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215:". However, later in his career at the Met Bodanzky became "notorious for his rapid tempi, particularly in Wagner". Bodanzky reputedly introduced more cuts in operas he prepared than many other contemporary conductors, and it was sometimes suggested that he was eager to finish the opera in time to play cards.
247:, and Furtwängler. As to the matter of cuts, it was the almost invariable practice in opera houses outside Bayreuth at that time. Bodanzky compares favorably with both Furtwängler and Reiner in this respect. In 1944, Szell gave a broadcast performance of
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Many recordings survive of
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Frida Leider praised
Bodanzky's "outstanding artistry" in her autobiography, written after Bodanzky's death. Arturo Toscanini, who had supported Bodansky's appointment to the Met, was reportedly saddened by his death.
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criticized his abilities as a symphonic conductor, saying that "he gave an impression of being unfamiliar with what he was there to direct".
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which has been reissued on CD and which, as regards fast tempi and severity of cuts, is comparable to anything of
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Artur was the brother of the noted journalist and playwright
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Classical Music in
America: A History of Its Rise and Fall
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Emigrants from
Austria-Hungary to the United States
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419:Leider, Frida; Charles Osborne (trans.) (1978).
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510:Categories
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212:ritardando
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84:Relatives
79:Conductor
167:Mannheim
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259:Family
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155:Berlin
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481:ISBN
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