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Benefit concert

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artist. To feel connected to a celebrity, fans are likely to participate in activities the celebrity considers important. For example, if a benefit concert starred unknown musicians performing songs for unknown people in Africa, the incentive for viewers to donate would be minimal. Bob Geldof, the founder of Live Aid, is aware of the need of familiarity and para-social interaction on behalf of the viewer. When criticised for not inviting enough African performers to play at Live Aid (of which the main purpose was famine relief for Africa), Geldof commented that only popular musicians were invited to play at the show because unfamiliar artists would cause viewers to lose interest and "switch off". In seeing the familiar face of their beloved artist on stage endorsing a cause, fans feel more compelled to support the cause.
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Furthermore, they propose that media events transform the ordinary role of the viewer into something more interactive where they adhere to the script of the event. All these principles of media events are true of benefit concerts. Benefit concerts interrupt the routine of people's lives because they occur (in most cases) for only for one night or for one week-end. Furthermore, they are broadcast as television spectacles that interrupt the regular scheduled programming on a given television network. Often, this kind of announced interruption has television viewers discussing the event with others beforehand, generating excitement around the event. Moreover, benefit concerts encourage audiences to adhere to their script, such as by phoning in donations or signing an online pledge.
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Large-scale benefit concerts attract millions of viewers and are usually broadcast internationally. As powerful means of mass communication, they can be highly effective at raising funds and awareness for humanitarian causes. Media scholars Dayan and Katz classify benefit concerts as "media events":
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Critics also say that benefit concerts are just a way for the rich West to forgive itself by helping the poor and distressed. These critiques argue that concerts like the Live Aid "rob Africans of agency, reinforces Western ethnocentrism and racisms and see famine as a natural disaster rather than as
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The presence of celebrities can draw criticism, but that is outweighed by the benefits. Some argue that pop stars only take part in charity to improve their public image. That, arguably, may be a motivation, but their participation can be essential to the event's success. Celebrities not only promote
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eight months earlier. The event was produced and cast by British impresario and producer Tony Hollingsworth. It was staged partly at Waters' expense. While he subsequently earned the money back from the sale of the CD and video releases of the album, the original plan was to donate all profits past
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weekend, was dramatically reformatted over the course of 2011 and 2012; from the program's founding in 1966 until 2010, the program aired as a traditional long-form telethon over the course of 21 hours. By the time of the 2012 edition, its name was changed to the current moniker, its longtime host
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Dan Laughey describes para-social interaction as "the apparent familiarity between media personalities and audiences". Seeing a favourite celebrity support a cause can influence fans to support the same cause—not because the cause is significant to the fans, but because it seems significant to the
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As media events, benefit concerts are widely broadcast and seen by millions of people. (The Live Aid charity concert in 1985, for example, was seen by an estimated 1.5 billion viewers worldwide.) However, this mass dissemination is only one of the factors that contribute to the success of benefit
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Dayan and Katz suggest that media events are an expression of a "neo-romantic desire for heroic action", meaning that media events produce leaders who inspire collective action with belief in the "power of the people" to change the world. Benefit concerts, therefore, have the potential to raise
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where discussions about the concert's cause can occur. The better the entertainment, the more people watch the concert, and thus the more people become aware of the cause. Furthermore, the music played in the concerts can lead spectators to interconnect and become more likely to act towards the
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Criticisms against benefit concerts go further than just criticizing the intentions of the celebrities involved. Some argue that benefit concerts are a wrong response for tragedies because the atmosphere involved on them is not one of mourning. Further criticism comes from those who argue that
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Benefit concerts are an effective form of gaining support and raising funds for a cause because of the large media coverage that they usually receive. In addition to the results they generate themselves, benefit concerts also generate a kind of cascading effect. That is, larger benefit concert
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Dayan and Katz define media events as shared experiences that unite viewers and call their attention to a particular cause or occasion. They argue that media events interrupt the flow people's daily lives, and that such events create a rise of interpersonal communication or "fellow feeling".
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himself responded to criticisms about the lack of African artists on the Live 8 by stating that, although those musicians produce great works, they do not sell many albums—and, for the sake of reaching as many people as possible, his concert had to include only popular artists.
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events, which both attracted billions of spectators. Scholars theorize that the observed increase on concert size since the Live Aid is happening because organizers strive to make their events as big as the tragedy at hand, thus hoping to gain legitimization that way.
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was ousted, and its format was reduced to a three-hour benefit concert for the Muscular Dystrophy Association. The MDA announced the event's discontinuation in May 2015 in order to focus on other ways to raise support for the organization via mobile and digital media.
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The repetition of songs and the experience of singing, suggests Bennett, can conjure up the meanings, identities and collectivities that enchant us and motivate our commitments. Bennett (2001: 133) detects in music the 'sonority' of language – in its (literal) sound
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Furthermore, the success of benefit concerts is tightly related to the quality of entertainment offered by them. To gain space and legitimization in the media, benefit concerts must have a large audience, the kind of large crowd attracted by famous music stars.
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Benefit concerts are a major example of celebrity charity for they involve popular musicians; actors and actresses; and other kinds of entertainment figures volunteering to a greater cause. The efficiency of celebrity charity is explained by the theory of
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June 12, 1982 – In New York City, 750,000 people marched from the UN to Central Park to protest nuclear weapons – in what was probably the largest single protest in U.S. history. NYC was shut down for the day. The concert featured artists including
250:. His thesis explains that it is more beneficial to a cause that celebrities do not contribute by only donating their money, but by participating in event like benefit concerts. That way stars can inspire hundreds of thousands of others to give. 309:", might as well be the theme song for media events, as it nicely encompasses the tone of such occasions: "these ceremonies (media events) are so all-encompassing that there is nobody left to serve-as out-group". 2202:
Street, John, Seth Hague, and Heather Savigny. 2008. "Playing to the Crowd: The Role of Music and Musicians in Political Participation." British Journal of Politics & International Relations 10, no. 2:
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Reed, T.V., (Author). 2001. "Famine, Apartheid and the politics of 'Agit-Pop': Music as (anti)colonial discourse." Cercles: Revue Pluridisciplinaire Du Monde Anglophone no. 3: 96. RILM Abstracts of Music
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The following is an incomplete list of benefit concerts with their own Knowledge page. For a more descriptive and inclusive list focusing on historically notable events, see
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enormous sums of money for a cause because of the para-social interaction that occurs between the performing celebrities (the leaders) and the spectating fans (the people).
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Hague, Seth, John Street, and Heather Savigny. 2008. "The Voice Of The People? Musicians As Political Actors." Cultural Politics (Bloomsbury Publishers) 4, no. 1: 5–23.
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Street, John. 2007. "Breaking the Silence: Music's Role in Political Thought and Action." Critical Review of International Social and Political Philosophy 10, no. 3.
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Benefit concerts can have both subjective and concrete objectives. Subjective objectives include raising awareness about an issue such as misery in Africa (such as
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was staged in London over four consecutive nights. This show expanded on its 1979 predecessor with appearances by multiple rock musicians including
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Geldofism turns celebrities into the only legitimate spokespeople for a cause, robbing the NGOs of the possibilities to speak up for a cause.
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The modern understanding of a benefit concert is of a large-scale, popular event put on to support a charitable or political cause. In the
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September 12, 2017 – A one-hour, commercial-free benefit concert television special for the relief efforts from the aftermath of
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January 12, 1918 – The Historic Concert for the Benefit of Widows and Orphans of Austrian and Hungarian Soldiers was held at the
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Davis, H. L. (2010). Feeding the World a Line?: Celebrity Activism and Ethical Consumer Practices From Live Aid to Product Red.
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was staged in London over four consecutive nights. In addition to the usual comedic performers from
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Wells, Paul. 2005. "Songs For The Suffering." Maclean's 118, no. 3: 56. MAS Ultra – School Edition.
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shared experiences that unite viewers with one another and their societies. In fact, in their book
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John, Street (2012), "Politics as music: the sound of ideas and ideology", in Street, John (ed.),
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that states a Knowledge editor's personal feelings or presents an original argument about a topic.
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Historic Concert for the Benefit of Widows and Orphans of Austrian and Hungarian Soldiers (1918)
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series of events raising funds for – and awareness of – human rights issues. The show titled
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organised a concert in dedication to the 22 victims killed at her concert that was held on
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his initial investment to the Memorial Fund for Disaster Relief, a UK charity founded by
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The Wall – Live in Berlin (1990 July 21) Roger Waters (Memorial Fund for Disaster Relief)
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was a telethon in the style of a benefit concert organised in the aftermath of the
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was a benefit concert organised as a tribute to the heroes and survivors of the
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created a poster for the event, which was handed out free to the audience.
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Face to Face with Orchestra and Chorus: A Handbook for Choral Conductors
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over three consecutive nights. It was primarily a comedy gala starring
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concerts. The people who send the message for collective action are
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The enchantment of modern life: attachments, crossings, and ethics
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motivate smaller concerts and other kinds of charity initiatives.
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Finally, the quality of entertainment is key to the creation of a
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August 12–13, 1972 – The Festival of Hope Rockfest took place at
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catalytic philanthropy, they can produce an effect some call
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Moses, Don V.; Demaree, Robert W.; Ohmes, Allen F. (2004).
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Society to benefit crippled children. The performers were:
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personal reflection, personal essay, or argumentative essay
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In chronological order, beginning with the earliest date:
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George Smart and Nineteenth-Century London Concert Life
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that often have a social agenda or fund-raising focus.
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who were victims of the tyrannical reign of dictator
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Shelter from the Storm: A Concert for the Gulf Coast
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A Gift of Song: The Music for UNICEF Concert (1979)
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Comprising two shows on the same day at 2483:"MDA ends Jerry Lewis Labor Day telethon" 2329:. Cambridge, MA: Harvard University Press 2290:"People & the Planet : Homepage" 2045: 2008: 2006: 666:. The concert was the idea of impresario 76:Learn how and when to remove this message 2337: 2335: 2180: 2178: 2052:. Boydell & Brewer. pp. 72–73. 2039: 1763:Diana, Princess of Wales Tribute Concert 1647: 776:The Secret Policeman's Other Ball (1981) 225: 146: 87: 2391: 2321: 2319: 2317: 2315: 2313: 2311: 2309: 2247: 1996: 1994: 1992: 1990: 1636:. This list may have some overlap with 1343:July 30, 2003 – 450,000 spectators saw 574:was staged at Her Majesty's Theatre in 2912: 2453: 2122: 2012: 2003: 1509:12-12-12: The Concert for Sandy Relief 326:to a benefit concert's effectiveness. 2608:Charitable trust / Registered charity 2500: 2357:. New York, NY: Open University Press 2347: 2332: 2175: 2156: 1907:Michael Forever – The Tribute Concert 1787:United We Stand: What More Can I Give 1629: 1471:held Rockdrive for its third year in 2645:Public-benefit nonprofit corporation 2630:Mutual-benefit nonprofit corporation 2306: 2212: 2088:. Indiana University Press. p.  1987: 1968: 1966: 1685:Concerts for the People of Kampuchea 1301:The Concert for New York City (2001) 221: 177:, and put on annual performances of 29: 1745:The Freddie Mercury Tribute Concert 1485:Los Angeles Unified School District 1266:America: A Tribute to Heroes (2001) 1182:The Freddie Mercury Tribute Concert 1077:and numerous guest artists, of the 1054:September 2 – October 15, 1988 The 1048:Human Rights Now! World Tour (1988) 346: 16:Type of musical benefit performance 13: 2454:Bauder, David (12 December 2012). 2325:Dayan, D., & Katz, E. (1992). 1853:From the Big Apple to the Big Easy 714:secured musical performances from 684:The Secret Policeman's Ball (1979) 362:(1749) and annual performances of 295: 210:, it was organized by and starred 14: 2931: 2864:Master of Nonprofit Organizations 2251:(2001), "Ethical energetics", in 2027:from the original on 25 July 2017 1963: 1799:Molson Canadian Rocks for Toronto 1323:and produced by a team including 983:US tour of six rock concerts for 973:Conspiracy of Hope US Tour (1986) 883:. Similar concerts were held in 795:The Secret Policeman's Other Ball 744:The Concerts for Kampuchea (1979) 478:. It was sponsored by the Nassau 412:The Concert for Bangladesh (1971) 382:, a children's charity in London. 275:cause. According to a theory, by 2394:"Rock Festivals on Upbeat Again" 2392:Heckman, Don (August 11, 1972). 1058:World tour of rock concerts for 828:Nuclear Disarmament Rally (1982) 464:Festival of Hope Rockfest (1972) 434:, performers included Harrison, 286: 167:purposes. In 1749, the composer 34: 2528:Charitable giving and practices 2447: 2429: 2404: 2385: 2360: 2282: 2272: 2241: 2206: 2196: 1956: 1673:Aloha from Hawaii via Satellite 1337:The SARS Benefit Concert (2003) 903:September 22, 1985 – The first 624:International Year of the Child 616:United Nations General Assembly 2852:List of charitable foundations 2150: 2116: 2073: 2013:Howell, Caro (13 March 2014). 1841:A Concert for Hurricane Relief 1739:Concert for Democracy in China 1554:, which aired each year every 1425:A Billion Hands Concert (2008) 1073:A live concert performance by 1040:Birmingham Children's Hospital 1: 2635:Non-governmental organization 1974:"A world of charity concerts" 1931:A Concert for Charlottesville 1871:Ahmet Ertegun Tribute Concert 1781:The Concert for New York City 1415:inspired and helped organise 1309:The Concert for New York City 337: 163:of concerts being staged for 1775:America: A Tribute to Heroes 1453:November 2008 Mumbai attacks 1274:America: A Tribute to Heroes 728:The No Nukes concerts (1979) 430:. Conceived and produced by 124:America: A Tribute to Heroes 7: 1661:John Sinclair Freedom Rally 1212:and to raise money for the 792:benefits. The show titled 703:The Secret Policeman's Ball 700:benefits. The show titled 10: 2936: 2805:Charity / thrift / op shop 2681:Charity (Christian virtue) 2355:Key Themes in Media Theory 2294:www.peopleandtheplanet.com 1655:The Concert for Bangladesh 1621: 1523:to benefit the victims of 1313:September 11, 2001 attacks 1278:September 11, 2001 attacks 915:to raise money for family 752:The Concerts for Kampuchea 488:Sly & The Family Stone 420:The Concert for Bangladesh 398:. Its patrons were Kaiser 142: 18: 2777: 2729:Animal Charity Evaluators 2714: 2673: 2595: 2534: 1624:Category:Benefit concerts 786:staged the fourth of its 359:Foundling Hospital Anthem 174:Foundling Hospital Anthem 2129:. Lulu.com. p. 31. 2046:Carnelley, John (2015). 1807:(2003, 2005, 2007, 2008) 1679:Music for UNICEF Concert 1618:List of benefit concerts 1220:. Among the performers: 1216:, a fund for victims of 694:staged the third of its 590:and others. Produced by 1901:Help for Heroes Concert 1877:A Billion Hands Concert 1751:Pavarotti & Friends 1519:. Proceeds went to the 1441:A Billion Hands Concert 1319:. It was initiated by 1200:) which took place at 1038:to raise money for the 987:. Performers included 789:Secret Policeman's Ball 782:September 9–12, 1981 – 750:December 26–29, 1979 – 697:Secret Policeman's Ball 626:. Performers included 565:Secret Policeman's Ball 374:Staged by the composer 2847:Ethics of philanthropy 2840:Psychological barriers 2640:Nonprofit organization 1811:Tsunami Relief Cardiff 1638:list of free festivals 1521:Robin Hood Relief Fund 1031:concert was held near 979:June 4–15, 1986 – The 907:concert, organised by 648:Earth, Wind & Fire 610:January 9, 1979 – The 376:George Frideric Handel 244:Catalytic Philanthropy 238: 204:Concert For Bangladesh 169:George Frideric Handel 156: 153:Concert For Bangladesh 96: 56:by rewriting it in an 2665:Voluntary association 2660:Religious corporation 2372:World Digital Library 2123:Pieper, Jörg (2009). 1727:Bridge School Benefit 1648:Rock and pop concerts 1513:Madison Square Garden 1272:September 21, 2001 – 1214:Mercury Phoenix Trust 1060:Amnesty International 1027:March 15, 1986 – The 985:Amnesty International 927:. 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(2007). 2157:Pomerantz, Dorothy. 1937:Fire Fight Australia 1793:Thrash of the Titans 1757:Music for Montserrat 1721:A Conspiracy of Hope 1613:the following week). 1534:MDA Show of Strength 1507:December 12, 2012 – 1467:December 11, 2010 – 1361:SARS Benefit Concert 1152:, along with actors 1021:Heart Beat 86 (1986) 1009:the Neville Brothers 931:concerts as of 2007. 863:July 13, 1985 – The 738:concerts in New York 400:Charles I of Austria 283:a political issue". 185:Ludwig van Beethoven 1949:Concert for Ukraine 1943:Global Citizen Live 1919:One Love Manchester 1566:One Love Manchester 1461:Rockdrive (ongoing) 1431:December 5, 2008 – 1307:October 20, 2001 – 943:May 17, 1986 – The 925:Champaign, Illinois 690:June 27–30, 1979 – 396:Konzerthaus, Vienna 113:humanitarian crisis 109:benefit performance 2835:Effective altruism 2820:Donor-advised fund 2785:Alternative giving 2764:Giving What We Can 2739:Charity assessment 2716:Charity evaluation 2552:Charity (practice) 2398:The New York Times 2216:Music and politics 1913:Stand Up To Cancer 1895:Hope for Haiti Now 1705:(annual from 1985) 1693:(annual from 1982) 1345:The Rolling Stones 1288:by the four major 1282:World Trade Center 1130:Marianne Faithfull 981:Conspiracy of Hope 656:Kris Kristofferson 640:Olivia Newton-John 558:April 1–3, 1976 – 492:Jefferson Airplane 476:Westbury, New York 380:Foundling Hospital 378:in support of the 239: 159:Examples exist in 157: 97: 58:encyclopedic style 45:is written like a 2907: 2906: 2879:Visiting the sick 2744:Charity Navigator 2724:Aid effectiveness 2655:Social enterprise 2577:Humanity (virtue) 1859:Concert for Diana 1691:Party in the Park 1405:Live Earth (2007) 1180:April 20, 1992 – 1056:Human Rights Now! 845:Bruce Springsteen 758:, benefiting the 756:Hammersmith Odeon 754:were held at the 588:Beyond The Fringe 571:A Poke in the Eye 536:Elephant's Memory 472:Roosevelt Raceway 418:August 1, 1971 – 222:Celebrity charity 86: 85: 78: 2927: 2920:Benefit concerts 2899:Warm-glow giving 2894:Wall of kindness 2884:Voluntary sector 2521: 2514: 2507: 2498: 2497: 2491: 2490: 2479: 2473: 2472: 2470: 2468: 2451: 2445: 2444: 2439:. 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Index

Evita (musical)
personal reflection, personal essay, or argumentative essay
help improve it
encyclopedic style
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Live 8
benefit performance
humanitarian crisis
Live 8
America: A Tribute to Heroes
Live Aid
Farm Aid
Live Earth

Concert For Bangladesh
musical history
philanthropic
George Frideric Handel
Foundling Hospital Anthem
Messiah
Ludwig van Beethoven
1808 Akademie concert
modern era
Concert For Bangladesh
Madison Square Garden
George Harrison
Ravi Shankar

Bob Geldof

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