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perspective, the morality of people who performed
Bharatanatyam was called into question. Accusations of prostitution were thrown around. Some women from traditionally performing communities were used as a way to showcase obscenity. New reforms disregarded local issues like production of the arts for the sake of liberalism and felt able to impose disruptive reforms that reshaped lives at all levels and subjected people to new standards. Colonial reforms were largely unsympathetic to local traditions, and dismissive of the industry surrounding producing art. The adoption of Anglo-Indian laws that imposed certain restrictions and regulations on certain expressions of sexuality, and more so regulations on bodies and sex in general, which in turn affected traditional dance practices. Temple dancing became caught in a web of multiple political agendas, hoping to bend this burgeoning morality issue to suit their cause. Colonial denunciations of the practice of temple dancing were caught up in liberal ideals of bringing modernity to India, where modernity was tied to Anglo-Protestant moral ideas about how bodies are viewed and how sexuality was presented.
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influenced by
Western ideas of democratization of arts. Part of the revival movement was making the opportunity to dance open to more people. Nationalist movements that focused on revival were also influenced by Western ideology through their propagation that part of the revival movement is a reassertion of traditional values, as well as a moment to remind people of the country’s cultural heritage and reestablish a sense of identity. Fighting for freedom from the British and fighting for civil liberties included debates about morality, and how gender impacts morality. The revival movement moralized devadasis by democratizing the art, while also decorating it with the female performing class. Figures like Rukmini Devi Arundale, who are credited with revitalizing Bharatanatyam, also shifted the practice to appeal to middle to upper-class women. Rukmini Devi Arundale is credited with helping develop the
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1104:. A traditional Varnam may be as long as 30–45 minutes or sometimes an hour. Varnam offers huge scope for improvisation and an experienced dancer can stretch the Varnam to a desirable length. The artist presents the play or the main composition, reveling in all their movements, silently communicating the text through codified gestures and footwork, harmoniously with the music, rhythmically punctuated. The dancer performs complicated moves, such as expressing a verse at two speeds. Their hands and body tell a story, whether of love and longing or of a battle between the good and the evil, as the musicians envelop them with musical notes and tones that set the appropriate mood.
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620:) culture, suggesting a historical origin back to between 300 BCE and 300 CE. Modern scholars have questioned this theory for lack of any direct textual or archeological evidence. Historic sculptures and texts do describe and project dancing girls, as well as temple quarters dedicated to women, but they do not state them to be courtesans and prostitutes as alleged by early colonial Indologists. According to Davesh Soneji, a critical examination of evidence suggests that courtesan dancing is a phenomenon of the modern era, beginning in the late 16th or the 17th century of the
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684:, a lawyer who had learned from traditional practitioners of Sadir, questioned the cultural discrimination and the assumed connection, asking why prostitution needs years of training for performance arts, and how killing performance arts could end any evils in society. Iyer was arrested and sentenced to prison on charges of nationalism, who while serving out his prison term persuaded his fellow political prisoners to support Bharatanatyam.
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2505:"A summation of the signal importance of the Natyasastra for Hindu religion and culture has been provided by Susan Schwartz, "In short, the Natyasastra is an exhaustive encyclopedic dissertation of the arts, with an emphasis on performing arts as its central feature. It is also full of invocations to deities, acknowledging the divine origins of the arts and the central role of performance arts in achieving divine goals (...)".
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Bharatanatyam’s successful revival meant that it was regarded as a classical dance tradition specific to India, as opposed to a cultural dance that had been changed by colonial censorship. It was becoming a modern nation to have a traditional dance that was practiced recreationally and was nationally recognized. With the standardization of
Bharatanatyam, there came books based on historic texts, like
40:
656:) and "devadasis" of south India (Bharatanatyam) as evidence of "harlots, debased erotic culture, slavery to idols and priests" tradition, and Christian missionaries demanded that this must be stopped, launching the "anti-dance movement" in 1892. The anti-dance camp accused the dance form as a front for prostitution, while revivalists questioned the constructed colonial histories.
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297:(Consists of the elements of drama). A program of bharatanatyam usually lasts two hours without interruption and includes a specific list of procedures, all performed by one dancer, who does not leave the stage or change costume. The accompanying orchestra—composed of drums, drone, and singer—occupies the back of the stage, led by the guru, or the teacher, of the dancer.
1074:(expressed words). This is the first item of Margam where expressions are introduced. The solo dancer, the vocalist(s), and the musical team, in this stage of the production, present short compositions, with words and meaning, in a spectrum of moods. This performance praises God (such as Krishna, Shiva, Rama, and Murugan) and their qualities.
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in 1947. It is now the most popular classical Indian dance style in India, enjoys a high degree of support in expatriate Indian communities, and is considered to be synonymous with Indian dance by many foreigners unaware of the diversity of dances and performance arts in Indian culture. In the second
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Long hair on both male and female dancers is either secured by a bun or a braid. Female dancers with short hair often use braid extensions or bun hair pieces to simulate long hair. Female dancers also wear imitation flowers made of either cloth or paper around their braids or buns. These are known as
1401:(literally, "carrying to the spectators"), that is applying body-speech-mind and scene, wherein the actors communicate to the audience, through song and music. Drama in this ancient Sanskrit text, thus is an art that engages every aspect of life to glorify and give a state of joyful consciousness.
906:, the dance-acting expands to include silent expression of words through gestures and body motion set to musical notes. The actor articulates a legend or a spiritual message. This part of a Bharatanatyam repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer.
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The Indian independence movement in the early 20th century, already in progress, became a period of cultural foment and initiated an effort by its people to reclaim their culture and rediscover history. In this period of cultural and political turmoil, Bharatanatyam was revived as a mainstream dance
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When the
British government tried to attempt to ban Bharatanatyam traditions, it went on and revived by moving outside the Hindu temple and religious ideas. However, post-independence, with rising interest in its history, the ancient traditions, the invocation rituals and the spiritually expressive
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For classes, training, practice, or rehearsals, dancers traditionally wear a special dance sari. These saris are always cotton and have a shorter breadth than normal saris, falling at the knees rather than the ankles. These are paired with cotton pyjamas and blouses. The sari is worn with pleats at
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Both female and male dancers wear elaborate jewelry on their ears, nose, neck, and wrists. Female dancers wear additional jewelry on their heads that emphasizes their hairline and parting. They also wear a smaller piece of jewelry on each side of their parting. These represent the sun and the moon.
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The overall sequence of
Bharatanatyam, states Balasaraswati, thus moves from "mere meter; then melody and meter; continuing with music, meaning and meter; its expansion in the centerpiece of the varnam; thereafter, music and meaning without meter; (...) a non-metrical song at the end. We see a most
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He also points out that these stances are very similar to Yoga Asanas, and in the
Gopuram walls at Chidambaram, at least twenty different classical Yoga Asanas are depicted by the dancers, including Dhanurasana, Chakrasana, Vrikshasana, Natarajasana, Trivikramasana, Ananda Tandavasana, Padmasana,
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performance is an abstract, fast, and rhythmic aspect of the dance. The viewer is presented with pure movement in
Bharatanatyam, wherein the emphasis is the beauty in motion, form, speed, range, and pattern. This part of the repertoire has no interpretative aspect, no telling of the story. It is a
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of
Bharatanatyam. There was an emphasis on building a modern India through Indian nationalism, which tied in with protecting traditional artistic traditions. The decommercialization and sanitation of Bharatanatyam for the sake of protecting the spirit of the art is part of Bharatanatyam’s revival.
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believes the student is ready for a solo performance. This solo debut is synonymous with a "coming-of-age" celebration. The arangetram is a culmination of multiple years of hard work by the student and the guru, and it is an opportunity for the dancer to showcase his or her dedication and skills
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dated around (171 CE), while temple sculptures of the 6th to 9th century CE suggest dance was a refined performance art by the mid-1st millennium CE. Sadiraattam, which was renamed
Bharatanatyam in 1932, is the oldest classical dance tradition in India. Bharatanatyam is the state dance form of
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Sadiraattam remained exclusive to Hindu temples through the 19th century. It was banned by the colonial
British government in 1910, but the Indian community protested against the ban and expanded its performance outside temples in the 20th century as Bharatanatyam. Modern stage productions of
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Nationalist movements that brought revitalizing devadasis up as an issue to focus on viewed it as a way to critique the imposition of colonial morality on India. However, the revival movement was not without Western influence. Nationalist movements that also focused on devadasis revival were
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The banning of temple dancing stemmed from the 1892 anti-dance movement and new, liberal colonial perspectives. What the English imagined nineteenth-century modernity to be did not include what they regarded Bharatanatyam to be, which they regarded as indecent. Coming from a deep orientalist
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text, which defines drama in verse 6.10 as something that aesthetically arouses joy in the spectator, through the medium of the actor's art of communication, that helps connect and transport the individual into a sensual inner state of being. A performance art, asserts
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developed over the years. Throughout this debut, the dancer performs a series of dances. The dancer must build up his or her concentration and stamina to perform solo dances for approximately three hours. Each dance performed symbolizes various aspects of
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The 1910 ban triggered protests against the stereotyping and dehumanization of temple dancers. Tamil people were concerned that a historic and rich dance tradition was being victimized under the excuse of social reform. Classical art revivalists such as
488:, expression, gestures, acting techniques, basic steps, standing postures—all of which are part of Indian classical dances. Dance and performance arts, states this text, are a form of expression of spiritual ideas, virtues and the essence of scriptures.
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was the introduction of state-sponsored dance festivals in 1955 in an independent India. These festivals were put on to display art with religious, social, and cultural connotations that have some regional diversity on a common national platform.
1583:, the pose of dancing Shiva. 108 karanas of classical temple dance are represented in temple statuary; they depict the devadasi temple dancers who made use of yoga asanas in their dancing. Bharatanatyam is also considered a form of
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While the British colonial government enforced laws to suppress Hindu temple dances, some from the West, such as the American dancer Esther Sherman moved to India in 1930, learned Indian classical dances, changed her name to
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part of the dance has returned. Many innovations and developments in modern Bharatanatyam, states Anne-Marie Geston, are of a quasi-religious type. Major cities in India now have numerous schools that offer lessons in
1287:. These are made of small bells attached to a broad leather strap with belts that secure them at the back of the ankle. The bells are arranged in uniform rows and can be heard when the dancer moves their feet. The
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of Madhavi in verses 113 through 159. The carvings in Kanchipuram's Shiva temple that have been dated to 6th to 9th century CE suggest dance was a well-developed performance art by about the mid 1st millennium CE.
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in the 18th century, and British colonial rule in the 19th, classical Indian dance forms were ridiculed and discouraged, and these performance arts declined. Christian missionaries and British officials presented
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In modern adaptations, Bharatanatyam dance troupes may involve many dancers who play specific characters in a story, creatively choreographed to ease the interpretation and expand the experience by the audience.
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and the gathered performance team. It also serves as a preliminary warm-up dance, without melody, to enable the dancer to loosen their body, and journey away from distractions and towards single-minded focus.
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1667:. For expat Indian and Tamil communities in many countries, it is a source and means for social life and community bonding. Contemporary Bharatanatyam choreographies include both male and female dancers.
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and historic drama texts. The dancer deploys turns or specific body movements to mark punctuations in the story or the entry of a different character in the play or legend being acted out through dance.
756:, accompanied by musicians and one or more singers. It is described as classical art because the theory of musical notes, vocal performance, and the dance movement reflect ideas of the Sanskrit treatise
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of Tamil Nadu. According to James Lochtefeld, classical dance remained exclusive to Hindu temples through the 19th century, only in the 20th century appearing on stage outside the temples. Further, the
1245:, then upwards along the front torso, over the left shoulder, and then down the back with its end held at the waist by a jeweled belt. The costume of a male Bharatanatyam dancer is usually either a
1814:. It is a reverential greeting, a thank you or a prayer to one or more gods, goddesses or to one's teacher. This is a post-performance, where a Sanskrit verse (Shloka) is danced out in the form of
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is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A
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Katrak, Ketu H. (2004). "Cultural Translation of Bharata Natyam into Contemporary Indian Dance. Second-generation South Asian Americans and cultural politics in diasporic locations".
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translates to "ascending the stage". This performance is typically done ten to twelve years after a dancer begins learning Bharatanatyam. Still, more importantly, it is done when the
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the dancer, who dissolves her identity in rhythm and music, makes her body an instrument, at least for the duration of the dance, for the experience and expression of the spirit.
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is a slower and more expressive aspect of the dance that attempts to communicate feelings, and storyline, particularly with spiritual themes in Hindu dance traditions. In a
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Srividya Natarajan Another Stage in the Life of the Nation: Sadir, Bharatanatyam, Feminist Theory. Unpublished Ph.D. Thesis, Dept of English, University of Hyderabad, 1997.
1487:(mood) of the underlying story. In the Hindu texts on dance, the dancer successfully expresses the spiritual ideas by paying attention to four aspects of a performance:
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stage of Bharatanatyam, these symbols set in a certain sequence become sentences with meaning, with emotions expressed through facial expressions and other aspects of
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Planet, Lonely; Benanav, Michael; Bindloss, Joe; Brown, Lindsay; Butler, Stuart; Elliott, Mark; Harding, Paul; Holden, Trent; Mahapatra, Anirban (1 October 2019).
1826:(supreme soul), to you the auspicious, I reverentially bow." Original: गुरुर्ब्रह्मा गुरुर्विष्णुर्गुरुर्देवो महेश्वरः । गुरुरेव परं ब्रह्म तस्मै श्रीगुरवे नमः ।।
810:; footwork, body language, postures, musical notes, the tones of the vocalist, aesthetics and costumes integrate to express and communicate the underlying text.
1001:, and the audience as a mark of respect. The beginning of the dance symbolizes supplication, from which the dancer then commences the rest of the performance.
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is a solo debut performance that signifies the completion of initial formal training of a young dancer, female or male in Indian classical dance. The term
580:. The image, 5 feet (1.5 m) tall, has 18 arms in a form that expresses the dance positions arranged in a geometric pattern. The arms of Shiva express
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464:, and its first complete compilation is dated to between 500 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. Richmond et al. estimate the
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Bharatanatyam have become popular throughout India and include performances that are purely dance-based on non-religious ideas and fusion themes. The
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The communication through symbols is in the form of expressive gestures and pantomime set to music. The gestures and facial expressions convey the
261:, or "tradition", is a term used to describe the dance technique and style specific to a guru or school, often named for the village of the guru.
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when the dancer flexes her knees or performs footwork, a hip piece that covers the seat of the pant/skirt, and a torso piece that looks like an
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344:, to give the dance form a measure of respect, at a meeting of the Madras Music Academy. They also were instrumental in modifying mainly the
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A famous example of illustrative sculpture is in the southern gateway of the Chidambaram temple (≈12th century) dedicated to the Hindu god
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1503:(artist's mental disposition and emotional connection with the story and audience, wherein the artist's inner and outer state resonates).
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779:, adorned with jewelry and presents a dance and it is synchronized with Indian classical music. The hand and facial gestures are a coded
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of the dancer and may also be playing cymbals or one of the musical instruments. The recited verses and text in Bharatanatyam are in
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or director-conductor of the performance and art. The performance repertoire of Bharatanatyam, like other classical dances, includes
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1587:. However, Natarajasana is not found in any medieval hatha yoga text; it was among the many asanas introduced into modern yoga by
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3038:"Colonial Material Collections and Representations of Devadasi Bodies in the Public Sphere in the Early 20th-Century South India"
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A traditional Bharatanatyam arangetram dance performance follows a seven to eight-part order of presentation. This set is called
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The repertoire of Bharatanatyam, like all major classical Indian dance forms, follows the three categories of performance in the
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based on gestures of hands, eyes, and face muscles. The dance is accompanied by music and a singer, and typically the dancer's
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639:, pictured in 1940, proposed Bharatanatyam after Hindu temple dancing was banned by the British colonial government in 1910.
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text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of
1822:(teacher) is the Brahma, the Guru is the Vishnu, the Guru is the Maheshvara (Shiva). The Guru is the pathway to Supreme
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In the late 20th century, Tamil Hindu migrants reintroduced the traditions of temple dancing in British Tamil temples.
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stage. This marks the arrival into the sanctum sanctorum core of the performance. It is the longest section and the
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Ann David (2007), Religious Dogma or Political Agenda? Bharatanatyam and its Reemergence in British Tamil Temples,
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1021:. It is a pure dance, which combines a thank you and benediction for blessings from the gods and goddesses, the
993:, which translates to "offering of flowers". In this dance, the performer offers flowers and salutations to the
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Outside India, Bharatanatyam is a sought-after and studied dance, states Meduri, in academic institutes in the
725:, which described the different movements. Evidence of a successful revival movement of Bharatanatyam through
17:
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The costume of a female Bharatanatyam dancer resembles a Tamil Hindu bridal dress. It typically consists of a
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style, where a series of pure movement and music are rhythmically performed. Therewith the performance ends.
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Vijaya Rao, (1987), Abbild des Göttlichen. Bharata Natyam. Der klassische Indische Tanz. Freiburg (Germany)
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Alice Boner (1990), Principles of Composition in Hindu Sculpture: Cave Temple Period, Motilal Banarsidass,
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Bharatanatyam shares the dance poses of many ancient Shiva sculptures in Hindu temples. The Cave 1 of the
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The Concise Garland Encyclopedia of World Music: The Middle East, South Asia, East Asia, Southeast Asia
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Both male and female dancers wear makeup, including foundation, blush, lipstick, and thick eyeliner or
1126:). The music is lighter, the chant intimate, the dance emotional. The choreography attempts to express
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Fred Kleiner (2009), Gardner's Art through the Ages: Non-Western Perspectives, Wadsworth Publishing,
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the front and tied tightly around the torso and hips. However, in recent times, dancers also opt for
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Indian classical dance and the making of Postcolonial National Identities: Dancing on Empire's stage
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505:, includes a story of a dancing girl named Madhavi; it describes the dance training regimen called
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4736:"Thousands of dancers mesmerize in world record attempt for largest Bharatanatyam performance"
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Dancing Architecture: the parallel evolution of Bharatanātyam and South Indian Architecture
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Dancing Architecture: the parallel evolution of Bharatanātyam and South Indian Architecture
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A girl performing a Bharatanatyam dance at a Pongal Festival in Namakkal, Tamil Nadu, India
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Dance helped inspire musicians, poets, painters, singers, and sculptors in Indian history.
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that is draped specially, with the single piece of cloth starting around the legs like a
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Temple Architecture and Art of the Early Chalukyas: Badami, Mahakuta, Aihole, Pattadakal
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Dance Research Journal. Congress on Research in Dance 36/2. Winter 2004. ISSN 0149-7677
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2352:"The Celebrated Sadir Dancer Tanjore Gnyana (1857-1922): A Life in Words and Pictures"
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Migration and Religion in Europe: Comparative Perspectives on South Asian Experiences
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Migration and Religion in Europe: Comparative Perspectives on South Asian Experiences
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World Musics in Context: A Comprehensive Survey of the World's Major Musical Cultures
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2086:
2059:
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1881:
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1536:(dance hand gestures). Like words in a glossary, these gestures are presented in the
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345:
302:
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banned temple dancing, and with it the classical dance tradition in Hindu temples.
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6513:
4645:"Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice"
3457:
2968:"Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice"
1249:
or a white cotton cloth draped around the legs and bottom half of the body like a
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314:
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3630:
1900:
1612:
half of the 20th century, Bharatanatyam has been to Indian dance tradition what
692:, and joined the movement to revive Bharatanatyam and other ancient dance arts.
598:
and modern authors have argued that Bharatanatyam is a descendant of an ancient
589:
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6238:
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5397:
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5267:
4713:
1330:
1314:
1307:
1302:, a tradition that helps the audience easily see their hand and foot gestures.
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technical performance and aims to engage the senses (Prakriti) of the audience.
556:
493:
329:
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5094:
4695:"At Home in the World? The Bharatanatyam Dancer As Transnational Interpreter"
4541:
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4129:
3811:
3406:
3115:
3061:
2105:
1742:
1701:
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portion, the movements exit the temple of expressive dance, returning to the
1122:(expression) of the solemn spiritual message or devotional religious prayer (
994:
881:
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722:
701:
450:
270:
233:
55:
4015:
1130:(emotional taste) and a mood, while the recital may include items such as a
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5525:
5490:
5407:
5356:
5115:
4504:
3773:
1580:
461:
153:
75:
4785:
Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory".
3437:
3398:
3383:"State Patronage in India: Appropriation of the "Regional" and "National""
2908:
Resonances of the Raj: India in the English Musical Imagination, 1897-1947
2851:
Donors, Devotees, and Daughters of God: Temple Women in Medieval Tamilnadu
2806:
Donors, Devotees, and Daughters of God: Temple Women in Medieval Tamilnadu
1291:
helps emphasize the rhythm of the music as well as the dancer's footwork.
872:
is the correct sequence in the practice of this art, which is an artistic
8855:
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1766:
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1376:
Bharatanatyam, like all classical dances of India, uses symbolism in its
1325:, typically also the conductor of the entire performance, who may be the
1318:
989:
785:
752:
Bharatanatyam is traditionally a team performance art that consists of a
741:
689:
664:
649:
305:
developed the basic structure of modern Bharatanatyam by formalizing it.
4671:
3162:
3149:
Amrit Srinivasan (1983). "The Hindu Temple-dancer: Prostitute or Nun?".
3123:
3099:
3069:
3037:
2991:
2967:
2786:
2773:
Amrit Srinivasan (1983). "The Hindu Temple-dancer: Prostitute or Nun?".
1274:, which helps the audience see and understand their facial expressions.
8642:
8438:
8388:
7983:
7309:
7277:
7222:
7079:
6788:
6625:
6598:
6380:
6153:
5850:
5805:
5795:
5775:
5735:
5665:
5540:
5530:
5500:
5286:
5172:"In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing"
4806:
3699:
3603:
3568:
3524:
3414:
3382:
3197:
2728:, MA Thesis, Awarded by University of Waterloo, Canada, pages 21-27, 46
1810:
After the Tillana, the dancer may continue to the seventh part, called
1660:
1564:
1353:
1299:
1232:(i.e. the draped part of a regular sari). Some dancers also opt for an
753:
595:
265:
style is noted for its fixed upper torso, bent legs, and flexed knees (
244:
206:
179:
7649:
4988:
Narayanan Chittoor Namboodiripad, "Revealing the Art of Natyasastra."
4524:
The Path of Modern Yoga: the history of an embodied spiritual practice
1224:-shaped pants), a pleated piece which falls in front and opens like a
468:
to have been composed around 600 BCE. The most studied version of the
448:
The theoretical foundations of dance Bharatanatyam are found first in
8702:
8662:
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8368:
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7918:
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7673:
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5845:
5790:
5760:
5680:
5675:
5635:
5580:
5475:
5437:
5346:
5341:
4663:
2983:
2552:. New Delhi: Manohar American Institute of Indian Studies. p. 2.
2368:
A Dictionary of Theatre Anthropology: The Secret Art of the Performer
1966:
1964:
1758:
1664:
1648:
1640:
1356:(long type of oboe made from black wood), nattuvangam (cymbals), the
1349:
525:
353:
217:, and expresses South Indian religious themes and spiritual ideas of
120:
5043:
Richmond, Farley P.; Swann, Darius L.; Zarrilli, Phillip B. (1993).
4798:
3691:
3595:
3560:
3516:
3189:
2746:
Unfinished Gestures: Devadasis, Memory, and Modernity in South India
2351:
1310:
or athletic wear (like T-shirts and leggings) when not performing.
987:
The Arangetram performance typically begins with a dance called the
8707:
8530:
8330:
7998:
7923:
7888:
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7292:
7287:
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389:
322:
218:
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2157:
1961:
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8398:
8393:
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7145:
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6873:
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6858:
6813:
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6518:
6503:
6495:
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6329:
6232:
6207:
6183:
6082:
6072:
5973:
5840:
5825:
5740:
5705:
5650:
5610:
5570:
5545:
5432:
5402:
5301:
5236:
4252:
Swarajya Prakash Gupta; Krishna Lal; Mahua Bhattacharyya (2002).
4018:, Centre for Cultural Resources and Training, Government of India
2218:
Azadi Ka Amrit Mahotsav, Ministry of Culture, Government of India
1823:
1671:
1338:
1174:
1150:
1036:
The next stage of the performance adds melody to the movement of
1017:
796:
572:
222:
6168:
6024:
4448:
4418:
4278:
3456:, Volume 14, Number 4, Fall 2007, University of Illinois Press,
3325:
Geographies of Dance: Body, Movement, and Corporeal Negotiations
1949:
1458:
1449:
1429:
1418:
1277:
All dancers wear leather anklets on each foot, which are called
1212:
embroidery on the borders. The costume can be stitched from the
8617:
8413:
8408:
8335:
7883:
7868:
7406:
7384:
7197:
7150:
7109:
6991:
6981:
6920:
6828:
6771:
6766:
6620:
6307:
6143:
6129:
6114:
6014:
5876:
5800:
5755:
5700:
5685:
5645:
5605:
5595:
5585:
5392:
5361:
5336:
5291:
5231:
4526:. Rochester, Vermont: Inner Traditions. pp. 223, 395–398.
4191:
Compositions for Bharatanāṭyam: A Soulful Worship of the Divine
2139:, MA Thesis, Awarded by University of Waterloo, Canada, page 25
1636:
1632:
1613:
1594:
1438:
1409:
1361:
1220:
1131:
1123:
868:
653:
632:
362:
287:
3130:
291:(Conveys a meaning to the audience through hand gestures) and
8652:
8587:
7938:
7302:
7297:
7001:
6971:
6905:
6885:
6823:
6803:
6776:
6615:
6317:
6217:
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6119:
6097:
5810:
5715:
5710:
5695:
5590:
5575:
5555:
5465:
5442:
4057:
3857:
2419:
2417:
2415:
2391:
2214:"'Tanjore Quartet' and the birth of modern-day Bharatanatyam"
1552:
1365:
1357:
1263:
1241:
590:
Devadasis, anti-dance movement, colonial ban, and the decline
581:
552:
477:
428:. The temple has been a center for dance since about 1000 CE.
425:
372:
210:
4385:
4383:
2592:
2531:
2529:
2465:
2364:
2271:
Compositions for Bharatanāṭyam: A Soulful Worship the Divine
1321:, as is the recitation and chanting. The vocalist is called
1011:
The presentation can also begin with a rhythmic invocation (
491:
Historical references to dance are found in the Tamil epics
7343:
7272:
7254:
7202:
6986:
6930:
6890:
6850:
6833:
6818:
6783:
6212:
6124:
4258:. Indraprastha Museum of Art and Archaeology. p. 198.
2562:
2516:
2441:
2191:. Wesleyan University Press. pp. 26–38, 55–57, 83–87.
1819:
1326:
1214:
1208:
1203:
1182:. The dancer calls for blessings on the people all around.
1172:
The seventh and final item in the sequence can be either a
1118:
is next. This is the stage of reverence, of simplicity, of
1049:
1022:
998:
949:
873:
776:
274:
147:
3322:
Paromitra Kar (2013). Adam M. Pine and Olaf Kuhlke (ed.).
2412:
2161:
Dance Matters: Performing India on Local and Global Stages
2106:
Peter J. Claus; Sarah Diamond; Margaret Ann Mills (2003).
1873:
1294:
Lastly, all dancers outline their hands and feet with red
586:(symbolic hand gestures), that are used in Bharatanatyam.
6016:
4395:
4380:
4211:
Bhavaṁ, ragaṁ, talam, natyaṁ: a hand-book of Indian dance
3678:
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?".
3582:
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?".
3547:
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?".
3503:
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?".
3176:
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?".
2526:
1976:
1218:, with individual pieces for a bottom (either a skirt or
842:
Bharata Natyam is an art which consecrates the body (...)
4476:
Bhavanani, Ananda Balayogi; Bhavanani, Devasena (2001).
4255:
Cultural tourism in India: museums, monuments & arts
4225:
Gurcharan Singh Randhawa; Amitabha Mukhopadhyay (1986).
4130:
Swami Paramatmananda Puri; Amritanandamayi Devi (2015).
3479:
At Home in the World: Bharata Natyam on the Global Stage
3352:
At Home in the World: Bharata Natyam on the Global Stage
3241:
At Home in the World: Bharata Natyam on the Global Stage
3214:
At Home in the World: Bharata Natyam on the Global Stage
2669:
2657:
2646:
JC Harle (1972), Aspects of Indian Art, BRILL Academic,
2490:. University of South Carolina Press. pp. 138–139.
2188:
At Home in the World: Bharata Natyam on the Global Stage
6077:
4053:
4051:
3454:
Journal for the Anthropological Study of Human Movement
1540:
as a list or embellishment to a prelim performance. In
396:
is seen to connote a dance that harmoniously expresses
4203:
4201:
4160:. Darbar Festival 2018 | An Evening of Bharatanatyam.
3482:. Wesleyan University Press. pp. 1–3, 26, 85–86.
3100:"RENAMING "SADIR" AS BHARATANATYAM: What's in a Name?"
1624:, and these cities host hundreds of shows every year.
935:
Bharatanatyan Student with Guru in Arangetram Ceremony
5042:
4817:
Shilappadikaram (The Ankle Bracelet) by Iḷaṅkōvaṭikaḷ
4757:"Over 7,000 Bharatanatyam dancers set a world record"
4444:
4442:
4414:
4412:
4410:
2047:
2045:
2043:
2041:
2039:
2037:
2035:
2033:
2031:
2029:
1988:
1970:
1670:
In 2020, an estimated 10,000 dancers got together in
1548:. The basic standing position is called as Aramandi.
1048:), pure in form and without any expressed words. The
876:, for revealing the spiritual through the corporeal.
846:
The traditional order of Bharata Natyam recital viz.
236:
dated around (500 BCE) and in the ancient Tamil epic
4048:
2911:. Oxford University Press. pp. 97 footnote 72.
2877:
2588:
2586:
2285:
2283:
2281:
1922:. University of Pennsylvania Press. pp. 65–66.
1044:. The dance remains a prelim technical performance (
783:
able to recite legends and spiritual ideas from the
6278:
4891:. Wesleyan University Press. Middletown, CT, 2010.
4198:
3908:
3906:
3904:
3902:
3741:
3739:
3471:
3469:
3467:
3465:
3317:
3315:
2873:
2871:
2316:
2263:
2261:
2051:
5001:
4836:
4568:. Motilal Banarsidass. pp. 149–150, 170–171.
4557:
4555:
4553:
4551:
4487:Siddhasana, Kaka Asana, Vrishchikasana and others.
4475:
4439:
4407:
4207:
3264:
2931:
2487:Sonic Liturgy: Ritual and Music in Hindu Tradition
2459:
2318:
2289:
2131:
2129:
2026:
1847:Franco, Susanne; Nordera, Marina (29 April 2016).
1607:Bharatanatyam rapidly expanded after India gained
1313:The accompanying music to Bharatanatyam is in the
1186:wonderful completeness and symmetry in this art".
1092:part of Bharatanatyam emphasizes expressive dance.
5087:Classical Indian dance in literature and the arts
4588:
4561:
4502:Rea, Shiva (28 August 2007). "The Divine Dance".
2583:
2278:
2237:
2153:
2151:
2149:
2147:
2145:
2078:
1915:
213:. It is a classical dance form recognized by the
81:for phonetic transcriptions, with an appropriate
8936:
5124:Aesthetic theories and forms in Indian tradition
5121:
5105:
5084:
5063:
4214:. Savita Damodaran Arengetra Samiti. p. 75.
4187:
3912:
3899:
3736:
3475:
3462:
3348:
3312:
3237:
3210:
3148:
3136:
2868:
2772:
2471:
2267:
2258:
2184:
2085:. University of Pennsylvania Press. p. 65.
2058:. The Rosen Publishing Group. pp. 103–104.
1397:, connects the artists and the audience through
762:and other Sanskrit and Tamil texts, such as the
4548:
4469:
4098:
4096:
4094:
4064:. Wesleyan University Press. pp. 141–147.
4061:Taken by Surprise: A Dance Improvisation Reader
3938:
3936:
3861:Taken by Surprise: A Dance Improvisation Reader
3745:
2749:. University of Chicago Press. pp. 30–31.
2126:
1603:An expression through gesture in Bharatanatyam.
1499:(stage setting, costume, makeup, jewelry), and
4925:
4908:
4589:Anne-Marie Gaston (1992). Julia Leslie (ed.).
4562:Anne-Marie Gaston (1992). Julia Leslie (ed.).
4339:. HarperCollins Publishers. pp. 147–148.
3660:
3658:
3656:
3654:
3652:
3650:
3648:
3268:India's Kathak Dance in Historical Perspective
2965:
2935:India's Kathak Dance in Historical Perspective
2884:. Rowman & Littlefield. pp. 165–168.
2423:
2142:
1955:
1514:The gestures used in Bharatanatyam are called
269:) combined with footwork, and a vocabulary of
7635:
6000:
5252:
4360:Rosenblatt Louis; Sanford B. Steever (2015).
4102:
4028:Bajaj, Tanvi; Vohra, Swasti Shrimali (2015).
3715:
3711:
3709:
3355:. Wesleyan University Press. pp. 82–85.
3321:
3217:. Wesleyan University Press. pp. 35–36.
2925:
2904:
2898:
2847:
2809:. Oxford University Press. pp. 5, 8–17.
2802:
2798:
2796:
2768:
2766:
2742:
2686:
2684:
2619:
2321:The Illustrated Encyclopedia of Hinduism: A-M
2158:Pallabi Chakravorty; Nilanjana Gupta (2012).
2099:
2055:The Illustrated Encyclopedia of Hinduism: A-M
1846:
5148:
4784:
4452:Performing Arts and Therapeutic Implications
4422:Performing Arts and Therapeutic Implications
4194:. Bharatiya Vidya Bhavan. pp. xxi–xxii.
4091:
4078:
4031:Performing Arts and Therapeutic Implications
4011:
4009:
4007:
4005:
3982:
3933:
3916:The Square and the Circle of the Indian Arts
2447:
1850:Dance Discourses: Keywords in Dance Research
1595:Modern revival: schools and training centers
1138:(expressing divine love) or something else.
1096:The performance thereafter evolves into the
775:) in Bharatanatyam is dressed in a colorful
696:outside of Hindu temples by artists such as
4946:
4834:
4615:
4497:
4495:
4449:Tanvi Bajaj; Swasti Shrimali Vohra (2015).
4419:Tanvi Bajaj; Swasti Shrimali Vohra (2015).
4401:
4389:
4279:Maratt Mythili Anoop; Varun Gulati (2016).
3983:Parida, Srikanta; Roshni, CP (April 2022).
3645:
3291:
2854:. Oxford University Press. pp. 11–13.
2738:
2736:
2734:
2535:
2483:
2435:
2274:, Bharatiya Vidya Bhavan, pp. xxi–xxii
1894:
605:
376:(melody, framework for musical notes), and
7642:
7628:
6007:
5993:
5259:
5245:
4692:
4332:
4305:
3864:. Wesleyan University Press. p. 143.
3797:
3706:
3542:
3540:
3538:
3536:
3534:
2793:
2763:
2681:
2626:. Columbia University Press. p. 101.
2541:
1909:
119:
5046:Indian Theatre: Traditions of Performance
4950:Sanskrit Play Production in Ancient India
4868:
4857:
4595:. Motilal Banarsidass. pp. 150–152.
4002:
3798:Chatterjee, Jagyaseni (8 December 2016).
2961:
2959:
2957:
2955:
2675:
2599:. Infobase Publishing. pp. 79, 107.
2241:Singing the Classical, Voicing the Modern
2231:
1982:
570:, dated to the 7th century, portrays the
5169:
4813:
4518:
4492:
4174:T Balasaraswati (1976), Bharata Natyam,
4084:T Balasaraswati (1976), Bharata Natyam,
4058:Ann Cooper Albright; David Gere (2003).
3942:T Balasaraswati (1976), Bharata Natyam,
3858:Ann Cooper Albright; David Gere (2003).
3774:"Shivam Natyalaya - Bharatnatyam School"
3664:T Balasaraswati (1976), Bharata Natyam,
3244:. Wesleyan University Press. p. 7.
2731:
2398:. Oxford University Press. p. 262.
2392:Peter Fletcher; Laurence Picken (2004).
1994:
1942:T Balasaraswati (1976), Bharata Natyam,
1685:
1598:
1188:
1083:
964:
929:
740:
674:
631:
431:
415:
4967:
4820:. New Directions Publishing, New York.
4231:. Allied Publishers. pp. 607–608.
4109:. lakshmidanceacademy. pp. 10–11.
3590:(1). University of Hawaii Press: 1–22.
3531:
3435:
3015:
2663:
2640:
2593:Constance Jones; James D. Ryan (2006).
2365:Eugenio Barba; Nicola Savarese (2011).
2325:. The Rosen Publishing Group. pp.
2022:. India: Clarion Books. pp. 73–76.
1473:– gestures as symbols in Bharatanatyam.
1206:in bright colors with golden or silver
712:and Thanjavur styles of Bharatanatyam.
14:
8937:
4642:
4484:from the original on 23 October 2006.
3686:(1). University of Hawaii Press: 7–8.
3677:
3616:
3581:
3555:(1). University of Hawaii Press: 3–4.
3546:
3511:(1). University of Hawaii Press: 2–3.
3502:
3184:(1). University of Hawaii Press: 5–7.
3175:
3097:
3035:
2952:
2566:India: Cultural Patterns and Processes
2563:Allen G. Noble; Ashok K. Dutt (1982).
2550:Bharata Natyam in Cultural Perspective
2547:
2521:. Harvard University Press. p. 4.
2244:. Duke University Press. p. 120.
2017:
1495:(song, recitation, music and rhythm),
7623:
5988:
5240:
4968:Michell, George l (15 October 2014).
4282:Scripting Dance in Contemporary India
4158:A Short Introduction to Bharatanatyam
3955:
3376:
3374:
3372:
3151:The Cambridge Journal of Anthropology
3093:
3091:
3089:
3087:
3031:
3029:
3027:
3011:
3009:
2775:The Cambridge Journal of Anthropology
2510:
2109:South Asian Folklore: An Encyclopedia
2013:
2011:
2009:
2007:
2005:
2003:
1696:One movement in the Bharatanatyam by
1524:). These symbols are of three types:
1382:(acting) and its goals. The roots of
1197:
1148:The performance sequence ends with a
960:
460:is attributed to the ancient scholar
3919:. Abhinav Publications. p. 81.
3380:
3104:India International Centre Quarterly
3036:Kannan, Rajalakshmi Nadadur (2019).
2881:The Encyclopedia of World Folk Dance
2698:, pages 89–95, 115–124, 174–184
2517:Coormaraswamy and Duggirala (1917).
2296:. Human Kinetics. pp. 450–452.
2211:
2020:Traditions of Indian Classical Dance
1052:set the beat, of any Carnatic music
392:word for "dance". The compound word
33:
29:Major form of Indian classical dance
7604:
5008:Indian Music: History and Structure
4858:Dikshitar, V R Ramachandra (1939),
4501:
4309:Routledge Handbook of Asian Theatre
2831:"Royal tribute to Thanjavur rulers"
2349:
1971:Richmond, Swann & Zarrilli 1993
1551:Bharatanatyam contains at least 20
1070:The performance sequence then adds
1056:(melody). They perform a sequence (
501:(c. 6th century). The ancient text
24:
5266:
4929:Drama and Ritual of Early Hinduism
3369:
3084:
3024:
3006:
2000:
708:They championed and performed the
71:for transliterated languages, and
51:of its non-English content, using
25:
8986:
5221:
4592:Roles and Rituals for Hindu Women
4565:Roles and Rituals for Hindu Women
4088:, Volume 4, Issue 4, pages 3, 5-6
3992:Journal of Veda Samskrita Academy
3962:. Star Publications. p. 10.
1483:(sentiment, emotional taste) and
1348:The instruments used include the
338:Parathaiyar Aattam or Thevarattam
7650:
7603:
7593:
7584:
7583:
7572:
6277:
6023:
6015:
4905:Marg Publications, Mumbai: 1997.
4749:
4728:
4686:
4636:
4609:
4582:
4512:
4353:
4326:
2082:Between Theater and Anthropology
1919:Between Theater and Anthropology
1457:
1448:
1437:
1428:
1417:
1408:
1154:, the climax. It closes out the
555:, where 108 poses, described as
532:
517:
38:
8970:Classical dance genres of India
7573:
4889:Balasaraswati: Her Art and Life
4771:
4299:
4285:. Lexington Books. p. 96.
4272:
4245:
4218:
4181:
4168:
4150:
4123:
4021:
3976:
3949:
3878:
3851:
3825:
3791:
3766:
3671:
3610:
3575:
3496:
3446:
3429:
3342:
3285:
3258:
3231:
3204:
3169:
3142:
2841:
2823:
2718:
2701:
2613:
2569:. Westview Press. p. 160.
2556:
2477:
2385:
2358:
2343:
2310:
2205:
2178:
2072:
1804:
917:incorporates the elements of a
228:A description of precursors of
141:Portmanteau of the Tamil words
7704:Jaya Bharata Jananiya Tanujate
7498:Relations with other religions
5029:Rupa and Co. New Delhi: 2004.
4919:10.1093/obo/9780195399318-0071
4761:Daily News (Source: The Hindu)
3985:"An analysis of Bharatanatyam"
3946:, Volume 4, Issue 4, pages 3-5
3271:. Routledge. pp. 99–102.
1946:, Volume 4, Issue 4, pages 1-8
1936:
1867:
1840:
1609:independence from British rule
1511:(mood, psychological states).
1491:(gestures and body language),
87:multilingual support templates
13:
1:
8785:List of people from Karnataka
4622:. Routledge. pp. 32–33.
4455:. Routledge. pp. 85–87.
4425:. Routledge. pp. 82–84.
3835:. 13 May 2009. Archived from
2938:. Routledge. pp. 94–98.
2878:Mary Ellen Snodgrass (2016).
2724:Kavitha Jayakrishnan (2011),
2135:Kavitha Jayakrishnan (2011),
1833:
925:
8881:Varnashilpi Venkatappa Award
4777:Uttara Asha Coorlawala, ed.
3752:. Infobase. pp. 45–46.
3098:Ganesh, Swarnamalya (2015).
3054:10.5771/0257-9774-2019-2-531
2317:James G. Lochtefeld (2002).
2052:James G. Lochtefeld (2002).
1681:
1371:
806:is the art of expression in
748:using expression and posture
727:Indian Nationalist movements
629:patronized classical dance.
308:
253:contains different types of
7:
5867:Hindi cinema song and dance
4913:. Oxford University Press.
4787:Educational Theatre Journal
4779:Re-presenting Indian Dance.
4208:P. K. Ravindranath (1980).
4178:, Volume 4, Issue 4, page 4
3668:, Volume 4, Issue 4, page 3
3631:10.1080/1474668042000275699
3619:South Asian Popular Culture
3328:. Lexington. pp. 5–6.
3265:Margaret E. Walker (2016).
2932:Margaret E. Walker (2016).
2290:Brenda P McCutchen (2006).
1780:
1591:in the early 20th century.
736:
10:
8991:
4872:The Caves Temples of India
4714:10.1162/105420403321250071
4312:. Routledge. p. 132.
4106:Let's Know Dances of India
4034:. Routledge. p. 127.
3959:Let's Know Dances of India
3722:. Routledge. p. 955.
2623:Art of the Imperial Cholas
2371:. Routledge. p. 208.
2238:Amanda J. Weidman (2006).
2112:. Routledge. p. 136.
2079:Richard Schechner (2010).
1916:Richard Schechner (2010).
1853:. Routledge. p. 202.
1818:. An example Shloka: "The
411:
321:put forward a proposal to
8894:
8841:
8793:
8766:
8578:
8565:Kannada Sahitya Sammelana
8452:
8349:
8281:
8224:
8176:
8128:
8070:
8057:
7859:
7771:
7681:
7666:
7570:
7397:
7362:
7188:
7123:
7030:
6957:
6950:
6849:
6752:
6743:
6651:
6537:
6494:
6461:
6379:
6353:
6325:
6316:
6295:
6286:
6275:
6194:
6063:
6054:
6033:
5961:
5915:
5885:
5859:
5451:
5420:
5375:
5324:
5315:
5274:
5191:10.1080/08949460490274013
5122:Kapila Vatsyayan (2008).
5110:, Sangeet Natak Akademi,
5106:Kapila Vatsyayan (1974),
5089:. Sangeet Natak Akademi.
5085:Kapila Vatsyayan (1977).
5064:Kapila Vatsyayan (2001).
4869:Fergusson, James (1880).
4864:, Oxford University Press
4708:(1). MIT Press: 176–186.
4188:Anjani Arunkumar (1989).
3913:Kapila Vatsyayan (1997).
3298:. Routledge. p. 32.
2268:Anjani Arunkumar (1989),
2164:. Routledge. p. 30.
1774:Kochu Kochu Santhoshangal
1532:(two hand gestures), and
1193:Costumes in Bharatanatyam
1134:(expressing devotion), a
627:Thanjavur Maratha kingdom
333:
198:
175:
165:
137:
127:
118:
8560:Kannada Sahitya Parishat
8014:Unification of Karnataka
6642:Yoga Sutras of Patanjali
5155:. Abhinav Publications.
5152:Dance In Indian Painting
5126:. Munshiram Manoharlal.
5067:Bharata, the Nāṭyaśāstra
4814:Danielou, Alain (1965).
4643:Meduri, Avanthi (2004).
4478:"BHARATANATYAM AND YOGA"
4366:. Routledge. p. 2.
4136:. Sterling. p. 82.
3800:"Much ado about a debut"
3746:Janet Descutner (2010).
3016:Thobani, Sitara (2017).
2596:Encyclopedia of Hinduism
2293:Teaching Dance as Art in
1797:
1563:(the bow, a back-arch);
1528:(single hand gestures),
643:With the arrival of the
497:(c. 2nd century CE) and
205:form that originated in
8780:Karnataka ethnic groups
8718:Krishnaraja Wadiyar III
6721:Thiruvilaiyadal Puranam
5185:(1). Routledge: 69–98.
5170:Williams, Drid (2004).
5049:. Motilal Banarsidass.
4953:. Motilal Banarsidass.
4932:. Motilal Banarsidass.
4926:Natalia Lidova (1994).
4909:Natalia Lidova (2014).
4887:Douglas M. Knight, Jr.
4843:. Motilal Banarsidass.
4839:Dance Dialects of India
4363:The Dravidian Languages
3956:Sinha, Aakriti (2006).
3886:"Pushpanjali – Nadanam"
2966:Avanthi Meduri (2004).
2548:Kilger, George (1993).
2519:"The Mirror of Gesture"
2460:Emmie Te Nijenhuis 1974
2438:, pp. xxiv, 19–20.
1904:Encyclopædia Britannica
1567:(the wheel, a standing
563:, are carved in stone.
524:A 7th century Shiva in
6696:Eighteen Greater Texts
5108:Indian classical dance
5027:Dancing in the Family.
4693:O'Shea, Janet (2003).
4652:Dance Research Journal
4176:NCPA Quarterly Journal
4103:Aakriti Sinha (2010).
4086:NCPA Quarterly Journal
3944:NCPA Quarterly Journal
3716:Ellen Koskoff (2008).
3666:NCPA Quarterly Journal
3381:Shah, Purnima (2002).
2972:Dance Research Journal
2905:Nalini Ghuman (2014).
2848:Leslie C. Orr (2000).
2835:The New Indian Express
2803:Leslie C. Orr (2000).
2743:Davesh Soneji (2011).
2620:Vidya Dehejia (2013).
2018:Khokar, Mohan (1984).
1944:NCPA Quarterly Journal
1705:
1616:has been in the West.
1604:
1194:
1093:
970:
937:
878:
749:
640:
615:servant girls of Devas
445:
429:
420:Dancers at Thanjavur,
366:(feelings, emotions),
203:Indian classical dance
170:Indian classical dance
8049:Western Ganga dynasty
7449:Hindu gurus and sants
6701:Eighteen Lesser Texts
5786:Poikkal Kuthiraiattam
4228:Floriculture in India
3680:Asian Theatre Journal
3584:Asian Theatre Journal
3549:Asian Theatre Journal
3505:Asian Theatre Journal
3476:Janet O'Shea (2007).
3399:10.1081/DNC-120003123
3349:Janet O'Shea (2007).
3238:Janet O'Shea (2007).
3211:Janet O'Shea (2007).
3178:Asian Theatre Journal
3137:Kapila Vatsyayan 1974
2523:; Also see chapter 36
2472:Kapila Vatsyayan 2001
2185:Janet O'Shea (2007).
1695:
1602:
1352:(double-sided drum),
1192:
1087:
1040:, and this is called
968:
933:
836:
744:
698:Rukmini Devi Arundale
675:Post-colonial revival
637:Rukmini Devi Arundale
635:
435:
419:
319:Rukmini Devi Arundale
215:Sangeet Natak Akademi
8871:Rajyotsava Prashasti
8738:K. S. Narasimhaswamy
7439:Anti-Hindu sentiment
4947:Tarla Mehta (1995).
4835:Ragini Devi (1990).
4616:Ester Gallo (2016).
3292:Ester Gallo (2016).
2484:Guy L. Beck (2012).
539:A Bharatanatyam pose
422:Brihadeshwara temple
132:பரதநாட்டியம் (Tamil)
49:specify the language
47:This article should
8758:G. S. Shivarudrappa
8728:Gopalakrishna Adiga
8379:Chitrakala Parishat
8306:Dams and reservoirs
8178:Kalaburagi division
8019:Vijayanagara Empire
7994:Rashtrakuta dynasty
7909:Chitradurga Nayakas
7695:Emblem of Karnataka
7545:Hinduism by country
6711:Iraiyanar Akapporul
6671:Tirumurukāṟṟuppaṭai
5282:Perini Sivatandavam
5179:Visual Anthropology
5070:. Sahitya Akademi.
4745:. 12 February 2020.
4333:TM Krishna (2013).
4306:Siyuan Liu (2016).
4164:. 24 November 2018.
2424:Natalia Lidova 2014
1958:, pp. 111–113.
1956:Natalia Lidova 1994
1877:Lonely Planet India
1727:Paattum Bharathamum
1719:Thillana Mohanambal
1167:Shlokam or Mangalam
706:Yamini Krishnamurti
568:Badami cave temples
384:(rhythm). The term
348:of dance. The word
115:
8668:Nijaguna Shivayogi
8072:Bangalore division
5149:Kapila Vatsyayan.
5011:. BRILL Academic.
5003:Emmie Te Nijenhuis
4861:The Silappadikaram
4016:Bharatnatyam Dance
2350:Roebert, Donovan.
1706:
1605:
1198:Costume and attire
1195:
1094:
971:
961:Sequence of dances
938:
750:
652:" of north India (
645:East India Company
641:
576:-dancing Shiva as
446:
430:
352:is also seen as a
277:is present as the
111:
8932:
8931:
8876:Jakanachari Award
8713:Shishunala Sharif
8424:Togalu gombeyaata
8277:
8276:
8130:Belagavi division
7974:Kingdom of Mysore
7954:Kalyani Chalukyas
7763:Southern birdwing
7617:
7616:
7393:
7392:
6946:
6945:
6739:
6738:
6653:Sangam literature
6609:Yājñavalkya Smṛti
6457:
6456:
6273:
6272:
5982:
5981:
5872:Hindi dance songs
5416:
5415:
5162:978-81-7017-153-9
5101:Table of Contents
5077:978-81-260-1220-6
5056:978-81-208-0981-9
4981:978-93-83098-33-0
4960:978-81-208-1057-0
4939:978-81-208-1234-5
4897:978-0-8195-6906-6
4850:978-81-208-0674-0
4827:978-0-8112-0001-1
4629:978-1-317-09637-5
4602:978-81-208-1036-5
4575:978-81-208-1036-5
4533:978-1-62055-567-5
4520:Goldberg, Elliott
4462:978-1-317-32572-7
4432:978-1-317-32572-7
4373:978-1-136-91164-4
4346:978-93-5029-822-0
4319:978-1-317-27886-3
4292:978-1-4985-0552-9
4265:978-81-246-0215-7
4238:978-81-7023-494-4
4143:978-1-68037-296-0
4116:978-81-7650-097-5
4071:978-0-8195-6648-5
4041:978-1-317-32572-7
3969:978-81-7650-097-5
3926:978-81-7017-362-5
3871:978-0-8195-6648-5
3759:978-1-4381-3078-1
3729:978-0-415-99404-0
3489:978-0-8195-6837-3
3362:978-0-8195-6837-3
3335:978-0-7391-7185-1
3305:978-1-317-09637-5
3278:978-1-317-11737-7
3251:978-0-8195-6837-3
3224:978-0-8195-6837-3
2945:978-1-317-11737-7
2918:978-0-19-931489-8
2891:978-1-4422-5749-8
2861:978-0-19-535672-4
2816:978-0-19-535672-4
2756:978-0-226-76811-3
2713:978-0-495-57367-8
2696:978-81-208-0705-1
2652:978-90-04-03625-3
2633:978-0-231-51524-5
2606:978-0-8160-7564-5
2576:978-0-86531-237-1
2497:978-1-61117-108-2
2448:Wallace Dace 1963
2405:978-0-19-517507-3
2378:978-1-135-17634-1
2336:978-0-8239-3179-8
2303:978-0-7360-5188-0
2212:Mahotsav, Amrit.
2198:978-0-8195-6837-3
2171:978-1-136-51612-2
2119:978-0-415-93919-5
2065:978-0-8239-3179-8
1985:, pp. 11–18.
1929:978-0-8122-0092-8
1887:978-1-78868-682-2
1880:. Lonely Planet.
1860:978-1-134-94712-6
1792:Vazhuvoor (dance)
1770:(Malayalam, 1992)
1754:(Malayalam, 1993)
1698:Rama Vaidyanathan
1693:
829:(Niruthiyam) and
808:Indian aesthetics
771:The solo artist (
746:Rama Vaidyanathan
718:Kalakshetra style
710:Pandanallur style
661:Madras Presidency
507:Arangatrau Kathai
480:), the theory of
442:Gnyana of Tanjore
346:Pandanallur style
336:), also known as
303:Thanjavur Quartet
186:
185:
109:
108:
89:may also be used.
16:(Redirected from
8982:
8965:Culture of India
8955:Hindu traditions
8886:Kempegowda Award
8866:Basava Puraskara
8861:Nrupatunga Award
8733:V. Seetharamaiah
8554:
8547:
8540:
8533:
8526:
8519:
8512:
8505:
8503:Western Chalukya
8498:
8491:
8484:
8477:
8470:
8444:Mysore musicians
8374:Channapatna toys
8291:Cities and towns
8244:Dakshina Kannada
8068:
8067:
8034:Veera Ballala II
7969:Kittur Chennamma
7929:Kingdom of Coorg
7904:Chalukya dynasty
7654:
7644:
7637:
7630:
7621:
7620:
7607:
7606:
7597:
7587:
7586:
7576:
7575:
7486:Pilgrimage sites
7240:Ganesh Chaturthi
6955:
6954:
6750:
6749:
6731:Vedarthasamgraha
6726:Vinayagar Agaval
6691:Five Great Epics
6666:Divya Prabandham
6579:Minor Upanishads
6323:
6322:
6293:
6292:
6281:
6280:
6061:
6060:
6027:
6019:
6009:
6002:
5995:
5986:
5985:
5933:Himachal Pradesh
5836:Thitambu Nritham
5322:
5321:
5261:
5254:
5247:
5238:
5237:
5217:
5215:
5213:
5207:
5201:. Archived from
5176:
5166:
5145:
5118:
5098:
5081:
5060:
5025:Sukanya Rahman.
5022:
4985:
4974:. Niyogi Books.
4964:
4943:
4922:
4884:
4882:
4880:
4865:
4854:
4842:
4831:
4810:
4765:
4764:
4753:
4747:
4746:
4740:
4732:
4726:
4725:
4699:
4690:
4684:
4683:
4664:10.2307/20444589
4649:
4640:
4634:
4633:
4613:
4607:
4606:
4586:
4580:
4579:
4559:
4546:
4545:
4516:
4510:
4509:
4499:
4490:
4489:
4473:
4467:
4466:
4446:
4437:
4436:
4416:
4405:
4402:Tarla Mehta 1995
4399:
4393:
4390:Tarla Mehta 1995
4387:
4378:
4377:
4357:
4351:
4350:
4336:A Southern Music
4330:
4324:
4323:
4303:
4297:
4296:
4276:
4270:
4269:
4249:
4243:
4242:
4222:
4216:
4215:
4205:
4196:
4195:
4185:
4179:
4172:
4166:
4165:
4154:
4148:
4147:
4133:Dust Of Her Feet
4127:
4121:
4120:
4100:
4089:
4082:
4076:
4075:
4055:
4046:
4045:
4025:
4019:
4013:
4000:
3999:
3989:
3980:
3974:
3973:
3953:
3947:
3940:
3931:
3930:
3910:
3897:
3896:
3894:
3892:
3882:
3876:
3875:
3855:
3849:
3848:
3846:
3844:
3829:
3823:
3822:
3820:
3818:
3795:
3789:
3788:
3786:
3784:
3778:www.facebook.com
3770:
3764:
3763:
3743:
3734:
3733:
3713:
3704:
3703:
3675:
3669:
3662:
3643:
3642:
3614:
3608:
3607:
3579:
3573:
3572:
3544:
3529:
3528:
3500:
3494:
3493:
3473:
3460:
3450:
3444:
3443:
3433:
3427:
3426:
3378:
3367:
3366:
3346:
3340:
3339:
3319:
3310:
3309:
3289:
3283:
3282:
3262:
3256:
3255:
3235:
3229:
3228:
3208:
3202:
3201:
3173:
3167:
3166:
3146:
3140:
3134:
3128:
3127:
3095:
3082:
3081:
3033:
3022:
3021:
3013:
3004:
3003:
2984:10.2307/20444589
2963:
2950:
2949:
2929:
2923:
2922:
2902:
2896:
2895:
2875:
2866:
2865:
2845:
2839:
2838:
2827:
2821:
2820:
2800:
2791:
2790:
2770:
2761:
2760:
2740:
2729:
2722:
2716:
2705:
2699:
2688:
2679:
2673:
2667:
2666:, p. 37–38.
2661:
2655:
2644:
2638:
2637:
2617:
2611:
2610:
2590:
2581:
2580:
2560:
2554:
2553:
2545:
2539:
2536:Ragini Devi 1990
2533:
2524:
2522:
2514:
2508:
2507:
2481:
2475:
2469:
2463:
2462:, pp. 1–25.
2457:
2451:
2445:
2439:
2436:Tarla Mehta 1995
2433:
2427:
2421:
2410:
2409:
2389:
2383:
2382:
2362:
2356:
2355:
2347:
2341:
2340:
2324:
2314:
2308:
2307:
2287:
2276:
2275:
2265:
2256:
2255:
2235:
2229:
2228:
2226:
2224:
2209:
2203:
2202:
2182:
2176:
2175:
2155:
2140:
2133:
2124:
2123:
2103:
2097:
2096:
2076:
2070:
2069:
2049:
2024:
2023:
2015:
1998:
1992:
1986:
1980:
1974:
1968:
1959:
1953:
1947:
1940:
1934:
1933:
1913:
1907:
1898:
1892:
1891:
1871:
1865:
1864:
1844:
1827:
1808:
1787:Culture of India
1751:Manichitrathazhu
1694:
1461:
1452:
1441:
1432:
1421:
1412:
940:A Bharatanatyam
885:
765:Abhinaya Darpana
619:
616:
613:
610:
607:
536:
521:
335:
200:
133:
123:
116:
110:
104:
101:
95:
80:
74:
70:
64:
60:
54:
42:
41:
34:
21:
8990:
8989:
8985:
8984:
8983:
8981:
8980:
8979:
8935:
8934:
8933:
8928:
8890:
8851:Karnataka Ratna
8837:
8789:
8762:
8698:Jagannatha Dasa
8613:Devar Dasimayya
8574:
8550:
8543:
8536:
8529:
8522:
8515:
8508:
8501:
8494:
8487:
8480:
8473:
8466:
8448:
8345:
8273:
8226:Mysore division
8220:
8172:
8124:
8120:Chikkaballapura
8085:Bangalore Rural
8080:Bangalore Urban
8053:
8044:Vikramaditya VI
8039:Vikramaditya II
7964:Shivappa Nayaka
7949:Kadamba dynasty
7855:
7767:
7677:
7662:
7648:
7618:
7613:
7580:
7566:
7389:
7358:
7349:Vasant Panchami
7283:Pahela Baishakh
7265:Makar Sankranti
7184:
7119:
7026:
6942:
6845:
6735:
6716:Abhirami Antati
6686:Kamba Ramayanam
6647:
6533:
6490:
6453:
6375:
6349:
6312:
6282:
6269:
6253:Vishishtadvaita
6190:
6050:
6029:
6013:
5983:
5978:
5957:
5911:
5901:Abhinavabharati
5881:
5855:
5726:Mardana Jhumair
5447:
5412:
5371:
5311:
5270:
5265:
5224:
5211:
5209:
5208:on 4 March 2016
5205:
5174:
5163:
5134:
5078:
5057:
5019:
4982:
4961:
4940:
4903:Bharata Natyam,
4901:Sunil Kothari,
4878:
4876:
4851:
4828:
4799:10.2307/3204783
4774:
4769:
4768:
4763:. 4 March 2019.
4755:
4754:
4750:
4738:
4734:
4733:
4729:
4697:
4691:
4687:
4647:
4641:
4637:
4630:
4614:
4610:
4603:
4587:
4583:
4576:
4560:
4549:
4534:
4517:
4513:
4500:
4493:
4474:
4470:
4463:
4447:
4440:
4433:
4417:
4408:
4400:
4396:
4388:
4381:
4374:
4358:
4354:
4347:
4331:
4327:
4320:
4304:
4300:
4293:
4277:
4273:
4266:
4250:
4246:
4239:
4223:
4219:
4206:
4199:
4186:
4182:
4173:
4169:
4156:
4155:
4151:
4144:
4128:
4124:
4117:
4101:
4092:
4083:
4079:
4072:
4056:
4049:
4042:
4026:
4022:
4014:
4003:
3987:
3981:
3977:
3970:
3954:
3950:
3941:
3934:
3927:
3911:
3900:
3890:
3888:
3884:
3883:
3879:
3872:
3856:
3852:
3842:
3840:
3831:
3830:
3826:
3816:
3814:
3796:
3792:
3782:
3780:
3772:
3771:
3767:
3760:
3744:
3737:
3730:
3714:
3707:
3692:10.2307/1124019
3676:
3672:
3663:
3646:
3615:
3611:
3596:10.2307/1124019
3580:
3576:
3561:10.2307/1124019
3545:
3532:
3517:10.2307/1124019
3501:
3497:
3490:
3474:
3463:
3451:
3447:
3434:
3430:
3387:Dance Chronicle
3379:
3370:
3363:
3347:
3343:
3336:
3320:
3313:
3306:
3290:
3286:
3279:
3263:
3259:
3252:
3236:
3232:
3225:
3209:
3205:
3190:10.2307/1124019
3174:
3170:
3147:
3143:
3135:
3131:
3096:
3085:
3034:
3025:
3014:
3007:
2964:
2953:
2946:
2930:
2926:
2919:
2903:
2899:
2892:
2876:
2869:
2862:
2846:
2842:
2829:
2828:
2824:
2817:
2801:
2794:
2771:
2764:
2757:
2741:
2732:
2723:
2719:
2706:
2702:
2689:
2682:
2674:
2670:
2662:
2658:
2645:
2641:
2634:
2618:
2614:
2607:
2591:
2584:
2577:
2561:
2557:
2546:
2542:
2534:
2527:
2515:
2511:
2498:
2482:
2478:
2470:
2466:
2458:
2454:
2446:
2442:
2434:
2430:
2422:
2413:
2406:
2390:
2386:
2379:
2363:
2359:
2348:
2344:
2337:
2315:
2311:
2304:
2288:
2279:
2266:
2259:
2252:
2236:
2232:
2222:
2220:
2210:
2206:
2199:
2183:
2179:
2172:
2156:
2143:
2134:
2127:
2120:
2104:
2100:
2093:
2077:
2073:
2066:
2050:
2027:
2016:
2001:
1993:
1989:
1981:
1977:
1969:
1962:
1954:
1950:
1941:
1937:
1930:
1914:
1910:
1899:
1895:
1888:
1872:
1868:
1861:
1845:
1841:
1836:
1831:
1830:
1809:
1805:
1800:
1783:
1735:Sagara Sangamam
1686:
1684:
1645:the Gulf States
1597:
1589:Krishnamacharya
1526:asamyuta hastas
1477:
1476:
1475:
1474:
1464:
1463:
1462:
1454:
1453:
1444:
1443:
1442:
1434:
1433:
1424:
1423:
1422:
1414:
1413:
1374:
1200:
963:
928:
887:
880:
845:
843:
841:
739:
682:E. Krishna Iyer
677:
617:
614:
611:
608:
592:
549:
548:
547:
546:
542:
541:
540:
537:
529:
528:
522:
444:, 19th century.
414:
311:
131:
105:
99:
96:
90:
78:
72:
68:
66:transliteration
62:
58:
52:
43:
39:
30:
23:
22:
15:
12:
11:
5:
8988:
8978:
8977:
8972:
8967:
8962:
8957:
8952:
8947:
8930:
8929:
8927:
8926:
8921:
8916:
8911:
8906:
8900:
8898:
8892:
8891:
8889:
8888:
8883:
8878:
8873:
8868:
8863:
8858:
8853:
8847:
8845:
8839:
8838:
8836:
8835:
8830:
8825:
8820:
8818:National parks
8815:
8810:
8805:
8799:
8797:
8791:
8790:
8788:
8787:
8782:
8776:
8774:
8764:
8763:
8761:
8760:
8755:
8753:D. V. Gundappa
8750:
8745:
8743:M. Govinda Pai
8740:
8735:
8730:
8725:
8720:
8715:
8710:
8705:
8700:
8695:
8690:
8685:
8680:
8678:Purandara Dasa
8675:
8673:Ratnakaravarni
8670:
8665:
8660:
8655:
8650:
8645:
8640:
8635:
8630:
8625:
8620:
8615:
8610:
8605:
8600:
8595:
8590:
8584:
8582:
8576:
8575:
8573:
8572:
8567:
8562:
8557:
8556:
8555:
8548:
8541:
8534:
8527:
8520:
8513:
8506:
8499:
8492:
8485:
8478:
8471:
8458:
8456:
8450:
8449:
8447:
8446:
8441:
8436:
8431:
8426:
8421:
8416:
8411:
8406:
8404:Karnatik music
8401:
8396:
8391:
8386:
8381:
8376:
8371:
8366:
8361:
8355:
8353:
8347:
8346:
8344:
8343:
8338:
8333:
8328:
8323:
8318:
8313:
8308:
8303:
8298:
8293:
8287:
8285:
8279:
8278:
8275:
8274:
8272:
8271:
8266:
8261:
8256:
8251:
8246:
8241:
8236:
8234:Chamarajanagar
8230:
8228:
8222:
8221:
8219:
8218:
8213:
8208:
8203:
8198:
8193:
8188:
8182:
8180:
8174:
8173:
8171:
8170:
8168:Uttara Kannada
8165:
8160:
8155:
8150:
8145:
8140:
8134:
8132:
8126:
8125:
8123:
8122:
8117:
8112:
8107:
8102:
8097:
8092:
8087:
8082:
8076:
8074:
8065:
8055:
8054:
8052:
8051:
8046:
8041:
8036:
8031:
8029:Vishnuvardhana
8026:
8021:
8016:
8011:
8006:
8001:
7996:
7991:
7986:
7981:
7976:
7971:
7966:
7961:
7959:Keladi Nayakas
7956:
7951:
7946:
7944:Hoysala Empire
7941:
7936:
7931:
7926:
7921:
7916:
7911:
7906:
7901:
7896:
7891:
7886:
7881:
7876:
7871:
7865:
7863:
7857:
7856:
7854:
7853:
7848:
7846:Transportation
7843:
7838:
7833:
7828:
7823:
7818:
7813:
7808:
7803:
7798:
7793:
7788:
7783:
7777:
7775:
7769:
7768:
7766:
7765:
7759:
7753:
7744:
7735:
7726:
7717:
7715:Asian elephant
7707:
7706:
7697:
7687:
7685:
7679:
7678:
7667:
7664:
7663:
7647:
7646:
7639:
7632:
7624:
7615:
7614:
7612:
7611:
7601:
7591:
7571:
7568:
7567:
7565:
7564:
7563:
7562:
7557:
7547:
7542:
7537:
7536:
7535:
7530:
7525:
7520:
7515:
7510:
7505:
7495:
7494:
7493:
7483:
7478:
7477:
7476:
7466:
7461:
7456:
7451:
7446:
7441:
7436:
7431:
7426:
7421:
7420:
7419:
7414:
7403:
7401:
7395:
7394:
7391:
7390:
7388:
7387:
7382:
7377:
7372:
7366:
7364:
7360:
7359:
7357:
7356:
7351:
7346:
7341:
7335:
7334:
7333:
7332:
7327:
7322:
7317:
7307:
7306:
7305:
7300:
7295:
7290:
7285:
7280:
7275:
7267:
7262:
7257:
7252:
7247:
7242:
7237:
7236:
7235:
7230:
7225:
7215:
7213:Raksha Bandhan
7210:
7205:
7200:
7194:
7192:
7186:
7185:
7183:
7182:
7181:
7180:
7175:
7170:
7165:
7155:
7154:
7153:
7148:
7143:
7138:
7127:
7125:
7121:
7120:
7118:
7117:
7112:
7107:
7102:
7097:
7092:
7087:
7082:
7077:
7072:
7067:
7062:
7057:
7052:
7047:
7042:
7036:
7034:
7028:
7027:
7025:
7024:
7019:
7014:
7009:
7004:
6999:
6994:
6989:
6984:
6979:
6974:
6969:
6963:
6961:
6952:
6948:
6947:
6944:
6943:
6941:
6940:
6933:
6928:
6923:
6918:
6913:
6908:
6903:
6898:
6893:
6888:
6883:
6878:
6877:
6876:
6871:
6866:
6855:
6853:
6847:
6846:
6844:
6843:
6836:
6831:
6826:
6821:
6816:
6811:
6806:
6801:
6796:
6791:
6786:
6781:
6780:
6779:
6774:
6769:
6758:
6756:
6747:
6741:
6740:
6737:
6736:
6734:
6733:
6728:
6723:
6718:
6713:
6708:
6703:
6698:
6693:
6688:
6683:
6678:
6673:
6668:
6663:
6657:
6655:
6649:
6648:
6646:
6645:
6638:
6633:
6628:
6623:
6618:
6613:
6612:
6611:
6606:
6601:
6591:
6586:
6581:
6576:
6571:
6570:
6569:
6564:
6554:
6549:
6543:
6541:
6535:
6534:
6532:
6531:
6526:
6521:
6516:
6511:
6506:
6500:
6498:
6492:
6491:
6489:
6488:
6483:
6478:
6473:
6467:
6465:
6459:
6458:
6455:
6454:
6452:
6451:
6446:
6441:
6436:
6431:
6426:
6424:Shvetashvatara
6421:
6416:
6411:
6406:
6401:
6399:Brihadaranyaka
6396:
6391:
6385:
6383:
6377:
6376:
6374:
6373:
6368:
6363:
6357:
6355:
6351:
6350:
6348:
6347:
6342:
6337:
6332:
6326:
6320:
6314:
6313:
6311:
6310:
6305:
6299:
6297:
6296:Classification
6290:
6284:
6283:
6276:
6274:
6271:
6270:
6268:
6267:
6258:
6257:
6256:
6249:
6242:
6230:
6225:
6220:
6215:
6210:
6200:
6198:
6192:
6191:
6189:
6188:
6187:
6186:
6181:
6176:
6171:
6166:
6161:
6156:
6151:
6146:
6135:
6134:
6133:
6132:
6127:
6122:
6117:
6106:
6105:
6100:
6095:
6090:
6085:
6080:
6075:
6069:
6067:
6058:
6052:
6051:
6049:
6048:
6043:
6040:
6034:
6031:
6030:
6012:
6011:
6004:
5997:
5989:
5980:
5979:
5977:
5976:
5971:
5965:
5963:
5959:
5958:
5956:
5955:
5950:
5945:
5940:
5935:
5930:
5925:
5923:Andhra Pradesh
5919:
5917:
5913:
5912:
5910:
5909:
5904:
5897:
5889:
5887:
5883:
5882:
5880:
5879:
5874:
5869:
5863:
5861:
5857:
5856:
5854:
5853:
5848:
5843:
5838:
5833:
5828:
5823:
5818:
5813:
5808:
5803:
5798:
5793:
5788:
5783:
5778:
5773:
5768:
5763:
5758:
5753:
5748:
5743:
5738:
5733:
5728:
5723:
5718:
5713:
5708:
5703:
5698:
5693:
5688:
5683:
5678:
5673:
5668:
5663:
5658:
5653:
5648:
5643:
5638:
5633:
5628:
5623:
5618:
5613:
5608:
5603:
5598:
5593:
5588:
5583:
5578:
5573:
5568:
5563:
5558:
5553:
5548:
5543:
5538:
5533:
5528:
5523:
5518:
5513:
5511:Chakyar koothu
5508:
5503:
5498:
5493:
5488:
5483:
5478:
5473:
5468:
5462:
5460:
5449:
5448:
5446:
5445:
5440:
5435:
5430:
5424:
5422:
5418:
5417:
5414:
5413:
5411:
5410:
5405:
5400:
5395:
5390:
5385:
5379:
5377:
5373:
5372:
5370:
5369:
5364:
5359:
5354:
5349:
5344:
5339:
5334:
5328:
5326:
5319:
5313:
5312:
5310:
5309:
5304:
5299:
5294:
5289:
5284:
5278:
5276:
5272:
5271:
5268:Dance in India
5264:
5263:
5256:
5249:
5241:
5235:
5234:
5223:
5222:External links
5220:
5219:
5218:
5167:
5161:
5146:
5133:978-8187586357
5132:
5119:
5103:
5082:
5076:
5061:
5055:
5040:
5037:
5023:
5017:
4999:
4996:
4986:
4980:
4965:
4959:
4944:
4938:
4923:
4906:
4899:
4885:
4866:
4855:
4849:
4832:
4826:
4811:
4793:(3): 249–254.
4782:
4773:
4770:
4767:
4766:
4748:
4727:
4685:
4635:
4628:
4608:
4601:
4581:
4574:
4547:
4532:
4511:
4491:
4468:
4461:
4438:
4431:
4406:
4394:
4379:
4372:
4352:
4345:
4325:
4318:
4298:
4291:
4271:
4264:
4244:
4237:
4217:
4197:
4180:
4167:
4162:Sadler's Wells
4149:
4142:
4122:
4115:
4090:
4077:
4070:
4047:
4040:
4020:
4001:
3975:
3968:
3948:
3932:
3925:
3898:
3877:
3870:
3850:
3839:on 13 May 2009
3824:
3790:
3765:
3758:
3735:
3728:
3705:
3670:
3644:
3609:
3574:
3530:
3495:
3488:
3461:
3445:
3428:
3393:(1): 125–141.
3368:
3361:
3341:
3334:
3311:
3304:
3284:
3277:
3257:
3250:
3230:
3223:
3203:
3168:
3141:
3129:
3110:(2): 116–125.
3083:
3048:(2): 531–546.
3023:
3005:
2951:
2944:
2924:
2917:
2897:
2890:
2867:
2860:
2840:
2822:
2815:
2792:
2762:
2755:
2730:
2717:
2700:
2680:
2678:, p. 414.
2676:Fergusson 1880
2668:
2656:
2639:
2632:
2612:
2605:
2582:
2575:
2555:
2540:
2525:
2509:
2496:
2476:
2464:
2452:
2450:, p. 249.
2440:
2428:
2411:
2404:
2384:
2377:
2357:
2342:
2335:
2309:
2302:
2277:
2257:
2250:
2230:
2204:
2197:
2177:
2170:
2141:
2125:
2118:
2098:
2092:978-0812279290
2091:
2071:
2064:
2025:
1999:
1987:
1983:Dikshitar 1939
1975:
1960:
1948:
1935:
1928:
1908:
1901:Bharata-natyam
1893:
1886:
1866:
1859:
1838:
1837:
1835:
1832:
1829:
1828:
1802:
1801:
1799:
1796:
1795:
1794:
1789:
1782:
1779:
1778:
1777:
1771:
1763:
1755:
1747:
1746:(Telugu, 1985)
1739:
1738:(Telugu, 1983)
1731:
1723:
1715:
1683:
1680:
1596:
1593:
1530:samyuta hastas
1507:draws out the
1466:
1465:
1456:
1455:
1447:
1446:
1445:
1436:
1435:
1427:
1426:
1425:
1416:
1415:
1407:
1406:
1405:
1404:
1403:
1386:appear in the
1373:
1370:
1199:
1196:
962:
959:
955:Hindu religion
927:
924:
923:
922:
907:
896:
835:
738:
735:
676:
673:
665:British Empire
594:Some colonial
591:
588:
544:
543:
538:
531:
530:
523:
516:
515:
514:
513:
512:
503:Silappatikaram
494:Silappatikaram
413:
410:
315:E Krishna Iyer
310:
307:
285:(pure dance),
239:Silappatikaram
184:
183:
177:
173:
172:
167:
163:
162:
157:(rhythm), and
145:(expression),
139:
135:
134:
129:
125:
124:
107:
106:
85:. Knowledge's
46:
44:
37:
28:
18:Bharata Natyam
9:
6:
4:
3:
2:
8987:
8976:
8973:
8971:
8968:
8966:
8963:
8961:
8958:
8956:
8953:
8951:
8950:Tamil culture
8948:
8946:
8945:Bharatanatyam
8943:
8942:
8940:
8925:
8922:
8920:
8917:
8915:
8912:
8910:
8907:
8905:
8902:
8901:
8899:
8897:
8893:
8887:
8884:
8882:
8879:
8877:
8874:
8872:
8869:
8867:
8864:
8862:
8859:
8857:
8854:
8852:
8849:
8848:
8846:
8844:
8840:
8834:
8831:
8829:
8826:
8824:
8823:Hindu temples
8821:
8819:
8816:
8814:
8811:
8809:
8806:
8804:
8801:
8800:
8798:
8796:
8792:
8786:
8783:
8781:
8778:
8777:
8775:
8773:
8769:
8765:
8759:
8756:
8754:
8751:
8749:
8746:
8744:
8741:
8739:
8736:
8734:
8731:
8729:
8726:
8724:
8721:
8719:
8716:
8714:
8711:
8709:
8706:
8704:
8701:
8699:
8696:
8694:
8691:
8689:
8686:
8684:
8681:
8679:
8676:
8674:
8671:
8669:
8666:
8664:
8661:
8659:
8656:
8654:
8651:
8649:
8646:
8644:
8641:
8639:
8636:
8634:
8631:
8629:
8628:Allama Prabhu
8626:
8624:
8623:Akka Mahadevi
8621:
8619:
8616:
8614:
8611:
8609:
8606:
8604:
8601:
8599:
8598:Adikavi Pampa
8596:
8594:
8591:
8589:
8586:
8585:
8583:
8581:
8577:
8571:
8568:
8566:
8563:
8561:
8558:
8553:
8549:
8546:
8542:
8539:
8535:
8532:
8528:
8525:
8521:
8518:
8514:
8511:
8507:
8504:
8500:
8497:
8496:Western Ganga
8493:
8490:
8486:
8483:
8479:
8476:
8472:
8469:
8465:
8464:
8463:
8460:
8459:
8457:
8455:
8451:
8445:
8442:
8440:
8437:
8435:
8432:
8430:
8429:Udupi cuisine
8427:
8425:
8422:
8420:
8419:Mysore Dasara
8417:
8415:
8412:
8410:
8407:
8405:
8402:
8400:
8397:
8395:
8392:
8390:
8387:
8385:
8384:Gaarudi Gombe
8382:
8380:
8377:
8375:
8372:
8370:
8367:
8365:
8362:
8360:
8359:Bharatanatyam
8357:
8356:
8354:
8352:
8348:
8342:
8341:Western Ghats
8339:
8337:
8334:
8332:
8329:
8327:
8324:
8322:
8321:Highest point
8319:
8317:
8314:
8312:
8309:
8307:
8304:
8302:
8299:
8297:
8294:
8292:
8289:
8288:
8286:
8284:
8280:
8270:
8267:
8265:
8262:
8260:
8257:
8255:
8252:
8250:
8247:
8245:
8242:
8240:
8237:
8235:
8232:
8231:
8229:
8227:
8223:
8217:
8214:
8212:
8209:
8207:
8204:
8202:
8199:
8197:
8194:
8192:
8189:
8187:
8184:
8183:
8181:
8179:
8175:
8169:
8166:
8164:
8161:
8159:
8156:
8154:
8151:
8149:
8146:
8144:
8141:
8139:
8136:
8135:
8133:
8131:
8127:
8121:
8118:
8116:
8113:
8111:
8108:
8106:
8103:
8101:
8098:
8096:
8093:
8091:
8088:
8086:
8083:
8081:
8078:
8077:
8075:
8073:
8069:
8066:
8064:
8060:
8056:
8050:
8047:
8045:
8042:
8040:
8037:
8035:
8032:
8030:
8027:
8025:
8022:
8020:
8017:
8015:
8012:
8010:
8007:
8005:
8004:Srirangapatna
8002:
8000:
7997:
7995:
7992:
7990:
7989:Pulakeshin II
7987:
7985:
7982:
7980:
7977:
7975:
7972:
7970:
7967:
7965:
7962:
7960:
7957:
7955:
7952:
7950:
7947:
7945:
7942:
7940:
7937:
7935:
7932:
7930:
7927:
7925:
7922:
7920:
7917:
7915:
7912:
7910:
7907:
7905:
7902:
7900:
7897:
7895:
7892:
7890:
7887:
7885:
7882:
7880:
7877:
7875:
7874:Alupa dynasty
7872:
7870:
7867:
7866:
7864:
7862:
7858:
7852:
7849:
7847:
7844:
7842:
7839:
7837:
7834:
7832:
7829:
7827:
7824:
7822:
7819:
7817:
7814:
7812:
7809:
7807:
7804:
7802:
7799:
7797:
7794:
7792:
7789:
7787:
7784:
7782:
7779:
7778:
7776:
7774:
7770:
7764:
7760:
7758:
7757:Carnatic carp
7754:
7752:
7748:
7745:
7743:
7739:
7736:
7734:
7730:
7727:
7725:
7724:Indian roller
7721:
7718:
7716:
7712:
7709:
7708:
7705:
7701:
7698:
7696:
7692:
7689:
7688:
7686:
7684:
7683:State symbols
7680:
7676:
7675:
7670:
7665:
7661:
7657:
7653:
7645:
7640:
7638:
7633:
7631:
7626:
7625:
7622:
7610:
7602:
7600:
7596:
7592:
7590:
7582:
7581:
7579:
7569:
7561:
7558:
7556:
7553:
7552:
7551:
7550:Hindu temples
7548:
7546:
7543:
7541:
7538:
7534:
7531:
7529:
7526:
7524:
7521:
7519:
7516:
7514:
7511:
7509:
7506:
7504:
7501:
7500:
7499:
7496:
7492:
7489:
7488:
7487:
7484:
7482:
7479:
7475:
7472:
7471:
7470:
7467:
7465:
7462:
7460:
7457:
7455:
7454:Hindu studies
7452:
7450:
7447:
7445:
7442:
7440:
7437:
7435:
7432:
7430:
7427:
7425:
7424:Denominations
7422:
7418:
7415:
7413:
7410:
7409:
7408:
7405:
7404:
7402:
7400:
7396:
7386:
7383:
7381:
7378:
7376:
7373:
7371:
7368:
7367:
7365:
7361:
7355:
7352:
7350:
7347:
7345:
7342:
7340:
7337:
7336:
7331:
7328:
7326:
7323:
7321:
7318:
7316:
7313:
7312:
7311:
7308:
7304:
7301:
7299:
7296:
7294:
7291:
7289:
7286:
7284:
7281:
7279:
7276:
7274:
7271:
7270:
7268:
7266:
7263:
7261:
7258:
7256:
7253:
7251:
7248:
7246:
7243:
7241:
7238:
7234:
7233:Vijayadashami
7231:
7229:
7226:
7224:
7221:
7220:
7219:
7216:
7214:
7211:
7209:
7206:
7204:
7201:
7199:
7196:
7195:
7193:
7191:
7187:
7179:
7176:
7174:
7171:
7169:
7166:
7164:
7161:
7160:
7159:
7156:
7152:
7149:
7147:
7144:
7142:
7139:
7137:
7134:
7133:
7132:
7129:
7128:
7126:
7122:
7116:
7113:
7111:
7108:
7106:
7103:
7101:
7098:
7096:
7093:
7091:
7088:
7086:
7083:
7081:
7078:
7076:
7073:
7071:
7068:
7066:
7063:
7061:
7058:
7056:
7053:
7051:
7050:Simantonayana
7048:
7046:
7043:
7041:
7038:
7037:
7035:
7033:
7029:
7023:
7020:
7018:
7015:
7013:
7010:
7008:
7005:
7003:
7000:
6998:
6995:
6993:
6990:
6988:
6985:
6983:
6980:
6978:
6975:
6973:
6970:
6968:
6965:
6964:
6962:
6960:
6956:
6953:
6949:
6939:
6938:
6934:
6932:
6929:
6927:
6924:
6922:
6919:
6917:
6914:
6912:
6909:
6907:
6904:
6902:
6899:
6897:
6894:
6892:
6889:
6887:
6884:
6882:
6879:
6875:
6872:
6870:
6867:
6865:
6862:
6861:
6860:
6857:
6856:
6854:
6852:
6848:
6842:
6841:
6837:
6835:
6832:
6830:
6827:
6825:
6822:
6820:
6817:
6815:
6812:
6810:
6807:
6805:
6802:
6800:
6797:
6795:
6792:
6790:
6787:
6785:
6782:
6778:
6775:
6773:
6770:
6768:
6765:
6764:
6763:
6760:
6759:
6757:
6755:
6751:
6748:
6746:
6742:
6732:
6729:
6727:
6724:
6722:
6719:
6717:
6714:
6712:
6709:
6707:
6704:
6702:
6699:
6697:
6694:
6692:
6689:
6687:
6684:
6682:
6679:
6677:
6674:
6672:
6669:
6667:
6664:
6662:
6659:
6658:
6656:
6654:
6650:
6644:
6643:
6639:
6637:
6636:Yoga Vasistha
6634:
6632:
6629:
6627:
6624:
6622:
6619:
6617:
6614:
6610:
6607:
6605:
6602:
6600:
6597:
6596:
6595:
6592:
6590:
6587:
6585:
6582:
6580:
6577:
6575:
6572:
6568:
6565:
6563:
6560:
6559:
6558:
6555:
6553:
6550:
6548:
6547:Bhagavad Gita
6545:
6544:
6542:
6540:
6536:
6530:
6527:
6525:
6522:
6520:
6517:
6515:
6512:
6510:
6507:
6505:
6502:
6501:
6499:
6497:
6493:
6487:
6486:Sthapatyaveda
6484:
6482:
6479:
6477:
6474:
6472:
6469:
6468:
6466:
6464:
6460:
6450:
6447:
6445:
6442:
6440:
6437:
6435:
6432:
6430:
6427:
6425:
6422:
6420:
6417:
6415:
6412:
6410:
6407:
6405:
6402:
6400:
6397:
6395:
6392:
6390:
6387:
6386:
6384:
6382:
6378:
6372:
6369:
6367:
6364:
6362:
6359:
6358:
6356:
6352:
6346:
6343:
6341:
6338:
6336:
6333:
6331:
6328:
6327:
6324:
6321:
6319:
6315:
6309:
6306:
6304:
6301:
6300:
6298:
6294:
6291:
6289:
6285:
6266:
6262:
6259:
6255:
6254:
6250:
6248:
6247:
6243:
6241:
6240:
6236:
6235:
6234:
6231:
6229:
6226:
6224:
6221:
6219:
6216:
6214:
6211:
6209:
6205:
6202:
6201:
6199:
6197:
6193:
6185:
6182:
6180:
6177:
6175:
6172:
6170:
6167:
6165:
6162:
6160:
6157:
6155:
6152:
6150:
6147:
6145:
6142:
6141:
6140:
6137:
6136:
6131:
6128:
6126:
6123:
6121:
6118:
6116:
6113:
6112:
6111:
6108:
6107:
6104:
6101:
6099:
6096:
6094:
6091:
6089:
6086:
6084:
6081:
6079:
6076:
6074:
6071:
6070:
6068:
6066:
6062:
6059:
6057:
6053:
6047:
6044:
6041:
6039:
6036:
6035:
6032:
6026:
6022:
6018:
6010:
6005:
6003:
5998:
5996:
5991:
5990:
5987:
5975:
5972:
5970:
5967:
5966:
5964:
5960:
5954:
5951:
5949:
5946:
5944:
5941:
5939:
5936:
5934:
5931:
5929:
5926:
5924:
5921:
5920:
5918:
5914:
5908:
5905:
5903:
5902:
5898:
5896:
5895:
5894:Natya Shastra
5891:
5890:
5888:
5884:
5878:
5875:
5873:
5870:
5868:
5865:
5864:
5862:
5858:
5852:
5849:
5847:
5844:
5842:
5839:
5837:
5834:
5832:
5829:
5827:
5824:
5822:
5819:
5817:
5814:
5812:
5809:
5807:
5804:
5802:
5799:
5797:
5794:
5792:
5789:
5787:
5784:
5782:
5779:
5777:
5774:
5772:
5769:
5767:
5764:
5762:
5759:
5757:
5754:
5752:
5749:
5747:
5744:
5742:
5739:
5737:
5734:
5732:
5729:
5727:
5724:
5722:
5721:Malwai Giddha
5719:
5717:
5714:
5712:
5709:
5707:
5704:
5702:
5699:
5697:
5694:
5692:
5689:
5687:
5684:
5682:
5679:
5677:
5674:
5672:
5669:
5667:
5664:
5662:
5659:
5657:
5654:
5652:
5649:
5647:
5644:
5642:
5639:
5637:
5634:
5632:
5629:
5627:
5624:
5622:
5619:
5617:
5614:
5612:
5609:
5607:
5604:
5602:
5599:
5597:
5594:
5592:
5589:
5587:
5584:
5582:
5579:
5577:
5574:
5572:
5569:
5567:
5566:Dollu Kunitha
5564:
5562:
5559:
5557:
5554:
5552:
5549:
5547:
5544:
5542:
5539:
5537:
5534:
5532:
5529:
5527:
5524:
5522:
5519:
5517:
5514:
5512:
5509:
5507:
5504:
5502:
5499:
5497:
5494:
5492:
5489:
5487:
5486:Bardwi Sikhla
5484:
5482:
5479:
5477:
5474:
5472:
5469:
5467:
5464:
5463:
5461:
5458:
5454:
5450:
5444:
5441:
5439:
5436:
5434:
5431:
5429:
5426:
5425:
5423:
5419:
5409:
5406:
5404:
5401:
5399:
5396:
5394:
5391:
5389:
5386:
5384:
5383:Andhra Natyam
5381:
5380:
5378:
5374:
5368:
5365:
5363:
5360:
5358:
5355:
5353:
5350:
5348:
5345:
5343:
5340:
5338:
5335:
5333:
5332:Bharatanatyam
5330:
5329:
5327:
5323:
5320:
5318:
5314:
5308:
5305:
5303:
5300:
5298:
5295:
5293:
5290:
5288:
5285:
5283:
5280:
5279:
5277:
5273:
5269:
5262:
5257:
5255:
5250:
5248:
5243:
5242:
5239:
5233:
5229:
5228:Bharatanatyam
5226:
5225:
5204:
5200:
5196:
5192:
5188:
5184:
5180:
5173:
5168:
5164:
5158:
5154:
5153:
5147:
5143:
5139:
5135:
5129:
5125:
5120:
5117:
5113:
5109:
5104:
5102:
5096:
5092:
5088:
5083:
5079:
5073:
5069:
5068:
5062:
5058:
5052:
5048:
5047:
5041:
5038:
5036:
5035:81-291-0594-2
5032:
5028:
5024:
5020:
5018:90-04-03978-3
5014:
5010:
5009:
5004:
5000:
4997:
4995:
4994:9788121512183
4991:
4987:
4983:
4977:
4973:
4972:
4966:
4962:
4956:
4952:
4951:
4945:
4941:
4935:
4931:
4930:
4924:
4920:
4916:
4912:
4907:
4904:
4900:
4898:
4894:
4890:
4886:
4875:. W. H. Allen
4874:
4873:
4867:
4863:
4862:
4856:
4852:
4846:
4841:
4840:
4833:
4829:
4823:
4819:
4818:
4812:
4808:
4804:
4800:
4796:
4792:
4788:
4783:
4780:
4776:
4775:
4762:
4758:
4752:
4744:
4737:
4731:
4723:
4719:
4715:
4711:
4707:
4703:
4696:
4689:
4681:
4677:
4673:
4669:
4665:
4661:
4657:
4653:
4646:
4639:
4631:
4625:
4621:
4620:
4612:
4604:
4598:
4594:
4593:
4585:
4577:
4571:
4567:
4566:
4558:
4556:
4554:
4552:
4543:
4539:
4535:
4529:
4525:
4521:
4515:
4507:
4506:
4498:
4496:
4488:
4483:
4479:
4472:
4464:
4458:
4454:
4453:
4445:
4443:
4434:
4428:
4424:
4423:
4415:
4413:
4411:
4403:
4398:
4391:
4386:
4384:
4375:
4369:
4365:
4364:
4356:
4348:
4342:
4338:
4337:
4329:
4321:
4315:
4311:
4310:
4302:
4294:
4288:
4284:
4283:
4275:
4267:
4261:
4257:
4256:
4248:
4240:
4234:
4230:
4229:
4221:
4213:
4212:
4204:
4202:
4193:
4192:
4184:
4177:
4171:
4163:
4159:
4153:
4145:
4139:
4135:
4134:
4126:
4118:
4112:
4108:
4107:
4099:
4097:
4095:
4087:
4081:
4073:
4067:
4063:
4062:
4054:
4052:
4043:
4037:
4033:
4032:
4024:
4017:
4012:
4010:
4008:
4006:
3997:
3993:
3986:
3979:
3971:
3965:
3961:
3960:
3952:
3945:
3939:
3937:
3928:
3922:
3918:
3917:
3909:
3907:
3905:
3903:
3887:
3881:
3873:
3867:
3863:
3862:
3854:
3838:
3834:
3828:
3813:
3809:
3805:
3801:
3794:
3779:
3775:
3769:
3761:
3755:
3751:
3750:
3742:
3740:
3731:
3725:
3721:
3720:
3712:
3710:
3701:
3697:
3693:
3689:
3685:
3681:
3674:
3667:
3661:
3659:
3657:
3655:
3653:
3651:
3649:
3640:
3636:
3632:
3628:
3625:(2): 79–102.
3624:
3620:
3613:
3605:
3601:
3597:
3593:
3589:
3585:
3578:
3570:
3566:
3562:
3558:
3554:
3550:
3543:
3541:
3539:
3537:
3535:
3526:
3522:
3518:
3514:
3510:
3506:
3499:
3491:
3485:
3481:
3480:
3472:
3470:
3468:
3466:
3459:
3455:
3449:
3441:
3440:
3439:Natya Shastra
3436:Bharat Muni.
3432:
3424:
3420:
3416:
3412:
3408:
3404:
3400:
3396:
3392:
3388:
3384:
3377:
3375:
3373:
3364:
3358:
3354:
3353:
3345:
3337:
3331:
3327:
3326:
3318:
3316:
3307:
3301:
3297:
3296:
3288:
3280:
3274:
3270:
3269:
3261:
3253:
3247:
3243:
3242:
3234:
3226:
3220:
3216:
3215:
3207:
3199:
3195:
3191:
3187:
3183:
3179:
3172:
3164:
3160:
3156:
3152:
3145:
3139:, p. 23.
3138:
3133:
3125:
3121:
3117:
3113:
3109:
3105:
3101:
3094:
3092:
3090:
3088:
3079:
3075:
3071:
3067:
3063:
3059:
3055:
3051:
3047:
3043:
3039:
3032:
3030:
3028:
3019:
3012:
3010:
3001:
2997:
2993:
2989:
2985:
2981:
2977:
2973:
2969:
2962:
2960:
2958:
2956:
2947:
2941:
2937:
2936:
2928:
2920:
2914:
2910:
2909:
2901:
2893:
2887:
2883:
2882:
2874:
2872:
2863:
2857:
2853:
2852:
2844:
2836:
2832:
2826:
2818:
2812:
2808:
2807:
2799:
2797:
2788:
2784:
2780:
2776:
2769:
2767:
2758:
2752:
2748:
2747:
2739:
2737:
2735:
2727:
2721:
2714:
2710:
2704:
2697:
2693:
2687:
2685:
2677:
2672:
2665:
2660:
2653:
2649:
2643:
2635:
2629:
2625:
2624:
2616:
2608:
2602:
2598:
2597:
2589:
2587:
2578:
2572:
2568:
2567:
2559:
2551:
2544:
2538:, p. 47.
2537:
2532:
2530:
2520:
2513:
2506:
2504:
2499:
2493:
2489:
2488:
2480:
2473:
2468:
2461:
2456:
2449:
2444:
2437:
2432:
2425:
2420:
2418:
2416:
2407:
2401:
2397:
2396:
2388:
2380:
2374:
2370:
2369:
2361:
2353:
2346:
2338:
2332:
2328:
2323:
2322:
2313:
2305:
2299:
2295:
2294:
2286:
2284:
2282:
2273:
2272:
2264:
2262:
2253:
2251:9780822388050
2247:
2243:
2242:
2234:
2219:
2215:
2208:
2200:
2194:
2190:
2189:
2181:
2173:
2167:
2163:
2162:
2154:
2152:
2150:
2148:
2146:
2138:
2132:
2130:
2121:
2115:
2111:
2110:
2102:
2094:
2088:
2084:
2083:
2075:
2067:
2061:
2057:
2056:
2048:
2046:
2044:
2042:
2040:
2038:
2036:
2034:
2032:
2030:
2021:
2014:
2012:
2010:
2008:
2006:
2004:
1997:, p. ix.
1996:
1995:Danielou 1965
1991:
1984:
1979:
1973:, p. 30.
1972:
1967:
1965:
1957:
1952:
1945:
1939:
1931:
1925:
1921:
1920:
1912:
1905:
1902:
1897:
1889:
1883:
1879:
1878:
1870:
1862:
1856:
1852:
1851:
1843:
1839:
1825:
1821:
1817:
1813:
1807:
1803:
1793:
1790:
1788:
1785:
1784:
1775:
1772:
1769:
1768:
1764:
1762:(Tamil, 2007)
1761:
1760:
1756:
1753:
1752:
1748:
1745:
1744:
1740:
1737:
1736:
1732:
1730:(Tamil, 1975)
1729:
1728:
1724:
1722:(Tamil, 1968)
1721:
1720:
1716:
1714:(Tamil, 1962)
1713:
1712:
1708:
1707:
1703:
1702:Guimet Museum
1699:
1679:
1677:
1673:
1668:
1666:
1662:
1658:
1654:
1650:
1646:
1642:
1638:
1634:
1630:
1629:United States
1625:
1623:
1622:Bharatanatyam
1617:
1615:
1610:
1601:
1592:
1590:
1586:
1582:
1578:
1577:standing pose
1575:(the tree, a
1574:
1570:
1566:
1562:
1558:
1554:
1549:
1547:
1543:
1539:
1535:
1531:
1527:
1523:
1522:
1517:
1512:
1510:
1506:
1502:
1498:
1494:
1490:
1486:
1482:
1472:
1471:
1460:
1451:
1440:
1431:
1420:
1411:
1402:
1400:
1396:
1395:Natya Shastra
1391:
1390:
1389:Natya Shastra
1385:
1381:
1380:
1369:
1367:
1363:
1359:
1355:
1351:
1346:
1344:
1340:
1336:
1332:
1328:
1324:
1320:
1316:
1311:
1309:
1308:salwar kameez
1303:
1301:
1297:
1292:
1290:
1286:
1285:
1280:
1275:
1273:
1268:
1266:
1265:
1258:
1254:
1252:
1248:
1244:
1243:
1238:
1235:
1231:
1227:
1223:
1222:
1217:
1216:
1211:
1210:
1205:
1191:
1187:
1183:
1181:
1177:
1176:
1170:
1169:
1168:
1163:
1161:
1157:
1153:
1152:
1146:
1145:
1144:
1139:
1137:
1133:
1129:
1125:
1121:
1117:
1112:
1111:
1110:
1105:
1103:
1099:
1091:
1086:
1082:
1081:
1080:
1075:
1073:
1068:
1067:
1066:
1061:
1059:
1055:
1051:
1047:
1043:
1039:
1034:
1033:
1032:
1027:
1024:
1020:
1019:
1015:) called the
1014:
1009:
1008:
1007:
1002:
1000:
996:
995:Hindu deities
992:
991:
985:
984:
983:
978:
976:
967:
958:
956:
951:
947:
943:
936:
932:
920:
916:
912:
908:
905:
901:
897:
893:
889:
888:
886:
883:
882:Balasaraswati
877:
875:
871:
870:
865:
861:
857:
853:
849:
840:
834:
832:
828:
824:
820:
819:Natya Shastra
815:
811:
809:
805:
804:
798:
794:
793:
788:
787:
782:
781:sign language
778:
774:
769:
767:
766:
761:
760:
759:Natya Shastra
755:
747:
743:
734:
731:
728:
724:
723:Natya Shastra
719:
713:
711:
707:
703:
702:Balasaraswati
699:
693:
691:
685:
683:
672:
668:
666:
662:
659:In 1910, the
657:
655:
651:
646:
638:
634:
630:
628:
623:
622:Nayaka period
603:
602:
597:
587:
585:
584:
579:
575:
574:
569:
564:
562:
561:Natya Shastra
558:
554:
535:
527:
520:
511:
508:
504:
500:
496:
495:
489:
487:
483:
479:
475:
471:
470:Natya Shastra
467:
463:
459:
458:Natya Shastra
455:
453:
452:
451:Natya Shastra
443:
439:
434:
427:
424:dedicated to
423:
418:
409:
407:
403:
399:
395:
394:Bharatanatyam
391:
387:
383:
379:
375:
374:
369:
365:
364:
360:standing for
359:
355:
351:
347:
343:
342:Bharatanatyam
339:
331:
327:
324:
320:
316:
306:
304:
298:
296:
295:
290:
289:
284:
280:
276:
272:
271:sign language
268:
264:
263:Bharatanatyam
260:
256:
252:
251:Bharatanatyam
248:
246:
241:
240:
235:
234:Natya Shastra
231:
230:Bharatanatyam
226:
224:
220:
216:
212:
208:
204:
196:
192:
191:
190:Bharatanatyam
181:
178:
174:
171:
168:
164:
160:
156:
155:
150:
149:
144:
140:
136:
130:
126:
122:
117:
114:
113:Bharatanatyam
103:
100:November 2021
93:
88:
84:
77:
67:
57:
50:
45:
36:
35:
32:
27:
19:
8828:Jain temples
8723:D. R. Bendre
8658:Kumara Vyasa
8517:Vijayanagara
8358:
8326:Bayalu Seeme
8211:Vijayanagara
8024:Vijayanagara
7979:Mayurasharma
7914:Deva Raya II
7879:Amoghavarsha
7781:Architecture
7672:
7560:Architecture
7163:Brahmacharya
7105:Samavartanam
7070:Annaprashana
6936:
6839:
6640:
6594:Dharmaśāstra
6584:Arthashastra
6419:Maitrayaniya
6251:
6244:
6237:
6159:Brahmacharya
5899:
5892:
5860:Contemporary
5816:Singhi Chham
5656:Kachhi Ghodi
5551:Dandiya Raas
5491:Bedara Vesha
5421:Divine forms
5357:Mohiniyattam
5331:
5210:. Retrieved
5203:the original
5182:
5178:
5151:
5123:
5107:
5086:
5066:
5045:
5026:
5007:
4970:
4949:
4928:
4911:Natyashastra
4910:
4902:
4888:
4877:. Retrieved
4871:
4860:
4838:
4816:
4790:
4786:
4778:
4772:Bibliography
4760:
4751:
4742:
4730:
4705:
4701:
4688:
4658:(2): 11–29.
4655:
4651:
4638:
4618:
4611:
4591:
4584:
4564:
4523:
4514:
4505:Yoga Journal
4503:
4485:
4471:
4451:
4421:
4404:, p. 5.
4397:
4392:, p. 3.
4362:
4355:
4335:
4328:
4308:
4301:
4281:
4274:
4254:
4247:
4227:
4220:
4210:
4190:
4183:
4175:
4170:
4157:
4152:
4132:
4125:
4105:
4085:
4080:
4060:
4030:
4023:
3995:
3991:
3978:
3958:
3951:
3943:
3915:
3891:26 September
3889:. Retrieved
3880:
3860:
3853:
3843:27 September
3841:. Retrieved
3837:the original
3833:"Arangetram"
3827:
3817:27 September
3815:. Retrieved
3803:
3793:
3781:. Retrieved
3777:
3768:
3748:
3718:
3683:
3679:
3673:
3665:
3622:
3618:
3612:
3587:
3583:
3577:
3552:
3548:
3508:
3504:
3498:
3478:
3453:
3448:
3438:
3431:
3390:
3386:
3351:
3344:
3324:
3294:
3287:
3267:
3260:
3240:
3233:
3213:
3206:
3181:
3177:
3171:
3157:(1): 79–80.
3154:
3150:
3144:
3132:
3107:
3103:
3045:
3041:
3020:. Routledge.
3017:
2978:(2): 11–29.
2975:
2971:
2934:
2927:
2907:
2900:
2880:
2850:
2843:
2834:
2825:
2805:
2781:(1): 73–99.
2778:
2774:
2745:
2720:
2703:
2671:
2664:Michell 2014
2659:
2642:
2622:
2615:
2595:
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2233:
2221:. Retrieved
2217:
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2187:
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2081:
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2019:
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1581:Natarajasana
1559:, including
1550:
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1534:nrtta hastas
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884:, a devadasi
879:
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830:
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822:
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818:
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83:ISO 639 code
79:}}
73:{{
69:}}
63:{{
59:}}
53:{{
48:
31:
26:
8960:South India
8856:Pampa Award
8693:Gopala Dasa
8688:Vijaya Dasa
8683:Kanaka Dasa
8648:Rudrabhatta
8593:Gunavarma I
8580:Noted poets
8489:Rashtrakuta
8239:Chikmagalur
8115:Ramanagara
8090:Chitradurga
8009:Tipu Sultan
7609:WikiProject
7481:Persecution
7469:Nationalism
7459:Iconography
7339:Ratha Yatra
7250:Janmashtami
7245:Rama Navami
7173:Vanaprastha
7124:Varnashrama
7100:Ritushuddhi
7085:Vidyarambha
7075:Chudakarana
7065:Nishkramana
7040:Garbhadhana
6681:Thirukkural
6676:Thiruppugal
6604:Nāradasmṛti
6567:Mahabharata
6345:Atharvaveda
6223:Vaisheshika
6110:Puruṣārthas
5962:Accessories
5831:Thirayattam
5821:Sword dance
5506:Bommalattam
5481:Bardo Chham
5471:Baagh Naach
5307:Veeranatyam
5297:Parai Attam
3783:27 February
3749:Asian Dance
1776:(Malayalam)
1767:Kamaladalam
1711:Senthamarai
1676:Chidambaram
1657:New Zealand
1585:Bhakti Yoga
1573:Vrikshasana
1561:Dhanurasana
1557:modern yoga
1319:South India
990:Pushpanjali
982:Pushpanjali
839:The purpose
786:Mahabharata
754:solo dancer
690:Ragini Devi
596:Indologists
499:Manimegalai
326:Sadiraattam
128:Native name
8939:Categories
8919:Television
8909:Newspapers
8833:Waterfalls
8643:Raghavanka
8633:Siddharama
8468:Milestones
8454:Literature
8439:Yakshagana
8389:Ilkal sari
8196:Kalaburagi
8095:Davanagere
7984:Pattadakal
7801:Demography
7742:Sandalwood
7310:Kumbh Mela
7278:Gudi Padwa
7223:Durga Puja
7208:Shivaratri
7080:Karnavedha
7060:Namakarana
7022:Tirthatana
6789:Dattatreya
6626:Subhashita
6599:Manusmriti
6476:Dhanurveda
6409:Taittiriya
6394:Kaushitaki
6381:Upanishads
6154:Aparigraha
6056:Philosophy
5948:Tamil Nadu
5886:Literature
5851:Yakshagana
5806:Raut Nacha
5796:Puliyattam
5776:Pavri Nach
5766:Paampattam
5736:Mayilattam
5666:Karakattam
5541:Corridinho
5531:Chheih Lam
5325:Recognised
5287:Margamkali
1834:References
1661:Bangladesh
1565:Chakrasana
1354:nadaswaram
1323:nattuvanar
1298:powder or
1234:unstitched
1042:Jatiswaram
1031:Jatiswaram
946:Arangetram
942:arangetram
926:Arangetram
852:jatiswaram
833:(Natyam).
466:Natasutras
334:சதிராட்டம்
279:nattuvanar
245:Tamil Nadu
207:Tamil Nadu
180:Tamil Nadu
151:(melody),
8975:Hindu art
8914:Magazines
8703:Lakshmisa
8663:Chamarasa
8603:Sri Ponna
8570:Karnataka
8434:Veeragase
8369:Bidriware
8364:Buta Kola
8296:Districts
8283:Geography
8063:divisions
8059:Districts
7919:Durvinita
7894:Balligavi
7821:Geography
7816:Folk arts
7811:Education
7773:Overviews
7674:Bengaluru
7660:Karnataka
7533:Theosophy
7464:Mythology
7444:Criticism
7412:Etymology
7370:Svādhyāya
7269:New Year
7218:Navaratri
7190:Festivals
7168:Grihastha
7141:Kshatriya
7115:Antyeshti
7090:Upanayana
7055:Jatakarma
7045:Pumsavana
7032:Sanskaras
6997:Naivedhya
6951:Practices
6896:Mahavidya
6864:Saraswati
6851:Goddesses
6809:Kartikeya
6706:Athichudi
6661:Tirumurai
6514:Vyākaraṇa
6481:Natyaveda
6429:Chandogya
6354:Divisions
6335:Yajurveda
5846:Veeragase
5791:Puli Kali
5761:Oyilattam
5681:Khual Lam
5676:Keisabadi
5636:Hulivesha
5581:Duffmuttu
5476:Bagurumba
5438:Rasa lila
5347:Kuchipudi
5342:Kathakali
5317:Classical
5142:286469807
5095:233639306
4680:144784756
4542:926062252
3812:0971-751X
3804:The Hindu
3639:144136967
3423:159713358
3407:0147-2526
3116:0376-9771
3078:214131186
3062:0257-9774
3042:Anthropos
3000:144784756
2715:, page 21
2654:, page 68
1759:Sringaram
1682:In cinema
1678:in 2019.
1665:Singapore
1649:Sri Lanka
1641:Australia
1569:back-arch
1555:found in
1372:Symbolism
1350:mridangam
1317:style of
1284:ghungroos
1132:keertanam
526:Karnataka
354:backronym
313:In 1932,
309:Etymology
232:from the
138:Etymology
8708:Sarvajna
8638:Harihara
8531:Haridasa
8482:Medieval
8331:Malenadu
8316:Villages
8143:Belagavi
8138:Bagalkot
8110:Tumakuru
7999:Sringeri
7924:Halebidu
7889:Banavasi
7851:Wildlife
7761:Insect:
7589:Category
7540:Glossary
7508:Buddhism
7474:Hindutva
7434:Calendar
7315:Haridwar
7293:Vaisakhi
7288:Puthandu
7178:Sannyasa
7095:Keshanta
6926:Shashthi
6762:Trimurti
6589:Nitisara
6562:Ramayana
6557:Itihasas
6529:Jyotisha
6471:Ayurveda
6463:Upavedas
6444:Mandukya
6389:Aitareya
6371:Aranyaka
6366:Brahmana
6340:Samaveda
6265:Charvaka
6065:Concepts
6046:Timeline
6038:Glossary
6021:Hinduism
5969:Ghungroo
5916:By state
5781:Phulpati
5771:Padayani
5691:Kolattam
5661:Kalbelia
5641:Jhijhiya
5631:Hojagiri
5621:Gombhira
5561:Dhunachi
5536:Chholiya
5521:Chang Lo
5428:Nataraja
5367:Sattriya
5352:Manipuri
5199:29065670
5005:(1974).
4722:17824898
4672:20444589
4522:(2016).
4482:Archived
3163:23816342
3124:26316557
3070:27095513
2992:20444589
2787:23816342
1781:See also
1653:Malaysia
1546:abhinaya
1505:Abhinaya
1501:Sattvika
1467:Example
1399:abhinaya
1384:abhinaya
1379:abhinaya
1343:Sanskrit
1315:Carnatic
1289:salangai
1279:salangai
1226:hand fan
1180:Mangalam
1120:abhinaya
1038:Alarippu
1018:Alarippu
1006:Alarippu
866:and the
848:alarippu
803:Abhinaya
792:Ramayana
773:ekaharya
737:Elements
601:Devadasi
578:Nataraja
436:Notable
390:Sanskrit
350:Bharatam
267:Aramandi
219:Hinduism
201:) is an
8803:Beaches
8795:Tourism
8772:society
8748:Kuvempu
8524:Vachana
8510:Hoysala
8462:Kannada
8399:Kannada
8394:Kamsale
8351:Culture
8206:Raichur
8186:Ballari
8153:Dharwad
8148:Bijapur
8105:Shimoga
7934:Halmidi
7861:History
7826:History
7806:Economy
7796:Cuisine
7791:Climate
7669:Capital
7578:Outline
7528:Sikhism
7523:Judaism
7518:Jainism
7399:Related
7375:Namaste
7228:Ramlila
7158:Ashrama
7146:Vaishya
7136:Brahmin
6959:Worship
6911:Rukmini
6901:Matrika
6874:Parvati
6869:Lakshmi
6859:Tridevi
6814:Krishna
6799:Hanuman
6794:Ganesha
6745:Deities
6631:Tantras
6621:Stotras
6574:Puranas
6519:Nirukta
6509:Chandas
6504:Shiksha
6496:Vedanga
6449:Prashna
6439:Mundaka
6361:Samhita
6330:Rigveda
6261:Nāstika
6246:Advaita
6233:Vedanta
6228:Mīmāṃsā
6208:Samkhya
6196:Schools
6184:Akrodha
6103:Saṃsāra
6083:Ishvara
6073:Brahman
5974:Silambu
5953:Tripura
5841:Tippani
5826:Tertali
5741:Mussoll
5706:Lahasua
5651:Jhumair
5616:Ghumura
5611:Ghoomar
5571:Domkach
5546:Dalkhai
5496:Bhangra
5433:Tandava
5403:Gotipua
5398:Gaudiya
5302:Theyyam
5275:Ancient
5212:26 July
5116:2238067
4879:2 April
4807:3204783
4739:(Video)
3700:1124019
3604:1124019
3569:1124019
3525:1124019
3458:Archive
3415:1568182
3198:1124019
2837:. 2017.
2223:20 July
1824:Brahman
1704:(2009).
1700:at the
1672:Chennai
1579:); and
1493:Vachika
1339:Kannada
1230:aanchal
1175:Shlokam
1151:Tillana
1143:Tillana
1072:Shabdam
1065:Shabdam
1013:vandana
864:tillana
797:Puranas
663:of the
609:
573:Tandava
559:in the
557:karanas
476:dance (
474:Tāṇḍava
440:dancer
412:History
356:, with
223:Jainism
182:, India
161:(dance)
92:See why
8904:Cinema
8843:Awards
8768:People
8618:Basava
8552:Modern
8538:Mysore
8414:Khedda
8409:Kasuti
8336:Kanara
8311:Taluks
8301:Rivers
8264:Mysore
8259:Mandya
8254:Kodagu
8249:Hassan
8216:Yadgir
8201:Koppal
8158:Haveri
7884:Badami
7869:Aihole
7841:Sports
7836:People
7786:Cinema
7755:Fish:
7729:Flower
7711:Animal
7691:Emblem
7599:Portal
7503:Baháʼí
7407:Hindus
7385:Tilaka
7354:Others
7330:Ujjain
7325:Prayag
7320:Nashik
7260:Pongal
7198:Diwali
7151:Shudra
7110:Vivaha
7017:Dhyāna
6992:Bhajan
6982:Bhakti
6967:Temple
6921:Shakti
6829:Varuna
6772:Vishnu
6767:Brahma
6616:Sutras
6552:Agamas
6308:Smriti
6239:Dvaita
6204:Āstika
6149:Asteya
6144:Ahimsa
6130:Moksha
6115:Dharma
6028:topics
5943:Punjab
5938:Odisha
5907:Mudras
5877:Nautch
5801:Rasiya
5756:Oppana
5701:Lavani
5686:Kikkli
5646:Jhumar
5606:Giddha
5596:Garadi
5586:Dumhal
5526:Cheraw
5408:Mahari
5393:Deknni
5376:Others
5362:Odissi
5337:Kathak
5292:Koothu
5232:Curlie
5197:
5159:
5140:
5130:
5114:
5093:
5074:
5053:
5033:
5015:
4992:
4978:
4957:
4936:
4895:
4847:
4824:
4805:
4720:
4678:
4670:
4626:
4599:
4572:
4540:
4530:
4459:
4429:
4370:
4343:
4316:
4289:
4262:
4235:
4140:
4113:
4068:
4038:
3998:: 107.
3966:
3923:
3868:
3810:
3756:
3726:
3698:
3637:
3602:
3567:
3523:
3486:
3421:
3413:
3405:
3359:
3332:
3302:
3275:
3248:
3221:
3196:
3161:
3122:
3114:
3076:
3068:
3060:
2998:
2990:
2942:
2915:
2888:
2858:
2813:
2785:
2753:
2711:
2694:
2650:
2630:
2603:
2573:
2503:Quote:
2494:
2402:
2375:
2333:
2329:–127.
2300:
2248:
2195:
2168:
2116:
2089:
2062:
1926:
1906:. 2007
1884:
1857:
1816:nritya
1812:Shloka
1743:Mayuri
1637:Canada
1633:Europe
1614:ballet
1553:asanas
1542:nritya
1538:nritta
1521:mudras
1497:Aharya
1489:Angika
1470:mudras
1362:violin
1335:Telugu
1296:kumkum
1221:salwar
1160:nritta
1156:nritya
1136:javali
1124:bhakti
1102:nritya
1098:Varnam
1090:Varnam
1079:Varnam
1058:Korvai
1046:nritta
997:, the
975:Margam
919:Nritya
911:Natyam
904:nritya
900:Nritya
892:Nritta
869:shloka
860:padams
856:varnam
827:Nritya
823:Nritta
795:, the
789:, the
654:Kathak
583:mudras
398:bhavam
386:Natyam
363:bhavam
323:rename
288:nritya
176:Origin
159:natyam
154:thalam
143:bhavam
8924:Radio
8896:Media
8813:Forts
8653:Janna
8608:Ranna
8588:Asaga
8475:Epics
8269:Udupi
8191:Bidar
8163:Gadag
8100:Kolar
7939:Hampi
7899:Belur
7831:Media
7751:Mango
7747:Fruit
7733:Lotus
7656:State
7513:Islam
7491:India
7380:Bindi
7363:Other
7303:Ugadi
7298:Vishu
7131:Varna
7012:Tapas
7002:Yajna
6972:Murti
6906:Radha
6886:Durga
6881:Bhumi
6824:Surya
6804:Indra
6777:Shiva
6539:Other
6524:Kalpa
6414:Katha
6318:Vedas
6303:Śruti
6288:Texts
6218:Nyaya
6174:Damah
6164:Satya
6120:Artha
6098:Karma
6088:Atman
6042:Index
5928:Assam
5811:Saang
5746:Nacnī
5731:Matki
5716:Maach
5711:Lezim
5696:Kummi
5671:Karma
5626:Grida
5601:Garba
5591:Fugdi
5576:Domni
5556:Dhalo
5516:Chang
5466:Alkap
5443:Lasya
5388:Chhau
5206:(PDF)
5195:S2CID
5175:(PDF)
4803:JSTOR
4718:S2CID
4698:(PDF)
4676:S2CID
4668:JSTOR
4648:(PDF)
3988:(PDF)
3696:JSTOR
3635:S2CID
3600:JSTOR
3565:JSTOR
3521:JSTOR
3419:S2CID
3411:JSTOR
3194:JSTOR
3159:JSTOR
3120:JSTOR
3074:S2CID
3066:JSTOR
2996:S2CID
2988:JSTOR
2783:JSTOR
1798:Notes
1516:Hasta
1509:bhava
1485:bhava
1366:veena
1358:flute
1331:Tamil
1264:gajra
1251:dhoti
1242:dhoti
1178:or a
1116:Padam
1109:Padam
1050:drums
915:Natya
831:Natya
553:Shiva
486:bhāva
484:, of
478:Shiva
438:Sadir
426:Shiva
406:talam
402:ragam
388:is a
382:talam
373:ragam
340:, as
330:Tamil
294:natya
283:nrita
211:India
195:Tamil
166:Genre
148:ragam
8808:Dams
8770:and
8545:Play
8061:and
7738:Tree
7720:Bird
7700:Song
7555:List
7417:List
7344:Teej
7273:Bihu
7255:Onam
7203:Holi
7007:Homa
6987:Japa
6977:Puja
6937:more
6931:Sita
6916:Sati
6891:Kali
6840:more
6834:Vayu
6819:Rama
6784:Agni
6754:Gods
6434:Kena
6404:Isha
6213:Yoga
6179:Dayā
6169:Dāna
6139:Niti
6125:Kama
6093:Maya
5751:Nati
5501:Bihu
5457:list
5453:Folk
5214:2016
5157:ISBN
5138:OCLC
5128:ISBN
5112:OCLC
5091:OCLC
5072:ISBN
5051:ISBN
5031:ISBN
5013:ISBN
4990:ISBN
4976:ISBN
4955:ISBN
4934:ISBN
4893:ISBN
4881:2016
4845:ISBN
4822:ISBN
4624:ISBN
4597:ISBN
4570:ISBN
4538:OCLC
4528:ISBN
4457:ISBN
4427:ISBN
4368:ISBN
4341:ISBN
4314:ISBN
4287:ISBN
4260:ISBN
4233:ISBN
4138:ISBN
4111:ISBN
4066:ISBN
4036:ISBN
3964:ISBN
3921:ISBN
3893:2021
3866:ISBN
3845:2021
3819:2021
3808:ISSN
3785:2024
3754:ISBN
3724:ISBN
3484:ISBN
3403:ISSN
3357:ISBN
3330:ISBN
3300:ISBN
3273:ISBN
3246:ISBN
3219:ISBN
3112:ISSN
3058:ISSN
2940:ISBN
2913:ISBN
2886:ISBN
2856:ISBN
2811:ISBN
2751:ISBN
2709:ISBN
2692:ISBN
2648:ISBN
2628:ISBN
2601:ISBN
2571:ISBN
2492:ISBN
2400:ISBN
2373:ISBN
2331:ISBN
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