4109:
4119:
224:(published in 1818) and the Mass in B minor (heralded as "the greatest musical art work of all times and nations" in 1818), received a fair share of that renewed attention – the first 19th-century publication of a work for voices and orchestra on a German text only followed in 1821. In the second half of the 20th century Bach's compositions on a Latin text were grouped in the
771:, first published in Augsburg in 1709. Between 1736 and 1740 Bach had these six Masses copied, without the Benedictus and Agnus Dei, writing himself the Credo lyrics in the score. BWV 1081 is a Credo intonation in F major for SATB choir which Bach composed in 1747–48 as an insertion in the fifth of these masses.
102:. It depended on local traditions whether any of such Latin texts were used in church services occasionally. In Leipzig, compared to Lutheran practice elsewhere, an uncharacteristic amount of Latin was used in church: it included music on Latin texts being performed on ordinary Sundays, on high holidays (
1325:
active in the early 15th century: at the time native-language hymns, such as those sung by the
Hussites, were barred from official church practice. As a response the Hussites sought, and eventually received, permission to mix native-language phrases in an otherwise Latin text. Examples include:
411:(Latin for "short masses") or Lutheran Masses. They seem to have been intended for liturgical use, considering a performance time of about 20 minutes each, the average duration of a Bach cantata. They may have been composed around 1738/39. Possibly they were written for Count
1176:
choir and orchestra, and then arranged it by adding a third trumpet part and a timpani part. That Torri was the composer of the original work was only discovered in 2012: before that, the work had been attributed to Bach and to
Antonio Lotti, and had been classified as
1604:
875:. The part scores were written out by J. S. Bach and others for performance in 1729. In his copy, J. S. Bach added 5 bars of music at the beginning of the Gloria. J. S. Bach's variant of the incipit of the Gloria is rendered in Vol. 41 of the
3242:(2015). "Vom „apparat der auserleßensten kirchen Stücke" zum „Vorrath an Musicalien, von J. S. Bach und andern berühmten Musicis": Quellenkundliche Ermittlungen zur frühen Thüringer Bach-Überlieferung und zu einigen Weimarer Schülern und Kollegen Bachs".
165:
structures in his own compositions in the last decade of his life. In the last years of his life Bach extracted a cantata on a Latin text from his 1733 Kyrie–Gloria Mass, and finally integrated that Mass, and various other earlier compositions, into his
3324:
398:
Apart from the 1733 Missa in B minor for the
Dresden court (later incorporated in the Mass in B minor), Bach wrote four further Kyrie–Gloria masses. These compositions, consisting of the first two sections of the Mass ordinary (i.e. the
375:). Scoring and structure are identical with the later work. Another part of this Mass was derived from the 1724 Sanctus for six vocal parts. Also the music of several movements of his earlier German cantatas was integrated in this mass.
422:
Each of the Kyrie-Gloria Masses is in six movements: the Kyrie is one choral movement (with Kyrie/Christe/Kyrie subdivisions) and the Gloria is in five movements. The first and last movement of the Gloria are also choral, framing three
1487:
BWV 1081–1082 and BWV Anh. 24–25: Mona Spägele, Harry Van Berne, Stephan
Schreckenberger, Christiane Iven, Bremen Baroque Orchestra, Alsfelder Vocal Ensemble, Gesualdo Consort and others conducted by Wolfgang Helbich (before
1145:
Fascicle 1, in 1742. Bach's manuscript also contained a reworked version (i.e., expanded with two upper voices) of the "Suscepit Israel" movement in E minor: Bach's arrangement of that movement is known as BWV 1082.
94:, and Bach was a Lutheran, church services were generally in the native tongue, which was German for the places where Bach was employed. A few traditional Latin texts, such as the Magnificat and some excerpts of the
3317:
1289:, Bach's predecessor as Thomaskantor in Leipzig. On stylistic grounds the arrangement, including a transposition from F minor to E minor and an instrumental accompaniment, is attributed to Bach.
3310:
2423:
3772:
2199:
974:
210:
As Bach generally only composed music for which he had a performance opportunity in mind, which performance opportunity, if any, could he have been thinking of for his Mass in B minor?
1084:
Later that year, for
Christmas, he presented this Magnificat again, with additionally four inserted hymns, partly in German and partly in Latin, related to the celebration of that feast.
947:
709:
288:) and elaborate orchestral score for the Christmas service. Bach revised it when he reused it in the Mass in B minor, changing its initial vocal scoring to SSAATB, and its meter from
671:
3788:
3694:
3667:
3333:
2549:
4122:
691:
1106:
and in a somewhat more elaborated orchestration, for the feast of
Visitation. It is this version of his Magnificat that would become the most frequently performed version.
542:
Bach composed and copied separate movements on a text extracted from the Mass ordinary. He also copied and arranged larger Mass compositions (mostly Kyrie–Gloria masses).
923:. One of its 18th-century manuscript copies, produced 1732–35 and 1738–39, is partially in J.S. Bach's handwriting. Published and performed as J. S. Bach's in 1805.
1519:
797:. The Kyrie was copied, and expanded with a melody line different from the continuo, in Weimar (1715–17). The Gloria was copied without modification in Leipzig (1724).
3293:
2458:
716:. In Part IV (1787) of the same edition the setting appears under the title "Sanctus, Sanctus Dominus Deus Sabaoth", that is the Latin text of the Sanctus. The
369:
In the last years of his life, Bach integrated the complete Mass for the
Dresden court as Kyrie and Gloria in his Mass in B minor, his only complete mass (in Latin:
3538:
3673:
3105:
Messa a 8 voci reali e 4 ripiene coll'accompagnamento di due
Orchestre, composta da Giov. Sebast. Bach: Partitura, copiata dalla partitura autografa dell' Autore
705:
79:
954:
3528:
2985:
2559:
1123:
642:
618:
Bach's manuscript of the
Sanctus in G major, BWV 240, dates from 1742. The authenticity of this composition for SATB choir and orchestra is however doubted.
2434:
191:
Bach reaching outside the confines of the circumstances of his employment, e.g. soliciting an appointment as Royal and Prince-Electoral court composer with
54:
4067:
3701:
2449:
Maria Zadori, Lena
Susanne Norin, Guy de Mey, Klaus Mertens, Veronika Winter, Gundula Anders, Hans Jörg Mammel, Hans-Joachim Weber, Annette Schneider, the
899:
225:
852:
BWV Anh. 29 is a Kyrie-Gloria Mass in C minor of which only the continuo part survives, found in a manuscript Bach wrote in the period from 1714 to 1717.
3687:
3553:
3533:
1311:
637:
3708:
199:
That being identifiable motivations for his involvement with Latin church music, some questions remain however without conclusive answer, including:
3783:
3680:
276:, of the first movement of Part II and of the Sanctus (Part III). The Mass in B minor is Bach's only setting of the complete ordinary of the mass.
83:
4061:
3623:
708:, in F major, which appears with the text "Heilig, heilig, heilig" (i.e. the German translation of the Sanctus) in Part III (1786) of
4143:
3090:
3023:
1862:
1475:
1410:
762:
44:
in Leipzig, and he continued to do so after he had taken up that post. The text of some of these examples by other composers was a mixture of
3778:
3640:
3590:
3543:
3715:
3110:
Mass in eight real voices and four additional voices, accompanied by two Orchestras, composed by Joh. Sebast. Bach: Score, copied from the
1279:
1226:
1221:
178:
355:, possibly for a performance in 1745. The cantata was composed for a Christmas service sometime in the mid-1740s (between 1743 and 1746).
879:. The text of the Gloria is partly in German: it intersperses the Latin text of the Gloria with, as cantus firmus, all four stanzas of "
1819:
1674:
774:
75:
1128:
250:. He also set the Sanctus part of the mass liturgy a few times, and copied and arranged mass-related compositions by other composers.
3820:
3297:
2362:
1388:
1350:
3194:
2999:
Geschichte der Gewandhausconcerte zu Leipzig vom 25. November 1781 bis 25. November 1881: Im Auftrage der Concert-Direction verfasst
4148:
3378:
2033:
1589:
739:
435:
of earlier cantata movements. Bach changed the music slightly to adjust to the Latin words, but kept the original instrumentation.
393:
188:
A certain, but limited, demand for Latin church music in the places where he was employed as church musician (e.g. his Magnificat);
150:
90:. His output of music on a Latin text, comprising less than a dozen of known independent compositions, was comparatively small: in
3760:
3662:
3548:
123:
3416:
2865:
855:
676:
3992:
3269:
3172:
1784:
1711:
1007:
in 2013. Bach probably performed his orchestrated version of the Kyrie and Gloria of this mass several times in Leipzig. The
597:, dates from around 1738 to 1741. It is a composition for SATB voices, string orchestra and continuo, based on the Gloria of
40:
period (1723–50). Bach started to assimilate and expand compositions on a Latin text by other composers before his tenure as
3830:
3568:
3388:
1048:
1032:
575:
3616:
3393:
3103:
1467:
686:
487:, BWV 234, scored for flute, strings, SATB, and basso continuo, Bach parodied music from at least four earlier cantatas.
926:
153:, to a large extent based on earlier compositions. From around 1740 there was an increase of Bach copying and arranging
4082:
3133:[On the identification of the Magnificat BWV Anh. 30 from Johann Sebastian Bach's music library]. In
1109:
1039:. In the early 1740s he copied and arranged two Magnificats by other composers, apparently in view of performing them.
3302:
2384:
1724:
534:, BWV 236, scored for oboes, strings, SATB, basso continuo, Bach derived all six movements from cantatas as parodies.
514:, BWV 235, scored for oboes, strings, SATB, basso continuo, Bach derived all six movements from cantatas as parodies.
4072:
3910:
3085:
3057:
2132:
1658:
311:
305:
273:
192:
48:
and Latin: also Bach contributed a few works employing both languages in the same composition, for example his early
3487:
2892:
1421:
880:
214:
From the early 19th century there was a renewed attention for Bach and his music: his Latin church music, including
943:
588:
554:
3494:
2147:
1270:
1264:
736:
version of the tune (Zahn No. 8634) did not appear in print before the Breitkopf edition of Bach's chorales.
3984:
3010:
concerts in Leipzig from 25 November 1781 to 25 November 1881: As commissioned by the concert direction
2431:
658:
349:
339:
2777:
490:
In 1818 this was one of a very few of Bach's compositions for voices and orchestra to appear in print prior the
4153:
4112:
3609:
3522:
3465:
3073:
1093:
1036:
843:
3915:
3753:
1703:
2640:
2148:
3460:
1371:
of the Christmas version of Bach's Magnificat (also: two of these four laudes are in German, two in Latin).
980:
2852:
2837:
2766:
2712:
2681:
2599:
2477:
2403:
2306:
2291:
2260:
2245:
2225:
2105:
2101:
2065:
2038:
Latin Church Music, Passions: Works with Doubtful Authenticity, Arrangements of Music from other Composers
2004:
1938:
1903:
1888:
1872:
1618:
1614:
1542:
3446:
3371:
3261:
3156:
1399:
1233:
594:
2723:
2719:
2692:
2615:
2603:
2317:
2271:
2081:
2077:
1984:
1980:
1918:
1914:
1015:
discovered the Bach autograph, stated that it was an important model for Bach in his exploration of the
990:
4036:
2515:
2208:
1919:
PL-Kj Mus. ms. Bach St 113, Fascicle 1 (olim: D-B Mus. ms. Bach St 113, Fascicle 1)
1471:
621:
86:, was set to a German text, or incorporated one or more melodies associated with the German words of a
49:
2571:
2229:
293:
289:
3441:
3366:
3091:
Johann Sebastian Bach: His Life, Art and Work – translated from the German, with notes and appendices
2418:
1455:
1251:
1074:
876:
768:
269:
259:
119:
1557:
1212:
3480:
3473:
3099:
2914:
1302:
1237:
1209:
Bach parodied and arranged Latin church music by other composers to church music on a German text.
182:
3117:
3049:
2427:
2045:
2041:
1564:, translated by Clara Bell and John Alexander Fuller-Maitland, In Three Volumes, Vol. II. London,
1508:
1364:
975:
Kyrie–Gloria Mass for SSATTB choir, and an orchestra consisting of cornets, trombones and continuo
967:). Bach transposed the Kyrie and Gloria sections from D minor to E minor and provided a
3920:
3361:
2946:
2934:
2919:
2887:
2793:
1432:
1338:
1306:, the hymnal that was in use in Bach's Leipzig, contains a few hymns on a mixed German and Latin
1190:
890:
157:
Latin church music by other composers, which sheds light on a style shift towards more outspoken
3226:]. Beihefte zum Archiv fĂĽr Musikwissenschaft (in German). Vol. VI. Wiesbaden: Steiner.
3885:
3855:
3649:
3081:
3037:
Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe
3036:
912:
412:
404:
345:
323:
243:
230:
99:
4026:
1439:, Bremen Baroque Orchestra, Alsfelder Vokalensemble, Gesualdo Consort and others conducted by
4021:
3971:
3657:
3632:
3338:
3257:
3200:
3152:
3130:
2997:
2874:
1751:
1099:
960:
134:
63:
17:
3131:"Zur Identifizierung des Magnificats BWV Anh. 30 aus Johann Sebastian Bachs Notenbibliothek"
1823:
1682:
3900:
3243:
2897:
2797:
1316:
872:
800:
794:
655:. Bach's manuscript of this Sanctus setting was written between July 1747 and August 1748.
129:
In his first years in Leipzig Bach produced a Latin Magnificat and several settings of the
3138:
959:, and copied the other movements of this Mass, up to the Agnus dei, without modification (
381:
described the work, in 1818, as "the greatest musical art work of all times and nations."
378:
8:
4005:
3999:
3935:
3870:
2644:
2450:
1678:
1451:
1357:
1008:
996:
827:
648:
568:
Bach's Sanctus in D major, BWV 238, for SATB choir and orchestra, was first performed on
553:
Bach composed the Sanctus in C major for SATB choir and orchestra, BWV 237, possibly for
3860:
1368:
696:. Elsewhere in the score there are some instances of Bach adjusting the text placement.
3895:
3845:
3514:
3454:
3332:
3067:
3017:
2909:
1497:
1307:
1297:
1169:
1159:
908:
864:
809:
602:
4031:
2867:
Questions of authenticity in three motets attributed to Johann Sebastian Bach (Thesis)
2124:
2118:
29:
3962:
3585:
3383:
3275:
3265:
3227:
3178:
3168:
3111:
3053:
2961:
2747:
2623:
2128:
1949:
1845:
1780:
1707:
1654:
682:
491:
2981:
2414:
416:
173:
Bach's involvement with Latin church music thus stemmed from several circumstances:
3794:
3428:
3160:
2942:
2938:
2334:
2029:
1440:
220:(published as a composition by Bach in 1805), the Magnificat (published in 1811),
4087:
3925:
3747:
3560:
3435:
3406:
3356:
3212:
2438:
1772:
1565:
1436:
1331:
1275:
1134:
884:
755:
598:
364:
247:
167:
71:
45:
1964:
1562:
Johann Sebastian Bach: his work and influence on the music of Germany, 1685–1750
3905:
3880:
2380:
1553:
1241:
1204:
460:
138:
95:
25:
3850:
3031:
2049:
4137:
4092:
4052:
3865:
3840:
3279:
3253:
3231:
3221:
3182:
3148:
2358:
2194:
1796:
1447:
1286:
1149:
1020:
1016:
964:
920:
725:
713:
253:
162:
154:
87:
3042:
Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition
2693:
D-B Mus. ms. 2755, Fascicle 1 (olim: D-B Mus. ms. Bach P 977)
1004:
3978:
3955:
3930:
3890:
3875:
3737:
3239:
3217:
Stile antico in der Musik Johann Sebastian Bachs: Studien zu Bachs Spätwerk
3204:
3190:
3134:
2848:
2833:
2781:
2762:
2708:
2696:
2677:
2619:
2595:
2519:
2473:
2399:
2368:
2302:
2287:
2275:
2256:
2241:
2221:
2171:
2158:
2153:
2097:
2085:
2061:
2000:
1988:
1968:
1934:
1922:
1899:
1884:
1538:
1165:
1070:
1054:
1012:
904:
464:
432:
408:
315:
274:
Missa in B minor for the Dresden court (Kyrie–Gloria mass composed in 1733)
216:
115:
67:
41:
21:
2965:
610:
98:, had however not been completely banned from worship practice during the
3815:
2454:
2204:
1706:, J.S. Bach: A Life in Music, Cambridge University Press, 2007, pp. 259,
1184:
1179:
973:
orchestration for these sections, written out as performance parts for a
969:
916:
819:
733:
729:
91:
3601:
2751:
2627:
2149:"Heilig, heilig, heilig / Sanctus, Sanctus Dominus Deus Sabaoth BWV 325"
1953:
1653:
Christoph Wolff, Bach: The Learned Musician, W.W. Norton, 2000, p. 265,
1118:
of Caldara's Magnificat in C major, BNB I/C/1 and BWV 1082 (early 1740s)
329:
4057:
3766:
3164:
2991:
2937:, Christiane Iven, Bremen Baroque Orchestra, Alsfelder Vocal Ensemble,
1594:
1062:
808:
BWV Anh. 25 is a Kyrie–Gloria Mass in C major, sometimes attributed to
428:
371:
62:
The bulk of Bach's sacred music, many hundreds of compositions such as
33:
2318:
PL-Kj Mus. ms. Bach St 547 (olim: D-B Mus. ms. Bach St 547)
857:
Missa super cantilena "Allein Gott in der Höh' sei Ehr", BWV Anh. 166
717:
681:
for SATB choir and orchestra, BWV Anh. 26, based on a composition by
569:
158:
111:
103:
3121:
1746:
1278: C 8, is a motet on a German text parodied from the Latin
869:
Missa super cantilena "Allein Gott in der Höh' sei Ehr", JLB 38
4077:
3721:
2460:
Johann Ludwig Bach: Trauermusik (fĂĽr Soli, Doppelchor, 2 Orchester)
1245:
883:" (which is itself a paraphrase of the Gloria), a Lutheran hymn by
863:
BWV Anh. 166 is a Kyrie–Gloria Mass in E minor composed in 1716 by
177:
Assimilating music on a Latin text by other composers (e.g. Bach's
3224:
in the music of Johann Sebastian Bach: Studies on Bach's late work
1637:
1635:
1633:
1631:
1629:
1627:
1431:
Sanctus BWV 237, 239 and 240: Mona Spägele, Harry Van Berne,
699:
670:
In the period from 1727 to 1732 Bach produced the manuscript of a
463:, Bach derived most of the six movements from earlier cantatas as
2364:
Johann Nikolaus Bach: Missa brevis Allein Gott in der Höh sei Ehr
1346:
1342:
1322:
1103:
1058:
907:
is a Kyrie–Gloria Mass in G major for double choir attributed to
531:
511:
484:
452:
265:
221:
146:
142:
130:
37:
3203:(arranger); Horn, Paul (basso continuo realization). Stuttgart:
2815:
1310:
text. According to Vopelius the usage originated in the time of
237:
2579:
2499:
2497:
2339:
2176:
1624:
1078:
1035:, in 1723, and then revised it around 1733 to the better known
868:
537:
107:
4118:
1417:
BWV 237–242, separate Sanctus and Christe Eleison compositions
1042:
384:
348:
of his 1733 Mass for the Dresden court to compose the cantata
3045:
2986:"Statistik der Concerte im Saale des Gewandhauses zu Leipzig"
1747:"Missa in B Minor ("Kyrie" and "Gloria" of the B Minor Mass)"
1520:
Kyrie–Gloria Mass for double choir, BWV Anh. 167#21st century
400:
319:
272:
including cantata movements and the early versions of Part I
2494:
1205:
Other adaptations of compositions originally on a Latin text
840:
BWV Anh. 28 is a Sanctus in B major by an unknown composer.
358:
3668:
Masses, Mass movements, Magnificats, Passions and Oratorios
1173:
1066:
456:
424:
285:
710:
Breitkopf's first edition of Bach's chorale harmonisations
254:
Mass in B minor, BWV 232, and related earlier compositions
2659:
1292:
494:
complete edition in the second half of the 19th century.
204:
2641:"Unbekannte Handschrift Johann Sebastian Bachs entdeckt"
1725:"Johann Sebastian Bach (1685–1750) / Missa (1733)"
1476:
Magnificat in E-flat major, BWV 243a#Selected recordings
1087:
517:
497:
470:
438:
3044:] (in German). Kirsten BeiĂźwenger (collaborator). (
2604:
D-B Mus. ms. 16714 (olim: D-B Mus. ms. Bach P 995)
1195:
of doubtful works, in all 20th-century editions of the
789:
BWV Anh. 24 is a Kyrie and Gloria in A minor after the
299:
3829:
3417:
Jesus Christus ist um unsrer Missetat willen verwundet
2803:
2200:
Die Melodien der deutschen evangelischen Kirchenlieder
942:
Around 1742 Bach arranged the Kyrie and the Gloria of
821:
Sanctus in F major by Johann Ludwig Krebs, BWV Anh. 27
545:
455:, BWV 233, scored for horns, oboes, bassoon, strings,
2482:
2386:
The Bach Family: Seven Generations of Creative Genius
2123:. Oxford, England: Oxford University Press. pp.
919:, formerly also attributed to Johann Ludwig Bach and
589:
Missa Providentiae § Sanctus in D minor, BWV 239
560:
284:
In 1724 Bach composed a Sanctus for six vocal parts (
279:
2888:"Der Gerechte kömmt um", No. 39 of D-B Mus. ms. 8155
1216:, BWV 1083, after Pergolesi's Stabat Mater (1745–47)
720:
used for this setting is derived from the melody of
638:
Sanctus for double SATB choir and orchestra, BWV 241
3199:. Stuttgarter Bach-Ausgaben. Vol. Full score.
2537:
1389:
Gloria in excelsis Deo, BWV 191#Selected recordings
1244:, written around 1745–47, used a German version of
660:
Kyrie–Gloria Mass in C minor after Durante, BWV 242
264:Around 1748–49 Bach completed his Mass in B minor,
2729:
1846:"Missae Breves & Sanctus BWV233-242 - Details"
1141:and completed his manuscript, later classified as
1098:In 1733 Bach again presented this Magnificat, but
871:. Previously the work had also been attributed to
833:
685:. Bach's manuscript included his own setting of a
2525:
2024:
2022:
2020:
2018:
2016:
2014:
2012:
4135:
1428:Sanctus BWV 238: Brilliant Classics 99376/4
900:Kyrie–Gloria Mass for double choir, BWV Anh. 167
3294:Masses and Magnificats by Johann_Sebastian Bach
1137:. Bach started to copy Caldara's Magnificat on
700:Sanctus in F major, BWV 325 (four-part chorale)
246:, the first of which was later expanded to the
2009:
1053:A few weeks after arriving at his new post as
3617:
3591:List of compositions by Johann Sebastian Bach
3318:
3030:
2929:
2927:
2503:
2354:
2352:
1817:
1641:
1590:Neuaufgefundenes Bach-Autograph in WeiĂźenfels
326:, scored for five vocal parts and orchestra.
238:Settings of (parts of) the Latin mass liturgy
114:), and the Magnificat also on Marian feasts (
3990:
3969:
3960:
3005:
2989:
2955:
2330:
2328:
2326:
1981:D-B Mus. ms. Bach P 13, Fascicle 2
1915:D-B Mus. ms. Bach P 13, Fascicle 3
1411:Kyrie–Gloria masses, BWV 233–236#Discography
1196:
1188:
538:Separate movements, copies, and arrangements
203:Did he compose the four Kyrie-Gloria Masses
3080:
1868:
1779:, 2nd edition 2007. S. Fischer, Frankfurt,
1610:
1043:Magnificat in E-flat major, BWV 243a (1723)
525:
505:
478:
446:
207: 233–236 for Leipzig or for elsewhere?
3624:
3610:
3334:Masses, magnificat, passions and oratorios
3325:
3311:
3128:
3022:: CS1 maint: location missing publisher (
2924:
2809:
2665:
2349:
1668:
1666:
1122:BNB I/C/1 refers to Bach's copy of a
932:
892:Kyrie–Gloria Mass in G major, BWV Anh. 167
779:
647:, is Bach's arrangement of the Sanctus of
312:Kyrie–Gloria mass for the court in Dresden
3631:
3298:International Music Score Library Project
2323:
991:Francesco Gasparini § Missa canonica
985:(copied and orchestrated by Bach c. 1740)
846:Kyrie-Gloria Mass in C minor, BWV Anh. 29
802:Kyrie-Gloria Mass in C major, BWV Anh. 25
776:Kyrie–Gloria Mass in A minor, BWV Anh. 24
359:Mass in B minor, BWV 232 (around 1748–49)
2390:New York: Oxford University Press, 1954.
767:is a collection of six Mass settings by
30:settings of (parts of) the Mass ordinary
3116:] (in Italian and Latin). Leipzig:
3098:
2980:
2555:
2543:
1722:
1716:
1663:
1222:Tilge, Höchster, meine Sünden, BWV 1083
826:BWV Anh. 27 is a Sanctus in F major by
785:(Bach manuscript from 1715–17 and 1724)
145:. Around the same time he produced the
4136:
3238:
2988:[Statistic of the concerts in the
2863:
2857:
2488:
2443:
2034:Series II: Masses, Passions, Oratorios
1585:
1583:
1532:
1422:Sanctus in D minor, BWV 239#Recordings
1293:Hymns on a mixed German and Latin text
1150:Bach's version of Torri's Magnificat,
1026:
314:, a setting of two parts of the Latin
4144:Compositions by Johann Sebastian Bach
3993:Internationale Bachakademie Stuttgart
3605:
3306:
3211:
3189:
3094:. New York: Harcourt, Brace and Howe.
3034:; Kobayashi, Yoshitake, eds. (1998).
2821:
2735:
2531:
2203:(in German). Vol. V. GĂĽtersloh:
2120:Oxford Composer Companions: J.S. Bach
1822:. London Bach Society. Archived from
1088:Magnificat in D major, BWV 243 (1733)
748:Credo intonation in F major, BWV 1081
519:Kyrie–Gloria Mass in G major, BWV 236
499:Kyrie–Gloria Mass in G minor, BWV 235
472:Kyrie–Gloria Mass in A major, BWV 234
440:Kyrie–Gloria Mass in F major, BWV 233
270:based on various earlier compositions
3761:Performance practice of Bach's music
2918:, Leipzig: Christoph Klinger, 1682,
2193:
2116:
1797:"Count Frantisek Antonin von Sporck"
1672:
1049:Magnificat in E-flat major, BWV 243a
1033:Magnificat in E-flat major, BWV 243a
740:
300:Mass for the court at Dresden (1733)
133:. In 1733 he composed a large-scale
4073:Bach Prize (Royal Academy of Music)
2633:
1811:
1739:
1580:
1472:Magnificat (Bach)#Reception history
894:(Bach manuscript completed 1738–39)
310:In 1733, Bach composed an extended
149:. Probably around 1738–39 he wrote
13:
626:
280:Sanctus for six vocal parts (1724)
14:
4165:
3287:
2572:Giovanni Pierluigi da Palestrina
2424:Kirchenmusikwerke. Ergänzungsband
1613:, Terry's first footnote p.
1395:BWV 232(a), Missa/Mass in B minor
1003:, BNB deest, was rediscovered in
891:
856:
672:Kyrie–Gloria Mass in C minor
344:Bach used three movements of the
306:Mass for the Dresden court (Bach)
4117:
4108:
4107:
3379:Kyrie–Gloria Masses, BWV 233–236
3193:(2013). Thielemann, Arne (ed.).
3062:. Preface in English and German.
1482:BWV 1081–1082 and BWV Anh. 24–25
1468:Discography of Bach's Magnificat
1406:BWV 233–236, Kyrie-Gloria masses
1151:
981:Kyrie and Gloria of Gasparini's
845:
834:
820:
801:
775:
663:
394:Kyrie–Gloria masses, BWV 233–236
386:Kyrie–Gloria masses, BWV 233–236
385:
4149:Masses by Johann Sebastian Bach
3985:Johann Sebastian Bach Institute
2933:Mona Spägele, Harry Van Berne,
2903:
2881:
2842:
2827:
2787:
2771:
2756:
2741:
2702:
2686:
2671:
2609:
2589:
2565:
2509:
2467:
2408:
2393:
2374:
2311:
2296:
2281:
2265:
2250:
2235:
2215:
2187:
2165:
2141:
2110:
2091:
2070:
2055:
1994:
1974:
1958:
1943:
1928:
1908:
1893:
1878:
1838:
1789:
1766:
1259:attributed to Kuhnau (1723–50?)
835:Sanctus in B major, BWV Anh. 28
687:"Christe eleison", BWV 242
431:. The music consists mostly of
340:Gloria in excelsis Deo, BWV 191
147:final version of his Magnificat
50:Kyrie "Christe, du Lamm Gottes"
3773:Printed during Bach's lifetime
3488:Wer ist der, so von Edom kömmt
2893:Wer ist der, so von Edom kömmt
1697:
1647:
1571:
1547:
1375:
1111:
1094:Magnificat in D major, BWV 243
1037:Magnificat in D major, BWV 243
938:(Bach manuscript from c. 1742)
928:
881:Allein Gott in der Höh sei Ehr
848:(Bach manuscript from 1714–17)
804:(Bach manuscript from 1740–42)
728:-less music notation in 1557 (
666:(Bach manuscript from 1727–32)
632:(Bach manuscript from 1747–48)
583:(Bach manuscript from 1738-41)
572:, 25 December 1723.
1:
1985:D-B Mus. ms. Bach St 115
1525:
1509:Johann Ludwig Bach#Recordings
1265:Der Gerechte kömmt um (motet)
1228:Tilge, Höchster, meine Sünden
1214:Tilge, Höchster, meine Sünden
1115:
813:
747:
151:four more Kyrie–Gloria Masses
3256:(in German). Vol. 101.
3196:Magnificat in C: BWV Anh. 30
2335:Mass in E minor, BWV Anh 166
2028:Kirsten BeiĂźwenger, editor.
1727:. musicweb-international.com
1558:"Book V: Leipzig, 1723-1734"
1069:voices and orchestra at the
812:: copied by J. S. Bach
659:
622:
611:
579:, after Gloria of Caldara's
576:
561:
546:
518:
498:
471:
439:
7:
3493:includes BWV 1088 and
3262:Evangelische Verlagsanstalt
3157:Evangelische Verlagsanstalt
3151:(in German). Vol. 98.
3122:Harvard Digital Collections
3012:] (in German). Leipzig.
2824:, pp. 21, 162 and 179.
2778:D-B Mus.ms. Bach P 195
1820:"Bach's Latin Church Music"
1675:"Bach's Latin Church Music"
1400:Mass in B minor discography
859:(Bach manuscript from 1729)
614:(Bach manuscript from 1742)
612:Sanctus in G major, BWV 240
595:Sanctus in D minor, BWV 239
577:Sanctus in D minor, BWV 239
562:Sanctus in D major, BWV 238
547:Sanctus in C major, BWV 237
10:
4170:
4037:St. Thomas Church, Leipzig
3754:Bach's choir and orchestra
3072:: CS1 maint: postscript (
2974:
2948:The Sacred Apocryphal Bach
2890:(i.e., as included in the
1262:
1232:, is Bach's adaptation of
1219:
1170:Magnificat in C major
1157:
1124:Magnificat in C major
1091:
1061:in 1723, Bach presented a
1046:
995:Bach's manuscript copy of
988:
897:
586:
557:, 24 June 1723.
407:), have been indicated as
391:
362:
337:
303:
257:
193:his 1733 Kyrie-Gloria Mass
4103:
4045:
4014:
3948:
3808:
3730:
3648:
3639:
3581:
3506:
3405:
3346:
3129:Thielemann, Arne (2012).
3100:Schicht, Johann Gottfried
2504:DĂĽrr & Kobayashi 1998
2453:, the Kleine Konzert and
2419:Bach-Gesellschaft Ausgabe
1723:Laurson, Jens F. (2009).
1642:DĂĽrr & Kobayashi 1998
1456:English Chamber Orchestra
1341:): harmonised by Bach as
877:Bach-Gesellschaft Ausgabe
769:Giovanni Battista Bassani
706:four-part chorale by Bach
593:Bach's manuscript of the
260:Mass in B minor structure
2915:Neu Leipziger Gesangbuch
1498:Pietro Torri#Discography
1463:BWV 243–243a, Magnificat
1362:Neu Leipziger Gesangbuch
1336:Neu Leipziger Gesangbuch
1303:Neu Leipziger Gesangbuch
1164:Around 1742 Bach copied
1011:, whose Deputy Director
183:Pergolesi's Stabat Mater
36:canticle—dates from his
3570:Ascension Oratorio
3516:Christmas Oratorio
3082:Forkel, Johann Nikolaus
3048: ed.). Wiesbaden:
2935:Stephan Schreckenberger
2794:Mus.ms. Bach P 195
2726:at Bach Digital website
2606:at Bach Digital website
2516:D-B Mus. ms. Bach P 659
2320:at Bach Digital website
2232:at Bach Digital website
1869:Forkel & Terry 1920
1611:Forkel & Terry 1920
1577:Spitta 1884, p. 266 ff.
1433:Stephan Schreckenberger
1345:(also chorale preludes
714:C. P. E. Bach
415:or performed by him in
334:, BWV 191 (around 1745)
3991:
3970:
3961:
3674:Chorale harmonisations
3422:includes BWV 1084
3201:Bach, Johann Sebastian
3118:Breitkopf & Härtel
3086:Terry, Charles Sanford
3050:Breitkopf & Härtel
3006:
2996:hall in Leipzig].
2990:
2864:Morton, Wyant (1992).
2428:Breitkopf & Härtel
2117:Boyd, Malcolm (1999).
1597:.gerda-henkel-stiftung
1446:Sanctus BWV 241:
1383:Gloria in excelsis Deo
1367:): partly included as
1198:Bach-Werke-Verzeichnis
1197:
1189:
963: I/P/2; BWV
913:Johann Philipp Krieger
741:Masses from Bassani's
526:
506:
479:
447:
413:Franz Anton von Sporck
351:Gloria in excelsis Deo
332:Gloria in excelsis Deo
231:Bach-Werke-Verzeichnis
100:Protestant Reformation
4154:18th century in music
4022:Bach House (Eisenach)
3972:Neue Bachgesellschaft
3743:Church music in Latin
3633:Johann Sebastian Bach
3339:Johann Sebastian Bach
3258:Neue Bachgesellschaft
3153:Neue Bachgesellschaft
2875:University of Arizona
2574:Missa sine nomine a 6
1850:www.bach-cantatas.com
1777:Johann Sebastian Bach
1752:World Digital Library
1281:Tristis est anima mea
1271:Der Gerechte kömmt um
1257:Tristis est anima mea
1253:Der Gerechte kömmt um
1092:Further information:
1047:Further information:
949:Missa sine nomine a 6
935:Missa sine nomine a 6
791:Missa Sancti Lamberti
782:Missa Sancti Lamberti
746:(copied 1736–40) and
363:Further information:
338:Further information:
304:Further information:
258:Further information:
18:Johann Sebastian Bach
4068:Bach Prize (Hamburg)
4000:J.S. Bach Foundation
3562:Easter Oratorio
3159:. pp. 217–224.
2898:Berlin State Library
2798:Berlin State Library
2161:; et al. 2019-03-11.
1673:Steinitz, Margaret.
1321:, a German-language
1023:in his last decade.
887:and Joachim SlĂĽter.
873:Johann Nicolaus Bach
795:Johann Christoph Pez
722:Sanctus minus summus
248:Mass in B minor
168:Mass in B minor
4027:Bach House (Köthen)
4006:List of Bach choirs
2645:Bach-Archiv Leipzig
2451:Rheinische Kantorei
2076:D-Cv A.V,1109,(1),
2046:Critical Commentary
1818:Margaret Steinitz.
1679:London Bach Society
1644:, pp. 234–250.
1452:London Bach Society
1358:Virga Jesse floruit
1027:Magnificat settings
1009:Bach-Archiv Leipzig
997:Francesco Gasparini
844:Continuo part of a
828:Johann Ludwig Krebs
649:Johann Caspar Kerll
244:Kyrie–Gloria masses
242:Bach composed five
64:his church cantatas
3688:Organ compositions
3455:St Matthew Passion
3348:Latin church music
3250:Bach Yearbook 2015
3245:Bach-Jahrbuch 2015
3165:10.13141/bjb.v2012
3145:Bach Yearbook 2012
3140:Bach-Jahrbuch 2012
2910:Gottfried Vopelius
2437:2016-09-24 at the
2388:, footnote p. 117.
1799:. baroquemusic.org
1160:Magnificat (Torri)
1143:D-B Mus. ms. 2755,
1031:Bach composed the
909:Christoph Bernhard
865:Johann Ludwig Bach
810:Johann Ludwig Bach
604:Missa Providentiae
581:Missa Providentiae
80:four-part chorales
4131:
4130:
3963:Bach Gesellschaft
3944:
3943:
3804:
3803:
3695:Keyboard and lute
3599:
3598:
3271:978-3-374-04320-0
3174:978-3-374-02668-5
2643:(Press release).
2230:D-B Mus. ms. 1160
1785:978-3-596-16739-5
1712:978-0-521-87074-0
1312:Petrus of Dresden
732: 8633). The
683:Francesco Durante
492:Bach Gesellschaft
379:Hans Georg Nägeli
135:Kyrie–Gloria Mass
4161:
4121:
4111:
4110:
3996:
3975:
3966:
3827:
3826:
3797:
3795:New Bach Edition
3775:
3763:
3756:
3718:
3711:
3709:Orchestral works
3704:
3697:
3690:
3683:
3676:
3646:
3645:
3626:
3619:
3612:
3603:
3602:
3429:Weimarer Passion
3341:
3327:
3320:
3313:
3304:
3303:
3296:: Scores at the
3283:
3235:
3213:Wolff, Christoph
3208:
3186:
3125:
3095:
3077:
3071:
3063:
3027:
3021:
3013:
3009:
2995:
2968:
2959:
2953:
2943:Wolfgang Helbich
2939:Gesualdo Consort
2931:
2922:
2907:
2901:
2885:
2879:
2878:
2872:
2861:
2855:
2846:
2840:
2831:
2825:
2819:
2813:
2807:
2801:
2791:
2785:
2775:
2769:
2760:
2754:
2745:
2739:
2733:
2727:
2718:
2706:
2700:
2690:
2684:
2675:
2669:
2663:
2657:
2656:
2654:
2652:
2637:
2631:
2613:
2607:
2593:
2587:
2586:
2583:
2581:
2569:
2563:
2553:
2547:
2541:
2535:
2529:
2523:
2513:
2507:
2501:
2492:
2486:
2480:
2471:
2465:
2447:
2441:
2412:
2406:
2397:
2391:
2378:
2372:
2356:
2347:
2346:
2343:
2341:
2332:
2321:
2315:
2309:
2300:
2294:
2285:
2279:
2272:D-LEb Mus. ms. 9
2269:
2263:
2254:
2248:
2239:
2233:
2219:
2213:
2212:
2191:
2185:
2183:
2180:
2178:
2169:
2163:
2162:
2145:
2139:
2138:
2114:
2108:
2095:
2089:
2074:
2068:
2059:
2053:
2030:New Bach Edition
2026:
2007:
1998:
1992:
1978:
1972:
1962:
1956:
1947:
1941:
1932:
1926:
1912:
1906:
1897:
1891:
1882:
1876:
1866:
1860:
1859:
1857:
1856:
1842:
1836:
1835:
1833:
1831:
1815:
1809:
1808:
1806:
1804:
1793:
1787:
1770:
1764:
1763:
1761:
1760:
1743:
1737:
1736:
1734:
1732:
1720:
1714:
1701:
1695:
1694:
1692:
1690:
1681:. Archived from
1670:
1661:
1651:
1645:
1639:
1622:
1608:
1602:
1601:
1598:
1596:
1587:
1578:
1575:
1569:
1566:Novello & Co
1551:
1545:
1536:
1441:Wolfgang Helbich
1320:
1200:
1194:
1182:
1153:
1144:
1140:
1132:
1117:
1113:
958:
937:
930:
893:
858:
847:
836:
822:
815:
803:
784:
777:
766:
749:
745:
695:
680:
665:
661:
646:
631:
625:, arranged from
624:
623:Sanctus, BWV 241
613:
578:
563:
548:
529:
520:
509:
500:
482:
473:
450:
441:
387:
219:
58:
4169:
4168:
4164:
4163:
4162:
4160:
4159:
4158:
4134:
4133:
4132:
4127:
4099:
4088:Bach quadrangle
4041:
4032:Café Zimmermann
4010:
3940:
3886:Riemenschneider
3833:
3825:
3800:
3793:
3784:Reconstructions
3771:
3759:
3752:
3726:
3714:
3707:
3700:
3693:
3686:
3681:Songs and arias
3679:
3672:
3635:
3630:
3600:
3595:
3577:
3576:
3502:
3501:
3481:St Mark Passion
3474:St Luke Passion
3436:St John Passion
3401:
3400:
3357:Mass in B minor
3342:
3337:
3331:
3290:
3272:
3175:
3112:autograph score
3065:
3064:
3060:
3015:
3014:
3004:History of the
2982:Dörffel, Alfred
2977:
2972:
2971:
2960:
2956:
2932:
2925:
2908:
2904:
2886:
2882:
2870:
2862:
2858:
2847:
2843:
2832:
2828:
2820:
2816:
2810:Thielemann 2012
2808:
2804:
2792:
2788:
2776:
2772:
2761:
2757:
2746:
2742:
2734:
2730:
2724:Fascicle 2
2720:Fascicle 1
2716:
2707:
2703:
2691:
2687:
2676:
2672:
2666:Thielemann 2012
2664:
2660:
2650:
2648:
2639:
2638:
2634:
2614:
2610:
2594:
2590:
2578:
2570:
2566:
2554:
2550:
2542:
2538:
2530:
2526:
2514:
2510:
2502:
2495:
2487:
2483:
2472:
2468:
2464:Capriccio, 2011
2448:
2444:
2439:Wayback Machine
2413:
2409:
2398:
2394:
2381:Geiringer, Karl
2379:
2375:
2357:
2350:
2338:
2333:
2324:
2316:
2312:
2301:
2297:
2286:
2282:
2270:
2266:
2255:
2251:
2240:
2236:
2220:
2216:
2192:
2188:
2175:
2174:at Luke Dahn's
2170:
2166:
2146:
2142:
2135:
2115:
2111:
2096:
2092:
2075:
2071:
2060:
2056:
2027:
2010:
1999:
1995:
1979:
1975:
1963:
1959:
1948:
1944:
1933:
1929:
1913:
1909:
1898:
1894:
1883:
1879:
1867:
1863:
1854:
1852:
1844:
1843:
1839:
1829:
1827:
1826:on 15 July 2011
1816:
1812:
1802:
1800:
1795:
1794:
1790:
1773:Christoph Wolff
1771:
1767:
1758:
1756:
1745:
1744:
1740:
1730:
1728:
1721:
1717:
1702:
1698:
1688:
1686:
1685:on 15 July 2011
1671:
1664:
1652:
1648:
1640:
1625:
1609:
1605:
1593:
1588:
1581:
1576:
1572:
1554:Spitta, Philipp
1552:
1548:
1537:
1533:
1528:
1450:conducting the
1437:Christiane Iven
1378:
1332:In dulci jubilo
1314:
1295:
1267:
1261:
1224:
1218:
1207:
1178:
1162:
1156:
1142:
1138:
1135:Antonio Caldara
1126:
1120:
1096:
1090:
1051:
1045:
1029:
993:
987:
952:
940:
929:Mass, BNB I/P/2
902:
896:
885:Nicolaus Decius
861:
850:
838:
824:
806:
787:
760:
757:Acroama missale
752:
750:(added 1747–48)
743:Acroama missale
724:, published in
702:
689:
674:
668:
640:
634:
616:
599:Antonio Caldara
591:
585:
566:
551:
540:
522:
502:
475:
443:
396:
390:
367:
365:Mass in B minor
361:
342:
336:
308:
302:
282:
262:
256:
240:
215:
52:
12:
11:
5:
4167:
4157:
4156:
4151:
4146:
4129:
4128:
4126:
4125:
4115:
4104:
4101:
4100:
4098:
4097:
4096:
4095:
4085:
4080:
4075:
4070:
4065:
4055:
4053:Bach festivals
4049:
4047:
4043:
4042:
4040:
4039:
4034:
4029:
4024:
4018:
4016:
4012:
4011:
4009:
4008:
4003:
3997:
3988:
3982:
3976:
3967:
3958:
3952:
3950:
3946:
3945:
3942:
3941:
3939:
3938:
3933:
3928:
3923:
3918:
3913:
3908:
3903:
3898:
3893:
3888:
3883:
3878:
3873:
3868:
3863:
3858:
3853:
3848:
3843:
3837:
3835:
3824:
3823:
3818:
3812:
3810:
3806:
3805:
3802:
3801:
3799:
3798:
3791:
3789:Transcriptions
3786:
3781:
3776:
3769:
3764:
3757:
3750:
3745:
3740:
3734:
3732:
3728:
3727:
3725:
3724:
3719:
3712:
3705:
3698:
3691:
3684:
3677:
3670:
3665:
3660:
3654:
3652:
3643:
3637:
3636:
3629:
3628:
3621:
3614:
3606:
3597:
3596:
3594:
3593:
3588:
3582:
3579:
3578:
3575:
3574:
3566:
3564:, BWV 249
3558:
3557:
3556:
3551:
3546:
3541:
3536:
3531:
3525:
3518:, BWV 248
3511:
3510:
3508:
3504:
3503:
3500:
3499:
3498:
3497:
3484:
3477:
3470:
3469:
3468:
3463:
3451:
3450:
3449:
3444:
3432:
3425:
3424:
3423:
3412:
3411:
3409:
3403:
3402:
3399:
3398:
3397:
3396:
3391:
3381:
3376:
3375:
3374:
3369:
3364:
3353:
3352:
3350:
3344:
3343:
3330:
3329:
3322:
3315:
3307:
3301:
3300:
3289:
3288:External links
3286:
3285:
3284:
3270:
3236:
3209:
3187:
3173:
3126:
3102:, ed. (1805).
3096:
3078:
3058:
3028:
2976:
2973:
2970:
2969:
2954:
2923:
2902:
2896:pasticcio) at
2880:
2856:
2841:
2826:
2814:
2802:
2786:
2770:
2755:
2740:
2728:
2701:
2685:
2670:
2668:, p. 217.
2658:
2632:
2608:
2588:
2582:.bach-cantatas
2564:
2548:
2536:
2524:
2508:
2506:, p. 460.
2493:
2491:, p. 132.
2481:
2466:
2442:
2415:Alfred Dörffel
2407:
2392:
2373:
2348:
2342:.bach-cantatas
2322:
2310:
2295:
2280:
2264:
2249:
2234:
2214:
2195:Zahn, Johannes
2186:
2179:.bach-chorales
2164:
2140:
2133:
2109:
2090:
2069:
2054:
2008:
1993:
1973:
1957:
1942:
1927:
1907:
1892:
1877:
1861:
1837:
1810:
1788:
1765:
1738:
1715:
1704:Peter Williams
1696:
1662:
1646:
1623:
1603:
1579:
1570:
1568:, 1884. p. 264
1546:
1530:
1529:
1527:
1524:
1523:
1522:
1516:
1512:
1511:
1505:
1501:
1500:
1494:
1490:
1489:
1484:
1483:
1479:
1478:
1464:
1460:
1459:
1444:
1429:
1425:
1424:
1418:
1414:
1413:
1407:
1403:
1402:
1396:
1392:
1391:
1385:
1377:
1374:
1373:
1372:
1365:pp. 77–83
1354:
1339:pp. 39–40
1294:
1291:
1285:attributed to
1260:
1250:
1217:
1211:
1206:
1203:
1187:, that is the
1155:
1148:
1119:
1108:
1102:to the key of
1089:
1086:
1044:
1041:
1028:
1025:
1001:Missa canonica
986:
983:Missa canonica
979:
939:
925:
898:Main article:
895:
889:
860:
854:
849:
842:
837:
832:
823:
818:
805:
799:
786:
773:
751:
738:
701:
698:
667:
657:
633:
620:
615:
609:
584:
574:
565:
559:
555:St. John's Day
550:
544:
539:
536:
521:
516:
501:
496:
474:
469:
461:basso continuo
442:
437:
427:for different
392:Main article:
389:
383:
360:
357:
335:
328:
301:
298:
281:
278:
255:
252:
239:
236:
212:
211:
208:
197:
196:
189:
186:
179:German version
9:
6:
4:
3:
2:
4166:
4155:
4152:
4150:
4147:
4145:
4142:
4141:
4139:
4124:
4120:
4116:
4114:
4106:
4105:
4102:
4094:
4091:
4090:
4089:
4086:
4084:
4081:
4079:
4076:
4074:
4071:
4069:
4066:
4063:
4059:
4056:
4054:
4051:
4050:
4048:
4044:
4038:
4035:
4033:
4030:
4028:
4025:
4023:
4020:
4019:
4017:
4013:
4007:
4004:
4001:
3998:
3995:
3994:
3989:
3986:
3983:
3980:
3977:
3974:
3973:
3968:
3965:
3964:
3959:
3957:
3954:
3953:
3951:
3949:Organizations
3947:
3937:
3934:
3932:
3929:
3927:
3924:
3922:
3919:
3917:
3914:
3912:
3909:
3907:
3904:
3902:
3899:
3897:
3894:
3892:
3889:
3887:
3884:
3882:
3879:
3877:
3874:
3872:
3869:
3867:
3864:
3862:
3859:
3857:
3854:
3852:
3849:
3847:
3844:
3842:
3839:
3838:
3836:
3832:
3828:
3822:
3819:
3817:
3814:
3813:
3811:
3807:
3796:
3792:
3790:
3787:
3785:
3782:
3780:
3777:
3774:
3770:
3768:
3765:
3762:
3758:
3755:
3751:
3749:
3746:
3744:
3741:
3739:
3736:
3735:
3733:
3729:
3723:
3720:
3717:
3713:
3710:
3706:
3703:
3702:Chamber music
3699:
3696:
3692:
3689:
3685:
3682:
3678:
3675:
3671:
3669:
3666:
3664:
3661:
3659:
3656:
3655:
3653:
3651:
3647:
3644:
3642:
3638:
3634:
3627:
3622:
3620:
3615:
3613:
3608:
3607:
3604:
3592:
3589:
3587:
3584:
3583:
3580:
3573:
3572:, BWV 11
3571:
3567:
3565:
3563:
3559:
3555:
3552:
3550:
3547:
3545:
3542:
3540:
3537:
3535:
3532:
3530:
3526:
3524:
3521:
3520:
3519:
3517:
3513:
3512:
3509:
3505:
3496:
3492:
3491:
3490:
3489:
3485:
3483:
3482:
3478:
3476:
3475:
3471:
3467:
3464:
3462:
3459:
3458:
3457:
3456:
3452:
3448:
3445:
3443:
3440:
3439:
3438:
3437:
3433:
3431:
3430:
3426:
3421:
3420:
3419:
3418:
3414:
3413:
3410:
3408:
3404:
3395:
3392:
3390:
3389:early version
3387:
3386:
3385:
3382:
3380:
3377:
3373:
3370:
3368:
3365:
3363:
3362:early version
3360:
3359:
3358:
3355:
3354:
3351:
3349:
3345:
3340:
3335:
3328:
3323:
3321:
3316:
3314:
3309:
3308:
3305:
3299:
3295:
3292:
3291:
3281:
3277:
3273:
3267:
3263:
3259:
3255:
3254:Bach-Jahrbuch
3251:
3247:
3246:
3241:
3240:Wollny, Peter
3237:
3233:
3229:
3225:
3223:
3218:
3214:
3210:
3206:
3202:
3198:
3197:
3192:
3191:Torri, Pietro
3188:
3184:
3180:
3176:
3170:
3166:
3162:
3158:
3154:
3150:
3149:Bach-Jahrbuch
3146:
3142:
3141:
3136:
3135:Wollny, Peter
3132:
3127:
3123:
3119:
3115:
3114:of the Author
3113:
3107:
3106:
3101:
3097:
3093:
3092:
3087:
3083:
3079:
3075:
3069:
3061:
3059:9783765102493
3055:
3051:
3047:
3043:
3039:
3038:
3033:
3029:
3025:
3019:
3011:
3008:
3001:
3000:
2994:
2993:
2987:
2983:
2979:
2978:
2967:
2963:
2958:
2951:
2949:
2945:(conductor).
2944:
2940:
2936:
2930:
2928:
2921:
2917:
2916:
2911:
2906:
2899:
2895:
2894:
2889:
2884:
2876:
2869:
2868:
2860:
2854:
2850:
2845:
2839:
2835:
2830:
2823:
2818:
2811:
2806:
2799:
2795:
2790:
2783:
2779:
2774:
2768:
2764:
2759:
2753:
2749:
2744:
2737:
2732:
2725:
2721:
2717:D-Bsa SA 301,
2714:
2710:
2705:
2698:
2694:
2689:
2683:
2679:
2674:
2667:
2662:
2647:. 6 June 2013
2646:
2642:
2636:
2629:
2625:
2621:
2617:
2612:
2605:
2601:
2597:
2592:
2585:
2576:
2575:
2568:
2561:
2557:
2552:
2545:
2540:
2533:
2528:
2521:
2517:
2512:
2505:
2500:
2498:
2490:
2485:
2479:
2475:
2470:
2463:
2461:
2457:(conductor).
2456:
2452:
2446:
2440:
2436:
2433:
2429:
2426:
2425:
2420:
2416:
2411:
2405:
2401:
2396:
2389:
2387:
2382:
2377:
2371:, 1976 (1993)
2370:
2367:
2365:
2360:
2359:Klaus Hofmann
2355:
2353:
2345:
2336:
2331:
2329:
2327:
2319:
2314:
2308:
2304:
2299:
2293:
2289:
2284:
2277:
2273:
2268:
2262:
2258:
2253:
2247:
2243:
2238:
2231:
2227:
2223:
2218:
2210:
2206:
2202:
2201:
2196:
2190:
2182:
2173:
2168:
2160:
2156:
2155:
2150:
2144:
2136:
2134:0-19-866208-4
2130:
2126:
2122:
2121:
2113:
2107:
2103:
2099:
2094:
2087:
2083:
2079:
2073:
2067:
2063:
2058:
2051:
2047:
2043:
2039:
2035:
2031:
2025:
2023:
2021:
2019:
2017:
2015:
2013:
2006:
2002:
1997:
1990:
1986:
1982:
1977:
1970:
1966:
1961:
1955:
1951:
1946:
1940:
1936:
1931:
1924:
1920:
1916:
1911:
1905:
1901:
1896:
1890:
1886:
1881:
1874:
1870:
1865:
1851:
1847:
1841:
1825:
1821:
1814:
1798:
1792:
1786:
1782:
1778:
1774:
1769:
1754:
1753:
1748:
1742:
1726:
1719:
1713:
1709:
1705:
1700:
1684:
1680:
1676:
1669:
1667:
1660:
1659:0-393-04825-X
1656:
1650:
1643:
1638:
1636:
1634:
1632:
1630:
1628:
1620:
1616:
1612:
1607:
1600:
1591:
1586:
1584:
1574:
1567:
1563:
1559:
1555:
1550:
1544:
1540:
1535:
1531:
1521:
1517:
1514:
1513:
1510:
1506:
1503:
1502:
1499:
1495:
1492:
1491:
1486:
1485:
1481:
1480:
1477:
1473:
1469:
1465:
1462:
1461:
1457:
1453:
1449:
1448:Paul Steinitz
1445:
1443:(before 2014)
1442:
1438:
1434:
1430:
1427:
1426:
1423:
1419:
1416:
1415:
1412:
1408:
1405:
1404:
1401:
1397:
1394:
1393:
1390:
1386:
1384:
1380:
1379:
1370:
1369:fourth laudes
1366:
1363:
1359:
1355:
1352:
1348:
1344:
1340:
1337:
1333:
1329:
1328:
1327:
1324:
1318:
1313:
1309:
1305:
1304:
1299:
1290:
1288:
1287:Johann Kuhnau
1284:
1282:
1277:
1273:
1272:
1266:
1258:
1254:
1249:
1247:
1243:
1239:
1235:
1231:
1229:
1223:
1215:
1210:
1202:
1199:
1193:
1192:
1186:
1181:
1175:
1171:
1167:
1161:
1147:
1136:
1130:
1125:
1107:
1105:
1101:
1095:
1085:
1082:
1080:
1076:
1072:
1068:
1064:
1060:
1056:
1050:
1040:
1038:
1034:
1024:
1022:
1018:
1014:
1010:
1006:
1002:
998:
992:
984:
978:
976:
972:
971:
966:
962:
956:
951:
950:
945:
936:
933:Palestrina's
927:Kyrie–Gloria
924:
922:
921:Antonio Lotti
918:
914:
910:
906:
901:
888:
886:
882:
878:
874:
870:
866:
853:
841:
831:
829:
817:
811:
798:
796:
792:
783:
772:
770:
764:
759:
758:
744:
737:
735:
731:
727:
723:
719:
715:
711:
707:
704:BWV 325 is a
697:
693:
688:
684:
678:
673:
656:
654:
653:Missa superba
650:
644:
639:
630:
629:Missa superba
619:
608:
606:
605:
600:
596:
590:
582:
573:
571:
558:
556:
543:
535:
533:
528:
515:
513:
508:
495:
493:
488:
486:
481:
468:
466:
462:
458:
454:
449:
436:
434:
430:
426:
420:
418:
414:
410:
409:Missae breves
406:
402:
395:
382:
380:
376:
374:
373:
366:
356:
354:
352:
347:
341:
333:
327:
325:
321:
317:
313:
307:
297:
295:
291:
287:
277:
275:
271:
267:
261:
251:
249:
245:
235:
233:
232:
227:
226:third chapter
223:
218:
209:
206:
202:
201:
200:
194:
190:
187:
184:
180:
176:
175:
174:
171:
169:
164:
160:
156:
152:
148:
144:
140:
136:
132:
127:
125:
121:
117:
113:
109:
105:
101:
97:
93:
89:
88:Lutheran hymn
85:
81:
77:
73:
69:
65:
60:
56:
51:
47:
43:
39:
35:
31:
27:
23:
19:
4046:Other topics
4002:(St. Gallen)
3979:Bach Archive
3956:Bach Society
3834:and scholars
3742:
3738:Bach cantata
3641:Compositions
3569:
3561:
3515:
3486:
3479:
3472:
3453:
3434:
3427:
3415:
3347:
3249:
3244:
3222:Stile antico
3220:
3216:
3195:
3144:
3139:
3109:
3104:
3089:
3041:
3035:
3032:DĂĽrr, Alfred
3003:
2998:
2957:
2947:
2913:
2905:
2891:
2883:
2866:
2859:
2849:Bach Digital
2844:
2834:Bach Digital
2829:
2817:
2805:
2789:
2782:Bach Digital
2773:
2763:Bach Digital
2758:
2743:
2738:, p. 4.
2731:
2709:Bach Digital
2704:
2697:Bach Digital
2688:
2678:Bach Digital
2673:
2661:
2649:. Retrieved
2635:
2620:Bach Digital
2611:
2596:Bach Digital
2591:
2573:
2567:
2556:Dörffel 1884
2551:
2544:Schicht 1805
2539:
2527:
2520:Bach Digital
2511:
2484:
2474:Bach Digital
2469:
2459:
2445:
2422:
2410:
2400:Bach Digital
2395:
2385:
2376:
2369:Carus Verlag
2363:
2313:
2303:Bach Digital
2298:
2288:Bach Digital
2283:
2276:Bach Digital
2267:
2257:Bach Digital
2252:
2242:Bach Digital
2237:
2222:Bach Digital
2217:
2198:
2189:
2167:
2159:Bach Archive
2154:Bach Digital
2152:
2143:
2119:
2112:
2098:Bach Digital
2093:
2086:Bach Digital
2072:
2062:Bach Digital
2057:
2037:
2036:, Volume 9:
2001:Bach Digital
1996:
1989:Bach Digital
1976:
1969:SLUB Dresden
1965:Mus.2170-D-7
1960:
1945:
1935:Bach Digital
1930:
1923:Bach Digital
1910:
1900:Bach Digital
1895:
1885:Bach Digital
1880:
1873:p. xvii
1864:
1853:. Retrieved
1849:
1840:
1830:16 September
1828:. Retrieved
1824:the original
1813:
1803:20 September
1801:. Retrieved
1791:
1776:
1768:
1757:. Retrieved
1750:
1741:
1729:. Retrieved
1718:
1699:
1689:16 September
1687:. Retrieved
1683:the original
1649:
1606:
1573:
1561:
1549:
1539:Bach Digital
1534:
1515:BWV Anh. 167
1504:BWV Anh. 166
1382:
1361:
1347:BWV 608
1343:BWV 368
1335:
1301:
1296:
1280:
1269:
1268:
1256:
1252:
1238:Stabat Mater
1227:
1225:
1213:
1208:
1185:Anh. II
1166:Pietro Torri
1163:
1121:
1097:
1083:
1071:Marian feast
1055:Thomaskantor
1052:
1030:
1017:stile antico
1013:Peter Wollny
1000:
994:
982:
968:
948:
941:
934:
905:BWV Anh. 167
903:
862:
851:
839:
825:
807:
790:
788:
781:
756:
753:
742:
721:
712:, edited by
703:
669:
652:
635:
628:
617:
603:
592:
580:
567:
552:
541:
523:
503:
489:
476:
444:
421:
397:
377:
370:
368:
350:
343:
331:
309:
283:
266:BWV 232
263:
241:
229:
222:BWV 234
217:BWV Anh. 167
213:
198:
172:
155:stile antico
128:
124:Purification
116:Annunciation
96:Mass liturgy
84:sacred songs
61:
42:Thomaskantor
22:church music
15:
4062:Competition
3987:(Göttingen)
3831:Biographers
3716:Fugal works
3523:discography
3466:discography
3447:discography
3394:discography
3372:discography
3260:. Leipzig:
3155:. Leipzig:
2950:(8-CD Set).
2941:, etc. and
2489:Wollny 2015
2455:Hermann Max
2432:p. 276
2383:and Irene.
2207:. pp.
2205:Bertelsmann
2157:. Leipzig:
2050:Bärenreiter
1731:12 February
1493:BWV Anh. 30
1376:Discography
1315: [
1180:BWV Anh. 30
1172:for double
1152:BWV Anh. 30
1139:31 May 1740
1127: [
1116:arrangement
1019:and of the
970:colla parte
953: [
917:David Pohle
867:, known as
816:1740-1742.
761: [
734:common time
690: [
675: [
641: [
429:voice types
92:Lutheranism
53: [
32:and of the
4138:Categories
4058:Bach Medal
3767:BACH motif
3586:Evangelist
3384:Magnificat
3007:Gewandhaus
2992:Gewandhaus
2920:p. 39
2822:Wolff 1968
2736:Torri 2013
2651:20 January
2558:, p.
2532:Wolff 1968
2417:(editor).
2361:(editor).
1871:, p.
1855:2024-07-31
1759:2013-08-08
1617:; p.
1526:References
1263:See also:
1230:, BWV 1083
1220:See also:
1158:See also:
1100:transposed
1075:Visitation
1063:Magnificat
1005:WeiĂźenfels
989:See also:
944:Palestrina
587:See also:
388:(1738–39?)
372:missa tota
159:polyphonic
120:Visitation
34:Magnificat
20:'s extant
4083:Portraits
4064:(Leipzig)
3981:(Leipzig)
3896:Schmieder
3779:Reception
3731:More info
3507:Oratorios
3461:structure
3442:structure
3367:structure
3280:0084-7682
3232:651793960
3207:. 35.012.
3183:0084-7682
3068:cite book
3018:cite book
2966:181673660
2952:CPO, 2014
2752:467019500
2628:250000899
2622:website (
2616:D-WFe 191
2421:Vol. 41:
1954:212006716
1420:See also
1381:BWV 191,
1308:macaronic
1248:as text.
1240:. Bach's
1234:Pergolesi
718:hymn tune
570:Christmas
353:, BWV 191
141:court in
112:Pentecost
104:Christmas
76:oratorios
4113:Category
4078:Three Bs
3916:Williams
3861:Glöckner
3846:Dadelsen
3821:Students
3748:Passions
3658:Cantatas
3407:Passions
3215:(1968).
3088:(1920).
2984:(1884).
2800:website.
2784:website.
2435:Archived
2430:, 1894.
2197:(1892).
2184:website.
1971:website.
1298:Vopelius
1255:, after
1246:Psalm 51
1236:'s 1736
1154:(c.1742)
931:, after
778:, after
730:Zahn No.
627:Kerll's
524:For the
504:For the
477:For the
465:parodies
445:For the
433:parodies
403:and the
330:Cantata
139:Catholic
137:for the
72:Passions
16:Most of
3936:Zehnder
3901:Schulze
3881:Neumann
3866:Hofmann
3527:Parts:
3252:].
3147:].
3137:(ed.).
2975:Sources
2900:website
2699:website
2522:website
2278:website
2209:314–315
2172:BWV 325
2088:website
2052:, 2000.
1991:website
1925:website
1323:Hussite
1300:' 1682
1110:Bach's
1104:D major
1059:Leipzig
664:Anh. 26
549:(1723?)
532:G major
512:G minor
485:A major
453:F major
228:of the
163:canonic
143:Dresden
131:Sanctus
38:Leipzig
4093:crater
4015:Places
3931:Wollny
3906:Spitta
3856:Forkel
3816:Family
3809:People
3663:Motets
3650:by BWV
3278:
3268:
3230:
3181:
3171:
3056:
2964:
2750:
2626:
2131:
1952:
1783:
1755:. 1733
1710:
1657:
1458:(1965)
1242:parody
1191:Anhang
1129:scores
1079:2 July
955:scores
780:Pez's
763:scores
692:scores
677:scores
643:scores
564:(1723)
459:, and
405:Gloria
346:Gloria
324:Gloria
318:, the
286:SSSATB
108:Easter
68:motets
55:scores
46:German
4123:Audio
3926:Wolff
3911:Terry
3871:Jones
3841:Basso
3248:[
3219:[
3205:Carus
3143:[
3108:[
3040:[
3002:[
2871:(PDF)
2853:01532
2851:Work
2838:01269
2836:Work
2767:01338
2765:Work
2713:01268
2711:Work
2682:08841
2680:Work
2600:01676
2598:Work
2478:01478
2476:Work
2404:01477
2402:Work
2307:01337
2305:Work
2292:01336
2290:Work
2261:01333
2259:Work
2246:01332
2244:Work
2226:01267
2224:Work
2106:01334
2102:00301
2100:Work
2066:00300
2064:Work
2042:Score
2005:00299
2003:Work
1939:00298
1937:Work
1904:00297
1902:Work
1889:00296
1887:Work
1543:00292
1541:Work
1488:2014)
1319:]
1283:motet
1131:]
1067:SSATB
1021:canon
965:deest
957:]
765:]
726:meter
694:]
679:]
645:]
527:Missa
507:Missa
480:Missa
448:Missa
425:arias
401:Kyrie
320:Kyrie
57:]
26:Latin
4060:and
3921:Wolf
3891:Rust
3876:Maul
3851:DĂĽrr
3722:Anh.
3495:1149
3276:ISSN
3266:ISBN
3228:OCLC
3179:ISSN
3169:ISBN
3074:link
3054:ISBN
3024:link
2962:OCLC
2748:RISM
2722:and
2653:2015
2624:RISM
2584:.com
2344:.com
2181:.com
2129:ISBN
2104:and
2080:and
1983:and
1950:RISM
1917:and
1832:2010
1805:2010
1781:ISBN
1733:2013
1708:ISBN
1691:2010
1655:ISBN
1619:xvii
1595:lisa
1518:See
1507:See
1496:See
1474:and
1466:See
1454:and
1409:See
1398:See
1387:See
1349:and
1174:SATB
1114:and
1112:copy
1065:for
754:The
662:and
636:The
457:SATB
417:Lysá
322:and
316:mass
161:and
82:and
3539:III
3336:by
3161:doi
3046:BWV
2796:at
2780:at
2695:at
2618:at
2580:www
2577:at
2518:at
2340:www
2337:at
2274:at
2177:www
2125:299
2084:at
2048:).
1987:at
1967:at
1921:at
1615:141
1599:.de
1592:at
1560:in
1360:" (
1351:729
1334:" (
1183:in
1168:'s
1133:by
1073:of
1057:in
999:'s
961:BNB
946:'s
915:or
793:by
651:'s
601:'s
530:in
510:in
483:in
451:in
292:to
205:BWV
181:of
126:).
24:in
4140::
3554:VI
3544:IV
3534:II
3274:.
3264:.
3177:.
3167:.
3120:.
3084:;
3070:}}
3066:{{
3052:.
3020:}}
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2912:.
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2325:^
2228:;
2151:.
2127:.
2082:1b
2078:1a
2044:–
2032:,
2011:^
1848:.
1775::
1749:.
1677:.
1665:^
1626:^
1582:^
1556:.
1470:,
1435:,
1317:de
1276:BC
1274:,
1201:.
1081:)
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911:,
830:.
814:c.
607:.
467:.
419:.
296:.
268:,
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122:,
118:,
110:,
106:,
78:,
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70:,
66:,
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3611:v
3549:V
3529:I
3326:e
3319:t
3312:v
3282:.
3234:.
3185:.
3163::
3124:.
3076:)
3026:)
2877:.
2812:.
2655:.
2630:)
2562:.
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2546:.
2534:.
2462:.
2366:.
2211:.
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2040:(
1875:.
1858:.
1834:.
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1735:.
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1077:(
294:C
290:₵
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28:—
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