375:, could really capture the mood of this trial." Various witnesses were called by both sides, some claiming to have instantly recognised the Sinclair siblings from the description in the text, others claiming to have made no such connection; some witnesses also claimed that William Sinclair had immediately threatened to sue Gogarty upon first hearing of the verses, while others recalled that Gogarty had occasionally recited them in William Sinclair's presence without protest from him. Appearing as a "publication witness" for the prosecution was
379:, then a little-known writer, whose impartiality was called into question based on his familial relationship to the plaintiff (his aunt had been married to William Sinclair) and who was humiliatingly denounced by Gogarty's counsel as "the bawd and blasphemer from Paris". Gogarty, put on the stand, alleged that the unnamed Jews of the verses were parodies or composite characters rather than deliberate evocations of living persons, and were intended to throw discredit on the practice of usury and moneylending generally.
1965:
250:", and as a result of its popularity became the subject a lawsuit brought forth by Harry Sinclair, a Jewish art dealer, who said that two passages in the book contained libels against himself and his recently deceased twin brother, William Sinclair. These consisted of verses written by Gogarty's friend, George Redding, and prose commentary by Gogarty:
362:(which Harry Sinclair was apparently known to wear). Harry Sinclair further identified himself and his brother as the "twin grandchildren" in the second passage based on the description of their grandfather as a "pursuer of the immature", and submitted papers to the court to prove that his own grandfather had in fact been guilty of the same offence.
33:
98:, Gogarty sought to give "past and present the same value in time"; thus, while the first-person narrative is continuous and appears to occupy a compact chronological space, the events detailed span the years 1904–1932. Gogarty also rearranged events into (approximately) reverse chronological order, beginning with life in the
398:
says that
Gogarty, though often sharp-tongued with respect to the Sinclair siblings, was not actually an anti-Semite, citing the evidence of his friendships with other Dublin Jews. James Carens says that anti-Semitic remarks are present in Gogarty's early journalism and in his private correspondence,
230:
One of the most frequently recurring figures in the book is that of
Endymion, a Dublin eccentric, who prominently features in the opening and closing scenes and appears at intervals throughout the text. Gogarty critic James F. Carens has argued that the character of Endymion, a genial madman who has
326:
who had eyes like a pair of periwinkles on which somebody had been experimenting with a pin, and a nose like a shrunken tomato, one side of which swung independently of the other. The older he grew the more he pursued the immature, and enticed little girls into his office. That was bad enough; but
135:
The tone of the book is predominately anecdotal and conversational; much of its action consists of lively accounts of dinner parties, luncheons, "at-homes", pub conversations, and chance meetings, allowing
Gogarty to draw vivid portraits of his contemporaries by reproducing their speech patterns and
357:
The plaintiff claimed that he and his brother (who had heard of the book's contents shortly before his death) were slanderously characterised as lechers and usurers, and could be recognised in the first set of verses by the name "Willie" (a reference to
William Sinclair) and the mention of
382:
Gogarty ultimately lost the lawsuit and was ordered to pay IR£900 in damages, plus court costs; the total cost to him was £2,000 (equivalent to well over €100,000 in 2010 terms). This outcome deeply embittered
Gogarty, who had already suffered financial setbacks after the
346:'I like the roll and oracular sound of "Thus did," etc., and the play on the meanings of wonder and admire—Nil admirari!—And the organ-note in that "Twin grandchildren" which endows their infamy with grandeur until it almost equals the fame of the Great Twin Brethren,
322:'As I say, I will produce George...' 'Well, until you do, just recite his latest.' 'Very well,' said I. 'You must know that George is not only the arbiter elegantiae of Dublin, but a critic of the grosser forms of license. Now, there was an old
327:
he had grandsons, and these directed the steps of their youth to follow in their grandfather's footsteps, with more zeal than discrimination. I explained the position to George, who, after due fermentation produced the following pronunciamento:
136:
characteristic social interactions. Gogarty also frequently embarks on humorous, rambling narrative monologues, pertaining to other characters, to the landscape, and to various salient issues of the time. While not strictly polemical,
71:
The book features many of
Gogarty's Dublin acquaintances and well-known contemporaries as characters. Shortly after its publication, it became the subject of a highly publicised libel lawsuit.
1790:
57:
in the US, it was
Gogarty's first extended prose work and was described by its author as "something new in form: neither a 'memoir' nor a novel". Its title is taken from an obscure
1782:
179:
opens with the disclaimer "The names in this book are real, the characters fictitious", and a number of notable figures make appearances in its pages, including
350:. "Verse calls them forth" from vulgar obloquy.' 'Another laurel or burden for "George" to bear,' said Mrs. Shillington. 'Who are the Great Twin Brethren?'
231:
adjusted "Reason to the phantasmagoria of Life", can be read both as an embodiment of the city of Dublin and as a parody or simulacrum of
Gogarty himself.
17:
140:
is notable for its political overtones, expressed in both
Gogarty's monologues and in the speeches he places in the mouths of other characters. As a
1945:
1940:
1519:
610:
164:
gunmen, Gogarty's political identity was complex and idiosyncratic, and in his book he gave frequent vent to his animosity towards
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1814:
2001:
1460:
1354:
399:
but upholds
Gogarty's claim that usury and child molestation, not Jews or Judaism, were the intended targets of satire in
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424:, which was published just two years after Beckett had first read Gogarty's book in connection with the Sinclair trial.
2006:
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as a vehicle for encountering and describing the geography and chief inhabitants of 20th-century Dublin. In writing
353:'Consummations of the poet's dream. Shadows invoked by sound. Men who do not exist. I thought I made that clear.'
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Gogarty's critics differ over the extent to which the language of these passages can be attributed to
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Murphy's Bed: A Study of Real Sources and Sur-real Associations in Samuel Beckett's First Novel
365:
The case attracted a great deal of public attention, with one commentator observing that "only
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of the same name, which was "rescued from oblivion and obloquy" by Gogarty's erstwhile friend
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critic Sighle Kennedy has argued that Gogarty's portrayal of the lunatic Endymion in
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582:. Cranbury, New Jersey: Associated University Presses, Inc. pp. 226–228.
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68:, who recited it for Gogarty in 1904 after hearing it in inner city Dublin.
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Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil
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was highly anticipated before its publication as "a riposte to
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459:. Flint Hill, Virginia: Blackwater Publications. p. 176.
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The Wood of the Self-Murderers: The Harpies and the Suicides
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and felt that the trial had been politically motivated.
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from the perspective of Gogarty. Unlike a conventional
42:
As I Was Going Down Sackville Street: A Phantasy in Fact
160:
who had suffered kidnapping and arson at the hands of
120:, with the Dublin of the mid-1920s–1930s standing for
538:
W. B. Yeats: A Life, Vol. II: The Arch-Poet 1915–1939
474:. New York: Columbia University Press. p. 124.
444:. New York: Columbia University Press. p. 122.
331:It is a thing to wonder at, but hardly to admire,
618:
144:with strong intellectual and personal ties to the
1659:Après une Lecture de Dante: Fantasia quasi Sonata
1983:
457:Oliver St. John Gogarty: The Man of Many Talents
254:'And one thing more—where can we buy antiques?'
540:. Oxford: Oxford University Press. p. 405.
604:
505:Oliver St. John Gogarty: A Poet and His Times
168:and his disillusionment with Irish politics.
502:
611:
597:
507:. London: Jonathan Cape. pp. 280–283.
290:You'd like the other one more than him,
341:Thus did the twin grandchildren of the
31:
1547:Divine Comedy Illustrated by Botticelli
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14:
1984:
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337:They choose their friend or mistress
298:Where you, no matter what you bought
294:They kept a shop for objects wrought
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339:so that none may yearn to touch her
128:, and turn-of-the-century Dublin for
1608:As I Was Going Down Sackville Street
416:As I Was Going Down Sackville Street
286:And if you took your pick of them,
240:As I Was Going Down Sackville Street
177:As I Was Going Down Sackville Street
138:As I Was Going Down Sackville Street
124:, the Dublin of the 1910s–1920s for
80:As I Was Going Down Sackville Street
27:1937 book by Oliver St. John Gogarty
18:As I was going down Sackville Street
313:Two Jews grew in Sackville Street
24:
333:How they who do desire the most,
309:Because he sought new mistresses
307:And brought on strange disasters
25:
2023:
1461:Dante's Inferno: An Animated Epic
102:and moving backwards through the
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1964:
1963:
234:
1756:A Place Where the Sun Is Silent
571:
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317:One was gaitered on the feet,
311:More keenly than old Masters.
282:One was gaitered on the feet,
743:Gianni Schicchi de' Cavalcanti
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1823:Paolo and Francesca da Rimini
1348:Pape SatĂ n, pape SatĂ n aleppe
455:Lyons, John Benignus (1980).
292:So wistful were these Jews.
171:
1445:The Deep and Dreamless Sleep
1355:Raphèl mai amècche zabì almi
406:
348:Castor and beneficent Pollux
335:guard most against desire:
7:
2002:Novels set in Dublin (city)
418:influenced Beckett's novel
288:Whichever one you choose,
284:The other one was Willie.
10:
2028:
1616:The System of Dante's Hell
1201:Constance, Queen of Sicily
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319:The other one was Willie.
296:By Masters famed of old,
274:grew in Sackville Street
2007:20th-century Irish novels
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678:Cavalcante de' Cavalcanti
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343:ancient Chicken Butcher.
108:Irish War of Independence
578:Kennedy, Sighle (1971).
503:O'Connor, Ulick (1963).
315:And not in Piccadilly,
209:Robert Yelverton Tyrrell
152:with a deep devotion to
49:. Published in 1937 by
1469:La commedia di Amos Poe
1196:Charles Martel of Anjou
1071:Giovanna da Montefeltro
823:Ruggieri degli Ubaldini
536:Foster, Robert (2003).
148:, a founding member of
47:Oliver St. John Gogarty
2012:Rich & Cowan books
1131:Omberto Aldobrandeschi
1066:Gherardo III da Camino
763:Guido I da Montefeltro
470:Carens, James (1979).
440:Carens, James (1979).
355:
300:Were genuinely sold.
146:Anglo-Irish Ascendancy
37:
1831:La barca de Aqueronte
1477:Dante's Hell Animated
1261:Mary, mother of Jesus
1021:Bonagiunta Orbicciani
723:Farinata degli Uberti
302:But Willie spent the
252:
246:and an appendage to
213:John Pentland Mahaffy
35:
1946:English translations
1903:Devil May Cry series
1686:(Rachmaninoff, 1904)
1181:Bernard of Clairvaux
526:O'Connor, pp.280–283
55:Reynal and Hitchcock
1941:Cultural references
1807:The Barque of Dante
1775:The Barque of Dante
1691:Francesca da Rimini
1683:Francesca da Rimini
1678:(Tchaikovsky, 1876)
1675:Francesca da Rimini
1576:The Story of Rimini
1236:Hierarchy of angels
1221:Folquet de Marselha
733:Francesca da Rimini
568:Carens, pp. 129–130
493:Carens, pp. 125–126
368:The Pickwick Papers
1951:In popular culture
1584:La Comédie humaine
1488:(2016 documentary)
1485:Botticelli Inferno
1086:Jacopo del Cassero
1006:Beatrice Portinari
813:Pope Boniface VIII
803:Pietro della Vigna
158:Free State Senator
38:
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1978:
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1928:
1858:The Gates of Hell
1839:La Laguna Estigia
1778:(Delacroix, 1822)
1741:"Dante's Inferno"
1718:(Ronchetti, 2020)
1707:The Divine Comedy
1651:Music (classical)
1429:The Dante Quartet
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1206:Cunizza da Romano
1126:Oderisi da Gubbio
1091:Giovanna Visconti
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768:Iacopo Rusticucci
201:Seumas O'Sullivan
53:in the UK and by
16:(Redirected from
2019:
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1966:
1826:(Rossetti, 1885)
1818:(Rossetti, 1868)
1802:(Flandrin, 1835)
1794:(Scheffer, 1835)
1694:(Zandonai, 1914)
1504:Demon Lord Dante
1389:(Terragni, 1938)
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1076:Guido Guinizelli
1041:Conrad Malaspina
1036:Cato the Younger
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394:. Biographer
377:Samuel Beckett
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1812:
1809:
1808:
1804:
1801:
1800:
1799:Dante in Hell
1796:
1793:
1792:
1788:
1786:(Blake, 1827)
1785:
1784:
1780:
1777:
1776:
1772:
1771:
1769:
1765:
1758:
1757:
1753:
1750:
1749:
1745:
1742:
1739:
1736:
1735:
1731:
1730:
1728:
1724:
1717:
1716:
1712:
1710:(Smith, 1996)
1709:
1708:
1704:
1701:
1700:
1696:
1693:
1692:
1688:
1685:
1684:
1680:
1677:
1676:
1672:
1670:(Liszt, 1857)
1669:
1668:
1664:
1662:(Liszt, 1849)
1661:
1660:
1656:
1655:
1653:
1649:
1642:
1641:
1637:
1634:
1633:
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1621:
1618:
1617:
1613:
1610:
1609:
1605:
1602:
1601:
1597:
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1593:
1592:Earth Inferno
1589:
1586:
1585:
1581:
1578:
1577:
1573:
1572:
1570:
1566:
1559:
1555:
1552:
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1541:
1539:Illustrations
1537:
1530:
1529:
1525:
1522:
1521:
1517:
1514:
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1370:
1367:
1363:
1356:
1352:
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1338:
1332:
1331:Great refusal
1329:
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1324:
1322:
1319:
1318:
1316:
1312:
1302:
1299:
1297:
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1292:
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1287:
1284:
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1279:
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1274:
1272:
1271:Peter Lombard
1269:
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1229:
1227:
1224:
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1209:
1207:
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1202:
1199:
1197:
1194:
1192:
1189:
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1184:
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1179:
1177:
1174:
1173:
1171:
1169:
1168:
1163:
1157:
1154:
1152:
1149:
1147:
1146:Sapia Salvani
1144:
1142:
1141:Pope Adrian V
1139:
1137:
1134:
1132:
1129:
1127:
1124:
1122:
1121:Nino Visconti
1119:
1117:
1114:
1112:
1109:
1107:
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1094:
1092:
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1079:
1077:
1074:
1072:
1069:
1067:
1064:
1062:
1059:
1057:
1054:
1052:
1051:Forese Donati
1049:
1047:
1044:
1042:
1039:
1037:
1034:
1032:
1029:
1027:
1024:
1022:
1019:
1017:
1014:
1012:
1009:
1007:
1004:
1002:
1001:Arnaut Daniel
999:
997:
994:
993:
991:
989:
988:
983:
973:
970:
968:
965:
963:
960:
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948:
945:
943:
940:
938:
935:
933:
930:
928:
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924:
922:
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916:
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902:
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897:
895:
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867:
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829:
826:
824:
821:
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781:
779:
776:
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771:
769:
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761:
759:
756:
754:
751:
749:
748:Great refusal
746:
744:
741:
739:
736:
734:
731:
729:
726:
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721:
719:
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689:
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664:
661:
659:
656:
654:
651:
650:
648:
646:
645:
640:
637:
635:and locations
631:
627:
626:
625:Divine Comedy
621:
614:
609:
607:
602:
600:
595:
594:
591:
581:
574:
565:
559:Lyons, p. 194
556:
547:
539:
532:
523:
514:
506:
499:
490:
481:
473:
466:
458:
451:
443:
436:
432:
425:
423:
422:
417:
413:
404:
402:
397:
393:
392:anti-Semitism
388:
386:
380:
378:
374:
370:
369:
363:
361:
354:
351:
349:
344:
328:
325:
320:
305:
279:
273:
267:
265:
261:
260:Nassau street
255:
251:
249:
245:
241:
235:Libel lawsuit
232:
228:
226:
222:
218:
214:
210:
206:
203:(as "Neil"),
202:
198:
194:
190:
186:
182:
178:
169:
167:
163:
159:
155:
151:
147:
143:
139:
133:
131:
127:
123:
119:
118:
117:Divine Comedy
113:
109:
105:
101:
97:
93:
89:
85:
81:
72:
69:
67:
63:
60:
56:
52:
48:
45:is a book by
44:
43:
34:
30:
19:
1969:
1917:
1909:
1901:
1893:
1872:
1864:
1856:
1837:
1829:
1821:
1813:
1805:
1797:
1789:
1781:
1773:
1759:(2011 album)
1754:
1751:(2006 album)
1746:
1737:(1973 album)
1732:
1713:
1705:
1697:
1689:
1681:
1673:
1665:
1658:
1638:
1630:
1622:
1614:
1607:
1606:
1598:
1590:
1582:
1574:
1557:
1545:
1526:
1518:
1510:
1502:
1483:
1475:
1467:
1459:
1452:
1443:
1435:
1427:
1420:
1412:
1403:
1384:
1372:Architecture
1266:Peter Damian
1166:
1116:Nella Donati
985:
972:Scarmiglione
952:Draghignazzo
758:Guido Guerra
663:Bonturo Dati
642:
623:
579:
573:
564:
555:
546:
537:
531:
522:
513:
504:
498:
489:
480:
471:
465:
456:
450:
441:
435:
419:
415:
410:
400:
389:
381:
366:
364:
356:
352:
345:
329:
321:
268:
256:
253:
247:
243:
239:
238:
229:
197:Lord Dunsany
193:George Moore
181:Eoin O'Duffy
176:
175:
137:
134:
129:
125:
121:
115:
95:
91:
84:first person
79:
78:
70:
41:
40:
39:
29:
1992:1937 novels
1922:(cancelled)
1887:Video games
1874:The Thinker
1743:(1995 song)
1603:(1917–1962)
1587:(1830–1850)
1554:Jean Giraud
1365:Adaptations
1321:Contrapasso
1291:Saint Peter
1256:Justinian I
1191:Cacciaguida
1186:Bonaventure
932:Barbariccia
919:Malebranche
848:Vanni Fucci
396:J. B. Lyons
373:James Joyce
276:And not in
189:W. B. Yeats
185:James Joyce
66:James Joyce
1986:Categories
1850:Sculptures
1600:The Cantos
1568:Literature
1437:A TV Dante
1326:Terza rima
1081:Hugh Capet
987:Purgatorio
957:Farfarello
942:Calcabrina
793:Phlegethon
633:Characters
278:Piccadilly
172:Characters
126:Purgatorio
1767:Paintings
1748:Dante XXI
1405:L'Inferno
967:Rubicante
773:Malebolge
407:Influence
304:sesterces
150:Sinn FĂ©in
1970:Category
1919:The Lost
1866:The Kiss
1558:Paradiso
1314:Concepts
1276:Piccarda
1216:Empyrean
1167:Paradiso
1151:Sordello
1016:Belacqua
962:Malacoda
947:Ciriatto
937:Cagnazzo
927:Alichino
798:Phlegyas
708:Ciampolo
688:Cerberus
683:Capaneus
673:Caiaphas
156:, and a
142:Catholic
130:Paradiso
1934:Related
1734:Inferno
1715:Inferno
1640:Inferno
1624:Inferno
1560:, 1999)
1386:Danteum
1286:Solomon
1281:Ripheus
1226:Gabriel
1156:Statius
1111:Matelda
1101:Manfred
1031:Casella
899:Seventh
843:Ulysses
713:Cocytus
653:Acheron
644:Inferno
428:Sources
412:Beckett
360:gaiters
244:Ulysses
122:Inferno
92:persona
1914:(2010)
1906:(2001)
1898:(1996)
1877:(1904)
1869:(1882)
1643:(2013)
1635:(2003)
1627:(1976)
1619:(1965)
1611:(1937)
1595:(1905)
1579:(1816)
1550:(1485)
1531:(2023)
1523:(2023)
1515:(2006)
1507:(1971)
1496:Comics
1480:(2013)
1472:(2010)
1464:(2010)
1456:(2007)
1448:(2006)
1440:(1989)
1432:(1987)
1424:(1935)
1416:(1924)
1408:(1911)
1397:Cinema
1340:Verses
1301:Trajan
904:Eighth
884:Fourth
874:Second
853:Virgil
808:Plutus
783:Nessus
738:Geryon
703:Ciacco
698:Chiron
693:Charon
421:Murphy
324:usurer
223:, and
106:, the
88:memoir
62:ballad
59:Dublin
1211:David
1096:Lethe
1046:Eunoe
909:Ninth
894:Sixth
889:Fifth
879:Third
869:First
828:Satan
778:Minos
620:Dante
112:Dante
1176:Adam
833:Styx
272:Jews
270:Two
1231:God
718:Dis
622:'s
280:,
162:IRA
114:'s
1988::
403:.
262:,
227:.
219:,
215:,
211:,
207:,
199:,
195:,
191:,
187:,
183:,
132:.
1556:(
1357:"
1353:"
1350:"
1346:"
612:e
605:t
598:v
258:'
205:Æ
20:)
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