Knowledge

Bel Canto (novel)

Source 📝

242:
is passionate about the soprano Roxane Coss, having heard her recordings. He falls in love with the woman herself during their time together. However, he knows their relationship can only last for the duration of the standoff. He is gunned down in the final scenes by the soldiers of the host country, in his attempt to save the teenaged terrorist Carmen.
194:(also called the Lima Crisis) of 1996–1997 in Lima, Peru, the novel follows the relationships among a group of young terrorists and their hostages, who are mostly high-profile executives and politicians, over several months. Many of the characters form unbreakable bonds of friendship, while some fall in love. 376:
Critic James Polk largely praised the novel, but noted Patchett "strained a bit too hard" to highlight the terrorists' humanizing traits, which he argued "diminished the story's taut ambivalence, making some scenes near the end sound almost like accounts of a Boy Scout jamboree." Other reviewers also
252:
who sets herself apart from the rest of the guests, she eventually begins to bond with the others when she receives a box of musical scores and begins singing to them every morning. She is especially touched by her relationships with Mr. Hosokawa, with whom she falls in love; Gen, with whom she forms
241:
is a Japanese business mogul, who is married with two daughters. He has a strong bond with his young translator Gen. He doesn't speak Spanish and must use Gen for all communication in the host country. Since attending a performance with his father as a child, opera has been his greatest love, and he
211:
Set in an unspecified South American country, the story begins at a birthday party thrown at the country's vice presidential home in honor of Katsumi Hosokawa, the visiting chairman of a large Japanese company and opera enthusiast. As a not-so-subtle pretext to get Hosokawa to invest in the country,
280:
is the terrorist whom Gen loves. Carmen remains incognito in the guise of a male terrorist for the first part of the novel. The leader of the organization, General Benjamin, notices what a beautiful young woman she has become and notes that, "had she been this pretty before, he never would have let
266:
is the most intelligent and thoughtful of the three generals who lead the terrorists. Benjamin was a schoolteacher until his brother was arrested and imprisoned for handing out flyers publicizing a political protest. After that, he joined the terrorist group La Familia de Martin Suarez, named
259:
is Mr. Hosokawa's translator and assistant. He is a quiet, sensitive and gifted young man who speaks several languages. As the translator, he is usually at the center of the action of the novel, although he is the only hostage, besides a priest, who is not fabulously wealthy and powerful. He begins
223:
Two major romantic relationships develop as the standoff drags on and serve as the backdrop to the rest of the story. The first is between Coss and Hosokawa, who develop a deep bond even though they do not speak each other's language and thus cannot communicate verbally. The second relationship is
291:
is the French ambassador to the South American country where the novel is set. Because he longs for his wife Edith, who is released early with the rest of the women and children, Thibault is the hostage who is most unhappy during the long standoff. He spends much of his time cooking for both the
219:
Near the end of the party, members of a terrorist organization break into the house, intending to take the President of the country hostage. When they realize the President is not in attendance, the terrorist group decides to take the entire party hostage. After determining they have too many
267:
after a ten-year-old boy who was shot dead while handing out flyers for a political rally. Benjamin has left behind a wife and children, and he is fatherly to some of the young terrorists under his command. He is plagued with shingles, which rage across much of his face.
273:
is a Swiss representative for the Red Cross. who negotiates between the government and the terrorists. He is the one person allowed to come and go from the mansion. Messner punctuates the general happiness with frequent reminders that the situation will end badly.
27: 320:, but her editor advised against it in case bookstores would mis-shelve it in their "how to" section. The manuscript originally contained a prologue from Gen's perspective, establishing the book as a story about how he met his wife. However, Patchett's mentor 368:
praised the wide range of Patchett's writing, which "encompass both lightning flashes of brutality and terror and long stretches of incarcerated ennui." Several reviews note a departure in style from Patchett's earlier works and credit
304:
as she watched the events unfold on the news and thought how operatic the crisis was. Patchett was an opera novice prior to writing the book, although she has stated that the character Roxane was modeled on
292:
hostages and the terrorists, and he is almost always wearing Edith's scarf. He and Edith are reunited after the standoff, and they are the witnesses to the marriage of Gen and Roxane in the final chapter.
340:-third." Her first two novels were in first-person and her third novel was in third-person, but it was limited to one character's perspective. She was pleased when she was able to write in this style for 227:
At the end of the novel, the government breaks into the house and kills all the terrorists. All of the hostages are freed except for Hosokawa, who is shot by government forces in the struggle.
253:
a strong bond and eventually marries; Carmen, who sleeps in her bed, braids her hair, and comforts her; and Cesar, another young terrorist with a gifted singing voice whom she begins tutoring.
260:
tutoring Carmen when she asks him to teach her how to read and write in Spanish and English, and they begin meeting each night in the china closet to study and eventually make love.
364:, the broadcaster and chairman of the Orange Prize judges, praised the work, saying, "This is a fine piece of writing, mixing tenderness and danger to an impressive degree." Critic 467:
with a two-episode arc called "Bel Panto": the visitors of a charity event are taken hostage by a group of clowns seeking to steal a jeweled necklace from a wealthy actress.
924: 80: 309:, an acquaintance of hers who was an opera singer. Since she was not familiar with Bennett's voice, she listened to recordings by the famous American soprano 1202: 358:, based on mostly American publications, the book received "rave" reviews based on seven critic reviews, with four being "rave" and three being "positive". 484: 50: 1177: 230:
In an epilogue that takes place some years later, former hostages Simon Thibault and his wife meet with Gen and Roxane, who are getting married in Italy.
285:. In the ultimate shootout, she is gunned down before Gen can get to her. In the ensuing newspaper articles, there is no record of her ever existing. 608: 668: 224:
between the translator Gen and the young terrorist Carmen, who must keep their love a secret. The two lovers meet in the china closet every night.
859: 908:
Ann Patchett's Journeys in Opera, from the Page to the Stage: Author Tells Midge Woolsey About Her Latest Novel and Drinks with Renée Fleming
1207: 556: 313:
and imagined Roxane Coss as possessing Fleming's voice. (Patchett and Fleming became friends only after the novel was published.)
837:
by Ann Patchett: Fifty-seven men—and one extraordinary woman—are held hostage by guerrillas in the latest novel by the author of
999: 638: 220:
hostages, the terrorists decide to release all of the hostages except those they deem most likely to return a large ransom.
1172: 695: 377:
criticize the slow pacing and unrealistic characterizations, although other critics attribute this to Patchett's brand of
1217: 1182: 387:
has been translated into over 30 languages. According to Patchett, it was slated to become a movie five or six times, a
180: 1167: 1023: 136: 1131: 1212: 1197: 1104: 301: 191: 492: 907: 539: 176: 1162: 1069: 1187: 616: 1192: 1037: 815:
Captive Audience: In Ann Patchett's novel, a lyric soprano is among those taken hostage in South America
992: 399:'s 2006 season, all of which fell through, until the opera came together in 2015 and the film in 2018. 814: 514: 575: 953: 880: 172: 1077: 884: 748: 455: 365: 945: 439: 428: 331: 792: 985: 8: 1112: 775: 561: 321: 819: 282: 646: 533: 464: 408: 197:
Opera is a centralizing theme on many levels throughout the story; the operatic term
143: 131: 770: 1139: 968: 435: 392: 388: 115: 70: 310: 1061: 925:"'Bel Canto' with Julianne Moore, Ken Watanabe Sells to Screen Media (EXCLUSIVE)" 845: 677: 963: 940: 893: 797: 721: 699: 443: 396: 416: 1156: 378: 361: 336: 306: 168: 84: 833: 1008: 753: 726: 447: 354: 164: 40: 1053: 891:. The Rest is Noise – Books, articles, and a blog by the music critic of 788: 249: 150: 328: 867: 424: 344:, deeming her achievement of the style a progression in her writing. 199: 334:
that "moves from person to person within a room"—a style she calls "
1085: 420: 216:
Roxane Coss is scheduled to perform as the highlight of the party.
213: 977: 324:
told her that the prologue was not needed, so Patchett cut it.
412: 184: 144: 327:
Patchett has stated that she always wanted to write with an
248:
is an internationally renowned American soprano. At first a
26: 911: 612: 179:. It was placed on several top book lists, including 696:"Ann Patchett Hits All the Right Notes (interview)" 557:
American author beats British trio to £30,000 award
1154: 167:, published in 2001 by Perennial, an imprint of 515:"Best Books of 2001: Top 25 Editors' Favorites" 639:"A Conversation with Ann Patchett (interview)" 993: 914:. August 3, 2011. Retrieved December 6, 2015. 689: 687: 373:for pushing her into the national spotlight. 1203:PEN/Faulkner Award for Fiction-winning works 477: 631: 551: 549: 1000: 986: 684: 25: 765: 763: 673:ripped from the heart, not the headlines" 609:"Conversation: Ann Patchett (interview)" 568: 546: 1178:Women's Prize for Fiction-winning works 858:McClurg, Jocelyn (September 26, 2007). 809: 807: 163:is the fourth novel by American author 1155: 826: 760: 981: 769:Mendelsohn, Daniel (June 18, 2001). " 741: 693: 667:von Rhein, John (November 24, 2015). 606: 507: 203:literally means "beautiful singing." 804: 183:(2001). It was also adapted into an 171:Publishers. It was awarded both the 643:via Ann Patchett's Official Website 295: 13: 1208:American novels adapted into films 600: 555:Reynolds, Nigel (June 12, 2002). " 14: 1229: 864:wallows in the warm-and-fuzzies". 407:The novel has been adapted under 281:her sign up." She often prays to 31:Cover of the first edition (2001) 1105:Truth & Beauty: A Friendship 1007: 917: 900: 874: 852: 832:Miller, Laura (June 22, 2001). 782: 316:The original working title was 206: 192:Japanese embassy hostage crisis 181:Amazon's Best Books of the Year 871:. Retrieved December 26, 2017. 813:Polk, James (June 10, 2001). " 714: 661: 402: 318:How to Fall in Love with Opera 177:PEN/Faulkner Award for Fiction 1: 897:. Retrieved December 6, 2015. 849:. Retrieved December 6, 2015. 823:. Retrieved December 6, 2015. 801:. Retrieved December 6, 2015. 779:. Retrieved December 6, 2015. 757:. Retrieved December 6, 2015. 747:Clark, Alex (July 14, 2001). 694:Weich, Dave (June 27, 2001). 681:. Retrieved December 6, 2015. 470: 300:Patchett was inspired by the 233: 607:Ifill, Gwen (July 2, 2002). 347: 7: 1173:Novels set in South America 112:Print (Paperback, Hardback) 10: 1234: 1218:Novels adapted into operas 1183:Interracial romance novels 565:. Retrieved June 16, 2007. 538:: CS1 maint: url-status ( 16:2001 novel by Ann Patchett 1132:The Patron Saint of Liars 1123: 1096: 1024:The Patron Saint of Liars 1015: 960: 951: 937: 434:A film adaptation of the 142: 130: 122: 108: 100: 90: 76: 66: 58: 46: 36: 24: 1168:American thriller novels 1038:The Magician's Assistant 954:Orange Prize for Fiction 839:The Magician's Assistant 173:Orange Prize for Fiction 395:, commissioned for the 1213:Novels by Ann Patchett 1198:Novels about terrorism 946:The Idea of Perfection 453:The television series 450:was released in 2018. 429:Lyric Opera of Chicago 427:. It premiered at the 883:(February 28, 2012). 495:on September 26, 2007 431:on December 7, 2015. 332:third person narrator 1163:2001 American novels 791:(October 1, 2007). " 1188:HarperCollins books 1113:These Precious Days 619:on November 8, 2012 322:Elizabeth McCracken 21: 1193:Novels about music 820:The New York Times 391:, and an opera by 283:Saint Rose of Lima 51:Elizabeth Ackerman 19: 1150: 1149: 976: 975: 961:Succeeded by 156: 155: 101:Publication place 47:Cover artist 1225: 1002: 995: 988: 979: 978: 938:Preceded by 935: 934: 929: 928: 921: 915: 904: 898: 878: 872: 856: 850: 830: 824: 811: 802: 786: 780: 767: 758: 745: 739: 738: 736: 734: 718: 712: 711: 709: 707: 702:on June 29, 2011 698:. Archived from 691: 682: 665: 659: 658: 656: 654: 645:. Archived from 635: 629: 628: 626: 624: 615:. Archived from 604: 598: 597: 595: 593: 584: 572: 566: 553: 544: 543: 537: 529: 527: 525: 511: 505: 504: 502: 500: 491:. Archived from 481: 393:Aaron Jay Kernis 389:Broadway musical 296:Creative process 264:General Benjamin 239:Katsumi Hosokawa 212:famous American 146: 92:Publication date 29: 22: 18: 1233: 1232: 1228: 1227: 1226: 1224: 1223: 1222: 1153: 1152: 1151: 1146: 1119: 1092: 1078:The Dutch House 1062:State of Wonder 1011: 1006: 972: 957: 949: 933: 932: 923: 922: 918: 905: 901: 879: 875: 857: 853: 831: 827: 812: 805: 787: 783: 768: 761: 746: 742: 732: 730: 720: 719: 715: 705: 703: 692: 685: 678:Chicago Tribune 669:"Lyric Opera's 666: 662: 652: 650: 649:on June 7, 2007 637: 636: 632: 622: 620: 605: 601: 591: 589: 582: 574: 573: 569: 554: 547: 531: 530: 523: 521: 513: 512: 508: 498: 496: 483: 482: 478: 473: 405: 350: 298: 271:Joachim Messner 236: 209: 126:318 (Paperback) 113: 109:Media type 93: 53: 32: 17: 12: 11: 5: 1231: 1221: 1220: 1215: 1210: 1205: 1200: 1195: 1190: 1185: 1180: 1175: 1170: 1165: 1148: 1147: 1145: 1144: 1136: 1127: 1125: 1121: 1120: 1118: 1117: 1109: 1100: 1098: 1094: 1093: 1091: 1090: 1082: 1074: 1066: 1058: 1050: 1042: 1034: 1028: 1019: 1017: 1013: 1012: 1005: 1004: 997: 990: 982: 974: 973: 964:Valerie Martin 962: 959: 950: 941:Kate Grenville 939: 931: 930: 916: 899: 894:The New Yorker 873: 851: 825: 803: 798:The New Yorker 793:A Boston Fable 781: 759: 740: 713: 683: 660: 630: 599: 567: 545: 506: 485:"Ann Patchett" 475: 474: 472: 469: 465:seventh season 444:Julianne Moore 438:from director 409:the same title 404: 401: 397:Santa Fe Opera 349: 346: 297: 294: 289:Simon Thibault 235: 232: 208: 205: 154: 153: 148: 140: 139: 134: 128: 127: 124: 120: 119: 110: 106: 105: 102: 98: 97: 94: 91: 88: 87: 78: 74: 73: 71:Thriller novel 68: 64: 63: 60: 56: 55: 54:Echos/Nonstock 48: 44: 43: 38: 34: 33: 30: 15: 9: 6: 4: 3: 2: 1230: 1219: 1216: 1214: 1211: 1209: 1206: 1204: 1201: 1199: 1196: 1194: 1191: 1189: 1186: 1184: 1181: 1179: 1176: 1174: 1171: 1169: 1166: 1164: 1161: 1160: 1158: 1142: 1141: 1137: 1134: 1133: 1129: 1128: 1126: 1122: 1115: 1114: 1110: 1107: 1106: 1102: 1101: 1099: 1095: 1088: 1087: 1083: 1080: 1079: 1075: 1072: 1071: 1067: 1064: 1063: 1059: 1056: 1055: 1051: 1048: 1047: 1043: 1040: 1039: 1035: 1032: 1029: 1026: 1025: 1021: 1020: 1018: 1014: 1010: 1003: 998: 996: 991: 989: 984: 983: 980: 971: 970: 965: 956: 955: 948: 947: 942: 936: 927:. 8 May 2018. 926: 920: 913: 909: 903: 896: 895: 890: 888: 882: 877: 870: 869: 865: 863: 855: 848: 847: 842: 840: 836: 829: 822: 821: 816: 810: 808: 800: 799: 794: 790: 785: 778: 777: 772: 766: 764: 756: 755: 750: 744: 729: 728: 723: 717: 701: 697: 690: 688: 680: 679: 674: 672: 664: 648: 644: 640: 634: 618: 614: 610: 603: 588: 587:HarperCollins 581: 579: 571: 564: 563: 562:The Telegraph 558: 552: 550: 541: 535: 520: 516: 510: 494: 490: 489:HarperCollins 486: 480: 476: 468: 466: 462: 458: 457: 451: 449: 445: 441: 437: 432: 430: 426: 422: 418: 414: 410: 400: 398: 394: 390: 386: 382: 380: 379:magic realism 374: 372: 367: 363: 362:Sue MacGregor 359: 357: 356: 352:According to 345: 343: 339: 338: 337:Anna Karenina 333: 330: 325: 323: 319: 314: 312: 311:Renée Fleming 308: 307:Karol Bennett 303: 293: 290: 286: 284: 279: 275: 272: 268: 265: 261: 258: 254: 251: 247: 243: 240: 231: 228: 225: 221: 217: 215: 204: 202: 201: 195: 193: 190:Based on the 188: 186: 182: 178: 174: 170: 169:HarperCollins 166: 162: 161: 152: 149: 147: 141: 138: 137:0-06-093441-7 135: 133: 129: 125: 121: 117: 111: 107: 104:United States 103: 99: 95: 89: 86: 85:HarperCollins 82: 79: 75: 72: 69: 65: 61: 57: 52: 49: 45: 42: 39: 35: 28: 23: 1138: 1130: 1111: 1103: 1084: 1076: 1070:Commonwealth 1068: 1060: 1052: 1045: 1044: 1036: 1030: 1022: 1009:Ann Patchett 967: 952: 944: 919: 902: 892: 886: 876: 866: 861: 860:"Patchett's 854: 844: 838: 834: 828: 818: 796: 789:Updike, John 784: 774: 771:Ransom Notes 754:The Guardian 752: 749:Danger Arias 743: 731:. Retrieved 725: 716: 704:. Retrieved 700:the original 676: 670: 663: 651:. Retrieved 647:the original 642: 633: 621:. Retrieved 617:the original 602: 590:. Retrieved 586: 577: 570: 560: 522:. Retrieved 518: 509: 497:. Retrieved 493:the original 488: 479: 460: 454: 452: 448:Ken Watanabe 433: 415:by composer 406: 384: 383: 375: 370: 360: 353: 351: 341: 335: 326: 317: 315: 299: 288: 287: 277: 276: 270: 269: 263: 262: 257:Gen Watanabe 256: 255: 245: 244: 238: 237: 229: 226: 222: 218: 210: 207:Plot summary 198: 196: 189: 165:Ann Patchett 159: 158: 157: 41:Ann Patchett 1124:Adaptations 722:"Bel Canto" 463:during its 417:Jimmy López 403:Adaptations 302:Lima Crisis 250:prima donna 246:Roxane Coss 114:Audiobook ( 1157:Categories 1097:Nonfiction 881:Ross, Alex 733:16 January 727:Book Marks 519:Amazon.com 471:References 440:Paul Weitz 366:Alex Clark 355:Book Marks 329:omniscient 234:Characters 20:Bel Canto 1140:Bel Canto 1046:Bel Canto 887:Bel Canto 868:USA Today 835:Bel Canto 671:Bel Canto 578:Bel Canto 461:Bel Canto 459:parodied 436:same name 425:Nilo Cruz 385:Bel Canto 371:Bel Canto 348:Reception 342:Bel Canto 200:bel canto 187:in 2015. 160:Bel Canto 81:Perennial 77:Publisher 1086:Tom Lake 969:Property 889:(opera)" 776:New York 706:June 16, 653:June 23, 623:June 16, 592:June 21, 534:cite web 524:June 23, 499:June 21, 421:libretto 411:into an 151:51300210 116:Cassette 59:Language 214:soprano 62:English 1143:(2018) 1135:(1998) 1116:(2021) 1108:(2004) 1089:(2023) 1081:(2019) 1073:(2016) 1065:(2011) 1057:(2007) 1049:(2001) 1041:(1997) 1033:(1994) 1027:(1992) 1016:Novels 583:(ASPX) 456:Archer 278:Carmen 37:Author 958:2002 846:Salon 442:with 419:to a 413:opera 185:opera 123:Pages 118:, CD) 67:Genre 1031:Taft 912:WXQR 735:2024 708:2007 655:2007 625:2007 594:2007 540:link 526:2007 501:2007 446:and 175:and 145:OCLC 132:ISBN 96:2001 1054:Run 910:." 862:Run 817:." 795:." 773:." 751:." 613:PBS 559:." 423:by 381:. 1159:: 966:– 943:– 843:. 806:^ 762:^ 724:. 686:^ 675:. 641:. 611:. 585:. 548:^ 536:}} 532:{{ 517:. 487:. 83:, 1001:e 994:t 987:v 906:" 885:" 841:" 737:. 710:. 657:. 627:. 596:. 580:" 576:" 542:) 528:. 503:.

Index


Ann Patchett
Elizabeth Ackerman
Thriller novel
Perennial
HarperCollins
Cassette
ISBN
0-06-093441-7
OCLC
51300210
Ann Patchett
HarperCollins
Orange Prize for Fiction
PEN/Faulkner Award for Fiction
Amazon's Best Books of the Year
opera
Japanese embassy hostage crisis
bel canto
soprano
prima donna
Saint Rose of Lima
Lima Crisis
Karol Bennett
Renée Fleming
Elizabeth McCracken
omniscient
third person narrator
Anna Karenina
Book Marks

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.