
6571:
6486:
6413:
6352:
5516:
5491:
5469:
5400:
5269:
5175:
2373:
2192:
1984:
1963:
1787:
1722:
1628:
1436:
1325:
1200:
1044:
697:
623:
563:
510:
Morris's followers also had differing views about machinery and the factory system. For example,
446:
402:
7746:
7564:
7056:
2073:
applied Arts and Crafts principles to garden design. She worked with the English architect, Sir
9526:
9358:
9200:
9156:
9151:
8855:
8748:
8396:
8346:
8306:
8269:
8169:
7809:
7129:
7107:
6967:
5935:
5667:
5614:
5438:
5423:
4160:
The Craftsman and the Critic: Defining Usefulness and Beauty in the Arts and Crafts-era Boston.
2413:
2273:
2263:
2248:
2156:" Under the direction of Edward Taylor, its headmaster from 1877 to 1903, and with the help of
2136:
in the late 1880s, which incorporated handicraft teaching in schools at Abbotsholme (1889) and
2133:
1849:
1814:
1775:
1548:
1361:. A host of imitators of Stickley's furniture (the designs of which are often mislabelled the "
1144:
681:
547:
430:
174:
117:
4867:
1149:
786:
9099:
8386:
8361:
8326:
8296:
8262:
8184:
7962:
7937:
7552:
7431:
7336:
5895:
5817:
5486:
5385:
5200:
4306:
Tankard, Judith B. and Martin A. Wood. Gertrude Jekyll at Munstead Wood. Bramley Books, 1998.
2243:
2204:
2149:
2093:
in York, was the work of George Dillistone, a gardener who worked with Lutyens and Jekyll at
2002:
1957:
1945:
1683:
1520:
1011:
953:
852:
742:
634:
511:
441:
330:
170:
6814:
4724:
These Humbler Metals: Arts and Crafts Metalwork from the Two Red Roses Foundation Collection
2207:'s (LCC) education board and in 1896, largely as a result of their work, the LCC set up the
9601:
9541:
9485:
9252:
8972:
8945:
8938:
8508:
8089:
7858:
7763:
7557:
7487:
7403:
7277:
7080:
6906:
6706:
6396:
6231:
6136:
6070:
6001:
5920:
5910:
5900:
5672:
5662:
5576:
5542:
5380:
5350:
5210:
4958:
The Arts and Crafts Movement: a study of its sources, ideals and influence on design theory
2453:
2383:
2184:
2157:
2109:
2032:
1821:
1794:
1664:
1660:
1604:
1600:
1497:
1493:
1468:
1281:
1104:
Widely exhibited in Europe, the Arts and Crafts style's simplicity inspired designers like
723:
619:
599:
397:
385:
3499:
3306:
Alan Crawford, "W. A. S. Benson, Machinery, and the Arts and Crafts Movement in Britain",
2686:
1157:
956:. Celtic revival took hold here, and motifs such as the Glasgow rose became popularised.
734:
was well represented in the exhibition with furniture, fabrics, carpets and embroideries.
373:
William Morris, a textile designer who was a key influence on the Arts and Crafts movement
313:
building in 1841, "rush chairs, oak tables", as "the Arts and Crafts interior in embryo."
8:
9566:
9398:
9390:
9231:
9062:
9044:
8731:
8316:
8232:
8201:
8079:
8042:
7843:
7729:
7576:
7249:
6935:
6921:
6527:
6450:
6328:
6248:
6226:
5704:
4243:"Construction Begins on $ 40 Million Museum of the American Arts & Crafts in Florida"
2748:
The ornamental art of Eugène Grasset: the dreamed unity of the arts in the industrial era
2578:
2408:
2293:
1702:
1687:
1672:
1588:
1532:
1459:
1214:, under the influence of Ruskin and Morris, a group of artists and architects, including
1173:
1140:
1004:
937:
906:
860:
575:
393:
178:
8810:
8054:
6588:
5102:
The first public museum exclusively dedicated to the American Arts & Crafts movement
4134:
4052:
Szczerski, Andrej (2005). "Central Europe". In Livingstone, Karen; Parry, Linda (eds.).
9440:
8773:
8381:
8321:
8064:
7986:
7922:
7736:
7697:
7540:
7441:
7368:
7195:
6982:
6757:
6631:
6561:
6423:
6418:
6195:
5960:
5925:
5727:
5699:
5677:
5332:
5259:
5205:
5185:
4956:
4638:
3661:
3059:
2318:
2188:
2040:
1656:
1624:
1370:
1362:
1285:
1169:
1136:
1105:
941:
735:
638:
389:
83:
8831:
8012:
7692:
3250:
913:(1838–1891), who had probably studied with Ballantine, and was directly influenced by
9406:
9178:
8996:
8501:
8454:
8424:
8284:
8154:
8069:
8059:
7724:
7707:
7581:
7200:
7163:
7134:
7087:
6950:
6896:
6886:
6876:
6767:
6445:
6357:
6347:
6334:
6323:
5986:
5915:
5890:
5846:
5723:
5657:
5647:
5506:
5501:
5433:
5395:
5222:
5170:
5157:
5060:
5022:
4982:
4963:
4926:
4833:
4809:
4799:
4773:
4754:
4728:
4707:
4701:
4686:
4664:
4645:
4622:
4603:
4541:
4222:
4197:
4057:
3970:
3942:
3915:
3888:
3862:
3841:
3788:
3715:
3585:
3344:
3324:
3281:
3209:
3076:
3066:
2921:
2884:
2861:
2844:
2821:
2666:
2625:
2572:
2473:
2463:
2443:
2418:
2393:
2288:
2253:
2230:
2117:
2102:
2036:
1969:
1921:
1679:
1644:
1640:
1584:
1528:
1516:
1485:
1254:
1177:
902:
845:
808:
727:
693:
673:
666:
579:
418:
6738:
6158:
4722:
4120:
2744:
L'art ornemental d'Eugène Grasset : l'unité rêvée des arts à l'ère industrielle
1265:
9455:
8837:
8783:
8741:
8444:
8237:
7875:
7782:
7660:
7373:
7356:
7314:
7309:
7304:
7222:
7168:
6891:
6836:
6733:
6701:
6672:
6551:
6544:
6539:
6512:
6374:
6369:
6046:
5807:
5637:
5254:
4901:
4383:
4316:
3102:
2646:
The Arts & Crafts movement in Europe & America: Design for the Modern World
2338:
1990:
1939:
1855:
1833:
1810:
1806:
1572:
1568:
1481:
1444:
1424:
1396:
1246:
1188:
1117:
918:
898:
790:
776:
755:
704:
689:
578:, advocated a more humane and personal relationship between employer and employee.
571:
197:
182:
163:
8565:
5107:
Catalog lists with images of the major American Arts & Crafts furniture makers
5087:
4913:
3310:, Vol. 24, Design, Culture, Identity: The Wolfsonian Collection (2002), pp. 94–117
1734:
1320:
963:
78:
movement. Others consider that it is the incarnation of Art Nouveau in England.
30:
This article is about the art and design movement. For handicrafts generally, see
9551:
9475:
9374:
9298:
9223:
9216:
9210:
9205:
9125:
9073:
8758:
8615:
8590:
8540:
8464:
8289:
8279:
8174:
8159:
8139:
8022:
7932:
7895:
7880:
7628:
7535:
7477:
7299:
7294:
7051:
7020:
6972:
6662:
6593:
6578:
6406:
6384:
6305:
6253:
6243:
6215:
6168:
6151:
6075:
6016:
6006:
5945:
5609:
5592:
5567:
5557:
5511:
5227:
5217:
5113:
4507:
4492:
3810:
2880:
My Revision Notes: Pearson Edexcel A Level Design and Technology (Product Design)
2566:
2548:
2533:
2518:
2503:
2499:
2448:
2378:
2348:
2343:
2200:
2171:
2161:
2141:
2086:
2070:
2014:
1927:
1885:
1861:
1652:
1580:
1552:
1464:
1400:
1392:
1358:
1342:
1258:
1250:
1242:
1215:
1135:
in about 1890, where the English style inspired artists and architects including
1077:
1056:
856:
812:
799:
731:
677:
567:
492:
408:
251:
162:, artificial, and ignorant of the qualities of the materials used. Art historian
59:
6642:
5106:
4997:
The rise of everyday design: The arts and crafts movement in Britain and America
3639:
3415:"Designer and Executant: An Argument Between Walter Crane and Lewis Foreman Day"
3378:, Japan Folk Crafts Museum/Glasgow Museums, Japan: Kodashani International, 1991
2077:, for whose projects she created numerous landscapes, and who designed her home
884:
9470:
9465:
9330:
9322:
8897:
8820:
8788:
8736:
8684:
8667:
8657:
8585:
8247:
8124:
8094:
7991:
7979:
7853:
7787:
7719:
7586:
7482:
7185:
6881:
6821:
6762:
6626:
6556:
6263:
6185:
6102:
5955:
5547:
5532:
5327:
5307:
5264:
5237:
4905:
2750:] (in French). Aix-Marseille University: HAL Open science (published 2019).
2428:
2398:
2368:
2363:
2333:
2323:
2058:
1975:
1620:
1608:
1544:
1512:
1316:
Arts and Crafts Tudor Home in the Buena Park Historic District, Uptown, Chicago
1312:
1235:
1204:
1196:
1192:
1161:
997:
968:
945:
933:, (c. 1880). His followers included Stephen Adam and his son of the same name.
914:
910:
868:
864:
835:
brought to England many ideas he had developed in Japan with the social critic
780:
708:
496:
381:
377:
346:
326:
297:
285:
259:
247:
133:
125:
47:
9342:
8401:
6270:
4886:
3080:
1349:
and designs produced on the Roycroft campus as publicized in Elbert Hubbard's
960:(1868–1928) and the Glasgow School of Art were to influence others worldwide.
707:, founded in 1875, was a prominent retailer of goods in the style and of the "
159:
9510:
9480:
8721:
8689:
8550:
8545:
8528:
8356:
8351:
8336:
8311:
8301:
8252:
7912:
7890:
7821:
7687:
7516:
7419:
7395:
7378:
7346:
7331:
7112:
7102:
7097:
7001:
6750:
6711:
6650:
6476:
6433:
6202:
6131:
6063:
5905:
5799:
5684:
5599:
5459:
5454:
4813:
2458:
2433:
2353:
2328:
2313:
2283:
2196:
2078:
2074:
2008:
1897:
1867:
1837:
1825:
1690:
and founded the Ipswich Summer School of Art, published in 1899 his landmark
1489:
1416:
1289:
1165:
1048:
972:
949:
930:
836:
832:
765:
685:
662:
650:
531:
425:
413:
309:
8206:
7351:
7013:
5097:
Furniture makers of America and Canada during the Arts & Crafts Movement
1675:' styles of residential building remain popular in the United States today.
9450:
8800:
8753:
8709:
8699:
8662:
8632:
8595:
8570:
8560:
8523:
8366:
8149:
8017:
7741:
7670:
7467:
7390:
7141:
7092:
6996:
6977:
6945:
6842:
6782:
6777:
6522:
6342:
6180:
6038:
6021:
5981:
5976:
5930:
5868:
5689:
5624:
5360:
5322:
5312:
5284:
5274:
5118:
2403:
2388:
2303:
2298:
2278:
2094:
2082:
2046:
1798:
1648:
1564:
1227:
1093:
1081:
1036:
1028:
1015:
772:
719:
658:
591:
551:
205:
8795:
6656:
3404:, New York and London: Garland, 1978, p.12 (Facsimile of the 1911 edition)
3141:
Jacqueline Sarsby" Alfred Powell: Idealism and Realism in the Cotswolds",
1504:, is an excellent example of the American Craftsman style in New England.
9275:
9172:
9135:
8716:
8679:
8620:
8496:
8491:
8486:
8434:
8429:
8371:
8274:
8211:
8164:
8104:
8074:
7996:
7838:
7676:
7665:
7638:
7608:
7472:
7446:
7363:
7284:
7272:
7227:
7217:
7212:
7190:
7151:
6987:
6962:
6847:
6809:
6716:
6684:
6636:
6364:
6292:
6085:
6026:
5940:
5878:
5838:
5709:
5642:
5418:
5365:
5190:
4849:
The Art that Is Life: The Arts & Crafts Movement in America 1875-1920
3941:. University of Wales Press on behalf of Welsh Arts Council. p. 28.
2468:
2438:
2258:
1915:
1783:
1779:
1556:
1458:
The first American Arts and Crafts Exhibition began on April 5, 1897, at
1440:
1379:
1109:
1040:
1014:
sought to renew interest in ancient building, reviving "rammed earth" or
989:
922:
603:
559:
555:
322:
281:
255:
243:
129:
102:
98:
75:
3911:
Villages of Britain: The Five Hundred Villages that Made the Countryside
1809:, Surrey, built between 1914 and 1917, with over 280 buildings, and the
1336:
Arts and Crafts home in the Birckhead Place neighborhood of Toledo, Ohio
1100:
were inspired by the Arts and Crafts movement when designing their home.
369:
9434:
9184:
8763:
8575:
8535:
8481:
8449:
8341:
8179:
8134:
8027:
7833:
7643:
7511:
7232:
7034:
6826:
6667:
6455:
6221:
6126:
6090:
6080:
6058:
5873:
5863:
5851:
5803:
5582:
5299:
3767:
Four Papers Read by Members of the Arts & Crafts Exhibition Society
3762:
3339:
William Morris, "Useful Work versus Useless Toil", in Asa Briggs (ed.)
2478:
2121:
1909:
1903:
1829:
1420:
1388:
1276:
31:
2140:(1892), and his influence has been noted in the social experiments of
1910:
The Arts & Crafts Church (Long Street Methodist Church and School)
1304:
1300:
Warren Wilson Beach House (The Venice Beach House), Venice, California
9490:
9429:
8825:
8815:
8778:
8610:
8600:
8580:
8406:
8376:
8109:
8032:
7451:
7237:
7074:
6831:
6532:
6481:
6379:
6190:
5996:
5967:
5652:
5604:
5551:
5537:
5317:
3885:
The Architecture of Wales: From the First to the Twenty-First Century
2308:
1802:
1125:
1088:
1032:
759:
751:
543:
499:, William Morris had no practical objections to the use of machinery
110:
87:
63:
5798:
3095:"John Ruskin – Artist Philosopher Writer – Arts & Crafts Leader"
2687:"Arts and Crafts movement | British and international movement"
8805:
8726:
8674:
8605:
8518:
8439:
8391:
8257:
8242:
8099:
8037:
7969:
7863:
7848:
7522:
7436:
7426:
7414:
7158:
6621:
6318:
6258:
5572:
5375:
5180:
5165:
3679:
3319:
Graeme Shankland, "William Morris – Designer", in Asa Briggs (ed.)
2020:
1636:
1508:
1383:
1354:
1223:
1184:
1131:
The earliest Arts and Crafts activity in continental Europe was in
1113:
595:
289:
106:
2215:
was set up on Arts and Crafts lines by the local borough council.
888:
Stained glass window, The Hill House, Helensburgh, Argyll and Bute
630:
organisations were formed in Britain, most between 1895 and 1905.
8866:
8144:
7947:
7885:
7702:
7601:
7341:
7068:
6901:
6507:
6107:
5991:
5246:
4948:
Arts and Crafts Architecture: History and Heritage in New England
4179:
3251:"National Trust, "Iconic Arts and Crafts home of William Morris""
2164:, the Birmingham School became a leading Arts-and-Crafts centre.
2137:
1873:
1817:, the first garden city, was inspired by Arts and Crafts ideals.
1211:
1132:
1121:
745:, a major late practitioner of the style in England, founded the
467:
contrasting images derive in part from John Ruskin's (1819–1900)
321:
The Arts and Crafts philosophy was derived in large measure from
97:
movement. It stood for traditional craftsmanship, and often used
7063:
4995:
Penick, Monica, Christopher Long, and Harry Ransom Center, eds.
4569:
Report of the Departmental Committee on the Royal College of Art
3700:
Letter, Joseph Nuttgens, London Review of Books, 13 May 2010 p 4
2167:
8768:
8627:
8119:
8049:
7618:
7530:
7385:
6616:
3714:(First ed.). New Haven and London: Yale University Press.
2777:
Psychosocial Conceptual Practice models in Occupational Therapy
1759:-- Walter Crane, "Of The Revival of Design and Handicraft", in
1738:
901:(1806–1877). His major works included the great west window of
337:
On the artistic side Ruskin was influenced by his contemporary
94:
9244:
5101:
4770:
Hand, Heart and Soul: The Arts and Crafts Movement in Scotland
3374:
Elisabeth Frolet, Nick Pearce, Soetsu Yanagi and Sori Yanagi,
2174:. Season ticket to The Arts and Craft Exhibition Society 1890.
1443:, collectors, writers and MFA trustees; Ross Turner, painter;
9445:
6852:
3582:
William Morris and the Arts and Crafts Movement: A Sourcebook
8954:
The Story of Sigurd the Volsung and the Fall of the Niblungs
4798:(25th anniversary ed.). Köln: Taschen. pp. 62–69.
4221:. Worcester, Mass.: Davis Publications Inc. pp. 4–111.
4020:
3449:
1763:, by Members of the Arts and Crafts Exhibition Society, 1893
1003:
A key promoter of the Arts and Crafts movement in Wales was
8704:
7506:
3820:
3818:
3045:
God's Architect: Pugin and the Building of Romantic Britain
2818:
Anarchy and Beauty: William Morris and his Legacy 1860–1960
2081:, near Godalming in Surrey. Jekyll created the gardens for
1596:
848:
of the 1940s also derived from Arts and Crafts principles.
74:, a British expression of what later came to be called the
2841:
C. R. Ashbee: Architect, Designer & Romantic Socialist
2594:
History of schools of economic thought on arts and culture
859:, detected the Arts and Crafts philosophy even behind the
585:
478:, Machinery, and the Arts and Crafts Movement in Britain"
357:
but was uninterested in his writings on painting, such as
8695:
Art in the Protestant Reformation and Counter-Reformation
1365:") included three companies established by his brothers.
711:" favoured by followers of the Arts and Crafts movement.
503:
so long as the machines produced the quality he needed."
268:
was a sort of manifesto for the Arts and Crafts movement.
136:. In Scotland, it is associated with key figures such as
4493:""Birmingham Institute of Art and Design" fineart.ac.uk"
4135:"The Arts & Crafts Movement – Concepts & Styles"
3815:
3620:
3562:
3538:
3514:
3353:
3264:
3262:
3260:
2517:
William Morris. Wallpaper Sample, Compton 323, c. 1917.
2061:
Memorial Library – near Petersfield, Hampshire – 1919–21
2017:– Rodmarton, near Cirencester, Gloucestershire – 1909–29
1261:
quite independently from the movement in Great Britain.
192:
Other works followed in a similar vein, such as Wyatt's
9597:
History of the London Borough of Hammersmith and Fulham
4196:. New York, NY: Harry N. Abrams, Inc. pp. 55–126.
3389:
A Few Chapters on Workshop Construction and Citizenship
3186:
2995:
2993:
2968:
2966:
2953:
2951:
2949:
2947:
2863:
Chapters in the History of the Arts and Crafts Movement
811:
and new initiatives were being taken in Britain by the
718:, which gave its name to the movement, was formed with
4857:
The Arts & Craft Movement in the Pacific Northwest
4550:
3602:"Crane, Walter, "Of the Arts and Crafts Movement", in
1805:
were built in the Arts and Crafts style, for example,
1655:
are some examples of the American Arts and Crafts and
1047:. Other architects practicing in Ireland included Sir
1035:. The architecture of the style is represented by the
325:'s social criticism, deeply influenced by the work of
296:
Some of the ideas of the movement were anticipated by
4082:
4070:
3935:
Davies, Hazel; Council, Welsh Arts (1 January 1988).
3739:
The Arts And Crafts Movements in Dublin and Edinburgh
3550:
3526:
3437:
3257:
3219:
2105:
to divide the garden into a series of outdoor rooms.
3881:"'Arts and Crafts' to Early Modernism, 1900 to 1939"
3859:
Christopher Dresser: The People Designer – 1834–1904
3604:
Ideals In Art: Papers Theoretical Practical Critical
3231:
2990:
2963:
2944:
542:
Many of the Arts and Crafts movement designers were
412:
as inspired and absolute truth." The medievalism of
4661:
The Arts and Crafts Movement in Scotland: A History
4591:
4382:
4315:
4219:
Pedro de Lemos, Lasting Impressions: Works on Paper
3753:, Vol. 56, No. 2918, 23 October 1908, pp. 1023–1024
2877:Sumpner, Dave; Morrison, Julia (28 February 2020).
2622:
The Grove Encyclopedia of Decorative Arts, Volume 1
1836:moved from Yorkshire to Letchworth Garden City and
1782:, London, designed for Morris in 1859 by architect
1705:Museum and Art Gallery, and Editor-in-Chief of the
1051:(Heywood House in Co. Laois, Lambay Island and the
574:. Those adherents who were not socialists, such as
4955:
4885:
4683:Furniture of the American Arts and Crafts Movement
4637:
4173:"The Most Famous House in Every State. Image #29:
4017:, Irish Arts Review Yearbook, 1990–91, pp. 172–185
3769:, London: Arts and Crafts Exhibition Society, 1935
3058:
1611:all demonstrate the influence of Arts and Crafts.
1328:Observe the faceted bay window and the stone base.
1230:. Many of Kós's buildings, including those in the
1124:style. Pevsner regarded the style as a prelude to
722:as president, holding its first exhibition in the
4663:. Paul Mellon Centre for Studies in British Art.
4272:. FOX 13 Pinellas Bureau Reporter. Archived from
3962:
3765:, "The Craftsman and Education for Industry", in
1257:sought to revive the quality of medieval Russian
1128:, which used simple forms without ornamentation.
803:purpose than an ordinary mass produced article."
445:The weaving shed in Morris & Co's factory at
9508:
9496:The Ruskin - Library, Museum and Research Centre
4245:. ARTFIX Daily. 18 February 2015. Archived from
4194:Arthur Wesley Dow and American arts & crafts
4162:University of Massachusetts Press, 2009. p. 113.
3662:"Endeavours towards an Arts & Crafts Utopia"
2812:
2810:
2808:
2806:
2763:Ruskin en Belgique: passage en revue (1880-1930)
1076:founded in 1898 by Karl Schmidt; and in Hungary
3963:Rothkirch, Alyce von; Williams, Daniel (2004).
2876:
1719:Museum of the American Arts and Crafts Movement
1686:(1882–1954) in California. Dow, who taught at
495:said of Morris that "unlike later zealots like
457:
169:Design reform began with Exhibition organizers
4309:
4015:The Irish Arts and Crafts Movement (1886–1925)
1324:Example of Arts and Crafts style influence on
9260:
8882:
5784:
5134:
5017:Teehan, Virginia; Heckett, Elizabeth (2005).
5016:
4748:
4540:, London: University of London Press, 1970.
4532:
4530:
4528:
4042:, Massachusetts Institute of Technology, 1998
4026:
3934:
3376:Mingei: The Living Tradition in Japanese Arts
3341:William Morris: Selected Writings and Designs
3321:William Morris: Selected Writings and Designs
3308:The Journal of Decorative and Propaganda Arts
3123:
2866:. Bohemia Guild of the Industrial Art League.
2803:
1183:In Finland, an idealistic artists' colony in
590:In Britain, the movement was associated with
5148:
5056:Edward Burne-Jones, Victorian artist-dreamer
4900:(online ed.). Oxford University Press.
4832:. Fletcher, NC: Knock On Wood Publications.
4270:"New, bigger, art museum coming to St. Pete"
4235:
2775:Moses N. Ikiugu and Elizabeth A. Ciaravino,
1074:Vereinigte Werkstätten für Kunst im Handwerk
909:, Edinburgh. In Glasgow it was pioneered by
867:(1931–2020) and the founding of the British
4538:The History and Philosophy of Art Education
3469:"V&A, "Victorian Dress at the V&A""
2835:
2833:
2729:Coline Blot - Espace Saint-Cyprien,Toulouse
2049:– University College Cork, Ireland – c.1916
1222:, and Ede Toroczkai Wigand, discovered the
9267:
9253:
8889:
8875:
5791:
5777:
5141:
5127:
5004:Architects of the arts and crafts movement
4793:
4749:Cumming, Elizabeth; Kaplan, Wendy (1991).
4658:
4525:
4192:Green, Nancy E. and Jessie Poesch (1999).
4114:
4112:
4110:
3887:. University of Wales Press. p. 221.
3737:Nicola Gordon Bowe and Elizabeth Cumming,
3014:
3012:
3010:
3008:
2912:
2910:
2908:
2906:
2904:
2902:
2900:
2820:, London: National Portrait Gallery, 2014
2485:
2108:Another notable Arts and Crafts garden is
1981:Belrock - Greater Sudbury, Ontario - 1907
232:must have precedence over ornamentation."
158:, which they considered to be excessively
4920:
4889:designer, author, and visionary socialist
4883:
4644:. Philadelphia: Temple University Press.
4616:
4376:
4210:
4121:"The Arts and Crafts Movement in America"
4051:
3969:. University of Wales Press. p. 10.
3824:
3785:The Crafts in Britain in the 20th Century
3779:
3777:
3775:
3733:
3731:
3626:
3568:
3544:
3520:
3455:
3370:
3368:
3359:
3282:"The Arts and Crafts Movement in America"
3268:
3137:
3135:
3056:
2741:
1843:
1480:Built in 1913–14 by the Boston architect
1268:'s work shows Arts and Crafts influence.
807:industry through initiatives such as the
194:Industrial Arts of the Nineteenth Century
143:
93:In Japan, it emerged in the 1920s as the
9082:Tristram and Isoude stained glass panels
9021:Child Christopher and Goldilind the Fair
5059:. New York: Metropolitan Museum of Art.
4979:Textiles of the Arts and Crafts Movement
4388:"Castle Drogo park and garden (1000452)"
3430:Peter Floud, "The crafts then and now",
3426:
3424:
2830:
2760:
2619:
2562:Modern Style (British Art Nouveau style)
2236:
2166:
1942:– Ayot St Lawrence, Hertfordshire – 1902
1455:; and Ralph Clipson Sturgis, architect.
1331:
1319:
1311:
1303:
1295:
1275:
1087:
962:
883:
785:
676:was initiated by five young architects,
440:
424:
368:
280:
234:
42:
5052:
5011:Gardens of the Arts and Crafts Movement
4897:Oxford Dictionary of National Biography
4827:
4822:The arts and crafts movement in Britain
4794:Fiell, Charlotte; Fiell, Peter (2005).
4767:
4720:
4699:
4680:
4267:
4261:
4216:
4118:
4107:
3878:
3709:
3225:
3208:. New York: Dover Publications. p. 38.
3039:
3037:
3005:
2897:
2703:
2615:
2613:
2611:
2609:
2547:Mueller Mosaic Company. Tile, ca. 1910
2055:– Geraldton Western Australia 1916–1938
1813:, Sussex, built between 1939 and 1971.
1631:, and other architects in Chicago, the
1614:
1238:in the same city, show this influence.
988:campaign. But in Wales, at least until
952:' which was based on the talent of the
936:The Glasgow-born designer and theorist
657:, a partnership of designers including
586:Association with other reform movements
485:
14:
9509:
8472:Contemporary Indigenous Australian art
5088:Fiona MacCarthy, "The old romantics",
4953:
4855:Kreisman, Lawrence, and Glenn Mason.
4851:. New York: Little, Brown and Company.
4846:
4721:Cathers, David M. (20 February 2017).
4556:
4512:Birmingham Institute of Art and Design
4088:
4076:
4003:from the original on 22 December 2015.
3772:
3728:
3556:
3532:
3443:
3365:
3237:
3192:
3132:
2999:
2972:
2957:
2859:
2853:
2656:
2654:
944:and a major contributor to the allied
204:("Science, Industry and Art") (1852),
9248:
8870:
6492:Art of the late 16th century in Milan
5772:
5122:
4976:
4635:
4597:
4467:Journal of the William Morris Society
4191:
4185:
3907:
3421:
2722:
2029:– Benhilton, Sutton, London – 1912–14
1900:– Chislehurst, Bromley, London – 1899
1062:
1055:in Dublin) and Frederick 'Pa' Hicks (
258:inspired by the 15th-century printer
9131:List of works by the Kelmscott Press
5743:
3751:Journal of the Royal Society of Arts
3034:
2938:"V&A, "Wallpaper Design Reform""
2660:
2606:
2213:Camberwell School of Arts and Crafts
2203:were inspectors and advisors to the
2150:Birmingham School of Arts and Crafts
2023:– Havelock North, New Zealand – 1912
1906:– Ulverscroft, Leicestershire – 1899
1253:, and other artists associated with
1031:the best-known artist and also with
879:
798:and weaving, jewelry and metalwork,
643:Home Arts and Industries Association
396:with a commitment to social reform.
50:' design for Trellis wallpaper, 1862
4864:Canadian Review of American Studies
4505:
4364:from the original on 28 August 2016
4268:Nichols, Steve (18 February 2015).
3879:Hilling, John B. (15 August 2018).
3840:(London: Thames and Hudson, 2000),
3148:
2651:
2132:Morris's ideas were adopted by the
1053:Irish National War Memorial Gardens
826:
24:
8896:
7827:Vienna School of Fantastic Realism
6678:Neoclassical architecture in Milan
4393:National Heritage List for England
4326:National Heritage List for England
4182:website. Retrieved April 29, 2019.
3861:(Antique Collectors' Club, 2005),
3678:. Courtbarn.org.uk. Archived from
3158:, Cambridge University Press, 1968
2648:, Los Angeles County Museum of Art
2532:Newcomb Pottery. Vase, 1902–1904.
1882:– San Francisco, California – 1895
1864:– Wolverhampton, England – 1887–93
1820:The first houses were designed by
1682:(1857–1922) on the East Coast and
1308:Gamble House, Pasadena, California
716:Arts and Crafts Exhibition Society
527:Arts and Crafts Exhibition Society
122:Arts and Crafts Exhibition Society
58:was an international trend in the
36:Arts & Crafts (disambiguation)
25:
9613:
9005:The Story of the Glittering Plain
7901:American Figurative Expressionism
6237:International Gothic art in Italy
5092:, Saturday 5 March 2005 01.25 GMT
5081:
5019:The Honan Chapel: A Golden Vision
4943:(Routledge, 2020) pp. 57–77.
4876:(Routledge, 2014) pp. 33–43
4685:. The New American Library, Inc.
4600:American Arts and Crafts Textiles
3584:, New York, Portland House, 1989
3156:The Nature and Art of Workmanship
2725:"L'inspiration Arts & Crafts"
2209:Central School of Arts and Crafts
1948:– Seattle, Washington – 1903–1906
1607:, and idiosyncratic furniture of
863:(1951), the work of the designer
364:
276:
202:Wissenschaft, Industrie und Kunst
9341:
9110:William Morris wallpaper designs
8851:
8850:
7410:Neue Künstlervereinigung München
5742:
5733:
5732:
5722:
5290:Traditional ecological knowledge
5236:
5049:(Parkstone International, 2014).
4592:Bibliography and further reading
4574:
4562:
4499:
4056:. London: V&A Publications.
2706:"L'Art Nouveau en trois minutes"
2644:Wendy Kaplan and Alan Crawford,
2584:William Morris wallpaper designs
2540:
2525:
2510:
2492:
2127:
2065:
1978:– Holland Park, London – 1905–07
1934:All Saints' Church, Brockhampton
1876:– East Grinstead, England – 1894
1858:– Cambridge, England – 1886–1926
1749:
1271:
1080:revived the vernacular style of
817:Design in Industries Association
771:Morris's thought influenced the
461:
148:
9307:The Seven Lamps of Architecture
9274:
9037:The Water of the Wondrous Isles
8332:Tunisian collaborative painting
7805:International Typographic Style
5588:Science, technology and society
5021:. Cork: Cork University Press.
4753:. London: Thames & Hudson.
4743:Arts & crafts stained glass
4485:
4457:
4432:
4407:
4340:
4300:
4288:
4171:Cahn, Lauren. (March 13, 2019)
4165:
4152:
4127:
4094:
4045:
4032:
4007:
3983:
3956:
3928:
3908:Aslet, Clive (4 October 2010).
3901:
3872:
3851:
3830:
3797:
3787:, Yale University Press, 1999.
3756:
3743:
3703:
3694:
3668:
3654:
3642:. Society of Designer Craftsmen
3640:"Society of Designer Craftsmen"
3632:
3606:, George Bell & Sons, 1905"
3594:
3574:
3488:
3475:
3461:
3407:
3394:
3381:
3343:, Harmondsworth: Penguin, 1980
3333:
3323:, Harmondsworth: Penguin, 1980
3313:
3300:
3274:
3243:
3198:
3174:
3161:
3117:
3087:
3057:Blakesley, Rosalind P. (2006).
3050:
2978:
2930:
2920:, Yale University Press, 2005,
2870:
2843:, Yale University Press, 2005.
2665:. Manchester University Press.
1924:– Islington, London – 1900–1907
1894:– Lake District, England – 1898
1745:
1643:style of houses popularized by
1226:and vernacular architecture of
351:The Seven Lamps of Architecture
9294:(written 1842, published 1851)
9105:William Morris textile designs
8913:Golden Wings and Other Stories
8085:The Caribbean Artists Movement
5047:The arts & crafts movement
4887:"Morris, William (1834–1896),
4617:Blakesley, Rosalind P (2006).
3914:. A&C Black. p. 477.
3286:The Metropolitan Museum of Art
3124:Brock Kennedy, Travis (2018).
2769:
2754:
2735:
2716:
2697:
2679:
2638:
2589:William Morris textile designs
2269:Rowland Wilfred William Carter
1966:– San Diego, California – 1905
1888:– Bloomsbury, London – 1896–98
747:Guild and School of Handicraft
730:'s Winter Exhibition of 1881.
609:
316:
302:Gothic Revival in architecture
187:Supplementary Report on Design
27:Design movement (c. 1880–1920)
13:
1:
6441:Dutch and Flemish Renaissance
5429:Religion and environmentalism
4981:. London: Thames and Hudson.
4602:. New York: Harry N. Abrams.
4469:11.1, August 1994, pp. 31–34"
4123:. Metropolitan Museum of Art.
4119:Obniski, Monica (June 2008).
4054:International Arts and Crafts
3712:Arts and Crafts Stained Glass
3145:, Vol. 10, No. 4, pp. 375–397
2860:Triggs, Oscar Lovell (1902).
2782:"Arts and Crafts Style Guide"
2599:
2144:during the mid-20th century.
2085:, the home of York architect
2053:St Francis Xavier's Cathedral
2011:– Berkeley, California – 1909
1999:– Pasadena, California – 1908
1987:– Pasadena, California – 1907
925:. His key works included the
616:1862 International Exhibition
384:– a group of students at the
300:(1812–1852), a leader in the
9291:The King of the Golden River
8556:Modern European ink painting
7928:Bay Area Figurative Movement
5492:Environmental interpretation
4914:UK public library membership
4788:Journal of Victorian Culture
4659:Carruthers, Annette (2013).
4619:The arts and crafts movement
4582:Should We Stop Teaching Art?
3402:Should We Stop Teaching Art?
3061:The arts and crafts movement
3020:"Victoria and Albert Museum"
2984:Quoted in Nikolaus Pevsner,
2765:. Paris: Classiques Garnier.
2742:Froissart, Rossella (2011).
1972:– Manchester, England – 1905
1960:– Blackfriars, London – 1905
1954:– Birmingham, England – 1904
1930:– Forest Hill, London – 1901
1912:– Manchester, England – 1900
1852:– Bexleyheath, London – 1859
1725:, opened its doors in 2021.
1527:, utopian communities like
1423:, one of the first American
874:
703:The London department store
537:
458:Social and design principles
156:the Great Exhibition of 1851
7:
9029:The Well at the World's End
8217:Artificial intelligence art
5465:Environmental communication
4830:Arts & Crafts Shopmarks
4768:Cumming, Elizabeth (2006).
4217:Edwards, Robert W. (2015).
2761:Brogniez, Laurence (2011).
2624:. Oxford University Press.
2555:
2502:. Dropfront Desk, ca. 1903
2227:Should We Stop Teaching Art
1870:– Leicester, England – 1892
1699:San Francisco Art Institute
1671:, Prairie School, and the '
1633:Country Day School movement
892:
851:One of its main promoters,
525:Few of the founders of the
516:William Arthur Smith Benson
449:, which opened in the 1880s
116:The term was first used by
10:
9618:
9532:Arts in the United Kingdom
9461:Pre-Raphaelite Brotherhood
9383:The Passion of John Ruskin
9191:Pre-Raphaelite Brotherhood
8989:The Roots of the Mountains
8932:The Haystack in the Floods
8130:Post-painterly abstraction
7953:Situationist International
7327:Pennsylvania Impressionism
5280:Environmental anthropology
4950:(UP of New England, 2014).
4796:Design of the 20th Century
4751:Arts & Crafts Movement
4700:Cathers, David M. (2014).
4681:Cathers, David M. (1981).
3496:"Arts and Crafts movement"
3206:The Life of William Morris
3047:, London: Allen Lane, 2007
2790:Victoria and Albert Museum
1712:
1593:Colorado Springs, Colorado
1541:Mountain Lakes, New Jersey
1507:Also influential were the
1021:
831:The British artist potter
29:
9587:20th-century architecture
9582:19th-century architecture
9417:
9350:
9339:
9282:
9165:
9144:
9118:
9072:
9055:
9013:The Wood Beyond the World
8981:The House of the Wolfings
8964:
8923:
8904:
8846:
8650:
8415:
8225:
8005:
7797:
7781:
7713:California Scene Painting
7592:California Scene Painting
7548:Figurative Constructivism
7460:
7265:
7044:
7033:
6863:
6800:
6693:
6609:
6599:Poussinists and Rubenists
6500:
6304:
6037:
5837:
5828:
5815:
5718:
5623:
5525:
5447:
5409:
5341:
5298:
5245:
5234:
5156:
5053:Wildman, Stephen (1998).
4921:MacCarthy, Fiona (1994).
4884:MacCarthy, Fiona (2009).
4415:"The Gardens at Goddards"
4027:Teehan & Heckett 2005
3143:Journal of Design History
3128:. Columbia University NY.
3126:The great flaw in the man
2986:Pioneers of Modern Design
2918:Pioneers of Modern Design
2620:Campbell, Gordon (2006).
2359:Charles Rennie Mackintosh
2005:– Oregon, Illinois – 1909
1577:Mary Chase Perry Stratton
1537:Rose Valley, Pennsylvania
1018:construction in Britain.
958:Charles Rennie Mackintosh
821:Pioneers of Modern Design
641:and others initiated the
392:, who combined a love of
288:'s house "The Grange" in
138:Charles Rennie Mackintosh
9577:20th century in the arts
9572:19th century in the arts
9517:Arts and Crafts movement
9486:Ruskin School of Drawing
9425:Arts and Crafts movement
9196:Arts and Crafts movement
9065:(1857-1859) (co-creator)
8811:Prehistoric European art
8460:Contemporary African art
7943:Gendai Bijutsu Kondankai
7871:Generación de la Ruptura
7498:Universal Constructivism
7290:California Impressionism
7245:American Barbizon school
5695:Sustainable architecture
5633:Arts and Crafts movement
5497:Environmental journalism
5391:Environmental philosophy
5150:Environmental humanities
4962:. London: Studio Vista.
4954:Naylor, Gillian (1971).
4874:Theorizing Cultural Work
4444:www.nationaltrust.org.uk
4419:www.nationaltrust.org.uk
4355:www.nationaltrust.org.uk
4321:"Bishopsbarns (1256793)"
2723:Férré, Benjamin (2015).
2704:Maingon, Claire (2018).
2661:King, Brenda M. (2005).
2181:Manchester School of Art
2043:, New Hampshire – 1913-4
979:
967:The Robert Owen Museum,
56:Arts and Crafts movement
8638:Walking Artists Network
7975:Letterist International
7815:Washington Color School
6729:Arts in the Philippines
5517:Thematic interpretation
5470:Environmental education
5270:Ecological anthropology
5176:Environmental sculpture
5039:247.1 (2020): 151–196.
4828:Johnson, Bruce (2012).
4440:"The Garden at Hidcote"
3710:Cormack, Peter (2015).
3204:Mackail, J. W. (2011).
2691:Encyclopedia Britannica
2486:Decorative arts gallery
2374:George Washington Maher
2193:Liverpool School of Art
1985:Robert R. Blacker House
1918:– Sandgate, Kent – 1900
1788:vernacular architecture
1728:
1723:St. Petersburg, Florida
1629:George Washington Maher
1539:, developments such as
1511:community initiated by
1437:William Sturgis Bigelow
1326:Federation architecture
1220:Aladár Körösfői-Kriesch
1201:National Romantic style
1147:, and a group known as
1045:University College Cork
698:George Blackall Simonds
624:South Kensington Museum
9592:Edwardian architecture
9537:American art movements
9157:William Morris Society
9152:William Morris Gallery
8749:Illuminated manuscript
8397:The Designers Republic
8347:Neue Slowenische Kunst
8270:Pattern and Decoration
8170:Institutional critique
7810:Abstract expressionism
6790:Latin American Baroque
6746:Colonial Asian Baroque
5668:Landscape architecture
5615:Sustainability studies
5424:Environmental theology
5045:Triggs, Oscar Lovell.
5002:Richardson, Margaret.
4906:10.1093/ref:odnb/19322
4866:44.2 (2014): 281–301.
4847:Kaplan, Wendy (1987).
4636:Boris, Eileen (1986).
4598:Ayers, Dianne (2002).
4296:The Road to Wigan Pier
3485:, Lund Humphries, 1981
2414:Edward Schroeder Prior
2304:Thomas Phillips Figgis
2274:T. J. Cobden-Sanderson
2264:Herbert Tudor Buckland
2249:William Swinden Barber
2175:
2134:New Education Movement
1993:, Bickley, Kent – 1907
1844:Architectural examples
1815:Letchworth Garden City
1761:Arts and Crafts Essays
1595:, as well as the art
1549:Grueby Faience Company
1478:
1403:. In Canada, the term
1337:
1329:
1317:
1309:
1301:
1293:
1203:, akin to the British
1145:Gustave Serrurier-Bovy
1101:
976:
889:
794:
548:T. J. Cobden Sanderson
450:
434:
400:notes that "Carlyle's
374:
293:
269:
144:Origins and influences
118:T. J. Cobden-Sanderson
51:
34:. For other uses, see
9547:British art movements
9100:Holy Grail tapestries
9093:Adoration of the Magi
8387:Artist-run initiative
8362:Young British Artists
8327:New European Painting
8263:Moscow Conceptualists
8185:Feminist art movement
7963:Ukrainian underground
7938:Gutai Art Association
7337:Ten American Painters
6841:Western influence in
5818:List of art movements
5487:Environmental history
5386:Environmental justice
4977:Parry, Linda (2005).
4859:(Timber Press, 2007).
4158:Brandt, Beverly Kay.
3809:May 15, 2010, at the
2244:Charles Robert Ashbee
2237:Leading practitioners
2205:London County Council
2183:and subsequently the
2170:
2003:Oregon Public Library
1946:Pierre P. Ferry House
1793:The London suburb of
1684:Pedro Joseph de Lemos
1547:– exemplified by the
1521:East Aurora, New York
1494:Tom and Olive Plant's
1473:
1447:, art critic for the
1335:
1323:
1315:
1307:
1299:
1284:and lawn overlooking
1279:
1160:, founded in 1903 by
1120:, and eventually the
1091:
1070:Bund für Heimatschutz
1012:Clough Williams-Ellis
966:
954:Glasgow School of Art
887:
789:
665:, Clement Heaton and
635:Eglantyne Louisa Jebb
604:the folk-song revival
444:
428:
372:
331:industrial revolution
284:
238:
46:
9562:History of furniture
9522:Architectural styles
9315:The Stones of Venice
8973:A Dream of John Ball
8946:The Earthly Paradise
8939:Masters in This Hall
8197:Saqqakhaneh movement
8090:Chicano art movement
7958:Soviet Nonconformist
7764:Boston Expressionism
7747:Abstraction-Création
7565:Arbeitsrat für Kunst
7558:Cologne Progressives
7278:Art Nouveau in Milan
7081:Anglo-Japanese style
7057:National romanticism
6487:Fontainebleau School
6397:Northern Renaissance
6232:International Gothic
5663:Environmental design
5543:Biophilia hypothesis
5381:Environmental ethics
5351:Aesthetics of nature
5013:(Timber Press, 2018)
4508:"Keeper of Archives"
4175:Castle in the Clouds
4013:Nicola Gordon Bowe,
3664:. Utopia Britannica.
3400:"C. R. Ashbee,
3387:Ashbee, C. R.,
2883:. Hodder Education.
2454:Phoebe Anna Traquair
2384:Henry Chapman Mercer
2185:Royal College of Art
2110:Hidcote Manor Garden
2033:Castle in the Clouds
2027:Sutton Garden Suburb
1880:Swedenborgian Church
1707:School Arts Magazine
1615:Architecture and art
1605:Pasadena, California
1601:Ernest A. Batchelder
1498:Castle in the Clouds
1496:mountaintop estate,
1469:Charles Eliot Norton
1411:is also recognized.
1282:Castle in the Clouds
1199:, who worked in the
1098:Karin Bergöö Larsson
1092:The Swedish artists
600:garden city movement
546:, including Morris,
486:Critique of industry
469:The Stones of Venice
406:stood alongside of
398:John William Mackail
386:University of Oxford
355:The Stones of Venice
265:The Stones of Venice
262:. This chapter from
240:The Nature of Gothic
216:(1876), and Jones's
210:Analysis of Ornament
120:at a meeting of the
9399:Desperate Romantics
9232:Desperate Romantics
9063:Oxford Union murals
9045:The Sundering Flood
8732:Hierarchy of genres
8297:Saint Soleil School
8233:Post-conceptual art
8202:The Stars Art Group
8080:Black Arts Movement
8043:Neo-Dada Organizers
7844:Lyrical abstraction
7577:Australian tonalism
7250:California Tonalism
6922:Hudson River School
6725:Colonial Asian art
6465:English Renaissance
6414:Ghent–Bruges school
6402:Early Netherlandish
6314:Italian Renaissance
6227:Gothic art in Milan
5705:Sustainable fashion
5009:Tankard, Judith B.
4925:. Faber and Faber.
4790:20.1 (2015): 65–86.
4348:"The Art of Design"
4276:on 21 February 2015
3749:"Arts and Crafts",
3676:"Court Barn Museum"
3105:on 18 December 2019
3099:www.arts-crafts.com
3065:. London: Phaidon.
2710:Beaux Arts Magazine
2579:Charles Prendergast
2409:Alfred Hoare Powell
2319:Greene & Greene
2294:Christopher Dresser
2118:Hestercombe Gardens
1801:residents. Several
1703:Stanford University
1688:Columbia University
1673:California bungalow
1589:Van Briggle Pottery
1533:Woodstock, New York
1460:Copley Hall, Boston
1453:A.W. Longfellow Jr.
1433:Museum of Fine Arts
1427:for social reform.
1174:modern architecture
1150:La Libre Esthétique
1141:Gabriel Van Dievoet
1108:and styles such as
1005:Owen Morgan Edwards
938:Christopher Dresser
907:St. Giles Cathedral
905:and the scheme for
861:Festival of Britain
649:In 1882, architect
576:Alfred Hoare Powell
394:Romantic literature
222:Grammar of Ornament
218:Grammar of Ornament
212:(1856), Redgrave's
179:Matthew Digby Wyatt
9441:Guild of St George
8774:Landscape painting
8382:New Leipzig School
8322:Neo-conceptual art
8070:Art & Language
8065:Capitalist realism
7987:Florida Highwaymen
7923:Hard-edge painting
7737:Streamline Moderne
7698:Harlem Renaissance
7541:Novecento Italiano
7369:Deutscher Werkbund
7196:Post-Impressionism
6758:Latin American art
6562:Guild of Romanists
6424:German Renaissance
6419:Northern Mannerism
5728:Environment portal
5700:Sustainable design
5333:Outdoor literature
5260:Cultural landscape
5186:Landscape painting
5112:2017-06-21 at the
5037:Past & Present
4946:Meister, Maureen.
4727:. Marquand Books.
4706:. Marquand Books.
4536:Stuart Macdonald,
4481:on 5 January 2015.
4038:Ákos Moravánszky,
3682:on 29 January 2010
3608:. Chestofbooks.com
3471:. 14 January 2011.
3458:, p. 640-663.
2916:Nikolaus Pevsner,
2220:Board of Education
2189:Robert Anning Bell
2176:
2103:herbaceous borders
2041:Lake Winnipesaukee
1952:Winterbourne House
1701:, Director of the
1657:American Craftsman
1625:Frank Lloyd Wright
1561:Marblehead Pottery
1407:predominates, but
1371:American Craftsman
1338:
1330:
1318:
1310:
1302:
1294:
1286:Lake Winnipesaukee
1170:Deutscher Werkbund
1153:(Free Aesthetic).
1137:Henry Van de Velde
1106:Henry van de Velde
1102:
1063:Continental Europe
1043:in the grounds of
977:
942:Aesthetic Movement
890:
795:
736:Edward Burne-Jones
639:Mary Fraser Tytler
474:— Alan Crawford, "
451:
435:
390:Edward Burne-Jones
375:
294:
270:
84:Henry van de Velde
52:
9504:
9503:
9402:(2009 miniseries)
9378:(1975 miniseries)
9242:
9241:
9179:Jane Alice Morris
8997:News from Nowhere
8864:
8863:
8646:
8645:
8502:Corporate Memphis
8455:Classical Realism
8425:Amazonian pop art
8317:Appropriation art
8285:Neo-expressionism
8155:Environmental art
8060:Nouvelle tendance
7777:
7776:
7725:Socialist realism
7582:Dresden Secession
7201:Neo-Impressionism
7164:Decadent movement
7135:Heidelberg School
7029:
7028:
6927:American luminism
6912:Düsseldorf School
6907:Shoreham Ancients
6897:Nazarene movement
6887:Danish Golden Age
6768:Indochristian art
6446:Antwerp Mannerism
6335:Pittura infamante
6329:Florentine School
6324:Proto-Renaissance
5766:
5765:
5658:Educational trail
5648:Ecological design
5507:Outdoor education
5502:Environmental law
5434:Spiritual ecology
5396:Predation problem
5223:Site-specific art
5171:Environmental art
5066:978-0-87099-858-4
5028:978-1-85918-346-5
4912:(Subscription or
4839:978-1-4507-9024-6
4820:Greensted, Mary.
4779:978-1-84158-419-5
4734:978-0-615-98869-6
4713:978-0-692-21348-3
4670:978-0-300-19576-7
4628:978-0-7148-4967-6
4228:978-1-61528-405-4
4063:978-1-85177-446-3
3976:978-0-7083-1886-7
3948:978-0-7083-0997-1
3921:978-0-7475-8872-6
3894:978-1-78683-285-6
3804:Designing Britain
3721:978-0-300-20970-9
3214:978-0-486-28793-5
3195:, pp. 96–97.
3072:978-0-7148-3849-6
2890:978-1-5104-7422-2
2816:Fiona MacCarthy,
2786:British Galleries
2672:978-0-7190-6700-6
2631:978-0-19-518948-3
2573:The English House
2474:Christopher Whall
2464:Margaret Ely Webb
2444:Ellen Gates Starr
2419:Hugh C. Robertson
2394:William De Morgan
2289:Lewis Foreman Day
2254:Barnsley brothers
2231:Lewis Foreman Day
2114:Lawrence Johnston
2037:Ossipee Mountains
1970:Edgar Wood Centre
1922:Caledonian Estate
1769:
1768:
1737:, creator of the
1680:Arthur Wesley Dow
1645:Greene and Greene
1641:ultimate bungalow
1529:Byrdcliffe Colony
1486:Ossipee Mountains
1449:Boston Transcript
1425:settlement houses
1345:in his magazine,
1255:Abramtsevo Colony
1178:Hermann Muthesius
1158:Wiener Werkstätte
1010:In architecture,
927:Baptism of Christ
903:Dunfermline Abbey
880:The British Isles
846:Utility furniture
809:Deutsche Werkbund
728:Grosvenor Gallery
705:Liberty & Co.
694:Gerald C. Horsley
674:Art Workers Guild
667:Benjamin Creswick
620:St James's Palace
580:Lewis Foreman Day
512:C. R. Ashbee
483:
482:
429:William Morris's
342:Viollet le Duc.
181:(1820–1877), and
18:Arts & Crafts
16:(Redirected from
9609:
9456:Pathetic fallacy
9345:
9269:
9262:
9255:
9246:
9245:
9087:Strawberry Thief
9074:Morris & Co.
8891:
8884:
8877:
8868:
8867:
8854:
8853:
8838:Western painting
8784:Modern sculpture
8742:History painting
8445:Art intervention
8238:Installation art
8055:Nouveau réalisme
7795:
7794:
7769:Leningrad School
7661:Mexican muralism
7634:Grosvenor School
7374:American Realism
7357:Der Blaue Reiter
7315:Berlin Secession
7310:Vienna Secession
7305:Munich Secession
7223:Pont-Aven School
7042:
7041:
6892:Troubadour style
6870:(c. 1770 – 1862)
6837:Qing handicrafts
6803:Western elements
6734:Letras y figuras
6707:African-American
6702:African diaspora
6673:Directoire style
6584:Heptanese school
6567:Dutch Golden Age
6552:Stroganov School
6545:Lutheran Baroque
6540:Louis XIII style
6513:Baroque in Milan
6375:Bolognese School
6370:High Renaissance
6353:Forlivese School
6348:Ferrarese School
6071:Migration Period
5835:
5834:
5793:
5786:
5779:
5770:
5769:
5746:
5745:
5736:
5735:
5726:
5638:Acoustic ecology
5371:Ecophenomenology
5356:Critical realism
5255:Cultural ecology
5240:
5143:
5136:
5129:
5120:
5119:
5077:
5075:
5073:
5032:
4999:(Yale UP, 2019).
4992:
4973:
4961:
4936:
4917:
4909:
4893:
4852:
4843:
4817:
4783:
4764:
4745:(Yale UP, 2015).
4741:Cormack, Peter.
4738:
4717:
4696:
4674:
4655:
4643:
4632:
4613:
4585:
4578:
4572:
4566:
4560:
4554:
4548:
4534:
4523:
4522:
4520:
4518:
4503:
4497:
4496:
4489:
4483:
4482:
4480:
4474:. Archived from
4473:
4461:
4455:
4454:
4452:
4450:
4436:
4430:
4429:
4427:
4425:
4411:
4405:
4404:
4402:
4400:
4384:Historic England
4380:
4374:
4373:
4371:
4369:
4363:
4352:
4344:
4338:
4337:
4335:
4333:
4317:Historic England
4313:
4307:
4304:
4298:
4292:
4286:
4285:
4283:
4281:
4265:
4259:
4258:
4256:
4254:
4239:
4233:
4232:
4214:
4208:
4207:
4189:
4183:
4169:
4163:
4156:
4150:
4149:
4147:
4145:
4131:
4125:
4124:
4116:
4105:
4104:, Budapest, 1979
4100:Széleky András,
4098:
4092:
4086:
4080:
4074:
4068:
4067:
4049:
4043:
4036:
4030:
4024:
4018:
4011:
4005:
4004:
4002:
3995:
3987:
3981:
3980:
3960:
3954:
3952:
3932:
3926:
3925:
3905:
3899:
3898:
3876:
3870:
3855:
3849:
3834:
3828:
3822:
3813:
3801:
3795:
3781:
3770:
3760:
3754:
3747:
3741:
3735:
3726:
3725:
3707:
3701:
3698:
3692:
3691:
3689:
3687:
3672:
3666:
3665:
3658:
3652:
3651:
3649:
3647:
3636:
3630:
3624:
3618:
3617:
3615:
3613:
3598:
3592:
3578:
3572:
3566:
3560:
3554:
3548:
3542:
3536:
3530:
3524:
3518:
3512:
3511:
3509:
3507:
3498:. Archived from
3492:
3486:
3481:Fiona McCarthy.
3479:
3473:
3472:
3465:
3459:
3453:
3447:
3441:
3435:
3428:
3419:
3418:
3411:
3405:
3398:
3392:
3385:
3379:
3372:
3363:
3357:
3351:
3337:
3331:
3317:
3311:
3304:
3298:
3297:
3295:
3293:
3278:
3272:
3266:
3255:
3254:
3247:
3241:
3235:
3229:
3223:
3217:
3202:
3196:
3190:
3184:
3178:
3172:
3165:
3159:
3152:
3146:
3139:
3130:
3129:
3121:
3115:
3114:
3112:
3110:
3101:. Archived from
3091:
3085:
3084:
3064:
3054:
3048:
3041:
3032:
3031:
3029:
3027:
3016:
3003:
2997:
2988:
2982:
2976:
2970:
2961:
2955:
2942:
2941:
2934:
2928:
2914:
2895:
2894:
2874:
2868:
2867:
2857:
2851:
2837:
2828:
2826:978 185514 484 2
2814:
2801:
2800:
2798:
2796:
2773:
2767:
2766:
2758:
2752:
2751:
2739:
2733:
2732:
2720:
2714:
2713:
2701:
2695:
2694:
2693:. 4 August 2023.
2683:
2677:
2676:
2658:
2649:
2642:
2636:
2635:
2617:
2544:
2529:
2514:
2496:
2424:William Robinson
2339:Florence Koehler
2187:; F.M. Simpson,
2179:director of the
2155:
2122:Lytes Cary Manor
1856:David Parr House
1834:Edward Carpenter
1811:Dyers Almshouses
1807:Whiteley Village
1750:
1573:Rookwood pottery
1482:J. Williams Beal
1451:; Howard Baker,
1445:Sylvester Baxter
1397:Rookwood Pottery
1247:Viktor Vasnetsov
1189:Herman Gesellius
1187:was designed by
1118:Vienna Secession
919:Ford Madox Brown
899:James Ballantine
827:Later influences
791:Coleton Fishacre
777:G. K. Chesterton
756:Chipping Campden
732:Morris & Co.
690:Mervyn Macartney
572:Chipping Campden
564:Charles Faulkner
462:
403:Past and Present
214:Manual of Design
198:Gottfried Semper
183:Richard Redgrave
164:Nikolaus Pevsner
21:
9617:
9616:
9612:
9611:
9610:
9608:
9607:
9606:
9557:Decorative arts
9507:
9506:
9505:
9500:
9476:Ruskin Monument
9413:
9375:The Love School
9367:Dante's Inferno
9362:(1854 painting)
9346:
9337:
9299:Modern Painters
9278:
9273:
9243:
9238:
9224:The Love School
9217:Fight for Right
9211:Kelmscott House
9206:Kelmscott Manor
9161:
9140:
9126:Kelmscott Press
9114:
9068:
9051:
8960:
8919:
8900:
8895:
8865:
8860:
8842:
8759:Interactive art
8642:
8616:SoFlo Superflat
8541:Kitsch movement
8465:Africanfuturism
8417:
8411:
8290:Transavantgarde
8221:
8175:Light and Space
8160:Performance art
8140:Psychedelic art
8023:Nueva Presencia
8013:Otra Figuración
8001:
7933:Les Plasticiens
7918:New York School
7896:Action painting
7881:Metcalf Chateau
7790:
7785:
7773:
7693:Cercle et Carré
7629:New Objectivity
7536:Return to order
7478:School of Paris
7456:
7300:School of Paris
7261:
7147:Arts and Crafts
7052:Neo-romanticism
7037:
7025:
7021:Etching revival
6973:Barbizon school
6917:Pre-Raphaelites
6869:
6866:
6859:
6802:
6796:
6689:
6663:Louis XVI style
6605:
6594:Louis XIV style
6557:Animal painting
6518:Flemish Baroque
6496:
6407:World landscape
6358:Venetian School
6300:
6287:Majorcan school
6254:Novgorod School
6244:Lucchese School
6216:Opus Anglicanum
6208:Norman-Sicilian
6152:Italo-Byzantine
6052:Early Christian
6033:
6017:Pompeian Styles
5830:
5824:
5811:
5797:
5767:
5762:
5714:
5619:
5610:Spirit of place
5593:science studies
5577:common property
5573:Property theory
5568:Popular science
5558:Natural history
5521:
5512:Psychogeography
5443:
5405:
5337:
5294:
5241:
5232:
5228:Sustainable art
5218:Sculpture trail
5152:
5147:
5114:Wayback Machine
5084:
5071:
5069:
5067:
5029:
4989:
4970:
4933:
4911:
4840:
4806:
4780:
4761:
4735:
4714:
4693:
4671:
4652:
4629:
4610:
4594:
4589:
4588:
4579:
4575:
4567:
4563:
4555:
4551:
4535:
4526:
4516:
4514:
4506:Everitt, Sian.
4504:
4500:
4491:
4490:
4486:
4478:
4471:
4463:
4462:
4458:
4448:
4446:
4438:
4437:
4433:
4423:
4421:
4413:
4412:
4408:
4398:
4396:
4381:
4377:
4367:
4365:
4361:
4350:
4346:
4345:
4341:
4331:
4329:
4314:
4310:
4305:
4301:
4294:George Orwell,
4293:
4289:
4279:
4277:
4266:
4262:
4252:
4250:
4249:on 2 April 2015
4241:
4240:
4236:
4229:
4215:
4211:
4204:
4190:
4186:
4170:
4166:
4157:
4153:
4143:
4141:
4133:
4132:
4128:
4117:
4108:
4099:
4095:
4087:
4083:
4075:
4071:
4064:
4050:
4046:
4037:
4033:
4025:
4021:
4012:
4008:
4000:
3993:
3989:
3988:
3984:
3977:
3961:
3957:
3949:
3933:
3929:
3922:
3906:
3902:
3895:
3877:
3873:
3856:
3852:
3835:
3831:
3823:
3816:
3811:Wayback Machine
3802:
3798:
3782:
3773:
3761:
3757:
3748:
3744:
3736:
3729:
3722:
3708:
3704:
3699:
3695:
3685:
3683:
3674:
3673:
3669:
3660:
3659:
3655:
3645:
3643:
3638:
3637:
3633:
3625:
3621:
3611:
3609:
3600:
3599:
3595:
3579:
3575:
3567:
3563:
3555:
3551:
3543:
3539:
3531:
3527:
3519:
3515:
3505:
3503:
3494:
3493:
3489:
3483:The Simple Life
3480:
3476:
3467:
3466:
3462:
3454:
3450:
3442:
3438:
3429:
3422:
3417:. 19 June 2017.
3413:
3412:
3408:
3399:
3395:
3391:, London, 1894.
3386:
3382:
3373:
3366:
3358:
3354:
3338:
3334:
3318:
3314:
3305:
3301:
3291:
3289:
3280:
3279:
3275:
3267:
3258:
3249:
3248:
3244:
3236:
3232:
3224:
3220:
3203:
3199:
3191:
3187:
3179:
3175:
3166:
3162:
3153:
3149:
3140:
3133:
3122:
3118:
3108:
3106:
3093:
3092:
3088:
3073:
3055:
3051:
3043:Rosemary Hill,
3042:
3035:
3025:
3023:
3018:
3017:
3006:
2998:
2991:
2983:
2979:
2971:
2964:
2956:
2945:
2936:
2935:
2931:
2915:
2898:
2891:
2875:
2871:
2858:
2854:
2839:Alan Crawford,
2838:
2831:
2815:
2804:
2794:
2792:
2780:
2774:
2770:
2759:
2755:
2740:
2736:
2721:
2717:
2702:
2698:
2685:
2684:
2680:
2673:
2663:Silk and Empire
2659:
2652:
2643:
2639:
2632:
2618:
2607:
2602:
2567:Philip Clissett
2558:
2551:
2549:Brooklyn Museum
2545:
2536:
2534:Brooklyn Museum
2530:
2521:
2519:Brooklyn Museum
2515:
2506:
2504:Brooklyn Museum
2500:Gustav Stickley
2497:
2488:
2483:
2449:Gustav Stickley
2379:Bernard Maybeck
2349:William Lethaby
2344:Frederick Leach
2239:
2201:George Frampton
2172:George Frampton
2162:Joseph Southall
2153:
2142:Dartington Hall
2130:
2087:Walter Brierley
2071:Gertrude Jekyll
2068:
2015:Rodmarton Manor
1958:The Black Friar
1928:Horniman Museum
1886:Mary Ward House
1862:Wightwick Manor
1846:
1748:
1731:
1715:
1669:Mission Revival
1653:Bernard Maybeck
1617:
1581:Pewabic Pottery
1553:Newcomb Pottery
1525:Joseph Marbella
1465:Will H. Bradley
1405:Arts and Crafts
1401:Tiffany Studios
1393:Pewabic Pottery
1376:Craftsman style
1359:East Aurora, NY
1343:Gustav Stickley
1292:, built 1913–4.
1274:
1259:decorative arts
1251:Yelena Polenova
1243:Viktor Hartmann
1072:(1897) and the
1065:
1057:Malahide Castle
1024:
982:
895:
882:
877:
857:Fiona MacCarthy
842:A Potter's Book
829:
813:Omega Workshops
678:William Lethaby
612:
588:
568:A. H. Mackmurdo
540:
488:
476:W. A. S. Benson
460:
409:Modern Painters
367:
359:Modern Painters
319:
279:
254:in 1892 in his
252:Kelmscott Press
151:
146:
132:, and designer
39:
28:
23:
22:
15:
12:
11:
5:
9615:
9605:
9604:
9599:
9594:
9589:
9584:
9579:
9574:
9569:
9564:
9559:
9554:
9549:
9544:
9539:
9534:
9529:
9524:
9519:
9502:
9501:
9499:
9498:
9493:
9488:
9483:
9478:
9473:
9471:Ruskin Gallery
9468:
9466:Rose La Touche
9463:
9458:
9453:
9448:
9443:
9438:
9432:
9427:
9421:
9419:
9415:
9414:
9412:
9411:
9403:
9395:
9387:
9379:
9371:
9363:
9354:
9352:
9348:
9347:
9340:
9338:
9336:
9335:
9331:Fors Clavigera
9327:
9323:Unto This Last
9319:
9311:
9303:
9295:
9286:
9284:
9280:
9279:
9272:
9271:
9264:
9257:
9249:
9240:
9239:
9237:
9236:
9228:
9220:
9213:
9208:
9203:
9198:
9193:
9188:
9182:
9176:
9169:
9167:
9163:
9162:
9160:
9159:
9154:
9148:
9146:
9142:
9141:
9139:
9138:
9133:
9128:
9122:
9120:
9116:
9115:
9113:
9112:
9107:
9102:
9097:
9089:
9084:
9078:
9076:
9070:
9069:
9067:
9066:
9059:
9057:
9053:
9052:
9050:
9049:
9041:
9033:
9025:
9017:
9009:
9001:
8993:
8985:
8977:
8968:
8966:
8962:
8961:
8959:
8958:
8950:
8942:
8935:
8927:
8925:
8921:
8920:
8918:
8917:
8908:
8906:
8902:
8901:
8898:William Morris
8894:
8893:
8886:
8879:
8871:
8862:
8861:
8859:
8858:
8847:
8844:
8843:
8841:
8840:
8835:
8828:
8823:
8818:
8813:
8808:
8803:
8798:
8793:
8792:
8791:
8789:Late modernism
8786:
8776:
8771:
8766:
8761:
8756:
8751:
8746:
8745:
8744:
8739:
8737:Genre painting
8729:
8724:
8719:
8714:
8713:
8712:
8707:
8702:
8697:
8687:
8685:Ballets Russes
8682:
8677:
8672:
8671:
8670:
8668:Asemic writing
8660:
8658:History of art
8654:
8652:
8651:Related topics
8648:
8647:
8644:
8643:
8641:
8640:
8635:
8630:
8625:
8624:
8623:
8618:
8608:
8603:
8598:
8593:
8588:
8586:Relational art
8583:
8578:
8573:
8568:
8563:
8558:
8553:
8548:
8543:
8538:
8533:
8532:
8531:
8521:
8516:
8511:
8509:Hypermodernism
8506:
8505:
8504:
8494:
8489:
8484:
8479:
8474:
8469:
8468:
8467:
8457:
8452:
8447:
8442:
8437:
8432:
8427:
8421:
8419:
8413:
8412:
8410:
8409:
8404:
8399:
8394:
8389:
8384:
8379:
8374:
8369:
8364:
8359:
8354:
8349:
8344:
8339:
8334:
8329:
8324:
8319:
8314:
8309:
8304:
8299:
8294:
8293:
8292:
8282:
8277:
8272:
8267:
8266:
8265:
8255:
8250:
8248:Postminimalism
8245:
8240:
8235:
8229:
8227:
8223:
8222:
8220:
8219:
8214:
8209:
8204:
8199:
8194:
8193:
8192:
8182:
8177:
8172:
8167:
8162:
8157:
8152:
8147:
8142:
8137:
8132:
8127:
8125:Generative art
8122:
8117:
8112:
8107:
8102:
8097:
8095:Conceptual art
8092:
8087:
8082:
8077:
8072:
8067:
8062:
8057:
8052:
8047:
8046:
8045:
8035:
8030:
8025:
8020:
8015:
8009:
8007:
8003:
8002:
8000:
7999:
7994:
7992:Cybernetic art
7989:
7984:
7983:
7982:
7980:Ultra-Lettrist
7977:
7967:
7966:
7965:
7955:
7950:
7945:
7940:
7935:
7930:
7925:
7920:
7915:
7910:
7909:
7908:
7898:
7893:
7888:
7883:
7878:
7873:
7868:
7867:
7866:
7861:
7856:
7854:Arte Informale
7851:
7841:
7836:
7831:
7830:
7829:
7819:
7818:
7817:
7807:
7801:
7799:
7792:
7791:(1945–present)
7779:
7778:
7775:
7774:
7772:
7771:
7766:
7761:
7756:
7751:
7750:
7749:
7739:
7734:
7733:
7732:
7727:
7720:Heroic realism
7717:
7716:
7715:
7705:
7700:
7695:
7690:
7685:
7680:
7673:
7668:
7663:
7658:
7657:
7656:
7654:Latin American
7651:
7641:
7636:
7631:
7626:
7624:Group of Seven
7621:
7616:
7611:
7606:
7605:
7604:
7594:
7589:
7587:Social realism
7584:
7579:
7574:
7573:
7572:
7570:November Group
7562:
7561:
7560:
7555:
7545:
7544:
7543:
7533:
7528:
7527:
7526:
7514:
7509:
7504:
7503:
7502:
7501:
7500:
7493:Latin American
7488:Constructivism
7485:
7483:Crystal Cubism
7480:
7475:
7470:
7464:
7462:
7458:
7457:
7455:
7454:
7449:
7444:
7439:
7434:
7429:
7424:
7423:
7422:
7412:
7407:
7400:
7399:
7398:
7393:
7383:
7382:
7381:
7371:
7366:
7361:
7360:
7359:
7354:
7344:
7339:
7334:
7329:
7324:
7323:
7322:
7317:
7312:
7307:
7297:
7292:
7287:
7282:
7281:
7280:
7269:
7267:
7263:
7262:
7260:
7259:
7254:
7253:
7252:
7242:
7241:
7240:
7235:
7230:
7225:
7220:
7215:
7210:
7209:
7208:
7193:
7188:
7186:Volcano School
7183:
7182:
7181:
7176:
7166:
7161:
7156:
7155:
7154:
7144:
7139:
7138:
7137:
7132:
7127:
7122:
7121:
7120:
7115:
7100:
7095:
7090:
7085:
7084:
7083:
7071:
7066:
7061:
7060:
7059:
7048:
7046:
7039:
7031:
7030:
7027:
7026:
7024:
7023:
7018:
7017:
7016:
7011:
7010:
7009:
6994:
6993:
6992:
6991:
6990:
6980:
6975:
6965:
6960:
6959:
6958:
6948:
6943:
6941:Norwich School
6938:
6933:
6932:
6931:
6930:
6929:
6919:
6914:
6909:
6904:
6899:
6894:
6889:
6884:
6882:Fairy painting
6873:
6871:
6861:
6860:
6858:
6857:
6856:
6855:
6850:
6839:
6834:
6829:
6824:
6819:
6818:
6817:
6806:
6804:
6798:
6797:
6795:
6794:
6793:
6792:
6787:
6786:
6785:
6780:
6775:
6773:Chilote School
6765:
6763:Casta painting
6755:
6754:
6753:
6748:
6743:
6742:
6741:
6739:Tipos del País
6736:
6723:
6722:
6721:
6720:
6719:
6709:
6697:
6695:
6691:
6690:
6688:
6687:
6682:
6681:
6680:
6675:
6670:
6665:
6660:
6648:
6647:
6646:
6639:
6634:
6629:
6627:Louis XV style
6624:
6613:
6611:
6607:
6606:
6604:
6603:
6602:
6601:
6596:
6586:
6581:
6576:
6575:
6574:
6564:
6559:
6554:
6549:
6548:
6547:
6542:
6537:
6536:
6535:
6530:
6520:
6515:
6504:
6502:
6498:
6497:
6495:
6494:
6489:
6484:
6479:
6474:
6473:
6472:
6462:
6461:
6460:
6459:
6458:
6453:
6448:
6438:
6437:
6436:
6431:
6429:Cologne School
6421:
6416:
6411:
6410:
6409:
6394:
6393:
6392:
6391:
6390:
6382:
6377:
6372:
6362:
6361:
6360:
6355:
6350:
6340:
6339:
6338:
6331:
6326:
6310:
6308:
6302:
6301:
6299:
6298:
6297:
6296:
6289:
6284:
6282:Italian school
6273:
6268:
6267:
6266:
6264:Sienese School
6256:
6251:
6246:
6241:
6240:
6239:
6234:
6229:
6219:
6212:
6211:
6210:
6200:
6199:
6198:
6193:
6183:
6178:
6177:
6176:
6174:Pre-Romanesque
6171:
6166:
6156:
6155:
6154:
6149:
6144:
6139:
6129:
6124:
6123:
6122:
6110:
6105:
6103:Donor portrait
6100:
6099:
6098:
6093:
6088:
6083:
6078:
6068:
6067:
6066:
6056:
6055:
6054:
6043:
6041:
6035:
6034:
6032:
6031:
6030:
6029:
6024:
6019:
6014:
6012:Julio-Claudian
6009:
6004:
5994:
5989:
5984:
5979:
5974:
5973:
5972:
5971:
5970:
5965:
5964:
5963:
5961:Greco-Buddhist
5953:
5943:
5938:
5933:
5928:
5923:
5918:
5913:
5908:
5903:
5901:Protogeometric
5898:
5888:
5887:
5886:
5881:
5876:
5871:
5861:
5856:
5855:
5854:
5843:
5841:
5832:
5826:
5825:
5816:
5813:
5812:
5796:
5795:
5788:
5781:
5773:
5764:
5763:
5761:
5760:
5755:
5750:
5740:
5730:
5719:
5716:
5715:
5713:
5712:
5707:
5702:
5697:
5692:
5687:
5682:
5681:
5680:
5675:
5665:
5660:
5655:
5650:
5645:
5640:
5635:
5629:
5627:
5621:
5620:
5618:
5617:
5612:
5607:
5602:
5597:
5596:
5595:
5585:
5580:
5570:
5565:
5555:
5548:Do it yourself
5545:
5540:
5535:
5533:Animal studies
5529:
5527:
5523:
5522:
5520:
5519:
5514:
5509:
5504:
5499:
5494:
5489:
5484:
5483:
5482:
5477:
5467:
5462:
5457:
5451:
5449:
5445:
5444:
5442:
5441:
5436:
5431:
5426:
5421:
5415:
5413:
5407:
5406:
5404:
5403:
5401:Social ecology
5398:
5393:
5388:
5383:
5378:
5373:
5368:
5363:
5358:
5353:
5347:
5345:
5339:
5338:
5336:
5335:
5330:
5328:Nature writing
5325:
5320:
5315:
5310:
5308:Ecocomposition
5304:
5302:
5296:
5295:
5293:
5292:
5287:
5282:
5277:
5272:
5267:
5265:Ecolinguistics
5262:
5257:
5251:
5249:
5243:
5242:
5235:
5233:
5231:
5230:
5225:
5220:
5215:
5214:
5213:
5208:
5203:
5198:
5188:
5183:
5178:
5173:
5168:
5162:
5160:
5154:
5153:
5146:
5145:
5138:
5131:
5123:
5117:
5116:
5104:
5099:
5094:
5083:
5082:External links
5080:
5079:
5078:
5065:
5050:
5043:
5033:
5027:
5014:
5007:
5000:
4993:
4987:
4974:
4968:
4951:
4944:
4941:Critical Craft
4937:
4931:
4923:William Morris
4918:
4881:
4870:
4860:
4853:
4844:
4838:
4825:
4824:(Shire, 2010).
4818:
4804:
4791:
4784:
4778:
4765:
4759:
4746:
4739:
4733:
4718:
4712:
4697:
4691:
4678:
4669:
4656:
4650:
4633:
4627:
4614:
4608:
4593:
4590:
4587:
4586:
4573:
4561:
4559:, p. 179.
4549:
4524:
4498:
4484:
4456:
4431:
4406:
4375:
4339:
4308:
4299:
4287:
4260:
4234:
4227:
4209:
4202:
4184:
4164:
4151:
4126:
4106:
4093:
4091:, p. 189.
4081:
4079:, p. 183.
4069:
4062:
4044:
4031:
4029:, p. 163.
4019:
4006:
3996:. 2 May 2012.
3982:
3975:
3955:
3947:
3927:
3920:
3900:
3893:
3871:
3850:
3836:M. MacDonald,
3829:
3827:, p. 603.
3825:MacCarthy 1994
3814:
3796:
3783:Tania Harrod,
3771:
3755:
3742:
3727:
3720:
3702:
3693:
3667:
3653:
3631:
3629:, p. 596.
3627:MacCarthy 1994
3619:
3593:
3580:Parry, Linda,
3573:
3571:, p. 593.
3569:MacCarthy 1994
3561:
3559:, p. 115.
3549:
3547:, p. 591.
3545:MacCarthy 1994
3537:
3535:, p. 120.
3525:
3523:, p. 602.
3521:MacCarthy 1994
3513:
3502:on 5 July 2019
3487:
3474:
3460:
3456:MacCarthy 1994
3448:
3446:, p. 109.
3436:
3420:
3406:
3393:
3380:
3364:
3362:, p. 351.
3360:MacCarthy 1994
3352:
3332:
3312:
3299:
3273:
3269:MacCarthy 2009
3256:
3242:
3230:
3218:
3197:
3185:
3173:
3160:
3147:
3131:
3116:
3086:
3071:
3049:
3033:
3004:
2989:
2977:
2962:
2943:
2929:
2896:
2889:
2869:
2852:
2829:
2802:
2768:
2753:
2734:
2715:
2696:
2678:
2671:
2650:
2637:
2630:
2604:
2603:
2601:
2598:
2597:
2596:
2591:
2586:
2581:
2576:
2569:
2564:
2557:
2554:
2553:
2552:
2546:
2539:
2537:
2531:
2524:
2522:
2516:
2509:
2507:
2498:
2491:
2487:
2484:
2482:
2481:
2476:
2471:
2466:
2461:
2456:
2451:
2446:
2441:
2436:
2431:
2429:Charles Rohlfs
2426:
2421:
2416:
2411:
2406:
2401:
2399:William Morris
2396:
2391:
2386:
2381:
2376:
2371:
2369:Samuel Maclure
2366:
2364:A.H. Mackmurdo
2361:
2356:
2351:
2346:
2341:
2336:
2334:Ralph Johonnot
2331:
2326:
2324:Elbert Hubbard
2321:
2316:
2311:
2306:
2301:
2296:
2291:
2286:
2281:
2276:
2271:
2266:
2261:
2256:
2251:
2246:
2240:
2238:
2235:
2129:
2126:
2067:
2064:
2063:
2062:
2059:Bedales School
2056:
2050:
2044:
2030:
2024:
2018:
2012:
2006:
2000:
1994:
1988:
1982:
1979:
1976:Debenham House
1973:
1967:
1961:
1955:
1949:
1943:
1937:
1931:
1925:
1919:
1913:
1907:
1901:
1895:
1889:
1883:
1877:
1871:
1865:
1859:
1853:
1845:
1842:
1767:
1766:
1747:
1744:
1730:
1727:
1714:
1711:
1621:Prairie School
1616:
1613:
1609:Charles Rohlfs
1545:Studio pottery
1513:Elbert Hubbard
1500:also known as
1471:, which read:
1280:Facade of the
1273:
1270:
1266:Sölvi Helgason
1236:Wekerle estate
1205:Gothic Revival
1197:Eliel Saarinen
1193:Armas Lindgren
1162:Josef Hoffmann
1064:
1061:
1023:
1020:
998:Ewenny Pottery
981:
978:
969:Newtown, Wales
946:Anglo-Japanese
915:William Morris
911:Daniel Cottier
894:
891:
881:
878:
876:
873:
871:in the 1970s.
869:Crafts Council
865:Terence Conran
853:Gordon Russell
828:
825:
781:Hilaire Belloc
709:artistic dress
611:
608:
587:
584:
539:
536:
493:Fiona McCarthy
487:
484:
481:
480:
459:
456:
419:Morte d'Arthur
382:Birmingham Set
378:William Morris
366:
365:William Morris
363:
347:factory system
339:Viollet le Duc
327:Thomas Carlyle
318:
315:
298:Augustus Pugin
278:
277:A. W. N. Pugin
275:
260:Nicolas Jenson
248:William Morris
150:
147:
145:
142:
134:William Morris
126:Thomas Carlyle
48:William Morris
26:
9:
6:
4:
3:
2:
9614:
9603:
9600:
9598:
9595:
9593:
9590:
9588:
9585:
9583:
9580:
9578:
9575:
9573:
9570:
9568:
9565:
9563:
9560:
9558:
9555:
9553:
9550:
9548:
9545:
9543:
9540:
9538:
9535:
9533:
9530:
9528:
9527:Art movements
9525:
9523:
9520:
9518:
9515:
9514:
9512:
9497:
9494:
9492:
9489:
9487:
9484:
9482:
9481:Ruskin Museum
9479:
9477:
9474:
9472:
9469:
9467:
9464:
9462:
9459:
9457:
9454:
9452:
9449:
9447:
9444:
9442:
9439:
9436:
9433:
9431:
9428:
9426:
9423:
9422:
9420:
9416:
9409:
9408:
9404:
9401:
9400:
9396:
9393:
9392:
9388:
9385:
9384:
9380:
9377:
9376:
9372:
9369:
9368:
9364:
9361:
9360:
9356:
9355:
9353:
9349:
9344:
9333:
9332:
9328:
9325:
9324:
9320:
9317:
9316:
9312:
9309:
9308:
9304:
9301:
9300:
9296:
9293:
9292:
9288:
9287:
9285:
9281:
9277:
9270:
9265:
9263:
9258:
9256:
9251:
9250:
9247:
9235:(2009 series)
9234:
9233:
9229:
9227:(1975 series)
9226:
9225:
9221:
9219:" (1916 song)
9218:
9214:
9212:
9209:
9207:
9204:
9202:
9199:
9197:
9194:
9192:
9189:
9186:
9183:
9180:
9177:
9174:
9171:
9170:
9168:
9164:
9158:
9155:
9153:
9150:
9149:
9147:
9143:
9137:
9134:
9132:
9129:
9127:
9124:
9123:
9121:
9117:
9111:
9108:
9106:
9103:
9101:
9098:
9096:
9094:
9090:
9088:
9085:
9083:
9080:
9079:
9077:
9075:
9071:
9064:
9061:
9060:
9058:
9054:
9047:
9046:
9042:
9039:
9038:
9034:
9031:
9030:
9026:
9023:
9022:
9018:
9015:
9014:
9010:
9007:
9006:
9002:
8999:
8998:
8994:
8991:
8990:
8986:
8983:
8982:
8978:
8975:
8974:
8970:
8969:
8967:
8963:
8956:
8955:
8951:
8948:
8947:
8943:
8940:
8936:
8933:
8929:
8928:
8926:
8922:
8915:
8914:
8910:
8909:
8907:
8903:
8899:
8892:
8887:
8885:
8880:
8878:
8873:
8872:
8869:
8857:
8849:
8848:
8845:
8839:
8836:
8834:
8833:
8829:
8827:
8824:
8822:
8819:
8817:
8814:
8812:
8809:
8807:
8804:
8802:
8799:
8797:
8794:
8790:
8787:
8785:
8782:
8781:
8780:
8777:
8775:
8772:
8770:
8767:
8765:
8762:
8760:
8757:
8755:
8752:
8750:
8747:
8743:
8740:
8738:
8735:
8734:
8733:
8730:
8728:
8725:
8723:
8722:Fantastic art
8720:
8718:
8715:
8711:
8708:
8706:
8703:
8701:
8698:
8696:
8693:
8692:
8691:
8690:Christian art
8688:
8686:
8683:
8681:
8678:
8676:
8673:
8669:
8666:
8665:
8664:
8661:
8659:
8656:
8655:
8653:
8649:
8639:
8636:
8634:
8631:
8629:
8626:
8622:
8619:
8617:
8614:
8613:
8612:
8609:
8607:
8604:
8602:
8599:
8597:
8594:
8592:
8591:Skeuomorphism
8589:
8587:
8584:
8582:
8579:
8577:
8574:
8572:
8569:
8567:
8564:
8562:
8559:
8557:
8554:
8552:
8551:Massurrealism
8549:
8547:
8546:Lightpainting
8544:
8542:
8539:
8537:
8534:
8530:
8529:Post-Internet
8527:
8526:
8525:
8522:
8520:
8517:
8515:
8512:
8510:
8507:
8503:
8500:
8499:
8498:
8495:
8493:
8490:
8488:
8485:
8483:
8480:
8478:
8475:
8473:
8470:
8466:
8463:
8462:
8461:
8458:
8456:
8453:
8451:
8448:
8446:
8443:
8441:
8438:
8436:
8433:
8431:
8428:
8426:
8423:
8422:
8420:
8414:
8408:
8405:
8403:
8402:Grunge design
8400:
8398:
8395:
8393:
8390:
8388:
8385:
8383:
8380:
8378:
8375:
8373:
8370:
8368:
8365:
8363:
8360:
8358:
8357:Retrofuturism
8355:
8353:
8352:Scratch video
8350:
8348:
8345:
8343:
8340:
8338:
8337:Memphis Group
8335:
8333:
8330:
8328:
8325:
8323:
8320:
8318:
8315:
8313:
8312:Telematic art
8310:
8308:
8305:
8303:
8302:Guerrilla art
8300:
8298:
8295:
8291:
8288:
8287:
8286:
8283:
8281:
8278:
8276:
8273:
8271:
8268:
8264:
8261:
8260:
8259:
8256:
8254:
8253:Endurance art
8251:
8249:
8246:
8244:
8241:
8239:
8236:
8234:
8231:
8230:
8228:
8224:
8218:
8215:
8213:
8210:
8208:
8205:
8203:
8200:
8198:
8195:
8191:
8188:
8187:
8186:
8183:
8181:
8178:
8176:
8173:
8171:
8168:
8166:
8163:
8161:
8158:
8156:
8153:
8151:
8148:
8146:
8143:
8141:
8138:
8136:
8133:
8131:
8128:
8126:
8123:
8121:
8118:
8116:
8113:
8111:
8108:
8106:
8103:
8101:
8098:
8096:
8093:
8091:
8088:
8086:
8083:
8081:
8078:
8076:
8073:
8071:
8068:
8066:
8063:
8061:
8058:
8056:
8053:
8051:
8048:
8044:
8041:
8040:
8039:
8036:
8034:
8031:
8029:
8026:
8024:
8021:
8019:
8016:
8014:
8011:
8010:
8008:
8004:
7998:
7995:
7993:
7990:
7988:
7985:
7981:
7978:
7976:
7973:
7972:
7971:
7968:
7964:
7961:
7960:
7959:
7956:
7954:
7951:
7949:
7946:
7944:
7941:
7939:
7936:
7934:
7931:
7929:
7926:
7924:
7921:
7919:
7916:
7914:
7913:New media art
7911:
7907:
7904:
7903:
7902:
7899:
7897:
7894:
7892:
7891:Nanyang Style
7889:
7887:
7884:
7882:
7879:
7877:
7874:
7872:
7869:
7865:
7862:
7860:
7857:
7855:
7852:
7850:
7847:
7846:
7845:
7842:
7840:
7837:
7835:
7832:
7828:
7825:
7824:
7823:
7822:Visionary art
7820:
7816:
7813:
7812:
7811:
7808:
7806:
7803:
7802:
7800:
7796:
7793:
7789:
7784:
7780:
7770:
7767:
7765:
7762:
7760:
7757:
7755:
7752:
7748:
7745:
7744:
7743:
7740:
7738:
7735:
7731:
7728:
7726:
7723:
7722:
7721:
7718:
7714:
7711:
7710:
7709:
7706:
7704:
7701:
7699:
7696:
7694:
7691:
7689:
7688:Scuola Romana
7686:
7684:
7681:
7679:
7678:
7674:
7672:
7669:
7667:
7664:
7662:
7659:
7655:
7652:
7650:
7647:
7646:
7645:
7642:
7640:
7637:
7635:
7632:
7630:
7627:
7625:
7622:
7620:
7617:
7615:
7614:Anthropophagy
7612:
7610:
7607:
7603:
7600:
7599:
7598:
7597:Functionalism
7595:
7593:
7590:
7588:
7585:
7583:
7580:
7578:
7575:
7571:
7568:
7567:
7566:
7563:
7559:
7556:
7554:
7551:
7550:
7549:
7546:
7542:
7539:
7538:
7537:
7534:
7532:
7529:
7525:
7524:
7520:
7519:
7518:
7517:Neoplasticism
7515:
7513:
7510:
7508:
7505:
7499:
7496:
7495:
7494:
7491:
7490:
7489:
7486:
7484:
7481:
7479:
7476:
7474:
7471:
7469:
7466:
7465:
7463:
7459:
7453:
7450:
7448:
7445:
7443:
7440:
7438:
7435:
7433:
7430:
7428:
7425:
7421:
7420:Cubo-Futurism
7418:
7417:
7416:
7413:
7411:
7408:
7406:
7405:
7401:
7397:
7394:
7392:
7389:
7388:
7387:
7384:
7380:
7379:Ashcan School
7377:
7376:
7375:
7372:
7370:
7367:
7365:
7362:
7358:
7355:
7353:
7350:
7349:
7348:
7347:Expressionism
7345:
7343:
7340:
7338:
7335:
7333:
7332:Mir iskusstva
7330:
7328:
7325:
7321:
7318:
7316:
7313:
7311:
7308:
7306:
7303:
7302:
7301:
7298:
7296:
7293:
7291:
7288:
7286:
7283:
7279:
7276:
7275:
7274:
7271:
7270:
7268:
7264:
7258:
7255:
7251:
7248:
7247:
7246:
7243:
7239:
7236:
7234:
7231:
7229:
7226:
7224:
7221:
7219:
7216:
7214:
7211:
7207:
7204:
7203:
7202:
7199:
7198:
7197:
7194:
7192:
7189:
7187:
7184:
7180:
7177:
7175:
7172:
7171:
7170:
7167:
7165:
7162:
7160:
7157:
7153:
7150:
7149:
7148:
7145:
7143:
7140:
7136:
7133:
7131:
7128:
7126:
7123:
7119:
7118:Boston School
7116:
7114:
7113:Hoosier Group
7111:
7110:
7109:
7106:
7105:
7104:
7103:Impressionism
7101:
7099:
7098:Peredvizhniki
7096:
7094:
7091:
7089:
7088:Beuron School
7086:
7082:
7079:
7078:
7077:
7076:
7072:
7070:
7067:
7065:
7062:
7058:
7055:
7054:
7053:
7050:
7049:
7047:
7043:
7040:
7036:
7032:
7022:
7019:
7015:
7012:
7008:
7005:
7004:
7003:
7002:Munich School
7000:
6999:
6998:
6995:
6989:
6986:
6985:
6984:
6981:
6979:
6976:
6974:
6971:
6970:
6969:
6966:
6964:
6961:
6957:
6954:
6953:
6952:
6949:
6947:
6944:
6942:
6939:
6937:
6934:
6928:
6925:
6924:
6923:
6920:
6918:
6915:
6913:
6910:
6908:
6905:
6903:
6900:
6898:
6895:
6893:
6890:
6888:
6885:
6883:
6880:
6879:
6878:
6875:
6874:
6872:
6868:
6862:
6854:
6851:
6849:
6846:
6845:
6844:
6840:
6838:
6835:
6833:
6830:
6828:
6825:
6823:
6820:
6816:
6813:
6812:
6811:
6808:
6807:
6805:
6801:Art borrowing
6799:
6791:
6788:
6784:
6781:
6779:
6776:
6774:
6771:
6770:
6769:
6766:
6764:
6761:
6760:
6759:
6756:
6752:
6751:Company style
6749:
6747:
6744:
6740:
6737:
6735:
6732:
6731:
6730:
6727:
6726:
6724:
6718:
6715:
6714:
6713:
6710:
6708:
6705:
6704:
6703:
6699:
6698:
6696:
6692:
6686:
6683:
6679:
6676:
6674:
6671:
6669:
6666:
6664:
6661:
6659:
6658:
6654:
6653:
6652:
6651:Neoclassicism
6649:
6645:
6644:
6640:
6638:
6635:
6633:
6630:
6628:
6625:
6623:
6620:
6619:
6618:
6615:
6614:
6612:
6608:
6600:
6597:
6595:
6592:
6591:
6590:
6587:
6585:
6582:
6580:
6577:
6573:
6570:
6569:
6568:
6565:
6563:
6560:
6558:
6555:
6553:
6550:
6546:
6543:
6541:
6538:
6534:
6531:
6529:
6526:
6525:
6524:
6521:
6519:
6516:
6514:
6511:
6510:
6509:
6506:
6505:
6503:
6499:
6493:
6490:
6488:
6485:
6483:
6480:
6478:
6477:Cretan School
6475:
6471:
6468:
6467:
6466:
6463:
6457:
6454:
6452:
6449:
6447:
6444:
6443:
6442:
6439:
6435:
6434:Danube school
6432:
6430:
6427:
6426:
6425:
6422:
6420:
6417:
6415:
6412:
6408:
6405:
6404:
6403:
6400:
6399:
6398:
6395:
6389:
6388:
6383:
6381:
6378:
6376:
6373:
6371:
6368:
6367:
6366:
6363:
6359:
6356:
6354:
6351:
6349:
6346:
6345:
6344:
6341:
6337:
6336:
6332:
6330:
6327:
6325:
6322:
6321:
6320:
6317:
6316:
6315:
6312:
6311:
6309:
6307:
6303:
6295:
6294:
6290:
6288:
6285:
6283:
6280:
6279:
6278:
6274:
6272:
6269:
6265:
6262:
6261:
6260:
6257:
6255:
6252:
6250:
6247:
6245:
6242:
6238:
6235:
6233:
6230:
6228:
6225:
6224:
6223:
6220:
6218:
6217:
6213:
6209:
6206:
6205:
6204:
6201:
6197:
6194:
6192:
6189:
6188:
6187:
6184:
6182:
6179:
6175:
6172:
6170:
6167:
6165:
6162:
6161:
6160:
6157:
6153:
6150:
6148:
6145:
6143:
6140:
6138:
6135:
6134:
6133:
6130:
6128:
6125:
6121:
6120:
6116:
6115:
6114:
6111:
6109:
6106:
6104:
6101:
6097:
6094:
6092:
6089:
6087:
6084:
6082:
6079:
6077:
6074:
6073:
6072:
6069:
6065:
6062:
6061:
6060:
6057:
6053:
6050:
6049:
6048:
6045:
6044:
6042:
6040:
6036:
6028:
6025:
6023:
6020:
6018:
6015:
6013:
6010:
6008:
6005:
6003:
6000:
5999:
5998:
5995:
5993:
5990:
5988:
5985:
5983:
5980:
5978:
5975:
5969:
5966:
5962:
5959:
5958:
5957:
5954:
5952:
5949:
5948:
5947:
5944:
5942:
5939:
5937:
5934:
5932:
5929:
5927:
5924:
5922:
5919:
5917:
5914:
5912:
5911:Orientalizing
5909:
5907:
5904:
5902:
5899:
5897:
5896:Sub-Mycenaean
5894:
5893:
5892:
5889:
5885:
5882:
5880:
5877:
5875:
5872:
5870:
5867:
5866:
5865:
5862:
5860:
5857:
5853:
5850:
5849:
5848:
5845:
5844:
5842:
5840:
5836:
5833:
5827:
5823:
5819:
5814:
5810:art movements
5809:
5805:
5801:
5794:
5789:
5787:
5782:
5780:
5775:
5774:
5771:
5759:
5756:
5754:
5751:
5749:
5741:
5739:
5731:
5729:
5725:
5721:
5720:
5717:
5711:
5708:
5706:
5703:
5701:
5698:
5696:
5693:
5691:
5688:
5686:
5685:Nature center
5683:
5679:
5676:
5674:
5671:
5670:
5669:
5666:
5664:
5661:
5659:
5656:
5654:
5651:
5649:
5646:
5644:
5641:
5639:
5636:
5634:
5631:
5630:
5628:
5626:
5622:
5616:
5613:
5611:
5608:
5606:
5603:
5601:
5600:Simple living
5598:
5594:
5591:
5590:
5589:
5586:
5584:
5581:
5578:
5574:
5571:
5569:
5566:
5563:
5559:
5556:
5553:
5549:
5546:
5544:
5541:
5539:
5536:
5534:
5531:
5530:
5528:
5524:
5518:
5515:
5513:
5510:
5508:
5505:
5503:
5500:
5498:
5495:
5493:
5490:
5488:
5485:
5481:
5478:
5476:
5473:
5472:
5471:
5468:
5466:
5463:
5461:
5460:Ecomusicology
5458:
5456:
5455:Anthrozoology
5453:
5452:
5450:
5446:
5440:
5437:
5435:
5432:
5430:
5427:
5425:
5422:
5420:
5417:
5416:
5414:
5412:
5408:
5402:
5399:
5397:
5394:
5392:
5389:
5387:
5384:
5382:
5379:
5377:
5374:
5372:
5369:
5367:
5364:
5362:
5359:
5357:
5354:
5352:
5349:
5348:
5346:
5344:
5340:
5334:
5331:
5329:
5326:
5324:
5321:
5319:
5316:
5314:
5311:
5309:
5306:
5305:
5303:
5301:
5297:
5291:
5288:
5286:
5283:
5281:
5278:
5276:
5273:
5271:
5268:
5266:
5263:
5261:
5258:
5256:
5253:
5252:
5250:
5248:
5244:
5239:
5229:
5226:
5224:
5221:
5219:
5216:
5212:
5209:
5207:
5204:
5202:
5199:
5197:
5194:
5193:
5192:
5189:
5187:
5184:
5182:
5179:
5177:
5174:
5172:
5169:
5167:
5164:
5163:
5161:
5159:
5155:
5151:
5144:
5139:
5137:
5132:
5130:
5125:
5124:
5121:
5115:
5111:
5108:
5105:
5103:
5100:
5098:
5095:
5093:
5091:
5086:
5085:
5068:
5062:
5058:
5057:
5051:
5048:
5044:
5042:
5038:
5034:
5030:
5024:
5020:
5015:
5012:
5008:
5005:
5001:
4998:
4994:
4990:
4988:0-500-28536-5
4984:
4980:
4975:
4971:
4969:0-289-79580-X
4965:
4960:
4959:
4952:
4949:
4945:
4942:
4938:
4934:
4932:0-571-17495-7
4928:
4924:
4919:
4915:
4907:
4903:
4899:
4898:
4892:
4890:
4882:
4879:
4875:
4871:
4869:
4865:
4861:
4858:
4854:
4850:
4845:
4841:
4835:
4831:
4826:
4823:
4819:
4815:
4811:
4807:
4805:9783822840788
4801:
4797:
4792:
4789:
4785:
4781:
4775:
4771:
4766:
4762:
4760:0-500-20248-6
4756:
4752:
4747:
4744:
4740:
4736:
4730:
4726:
4725:
4719:
4715:
4709:
4705:
4704:
4698:
4694:
4692:0-453-00397-4
4688:
4684:
4679:
4677:
4676:online review
4672:
4666:
4662:
4657:
4653:
4651:0-87722-384-X
4647:
4642:
4641:
4640:Art and Labor
4634:
4630:
4624:
4620:
4615:
4611:
4609:0-8109-0434-9
4605:
4601:
4596:
4595:
4583:
4577:
4570:
4565:
4558:
4553:
4547:
4546:0 340 09420 6
4543:
4539:
4533:
4531:
4529:
4513:
4509:
4502:
4494:
4488:
4477:
4470:
4468:
4460:
4445:
4441:
4435:
4420:
4416:
4410:
4395:
4394:
4389:
4385:
4379:
4360:
4356:
4349:
4343:
4328:
4327:
4322:
4318:
4312:
4303:
4297:
4291:
4275:
4271:
4264:
4248:
4244:
4238:
4230:
4224:
4220:
4213:
4205:
4203:0-8109-4217-8
4199:
4195:
4188:
4181:
4178:
4176:
4168:
4161:
4155:
4140:
4139:The Art Story
4136:
4130:
4122:
4115:
4113:
4111:
4103:
4097:
4090:
4085:
4078:
4073:
4065:
4059:
4055:
4048:
4041:
4035:
4028:
4023:
4016:
4010:
3999:
3992:
3986:
3978:
3972:
3968:
3967:
3959:
3950:
3944:
3940:
3939:
3938:O. M. Edwards
3931:
3923:
3917:
3913:
3912:
3904:
3896:
3890:
3886:
3882:
3875:
3868:
3867:1-85149-455-3
3864:
3860:
3854:
3847:
3846:0-500-20333-4
3843:
3839:
3833:
3826:
3821:
3819:
3812:
3808:
3805:
3800:
3794:
3793:0-300-07780-7
3790:
3786:
3780:
3778:
3776:
3768:
3764:
3759:
3752:
3746:
3740:
3734:
3732:
3723:
3717:
3713:
3706:
3697:
3681:
3677:
3671:
3663:
3657:
3641:
3635:
3628:
3623:
3607:
3605:
3597:
3591:
3590:0-517-69260-0
3587:
3583:
3577:
3570:
3565:
3558:
3553:
3546:
3541:
3534:
3529:
3522:
3517:
3501:
3497:
3491:
3484:
3478:
3470:
3464:
3457:
3452:
3445:
3440:
3434:, 1953, p.127
3433:
3427:
3425:
3416:
3410:
3403:
3397:
3390:
3384:
3377:
3371:
3369:
3361:
3356:
3350:
3349:0-14-020521-7
3346:
3342:
3336:
3330:
3329:0-14-020521-7
3326:
3322:
3316:
3309:
3303:
3287:
3283:
3277:
3270:
3265:
3263:
3261:
3252:
3246:
3240:, p. 97.
3239:
3234:
3228:, p. 49.
3227:
3222:
3215:
3211:
3207:
3201:
3194:
3189:
3183:
3182:The Two Paths
3180:John Ruskin,
3177:
3170:
3164:
3157:
3151:
3144:
3138:
3136:
3127:
3120:
3104:
3100:
3096:
3090:
3082:
3078:
3074:
3068:
3063:
3062:
3053:
3046:
3040:
3038:
3021:
3015:
3013:
3011:
3009:
3002:, p. 22.
3001:
2996:
2994:
2987:
2981:
2975:, p. 20.
2974:
2969:
2967:
2960:, p. 21.
2959:
2954:
2952:
2950:
2948:
2939:
2933:
2927:
2926:0-300-10571-1
2923:
2919:
2913:
2911:
2909:
2907:
2905:
2903:
2901:
2892:
2886:
2882:
2881:
2873:
2865:
2864:
2856:
2850:
2849:0-300-10939-3
2846:
2842:
2836:
2834:
2827:
2823:
2819:
2813:
2811:
2809:
2807:
2791:
2787:
2783:
2778:
2772:
2764:
2757:
2749:
2745:
2738:
2730:
2726:
2719:
2711:
2707:
2700:
2692:
2688:
2682:
2674:
2668:
2664:
2657:
2655:
2647:
2641:
2633:
2627:
2623:
2616:
2614:
2612:
2610:
2605:
2595:
2592:
2590:
2587:
2585:
2582:
2580:
2577:
2575:
2574:
2570:
2568:
2565:
2563:
2560:
2559:
2550:
2543:
2538:
2535:
2528:
2523:
2520:
2513:
2508:
2505:
2501:
2495:
2490:
2489:
2480:
2477:
2475:
2472:
2470:
2467:
2465:
2462:
2460:
2459:C.F.A. Voysey
2457:
2455:
2452:
2450:
2447:
2445:
2442:
2440:
2437:
2435:
2434:Baillie Scott
2432:
2430:
2427:
2425:
2422:
2420:
2417:
2415:
2412:
2410:
2407:
2405:
2402:
2400:
2397:
2395:
2392:
2390:
2387:
2385:
2382:
2380:
2377:
2375:
2372:
2370:
2367:
2365:
2362:
2360:
2357:
2355:
2354:Edwin Lutyens
2352:
2350:
2347:
2345:
2342:
2340:
2337:
2335:
2332:
2330:
2329:Norman Jewson
2327:
2325:
2322:
2320:
2317:
2315:
2314:Ernest Gimson
2312:
2310:
2307:
2305:
2302:
2300:
2297:
2295:
2292:
2290:
2287:
2285:
2284:Nelson Dawson
2282:
2280:
2277:
2275:
2272:
2270:
2267:
2265:
2262:
2260:
2257:
2255:
2252:
2250:
2247:
2245:
2242:
2241:
2234:
2232:
2228:
2223:
2221:
2216:
2214:
2210:
2206:
2202:
2198:
2197:W. R. Lethaby
2194:
2190:
2186:
2182:
2173:
2169:
2165:
2163:
2159:
2151:
2145:
2143:
2139:
2135:
2128:Art education
2125:
2123:
2119:
2115:
2111:
2106:
2104:
2100:
2096:
2092:
2088:
2084:
2080:
2079:Munstead Wood
2076:
2075:Edwin Lutyens
2072:
2066:Garden design
2060:
2057:
2054:
2051:
2048:
2045:
2042:
2038:
2034:
2031:
2028:
2025:
2022:
2019:
2016:
2013:
2010:
2009:Thorsen House
2007:
2004:
2001:
1998:
1995:
1992:
1989:
1986:
1983:
1980:
1977:
1974:
1971:
1968:
1965:
1964:Marston House
1962:
1959:
1956:
1953:
1950:
1947:
1944:
1941:
1940:Shaw's Corner
1938:
1935:
1932:
1929:
1926:
1923:
1920:
1917:
1914:
1911:
1908:
1905:
1902:
1899:
1898:Derwent House
1896:
1893:
1890:
1887:
1884:
1881:
1878:
1875:
1872:
1869:
1866:
1863:
1860:
1857:
1854:
1851:
1848:
1847:
1841:
1839:
1838:George Orwell
1835:
1831:
1827:
1826:Raymond Unwin
1823:
1818:
1816:
1812:
1808:
1804:
1800:
1796:
1791:
1789:
1785:
1781:
1777:
1773:
1765:
1764:
1762:
1756:
1752:
1751:
1743:
1740:
1736:
1735:Yanagi Sōetsu
1726:
1724:
1720:
1710:
1708:
1704:
1700:
1695:
1693:
1689:
1685:
1681:
1676:
1674:
1670:
1666:
1662:
1658:
1654:
1650:
1646:
1642:
1638:
1634:
1630:
1626:
1622:
1612:
1610:
1606:
1602:
1598:
1594:
1590:
1586:
1582:
1578:
1574:
1570:
1566:
1562:
1558:
1554:
1550:
1546:
1542:
1538:
1534:
1530:
1526:
1522:
1518:
1514:
1510:
1505:
1503:
1499:
1495:
1491:
1490:New Hampshire
1487:
1483:
1477:
1472:
1470:
1466:
1461:
1456:
1454:
1450:
1446:
1442:
1438:
1434:
1428:
1426:
1422:
1418:
1417:progressivism
1412:
1410:
1406:
1402:
1398:
1394:
1390:
1385:
1381:
1377:
1373:
1372:
1366:
1364:
1363:Mission Style
1360:
1356:
1352:
1348:
1347:The Craftsman
1344:
1334:
1327:
1322:
1314:
1306:
1298:
1291:
1290:New Hampshire
1287:
1283:
1278:
1272:North America
1269:
1267:
1262:
1260:
1256:
1252:
1248:
1244:
1239:
1237:
1233:
1229:
1225:
1221:
1217:
1213:
1208:
1206:
1202:
1198:
1194:
1190:
1186:
1181:
1179:
1175:
1171:
1167:
1166:Koloman Moser
1163:
1159:
1154:
1152:
1151:
1146:
1142:
1138:
1134:
1129:
1127:
1123:
1119:
1115:
1111:
1107:
1099:
1095:
1090:
1086:
1083:
1082:Transylvanian
1079:
1075:
1071:
1060:
1058:
1054:
1050:
1049:Edwin Lutyens
1046:
1042:
1038:
1034:
1030:
1019:
1017:
1013:
1008:
1006:
1001:
999:
993:
991:
987:
974:
973:Frank Shayler
970:
965:
961:
959:
955:
951:
950:Glasgow Style
947:
943:
939:
934:
932:
931:Paisley Abbey
928:
924:
920:
916:
912:
908:
904:
900:
886:
872:
870:
866:
862:
858:
854:
849:
847:
843:
838:
837:Yanagi Soetsu
834:
833:Bernard Leach
824:
822:
818:
814:
810:
804:
801:
792:
788:
784:
782:
778:
774:
769:
767:
766:C.F.A. Voysey
763:
761:
757:
753:
748:
744:
739:
737:
733:
729:
725:
721:
717:
712:
710:
706:
701:
699:
695:
691:
687:
686:Ernest Newton
683:
679:
675:
672:In 1884, the
670:
668:
664:
663:Herbert Horne
660:
656:
655:Century Guild
652:
651:A.H.Mackmurdo
647:
644:
640:
636:
631:
627:
625:
621:
617:
607:
605:
601:
597:
593:
583:
581:
577:
573:
569:
565:
561:
557:
553:
549:
545:
535:
533:
532:W. R. Lethaby
528:
523:
519:
517:
513:
508:
504:
502:
498:
494:
479:
477:
472:
470:
464:
463:
455:
448:
443:
439:
432:
427:
423:
421:
420:
415:
411:
410:
405:
404:
399:
395:
391:
387:
383:
379:
371:
362:
360:
356:
352:
348:
343:
340:
335:
332:
328:
324:
314:
311:
310:Rosemary Hill
307:
303:
299:
291:
287:
283:
274:
267:
266:
261:
257:
253:
249:
246:, printed by
245:
241:
237:
233:
231:
225:
223:
219:
215:
211:
207:
203:
199:
195:
190:
188:
184:
180:
177:(1809–1874),
176:
173:(1808–1882),
172:
167:
165:
161:
157:
149:Design reform
141:
139:
135:
131:
128:, art critic
127:
123:
119:
114:
112:
108:
104:
100:
96:
91:
89:
85:
79:
77:
73:
67:
65:
61:
57:
49:
45:
41:
37:
33:
19:
9451:Mount Ruskin
9424:
9405:
9397:
9391:The Countess
9389:
9381:
9373:
9365:
9357:
9329:
9321:
9313:
9305:
9297:
9289:
9230:
9222:
9195:
9092:
9043:
9035:
9027:
9019:
9011:
9003:
8995:
8987:
8979:
8971:
8952:
8944:
8911:
8832:Trompe-l'œil
8830:
8801:Outsider art
8754:Illustration
8710:Lutheran art
8700:Catholic art
8663:Abstract art
8633:Unilalianism
8596:Software art
8571:Neosymbolism
8561:Neo-futurism
8524:Internet art
8514:Hyperrealism
8367:Superfiction
8150:Photorealism
8018:Afrofuturism
7783:Contemporary
7759:Dimensionism
7742:Concrete art
7675:
7671:Precisionism
7521:
7468:Sosaku-hanga
7442:Productivism
7432:Metaphysical
7402:
7391:Proto-Cubism
7295:Secessionism
7257:Costumbrismo
7146:
7142:Aestheticism
7093:Hague School
7073:
6997:Academic art
6978:Costumbrismo
6946:Empire style
6783:Quito School
6778:Cusco School
6694:Colonial art
6655:
6643:Fête galante
6641:
6610:18th century
6572:Delft School
6523:Caravaggisti
6501:17th century
6386:
6343:Quattrocento
6333:
6291:
6214:
6117:
6047:Late antique
5931:Severe style
5921:Black-figure
5808:Contemporary
5690:New Urbanism
5632:
5361:Deep ecology
5323:Geocriticism
5313:Ecocriticism
5285:Ethnoecology
5275:Ecosemiotics
5196:conservation
5090:The Guardian
5089:
5070:. Retrieved
5055:
5046:
5036:
5018:
5010:
5003:
4996:
4978:
4957:
4947:
4940:
4922:
4895:
4888:
4873:
4863:
4856:
4848:
4829:
4821:
4795:
4787:
4769:
4750:
4742:
4723:
4702:
4682:
4660:
4639:
4618:
4599:
4581:
4580:C.R.Ashbee,
4576:
4571:, HMSO, 1911
4568:
4564:
4552:
4537:
4517:17 September
4515:. Retrieved
4511:
4501:
4487:
4476:the original
4466:
4459:
4447:. Retrieved
4443:
4434:
4422:. Retrieved
4418:
4409:
4397:. Retrieved
4391:
4378:
4366:. Retrieved
4354:
4342:
4330:. Retrieved
4324:
4311:
4302:
4295:
4290:
4278:. Retrieved
4274:the original
4263:
4251:. Retrieved
4247:the original
4237:
4218:
4212:
4193:
4187:
4174:
4167:
4159:
4154:
4142:. Retrieved
4138:
4129:
4101:
4096:
4084:
4072:
4053:
4047:
4039:
4034:
4022:
4014:
4009:
3985:
3965:
3958:
3937:
3930:
3910:
3903:
3884:
3874:
3858:
3853:
3838:Scottish Art
3837:
3832:
3799:
3784:
3766:
3758:
3750:
3745:
3738:
3711:
3705:
3696:
3684:. Retrieved
3680:the original
3670:
3656:
3644:. Retrieved
3634:
3622:
3610:. Retrieved
3603:
3596:
3581:
3576:
3564:
3552:
3540:
3528:
3516:
3504:. Retrieved
3500:the original
3490:
3482:
3477:
3463:
3451:
3439:
3431:
3409:
3401:
3396:
3388:
3383:
3375:
3355:
3340:
3335:
3320:
3315:
3307:
3302:
3290:. Retrieved
3285:
3276:
3245:
3233:
3226:Wildman 1998
3221:
3205:
3200:
3188:
3181:
3176:
3168:
3167:Tim Hilton,
3163:
3155:
3150:
3142:
3125:
3119:
3107:. Retrieved
3103:the original
3098:
3089:
3060:
3052:
3044:
3024:. Retrieved
2985:
2980:
2932:
2917:
2879:
2872:
2862:
2855:
2840:
2817:
2793:. Retrieved
2785:
2776:
2771:
2762:
2756:
2747:
2743:
2737:
2728:
2718:
2709:
2699:
2690:
2681:
2662:
2645:
2640:
2621:
2571:
2404:Karl Parsons
2389:Julia Morgan
2299:Dirk van Erp
2279:Walter Crane
2226:
2224:
2217:
2177:
2146:
2131:
2112:designed by
2107:
2095:Castle Drogo
2083:Bishopsbarns
2069:
2047:Honan Chapel
1997:Gamble House
1822:Barry Parker
1819:
1795:Bedford Park
1792:
1774:
1770:
1760:
1757:
1753:
1746:Architecture
1732:
1716:
1706:
1696:
1691:
1677:
1649:Julia Morgan
1618:
1565:Teco pottery
1506:
1501:
1479:
1474:
1457:
1448:
1429:
1413:
1408:
1404:
1375:
1369:
1367:
1350:
1346:
1339:
1264:In Iceland,
1263:
1240:
1232:Budapest zoo
1228:Transylvania
1209:
1182:
1155:
1148:
1130:
1112:, the Dutch
1103:
1094:Carl Larsson
1073:
1069:
1066:
1037:Honan Chapel
1029:Harry Clarke
1025:
1009:
1002:
994:
985:
983:
935:
926:
896:
850:
841:
830:
820:
805:
796:
773:distributism
770:
764:
740:
720:Walter Crane
714:In 1887 the
713:
702:
682:Edward Prior
671:
659:Selwyn Image
648:
632:
628:
613:
592:dress reform
589:
552:Walter Crane
541:
524:
520:
509:
505:
500:
489:
473:
468:
465:
452:
436:
417:
407:
401:
376:
358:
354:
350:
344:
336:
320:
305:
295:
271:
263:
239:
229:
226:
221:
220:(1856). The
217:
213:
209:
206:Ralph Wornum
201:
193:
191:
186:
168:
152:
115:
92:
80:
72:Modern Style
68:
55:
53:
40:
9602:Hammersmith
9542:British art
9410:(2014 film)
9394:(1999 play)
9386:(1994 film)
9370:(1967 film)
9359:John Ruskin
9318:(1851–1853)
9302:(1843–1860)
9276:John Ruskin
9173:Jane Morris
9136:Golden Type
8717:Digital art
8680:Avant-garde
8621:Superstroke
8497:Flat design
8492:Fictive art
8487:Excessivism
8435:Art for art
8430:Altermodern
8372:Taring Padi
8307:Lowbrow art
8275:Pliontanism
8212:Yoru no Kai
8165:Process art
8105:Systems art
8075:Arte Povera
7997:Antipodeans
7906:in New York
7876:Jikken Kōbō
7839:Color field
7708:Regionalism
7677:Aeropittura
7666:Neo-Fauvism
7639:Neues Sehen
7609:Kinetic art
7473:Suprematism
7447:Synchromism
7364:Noucentisme
7285:Primitivism
7273:Art Nouveau
7228:Cloisonnism
7218:Pointillism
7213:Divisionism
7191:Incoherents
7152:Art pottery
7038:(1863–1944)
6988:Macchiaioli
6963:Biedermeier
6951:Historicism
6936:Orientalism
6877:Romanticism
6848:Akita ranga
6700:Art of the
6685:Picturesque
6637:Chinoiserie
6632:Frederician
6470:Tudor court
6365:Cinquecento
6306:Renaissance
6293:Mappa mundi
6277:cartography
6169:Carolingian
6164:Merovingian
6147:Palaeologan
6119:Repoblación
6076:Anglo-Saxon
6007:Gallo-Roman
5946:Hellenistic
5941:Kerch style
5879:Minyan ware
5710:Themed walk
5439:Stewardship
5419:Ecotheology
5366:Ecofeminism
5191:Photography
5072:26 December
4772:. Birlinn.
4621:. Phaidon.
4557:Naylor 1971
4144:25 December
4089:Naylor 1971
4077:Naylor 1971
3557:Naylor 1971
3533:Naylor 1971
3444:Naylor 1971
3238:Naylor 1971
3193:Naylor 1971
3169:John Ruskin
3154:David Pye,
3022:. Vam.ac.uk
3000:Naylor 1971
2973:Naylor 1971
2958:Naylor 1971
2469:Philip Webb
2439:Norman Shaw
2259:Detmar Blow
2158:Henry Payne
1916:Spade House
1784:Philip Webb
1780:Bexleyheath
1692:Composition
1591:company in
1557:New Orleans
1441:Denman Ross
1380:Art Nouveau
1241:In Russia,
1110:Art Nouveau
990:World War I
923:John Ruskin
743:C.R. Ashbee
724:New Gallery
653:formed the
610:Development
560:Philip Webb
556:C.R. Ashbee
323:John Ruskin
317:John Ruskin
256:Golden Type
244:John Ruskin
130:John Ruskin
76:Art Nouveau
9567:Modern art
9511:Categories
9435:Effie Gray
9407:Effie Gray
9351:Depictions
9187:(daughter)
9185:May Morris
9181:(daughter)
8764:Jewish art
8576:Passionism
8536:iPhone art
8482:Cyborg art
8477:Crypto art
8450:Brandalism
8342:Cyberdelic
8207:Tropicália
8180:Street art
8135:Intermedia
8115:Minimalism
7834:Spatialism
7788:Postmodern
7644:Surrealism
7512:Shin-hanga
7352:Die Brücke
7320:Sonderbund
7233:Synthetism
6956:Revivalism
6865:Transition
6822:Manichaean
6668:Adam style
6589:Classicism
6528:in Utrecht
6456:Still life
6186:Romanesque
6142:Macedonian
6137:Iconoclast
6096:Visigothic
6002:Republican
5956:Indo-Greek
5926:Red-figure
5673:assessment
5643:Biomimicry
5583:Sexecology
5480:arts-based
5343:Philosophy
5300:Literature
4916:required.)
4102:Kós Károly
3857:H. Lyons,
3763:Noel Rooke
3432:The Studio
3081:1147708297
2600:References
2479:Edgar Wood
1904:Stoneywell
1830:vernacular
1803:Almshouses
1733:In Japan,
1421:Hull House
1389:Kalo Shops
1368:The terms
1357:campus in
1216:Károly Kós
1078:Károly Kós
1039:(1916) in
986:revivalist
544:socialists
388:including
175:Owen Jones
171:Henry Cole
60:decorative
32:Handicraft
9491:Sarvodaya
9430:Brantwood
9201:Red House
9056:Paintings
8826:Shock art
8816:Queer art
8796:Naïve art
8779:Modernism
8611:Superflat
8601:Sound art
8581:Post-YBAs
8566:Neomodern
8407:Verdadism
8377:Superflat
8226:1970–1999
8190:in the US
8110:Video art
8033:Happening
8006:1960–1969
7798:1945–1959
7461:1915–1944
7452:Vorticism
7404:A Nyolcak
7266:1900–1914
7238:Les Nabis
7169:Symbolism
7125:Amsterdam
7075:Japonisme
7045:1863–1899
7007:in Greece
6867:to modern
6712:Caribbean
6657:Goût grec
6579:Capriccio
6533:Tenebrism
6482:Turquerie
6380:Mannerism
6275:Medieval
6132:Byzantine
6113:Mozarabic
6064:Ethiopian
5968:Neo-Attic
5951:"Baroque"
5936:Classical
5906:Geometric
5884:Mycenaean
5831:(Western)
5829:Premodern
5800:Premodern
5653:Ecomuseum
5605:Slow food
5538:Bioethics
5318:Ecopoetry
5201:landscape
4814:809539744
3991:"CHS Vol"
3848:, p. 151.
3686:28 August
3646:28 August
3612:28 August
3026:28 August
2309:Eric Gill
1936:– 1901–02
1892:Blackwell
1868:Inglewood
1850:Red House
1799:Aesthetic
1776:Red House
1409:Craftsman
1126:Modernism
1041:Cork city
1033:Evie Hone
875:By region
800:enameling
760:Cotswolds
752:socialism
741:In 1888,
633:In 1881,
538:Socialism
431:Red House
306:Contrasts
111:Modernism
88:quixotism
64:fine arts
9119:Printing
9095:tapestry
8941:" (1860)
8934:" (1858)
8856:Category
8806:Portrait
8727:Folk art
8675:Anti-art
8606:Stuckism
8519:Idea art
8440:Art game
8392:Artivism
8280:Punk art
8258:Sots Art
8243:Artscene
8100:Land art
8038:Neo-Dada
7970:Lettrism
7864:Nuagisme
7849:Tachisme
7730:Nazi art
7523:De Stijl
7437:Rayonism
7427:Art Deco
7415:Futurism
7206:Luminism
7174:Romanian
7159:Tonalism
7130:Canadian
7108:American
7014:Neo-Grec
6622:Rocaille
6451:Romanism
6385:Counter-
6319:Trecento
6259:Duecento
6249:Crusades
6181:Ottonian
6159:Frankish
6039:Medieval
6022:Trajanic
5982:Scythian
5977:Etruscan
5869:Cycladic
5847:Thracian
5753:Journals
5738:Category
5678:planning
5411:Religion
5376:Ecosophy
5211:wildlife
5181:Land art
5166:Crop art
5110:Archived
4359:Archived
3998:Archived
3807:Archived
3292:16 March
3109:16 March
2556:See also
2099:Goddards
2091:Goddards
2021:Whare Ra
1991:Stotfold
1665:Pasadena
1661:Berkeley
1637:bungalow
1599:made by
1569:Overbeck
1509:Roycroft
1384:Art Deco
1355:Roycroft
1234:and the
1224:folk art
1185:Helsinki
1114:De Stijl
893:Scotland
815:and the
622:and the
596:ruralism
290:Ramsgate
196:(1853),
103:romantic
99:medieval
9418:Related
9334:(1870s)
9166:Related
9145:Museums
8905:Stories
8821:Realism
8418:present
8145:Nut Art
7948:Pop art
7886:Mono-ha
7754:The Ten
7703:Kapists
7649:Iranian
7602:Bauhaus
7396:Orphism
7342:Fauvism
7179:Russian
7069:Nihonga
6983:Verismo
6968:Realism
6902:Purismo
6815:Moorish
6810:Islamic
6717:Haitian
6508:Baroque
6387:Maniera
6271:Mudéjar
6196:Spanish
6108:Pictish
6091:Lombard
6086:Insular
6027:Severan
5992:Gaulish
5987:Iberian
5916:Archaic
5859:Nuragic
5839:Ancient
5822:periods
5758:Degrees
5748:Commons
5625:Applied
5562:museums
5526:Related
5247:Culture
4424:26 June
4399:26 June
4368:26 June
4332:23 June
4280:3 March
4253:3 March
4180:MSN.com
3171:, Vol.2
2795:17 July
2138:Bedales
1874:Standen
1828:in the
1713:Museums
1585:Detroit
1517:Buffalo
1502:Lucknow
1484:in the
1351:The Fra
1212:Hungary
1133:Belgium
1122:Bauhaus
1116:group,
1022:Ireland
758:in the
250:at the
230:Utility
9552:Crafts
9437:(wife)
9326:(1860)
9310:(1849)
9175:(wife)
9048:(1897)
9040:(1897)
9032:(1896)
9024:(1895)
9016:(1894)
9008:(1891)
9000:(1890)
8992:(1889)
8984:(1889)
8976:(1888)
8965:Novels
8957:(1876)
8949:(1870)
8924:Poetry
8916:(1856)
8769:Kitsch
8628:Toyism
8120:Fluxus
8050:Op art
7619:Mingei
7553:Stupid
7531:Purism
7386:Cubism
7035:Modern
6827:Mughal
6617:Rococo
6222:Gothic
6203:Norman
6127:Viking
6081:Hunnic
6059:Coptic
5874:Minoan
5864:Aegean
5852:Dacian
5804:Modern
5206:nature
5063:
5041:online
5025:
5006:(1983)
4985:
4966:
4929:
4910:
4878:online
4868:online
4836:
4812:
4802:
4776:
4757:
4731:
4710:
4689:
4667:
4648:
4625:
4606:
4584:, 1911
4544:
4449:6 July
4225:
4200:
4060:
3973:
3953:Sec. 3
3945:
3918:
3891:
3865:
3844:
3791:
3718:
3588:
3506:5 July
3347:
3327:
3288:. 2019
3212:
3079:
3069:
2924:
2887:
2847:
2824:
2669:
2628:
1739:Mingei
1651:, and
1635:, the
1587:, the
1535:, and
1399:, and
1195:, and
598:, the
566:, and
501:per se
497:Gandhi
447:Merton
414:Malory
160:ornate
95:Mingei
9446:Illth
9283:Works
8416:2000–
7859:COBRA
6853:Uki-e
6843:Japan
6832:Qajar
6191:Mosan
5997:Roman
5891:Greek
5552:ethic
5475:adult
5448:Other
4479:(PDF)
4472:(PDF)
4362:(PDF)
4351:(PDF)
4001:(PDF)
3994:(PDF)
2746:[
2097:. At
1778:, in
1623:" of
1619:The "
1597:tiles
980:Wales
971:, by
286:Pugin
105:, or
8705:Icon
8028:ZERO
7786:and
7683:Asso
7507:Dada
7064:Yōga
5806:and
5074:2013
5061:ISBN
5023:ISBN
4983:ISBN
4964:ISBN
4927:ISBN
4834:ISBN
4810:OCLC
4800:ISBN
4774:ISBN
4755:ISBN
4729:ISBN
4708:ISBN
4687:ISBN
4665:ISBN
4646:ISBN
4623:ISBN
4604:ISBN
4542:ISBN
4519:2011
4451:2016
4426:2016
4401:2016
4370:2016
4334:2016
4282:2015
4255:2015
4223:ISBN
4198:ISBN
4146:2020
4058:ISBN
3971:ISBN
3943:ISBN
3916:ISBN
3889:ISBN
3863:ISBN
3842:ISBN
3789:ISBN
3716:ISBN
3688:2010
3648:2010
3614:2010
3586:ISBN
3508:2019
3345:ISBN
3325:ISBN
3294:2019
3210:ISBN
3111:2019
3077:OCLC
3067:ISBN
3028:2010
2922:ISBN
2885:ISBN
2845:ISBN
2822:ISBN
2797:2007
2667:ISBN
2626:ISBN
2199:and
2160:and
1824:and
1729:Asia
1717:The
1663:and
1639:and
1575:and
1571:and
1519:and
1439:and
1382:and
1164:and
1096:and
1016:pisé
921:and
779:and
692:and
602:and
353:and
107:folk
62:and
54:The
5158:Art
4902:doi
2039:at
1721:in
1603:in
1583:in
1579:'s
1555:in
1531:in
1515:in
1488:of
1374:or
1288:in
1210:In
929:in
775:of
534:".
416:'s
242:by
208:'s
200:'s
9513::
5802:,
4894:.
4808:.
4527:^
4510:.
4442:.
4417:.
4390:.
4386:.
4357:.
4353:.
4323:.
4319:.
4137:.
4109:^
3883:.
3817:^
3774:^
3730:^
3423:^
3367:^
3284:.
3259:^
3134:^
3097:.
3075:.
3036:^
3007:^
2992:^
2965:^
2946:^
2899:^
2832:^
2805:^
2788:.
2784:.
2779:;
2727:.
2708:.
2689:.
2653:^
2608:^
2120:,
2035:–
1647:,
1627:,
1567:,
1563:,
1559:,
1551:,
1523:,
1492:,
1395:,
1391:,
1249:,
1245:,
1218:,
1207:.
1191:,
1143:,
1139:,
917:,
783:.
688:,
684:,
680:,
669:.
661:,
637:,
594:,
562:,
558:,
554:,
550:,
101:,
90:.
9268:e
9261:t
9254:v
9215:"
8937:"
8930:"
8890:e
8883:t
8876:v
5820:/
5792:e
5785:t
5778:v
5579:)
5575:(
5564:)
5560:(
5554:)
5550:(
5142:e
5135:t
5128:v
5076:.
5031:.
4991:.
4972:.
4935:.
4908:.
4904::
4891:"
4880:.
4842:.
4816:.
4782:.
4763:.
4737:.
4716:.
4695:.
4673:.
4654:.
4631:.
4612:.
4521:.
4495:.
4453:.
4428:.
4403:.
4372:.
4336:.
4284:.
4257:.
4231:.
4206:.
4177:"
4148:.
4066:.
3979:.
3951:.
3924:.
3897:.
3869:.
3724:.
3690:.
3650:.
3616:.
3510:.
3296:.
3271:.
3253:.
3216:.
3113:.
3083:.
3030:.
2940:.
2893:.
2799:.
2731:.
2712:.
2675:.
2634:.
2154:'
975:.
38:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.