Arts and Crafts movement

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goods themselves, and it was only in the twentieth century that that became essential to the definition of craftsmanship. Although Morris was famous for getting hands-on experience himself of many crafts (including weaving, dying, printing, calligraphy and embroidery), he did not regard the separation of designer and executant in his factory as problematic. Walter Crane, a close political associate of Morris's, took an unsympathetic view of the division of labour on both moral and artistic grounds, and strongly advocated that designing and making should come from the same hand. Lewis Foreman Day, a friend and contemporary of Crane's, as unstinting as Crane in his admiration of Morris, disagreed strongly with Crane. He thought that the separation of design and execution was not only inevitable in the modern world, but also that only that sort of specialisation allowed the best in design and the best in making.

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of their producers and the degradation of their users. It is a protest against the turning of men into machines, against artificial distinctions in art, and against making the immediate market value, or possibility of profit, the chief test of artistic merit. It also advances the claim of all and each to the common possession of beauty in things common and familiar, and would awaken the sense of this beauty, deadened and depressed as it now too often is, either on the one hand by luxurious superfluities, or on the other by the absence of the commonest necessities and the gnawing anxiety for the means of livelihood; not to speak of the everyday uglinesses to which we have accustomed our eyes, confused by the flood of false taste, or darkened by the hurried life of modern towns in which huge aggregations of humanity exist, equally removed from both art and nature and their kindly and refining influences.

2512: 1297: 236: 2494: 2542: 44: 2527: 787: 442: 514:, a central figure in the Arts and Crafts movement, said in 1888, that, "We do not reject the machine, we welcome it. But we would desire to see it mastered." After unsuccessfully pitting his Guild and School of Handicraft guild against modern methods of manufacture, he acknowledged that "Modern civilisation rests on machinery", but he continued to criticise the deleterious effects of what he called "mechanism", saying that "the production of certain mechanical commodities is as bad for the national health as is the production of slave-grown cane or child-sweated wares." 185:(1804–1888), all of whom deprecated excessive ornament and impractical or badly-made things. The organizers were "unanimous in their condemnation of the exhibits." Owen Jones, for example, complained that "the architect, the upholsterer, the paper-stainer, the weaver, the calico-printer, and the potter" produced "novelty without beauty, or beauty without intelligence." From these criticisms of manufactured goods emerged several publications that set out what the writers considered to be the correct principles of design. Richard Redgrave's 885: 964: 1321: 5238: 1313: 426: 9343: 282: 1467:, graphic designer. The success of this exhibition resulted in the incorporation of The Society of Arts and Crafts (SAC), on June 28, 1897, with a mandate to "develop and encourage higher standards in the handicrafts." The 21 founders claimed to be interested in more than sales, and emphasized encouragement of artists to produce work with the best quality of workmanship and design. This mandate was soon expanded into a credo, possibly written by the SAC's first president, 370: 8852: 5734: 2233:, an important figure in the Arts and Crafts movement, took a different view in his dissenting report to the committee of inquiry, arguing for greater emphasis on principles of design against the growing orthodoxy of teaching design by direct working in materials. Nevertheless, the Arts and Crafts ethos thoroughly pervaded British art schools and persisted, in the view of the historian of art education, Stuart MacDonald, until after the Second World War. 1277: 1305: 5724: 1089: 1180:, had conflicting opinions about standardization. Muthesius believed that it was essential were Germany to become a leading nation in trade and culture. Van de Velde, representing a more traditional Arts and Crafts attitude, believed that artists would forever "protest against the imposition of orders or standardization," and that "The artist ... will never, of his own accord, submit to a discipline which imposes on him a canon or a type." 2168: 5744: 304:. For example, he advocated truth to material, structure, and function, as did the Arts and Crafts artists. Pugin articulated the tendency of social critics to compare the faults of modern society with the Middle Ages, such as the sprawling growth of cities and the treatment of the poor – a tendency that became routine with Ruskin, Morris, and the Arts and Crafts movement. His book 1476:

dignity and value of good design; to counteract the popular impatience of Law and Form, and the desire for over-ornamentation and specious originality. It will insist upon the necessity of sobriety and restraint, or ordered arrangement, of due regard for the relation between the form of an object and its use, and of harmony and fitness in the decoration put upon it.

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by machinery was "altogether an evil", but at others times, he was willing to commission work from manufacturers who were able to meet his standards with the aid of machines. Morris said that in a "true society", where neither luxuries nor cheap trash were made, machinery could be improved and used to reduce the hours of labor. The 19th-century cultural historian

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common people. ... The treasures in our museums now are only the common utensils used in households of that age, when hundreds of medieval churches – each one a masterpiece – were built by unsophisticated peasants." Medieval art was the model for much of Arts and Crafts design, and medieval life, literature and building was idealized by the movement.

762:. The guild's work is characterised by plain surfaces of hammered silver, flowing wirework and colored stones in simple settings. Ashbee designed jewellery and silver tableware. The guild flourished at Chipping Camden but did not prosper and was liquidated in 1908. Some craftsmen stayed, contributing to the tradition of modern craftsmanship in the area. 1709:, expanded and substantially revised Dow's ideas in over 150 monographs and articles for art schools in the United States and Britain. Among his many unorthodox teachings was his belief that manufactured products could express "the sublime beauty" and that great insight was to be found in the abstract "design forms" of pre-Columbian civilizations. 471:, an architectural history of Venice that contains a powerful denunciation of modern industrialism to which Arts and Crafts designers returned again and again. Distrust for the machine lay behind the many little workshops that turned their backs on the industrial world around 1900, using preindustrial techniques to create what they called 'crafts.' 2152:, which "led the way in introducing executed design to the teaching of art and design nationally (working in the material for which the design was intended rather than designing on paper). In his external examiner's report of 1889, Walter Crane praised Birmingham School of Art in that it 'considered design in relationship to materials and usage. 1007:. Edwards was a reforming politician dedicated to renewing Welsh pride by exposing its people to their own language and history. For Edwards, "There is nothing that Wales requires more than an education in the arts and crafts." – though Edwards was more inclined to resurrecting Welsh Nationalism than admiring glazes or rustic integrity. 819:, the Arts and Crafts Exhibition Society, now under the control of an old guard, was withdrawing from commerce and collaboration with manufacturers into purist handwork and what Tania Harrod describes as "decommoditisation" Its rejection of a commercial role has been seen as a turning point in its fortunes. Nikolaus Pevsner in his book 438:

physical creation was both socially and aesthetically damaging. Morris further developed this idea, insisting that no work should be carried out in his workshops before he had personally mastered the appropriate techniques and materials, arguing that "without dignified, creative human occupation people became disconnected from life".

626:(now the Victoria and Albert Museum). Later his work became popular with the middle and upper classes, despite his wish to create a democratic art, and by the end of the 19th century, Arts and Crafts design in houses and domestic interiors was the dominant style in Britain, copied in products made by conventional industrial methods. 1435:(MFA) in Boston to organize an exhibition of contemporary crafts. When craftsmen, consumers, and manufacturers realised the aesthetic and technical potential of the applied arts, the process of design reform in Boston started. Present at this meeting were General Charles Loring, Chairman of the Trustees of the MFA; 2222:, who then appointed Augustus Spencer to implement his plan. Spencer brought in Lethaby to head its school of design and several members of the Art Workers' Guild as teachers. Ten years after reform, a committee of inquiry reviewed the RCA and found that it was still not adequately training students for industry. 844:, published in 1940, which denounced industrial society in terms as vehement as those of Ruskin and Morris. Thus the Arts and Crafts philosophy was perpetuated among British craft workers in the 1950s and 1960s, long after the demise of the Arts and Crafts movement and at the high tide of Modernism. British 1084:

building. In central Europe, where several diverse nationalities lived under powerful empires (Germany, Austria-Hungary and Russia), the discovery of the vernacular was associated with the assertion of national pride and the striving for independence, and, whereas for Arts and Crafts practitioners in

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Scotland become known in the Arts and Crafts movement for its stained glass; Wales would become known for its pottery. By the mid 19th century, the heavy, salt glazes used for generations by local craftsmen had gone out of fashion, not least as mass-produced ceramics undercut prices. But the Arts and

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By the end of the nineteenth century, Arts and Crafts ideals had influenced architecture, painting, sculpture, graphics, illustration, book making and photography, domestic design and the decorative arts, including furniture and woodwork, stained glass, leatherwork, lacemaking, embroidery, rug making

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William Morris shared Ruskin's critique of industrial society and at one time or another attacked the modern factory, the use of machinery, the division of labor, capitalism and the loss of traditional craft methods. But his attitude to machinery was inconsistent. He said at one point that production

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In 1861, Morris began making furniture and decorative objects commercially, modelling his designs on medieval styles and using bold forms and strong colours. His patterns were based on flora and fauna, and his products were inspired by the vernacular or domestic traditions of the British countryside.

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The Arts and Crafts movement emerged from the attempt to reform design and decoration in mid-19th century Britain. It was a reaction against a perceived decline in standards that the reformers associated with machinery and factory production. Their critique was sharpened by the items that they saw in

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Others consider Art and Crafts to be in opposition to Art Nouveau. Arts and Crafts indeed criticized Art Nouveau for its use of industrial materials such as iron. And as for Art Nouveau artists, the Arts and Crafts utopia was intrinsically contradictory: "the paradoxical confinement of the Arts &

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Arts and Crafts ideals disseminated in America through journal and newspaper writing were supplemented by societies that sponsored lectures. The first was organized in Boston in the late 1890s, when a group of influential architects, designers, and educators determined to bring to America the design

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insisted that the designer should also be the maker. Peter Floud, writing in the 1950s, said that "The founders of the Society ... never executed their own designs, but invariably turned them over to commercial firms." The idea that the designer should be the maker and the maker the designer derived

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Morris insisted that the artist should be a craftsman-designer working by hand and advocated a society of free craftspeople, such as he believed had existed during the Middle Ages. "Because craftsmen took pleasure in their work", he wrote, "the Middle Ages was a period of greatness in the art of the

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whom he taught to all of his pupils. In a letter to one of his pupils Ruskin writes : "There is only one book of any value and that is the Dictionnary of Viollet le Duc. Everyone should learn French". And according to some Ruskin's influence on Arts and Crafts was supplanted in 1860 by that of

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Jones declared that ornament "must be secondary to the thing decorated", that there must be "fitness in the ornament to the thing ornamented", and that wallpapers and carpets must not have any patterns "suggestive of anything but a level or plain". A fabric or wallpaper in the Great Exhibition might

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Arts and Crafts practitioners in Britain were critical of the government system of art education based on design in the abstract with little teaching of practical craft. This lack of craft training also caused concern in industrial and official circles, and in 1884 a Royal Commission (accepting the

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The movement ... represents in some sense a revolt against the hard mechanical conventional life and its insensibility to beauty (quite another thing to ornament). It is a protest against that so-called industrial progress which produces shoddy wares, the cheapness of which is paid for by the lives

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Unlike their counterparts in the United States, most Arts and Crafts practitioners in Britain had strong, slightly incoherent, negative feelings about machinery. They thought of 'the craftsman' as free, creative, and working with his hands, 'the machine' as soulless, repetitive, and inhuman. These

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While the Europeans tried to recreate the virtuous crafts being replaced by industrialisation, Americans tried to establish a new type of virtue to replace heroic craft production: well-decorated middle-class homes. They claimed that the simple but refined aesthetics of Arts and Crafts decorative

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Morris and his followers believed the division of labour on which modern industry depended was undesirable, but the extent to which every design should be carried out by the designer was a matter for debate and disagreement. Not all Arts and Crafts artists carried out every stage in the making of

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Morris began experimenting with various crafts and designing furniture and interiors. He was personally involved in manufacture as well as design, which was the hallmark of the Arts and Crafts movement. Ruskin had argued that the separation of the intellectual act of design from the manual act of

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However, the design reformers of the mid-19th century did not go as far as the designers of the Arts and Crafts movement. They were more concerned with ornamentation than construction, they had an incomplete understanding of methods of manufacture, and they did not criticise industrial methods as

1786:, exemplifies the early Arts and Crafts style, with its well-proportioned solid forms, wide porches, steep roof, pointed window arches, brick fireplaces and wooden fittings. Webb rejected classical and other revivals of historical styles based on grand buildings, and based his design on British 312:

notes that he "reached conclusions, almost in passing, about the importance of craftsmanship and tradition in architecture that it would take the rest of the century and the combined efforts of Ruskin and Morris to work out in detail." She describes the spare furnishings which he specified for a

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Other local authority schools also began to introduce more practical teaching of crafts, and by the 1890s Arts and Crafts ideals were being disseminated by members of the Art Workers Guild into art schools throughout the country. Members of the Guild held influential positions: Walter Crane was

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The Arts and Crafts Exhibition Society held eleven exhibitions between 1888 and 1916. By the outbreak of war in 1914 it was in decline and faced a crisis. Its 1912 exhibition had been a financial failure. While designers in continental Europe were making innovations in design and alliances with

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and ceramics. By 1910, there was a fashion for "Arts and Crafts" and all things hand-made. There was a proliferation of amateur handicrafts of variable quality and of incompetent imitators who caused the public to regard Arts and Crafts as "something less, instead of more, competent and fit for

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This Society was incorporated for the purpose of promoting artistic work in all branches of handicraft. It hopes to bring Designers and Workmen into mutually helpful relations, and to encourage workmen to execute designs of their own. It endeavors to stimulate in workmen an appreciation of the

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The spread of Arts and Crafts ideas during the late 19th and early 20th centuries resulted in the establishment of many associations and craft communities, although Morris had little to do with them because of his preoccupation with socialism at the time. A hundred and thirty Arts and Crafts

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in the East End of London. The guild was a craft co-operative modelled on the medieval guilds and intended to give working men satisfaction in their craftsmanship. Skilled craftsmen, working on the principles of Ruskin and Morris, were to produce hand-crafted goods and manage a school for

855:, chairman of the Utility Furniture Design Panel, was imbued with Arts and Crafts ideas. He manufactured furniture in the Cotswold Hills, a region of Arts and Crafts furniture-making since Ashbee, and he was a member of the Arts and Crafts Exhibition Society. William Morris's biographer, 768:(1857–1941) was an Arts and Crafts architect who also designed fabrics, tiles, ceramics, furniture and metalwork. His style combined simplicity with sophistication. His wallpapers and textiles, featuring stylised bird and plant forms in bold outlines with flat colors, were used widely. 1026:

The movement spread to Ireland, representing an important time for the nation's cultural development, a visual counterpart to the literary revival of the same time and was a publication of Irish nationalism. The Arts and Crafts use of stained glass was popular in Ireland, with

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be decorated with a natural motif made to look as real as possible, whereas these writers advocated flat and simplified natural motifs. Redgrave insisted that "style" demanded sound construction before ornamentation, and a proper awareness of the quality of materials used. "

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in the US, or approximately the period from 1910 to 1925. The movement was particularly notable for the professional opportunities it opened up for women as artisans, designers and entrepreneurs who founded and ran, or were employed by, such successful enterprises as the

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to encourage the working classes, especially those in rural areas, to take up handicrafts under supervision, not for profit, but in order to provide them with useful occupations and to improve their taste. By 1889 it had 450 classes, 1,000 teachers and 5,000 students.

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featuring more than 1000 objects made by 160 craftsmen, half of whom were women. Some of the advocates of the exhibit were Langford Warren, founder of Harvard's School of Architecture; Mrs. Richard Morris Hunt; Arthur Astor Carey and Edwin Mead, social reformers; and

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Some were deliberately left unfinished in order to display the beauty of the materials and the work of the craftsman, thus creating a rustic appearance. Morris strove to unite all the arts within the decoration of the home, emphasizing nature and simplicity of form.

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In the United States, the Arts and Crafts style initiated a variety of attempts to reinterpret European Arts and Crafts ideals for Americans. These included the "Craftsman"-style architecture, furniture, and other decorative arts such as designs promoted by

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to be "servile labour", and he thought that a healthy and moral society required independent workers who designed the things that they made. He believed factory-made works to be "dishonest," and that handwork and craftsmanship merged dignity with labour.

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Crafts movement in an artisanal practice was completely out of step with the evolution of the status of the artist-decorator, but also with the democratic will of an art 'for the people and by the people' proclaimed by William Morris". For example, while

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Initiated in reaction against the perceived impoverishment of the decorative arts and the conditions in which they were produced, the movement flourished in Europe and North America between about 1880 and 1920. Some consider that it is the root of the

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about the moral and social value of simple crafts; both were enthusiastic readers of Ruskin. Leach was an active propagandist for these ideas, which struck a chord with practitioners of the crafts in the inter-war years, and he expounded them in

1694:, which distilled into a distinctly American approach the essence of Japanese composition, combining into a decorative harmonious amalgam three elements: simplicity of line, "notan" (the balance of light and dark areas), and symmetry of color. 1172:(German Association of Craftsmen) was formed in 1907 as an association of artists, architects, designers, and industrialists to improve the global competitiveness of German businesses and became an important element in the development of 1741:

movement which promoted folk art from the 1920s onwards, was influenced by the writings of Morris and Ruskin. Like the Arts and Crafts movement in Europe, Mingei sought to preserve traditional crafts in the face of modernising industry.

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arts would ennoble the new experience of industrial consumerism, making individuals more rational and society more harmonious. The American Arts and Crafts movement was the aesthetic counterpart of its contemporary political philosophy,

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Many of the leaders of the Arts and Crafts movement were trained as architects (e.g. William Morris, A. H. Mackmurdo, C. R. Ashbee, W. R. Lethaby) and it was on building that the movement had its most visible and lasting influence.

1000:(which dated back to the 17th century) in 1885, to both find local pieces and encourage a style compatible with the movement. The pieces he brought back to London for the next twenty years revivified interest in Welsh pottery work. 329:. Ruskin related the moral and social health of a nation to the qualities of its architecture and to the nature of its work. Ruskin considered the sort of mechanized production and division of labour that had been created in the 380:(1834–1896) was the towering figure in late 19th-century design and the main influence on the Arts and Crafts movement. The aesthetic and social vision of the movement grew out of ideas that he developed in the 1850s with the 606:. All were linked, in some degree, by the ideal of "the Simple Life". In continental Europe the movement was associated with the preservation of national traditions in building, the applied arts, domestic design and costume. 570:. In the early 1880s, Morris was spending more of his time on promoting socialism than on designing and making. Ashbee established a community of craftsmen called the Guild of Handicraft in east London, later moving to 2511: 1067:

In continental Europe, the revival and preservation of national styles was an important motive of Arts and Crafts designers; for example, in Germany, after unification in 1871 under the encouragement of the

1840:'s jibe about "every fruit-juice drinker, nudist, sandal-wearer, sex-maniac, Quaker, 'Nature Cure' quack, pacifist, and feminist in England" going to a socialist conference in Letchworth has become famous. 2148:

advice of William Morris) recommended that art education should pay more attention to the suitability of design to the material in which it was to be executed. The first school to make this change was the

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in London. Much of this work is directly inspired from the Dictionnaire of Viollet le Duc. Most of Morris & Co's early work was for churches and Morris won important interior design commissions at

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which is also laid out in a series of outdoor rooms and where, like Goddards, the landscaping becomes less formal further away from the house. Other examples of Arts and Crafts gardens include

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and made them joint principals. Until the formation of the Bauhaus in Germany, the Central School was regarded as the most progressive art school in Europe. Shortly after its foundation, the

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than by machinery itself. William Morris's idea of "handicraft" was essentially work without any division of labour rather than work without any sort of machinery. Morris admired Ruskin's

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understood the social discourse of Arts and Crafts, he was not an unconditional disciple of the movement and ended up turning away from it, considering it as anachronistic and tinged with

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and thought Ashbee's scheme trivial. From 1888 to 1902 the guild prospered, employing about 50 men. In 1902 Ashbee relocated the guild out of London to begin an experimental community in

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Arts and Crafts products were admired in Austria and Germany in the early 20th century, and under their inspiration design moved rapidly forward while it stagnated in Britain. The

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styles of decoration. It advocated economic and social reform and was anti-industrial in its orientation. It had a strong influence on the arts in Europe until it was displaced by

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observed, "here for the first time one can measure a bit the change that has happened in the last twenty years". The society still exists as the Society of Designer Craftsmen.

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His followers favoured craft production over industrial manufacture and were concerned about the loss of traditional skills, but they were more troubled by the effects of the

361:. On his side, Ruskin dissented firmly from the idea that became Arts-and-Crafts orthodoxy, that decoration should be flat and should not represent three-dimensional forms. 8953: 530:"not from Morris or early Arts and Crafts teaching, but rather from the second-generation elaboration doctrine worked out in the first decade of century by men such as 2593: 2026: 8694: 1431:

reforms begun in Britain by William Morris; they met to organize an exhibition of contemporary craft objects. The first meeting was held on January 4, 1897, at the

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estate buildings and round tower). Irish Celtic motifs were popular with the movement in silvercraft, carpet design, book illustrations, and hand-carved furniture.

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such. By contrast, the Arts and Crafts movement was as much a movement of social reform as design reform, and its leading practitioners did not separate the two.

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in 1887, although the principles and style on which it was based had been developing in England for at least 20 years. It was inspired by the ideas of historian

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As head of the Royal College of Art in 1898, Crane tried to reform it along more practical lines, but resigned after a year, defeated by the bureaucracy of the

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writes that the exhibits showed "ignorance of that basic need in creating patterns, the integrity of the surface", as well as displaying "vulgarity in detail".

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presents the Arts and Crafts movement as design radicals who influenced the modern movement, but failed to change and were eventually superseded by it.

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that developed earliest and most fully in the British Isles and subsequently spread across the British Empire and to the rest of Europe and America.

6281: 518:, on the other hand, had no qualms about adapting the Arts and Crafts style to metalwork produced under industrial conditions. (See quotation box.) 9495: 3806: 1879: 5790: 1718: 4172: 8196: 1832:

style popularized by the movement and the town became associated with high-mindedness and simple living. The sandal-making workshop set up by

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As theoreticians, educators, and prolific artists in mediums from printmaking to pottery and pastel, two of the most influential figures were

1332: 2526: 1353:. Both men used their magazines as a vehicle to promote the goods produced with the Craftsman workshop in Eastwood, NY and Elbert Hubbard's 7648: 3909: 7682: 5752: 700:. By 1890 the Guild had 150 members, representing the increasing number of practitioners of the Arts and Crafts style. It still exists. 8189: 292:, from 1843. Its simplified Gothic style, adapted to domestic building, helped shape the architecture of the Arts and Crafts movement. 5747: 3495: 1378:

are often used to denote the style of architecture, interior design, and decorative arts that prevailed between the dominant eras of

1790:, expressing the texture of ordinary materials, such as stone and tiles, with an asymmetrical and picturesque building composition. 433:

in Bexleyheath, designed by Philip Webb and completed in 1860; one of the most significant buildings of the Arts and Crafts movement

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His purpose was to create objects that were finely crafted and beautifully rendered. His student de Lemos, who became head of the

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the garden incorporated a number of features that reflected the arts and crafts style of the house, such as the use of hedges and

140:. Viollet le Duc's books on nature and Gothique art also play an essential part in the esthetics of the Arts and Crafts movement. 4387: 4320: 2825: 582:

was another successful and influential Arts and Crafts designer who was not a socialist, despite his long friendship with Crane.

2089:, an exponent of the Arts and Crafts movement and known as the "Lutyens of the North". The garden for Brierley's final project, 8471: 7006: 6440: 5133: 2052: 696:, with the goal of bringing together fine and applied arts and raising the status of the latter. It was directed originally by 17: 4414: 3094: 9266: 7409: 6491: 6207: 5064: 5026: 4837: 4777: 4732: 4711: 4668: 4626: 4226: 4061: 3974: 3946: 3919: 3892: 3719: 3414: 3213: 3070: 2888: 2670: 2629: 2191:

and C.J.Allen were respectively professor of architecture, instructor in painting and design, and instructor in sculpture at

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The situation in Wales was different from elsewhere in the UK. Insofar as craftsmanship was concerned, Arts and Crafts was a

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apprentices. The idea was greeted with enthusiasm by almost everyone except Morris, who was by now involved with promoting

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style of architecture. Restored and landmark-protected examples are still present in America, especially in California in

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movement. The movement had an "extraordinary flowering" in Scotland where it was represented by the development of the '

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The beginnings of the Arts and Crafts movement in Scotland were in the stained glass revival of the 1850s, pioneered by

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and industrial design through its advocacy of standardized production. However, its leading members, van de Velde and

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In the debate that followed the publication of the committee's report, C.R.Ashbee published a highly critical essay,

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Britain the ideal style was to be found in the medieval, in central Europe it was sought in remote peasant villages.

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set the standard for their early style. In Burne-Jones' words, they intended to "wage Holy warfare against the age".

235: 189:(1852) analysed the principles of design and ornament and pleaded for "more logic in the application of decoration." 35: 4872:

Luckman, Susan. "Precarious labour then and now: The British arts and crafts movement and cultural work revisited."

3936: 9109: 9091: 6163: 5289: 2583: 1667:, and the sections of other towns originally developed during the era and not experiencing post-war urban renewal. 6911: 9591: 9536: 9306: 9036: 8331: 7804: 6095: 6011: 5587: 5561: 2195:; Robert Catterson-Smith, the headmaster of the Birmingham Art School from 1902 to 1920, was also an AWG member; 4877: 2724: 9546: 9366: 9104: 9028: 8912: 8084: 7633: 7492: 7256: 6276: 6112: 5821: 5776: 2588: 2268: 746: 224:

was particularly influential, liberally distributed as a student prize and running into nine reprints by 1910.

5370: 3675: 1797:, built mainly in the 1880s and 1890s, has about 360 Arts and Crafts style houses and was once famous for its 9561: 9521: 7173: 6926: 5757: 5474: 5428: 5410: 4939:

Mascia-Lees, Frances E. "American Beauty: The Middle Class Arts and Crafts Revival in the United States." in

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Crafts Movement brought new appreciation to their work. Horace W Elliot, an English gallerist, visited the

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in the 1930s, and its influence continued among craft makers, designers, and town planners long afterwards.

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Danahay, Martin. "Arts and Crafts as a Transatlantic Movement: CR Ashbee in the United States, 1896–1915."

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So Various Are The Forms It Assumes: American Arts & Crafts Furniture from the Two Red Roses Foundation

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Morris's designs quickly became popular, attracting interest when his company's work was exhibited at the

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Beyond the Difference: Welsh Literature in Comparative Contexts : Essays for M. Wynn Thomas at Sixty

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Krugh, Michele. "Joy in labour: The politicization of craft from the arts and crafts movement to Etsy."

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Competing visions: aesthetic invention and social imagination in Central European Architecture 1867–1918

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Thomas, Zoë. "Between Art and Commerce: Women, Business Ownership, and the Arts and Crafts Movement."

3468: 793:

was designed in 1925 as a holiday home in Kingswear, Devon, England, in the Arts and Crafts tradition.

726:, London, in November 1888. It was the first show of contemporary decorative arts in London since the 9259: 9012: 8980: 7712: 7591: 7547: 6955: 6598: 6566: 6464: 5950: 2358: 2098: 2090: 1576: 1536: 1168:, was influenced by the Arts and Crafts principles of the "unity of the arts" and the hand-made. The 1097: 957: 940:(1834–1904) was one of the first, and most important, independent designers, a pivotal figure in the 137: 2705: 9556: 8476: 8459: 8114: 7957: 7942: 7753: 7623: 7497: 7289: 7244: 7205: 7117: 6517: 5883: 5858: 5768: 5694: 5496: 5390: 5342: 5195: 5149: 4465:"Charles Harvey and Jon Press, "William Morris and the Royal Commission on Technical Instruction", 2937: 2180: 2124:

and the gardens of some of the architectural examples of arts and crafts buildings (listed above).

1419:. Characteristically, when the Arts and Crafts Society began in October 1897 in Chicago, it was at 654: 43: 7653: 7613: 2878: 338: 8874: 8637: 7974: 7814: 7569: 7178: 7124: 6728: 6571: 6486: 6413: 6352: 5516: 5491: 5469: 5400: 5269: 5175: 2373: 2192: 1984: 1963: 1787: 1722: 1628: 1436: 1325: 1200: 1044: 697: 623: 563: 510:

Morris's followers also had differing views about machinery and the factory system. For example,

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applied Arts and Crafts principles to garden design. She worked with the English architect, Sir

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The Craftsman and the Critic: Defining Usefulness and Beauty in the Arts and Crafts-era Boston.

2413: 2273: 2263: 2248: 2156:" Under the direction of Edward Taylor, its headmaster from 1877 to 1903, and with the help of 2136:

in the late 1880s, which incorporated handicraft teaching in schools at Abbotsholme (1889) and

2133: 1849: 1814: 1775: 1548: 1361:. A host of imitators of Stickley's furniture (the designs of which are often mislabelled the " 1144: 681: 547: 430: 174: 117: 4867: 1149: 786: 9099: 8386: 8361: 8326: 8296: 8262: 8184: 7962: 7937: 7552: 7431: 7336: 5895: 5817: 5486: 5385: 5200: 4306:

Tankard, Judith B. and Martin A. Wood. Gertrude Jekyll at Munstead Wood. Bramley Books, 1998.

2243: 2204: 2149: 2093:

in York, was the work of George Dillistone, a gardener who worked with Lutyens and Jekyll at

2002: 1957: 1945: 1683: 1520: 1011: 953: 852: 742: 634: 511: 441: 330: 170: 6814: 4724:

These Humbler Metals: Arts and Crafts Metalwork from the Two Red Roses Foundation Collection

2207:'s (LCC) education board and in 1896, largely as a result of their work, the LCC set up the 9601: 9541: 9485: 9252: 8972: 8945: 8938: 8508: 8089: 7858: 7763: 7557: 7487: 7403: 7277: 7080: 6906: 6706: 6396: 6231: 6136: 6070: 6001: 5920: 5910: 5900: 5672: 5662: 5576: 5542: 5380: 5350: 5210: 4958:

The Arts and Crafts Movement: a study of its sources, ideals and influence on design theory

2453: 2383: 2184: 2157: 2109: 2032: 1821: 1794: 1664: 1660: 1604: 1600: 1497: 1493: 1468: 1281: 1104:

Widely exhibited in Europe, the Arts and Crafts style's simplicity inspired designers like

723: 619: 599: 397: 385: 3499: 3306:

Alan Crawford, "W. A. S. Benson, Machinery, and the Arts and Crafts Movement in Britain",

2686: 1157: 956:. Celtic revival took hold here, and motifs such as the Glasgow rose became popularised. 734:

was well represented in the exhibition with furniture, fabrics, carpets and embroideries.

373:

William Morris, a textile designer who was a key influence on the Arts and Crafts movement

313:

building in 1841, "rush chairs, oak tables", as "the Arts and Crafts interior in embryo."

8: 9566: 9398: 9390: 9231: 9062: 9044: 8731: 8316: 8232: 8201: 8079: 8042: 7843: 7729: 7576: 7249: 6935: 6921: 6527: 6450: 6328: 6248: 6226: 5704: 4243:"Construction Begins on $ 40 Million Museum of the American Arts & Crafts in Florida" 2748:

The ornamental art of Eugène Grasset: the dreamed unity of the arts in the industrial era

2578: 2408: 2293: 1702: 1687: 1672: 1588: 1532: 1459: 1214:, under the influence of Ruskin and Morris, a group of artists and architects, including 1173: 1140: 1004: 937: 906: 860: 575: 393: 178: 8810: 8054: 6588: 5102:

The first public museum exclusively dedicated to the American Arts & Crafts movement

4134: 4052:

Szczerski, Andrej (2005). "Central Europe". In Livingstone, Karen; Parry, Linda (eds.).

9440: 8773: 8381: 8321: 8064: 7986: 7922: 7736: 7697: 7540: 7441: 7368: 7195: 6982: 6757: 6631: 6561: 6423: 6418: 6195: 5960: 5925: 5727: 5699: 5677: 5332: 5259: 5205: 5185: 4956: 4638: 3661: 3059: 2318: 2188: 2040: 1656: 1624: 1370: 1362: 1285: 1169: 1136: 1105: 941: 735: 638: 389: 83: 8831: 8012: 7692: 3250: 913:(1838–1891), who had probably studied with Ballantine, and was directly influenced by 9406: 9178: 8996: 8501: 8454: 8424: 8284: 8154: 8069: 8059: 7724: 7707: 7581: 7200: 7163: 7134: 7087: 6950: 6896: 6886: 6876: 6767: 6445: 6357: 6347: 6334: 6323: 5986: 5915: 5890: 5846: 5723: 5657: 5647: 5506: 5501: 5433: 5395: 5222: 5170: 5157: 5060: 5022: 4982: 4963: 4926: 4833: 4809: 4799: 4773: 4754: 4728: 4707: 4701: 4686: 4664: 4645: 4622: 4603: 4541: 4222: 4197: 4057: 3970: 3942: 3915: 3888: 3862: 3841: 3788: 3715: 3585: 3344: 3324: 3281: 3209: 3076: 3066: 2921: 2884: 2861: 2844: 2821: 2666: 2625: 2572: 2473: 2463: 2443: 2418: 2393: 2288: 2253: 2230: 2117: 2102: 2036: 1969: 1921: 1679: 1644: 1640: 1584: 1528: 1516: 1485: 1254: 1177: 902: 845: 808: 727: 693: 673: 666: 579: 418: 6738: 6158: 4722: 4120: 2744:

L'art ornemental d'Eugène Grasset : l'unité rêvée des arts à l'ère industrielle

1265: 9455: 8837: 8783: 8741: 8444: 8237: 7875: 7782: 7660: 7373: 7356: 7314: 7309: 7304: 7222: 7168: 6891: 6836: 6733: 6701: 6672: 6551: 6544: 6539: 6512: 6374: 6369: 6046: 5807: 5637: 5254: 4901: 4383: 4316: 3102: 2646:

The Arts & Crafts movement in Europe & America: Design for the Modern World

2338: 1990: 1939: 1855: 1833: 1810: 1806: 1572: 1568: 1481: 1444: 1424: 1396: 1246: 1188: 1117: 918: 898: 790: 776: 755: 704: 689: 578:, advocated a more humane and personal relationship between employer and employee. 571: 197: 182: 163: 8565: 5107:

Catalog lists with images of the major American Arts & Crafts furniture makers

5087: 4913: 3310:, Vol. 24, Design, Culture, Identity: The Wolfsonian Collection (2002), pp. 94–117 1734: 1320: 963: 78:

movement. Others consider that it is the incarnation of Art Nouveau in England.

30:

This article is about the art and design movement. For handicrafts generally, see

9551: 9475: 9374: 9298: 9223: 9216: 9210: 9205: 9125: 9073: 8758: 8615: 8590: 8540: 8464: 8289: 8279: 8174: 8159: 8139: 8022: 7932: 7895: 7880: 7628: 7535: 7477: 7299: 7294: 7051: 7020: 6972: 6662: 6593: 6578: 6406: 6384: 6305: 6253: 6243: 6215: 6168: 6151: 6075: 6016: 6006: 5945: 5609: 5592: 5567: 5557: 5511: 5227: 5217: 5113: 4507: 4492: 3810: 2880:

My Revision Notes: Pearson Edexcel A Level Design and Technology (Product Design)

2566: 2548: 2533: 2518: 2503: 2499: 2448: 2378: 2348: 2343: 2200: 2171: 2161: 2141: 2086: 2070: 2014: 1927: 1885: 1861: 1652: 1580: 1552: 1464: 1400: 1392: 1358: 1342: 1258: 1250: 1242: 1215: 1135:

in about 1890, where the English style inspired artists and architects including

1077: 1056: 856: 812: 799: 731: 677: 567: 492: 408: 251: 162:, artificial, and ignorant of the qualities of the materials used. Art historian 59: 6642: 5106: 4997:

The rise of everyday design: The arts and crafts movement in Britain and America

3639: 3415:"Designer and Executant: An Argument Between Walter Crane and Lewis Foreman Day" 3378:, Japan Folk Crafts Museum/Glasgow Museums, Japan: Kodashani International, 1991 2077:, for whose projects she created numerous landscapes, and who designed her home 884: 9470: 9465: 9330: 9322: 8897: 8820: 8788: 8736: 8684: 8667: 8657: 8585: 8247: 8124: 8094: 7991: 7979: 7853: 7787: 7719: 7586: 7482: 7185: 6881: 6821: 6762: 6626: 6556: 6263: 6185: 6102: 5955: 5547: 5532: 5327: 5307: 5264: 5237: 4905: 2750:] (in French). Aix-Marseille University: HAL Open science (published 2019). 2428: 2398: 2368: 2363: 2333: 2323: 2058: 1975: 1620: 1608: 1544: 1512: 1316:

Arts and Crafts Tudor Home in the Buena Park Historic District, Uptown, Chicago

1312: 1235: 1204: 1196: 1192: 1161: 997: 968: 945: 933:, (c. 1880). His followers included Stephen Adam and his son of the same name. 914: 910: 868: 864: 835:

brought to England many ideas he had developed in Japan with the social critic

780: 708: 496: 381: 377: 346: 326: 297: 285: 259: 247: 133: 125: 47: 9342: 8401: 6270: 4886: 3080: 1349:

and designs produced on the Roycroft campus as publicized in Elbert Hubbard's

960:(1868–1928) and the Glasgow School of Art were to influence others worldwide. 707:, founded in 1875, was a prominent retailer of goods in the style and of the " 159: 9510: 9480: 8721: 8689: 8550: 8545: 8528: 8356: 8351: 8336: 8311: 8301: 8252: 7912: 7890: 7821: 7687: 7516: 7419: 7395: 7378: 7346: 7331: 7112: 7102: 7097: 7001: 6750: 6711: 6650: 6476: 6433: 6202: 6131: 6063: 5905: 5799: 5684: 5599: 5459: 5454: 4813: 2458: 2433: 2353: 2328: 2313: 2283: 2196: 2078: 2074: 2008: 1897: 1867: 1837: 1825: 1690:

and founded the Ipswich Summer School of Art, published in 1899 his landmark

1489: 1416: 1289: 1165: 1048: 972: 949: 930: 836: 832: 765: 685: 662: 650: 531: 425: 413: 309: 8206: 7351: 7013: 5097:

Furniture makers of America and Canada during the Arts & Crafts Movement

1675:' styles of residential building remain popular in the United States today. 9450: 8800: 8753: 8709: 8699: 8662: 8632: 8595: 8570: 8560: 8523: 8366: 8149: 8017: 7741: 7670: 7467: 7390: 7141: 7092: 6996: 6977: 6945: 6842: 6782: 6777: 6522: 6342: 6180: 6038: 6021: 5981: 5976: 5930: 5868: 5689: 5624: 5360: 5322: 5312: 5284: 5274: 5118: 2403: 2388: 2303: 2298: 2278: 2094: 2082: 2046: 1798: 1648: 1564: 1227: 1093: 1081: 1036: 1028: 1015: 772: 719: 658: 591: 551: 205: 8795: 6656: 3404:, New York and London: Garland, 1978, p.12 (Facsimile of the 1911 edition) 3141:

Jacqueline Sarsby" Alfred Powell: Idealism and Realism in the Cotswolds",

1504:, is an excellent example of the American Craftsman style in New England. 9275: 9172: 9135: 8716: 8679: 8620: 8496: 8491: 8486: 8434: 8429: 8371: 8274: 8211: 8164: 8104: 8074: 7996: 7838: 7676: 7665: 7638: 7608: 7472: 7446: 7363: 7284: 7272: 7227: 7217: 7212: 7190: 7151: 6987: 6962: 6847: 6809: 6716: 6684: 6636: 6364: 6292: 6085: 6026: 5940: 5878: 5838: 5709: 5642: 5418: 5365: 5190: 4849:

The Art that Is Life: The Arts & Crafts Movement in America 1875-1920

3941:. University of Wales Press on behalf of Welsh Arts Council. p. 28. 2468: 2438: 2258: 1915: 1783: 1779: 1556: 1458:

The first American Arts and Crafts Exhibition began on April 5, 1897, at

1440: 1379: 1109: 1040: 1014:

sought to renew interest in ancient building, reviving "rammed earth" or

989: 922: 603: 559: 555: 322: 281: 255: 243: 129: 102: 98: 75: 3911:

Villages of Britain: The Five Hundred Villages that Made the Countryside

1809:, Surrey, built between 1914 and 1917, with over 280 buildings, and the 1336:

Arts and Crafts home in the Birckhead Place neighborhood of Toledo, Ohio

1100:

were inspired by the Arts and Crafts movement when designing their home.

369: 9434: 9184: 8763: 8575: 8535: 8481: 8449: 8341: 8179: 8134: 8027: 7833: 7643: 7511: 7232: 7034: 6826: 6667: 6455: 6221: 6126: 6090: 6080: 6058: 5873: 5863: 5851: 5803: 5582: 5299: 3767:

Four Papers Read by Members of the Arts & Crafts Exhibition Society

3762: 3339:

William Morris, "Useful Work versus Useless Toil", in Asa Briggs (ed.)

2478: 2121: 1909: 1903: 1829: 1420: 1388: 1276: 31: 2140:(1892), and his influence has been noted in the social experiments of 1910:

The Arts & Crafts Church (Long Street Methodist Church and School)

1304: 1300:

Warren Wilson Beach House (The Venice Beach House), Venice, California

9490: 9429: 8825: 8815: 8778: 8610: 8600: 8580: 8406: 8376: 8109: 8032: 7451: 7237: 7074: 6831: 6532: 6481: 6379: 6190: 5996: 5967: 5652: 5604: 5551: 5537: 5317: 3885:

The Architecture of Wales: From the First to the Twenty-First Century

2308: 1802: 1125: 1088: 1032: 759: 751: 543: 499:, William Morris had no practical objections to the use of machinery 110: 87: 63: 5798: 3095:"John Ruskin – Artist Philosopher Writer – Arts & Crafts Leader" 2687:"Arts and Crafts movement | British and international movement" 8805: 8726: 8674: 8605: 8518: 8439: 8391: 8257: 8242: 8099: 8037: 7969: 7863: 7848: 7522: 7436: 7426: 7414: 7158: 6621: 6318: 6258: 5572: 5375: 5180: 5165: 3679: 3319:

Graeme Shankland, "William Morris – Designer", in Asa Briggs (ed.)

2020: 1636: 1508: 1383: 1354: 1223: 1184: 1131:

The earliest Arts and Crafts activity in continental Europe was in

1113: 595: 289: 106: 2215:

was set up on Arts and Crafts lines by the local borough council.

888:

Stained glass window, The Hill House, Helensburgh, Argyll and Bute

630:

organisations were formed in Britain, most between 1895 and 1905.

8866: 8144: 7947: 7885: 7702: 7601: 7341: 7068: 6901: 6507: 6107: 5991: 5246: 4948:

Arts and Crafts Architecture: History and Heritage in New England

4179: 3251:"National Trust, "Iconic Arts and Crafts home of William Morris"" 2164:, the Birmingham School became a leading Arts-and-Crafts centre. 2137: 1873: 1817:, the first garden city, was inspired by Arts and Crafts ideals. 1211: 1132: 1121: 745:, a major late practitioner of the style in England, founded the 467:

contrasting images derive in part from John Ruskin's (1819–1900)

321:

The Arts and Crafts philosophy was derived in large measure from

97:

movement. It stood for traditional craftsmanship, and often used

7063: 4995:

Penick, Monica, Christopher Long, and Harry Ransom Center, eds.

4569:

Report of the Departmental Committee on the Royal College of Art

3700:

Letter, Joseph Nuttgens, London Review of Books, 13 May 2010 p 4

2167: 8768: 8627: 8119: 8049: 7618: 7530: 7385: 6616: 3714:(First ed.). New Haven and London: Yale University Press. 2777:

Psychosocial Conceptual Practice models in Occupational Therapy

1759:-- Walter Crane, "Of The Revival of Design and Handicraft", in 1738: 901:(1806–1877). His major works included the great west window of 337:

On the artistic side Ruskin was influenced by his contemporary

94: 9244: 5101: 4770:

Hand, Heart and Soul: The Arts and Crafts Movement in Scotland

3374:

Elisabeth Frolet, Nick Pearce, Soetsu Yanagi and Sori Yanagi,

2174:. Season ticket to The Arts and Craft Exhibition Society 1890. 1443:, collectors, writers and MFA trustees; Ross Turner, painter; 9445: 6852: 3582:

William Morris and the Arts and Crafts Movement: A Sourcebook

8954:

The Story of Sigurd the Volsung and the Fall of the Niblungs

4798:(25th anniversary ed.). Köln: Taschen. pp. 62–69. 4221:. Worcester, Mass.: Davis Publications Inc. pp. 4–111. 4020: 3449: 1763:, by Members of the Arts and Crafts Exhibition Society, 1893 1003:

A key promoter of the Arts and Crafts movement in Wales was

8704: 7506: 3820: 3818: 3045:

God's Architect: Pugin and the Building of Romantic Britain

2818:

Anarchy and Beauty: William Morris and his Legacy 1860–1960

2081:, near Godalming in Surrey. Jekyll created the gardens for 1596: 848:

of the 1940s also derived from Arts and Crafts principles.

74:, a British expression of what later came to be called the 2841:

C. R. Ashbee: Architect, Designer & Romantic Socialist

2594:

History of schools of economic thought on arts and culture

859:, detected the Arts and Crafts philosophy even behind the 585: 478:, Machinery, and the Arts and Crafts Movement in Britain" 357:

but was uninterested in his writings on painting, such as

8695:

Art in the Protestant Reformation and Counter-Reformation

1365:") included three companies established by his brothers. 711:" favoured by followers of the Arts and Crafts movement. 503:

so long as the machines produced the quality he needed."

268:

was a sort of manifesto for the Arts and Crafts movement.

136:. In Scotland, it is associated with key figures such as 4493:""Birmingham Institute of Art and Design" fineart.ac.uk" 4135:"The Arts & Crafts Movement – Concepts & Styles" 3815: 3620: 3562: 3538: 3514: 3353: 3264: 3262: 3260: 2517:

William Morris. Wallpaper Sample, Compton 323, c. 1917.

2061:

Memorial Library – near Petersfield, Hampshire – 1919–21

2017:– Rodmarton, near Cirencester, Gloucestershire – 1909–29 1261:

quite independently from the movement in Great Britain.

192:

Other works followed in a similar vein, such as Wyatt's

9597:

History of the London Borough of Hammersmith and Fulham

4196:. New York, NY: Harry N. Abrams, Inc. pp. 55–126. 3389:

A Few Chapters on Workshop Construction and Citizenship

3186: 2995: 2993: 2968: 2966: 2953: 2951: 2949: 2947: 2863:

Chapters in the History of the Arts and Crafts Movement

811:

and new initiatives were being taken in Britain by the

718:, which gave its name to the movement, was formed with 4857:

The Arts & Craft Movement in the Pacific Northwest

4550: 3602:"Crane, Walter, "Of the Arts and Crafts Movement", in 1805:

were built in the Arts and Crafts style, for example,

1655:

are some examples of the American Arts and Crafts and

1047:. Other architects practicing in Ireland included Sir 1035:. The architecture of the style is represented by the 325:'s social criticism, deeply influenced by the work of 296:

Some of the ideas of the movement were anticipated by

4082: 4070: 3935:

Davies, Hazel; Council, Welsh Arts (1 January 1988).

3739:

The Arts And Crafts Movements in Dublin and Edinburgh

3550: 3526: 3437: 3257: 3219: 2105:

to divide the garden into a series of outdoor rooms.

3881:"'Arts and Crafts' to Early Modernism, 1900 to 1939" 3859:

Christopher Dresser: The People Designer – 1834–1904

3604:

Ideals In Art: Papers Theoretical Practical Critical

3231: 2990: 2963: 2944: 542:

Many of the Arts and Crafts movement designers were

412:

as inspired and absolute truth." The medievalism of

4661:

The Arts and Crafts Movement in Scotland: A History

4591: 4382: 4315: 4219:

Pedro de Lemos, Lasting Impressions: Works on Paper

3753:, Vol. 56, No. 2918, 23 October 1908, pp. 1023–1024 2877:Sumpner, Dave; Morrison, Julia (28 February 2020). 2622:

The Grove Encyclopedia of Decorative Arts, Volume 1

1836:moved from Yorkshire to Letchworth Garden City and 1782:, London, designed for Morris in 1859 by architect 1705:Museum and Art Gallery, and Editor-in-Chief of the 1051:(Heywood House in Co. Laois, Lambay Island and the 574:. Those adherents who were not socialists, such as 4955: 4885: 4683:Furniture of the American Arts and Crafts Movement 4637: 4173:"The Most Famous House in Every State. Image #29: 4017:, Irish Arts Review Yearbook, 1990–91, pp. 172–185 3769:, London: Arts and Crafts Exhibition Society, 1935 3058: 1611:all demonstrate the influence of Arts and Crafts. 1328:Observe the faceted bay window and the stone base. 1230:. Many of Kós's buildings, including those in the 1124:style. Pevsner regarded the style as a prelude to 722:as president, holding its first exhibition in the 4663:. Paul Mellon Centre for Studies in British Art. 4272:. FOX 13 Pinellas Bureau Reporter. Archived from 3962: 3765:, "The Craftsman and Education for Industry", in 1257:sought to revive the quality of medieval Russian 1128:, which used simple forms without ornamentation. 803:purpose than an ordinary mass produced article." 445:The weaving shed in Morris & Co's factory at 9508: 9496:The Ruskin - Library, Museum and Research Centre 4245:. ARTFIX Daily. 18 February 2015. Archived from 4194:Arthur Wesley Dow and American arts & crafts 4162:University of Massachusetts Press, 2009. p. 113. 3662:"Endeavours towards an Arts & Crafts Utopia" 2812: 2810: 2808: 2806: 2763:Ruskin en Belgique: passage en revue (1880-1930) 1076:founded in 1898 by Karl Schmidt; and in Hungary 3963:Rothkirch, Alyce von; Williams, Daniel (2004). 2876: 1719:Museum of the American Arts and Crafts Movement 1686:(1882–1954) in California. Dow, who taught at 495:said of Morris that "unlike later zealots like 457: 169:Design reform began with Exhibition organizers 4309: 4015:The Irish Arts and Crafts Movement (1886–1925) 1324:Example of Arts and Crafts style influence on 9260: 8882: 5784: 5134: 5017:Teehan, Virginia; Heckett, Elizabeth (2005). 5016: 4748: 4540:, London: University of London Press, 1970. 4532: 4530: 4528: 4042:, Massachusetts Institute of Technology, 1998 4026: 3934: 3376:Mingei: The Living Tradition in Japanese Arts 3341:William Morris: Selected Writings and Designs 3321:William Morris: Selected Writings and Designs 3308:The Journal of Decorative and Propaganda Arts 3123: 2866:. Bohemia Guild of the Industrial Art League. 2803: 1183:In Finland, an idealistic artists' colony in 590:In Britain, the movement was associated with 5148: 5056:Edward Burne-Jones, Victorian artist-dreamer 4900:(online ed.). Oxford University Press. 4832:. Fletcher, NC: Knock On Wood Publications. 4270:"New, bigger, art museum coming to St. Pete" 4235: 2775:Moses N. Ikiugu and Elizabeth A. Ciaravino, 1074:Vereinigte Werkstätten für Kunst im Handwerk 909:, Edinburgh. In Glasgow it was pioneered by 867:(1931–2020) and the founding of the British 4538:The History and Philosophy of Art Education 3469:"V&A, "Victorian Dress at the V&A"" 2835: 2833: 2729:Coline Blot - Espace Saint-Cyprien,Toulouse 2049:– University College Cork, Ireland – c.1916 1222:, and Ede Toroczkai Wigand, discovered the 9267: 9253: 8889: 8875: 5791: 5777: 5141: 5127: 5004:Architects of the arts and crafts movement 4793: 4749:Cumming, Elizabeth; Kaplan, Wendy (1991). 4658: 4525: 4192:Green, Nancy E. and Jessie Poesch (1999). 4114: 4112: 4110: 3887:. University of Wales Press. p. 221. 3737:Nicola Gordon Bowe and Elizabeth Cumming, 3014: 3012: 3010: 3008: 2912: 2910: 2908: 2906: 2904: 2902: 2900: 2820:, London: National Portrait Gallery, 2014 2485: 2108:Another notable Arts and Crafts garden is 1981:Belrock - Greater Sudbury, Ontario - 1907 232:must have precedence over ornamentation." 158:, which they considered to be excessively 4920: 4889:designer, author, and visionary socialist 4883: 4644:. Philadelphia: Temple University Press. 4616: 4376: 4210: 4121:"The Arts and Crafts Movement in America" 4051: 3969:. University of Wales Press. p. 10. 3824: 3785:The Crafts in Britain in the 20th Century 3779: 3777: 3775: 3733: 3731: 3626: 3568: 3544: 3520: 3455: 3370: 3368: 3359: 3282:"The Arts and Crafts Movement in America" 3268: 3137: 3135: 3056: 2741: 1843: 1480:Built in 1913–14 by the Boston architect 1268:'s work shows Arts and Crafts influence. 807:industry through initiatives such as the 194:Industrial Arts of the Nineteenth Century 143: 93:In Japan, it emerged in the 1920s as the 9082:Tristram and Isoude stained glass panels 9021:Child Christopher and Goldilind the Fair 5059:. New York: Metropolitan Museum of Art. 4979:Textiles of the Arts and Crafts Movement 4388:"Castle Drogo park and garden (1000452)" 3430:Peter Floud, "The crafts then and now", 3426: 3424: 2830: 2760: 2619: 2562:Modern Style (British Art Nouveau style) 2236: 2166: 1942:– Ayot St Lawrence, Hertfordshire – 1902 1455:; and Ralph Clipson Sturgis, architect. 1331: 1319: 1311: 1303: 1295: 1275: 1087: 962: 883: 785: 676:was initiated by five young architects, 440: 424: 368: 280: 234: 42: 5052: 5011:Gardens of the Arts and Crafts Movement 4897:Oxford Dictionary of National Biography 4827: 4822:The arts and crafts movement in Britain 4794:Fiell, Charlotte; Fiell, Peter (2005). 4767: 4720: 4699: 4680: 4267: 4261: 4216: 4118: 4107: 3878: 3709: 3225: 3208:. New York: Dover Publications. p. 38. 3039: 3037: 3005: 2897: 2703: 2615: 2613: 2611: 2609: 2547:Mueller Mosaic Company. Tile, ca. 1910 2055:– Geraldton Western Australia 1916–1938 1813:, Sussex, built between 1939 and 1971. 1631:, and other architects in Chicago, the 1614: 1238:in the same city, show this influence. 988:campaign. But in Wales, at least until 952:' which was based on the talent of the 936:The Glasgow-born designer and theorist 657:, a partnership of designers including 586:Association with other reform movements 485: 14: 9509: 8472:Contemporary Indigenous Australian art 5088:Fiona MacCarthy, "The old romantics", 4953: 4855:Kreisman, Lawrence, and Glenn Mason. 4851:. New York: Little, Brown and Company. 4846: 4721:Cathers, David M. (20 February 2017). 4556: 4512:Birmingham Institute of Art and Design 4088: 4076: 4003:from the original on 22 December 2015. 3772: 3728: 3556: 3532: 3443: 3365: 3237: 3192: 3132: 2999: 2972: 2957: 2859: 2853: 2656: 2654: 944:and a major contributor to the allied 204:("Science, Industry and Art") (1852), 9248: 8870: 6492:Art of the late 16th century in Milan 5772: 5122: 4976: 4635: 4597: 4467:Journal of the William Morris Society 4191: 4185: 3907: 3421: 2722: 2029:– Benhilton, Sutton, London – 1912–14 1900:– Chislehurst, Bromley, London – 1899 1062: 1055:in Dublin) and Frederick 'Pa' Hicks ( 258:inspired by the 15th-century printer 9131:List of works by the Kelmscott Press 5743: 3751:Journal of the Royal Society of Arts 3034: 2938:"V&A, "Wallpaper Design Reform"" 2660: 2606: 2213:Camberwell School of Arts and Crafts 2203:were inspectors and advisors to the 2150:Birmingham School of Arts and Crafts 2023:– Havelock North, New Zealand – 1912 1906:– Ulverscroft, Leicestershire – 1899 1253:, and other artists associated with 1031:the best-known artist and also with 879: 798:and weaving, jewelry and metalwork, 643:Home Arts and Industries Association 396:with a commitment to social reform. 50:' design for Trellis wallpaper, 1862 4864:Canadian Review of American Studies 4505: 4364:from the original on 28 August 2016 4268:Nichols, Steve (18 February 2015). 3879:Hilling, John B. (15 August 2018). 3840:(London: Thames and Hudson, 2000), 3148: 2651: 2132:Morris's ideas were adopted by the 1053:Irish National War Memorial Gardens 826: 24: 8896: 7827:Vienna School of Fantastic Realism 6678:Neoclassical architecture in Milan 4393:National Heritage List for England 4326:National Heritage List for England 4182:website. Retrieved April 29, 2019. 3861:(Antique Collectors' Club, 2005), 3678:. Courtbarn.org.uk. Archived from 3158:, Cambridge University Press, 1968 2648:, Los Angeles County Museum of Art 2532:Newcomb Pottery. Vase, 1902–1904. 1882:– San Francisco, California – 1895 1864:– Wolverhampton, England – 1887–93 1820:The first houses were designed by 1682:(1857–1922) on the East Coast and 1308:Gamble House, Pasadena, California 716:Arts and Crafts Exhibition Society 527:Arts and Crafts Exhibition Society 122:Arts and Crafts Exhibition Society 58:was an international trend in the 36:Arts & Crafts (disambiguation) 25: 9613: 9005:The Story of the Glittering Plain 7901:American Figurative Expressionism 6237:International Gothic art in Italy 5092:, Saturday 5 March 2005 01.25 GMT 5081: 5019:The Honan Chapel: A Golden Vision 4943:(Routledge, 2020) pp. 57–77. 4876:(Routledge, 2014) pp. 33–43 4685:. The New American Library, Inc. 4600:American Arts and Crafts Textiles 3584:, New York, Portland House, 1989 3156:The Nature and Art of Workmanship 2725:"L'inspiration Arts & Crafts" 2209:Central School of Arts and Crafts 1948:– Seattle, Washington – 1903–1906 1607:, and idiosyncratic furniture of 863:(1951), the work of the designer 364: 276: 202:Wissenschaft, Industrie und Kunst 9341: 9110:William Morris wallpaper designs 8851: 8850: 7410:Neue Künstlervereinigung München 5742: 5733: 5732: 5722: 5290:Traditional ecological knowledge 5236: 5049:(Parkstone International, 2014). 4592:Bibliography and further reading 4574: 4562: 4499: 4056:. London: V&A Publications. 2706:"L'Art Nouveau en trois minutes" 2644:Wendy Kaplan and Alan Crawford, 2584:William Morris wallpaper designs 2540: 2525: 2510: 2492: 2127: 2065: 1978:– Holland Park, London – 1905–07 1934:All Saints' Church, Brockhampton 1876:– East Grinstead, England – 1894 1858:– Cambridge, England – 1886–1926 1749: 1271: 1080:revived the vernacular style of 817:Design in Industries Association 771:Morris's thought influenced the 461: 148: 9307:The Seven Lamps of Architecture 9274: 9037:The Water of the Wondrous Isles 8332:Tunisian collaborative painting 7805:International Typographic Style 5588:Science, technology and society 5021:. Cork: Cork University Press. 4753:. London: Thames & Hudson. 4743:Arts & crafts stained glass 4485: 4457: 4432: 4407: 4340: 4300: 4288: 4171:Cahn, Lauren. (March 13, 2019) 4165: 4152: 4127: 4094: 4045: 4032: 4007: 3983: 3956: 3928: 3908:Aslet, Clive (4 October 2010). 3901: 3872: 3851: 3830: 3797: 3787:, Yale University Press, 1999. 3756: 3743: 3703: 3694: 3668: 3654: 3642:. Society of Designer Craftsmen 3640:"Society of Designer Craftsmen" 3632: 3606:, George Bell & Sons, 1905" 3594: 3574: 3488: 3475: 3461: 3407: 3394: 3381: 3343:, Harmondsworth: Penguin, 1980 3333: 3323:, Harmondsworth: Penguin, 1980 3313: 3300: 3274: 3243: 3198: 3174: 3161: 3117: 3087: 3057:Blakesley, Rosalind P. (2006). 3050: 2978: 2930: 2920:, Yale University Press, 2005, 2870: 2843:, Yale University Press, 2005. 2665:. Manchester University Press. 1924:– Islington, London – 1900–1907 1894:– Lake District, England – 1898 1745: 1643:style of houses popularized by 1226:and vernacular architecture of 351:The Seven Lamps of Architecture 9294:(written 1842, published 1851) 9105:William Morris textile designs 8913:Golden Wings and Other Stories 8085:The Caribbean Artists Movement 5047:The arts & crafts movement 4887:"Morris, William (1834–1896), 4617:Blakesley, Rosalind P (2006). 3914:. A&C Black. p. 477. 3286:The Metropolitan Museum of Art 3124:Brock Kennedy, Travis (2018). 2769: 2754: 2735: 2716: 2697: 2679: 2638: 2589:William Morris textile designs 2269:Rowland Wilfred William Carter 1966:– San Diego, California – 1905 1888:– Bloomsbury, London – 1896–98 747:Guild and School of Handicraft 730:'s Winter Exhibition of 1881. 609: 316: 302:Gothic Revival in architecture 187:Supplementary Report on Design 27:Design movement (c. 1880–1920) 13: 1: 6441:Dutch and Flemish Renaissance 5429:Religion and environmentalism 4981:. London: Thames and Hudson. 4602:. New York: Harry N. Abrams. 4469:11.1, August 1994, pp. 31–34" 4123:. Metropolitan Museum of Art. 4119:Obniski, Monica (June 2008). 4054:International Arts and Crafts 3712:Arts and Crafts Stained Glass 3145:, Vol. 10, No. 4, pp. 375–397 2860:Triggs, Oscar Lovell (1902). 2782:"Arts and Crafts Style Guide" 2599: 2144:during the mid-20th century. 2085:, the home of York architect 2053:St Francis Xavier's Cathedral 2011:– Berkeley, California – 1909 1999:– Pasadena, California – 1908 1987:– Pasadena, California – 1907 925:. His key works included the 616:1862 International Exhibition 384:– a group of students at the 300:(1812–1852), a leader in the 9291:The King of the Golden River 8556:Modern European ink painting 7928:Bay Area Figurative Movement 5492:Environmental interpretation 4914:UK public library membership 4788:Journal of Victorian Culture 4659:Carruthers, Annette (2013). 4619:The arts and crafts movement 4582:Should We Stop Teaching Art? 3402:Should We Stop Teaching Art? 3061:The arts and crafts movement 3020:"Victoria and Albert Museum" 2984:Quoted in Nikolaus Pevsner, 2765:. Paris: Classiques Garnier. 2742:Froissart, Rossella (2011). 1972:– Manchester, England – 1905 1960:– Blackfriars, London – 1905 1954:– Birmingham, England – 1904 1930:– Forest Hill, London – 1901 1912:– Manchester, England – 1900 1852:– Bexleyheath, London – 1859 1725:, opened its doors in 2021. 1527:, utopian communities like 1423:, one of the first American 874: 703:The London department store 537: 458:Social and design principles 156:the Great Exhibition of 1851 7: 9029:The Well at the World's End 8217:Artificial intelligence art 5465:Environmental communication 4830:Arts & Crafts Shopmarks 4768:Cumming, Elizabeth (2006). 4217:Edwards, Robert W. (2015). 2761:Brogniez, Laurence (2011). 2624:. Oxford University Press. 2555: 2502:. Dropfront Desk, ca. 1903 2227:Should We Stop Teaching Art 1870:– Leicester, England – 1892 1699:San Francisco Art Institute 1671:, Prairie School, and the ' 1633:Country Day School movement 892: 851:One of its main promoters, 525:Few of the founders of the 516:William Arthur Smith Benson 449:, which opened in the 1880s 116:The term was first used by 10: 9618: 9532:Arts in the United Kingdom 9461:Pre-Raphaelite Brotherhood 9383:The Passion of John Ruskin 9191:Pre-Raphaelite Brotherhood 8989:The Roots of the Mountains 8932:The Haystack in the Floods 8130:Post-painterly abstraction 7953:Situationist International 7327:Pennsylvania Impressionism 5280:Environmental anthropology 4950:(UP of New England, 2014). 4796:Design of the 20th Century 4751:Arts & Crafts Movement 4700:Cathers, David M. (2014). 4681:Cathers, David M. (1981). 3496:"Arts and Crafts movement" 3206:The Life of William Morris 3047:, London: Allen Lane, 2007 2790:Victoria and Albert Museum 1712: 1593:Colorado Springs, Colorado 1541:Mountain Lakes, New Jersey 1507:Also influential were the 1021: 831:The British artist potter 29: 9587:20th-century architecture 9582:19th-century architecture 9417: 9350: 9339: 9282: 9165: 9144: 9118: 9072: 9055: 9013:The Wood Beyond the World 8981:The House of the Wolfings 8964: 8923: 8904: 8846: 8650: 8415: 8225: 8005: 7797: 7781: 7713:California Scene Painting 7592:California Scene Painting 7548:Figurative Constructivism 7460: 7265: 7044: 7033: 6863: 6800: 6693: 6609: 6599:Poussinists and Rubenists 6500: 6304: 6037: 5837: 5828: 5815: 5718: 5623: 5525: 5447: 5409: 5341: 5298: 5245: 5234: 5156: 5053:Wildman, Stephen (1998). 4921:MacCarthy, Fiona (1994). 4884:MacCarthy, Fiona (2009). 4415:"The Gardens at Goddards" 4027:Teehan & Heckett 2005 3143:Journal of Design History 3128:. Columbia University NY. 3126:The great flaw in the man 2986:Pioneers of Modern Design 2918:Pioneers of Modern Design 2620:Campbell, Gordon (2006). 2359:Charles Rennie Mackintosh 2005:– Oregon, Illinois – 1909 1577:Mary Chase Perry Stratton 1537:Rose Valley, Pennsylvania 1018:construction in Britain. 958:Charles Rennie Mackintosh 821:Pioneers of Modern Design 641:and others initiated the 392:, who combined a love of 288:'s house "The Grange" in 138:Charles Rennie Mackintosh 9577:20th century in the arts 9572:19th century in the arts 9517:Arts and Crafts movement 9486:Ruskin School of Drawing 9425:Arts and Crafts movement 9196:Arts and Crafts movement 9065:(1857-1859) (co-creator) 8811:Prehistoric European art 8460:Contemporary African art 7943:Gendai Bijutsu Kondankai 7871:Generación de la Ruptura 7498:Universal Constructivism 7290:California Impressionism 7245:American Barbizon school 5695:Sustainable architecture 5633:Arts and Crafts movement 5497:Environmental journalism 5391:Environmental philosophy 5150:Environmental humanities 4962:. London: Studio Vista. 4954:Naylor, Gillian (1971). 4874:Theorizing Cultural Work 4444:www.nationaltrust.org.uk 4419:www.nationaltrust.org.uk 4355:www.nationaltrust.org.uk 4321:"Bishopsbarns (1256793)" 2723:Férré, Benjamin (2015). 2704:Maingon, Claire (2018). 2661:King, Brenda M. (2005). 2181:Manchester School of Art 2043:, New Hampshire – 1913-4 979: 967:The Robert Owen Museum, 56:Arts and Crafts movement 8638:Walking Artists Network 7975:Letterist International 7815:Washington Color School 6729:Arts in the Philippines 5517:Thematic interpretation 5470:Environmental education 5270:Ecological anthropology 5176:Environmental sculpture 5039:247.1 (2020): 151–196. 4828:Johnson, Bruce (2012). 4440:"The Garden at Hidcote" 3710:Cormack, Peter (2015). 3204:Mackail, J. W. (2011). 2691:Encyclopedia Britannica 2486:Decorative arts gallery 2374:George Washington Maher 2193:Liverpool School of Art 1985:Robert R. Blacker House 1918:– Sandgate, Kent – 1900 1788:vernacular architecture 1728: 1723:St. Petersburg, Florida 1629:George Washington Maher 1539:, developments such as 1511:community initiated by 1437:William Sturgis Bigelow 1326:Federation architecture 1220:Aladár Körösfői-Kriesch 1201:National Romantic style 1147:, and a group known as 1045:University College Cork 698:George Blackall Simonds 624:South Kensington Museum 18:Arts & Crafts-style 9592:Edwardian architecture 9537:American art movements 9157:William Morris Society 9152:William Morris Gallery 8749:Illuminated manuscript 8397:The Designers Republic 8347:Neue Slowenische Kunst 8270:Pattern and Decoration 8170:Institutional critique 7810:Abstract expressionism 6790:Latin American Baroque 6746:Colonial Asian Baroque 5668:Landscape architecture 5615:Sustainability studies 5424:Environmental theology 5045:Triggs, Oscar Lovell. 5002:Richardson, Margaret. 4906:10.1093/ref:odnb/19322 4866:44.2 (2014): 281–301. 4847:Kaplan, Wendy (1987). 4636:Boris, Eileen (1986). 4598:Ayers, Dianne (2002). 4296:The Road to Wigan Pier 3485:, Lund Humphries, 1981 2414:Edward Schroeder Prior 2304:Thomas Phillips Figgis 2274:T. J. Cobden-Sanderson 2264:Herbert Tudor Buckland 2249:William Swinden Barber 2175: 2134:New Education Movement 1993:, Bickley, Kent – 1907 1844:Architectural examples 1815:Letchworth Garden City 1761:Arts and Crafts Essays 1595:, as well as the art 1549:Grueby Faience Company 1478: 1403:. In Canada, the term 1337: 1329: 1317: 1309: 1301: 1293: 1203:, akin to the British 1145:Gustave Serrurier-Bovy 1101: 976: 889: 794: 548:T. J. Cobden Sanderson 450: 434: 400:notes that "Carlyle's 374: 293: 269: 144:Origins and influences 118:T. J. Cobden-Sanderson 51: 34:. For other uses, see 9547:British art movements 9100:Holy Grail tapestries 9093:Adoration of the Magi 8387:Artist-run initiative 8362:Young British Artists 8327:New European Painting 8263:Moscow Conceptualists 8185:Feminist art movement 7963:Ukrainian underground 7938:Gutai Art Association 7337:Ten American Painters 6841:Western influence in 5818:List of art movements 5487:Environmental history 5386:Environmental justice 4977:Parry, Linda (2005). 4859:(Timber Press, 2007). 4158:Brandt, Beverly Kay. 3809:May 15, 2010, at the 2244:Charles Robert Ashbee 2237:Leading practitioners 2205:London County Council 2183:and subsequently the 2170: 2003:Oregon Public Library 1946:Pierre P. Ferry House 1793:The London suburb of 1684:Pedro Joseph de Lemos 1547:– exemplified by the 1521:East Aurora, New York 1494:Tom and Olive Plant's 1473: 1447:, art critic for the 1335: 1323: 1315: 1307: 1299: 1284:and lawn overlooking 1279: 1160:, founded in 1903 by 1120:, and eventually the 1091: 1070:Bund für Heimatschutz 1012:Clough Williams-Ellis 966: 954:Glasgow School of Art 887: 789: 665:, Clement Heaton and 635:Eglantyne Louisa Jebb 604:the folk-song revival 444: 428: 372: 331:industrial revolution 284: 238: 46: 9562:History of furniture 9522:Architectural styles 9315:The Stones of Venice 8973:A Dream of John Ball 8946:The Earthly Paradise 8939:Masters in This Hall 8197:Saqqakhaneh movement 8090:Chicano art movement 7958:Soviet Nonconformist 7764:Boston Expressionism 7747:Abstraction-Création 7565:Arbeitsrat für Kunst 7558:Cologne Progressives 7278:Art Nouveau in Milan 7081:Anglo-Japanese style 7057:National romanticism 6487:Fontainebleau School 6397:Northern Renaissance 6232:International Gothic 5663:Environmental design 5543:Biophilia hypothesis 5381:Environmental ethics 5351:Aesthetics of nature 5013:(Timber Press, 2018) 4508:"Keeper of Archives" 4175:Castle in the Clouds 4013:Nicola Gordon Bowe, 3664:. Utopia Britannica. 3400:"C. R. Ashbee, 3387:Ashbee, C. R., 2883:. Hodder Education. 2454:Phoebe Anna Traquair 2384:Henry Chapman Mercer 2185:Royal College of Art 2110:Hidcote Manor Garden 2033:Castle in the Clouds 2027:Sutton Garden Suburb 1880:Swedenborgian Church 1707:School Arts Magazine 1615:Architecture and art 1605:Pasadena, California 1601:Ernest A. Batchelder 1498:Castle in the Clouds 1496:mountaintop estate, 1469:Charles Eliot Norton 1411:is also recognized. 1282:Castle in the Clouds 1199:, who worked in the 1098:Karin Bergöö Larsson 1092:The Swedish artists 600:garden city movement 546:, including Morris, 486:Critique of industry 469:The Stones of Venice 406:stood alongside of 398:John William Mackail 386:University of Oxford 355:The Stones of Venice 265:The Stones of Venice 262:. This chapter from 240:The Nature of Gothic 216:(1876), and Jones's 210:Analysis of Ornament 120:at a meeting of the 9399:Desperate Romantics 9232:Desperate Romantics 9063:Oxford Union murals 9045:The Sundering Flood 8732:Hierarchy of genres 8297:Saint Soleil School 8233:Post-conceptual art 8202:The Stars Art Group 8080:Black Arts Movement 8043:Neo-Dada Organizers 7844:Lyrical abstraction 7577:Australian tonalism 7250:California Tonalism 6922:Hudson River School 6725:Colonial Asian art 6465:English Renaissance 6414:Ghent–Bruges school 6402:Early Netherlandish 6314:Italian Renaissance 6227:Gothic art in Milan 5705:Sustainable fashion 5009:Tankard, Judith B. 4925:. Faber and Faber. 4790:20.1 (2015): 65–86. 4348:"The Art of Design" 4276:on 21 February 2015 3749:"Arts and Crafts", 3676:"Court Barn Museum" 3105:on 18 December 2019 3099:www.arts-crafts.com 3065:. London: Phaidon. 2710:Beaux Arts Magazine 2579:Charles Prendergast 2409:Alfred Hoare Powell 2319:Greene & Greene 2294:Christopher Dresser 2118:Hestercombe Gardens 1801:residents. Several 1703:Stanford University 1688:Columbia University 1673:California bungalow 1589:Van Briggle Pottery 1533:Woodstock, New York 1460:Copley Hall, Boston 1453:A.W. Longfellow Jr. 1433:Museum of Fine Arts 1427:for social reform. 1174:modern architecture 1150:La Libre Esthétique 1141:Gabriel Van Dievoet 1108:and styles such as 1005:Owen Morgan Edwards 938:Christopher Dresser 907:St. Giles Cathedral 905:and the scheme for 861:Festival of Britain 649:In 1882, architect 576:Alfred Hoare Powell 394:Romantic literature 222:Grammar of Ornament 218:Grammar of Ornament 212:(1856), Redgrave's 179:Matthew Digby Wyatt 9441:Guild of St George 8774:Landscape painting 8382:New Leipzig School 8322:Neo-conceptual art 8070:Art & Language 8065:Capitalist realism 7987:Florida Highwaymen 7923:Hard-edge painting 7737:Streamline Moderne 7698:Harlem Renaissance 7541:Novecento Italiano 7369:Deutscher Werkbund 7196:Post-Impressionism 6758:Latin American art 6562:Guild of Romanists 6424:German Renaissance 6419:Northern Mannerism 5728:Environment portal 5700:Sustainable design 5333:Outdoor literature 5260:Cultural landscape 5186:Landscape painting 5112:2017-06-21 at the 5037:Past & Present 4946:Meister, Maureen. 4727:. Marquand Books. 4706:. Marquand Books. 4536:Stuart Macdonald, 4481:on 5 January 2015. 4038:Ákos Moravánszky, 3682:on 29 January 2010 3608:. Chestofbooks.com 3471:. 14 January 2011. 3458:, p. 640-663. 2916:Nikolaus Pevsner, 2220:Board of Education 2189:Robert Anning Bell 2176: 2103:herbaceous borders 2041:Lake Winnipesaukee 1952:Winterbourne House 1701:, Director of the 1657:American Craftsman 1625:Frank Lloyd Wright 1561:Marblehead Pottery 1407:predominates, but 1371:American Craftsman 1338: 1330: 1318: 1310: 1302: 1294: 1286:Lake Winnipesaukee 1170:Deutscher Werkbund 1153:(Free Aesthetic). 1137:Henry Van de Velde 1106:Henry van de Velde 1102: 1063:Continental Europe 1043:in the grounds of 977: 942:Aesthetic Movement 890: 795: 736:Edward Burne-Jones 639:Mary Fraser Tytler 474:— Alan Crawford, " 451: 435: 390:Edward Burne-Jones 375: 294: 270: 84:Henry van de Velde 52: 9504: 9503: 9402:(2009 miniseries) 9378:(1975 miniseries) 9242: 9241: 9179:Jane Alice Morris 8997:News from Nowhere 8864: 8863: 8646: 8645: 8502:Corporate Memphis 8455:Classical Realism 8425:Amazonian pop art 8317:Appropriation art 8285:Neo-expressionism 8155:Environmental art 8060:Nouvelle tendance 7777: 7776: 7725:Socialist realism 7582:Dresden Secession 7201:Neo-Impressionism 7164:Decadent movement 7135:Heidelberg School 7029: 7028: 6927:American luminism 6912:Düsseldorf School 6907:Shoreham Ancients 6897:Nazarene movement 6887:Danish Golden Age 6768:Indochristian art 6446:Antwerp Mannerism 6335:Pittura infamante 6329:Florentine School 6324:Proto-Renaissance 5766: 5765: 5658:Educational trail 5648:Ecological design 5507:Outdoor education 5502:Environmental law 5434:Spiritual ecology 5396:Predation problem 5223:Site-specific art 5171:Environmental art 5066:978-0-87099-858-4 5028:978-1-85918-346-5 4912:(Subscription or 4839:978-1-4507-9024-6 4820:Greensted, Mary. 4779:978-1-84158-419-5 4734:978-0-615-98869-6 4713:978-0-692-21348-3 4670:978-0-300-19576-7 4628:978-0-7148-4967-6 4228:978-1-61528-405-4 4063:978-1-85177-446-3 3976:978-0-7083-1886-7 3948:978-0-7083-0997-1 3921:978-0-7475-8872-6 3894:978-1-78683-285-6 3804:Designing Britain 3721:978-0-300-20970-9 3214:978-0-486-28793-5 3195:, pp. 96–97. 3072:978-0-7148-3849-6 2890:978-1-5104-7422-2 2816:Fiona MacCarthy, 2786:British Galleries 2672:978-0-7190-6700-6 2631:978-0-19-518948-3 2573:The English House 2474:Christopher Whall 2464:Margaret Ely Webb 2444:Ellen Gates Starr 2419:Hugh C. Robertson 2394:William De Morgan 2289:Lewis Foreman Day 2254:Barnsley brothers 2231:Lewis Foreman Day 2114:Lawrence Johnston 2037:Ossipee Mountains 1970:Edgar Wood Centre 1922:Caledonian Estate 1769: 1768: 1737:, creator of the 1680:Arthur Wesley Dow 1645:Greene and Greene 1641:ultimate bungalow 1529:Byrdcliffe Colony 1486:Ossipee Mountains 1449:Boston Transcript 1425:settlement houses 1345:in his magazine, 1255:Abramtsevo Colony 1178:Hermann Muthesius 1158:Wiener Werkstätte 1010:In architecture, 927:Baptism of Christ 903:Dunfermline Abbey 880:The British Isles 846:Utility furniture 809:Deutsche Werkbund 728:Grosvenor Gallery 705:Liberty & Co. 694:Gerald C. Horsley 674:Art Workers Guild 667:Benjamin Creswick 620:St James's Palace 580:Lewis Foreman Day 512:C. R. Ashbee 483: 482: 429:William Morris's 342:Viollet le Duc. 181:(1820–1877), and 16:(Redirected from 9609: 9456:Pathetic fallacy 9345: 9269: 9262: 9255: 9246: 9245: 9087:Strawberry Thief 9074:Morris & Co. 8891: 8884: 8877: 8868: 8867: 8854: 8853: 8838:Western painting 8784:Modern sculpture 8742:History painting 8445:Art intervention 8238:Installation art 8055:Nouveau réalisme 7795: 7794: 7769:Leningrad School 7661:Mexican muralism 7634:Grosvenor School 7374:American Realism 7357:Der Blaue Reiter 7315:Berlin Secession 7310:Vienna Secession 7305:Munich Secession 7223:Pont-Aven School 7042: 7041: 6892:Troubadour style 6870:(c. 1770 – 1862) 6837:Qing handicrafts 6803:Western elements 6734:Letras y figuras 6707:African-American 6702:African diaspora 6673:Directoire style 6584:Heptanese school 6567:Dutch Golden Age 6552:Stroganov School 6545:Lutheran Baroque 6540:Louis XIII style 6513:Baroque in Milan 6375:Bolognese School 6370:High Renaissance 6353:Forlivese School 6348:Ferrarese School 6071:Migration Period 5835: 5834: 5793: 5786: 5779: 5770: 5769: 5746: 5745: 5736: 5735: 5726: 5638:Acoustic ecology 5371:Ecophenomenology 5356:Critical realism 5255:Cultural ecology 5240: 5143: 5136: 5129: 5120: 5119: 5077: 5075: 5073: 5032: 4999:(Yale UP, 2019). 4992: 4973: 4961: 4936: 4917: 4909: 4893: 4852: 4843: 4817: 4783: 4764: 4745:(Yale UP, 2015). 4741:Cormack, Peter. 4738: 4717: 4696: 4674: 4655: 4643: 4632: 4613: 4585: 4578: 4572: 4566: 4560: 4554: 4548: 4534: 4523: 4522: 4520: 4518: 4503: 4497: 4496: 4489: 4483: 4482: 4480: 4474:. Archived from 4473: 4461: 4455: 4454: 4452: 4450: 4436: 4430: 4429: 4427: 4425: 4411: 4405: 4404: 4402: 4400: 4384:Historic England 4380: 4374: 4373: 4371: 4369: 4363: 4352: 4344: 4338: 4337: 4335: 4333: 4317:Historic England 4313: 4307: 4304: 4298: 4292: 4286: 4285: 4283: 4281: 4265: 4259: 4258: 4256: 4254: 4239: 4233: 4232: 4214: 4208: 4207: 4189: 4183: 4169: 4163: 4156: 4150: 4149: 4147: 4145: 4131: 4125: 4124: 4116: 4105: 4104:, Budapest, 1979 4100:Széleky András, 4098: 4092: 4086: 4080: 4074: 4068: 4067: 4049: 4043: 4036: 4030: 4024: 4018: 4011: 4005: 4004: 4002: 3995: 3987: 3981: 3980: 3960: 3954: 3952: 3932: 3926: 3925: 3905: 3899: 3898: 3876: 3870: 3855: 3849: 3834: 3828: 3822: 3813: 3801: 3795: 3781: 3770: 3760: 3754: 3747: 3741: 3735: 3726: 3725: 3707: 3701: 3698: 3692: 3691: 3689: 3687: 3672: 3666: 3665: 3658: 3652: 3651: 3649: 3647: 3636: 3630: 3624: 3618: 3617: 3615: 3613: 3598: 3592: 3578: 3572: 3566: 3560: 3554: 3548: 3542: 3536: 3530: 3524: 3518: 3512: 3511: 3509: 3507: 3498:. Archived from 3492: 3486: 3481:Fiona McCarthy. 3479: 3473: 3472: 3465: 3459: 3453: 3447: 3441: 3435: 3428: 3419: 3418: 3411: 3405: 3398: 3392: 3385: 3379: 3372: 3363: 3357: 3351: 3337: 3331: 3317: 3311: 3304: 3298: 3297: 3295: 3293: 3278: 3272: 3266: 3255: 3254: 3247: 3241: 3235: 3229: 3223: 3217: 3202: 3196: 3190: 3184: 3178: 3172: 3165: 3159: 3152: 3146: 3139: 3130: 3129: 3121: 3115: 3114: 3112: 3110: 3101:. Archived from 3091: 3085: 3084: 3064: 3054: 3048: 3041: 3032: 3031: 3029: 3027: 3016: 3003: 2997: 2988: 2982: 2976: 2970: 2961: 2955: 2942: 2941: 2934: 2928: 2914: 2895: 2894: 2874: 2868: 2867: 2857: 2851: 2837: 2828: 2826:978 185514 484 2 2814: 2801: 2800: 2798: 2796: 2773: 2767: 2766: 2758: 2752: 2751: 2739: 2733: 2732: 2720: 2714: 2713: 2701: 2695: 2694: 2693:. 4 August 2023. 2683: 2677: 2676: 2658: 2649: 2642: 2636: 2635: 2617: 2544: 2529: 2514: 2496: 2424:William Robinson 2339:Florence Koehler 2187:; F.M. Simpson, 2179:director of the 2155: 2122:Lytes Cary Manor 1856:David Parr House 1834:Edward Carpenter 1811:Dyers Almshouses 1807:Whiteley Village 1750: 1573:Rookwood pottery 1482:J. Williams Beal 1451:; Howard Baker, 1445:Sylvester Baxter 1397:Rookwood Pottery 1247:Viktor Vasnetsov 1189:Herman Gesellius 1187:was designed by 1118:Vienna Secession 919:Ford Madox Brown 899:James Ballantine 827:Later influences 791:Coleton Fishacre 777:G. K. Chesterton 756:Chipping Campden 732:Morris & Co. 690:Mervyn Macartney 572:Chipping Campden 564:Charles Faulkner 462: 403:Past and Present 214:Manual of Design 198:Gottfried Semper 183:Richard Redgrave 164:Nikolaus Pevsner 21: 9617: 9616: 9612: 9611: 9610: 9608: 9607: 9606: 9557:Decorative arts 9507: 9506: 9505: 9500: 9476:Ruskin Monument 9413: 9375:The Love School 9367:Dante's Inferno 9362:(1854 painting) 9346: 9337: 9299:Modern Painters 9278: 9273: 9243: 9238: 9224:The Love School 9217:Fight for Right 9211:Kelmscott House 9206:Kelmscott Manor 9161: 9140: 9126:Kelmscott Press 9114: 9068: 9051: 8960: 8919: 8900: 8895: 8865: 8860: 8842: 8759:Interactive art 8642: 8616:SoFlo Superflat 8541:Kitsch movement 8465:Africanfuturism 8417: 8411: 8290:Transavantgarde 8221: 8175:Light and Space 8160:Performance art 8140:Psychedelic art 8023:Nueva Presencia 8013:Otra Figuración 8001: 7933:Les Plasticiens 7918:New York School 7896:Action painting 7881:Metcalf Chateau 7790: 7785: 7773: 7693:Cercle et Carré 7629:New Objectivity 7536:Return to order 7478:School of Paris 7456: 7300:School of Paris 7261: 7147:Arts and Crafts 7052:Neo-romanticism 7037: 7025: 7021:Etching revival 6973:Barbizon school 6917:Pre-Raphaelites 6869: 6866: 6859: 6802: 6796: 6689: 6663:Louis XVI style 6605: 6594:Louis XIV style 6557:Animal painting 6518:Flemish Baroque 6496: 6407:World landscape 6358:Venetian School 6300: 6287:Majorcan school 6254:Novgorod School 6244:Lucchese School 6216:Opus Anglicanum 6208:Norman-Sicilian 6152:Italo-Byzantine 6052:Early Christian 6033: 6017:Pompeian Styles 5830: 5824: 5811: 5797: 5767: 5762: 5714: 5619: 5610:Spirit of place 5593:science studies 5577:common property 5573:Property theory 5568:Popular science 5558:Natural history 5521: 5512:Psychogeography 5443: 5405: 5337: 5294: 5241: 5232: 5228:Sustainable art 5218:Sculpture trail 5152: 5147: 5114:Wayback Machine 5084: 5071: 5069: 5067: 5029: 4989: 4970: 4933: 4911: 4840: 4806: 4780: 4761: 4735: 4714: 4693: 4671: 4652: 4629: 4610: 4594: 4589: 4588: 4579: 4575: 4567: 4563: 4555: 4551: 4535: 4526: 4516: 4514: 4506:Everitt, Sian. 4504: 4500: 4491: 4490: 4486: 4478: 4471: 4463: 4462: 4458: 4448: 4446: 4438: 4437: 4433: 4423: 4421: 4413: 4412: 4408: 4398: 4396: 4381: 4377: 4367: 4365: 4361: 4350: 4346: 4345: 4341: 4331: 4329: 4314: 4310: 4305: 4301: 4294:George Orwell, 4293: 4289: 4279: 4277: 4266: 4262: 4252: 4250: 4249:on 2 April 2015 4241: 4240: 4236: 4229: 4215: 4211: 4204: 4190: 4186: 4170: 4166: 4157: 4153: 4143: 4141: 4133: 4132: 4128: 4117: 4108: 4099: 4095: 4087: 4083: 4075: 4071: 4064: 4050: 4046: 4037: 4033: 4025: 4021: 4012: 4008: 4000: 3993: 3989: 3988: 3984: 3977: 3961: 3957: 3949: 3933: 3929: 3922: 3906: 3902: 3895: 3877: 3873: 3856: 3852: 3835: 3831: 3823: 3816: 3811:Wayback Machine 3802: 3798: 3782: 3773: 3761: 3757: 3748: 3744: 3736: 3729: 3722: 3708: 3704: 3699: 3695: 3685: 3683: 3674: 3673: 3669: 3660: 3659: 3655: 3645: 3643: 3638: 3637: 3633: 3625: 3621: 3611: 3609: 3600: 3599: 3595: 3579: 3575: 3567: 3563: 3555: 3551: 3543: 3539: 3531: 3527: 3519: 3515: 3505: 3503: 3494: 3493: 3489: 3483:The Simple Life 3480: 3476: 3467: 3466: 3462: 3454: 3450: 3442: 3438: 3429: 3422: 3417:. 19 June 2017. 3413: 3412: 3408: 3399: 3395: 3391:, London, 1894. 3386: 3382: 3373: 3366: 3358: 3354: 3338: 3334: 3318: 3314: 3305: 3301: 3291: 3289: 3280: 3279: 3275: 3267: 3258: 3249: 3248: 3244: 3236: 3232: 3224: 3220: 3203: 3199: 3191: 3187: 3179: 3175: 3166: 3162: 3153: 3149: 3140: 3133: 3122: 3118: 3108: 3106: 3093: 3092: 3088: 3073: 3055: 3051: 3043:Rosemary Hill, 3042: 3035: 3025: 3023: 3018: 3017: 3006: 2998: 2991: 2983: 2979: 2971: 2964: 2956: 2945: 2936: 2935: 2931: 2915: 2898: 2891: 2875: 2871: 2858: 2854: 2839:Alan Crawford, 2838: 2831: 2815: 2804: 2794: 2792: 2780: 2774: 2770: 2759: 2755: 2740: 2736: 2721: 2717: 2702: 2698: 2685: 2684: 2680: 2673: 2663:Silk and Empire 2659: 2652: 2643: 2639: 2632: 2618: 2607: 2602: 2567:Philip Clissett 2558: 2551: 2549:Brooklyn Museum 2545: 2536: 2534:Brooklyn Museum 2530: 2521: 2519:Brooklyn Museum 2515: 2506: 2504:Brooklyn Museum 2500:Gustav Stickley 2497: 2488: 2483: 2449:Gustav Stickley 2379:Bernard Maybeck 2349:William Lethaby 2344:Frederick Leach 2239: 2201:George Frampton 2172:George Frampton 2162:Joseph Southall 2153: 2142:Dartington Hall 2130: 2087:Walter Brierley 2071:Gertrude Jekyll 2068: 2015:Rodmarton Manor 1958:The Black Friar 1928:Horniman Museum 1886:Mary Ward House 1862:Wightwick Manor 1846: 1748: 1731: 1715: 1669:Mission Revival 1653:Bernard Maybeck 1617: 1581:Pewabic Pottery 1553:Newcomb Pottery 1525:Joseph Marbella 1465:Will H. Bradley 1405:Arts and Crafts 1401:Tiffany Studios 1393:Pewabic Pottery 1376:Craftsman style 1359:East Aurora, NY 1343:Gustav Stickley 1292:, built 1913–4. 1274: 1259:decorative arts 1251:Yelena Polenova 1243:Viktor Hartmann 1072:(1897) and the 1065: 1057:Malahide Castle 1024: 982: 895: 882: 877: 857:Fiona MacCarthy 842:A Potter's Book 829: 813:Omega Workshops 678:William Lethaby 612: 588: 568:A. H. Mackmurdo 540: 488: 476:W. A. S. Benson 460: 409:Modern Painters 367: 359:Modern Painters 319: 279: 254:in 1892 in his 252:Kelmscott Press 151: 146: 132:, and designer 39: 28: 23: 22: 15: 12: 11: 5: 9615: 9605: 9604: 9599: 9594: 9589: 9584: 9579: 9574: 9569: 9564: 9559: 9554: 9549: 9544: 9539: 9534: 9529: 9524: 9519: 9502: 9501: 9499: 9498: 9493: 9488: 9483: 9478: 9473: 9471:Ruskin Gallery 9468: 9466:Rose La Touche 9463: 9458: 9453: 9448: 9443: 9438: 9432: 9427: 9421: 9419: 9415: 9414: 9412: 9411: 9403: 9395: 9387: 9379: 9371: 9363: 9354: 9352: 9348: 9347: 9340: 9338: 9336: 9335: 9331:Fors Clavigera 9327: 9323:Unto This Last 9319: 9311: 9303: 9295: 9286: 9284: 9280: 9279: 9272: 9271: 9264: 9257: 9249: 9240: 9239: 9237: 9236: 9228: 9220: 9213: 9208: 9203: 9198: 9193: 9188: 9182: 9176: 9169: 9167: 9163: 9162: 9160: 9159: 9154: 9148: 9146: 9142: 9141: 9139: 9138: 9133: 9128: 9122: 9120: 9116: 9115: 9113: 9112: 9107: 9102: 9097: 9089: 9084: 9078: 9076: 9070: 9069: 9067: 9066: 9059: 9057: 9053: 9052: 9050: 9049: 9041: 9033: 9025: 9017: 9009: 9001: 8993: 8985: 8977: 8968: 8966: 8962: 8961: 8959: 8958: 8950: 8942: 8935: 8927: 8925: 8921: 8920: 8918: 8917: 8908: 8906: 8902: 8901: 8898:William Morris 8894: 8893: 8886: 8879: 8871: 8862: 8861: 8859: 8858: 8847: 8844: 8843: 8841: 8840: 8835: 8828: 8823: 8818: 8813: 8808: 8803: 8798: 8793: 8792: 8791: 8789:Late modernism 8786: 8776: 8771: 8766: 8761: 8756: 8751: 8746: 8745: 8744: 8739: 8737:Genre painting 8729: 8724: 8719: 8714: 8713: 8712: 8707: 8702: 8697: 8687: 8685:Ballets Russes 8682: 8677: 8672: 8671: 8670: 8668:Asemic writing 8660: 8658:History of art 8654: 8652: 8651:Related topics 8648: 8647: 8644: 8643: 8641: 8640: 8635: 8630: 8625: 8624: 8623: 8618: 8608: 8603: 8598: 8593: 8588: 8586:Relational art 8583: 8578: 8573: 8568: 8563: 8558: 8553: 8548: 8543: 8538: 8533: 8532: 8531: 8521: 8516: 8511: 8509:Hypermodernism 8506: 8505: 8504: 8494: 8489: 8484: 8479: 8474: 8469: 8468: 8467: 8457: 8452: 8447: 8442: 8437: 8432: 8427: 8421: 8419: 8413: 8412: 8410: 8409: 8404: 8399: 8394: 8389: 8384: 8379: 8374: 8369: 8364: 8359: 8354: 8349: 8344: 8339: 8334: 8329: 8324: 8319: 8314: 8309: 8304: 8299: 8294: 8293: 8292: 8282: 8277: 8272: 8267: 8266: 8265: 8255: 8250: 8248:Postminimalism 8245: 8240: 8235: 8229: 8227: 8223: 8222: 8220: 8219: 8214: 8209: 8204: 8199: 8194: 8193: 8192: 8182: 8177: 8172: 8167: 8162: 8157: 8152: 8147: 8142: 8137: 8132: 8127: 8125:Generative art 8122: 8117: 8112: 8107: 8102: 8097: 8095:Conceptual art 8092: 8087: 8082: 8077: 8072: 8067: 8062: 8057: 8052: 8047: 8046: 8045: 8035: 8030: 8025: 8020: 8015: 8009: 8007: 8003: 8002: 8000: 7999: 7994: 7992:Cybernetic art 7989: 7984: 7983: 7982: 7980:Ultra-Lettrist 7977: 7967: 7966: 7965: 7955: 7950: 7945: 7940: 7935: 7930: 7925: 7920: 7915: 7910: 7909: 7908: 7898: 7893: 7888: 7883: 7878: 7873: 7868: 7867: 7866: 7861: 7856: 7854:Arte Informale 7851: 7841: 7836: 7831: 7830: 7829: 7819: 7818: 7817: 7807: 7801: 7799: 7792: 7791:(1945–present) 7779: 7778: 7775: 7774: 7772: 7771: 7766: 7761: 7756: 7751: 7750: 7749: 7739: 7734: 7733: 7732: 7727: 7720:Heroic realism 7717: 7716: 7715: 7705: 7700: 7695: 7690: 7685: 7680: 7673: 7668: 7663: 7658: 7657: 7656: 7654:Latin American 7651: 7641: 7636: 7631: 7626: 7624:Group of Seven 7621: 7616: 7611: 7606: 7605: 7604: 7594: 7589: 7587:Social realism 7584: 7579: 7574: 7573: 7572: 7570:November Group 7562: 7561: 7560: 7555: 7545: 7544: 7543: 7533: 7528: 7527: 7526: 7514: 7509: 7504: 7503: 7502: 7501: 7500: 7493:Latin American 7488:Constructivism 7485: 7483:Crystal Cubism 7480: 7475: 7470: 7464: 7462: 7458: 7457: 7455: 7454: 7449: 7444: 7439: 7434: 7429: 7424: 7423: 7422: 7412: 7407: 7400: 7399: 7398: 7393: 7383: 7382: 7381: 7371: 7366: 7361: 7360: 7359: 7354: 7344: 7339: 7334: 7329: 7324: 7323: 7322: 7317: 7312: 7307: 7297: 7292: 7287: 7282: 7281: 7280: 7269: 7267: 7263: 7262: 7260: 7259: 7254: 7253: 7252: 7242: 7241: 7240: 7235: 7230: 7225: 7220: 7215: 7210: 7209: 7208: 7193: 7188: 7186:Volcano School 7183: 7182: 7181: 7176: 7166: 7161: 7156: 7155: 7154: 7144: 7139: 7138: 7137: 7132: 7127: 7122: 7121: 7120: 7115: 7100: 7095: 7090: 7085: 7084: 7083: 7071: 7066: 7061: 7060: 7059: 7048: 7046: 7039: 7031: 7030: 7027: 7026: 7024: 7023: 7018: 7017: 7016: 7011: 7010: 7009: 6994: 6993: 6992: 6991: 6990: 6980: 6975: 6965: 6960: 6959: 6958: 6948: 6943: 6941:Norwich School 6938: 6933: 6932: 6931: 6930: 6929: 6919: 6914: 6909: 6904: 6899: 6894: 6889: 6884: 6882:Fairy painting 6873: 6871: 6861: 6860: 6858: 6857: 6856: 6855: 6850: 6839: 6834: 6829: 6824: 6819: 6818: 6817: 6806: 6804: 6798: 6797: 6795: 6794: 6793: 6792: 6787: 6786: 6785: 6780: 6775: 6773:Chilote School 6765: 6763:Casta painting 6755: 6754: 6753: 6748: 6743: 6742: 6741: 6739:Tipos del País 6736: 6723: 6722: 6721: 6720: 6719: 6709: 6697: 6695: 6691: 6690: 6688: 6687: 6682: 6681: 6680: 6675: 6670: 6665: 6660: 6648: 6647: 6646: 6639: 6634: 6629: 6627:Louis XV style 6624: 6613: 6611: 6607: 6606: 6604: 6603: 6602: 6601: 6596: 6586: 6581: 6576: 6575: 6574: 6564: 6559: 6554: 6549: 6548: 6547: 6542: 6537: 6536: 6535: 6530: 6520: 6515: 6504: 6502: 6498: 6497: 6495: 6494: 6489: 6484: 6479: 6474: 6473: 6472: 6462: 6461: 6460: 6459: 6458: 6453: 6448: 6438: 6437: 6436: 6431: 6429:Cologne School 6421: 6416: 6411: 6410: 6409: 6394: 6393: 6392: 6391: 6390: 6382: 6377: 6372: 6362: 6361: 6360: 6355: 6350: 6340: 6339: 6338: 6331: 6326: 6310: 6308: 6302: 6301: 6299: 6298: 6297: 6296: 6289: 6284: 6282:Italian school 6273: 6268: 6267: 6266: 6264:Sienese School 6256: 6251: 6246: 6241: 6240: 6239: 6234: 6229: 6219: 6212: 6211: 6210: 6200: 6199: 6198: 6193: 6183: 6178: 6177: 6176: 6174:Pre-Romanesque 6171: 6166: 6156: 6155: 6154: 6149: 6144: 6139: 6129: 6124: 6123: 6122: 6110: 6105: 6103:Donor portrait 6100: 6099: 6098: 6093: 6088: 6083: 6078: 6068: 6067: 6066: 6056: 6055: 6054: 6043: 6041: 6035: 6034: 6032: 6031: 6030: 6029: 6024: 6019: 6014: 6012:Julio-Claudian 6009: 6004: 5994: 5989: 5984: 5979: 5974: 5973: 5972: 5971: 5970: 5965: 5964: 5963: 5961:Greco-Buddhist 5953: 5943: 5938: 5933: 5928: 5923: 5918: 5913: 5908: 5903: 5901:Protogeometric 5898: 5888: 5887: 5886: 5881: 5876: 5871: 5861: 5856: 5855: 5854: 5843: 5841: 5832: 5826: 5825: 5816: 5813: 5812: 5796: 5795: 5788: 5781: 5773: 5764: 5763: 5761: 5760: 5755: 5750: 5740: 5730: 5719: 5716: 5715: 5713: 5712: 5707: 5702: 5697: 5692: 5687: 5682: 5681: 5680: 5675: 5665: 5660: 5655: 5650: 5645: 5640: 5635: 5629: 5627: 5621: 5620: 5618: 5617: 5612: 5607: 5602: 5597: 5596: 5595: 5585: 5580: 5570: 5565: 5555: 5548:Do it yourself 5545: 5540: 5535: 5533:Animal studies 5529: 5527: 5523: 5522: 5520: 5519: 5514: 5509: 5504: 5499: 5494: 5489: 5484: 5483: 5482: 5477: 5467: 5462: 5457: 5451: 5449: 5445: 5444: 5442: 5441: 5436: 5431: 5426: 5421: 5415: 5413: 5407: 5406: 5404: 5403: 5401:Social ecology 5398: 5393: 5388: 5383: 5378: 5373: 5368: 5363: 5358: 5353: 5347: 5345: 5339: 5338: 5336: 5335: 5330: 5328:Nature writing 5325: 5320: 5315: 5310: 5308:Ecocomposition 5304: 5302: 5296: 5295: 5293: 5292: 5287: 5282: 5277: 5272: 5267: 5265:Ecolinguistics 5262: 5257: 5251: 5249: 5243: 5242: 5235: 5233: 5231: 5230: 5225: 5220: 5215: 5214: 5213: 5208: 5203: 5198: 5188: 5183: 5178: 5173: 5168: 5162: 5160: 5154: 5153: 5146: 5145: 5138: 5131: 5123: 5117: 5116: 5104: 5099: 5094: 5083: 5082:External links 5080: 5079: 5078: 5065: 5050: 5043: 5033: 5027: 5014: 5007: 5000: 4993: 4987: 4974: 4968: 4951: 4944: 4941:Critical Craft 4937: 4931: 4923:William Morris 4918: 4881: 4870: 4860: 4853: 4844: 4838: 4825: 4824:(Shire, 2010). 4818: 4804: 4791: 4784: 4778: 4765: 4759: 4746: 4739: 4733: 4718: 4712: 4697: 4691: 4678: 4669: 4656: 4650: 4633: 4627: 4614: 4608: 4593: 4590: 4587: 4586: 4573: 4561: 4559:, p. 179. 4549: 4524: 4498: 4484: 4456: 4431: 4406: 4375: 4339: 4308: 4299: 4287: 4260: 4234: 4227: 4209: 4202: 4184: 4164: 4151: 4126: 4106: 4093: 4091:, p. 189. 4081: 4079:, p. 183. 4069: 4062: 4044: 4031: 4029:, p. 163. 4019: 4006: 3996:. 2 May 2012. 3982: 3975: 3955: 3947: 3927: 3920: 3900: 3893: 3871: 3850: 3836:M. MacDonald, 3829: 3827:, p. 603. 3825:MacCarthy 1994 3814: 3796: 3783:Tania Harrod, 3771: 3755: 3742: 3727: 3720: 3702: 3693: 3667: 3653: 3631: 3629:, p. 596. 3627:MacCarthy 1994 3619: 3593: 3580:Parry, Linda, 3573: 3571:, p. 593. 3569:MacCarthy 1994 3561: 3559:, p. 115. 3549: 3547:, p. 591. 3545:MacCarthy 1994 3537: 3535:, p. 120. 3525: 3523:, p. 602. 3521:MacCarthy 1994 3513: 3502:on 5 July 2019 3487: 3474: 3460: 3456:MacCarthy 1994 3448: 3446:, p. 109. 3436: 3420: 3406: 3393: 3380: 3364: 3362:, p. 351. 3360:MacCarthy 1994 3352: 3332: 3312: 3299: 3273: 3269:MacCarthy 2009 3256: 3242: 3230: 3218: 3197: 3185: 3173: 3160: 3147: 3131: 3116: 3086: 3071: 3049: 3033: 3004: 2989: 2977: 2962: 2943: 2929: 2896: 2889: 2869: 2852: 2829: 2802: 2768: 2753: 2734: 2715: 2696: 2678: 2671: 2650: 2637: 2630: 2604: 2603: 2601: 2598: 2597: 2596: 2591: 2586: 2581: 2576: 2569: 2564: 2557: 2554: 2553: 2552: 2546: 2539: 2537: 2531: 2524: 2522: 2516: 2509: 2507: 2498: 2491: 2487: 2484: 2482: 2481: 2476: 2471: 2466: 2461: 2456: 2451: 2446: 2441: 2436: 2431: 2429:Charles Rohlfs 2426: 2421: 2416: 2411: 2406: 2401: 2399:William Morris 2396: 2391: 2386: 2381: 2376: 2371: 2369:Samuel Maclure 2366: 2364:A.H. Mackmurdo 2361: 2356: 2351: 2346: 2341: 2336: 2334:Ralph Johonnot 2331: 2326: 2324:Elbert Hubbard 2321: 2316: 2311: 2306: 2301: 2296: 2291: 2286: 2281: 2276: 2271: 2266: 2261: 2256: 2251: 2246: 2240: 2238: 2235: 2129: 2126: 2067: 2064: 2063: 2062: 2059:Bedales School 2056: 2050: 2044: 2030: 2024: 2018: 2012: 2006: 2000: 1994: 1988: 1982: 1979: 1976:Debenham House 1973: 1967: 1961: 1955: 1949: 1943: 1937: 1931: 1925: 1919: 1913: 1907: 1901: 1895: 1889: 1883: 1877: 1871: 1865: 1859: 1853: 1845: 1842: 1767: 1766: 1747: 1744: 1730: 1727: 1714: 1711: 1621:Prairie School 1616: 1613: 1609:Charles Rohlfs 1545:Studio pottery 1513:Elbert Hubbard 1500:also known as 1471:, which read: 1280:Facade of the 1273: 1270: 1266:Sölvi Helgason 1236:Wekerle estate 1205:Gothic Revival 1197:Eliel Saarinen 1193:Armas Lindgren 1162:Josef Hoffmann 1064: 1061: 1023: 1020: 998:Ewenny Pottery 981: 978: 969:Newtown, Wales 946:Anglo-Japanese 915:William Morris 911:Daniel Cottier 894: 891: 881: 878: 876: 873: 871:in the 1970s. 869:Crafts Council 865:Terence Conran 853:Gordon Russell 828: 825: 781:Hilaire Belloc 709:artistic dress 611: 608: 587: 584: 539: 536: 493:Fiona McCarthy 487: 484: 481: 480: 459: 456: 419:Morte d'Arthur 382:Birmingham Set 378:William Morris 366: 365:William Morris 363: 347:factory system 339:Viollet le Duc 327:Thomas Carlyle 318: 315: 298:Augustus Pugin 278: 277:A. W. N. Pugin 275: 260:Nicolas Jenson 248:William Morris 150: 147: 145: 142: 134:William Morris 126:Thomas Carlyle 48:William Morris 26: 9: 6: 4: 3: 2: 9614: 9603: 9600: 9598: 9595: 9593: 9590: 9588: 9585: 9583: 9580: 9578: 9575: 9573: 9570: 9568: 9565: 9563: 9560: 9558: 9555: 9553: 9550: 9548: 9545: 9543: 9540: 9538: 9535: 9533: 9530: 9528: 9527:Art movements 9525: 9523: 9520: 9518: 9515: 9514: 9512: 9497: 9494: 9492: 9489: 9487: 9484: 9482: 9481:Ruskin Museum 9479: 9477: 9474: 9472: 9469: 9467: 9464: 9462: 9459: 9457: 9454: 9452: 9449: 9447: 9444: 9442: 9439: 9436: 9433: 9431: 9428: 9426: 9423: 9422: 9420: 9416: 9409: 9408: 9404: 9401: 9400: 9396: 9393: 9392: 9388: 9385: 9384: 9380: 9377: 9376: 9372: 9369: 9368: 9364: 9361: 9360: 9356: 9355: 9353: 9349: 9344: 9333: 9332: 9328: 9325: 9324: 9320: 9317: 9316: 9312: 9309: 9308: 9304: 9301: 9300: 9296: 9293: 9292: 9288: 9287: 9285: 9281: 9277: 9270: 9265: 9263: 9258: 9256: 9251: 9250: 9247: 9235:(2009 series) 9234: 9233: 9229: 9227:(1975 series) 9226: 9225: 9221: 9219:" (1916 song) 9218: 9214: 9212: 9209: 9207: 9204: 9202: 9199: 9197: 9194: 9192: 9189: 9186: 9183: 9180: 9177: 9174: 9171: 9170: 9168: 9164: 9158: 9155: 9153: 9150: 9149: 9147: 9143: 9137: 9134: 9132: 9129: 9127: 9124: 9123: 9121: 9117: 9111: 9108: 9106: 9103: 9101: 9098: 9096: 9094: 9090: 9088: 9085: 9083: 9080: 9079: 9077: 9075: 9071: 9064: 9061: 9060: 9058: 9054: 9047: 9046: 9042: 9039: 9038: 9034: 9031: 9030: 9026: 9023: 9022: 9018: 9015: 9014: 9010: 9007: 9006: 9002: 8999: 8998: 8994: 8991: 8990: 8986: 8983: 8982: 8978: 8975: 8974: 8970: 8969: 8967: 8963: 8956: 8955: 8951: 8948: 8947: 8943: 8940: 8936: 8933: 8929: 8928: 8926: 8922: 8915: 8914: 8910: 8909: 8907: 8903: 8899: 8892: 8887: 8885: 8880: 8878: 8873: 8872: 8869: 8857: 8849: 8848: 8845: 8839: 8836: 8834: 8833: 8829: 8827: 8824: 8822: 8819: 8817: 8814: 8812: 8809: 8807: 8804: 8802: 8799: 8797: 8794: 8790: 8787: 8785: 8782: 8781: 8780: 8777: 8775: 8772: 8770: 8767: 8765: 8762: 8760: 8757: 8755: 8752: 8750: 8747: 8743: 8740: 8738: 8735: 8734: 8733: 8730: 8728: 8725: 8723: 8722:Fantastic art 8720: 8718: 8715: 8711: 8708: 8706: 8703: 8701: 8698: 8696: 8693: 8692: 8691: 8690:Christian art 8688: 8686: 8683: 8681: 8678: 8676: 8673: 8669: 8666: 8665: 8664: 8661: 8659: 8656: 8655: 8653: 8649: 8639: 8636: 8634: 8631: 8629: 8626: 8622: 8619: 8617: 8614: 8613: 8612: 8609: 8607: 8604: 8602: 8599: 8597: 8594: 8592: 8591:Skeuomorphism 8589: 8587: 8584: 8582: 8579: 8577: 8574: 8572: 8569: 8567: 8564: 8562: 8559: 8557: 8554: 8552: 8551:Massurrealism 8549: 8547: 8546:Lightpainting 8544: 8542: 8539: 8537: 8534: 8530: 8529:Post-Internet 8527: 8526: 8525: 8522: 8520: 8517: 8515: 8512: 8510: 8507: 8503: 8500: 8499: 8498: 8495: 8493: 8490: 8488: 8485: 8483: 8480: 8478: 8475: 8473: 8470: 8466: 8463: 8462: 8461: 8458: 8456: 8453: 8451: 8448: 8446: 8443: 8441: 8438: 8436: 8433: 8431: 8428: 8426: 8423: 8422: 8420: 8414: 8408: 8405: 8403: 8402:Grunge design 8400: 8398: 8395: 8393: 8390: 8388: 8385: 8383: 8380: 8378: 8375: 8373: 8370: 8368: 8365: 8363: 8360: 8358: 8357:Retrofuturism 8355: 8353: 8352:Scratch video 8350: 8348: 8345: 8343: 8340: 8338: 8337:Memphis Group 8335: 8333: 8330: 8328: 8325: 8323: 8320: 8318: 8315: 8313: 8312:Telematic art 8310: 8308: 8305: 8303: 8302:Guerrilla art 8300: 8298: 8295: 8291: 8288: 8287: 8286: 8283: 8281: 8278: 8276: 8273: 8271: 8268: 8264: 8261: 8260: 8259: 8256: 8254: 8253:Endurance art 8251: 8249: 8246: 8244: 8241: 8239: 8236: 8234: 8231: 8230: 8228: 8224: 8218: 8215: 8213: 8210: 8208: 8205: 8203: 8200: 8198: 8195: 8191: 8188: 8187: 8186: 8183: 8181: 8178: 8176: 8173: 8171: 8168: 8166: 8163: 8161: 8158: 8156: 8153: 8151: 8148: 8146: 8143: 8141: 8138: 8136: 8133: 8131: 8128: 8126: 8123: 8121: 8118: 8116: 8113: 8111: 8108: 8106: 8103: 8101: 8098: 8096: 8093: 8091: 8088: 8086: 8083: 8081: 8078: 8076: 8073: 8071: 8068: 8066: 8063: 8061: 8058: 8056: 8053: 8051: 8048: 8044: 8041: 8040: 8039: 8036: 8034: 8031: 8029: 8026: 8024: 8021: 8019: 8016: 8014: 8011: 8010: 8008: 8004: 7998: 7995: 7993: 7990: 7988: 7985: 7981: 7978: 7976: 7973: 7972: 7971: 7968: 7964: 7961: 7960: 7959: 7956: 7954: 7951: 7949: 7946: 7944: 7941: 7939: 7936: 7934: 7931: 7929: 7926: 7924: 7921: 7919: 7916: 7914: 7913:New media art 7911: 7907: 7904: 7903: 7902: 7899: 7897: 7894: 7892: 7891:Nanyang Style 7889: 7887: 7884: 7882: 7879: 7877: 7874: 7872: 7869: 7865: 7862: 7860: 7857: 7855: 7852: 7850: 7847: 7846: 7845: 7842: 7840: 7837: 7835: 7832: 7828: 7825: 7824: 7823: 7822:Visionary art 7820: 7816: 7813: 7812: 7811: 7808: 7806: 7803: 7802: 7800: 7796: 7793: 7789: 7784: 7780: 7770: 7767: 7765: 7762: 7760: 7757: 7755: 7752: 7748: 7745: 7744: 7743: 7740: 7738: 7735: 7731: 7728: 7726: 7723: 7722: 7721: 7718: 7714: 7711: 7710: 7709: 7706: 7704: 7701: 7699: 7696: 7694: 7691: 7689: 7688:Scuola Romana 7686: 7684: 7681: 7679: 7678: 7674: 7672: 7669: 7667: 7664: 7662: 7659: 7655: 7652: 7650: 7647: 7646: 7645: 7642: 7640: 7637: 7635: 7632: 7630: 7627: 7625: 7622: 7620: 7617: 7615: 7614:Anthropophagy 7612: 7610: 7607: 7603: 7600: 7599: 7598: 7597:Functionalism 7595: 7593: 7590: 7588: 7585: 7583: 7580: 7578: 7575: 7571: 7568: 7567: 7566: 7563: 7559: 7556: 7554: 7551: 7550: 7549: 7546: 7542: 7539: 7538: 7537: 7534: 7532: 7529: 7525: 7524: 7520: 7519: 7518: 7517:Neoplasticism 7515: 7513: 7510: 7508: 7505: 7499: 7496: 7495: 7494: 7491: 7490: 7489: 7486: 7484: 7481: 7479: 7476: 7474: 7471: 7469: 7466: 7465: 7463: 7459: 7453: 7450: 7448: 7445: 7443: 7440: 7438: 7435: 7433: 7430: 7428: 7425: 7421: 7420:Cubo-Futurism 7418: 7417: 7416: 7413: 7411: 7408: 7406: 7405: 7401: 7397: 7394: 7392: 7389: 7388: 7387: 7384: 7380: 7379:Ashcan School 7377: 7376: 7375: 7372: 7370: 7367: 7365: 7362: 7358: 7355: 7353: 7350: 7349: 7348: 7347:Expressionism 7345: 7343: 7340: 7338: 7335: 7333: 7332:Mir iskusstva 7330: 7328: 7325: 7321: 7318: 7316: 7313: 7311: 7308: 7306: 7303: 7302: 7301: 7298: 7296: 7293: 7291: 7288: 7286: 7283: 7279: 7276: 7275: 7274: 7271: 7270: 7268: 7264: 7258: 7255: 7251: 7248: 7247: 7246: 7243: 7239: 7236: 7234: 7231: 7229: 7226: 7224: 7221: 7219: 7216: 7214: 7211: 7207: 7204: 7203: 7202: 7199: 7198: 7197: 7194: 7192: 7189: 7187: 7184: 7180: 7177: 7175: 7172: 7171: 7170: 7167: 7165: 7162: 7160: 7157: 7153: 7150: 7149: 7148: 7145: 7143: 7140: 7136: 7133: 7131: 7128: 7126: 7123: 7119: 7118:Boston School 7116: 7114: 7113:Hoosier Group 7111: 7110: 7109: 7106: 7105: 7104: 7103:Impressionism 7101: 7099: 7098:Peredvizhniki 7096: 7094: 7091: 7089: 7088:Beuron School 7086: 7082: 7079: 7078: 7077: 7076: 7072: 7070: 7067: 7065: 7062: 7058: 7055: 7054: 7053: 7050: 7049: 7047: 7043: 7040: 7036: 7032: 7022: 7019: 7015: 7012: 7008: 7005: 7004: 7003: 7002:Munich School 7000: 6999: 6998: 6995: 6989: 6986: 6985: 6984: 6981: 6979: 6976: 6974: 6971: 6970: 6969: 6966: 6964: 6961: 6957: 6954: 6953: 6952: 6949: 6947: 6944: 6942: 6939: 6937: 6934: 6928: 6925: 6924: 6923: 6920: 6918: 6915: 6913: 6910: 6908: 6905: 6903: 6900: 6898: 6895: 6893: 6890: 6888: 6885: 6883: 6880: 6879: 6878: 6875: 6874: 6872: 6868: 6862: 6854: 6851: 6849: 6846: 6845: 6844: 6840: 6838: 6835: 6833: 6830: 6828: 6825: 6823: 6820: 6816: 6813: 6812: 6811: 6808: 6807: 6805: 6801:Art borrowing 6799: 6791: 6788: 6784: 6781: 6779: 6776: 6774: 6771: 6770: 6769: 6766: 6764: 6761: 6760: 6759: 6756: 6752: 6751:Company style 6749: 6747: 6744: 6740: 6737: 6735: 6732: 6731: 6730: 6727: 6726: 6724: 6718: 6715: 6714: 6713: 6710: 6708: 6705: 6704: 6703: 6699: 6698: 6696: 6692: 6686: 6683: 6679: 6676: 6674: 6671: 6669: 6666: 6664: 6661: 6659: 6658: 6654: 6653: 6652: 6651:Neoclassicism 6649: 6645: 6644: 6640: 6638: 6635: 6633: 6630: 6628: 6625: 6623: 6620: 6619: 6618: 6615: 6614: 6612: 6608: 6600: 6597: 6595: 6592: 6591: 6590: 6587: 6585: 6582: 6580: 6577: 6573: 6570: 6569: 6568: 6565: 6563: 6560: 6558: 6555: 6553: 6550: 6546: 6543: 6541: 6538: 6534: 6531: 6529: 6526: 6525: 6524: 6521: 6519: 6516: 6514: 6511: 6510: 6509: 6506: 6505: 6503: 6499: 6493: 6490: 6488: 6485: 6483: 6480: 6478: 6477:Cretan School 6475: 6471: 6468: 6467: 6466: 6463: 6457: 6454: 6452: 6449: 6447: 6444: 6443: 6442: 6439: 6435: 6434:Danube school 6432: 6430: 6427: 6426: 6425: 6422: 6420: 6417: 6415: 6412: 6408: 6405: 6404: 6403: 6400: 6399: 6398: 6395: 6389: 6388: 6383: 6381: 6378: 6376: 6373: 6371: 6368: 6367: 6366: 6363: 6359: 6356: 6354: 6351: 6349: 6346: 6345: 6344: 6341: 6337: 6336: 6332: 6330: 6327: 6325: 6322: 6321: 6320: 6317: 6316: 6315: 6312: 6311: 6309: 6307: 6303: 6295: 6294: 6290: 6288: 6285: 6283: 6280: 6279: 6278: 6274: 6272: 6269: 6265: 6262: 6261: 6260: 6257: 6255: 6252: 6250: 6247: 6245: 6242: 6238: 6235: 6233: 6230: 6228: 6225: 6224: 6223: 6220: 6218: 6217: 6213: 6209: 6206: 6205: 6204: 6201: 6197: 6194: 6192: 6189: 6188: 6187: 6184: 6182: 6179: 6175: 6172: 6170: 6167: 6165: 6162: 6161: 6160: 6157: 6153: 6150: 6148: 6145: 6143: 6140: 6138: 6135: 6134: 6133: 6130: 6128: 6125: 6121: 6120: 6116: 6115: 6114: 6111: 6109: 6106: 6104: 6101: 6097: 6094: 6092: 6089: 6087: 6084: 6082: 6079: 6077: 6074: 6073: 6072: 6069: 6065: 6062: 6061: 6060: 6057: 6053: 6050: 6049: 6048: 6045: 6044: 6042: 6040: 6036: 6028: 6025: 6023: 6020: 6018: 6015: 6013: 6010: 6008: 6005: 6003: 6000: 5999: 5998: 5995: 5993: 5990: 5988: 5985: 5983: 5980: 5978: 5975: 5969: 5966: 5962: 5959: 5958: 5957: 5954: 5952: 5949: 5948: 5947: 5944: 5942: 5939: 5937: 5934: 5932: 5929: 5927: 5924: 5922: 5919: 5917: 5914: 5912: 5911:Orientalizing 5909: 5907: 5904: 5902: 5899: 5897: 5896:Sub-Mycenaean 5894: 5893: 5892: 5889: 5885: 5882: 5880: 5877: 5875: 5872: 5870: 5867: 5866: 5865: 5862: 5860: 5857: 5853: 5850: 5849: 5848: 5845: 5844: 5842: 5840: 5836: 5833: 5827: 5823: 5819: 5814: 5810:art movements 5809: 5805: 5801: 5794: 5789: 5787: 5782: 5780: 5775: 5774: 5771: 5759: 5756: 5754: 5751: 5749: 5741: 5739: 5731: 5729: 5725: 5721: 5720: 5717: 5711: 5708: 5706: 5703: 5701: 5698: 5696: 5693: 5691: 5688: 5686: 5685:Nature center 5683: 5679: 5676: 5674: 5671: 5670: 5669: 5666: 5664: 5661: 5659: 5656: 5654: 5651: 5649: 5646: 5644: 5641: 5639: 5636: 5634: 5631: 5630: 5628: 5626: 5622: 5616: 5613: 5611: 5608: 5606: 5603: 5601: 5600:Simple living 5598: 5594: 5591: 5590: 5589: 5586: 5584: 5581: 5578: 5574: 5571: 5569: 5566: 5563: 5559: 5556: 5553: 5549: 5546: 5544: 5541: 5539: 5536: 5534: 5531: 5530: 5528: 5524: 5518: 5515: 5513: 5510: 5508: 5505: 5503: 5500: 5498: 5495: 5493: 5490: 5488: 5485: 5481: 5478: 5476: 5473: 5472: 5471: 5468: 5466: 5463: 5461: 5460:Ecomusicology 5458: 5456: 5455:Anthrozoology 5453: 5452: 5450: 5446: 5440: 5437: 5435: 5432: 5430: 5427: 5425: 5422: 5420: 5417: 5416: 5414: 5412: 5408: 5402: 5399: 5397: 5394: 5392: 5389: 5387: 5384: 5382: 5379: 5377: 5374: 5372: 5369: 5367: 5364: 5362: 5359: 5357: 5354: 5352: 5349: 5348: 5346: 5344: 5340: 5334: 5331: 5329: 5326: 5324: 5321: 5319: 5316: 5314: 5311: 5309: 5306: 5305: 5303: 5301: 5297: 5291: 5288: 5286: 5283: 5281: 5278: 5276: 5273: 5271: 5268: 5266: 5263: 5261: 5258: 5256: 5253: 5252: 5250: 5248: 5244: 5239: 5229: 5226: 5224: 5221: 5219: 5216: 5212: 5209: 5207: 5204: 5202: 5199: 5197: 5194: 5193: 5192: 5189: 5187: 5184: 5182: 5179: 5177: 5174: 5172: 5169: 5167: 5164: 5163: 5161: 5159: 5155: 5151: 5144: 5139: 5137: 5132: 5130: 5125: 5124: 5121: 5115: 5111: 5108: 5105: 5103: 5100: 5098: 5095: 5093: 5091: 5086: 5085: 5068: 5062: 5058: 5057: 5051: 5048: 5044: 5042: 5038: 5034: 5030: 5024: 5020: 5015: 5012: 5008: 5005: 5001: 4998: 4994: 4990: 4988:0-500-28536-5 4984: 4980: 4975: 4971: 4969:0-289-79580-X 4965: 4960: 4959: 4952: 4949: 4945: 4942: 4938: 4934: 4932:0-571-17495-7 4928: 4924: 4919: 4915: 4907: 4903: 4899: 4898: 4892: 4890: 4882: 4879: 4875: 4871: 4869: 4865: 4861: 4858: 4854: 4850: 4845: 4841: 4835: 4831: 4826: 4823: 4819: 4815: 4811: 4807: 4805:9783822840788 4801: 4797: 4792: 4789: 4785: 4781: 4775: 4771: 4766: 4762: 4760:0-500-20248-6 4756: 4752: 4747: 4744: 4740: 4736: 4730: 4726: 4725: 4719: 4715: 4709: 4705: 4704: 4698: 4694: 4692:0-453-00397-4 4688: 4684: 4679: 4677: 4676:online review 4672: 4666: 4662: 4657: 4653: 4651:0-87722-384-X 4647: 4642: 4641: 4640:Art and Labor 4634: 4630: 4624: 4620: 4615: 4611: 4609:0-8109-0434-9 4605: 4601: 4596: 4595: 4583: 4577: 4570: 4565: 4558: 4553: 4547: 4546:0 340 09420 6 4543: 4539: 4533: 4531: 4529: 4513: 4509: 4502: 4494: 4488: 4477: 4470: 4468: 4460: 4445: 4441: 4435: 4420: 4416: 4410: 4395: 4394: 4389: 4385: 4379: 4360: 4356: 4349: 4343: 4328: 4327: 4322: 4318: 4312: 4303: 4297: 4291: 4275: 4271: 4264: 4248: 4244: 4238: 4230: 4224: 4220: 4213: 4205: 4203:0-8109-4217-8 4199: 4195: 4188: 4181: 4178: 4176: 4168: 4161: 4155: 4140: 4139:The Art Story 4136: 4130: 4122: 4115: 4113: 4111: 4103: 4097: 4090: 4085: 4078: 4073: 4065: 4059: 4055: 4048: 4041: 4035: 4028: 4023: 4016: 4010: 3999: 3992: 3986: 3978: 3972: 3968: 3967: 3959: 3950: 3944: 3940: 3939: 3938:O. M. Edwards 3931: 3923: 3917: 3913: 3912: 3904: 3896: 3890: 3886: 3882: 3875: 3868: 3867:1-85149-455-3 3864: 3860: 3854: 3847: 3846:0-500-20333-4 3843: 3839: 3833: 3826: 3821: 3819: 3812: 3808: 3805: 3800: 3794: 3793:0-300-07780-7 3790: 3786: 3780: 3778: 3776: 3768: 3764: 3759: 3752: 3746: 3740: 3734: 3732: 3723: 3717: 3713: 3706: 3697: 3681: 3677: 3671: 3663: 3657: 3641: 3635: 3628: 3623: 3607: 3605: 3597: 3591: 3590:0-517-69260-0 3587: 3583: 3577: 3570: 3565: 3558: 3553: 3546: 3541: 3534: 3529: 3522: 3517: 3501: 3497: 3491: 3484: 3478: 3470: 3464: 3457: 3452: 3445: 3440: 3434:, 1953, p.127 3433: 3427: 3425: 3416: 3410: 3403: 3397: 3390: 3384: 3377: 3371: 3369: 3361: 3356: 3350: 3349:0-14-020521-7 3346: 3342: 3336: 3330: 3329:0-14-020521-7 3326: 3322: 3316: 3309: 3303: 3287: 3283: 3277: 3270: 3265: 3263: 3261: 3252: 3246: 3240:, p. 97. 3239: 3234: 3228:, p. 49. 3227: 3222: 3215: 3211: 3207: 3201: 3194: 3189: 3183: 3182:The Two Paths 3180:John Ruskin, 3177: 3170: 3164: 3157: 3151: 3144: 3138: 3136: 3127: 3120: 3104: 3100: 3096: 3090: 3082: 3078: 3074: 3068: 3063: 3062: 3053: 3046: 3040: 3038: 3021: 3015: 3013: 3011: 3009: 3002:, p. 22. 3001: 2996: 2994: 2987: 2981: 2975:, p. 20. 2974: 2969: 2967: 2960:, p. 21. 2959: 2954: 2952: 2950: 2948: 2939: 2933: 2927: 2926:0-300-10571-1 2923: 2919: 2913: 2911: 2909: 2907: 2905: 2903: 2901: 2892: 2886: 2882: 2881: 2873: 2865: 2864: 2856: 2850: 2849:0-300-10939-3 2846: 2842: 2836: 2834: 2827: 2823: 2819: 2813: 2811: 2809: 2807: 2791: 2787: 2783: 2778: 2772: 2764: 2757: 2749: 2745: 2738: 2730: 2726: 2719: 2711: 2707: 2700: 2692: 2688: 2682: 2674: 2668: 2664: 2657: 2655: 2647: 2641: 2633: 2627: 2623: 2616: 2614: 2612: 2610: 2605: 2595: 2592: 2590: 2587: 2585: 2582: 2580: 2577: 2575: 2574: 2570: 2568: 2565: 2563: 2560: 2559: 2550: 2543: 2538: 2535: 2528: 2523: 2520: 2513: 2508: 2505: 2501: 2495: 2490: 2489: 2480: 2477: 2475: 2472: 2470: 2467: 2465: 2462: 2460: 2459:C.F.A. Voysey 2457: 2455: 2452: 2450: 2447: 2445: 2442: 2440: 2437: 2435: 2434:Baillie Scott 2432: 2430: 2427: 2425: 2422: 2420: 2417: 2415: 2412: 2410: 2407: 2405: 2402: 2400: 2397: 2395: 2392: 2390: 2387: 2385: 2382: 2380: 2377: 2375: 2372: 2370: 2367: 2365: 2362: 2360: 2357: 2355: 2354:Edwin Lutyens 2352: 2350: 2347: 2345: 2342: 2340: 2337: 2335: 2332: 2330: 2329:Norman Jewson 2327: 2325: 2322: 2320: 2317: 2315: 2314:Ernest Gimson 2312: 2310: 2307: 2305: 2302: 2300: 2297: 2295: 2292: 2290: 2287: 2285: 2284:Nelson Dawson 2282: 2280: 2277: 2275: 2272: 2270: 2267: 2265: 2262: 2260: 2257: 2255: 2252: 2250: 2247: 2245: 2242: 2241: 2234: 2232: 2228: 2223: 2221: 2216: 2214: 2210: 2206: 2202: 2198: 2197:W. R. Lethaby 2194: 2190: 2186: 2182: 2173: 2169: 2165: 2163: 2159: 2151: 2145: 2143: 2139: 2135: 2128:Art education 2125: 2123: 2119: 2115: 2111: 2106: 2104: 2100: 2096: 2092: 2088: 2084: 2080: 2079:Munstead Wood 2076: 2075:Edwin Lutyens 2072: 2066:Garden design 2060: 2057: 2054: 2051: 2048: 2045: 2042: 2038: 2034: 2031: 2028: 2025: 2022: 2019: 2016: 2013: 2010: 2009:Thorsen House 2007: 2004: 2001: 1998: 1995: 1992: 1989: 1986: 1983: 1980: 1977: 1974: 1971: 1968: 1965: 1964:Marston House 1962: 1959: 1956: 1953: 1950: 1947: 1944: 1941: 1940:Shaw's Corner 1938: 1935: 1932: 1929: 1926: 1923: 1920: 1917: 1914: 1911: 1908: 1905: 1902: 1899: 1898:Derwent House 1896: 1893: 1890: 1887: 1884: 1881: 1878: 1875: 1872: 1869: 1866: 1863: 1860: 1857: 1854: 1851: 1848: 1847: 1841: 1839: 1838:George Orwell 1835: 1831: 1827: 1826:Raymond Unwin 1823: 1818: 1816: 1812: 1808: 1804: 1800: 1796: 1791: 1789: 1785: 1781: 1777: 1773: 1765: 1764: 1762: 1756: 1752: 1751: 1743: 1740: 1736: 1735:Yanagi Sōetsu 1726: 1724: 1720: 1710: 1708: 1704: 1700: 1695: 1693: 1689: 1685: 1681: 1676: 1674: 1670: 1666: 1662: 1658: 1654: 1650: 1646: 1642: 1638: 1634: 1630: 1626: 1622: 1612: 1610: 1606: 1602: 1598: 1594: 1590: 1586: 1582: 1578: 1574: 1570: 1566: 1562: 1558: 1554: 1550: 1546: 1542: 1538: 1534: 1530: 1526: 1522: 1518: 1514: 1510: 1505: 1503: 1499: 1495: 1491: 1490:New Hampshire 1487: 1483: 1477: 1472: 1470: 1466: 1461: 1456: 1454: 1450: 1446: 1442: 1438: 1434: 1428: 1426: 1422: 1418: 1417:progressivism 1412: 1410: 1406: 1402: 1398: 1394: 1390: 1385: 1381: 1377: 1373: 1372: 1366: 1364: 1363:Mission Style 1360: 1356: 1352: 1348: 1347:The Craftsman 1344: 1334: 1327: 1322: 1314: 1306: 1298: 1291: 1290:New Hampshire 1287: 1283: 1278: 1272:North America 1269: 1267: 1262: 1260: 1256: 1252: 1248: 1244: 1239: 1237: 1233: 1229: 1225: 1221: 1217: 1213: 1208: 1206: 1202: 1198: 1194: 1190: 1186: 1181: 1179: 1175: 1171: 1167: 1166:Koloman Moser 1163: 1159: 1154: 1152: 1151: 1146: 1142: 1138: 1134: 1129: 1127: 1123: 1119: 1115: 1111: 1107: 1099: 1095: 1090: 1086: 1083: 1082:Transylvanian 1079: 1075: 1071: 1060: 1058: 1054: 1050: 1049:Edwin Lutyens 1046: 1042: 1038: 1034: 1030: 1019: 1017: 1013: 1008: 1006: 1001: 999: 993: 991: 987: 974: 973:Frank Shayler 970: 965: 961: 959: 955: 951: 950:Glasgow Style 947: 943: 939: 934: 932: 931:Paisley Abbey 928: 924: 920: 916: 912: 908: 904: 900: 886: 872: 870: 866: 862: 858: 854: 849: 847: 843: 838: 837:Yanagi Soetsu 834: 833:Bernard Leach 824: 822: 818: 814: 810: 804: 801: 792: 788: 784: 782: 778: 774: 769: 767: 766:C.F.A. Voysey 763: 761: 757: 753: 748: 744: 739: 737: 733: 729: 725: 721: 717: 712: 710: 706: 701: 699: 695: 691: 687: 686:Ernest Newton 683: 679: 675: 672:In 1884, the 670: 668: 664: 663:Herbert Horne 660: 656: 655:Century Guild 652: 651:A.H.Mackmurdo 647: 644: 640: 636: 631: 627: 625: 621: 617: 607: 605: 601: 597: 593: 583: 581: 577: 573: 569: 565: 561: 557: 553: 549: 545: 535: 533: 532:W. R. Lethaby 528: 523: 519: 517: 513: 508: 504: 502: 498: 494: 479: 477: 472: 470: 464: 463: 455: 448: 443: 439: 432: 427: 423: 421: 420: 415: 411: 410: 405: 404: 399: 395: 391: 387: 383: 379: 371: 362: 360: 356: 352: 348: 343: 340: 335: 332: 328: 324: 314: 311: 310:Rosemary Hill 307: 303: 299: 291: 287: 283: 274: 267: 266: 261: 257: 253: 249: 246:, printed by 245: 241: 237: 233: 231: 225: 223: 219: 215: 211: 207: 203: 199: 195: 190: 188: 184: 180: 177:(1809–1874), 176: 173:(1808–1882), 172: 167: 165: 161: 157: 149:Design reform 141: 139: 135: 131: 128:, art critic 127: 123: 119: 114: 112: 108: 104: 100: 96: 91: 89: 85: 79: 77: 73: 67: 65: 61: 57: 49: 45: 41: 37: 33: 19: 9451:Mount Ruskin 9424: 9405: 9397: 9391:The Countess 9389: 9381: 9373: 9365: 9357: 9329: 9321: 9313: 9305: 9297: 9289: 9230: 9222: 9195: 9092: 9043: 9035: 9027: 9019: 9011: 9003: 8995: 8987: 8979: 8971: 8952: 8944: 8911: 8832:Trompe-l'œil 8830: 8801:Outsider art 8754:Illustration 8710:Lutheran art 8700:Catholic art 8663:Abstract art 8633:Unilalianism 8596:Software art 8571:Neosymbolism 8561:Neo-futurism 8524:Internet art 8514:Hyperrealism 8367:Superfiction 8150:Photorealism 8018:Afrofuturism 7783:Contemporary 7759:Dimensionism 7742:Concrete art 7675: 7671:Precisionism 7521: 7468:Sosaku-hanga 7442:Productivism 7432:Metaphysical 7402: 7391:Proto-Cubism 7295:Secessionism 7257:Costumbrismo 7146: 7142:Aestheticism 7093:Hague School 7073: 6997:Academic art 6978:Costumbrismo 6946:Empire style 6783:Quito School 6778:Cusco School 6694:Colonial art 6655: 6643:Fête galante 6641: 6610:18th century 6572:Delft School 6523:Caravaggisti 6501:17th century 6386: 6343:Quattrocento 6333: 6291: 6214: 6117: 6047:Late antique 5931:Severe style 5921:Black-figure 5808:Contemporary 5690:New Urbanism 5632: 5361:Deep ecology 5323:Geocriticism 5313:Ecocriticism 5285:Ethnoecology 5275:Ecosemiotics 5196:conservation 5090:The Guardian 5089: 5070:. 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The 217: 213: 209: 206:Ralph Wornum 201: 193: 191: 186: 168: 152: 115: 92: 80: 72:Modern Style 68: 55: 53: 40: 9602:Hammersmith 9542:British art 9410:(2014 film) 9394:(1999 play) 9386:(1994 film) 9370:(1967 film) 9359:John Ruskin 9318:(1851–1853) 9302:(1843–1860) 9276:John Ruskin 9173:Jane Morris 9136:Golden Type 8717:Digital art 8680:Avant-garde 8621:Superstroke 8497:Flat design 8492:Fictive art 8487:Excessivism 8435:Art for art 8430:Altermodern 8372:Taring Padi 8307:Lowbrow art 8275:Pliontanism 8212:Yoru no Kai 8165:Process art 8105:Systems art 8075:Arte Povera 7997:Antipodeans 7906:in New York 7876:Jikken Kōbō 7839:Color field 7708:Regionalism 7677:Aeropittura 7666:Neo-Fauvism 7639:Neues Sehen 7609:Kinetic art 7473:Suprematism 7447:Synchromism 7364:Noucentisme 7285:Primitivism 7273:Art Nouveau 7228:Cloisonnism 7218:Pointillism 7213:Divisionism 7191:Incoherents 7152:Art pottery 7038:(1863–1944) 6988:Macchiaioli 6963:Biedermeier 6951:Historicism 6936:Orientalism 6877:Romanticism 6848:Akita ranga 6700:Art of the 6685:Picturesque 6637:Chinoiserie 6632:Frederician 6470:Tudor court 6365:Cinquecento 6306:Renaissance 6293:Mappa mundi 6277:cartography 6169:Carolingian 6164:Merovingian 6147:Palaeologan 6119:Repoblación 6076:Anglo-Saxon 6007:Gallo-Roman 5946:Hellenistic 5941:Kerch style 5879:Minyan ware 5710:Themed walk 5439:Stewardship 5419:Ecotheology 5366:Ecofeminism 5191:Photography 5072:26 December 4772:. Birlinn. 4621:. Phaidon. 4557:Naylor 1971 4144:25 December 4089:Naylor 1971 4077:Naylor 1971 3557:Naylor 1971 3533:Naylor 1971 3444:Naylor 1971 3238:Naylor 1971 3193:Naylor 1971 3169:John Ruskin 3154:David Pye, 3022:. Vam.ac.uk 3000:Naylor 1971 2973:Naylor 1971 2958:Naylor 1971 2469:Philip Webb 2439:Norman Shaw 2259:Detmar Blow 2158:Henry Payne 1916:Spade House 1784:Philip Webb 1780:Bexleyheath 1692:Composition 1591:company in 1557:New Orleans 1441:Denman Ross 1380:Art Nouveau 1241:In Russia, 1110:Art Nouveau 990:World War I 923:John Ruskin 743:C.R. Ashbee 724:New Gallery 653:formed the 610:Development 560:Philip Webb 556:C.R. Ashbee 323:John Ruskin 317:John Ruskin 256:Golden Type 244:John Ruskin 130:John Ruskin 76:Art Nouveau 9567:Modern art 9511:Categories 9435:Effie Gray 9407:Effie Gray 9351:Depictions 9187:(daughter) 9185:May Morris 9181:(daughter) 8764:Jewish art 8576:Passionism 8536:iPhone art 8482:Cyborg art 8477:Crypto art 8450:Brandalism 8342:Cyberdelic 8207:Tropicália 8180:Street art 8135:Intermedia 8115:Minimalism 7834:Spatialism 7788:Postmodern 7644:Surrealism 7512:Shin-hanga 7352:Die Brücke 7320:Sonderbund 7233:Synthetism 6956:Revivalism 6865:Transition 6822:Manichaean 6668:Adam style 6589:Classicism 6528:in Utrecht 6456:Still life 6186:Romanesque 6142:Macedonian 6137:Iconoclast 6096:Visigothic 6002:Republican 5956:Indo-Greek 5926:Red-figure 5673:assessment 5643:Biomimicry 5583:Sexecology 5480:arts-based 5343:Philosophy 5300:Literature 4916:required.) 4102:Kós Károly 3857:H. Lyons, 3763:Noel Rooke 3432:The Studio 3081:1147708297 2600:References 2479:Edgar Wood 1904:Stoneywell 1830:vernacular 1803:Almshouses 1733:In Japan, 1421:Hull House 1389:Kalo Shops 1368:The terms 1357:campus in 1216:Károly Kós 1078:Károly Kós 1039:(1916) in 986:revivalist 544:socialists 388:including 175:Owen Jones 171:Henry Cole 60:decorative 32:Handicraft 9491:Sarvodaya 9430:Brantwood 9201:Red House 9056:Paintings 8826:Shock art 8816:Queer art 8796:Naïve art 8779:Modernism 8611:Superflat 8601:Sound art 8581:Post-YBAs 8566:Neomodern 8407:Verdadism 8377:Superflat 8226:1970–1999 8190:in the US 8110:Video art 8033:Happening 8006:1960–1969 7798:1945–1959 7461:1915–1944 7452:Vorticism 7404:A Nyolcak 7266:1900–1914 7238:Les Nabis 7169:Symbolism 7125:Amsterdam 7075:Japonisme 7045:1863–1899 7007:in Greece 6867:to modern 6712:Caribbean 6657:Goût grec 6579:Capriccio 6533:Tenebrism 6482:Turquerie 6380:Mannerism 6275:Medieval 6132:Byzantine 6113:Mozarabic 6064:Ethiopian 5968:Neo-Attic 5951:"Baroque" 5936:Classical 5906:Geometric 5884:Mycenaean 5831:(Western) 5829:Premodern 5800:Premodern 5653:Ecomuseum 5605:Slow food 5538:Bioethics 5318:Ecopoetry 5201:landscape 4814:809539744 3991:"CHS Vol" 3848:, p. 151. 3686:28 August 3646:28 August 3612:28 August 3026:28 August 2309:Eric Gill 1936:– 1901–02 1892:Blackwell 1868:Inglewood 1850:Red House 1799:Aesthetic 1776:Red House 1409:Craftsman 1126:Modernism 1041:Cork city 1033:Evie Hone 875:By region 800:enameling 760:Cotswolds 752:socialism 741:In 1888, 633:In 1881, 538:Socialism 431:Red House 306:Contrasts 111:Modernism 88:quixotism 64:fine arts 9119:Printing 9095:tapestry 8941:" (1860) 8934:" (1858) 8856:Category 8806:Portrait 8727:Folk art 8675:Anti-art 8606:Stuckism 8519:Idea art 8440:Art game 8392:Artivism 8280:Punk art 8258:Sots Art 8243:Artscene 8100:Land art 8038:Neo-Dada 7970:Lettrism 7864:Nuagisme 7849:Tachisme 7730:Nazi art 7523:De Stijl 7437:Rayonism 7427:Art Deco 7415:Futurism 7206:Luminism 7174:Romanian 7159:Tonalism 7130:Canadian 7108:American 7014:Neo-Grec 6622:Rocaille 6451:Romanism 6385:Counter- 6319:Trecento 6259:Duecento 6249:Crusades 6181:Ottonian 6159:Frankish 6039:Medieval 6022:Trajanic 5982:Scythian 5977:Etruscan 5869:Cycladic 5847:Thracian 5753:Journals 5738:Category 5678:planning 5411:Religion 5376:Ecosophy 5211:wildlife 5181:Land art 5166:Crop art 5110:Archived 4359:Archived 3998:Archived 3807:Archived 3292:16 March 3109:16 March 2556:See also 2099:Goddards 2091:Goddards 2021:Whare Ra 1991:Stotfold 1665:Pasadena 1661:Berkeley 1637:bungalow 1599:made by 1569:Overbeck 1509:Roycroft 1384:Art Deco 1355:Roycroft 1234:and the 1224:folk art 1185:Helsinki 1114:De Stijl 893:Scotland 815:and the 622:and the 596:ruralism 290:Ramsgate 196:(1853), 103:romantic 99:medieval 9418:Related 9334:(1870s) 9166:Related 9145:Museums 8905:Stories 8821:Realism 8418:present 8145:Nut Art 7948:Pop art 7886:Mono-ha 7754:The Ten 7703:Kapists 7649:Iranian 7602:Bauhaus 7396:Orphism 7342:Fauvism 7179:Russian 7069:Nihonga 6983:Verismo 6968:Realism 6902:Purismo 6815:Moorish 6810:Islamic 6717:Haitian 6508:Baroque 6387:Maniera 6271:Mudéjar 6196:Spanish 6108:Pictish 6091:Lombard 6086:Insular 6027:Severan 5992:Gaulish 5987:Iberian 5916:Archaic 5859:Nuragic 5839:Ancient 5822:periods 5758:Degrees 5748:Commons 5625:Applied 5562:museums 5526:Related 5247:Culture 4424:26 June 4399:26 June 4368:26 June 4332:23 June 4280:3 March 4253:3 March 4180:MSN.com 3171:, Vol.2 2795:17 July 2138:Bedales 1874:Standen 1828:in the 1713:Museums 1585:Detroit 1517:Buffalo 1502:Lucknow 1484:in the 1351:The Fra 1212:Hungary 1133:Belgium 1122:Bauhaus 1116:group, 1022:Ireland 758:in the 250:at the 230:Utility 9552:Crafts 9437:(wife) 9326:(1860) 9310:(1849) 9175:(wife) 9048:(1897) 9040:(1897) 9032:(1896) 9024:(1895) 9016:(1894) 9008:(1891) 9000:(1890) 8992:(1889) 8984:(1889) 8976:(1888) 8965:Novels 8957:(1876) 8949:(1870) 8924:Poetry 8916:(1856) 8769:Kitsch 8628:Toyism 8120:Fluxus 8050:Op art 7619:Mingei 7553:Stupid 7531:Purism 7386:Cubism 7035:Modern 6827:Mughal 6617:Rococo 6222:Gothic 6203:Norman 6127:Viking 6081:Hunnic 6059:Coptic 5874:Minoan 5864:Aegean 5852:Dacian 5804:Modern 5206:nature 5063: 5041:online 5025: 5006:(1983) 4985: 4966: 4929: 4910: 4878:online 4868:online 4836: 4812: 4802: 4776: 4757: 4731: 4710: 4689: 4667: 4648: 4625: 4606: 4584:, 1911 4544: 4449:6 July 4225: 4200: 4060: 3973: 3953:Sec. 3 3945: 3918: 3891: 3865: 3844: 3791: 3718: 3588: 3506:5 July 3347: 3327: 3288:. 2019 3212: 3079: 3069: 2924: 2887: 2847: 2824: 2669: 2628: 1739:Mingei 1651:, and 1635:, the 1587:, the 1535:, and 1399:, and 1195:, and 598:, the 566:, and 501:per se 497:Gandhi 447:Merton 414:Malory 160:ornate 95:Mingei 9446:Illth 9283:Works 8416:2000– 7859:COBRA 6853:Uki-e 6843:Japan 6832:Qajar 6191:Mosan 5997:Roman 5891:Greek 5552:ethic 5475:adult 5448:Other 4479:(PDF) 4472:(PDF) 4362:(PDF) 4351:(PDF) 4001:(PDF) 3994:(PDF) 2746:[ 2097:. 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