158:, and the blue and red robes of the Virgin and her long features. The golden background and halos surrounding the heads of the Virgin and Child are common in the Byzantine representation of divine or holy figures, as are the colours used throughout the composition. These golden halos differ between the two figures in the painting—Christ's is articulated by an inlaid cruciform to distinguish his divine status. The Madonna boasts timeless stylized features of the Virgin. Her fingers, nose, and neck are exaggeratedly long and slender and her face itself is elongated and narrow. Her soulful eyes are large and intensely focused, lending her visage a particular elegance. Upon seeing the painting in person, one can observe a red tint in the cheeks of both Jesus and Mary that gives the flesh a lifelike quality—more vivacious, in fact, than its Byzantine predecessors. The particular depth created by the shading of the faces, Mary's in particular—an attribute of early Italian painting—also gives it an air of naturalism that Byzantine figures often lacked.
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His actual name is unknown, as he is known from the inscription "Berlingerius me pinxit" on the crucifix which is the basis of attributing other works to the name. The form "Berlinghiero
Berlinghieri", once common in art history, is certainly not his name according to
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after a five-year war. The original document has been lost since the mid-19th century and only a somewhat garbled 17th-century transcription exists today, giving rise to the mistaken interpretation of attributing him an incorrect name and an incorrect
154:. It exemplifies several key elements that typify it as quintessentially Byzantine, but it also contains later Italian elements. One can begin with the most recognizable attributes, for example, the halos, the flat and uncrowded
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Since his two adult sons were also mentioned in that document, it can be argued that
Berlinghiero was then between 35 and 40 years old. This puts his birthday in the year 1175, and his death in the year 1236.
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and most recent sources, however, his commonly accepted name is still
Berlinghiero. He is also mentioned in a parchment of March 22, 1228, among the names of the residents of
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style to whom work can be attributed with certainty, though distinguishing his work from that of his sons is sometimes difficult.
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His earliest work, or at least that attributed to him, is the "Madonna di sotto gli organi" in the
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art of the period. He is also one of the few artists who painted in what is considered the
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Lasareff, Victor (1927-08-01). "Two Newly-Discovered
Pictures of the Lucca School".
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Offner, Richard (1933-08-01). "The Mostra del Tesoro di
Firenze Sacra-I".
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style of the early thirteenth century. He was the father of the painters
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1228 – between 1236 and 1242), was an
Italian painter in the
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161:Works by Berlinghieri can be found at the
295:Metropolitan Museum of Art catalogue page
214:Toward a New History of Lucchese Painting
265:The Burlington Magazine for Connoisseurs
238:The Burlington Magazine for Connoisseurs
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223:, Vol. 33, No. 1 (Mar. 1951), pp. 11–31.
189:, and the Metropolitan Museum of Art in
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26:, c. 1230, tempera on wood, now at the
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175:Santa Maria Assunta in Villa Basilica
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76:who swore to keep the peace with
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140:National Museum of Villa Guinigi
128:and dates no earlier than 1210.
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146:One of his more famous works,
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314:13th-century Italian painters
179:North Carolina Museum of Art
101:Mosaic at the facade of the
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163:San Matteo National Museum
152:Metropolitan Museum of Art
28:Metropolitan Museum of Art
217:, by Edward B. Garrison,
150:is now on display at the
38:Berlinghiero Berlinghieri
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173:in Lucca, the church of
103:Basilica di San Frediano
58:Bonaventura Berlinghieri
187:Cleveland Museum of Art
138:, ca. 1220, now at the
109:His art style was late
289:Christiansen, Keith,
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319:Italian male painters
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42:Berlinghiero of Lucca
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329:Painters from Lucca
293:, by Berlinghiero,
54:Barone Berlinghieri
339:Romanesque artists
148:Madonna and Child,
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70:Edward B. Garrison
62:Graco Berlinghieri
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291:Madonna and Child
126:Cathedral of Pisa
24:Madonna and child
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156:gold background
119:Italo-Byzantine
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93:Style and works
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16:Italian painter
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271:(365): 76.
308:Categories
111:Romanesque
83:Lombardic
142:in Lucca
136:Crucifix
105:in Lucca
85:origin.
183:Raleigh
297:, 2011
277:865582
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250:863242
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185:, the
169:, the
115:Tuscan
60:, and
273:JSTOR
246:JSTOR
197:Notes
74:Lucca
167:Pisa
78:Pisa
181:in
165:in
46:fl.
40:or
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242:51
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228:^
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