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Beate Mainka-Jellinghaus

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After schooling, Mainka worked for five months in a copy center, and became involved as an editorial assistant in the production of short documentary films by Harry Piel. In 1955, Mainka moved to
51:. She was musically inclined, and her secondary school education from 1946 to 1951 included ballet instruction and acting; following her graduation in 1951, she attended a private film school in 284: 199: 292: 39:
Beate Mainka-Jellinghaus is the daughter of Hildegard (née Farbowski) and George Mainka, a bank official. She was born in the village of Vogt, near
233: 405: 347: 215: 139:, Mainka-Jellinghaus worked with director Werner Herzog on twenty films, including several of Herzog's best-known films such as 188: 43:, which was then a part of Germany. At the end of the Second World War she and her parents left Oppeln, which became part of 118: 606: 245: 31:. Between 1966 and 1986, she was credited on more than twenty-five feature films and feature-length documentaries. 553: 398: 334: 596: 559: 193: 601: 391: 153: 94:, with whom she worked on short documentaries through about 1966. Reitz introduced her to the director 141: 135: 133:(Institute for Film Design) founded by Edgar Reitz and Alexander Kluge. Starting with the 1968 film, 71:
as an assistant film editor, working with editor Anna Höllering on several feature films directed by
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Mainka-Jellinghaus is among the editors interviewed for the 2006 documentary
28: 164:(1986), she retired into private life; the New German Cinema era was over. 147: 84: 68: 532: 482: 467: 432: 91: 507: 374: 268: 52: 383: 27:
movement and is noted particularly for her many films with director
75:. Her first credit as an editor was for the television production 48: 200:
In Danger and Deep Distress, The Middleway Spells Certain Death
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In 1967 and 1968 Mainka-Jellinghaus taught film editing at the
64: 44: 40: 337:; select 'Dozentinnen' and then 'Beate Mainka-Jellinghaus'. 98:; Reitz, Kluge, and Mainka became early exponents of the 110:) (1964), and extended through 1986 including the films 102:. Mainka's long collaboration with Kluge began with 34: 578: 214:1978: Special Recognition award (shared) at the 236:. Twenty films from 1968 to 1984 with director 234:List of film director and editor collaborations 83:) (1958), which was the only film directed by 399: 90:In 1959 she became acquainted with director 206:1978: Gold Film Ribbon for Film Design for 87:(under the pseudonym "Erasmus Nothnagel"). 406: 392: 313: 311: 309: 340: 175:), which was produced by Gabriele Voss. 216:28th Berlin International Film Festival 579: 306: 264: 262: 151:(1982). Her last film with Herzog was 413: 387: 160:Following her final film with Kluge, 197:(directed by Werner Herzog) and for 119:Artists Under the Big Top: Perplexed 259: 13: 14: 618: 368: 246:BAFTA Award for Best Foreign Film 189:Gold Film Ribbon for Best Editing 129:, where she was a member of the 35:Early life, family and education 19:(born 27 July 1936) is a German 554:Hof International Film Festival 348:"Berlinale 1978: Prize Winners" 277: 203:(directed by Alexander Kluge). 1: 252: 560:New German Cinema: A History 7: 227: 194:The Enigma of Kaspar Hauser 131:Institut für Filmgestaltung 55:to train as a film editor. 10: 623: 319:"Beate Mainka-Jellinghaus" 285:"Beate Mainka-Jellinghaus" 154:Where the Green Ants Dream 58: 607:German women film editors 541: 421: 178: 173:Cutting in Space and Time 169:Schnitte in Raum und Zeit 142:Aguirre, the Wrath of God 473:Beate Mainka-Jellinghaus 443:Rainer Werner Fassbinder 375:Beate Mainka-Jellinghaus 269:Beate Mainka-Jellinghaus 23:who was a member of the 17:Beate Mainka-Jellinghaus 104:Porträt einer Bewährung 549:Filmverlag der Autoren 244:was nominated for the 67:, where she worked at 528:Margarethe von Trotta 523:Hans-Jürgen Syberberg 323:Frauen an der hfg ulm 566:Oberhausen Manifesto 488:Helma Sanders-Brahms 127:Ulm School of Design 47:; they relocated to 597:German film editors 513:Franz-Josef Spieker 498:Volker Schlöndorff 186:German Film Awards 162:Miscellaneous News 77:Ein gewisser Judas 602:People from Opole 574: 573: 478:Wolfgang Petersen 448:Peter Fleischmann 415:New German Cinema 221:Germany in Autumn 209:Germany in Autumn 100:New German Cinema 25:New German Cinema 614: 503:Werner Schroeter 463:Dietrich Lohmann 408: 401: 394: 385: 384: 362: 361: 359: 358: 344: 338: 332: 330: 329: 315: 304: 303: 301: 300: 291:. Archived from 281: 275: 266: 622: 621: 617: 616: 615: 613: 612: 611: 577: 576: 575: 570: 537: 458:Alexander Kluge 426: 424: 417: 412: 371: 366: 365: 356: 354: 346: 345: 341: 327: 325: 317: 316: 307: 298: 296: 283: 282: 278: 267: 260: 255: 230: 181: 108:Policeman's Lot 96:Alexander Kluge 81:A Certain Judas 61: 37: 12: 11: 5: 620: 610: 609: 604: 599: 594: 589: 572: 571: 569: 568: 563: 556: 551: 545: 543: 539: 538: 536: 535: 530: 525: 520: 518:Straub–Huillet 515: 510: 505: 500: 495: 493:Peter Schamoni 490: 485: 480: 475: 470: 465: 460: 455: 450: 445: 440: 435: 429: 427: 422: 419: 418: 411: 410: 403: 396: 388: 382: 381: 370: 369:External links 367: 364: 363: 339: 333:Website using 305: 276: 257: 256: 254: 251: 250: 249: 229: 226: 225: 224: 212: 204: 180: 177: 113:Yesterday Girl 60: 57: 36: 33: 9: 6: 4: 3: 2: 619: 608: 605: 603: 600: 598: 595: 593: 592:Living people 590: 588: 585: 584: 582: 567: 564: 562: 561: 557: 555: 552: 550: 547: 546: 544: 540: 534: 531: 529: 526: 524: 521: 519: 516: 514: 511: 509: 506: 504: 501: 499: 496: 494: 491: 489: 486: 484: 481: 479: 476: 474: 471: 469: 466: 464: 461: 459: 456: 454: 453:Werner Herzog 451: 449: 446: 444: 441: 439: 438:Harun Farocki 436: 434: 431: 430: 428: 420: 416: 409: 404: 402: 397: 395: 390: 389: 386: 380: 376: 373: 372: 353: 349: 343: 336: 324: 320: 314: 312: 310: 295:on 2010-12-10 294: 290: 289:filmportal.de 286: 280: 274: 270: 265: 263: 258: 247: 243: 239: 238:Werner Herzog 235: 232: 231: 223: 222: 217: 213: 211: 210: 205: 202: 201: 196: 195: 190: 187: 183: 182: 176: 174: 170: 165: 163: 158: 156: 155: 150: 149: 144: 143: 138: 137: 136:Signs of Life 132: 128: 123: 121: 120: 115: 114: 109: 105: 101: 97: 93: 88: 86: 82: 78: 74: 70: 66: 56: 54: 50: 46: 42: 32: 30: 29:Werner Herzog 26: 22: 18: 558: 472: 355:. Retrieved 352:berlinale.de 351: 342: 326:. Retrieved 322: 297:. Retrieved 293:the original 288: 279: 242:Fitzcarraldo 241: 219: 207: 198: 192: 172: 168: 166: 161: 159: 152: 148:Fitzcarraldo 146: 140: 134: 130: 124: 117: 111: 107: 103: 89: 85:Oskar Werner 80: 76: 69:Bavaria Film 62: 38: 16: 15: 587:1936 births 533:Wim Wenders 483:Edgar Reitz 468:Ulli Lommel 433:Percy Adlon 145:(1972) and 116:(1966) and 92:Edgar Reitz 73:Rolf Hansen 21:film editor 581:Categories 508:Haro Senft 425:filmmakers 423:Associated 357:2010-08-07 328:2001-01-21 299:2010-09-26 253:References 53:Wiesbaden 228:See also 157:(1984). 122:(1968). 542:Related 59:Careers 49:Ansbach 335:frames 184:1975: 179:Awards 65:Munich 45:Poland 41:Oppeln 379:IMDb 273:IMDb 218:for 191:for 377:at 271:at 583:: 350:. 321:. 308:^ 287:. 261:^ 240:; 407:e 400:t 393:v 360:. 331:. 302:. 248:. 171:( 106:( 79:(

Index

film editor
New German Cinema
Werner Herzog
Oppeln
Poland
Ansbach
Wiesbaden
Munich
Bavaria Film
Rolf Hansen
Oskar Werner
Edgar Reitz
Alexander Kluge
New German Cinema
Yesterday Girl
Artists Under the Big Top: Perplexed
Ulm School of Design
Signs of Life
Aguirre, the Wrath of God
Fitzcarraldo
Where the Green Ants Dream
German Film Awards
Gold Film Ribbon for Best Editing
The Enigma of Kaspar Hauser
In Danger and Deep Distress, The Middleway Spells Certain Death
Germany in Autumn
28th Berlin International Film Festival
Germany in Autumn
List of film director and editor collaborations
Werner Herzog

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