934:
861:
922:
849:
873:
809:
885:
958:
946:
39:
897:
548:
909:
837:
211:
390:
434:
500:
255:
821:
299:
478:
343:
412:
522:
31:
277:
321:
456:
104:. Using oil paints and working directly on the walls of his dining and sitting rooms, Goya created works with dark, disturbing themes. The paintings were not commissioned and were not meant to leave his home. It is likely that the artist never intended the works for public exhibition: "these paintings are as close to being hermetically private as any that have ever been produced in the history of Western art."
1694:
233:
1037:
798:
Painted Paper
Factory which was patronized by Fernando VII. The paper on the ground floor was decorated with motifs of fruit and leaves and the first floor was decorated with geometrical drawings organized in diagonal lines. The photographs also document the state of the drawings before they were moved, showing, for example, that a large part of the right-hand side of
908:
365:
977:. In 2003, he came to the conclusion that they could not have been painted during Goya's lifetime. According to Junquera, contemporary legal documents describe the Quinta del Sordo as a villa with only one floor, and the second storey was not added until after Goya's death. If the upper floor did not exist during Goya's time, then the
957:
81:). Although the house had been named after the previous owner, who was deaf, Goya too was nearly deaf at the time as a result of an unknown illness he had suffered when he was 46. The paintings originally were painted as murals on the walls of the house, later being "hacked off" the walls and attached to canvas by owner
933:
100:, Goya developed an embittered attitude toward mankind. He had an acute, first-hand awareness of panic, terror, fear and hysteria. He had survived two near-fatal illnesses, and grew increasingly anxious and impatient in fear of relapse. The combination of these factors is thought to have led to his production of the
652:
896:
860:
606:
led him to paint over them. Bozal has suggested that those paintings also were painted by Goya as this is the only way to understand why he reused them. However, Nigel
Glendinning assumes that the paintings "already adorned the walls of Quinta del Sordo when he bought it." Whatever the truth of the
797:
It is possible to see in
Laurent's photographs that the murals were framed with borders painted in classicist design as were the doors, windows and the frieze above the door. The walls were papered as was the custom in bourgeois and aristocratic residences, possibly with wallpaper from the Royal
921:
848:
981:(or at least those found on the upper floor) could not have been the work of Goya. He speculates that Goya's son Javier may have created the paintings, and Javier's son Mariano passed them off as the work of Goya for financial gain. Junquera's theory was rejected by Goya scholar
70:
from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity. In 1819, at the age of 72, Goya moved into a two-story house outside Madrid that was called
872:
808:
2713:
884:
626:
the murals onto canvas began in 1874. The walls of the villa had been covered in wallpaper and Goya had painted on top of this layer which was carefully removed and reapplied to canvas. This work was carried out under the supervision of
914:
Duel with
Cudgels taken in 1874 by J. Laurent inside Quinta del Sordo; though the lower legs are obscured, Charles Yriarte, who viewed the paintings at the Quinta, interpreted that the duelists fought on a grass field, not knee-deep in
433:
836:
945:
1295:, "a beautiful canvas of more than five metres in length". This proves that Martínez Cubells transferred the whole painting and that it was later cut, possibly so that it would fit into a restricted space in Paris.
107:
Goya did not give titles to the paintings, or if he did, he never revealed them. Most names used for them are designations employed by art historians. Initially, they were catalogued in 1828 by Goya's friend,
793:
would have been above one of the doors; Glendinning has suggested that it was above the door on the ground floor due to the design of the painted paper that appears in
Laurent's photograph of the mural.
995:), and pointed to various documentary evidence, including an 1812 inventory of the artist's possessions catalogued by Goya's son, Javier, which included the work. Today, Museo del Prado recognise the
677:
also describes an additional painting to those currently known to be in the collection; he indicates that when he visited the villa in 1867, it had already been removed from the wall and taken to the
1774:
585:, even though she was still married to Isidoro Weiss. It is thought that Goya had a relationship with her and possibly a daughter, Rosario. It is not known exactly when Goya began painting the
1789:
694:
The ground floor was a rectangular space. On the two long sides there were two windows near the shorter walls. Between these windows, there were two large murals in the form of landscapes:
581:
bridge and with views over the plains of San Isidro, in
February 1819. It has been suggested that he bought the house to escape public attention; he lived there with his companion and maid
741:
The first floor was the same size as the ground floor, although there was only one central window in the long walls with a mural on each side. The right-hand wall as one entered contained
210:
691:; there is uncertainty whether it was painted on a lintel in the upper or lower floor. Leaving this aside, the original distribution of the murals in Quinta del Sordo was as follows.
1079:
There have been a number of suggestions for the names of these paintings. The earliest came from the inventory of the painter's assets made by
Antonio Brugada after Goya's death.
820:
1759:
985:, who published an academic study defending the paintings' authenticity and later held a lecture in Madrid restating his conviction. He made connections between the
364:
2804:
595:(1820). What is known is that the murals were painted over rural scenes containing small figures, as Goya made use of the landscapes in some of his murals such as
38:
389:
2310:
477:
547:
673:'s inventory mentions seven murals on the ground floor and eight on the top floor. However, only fourteen paintings arrived at the Museo del Prado.
2139:
254:
499:
1828:
411:
2377:
1227:
298:
1202:
678:
2302:
1835:
320:
589:. He may have started work on the murals between February and November 1819 when he fell seriously ill as testified by the disturbing
2318:
2294:
1968:
681:'s Vista Alegre Palace. Many critics consider that because of its size and theme the missing painting must be the one identified as
2571:
1726:
749:
455:
445:
168:
2522:
702:
467:
138:
47:
342:
2852:
2640:
2370:
2191:
2146:
1479:
602:
If the light-toned bucolic paintings are also the works of Goya, it may be that his illness and the turbulent events of the
2968:
2286:
632:
82:
1161:
521:
2270:
2238:
2131:
1408:
2246:
1671:
1654:
1640:
1626:
1608:
1559:
1545:
1524:
1509:
1495:
1388:
1347:
1087:
1017:
276:
2350:
2254:
1891:
1867:
639:
in 1878. However, in 1881 the baron donated the paintings to the
Spanish state and they are now on display at the
619:
and the republican army. Mariano de Goya transferred ownership of the villa to his father Javier de Goya in 1830.
2207:
1744:
1176:
Wilson-Bareau, Juliet. “Goya and the X Numbers: The 1812 Inventory and Early
Acquisitions of ‘Goya’ Pictures.”
97:
1427:
1306:
2342:
636:
591:
42:
2515:
2104:
2024:
1719:
1291:, Madrid, 26 July 1875. The newspaper outlined the fact that Martínez Cubells had successfully transferred
708:
706:
on the left. At the back, on the smaller wall opposite the entrance, there was a window in the centre with
310:
150:
628:
2472:
2055:
623:
1428:"Las Pinturas Negras de Goya y la Quinta del Sordo. Precisiones sobre las teorías de Juan José Junquera"
2633:
2529:
2230:
696:
685:(New York, collection Stanley Moss). Another problem regarding the paintings' location revolves around
489:
156:
2844:
2794:
2334:
2167:
2112:
2040:
1797:
611:
murals probably date from 1820 and were likely finished no later than 1823 when Goya, departing for
2978:
2973:
2892:
2714:
Unfortunate events in the front seats of the ring of Madrid, and the death of the mayor of Torrejón
2592:
2508:
2358:
2278:
2262:
2000:
714:
687:
423:
222:
180:
126:
22:
1224:
232:
2557:
2326:
1984:
1976:
1960:
1952:
1805:
1712:
1698:
1210:
767:
662:. It became separated from the other paintings in the collection and is now in the collection of
332:
162:
34:
Mansion of the heirs of Goya in the Quinta del Sordo, Madrid, c. 1900. It was demolished in 1909.
2926:
2464:
2183:
2175:
2008:
1821:
1614:
991:
842:
Photograph of Saturn devouring his children taken in 1874 by J. Laurent inside Quinta del Sordo
2836:
2757:
2418:
2410:
2016:
939:
Pilgrimage to the fountain of San
Isidoro taken in 1874 by J. Laurent inside Quinta del Sordo
615:, left the villa to his grandson Mariano, perhaps due to fear of reprisals after the fall of
2860:
2670:
2652:
1922:
1659:
8:
2448:
2032:
2784:
2564:
1937:
1875:
1859:
1843:
1393:
1022:
761:
401:
132:
2921:
2222:
2199:
1883:
1667:
1650:
1636:
1622:
1604:
1555:
1541:
1520:
1505:
1491:
1475:
1449:
1444:
1369:
1364:
1328:
1323:
1108:
982:
582:
2937:
2916:
2884:
2868:
2426:
2085:
2070:
1439:
1359:
1318:
1185:
802:
has not been conserved, although it was transferred to canvas by Martínez Cubells.
574:
569:
552:
73:
1486:
1235:
2945:
2737:
1914:
1899:
1851:
1677:
1596:, Madrid, Cuadernos de Historia 16 (col. "El arte y sus creadores", nº 30), 1993.
1231:
1091:
674:
670:
640:
603:
109:
93:
86:
2726:
2701:
2599:
2578:
1735:
1248:
779:
755:
533:
244:
174:
114:
67:
2962:
2681:
2622:
2456:
2387:
1453:
1373:
1332:
1112:
2876:
890:
Two Old ones eating Soup taken in 1874 by J. Laurent inside Quinta del Sordo
866:
Pilgrimage to San Isidro taken in 1874 by J. Laurent inside Quinta del Sordo
2910:
2434:
1992:
663:
616:
1813:
1080:
2931:
2814:
2798:
2788:
2550:
2543:
2536:
2395:
1564:
Glendinning, Nigel, "The Strange Translation of Goya's Black Paintings",
854:
Judith and Holofernes taken in 1874 by J. Laurent inside Quinta del Sordo
773:
730:
720:
556:
354:
288:
266:
186:
144:
120:
973:
Art historian Juan José Junquera has questioned the authenticity of the
651:
30:
1790:
The Victorious Hannibal Seeing Italy from the Alps for the First Time
1189:
635:, a French banker of German origins, who wanted to sell them at the
2808:
1487:
La luz en la quinta del sordo: estudio de las formas y cotidianidad
765:
respectively. On the short wall at the back it was possible to see
612:
441:
Peregrinación a la fuente de San Isidro/Procesión del Santo Oficio
2818:
2585:
1704:
743:
578:
511:
192:
1664:
Goya's Prints: the Tomás Harris Collection in the British Museum
1693:
1529:
Ciofalo, John J. "Blackened Myths, Mirrors, and Memories". In:
1081:
Museo del Prado, on-line educational series «Mirar un cuadro»:
927:
Men Reading taken in 1874 by J. Laurent inside Quinta del Sordo
878:
Two Old Men taken in 1874 by J. Laurent inside Quinta del Sordo
814:
La Leocadia taken in 1874 by J. Laurent inside Quinta del Sordo
1348:"La Quinta del Sordo en 1830: respuesta a Nigel Glendinning"
1009:
1585:—, "Goya's Country House in Madrid. The Quinta del Sordo",
1223:
There are on line virtual reconstructions of the space on:
1107:(in Spanish). No. 201. November 2015. pp. 18–24.
963:
The dog taken in 1874 by J. Laurent inside Quinta del Sordo
951:
Asmodea taken in 1874 by J. Laurent inside Quinta del Sordo
902:Átropos taken in 1874 by J. Laurent inside Quinta del Sordo
2893:
The Ministry of Time – Episode 25: Time of the Enlightened
1760:
Consecration of Aloysius Gonzaga as Patron Saint of Youth
1275:
The Strange Translation of Goya's 'Black Paintings.'
2805:
Museo Goya - Colección Ibercaja - Museo Camón Aznar
830:
taken in 1874 by J. Laurent inside Quinta del Sordo
66:) is the name given to a group of 14 paintings by
1038:"Explora la colección - Museo Nacional del Prado"
2960:
2140:The Duke and Duchess of Osuna and their Children
199:
1829:Paintings for the alameda of the Dukes of Osuna
1162:Museo Nacional del Prado: Enciclopedia On-Line
724:was located on one side of the door (opposite
1720:
1666:. London: British Museum Publications, 1981.
1645:Stoichita, Victor & Coderch, Anna Maria.
1633:Goya: The Origins of the Modern Temper in Art
1775:The Holy Family with Saints Joachim and Anne
1573:The Interpretation of Goya's Black Paintings
1836:Saint Bernard of Clairvaux Curing a Cripple
1425:
1307:"Los Goya: de la Quinta a Burdeos y vuelta"
1272:
1727:
1713:
1519:de Goya, Tf. Editores, Madrid, Tf., 1997.
777:on the left. To the right of the door was
1490:, Madrid, Universidad Complutense, 2002.
1443:
1409:"Obituaries: Professor Nigel Glendinning"
1401:
1363:
1322:
1246:
112:. The series is made up of 14 paintings:
96:and the internal turmoil of the changing
2572:Pilgrimage to the Fountain of San Isidro
1345:
1304:
700:on the right when facing the murals and
650:
546:
446:Pilgrimage to the Fountain of San Isidro
169:Pilgrimage to the Fountain of San Isidro
37:
29:
1128:
2961:
1969:Still Life of a Lamb's Head and Flanks
658:is, in all probability, the fifteenth
2853:Goya or the Hard Way to Enlightenment
2641:The Sleep of Reason Produces Monsters
1708:
1386:
1380:
1015:
2523:Witches' Sabbath (The Great He-Goat)
1554:. University of Pennsylvania, 2006.
1531:The Self-Portraits of Francisco Goya
753:beyond the window. On the left were
559:built between 1828 and 1830, at the
48:Witches' Sabbath (The Great He-Goat)
43:Exposition Universelle (1878). Paris
1621:. New York: Alfred A. Knopf, 2004.
1575:, London, Queen Mary College, 1977.
1533:. Cambridge University Press, 2001.
1389:"The Secret of the Black Paintings"
1018:"The Secret of the Black Paintings"
646:
21:For the works by Frank Stella, see
13:
2271:Charles IV of Spain and His Family
2132:The Family of the Infante Don Luis
1734:
1599:Hagen, Rose-Marie y Rainer Hagen,
16:Set of paintings by Francisco Goya
14:
2990:
2247:Charles IV in his Hunting Clothes
1686:
2148:Manuel Osorio Manrique de Zúñiga
1868:The Duchess of Alba and la Beata
1692:
1540:. New York: Counterpoint, 2004.
1445:10.3989/aearte.2004.v77.i307.229
1365:10.3989/aearte.2005.v78.i309.210
1324:10.3989/aearte.2003.v76.i304.263
956:
944:
932:
920:
907:
895:
883:
871:
859:
847:
835:
819:
807:
520:
498:
476:
454:
432:
410:
388:
363:
341:
319:
297:
275:
253:
231:
209:
83:Baron Frédéric Émile d'Erlanger.
1649:. London: Reakton books, 1999.
1464:
1419:
1339:
1298:
1281:
1266:
1240:
1217:
1195:
1170:
1155:
1146:
968:
262:Dos viejos/Un viejo y un fraile
1504:(2 vols.), Madrid, Tf., 2005.
1387:Lubow, Arthur (27 July 2003).
1137:
1119:
1096:
1073:
1064:
1055:
1030:
1016:Lubow, Arthur (27 July 2003).
989:and other works by Goya (e.g.
1:
2742:
2686:
2495:
2400:
2343:Self-Portrait with Dr Arrieta
2295:The Marchioness of Santa Cruz
2212:
2157:
2075:
2060:
2045:
1942:
1927:
1904:
1779:
1764:
1247:Fernández, G. (August 2006).
1180:, vol. 31, 1996, pp. 159–74.
750:Procession of the Holy Office
747:nearest to the entrance with
592:Self-portrait with Dr Arrieta
2105:Adoration of the Name of God
2025:The Junta of the Philippines
1474:, Madrid, Antiqvaria, 1996.
1346:Junquera, Juan José (2005).
1305:Junquera, Juan José (2003).
7:
2969:Paintings by Francisco Goya
2351:Portrait of Don Ramón Satué
2056:A Procession of Flagellants
1502:Francisco Goya, vida y obra
1472:Las pinturas negras de Goya
1426:Glendinning, Nigel (2004).
1273:Glendinning, Nigel (1975).
1249:"Goya: The Black Paintings"
1207:with commentary in Spanish"
1178:Metropolitan Museum Journal
1134:Glendinning (1993), p. 116.
1125:Bozal, vol. 2, pp. 248–249.
1090:September 11, 2007, at the
561:Museo de Historia de Madrid
218:Saturno devorando a su hijo
10:
2995:
2634:And So Was His Grandfather
2530:A Pilgrimage to San Isidro
1682:, Paris, Henri Plon, 1867.
1603:, Colonia, Taschen, 2003.
1277:. The Burlington Magazine.
697:A Pilgrimage to San Isidro
573:villa on the banks of the
542:
490:A Pilgrimage to San Isidro
157:A Pilgrimage to San Isidro
20:
2903:
2845:Goya, a Story of Solitude
2828:
2795:Museo del Grabado de Goya
2777:
2755:
2724:
2699:
2668:
2650:
2620:
2613:
2489:
2369:
2335:Self-Portrait at 69 years
2192:The Marquise de la Solana
2168:Self-Portrait at an Easel
2123:
2096:
2041:The Burial of the Sardine
1751:
1742:
1484:Benito Oterino, Agustín,
1287:""Los frescos de Goya"',
629:Salvador Martínez Cubells
507:Vision fantástica/Asmodea
377:, possibly the fifteenth
2593:Two Old Ones Eating Soup
2509:Saturn Devouring His Son
2359:The Milkmaid of Bordeaux
2263:The Countess of Chinchon
2001:The Inquisition Tribunal
1679:Goya, sa vie, son oeuvre
1635:. Universe Books, 1979.
1192:. Accessed 23 Jan. 2023.
1002:
791:Two Old Ones Eating Soup
715:Saturn Devouring His Son
688:Two Old Ones Eating Soup
485:La romería de San Isidro
463:El Gran Cabrón/Aquelarre
424:Two Old Ones Eating Soup
419:Dos viejos comiendo sopa
223:Saturn Devouring His Son
181:Saturn Devouring His Son
127:Two Old Ones Eating Soup
23:Black Paintings (Stella)
2558:Man Mocked by Two Women
1985:Truth, Time and History
1647:Goya: The Last Carnival
1582:, Madrid, Taurus, 1982.
1566:The Burlington Magazine
1432:Archivo Español de Arte
1352:Archivo Español de Arte
1311:Archivo Español de Arte
1167:, retrieved 9 May 2009.
768:Man Mocked by Two Women
333:Man Mocked by Two Women
328:Dos mujeres y un hombre
163:Man Mocked by Two Women
2927:Rosario Weiss Zorrilla
2319:The Duke of Wellington
2239:Ferdinand Guillemardet
2009:The Second of May 1808
1538:Francisco Goya: A Life
1230:1 January 2009 at the
1152:Bozal, vol. 2, p. 247.
992:The Second of May 1808
667:
633:Baron Émile d’Erlanger
564:
350:Una manola/La Leocadia
51:
35:
2758:The Bulls of Bordeaux
2516:Judith and Holofernes
2419:Children in a Chariot
2411:Boys Playing Soldiers
2287:Doña Isabel de Porcel
2017:The Third of May 1808
1660:Wilson-Bareau, Juliet
1470:Arnaiz, José Manuel,
1143:Arnaiz (1996), p. 19.
1103:"La Quinta de Goya".
709:Judith and Holofernes
654:
550:
375:Cabezas en un paisaje
311:Judith and Holofernes
151:Judith and Holofernes
41:
33:
2861:Goya: A Life in Song
2671:The Disasters of War
2255:Maria Luisa of Parma
1923:Allegory of Industry
1701:at Wikimedia Commons
1589:, CXXIII, 288, 1986.
1205:Heads in a landscape
1042:www.museodelprado.es
785:Heads in a landscape
683:Heads in a landscape
679:Marquis of Salamanca
656:Heads in a landscape
622:The slow process of
563:(Museum of History).
371:Heads in a Landscape
85:They are now in the
2449:The Threshing Floor
2311:Doña Antonia Zárate
2303:Doña Antonia Zárate
2231:Bernardo de Iriarte
2033:A Village Bullfight
1580:Goya y sus críticos
1568:, CXVII, 868, 1975.
1213:on 3 February 2012.
306:Judith y Holofernes
115:Atropos (The Fates)
2785:Casa natal de Goya
2565:Fight with Cudgels
2113:Life of the Virgin
1938:Majas on a Balcony
1860:Assault of Thieves
1844:Yard with Lunatics
1798:The Rape of Europa
1676:Yriarte, Charles,
1500:Bozal, Valeriano,
1394:The New York Times
1023:The New York Times
762:Fight with Cudgels
668:
637:Paris World's Fair
631:at the request of
597:Fight with Cudgels
567:Goya acquired the
565:
529:Átropos/Las Parcas
402:Fight with Cudgels
397:Duelo a garrotazos
133:Fight with Cudgels
98:Spanish government
52:
36:
2956:
2955:
2922:Leocadia Zorrilla
2773:
2772:
2609:
2608:
2473:Blind Man's Bluff
2442:The Grape Harvest
2223:The Black Duchess
2200:The White Duchess
1884:The Bewitched Man
1697:Media related to
1601:Francisco de Goya
1594:Francisco de Goya
1536:Connell, Evan S.
1517:"Pinturas negras"
1480:978-84-86508-45-6
1105:Descubrir el Arte
983:Nigel Glendinning
771:on the right and
712:on the right and
666:in New York City.
2986:
2917:Quinta del Sordo
2869:Goya in Bordeaux
2747:
2744:
2716:
2691:
2688:
2618:
2617:
2500:
2499: 1819–1823
2497:
2405:
2402:
2217:
2214:
2162:
2159:
2094:
2093:
2080:
2077:
2065:
2062:
2050:
2047:
1961:The Knifegrinder
1953:The Water Bearer
1947:
1946: 1808–1812
1944:
1932:
1929:
1909:
1908: 1797–1800
1906:
1892:Witches' Sabbath
1806:Christ Crucified
1784:
1781:
1769:
1766:
1729:
1722:
1715:
1706:
1705:
1696:
1550:Cottom, Daniel.
1458:
1457:
1447:
1438:(307): 233–245.
1423:
1417:
1416:
1405:
1399:
1398:
1384:
1378:
1377:
1367:
1343:
1337:
1336:
1326:
1317:(304): 353–370.
1302:
1296:
1293:Witches' Sabbath
1285:
1279:
1278:
1270:
1264:
1263:
1261:
1259:
1244:
1238:
1221:
1215:
1214:
1209:. Archived from
1199:
1193:
1174:
1168:
1166:
1159:
1153:
1150:
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911:
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887:
875:
863:
851:
839:
828:Witches' Sabbath
823:
811:
800:Witches’ Sabbath
783:and to the left
703:Witches' Sabbath
647:Original setting
575:River Manzanares
570:Quinta del Sordo
553:Quinta del Sordo
524:
502:
480:
468:Witches' Sabbath
458:
436:
414:
392:
367:
345:
323:
301:
279:
257:
235:
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139:Witches' Sabbath
79:Deaf Man's Villa
74:Quinta del Sordo
2994:
2993:
2989:
2988:
2987:
2985:
2984:
2983:
2979:1820s paintings
2974:1810s paintings
2959:
2958:
2957:
2952:
2899:
2824:
2769:
2751:
2745:
2738:A way of flying
2720:
2712:
2695:
2689:
2664:
2646:
2605:
2498:
2493:
2491:Black Paintings
2485:
2465:The Drunk Mason
2403:
2375:
2372:
2365:
2215:
2160:
2119:
2092:
2078:
2063:
2048:
1945:
1930:
1915:La maja vestida
1907:
1900:La maja desnuda
1876:Witches' Flight
1852:Prison Interior
1822:The Drunk Mason
1814:The Greasy Pole
1782:
1767:
1747:
1738:
1733:
1699:Pinturas negras
1689:
1552:Unhuman Culture
1467:
1462:
1461:
1424:
1420:
1415:. 3 March 2013.
1407:
1406:
1402:
1385:
1381:
1358:(309): 83–105.
1344:
1340:
1303:
1299:
1286:
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1257:
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1245:
1241:
1232:Wayback Machine
1222:
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1201:
1200:
1196:
1190:10.2307/1512979
1175:
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1151:
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1129:
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1092:Wayback Machine
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1014:
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997:Black Paintings
987:Black Paintings
979:Black Paintings
975:Black Paintings
971:
964:
961:
952:
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891:
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879:
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864:
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843:
840:
831:
824:
815:
812:
675:Charles Yriarte
671:Antonio Brugada
649:
641:Museo del Prado
609:Black Paintings
604:Trienio Liberal
587:Black Paintings
545:
538:
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406:
393:
382:
368:
359:
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324:
315:
302:
293:
284:Hombres leyendo
280:
271:
258:
249:
236:
227:
214:
205:
202:Black Paintings
110:Antonio Brugada
102:Black Paintings
94:Napoleonic Wars
87:Museo del Prado
63:Pinturas negras
57:Black Paintings
45:. On the left:
26:
17:
12:
11:
5:
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2841:
2837:The Naked Maja
2832:
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2792:
2781:
2779:
2775:
2774:
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2770:
2768:
2767:
2764:
2762:
2753:
2752:
2750:
2749:
2746: 1815–16
2733:
2731:
2727:Los Disparates
2722:
2721:
2719:
2718:
2708:
2706:
2702:La Tauromaquia
2697:
2696:
2694:
2693:
2690: 1812–13
2677:
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2267:
2259:
2251:
2243:
2235:
2227:
2219:
2204:
2196:
2188:
2180:
2172:
2171:(c. 1790–1795)
2164:
2144:
2136:
2127:
2125:
2121:
2120:
2118:
2117:
2109:
2100:
2098:
2091:
2090:
2082:
2067:
2052:
2037:
2029:
2021:
2013:
2005:
1997:
1989:
1981:
1973:
1965:
1957:
1949:
1934:
1919:
1911:
1896:
1888:
1880:
1872:
1864:
1856:
1848:
1840:
1832:
1826:
1818:
1810:
1802:
1794:
1786:
1771:
1755:
1753:
1749:
1748:
1743:
1740:
1739:
1736:Francisco Goya
1732:
1731:
1724:
1717:
1709:
1703:
1702:
1688:
1687:External links
1685:
1684:
1683:
1674:
1657:
1643:
1629:
1615:Hughes, Robert
1612:
1597:
1590:
1583:
1576:
1569:
1562:
1548:
1534:
1527:
1513:
1498:
1482:
1466:
1463:
1460:
1459:
1434:(in Spanish).
1418:
1400:
1379:
1354:(in Spanish).
1338:
1313:(in Spanish).
1297:
1280:
1265:
1253:theartwolf.com
1239:
1236:theartwolf.com
1225:artarchive.com
1216:
1194:
1169:
1154:
1145:
1136:
1127:
1118:
1095:
1072:
1063:
1054:
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1007:
1006:
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1001:
999:as authentic.
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834:
832:
826:Photograph of
825:
818:
816:
813:
806:
660:Black Painting
648:
645:
583:Leocadia Weiss
544:
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379:Black Painting
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303:
296:
294:
281:
274:
272:
259:
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237:
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215:
208:
204:
200:Images of the
198:
68:Francisco Goya
15:
9:
6:
4:
3:
2:
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2885:Goya's Ghosts
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2682:This is worse
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2653:The Prisoners
2649:
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2623:Los Caprichos
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2388:The Boar Hunt
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2011:
2010:
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1750:
1746:
1745:List of works
1741:
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1730:
1725:
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1718:
1716:
1711:
1710:
1707:
1700:
1695:
1691:
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1681:
1680:
1675:
1673:
1672:0-7141-0789-1
1669:
1665:
1661:
1658:
1656:
1655:1-86189-045-1
1652:
1648:
1644:
1642:
1641:0-87663-294-0
1638:
1634:
1631:Licht, Fred.
1630:
1628:
1627:0-394-58028-1
1624:
1620:
1616:
1613:
1610:
1609:3-8228-2296-5
1606:
1602:
1598:
1595:
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1588:
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1581:
1577:
1574:
1570:
1567:
1563:
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1560:0-8122-3956-3
1557:
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1547:
1546:1-58243-307-0
1543:
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1528:
1526:
1525:84-89162-75-1
1522:
1518:
1514:
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1510:84-96209-39-3
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1497:
1496:84-669-1890-6
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1422:
1414:
1413:The Telegraph
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776:
775:
770:
769:
764:
763:
758:
757:
752:
751:
746:
745:
739:
737:
734:was opposite
733:
732:
727:
723:
722:
718:on the left.
717:
716:
711:
710:
705:
704:
699:
698:
692:
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672:
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65:
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50:
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40:
32:
28:
24:
19:
2944:
2941:(1915 opera)
2936:
2911:Josefa Bayeu
2891:
2883:
2875:
2867:
2864:(1989 album)
2859:
2851:
2843:
2835:
2756:
2736:
2725:
2711:
2700:
2680:
2669:
2651:
2639:
2632:
2621:
2614:Print series
2598:
2591:
2584:
2577:
2570:
2563:
2556:
2549:
2542:
2535:
2528:
2521:
2514:
2507:
2490:
2479:
2471:
2463:
2455:
2447:
2441:
2435:La novillada
2433:
2425:
2417:
2409:
2394:
2386:
2357:
2349:
2341:
2333:
2327:Josefa Bayeu
2325:
2317:
2309:
2301:
2293:
2285:
2279:Manuel Godoy
2277:
2269:
2261:
2253:
2245:
2237:
2229:
2221:
2206:
2198:
2190:
2182:
2174:
2166:
2151:
2147:
2138:
2130:
2111:
2103:
2084:
2069:
2054:
2039:
2031:
2023:
2015:
2007:
1999:
1993:The Madhouse
1991:
1983:
1980:(after 1808)
1977:The Colossus
1975:
1967:
1959:
1951:
1936:
1921:
1913:
1898:
1890:
1882:
1874:
1866:
1858:
1850:
1842:
1834:
1820:
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1773:
1758:
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1632:
1618:
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1593:
1586:
1579:
1572:
1565:
1551:
1537:
1530:
1516:
1501:
1485:
1471:
1465:Bibliography
1435:
1431:
1421:
1412:
1403:
1392:
1382:
1355:
1351:
1341:
1314:
1310:
1300:
1292:
1288:
1283:
1274:
1268:
1256:. Retrieved
1252:
1242:
1219:
1211:the original
1204:
1197:
1181:
1177:
1172:
1165:(in Spanish)
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2949:(1942 film)
2932:Goya Awards
2888:(2006 film)
2880:(1999 film)
2872:(1999 film)
2856:(1971 film)
2848:(1971 film)
2840:(1958 film)
2815:Goya Museum
2799:Fuendetodos
2789:Fuendetodos
2730:(1815–1823)
2674:(1810–1820)
2656:(1810–1815)
2551:Men Reading
2544:Two Old Men
2537:La Leocadia
2480:The Wedding
2468:(1786–1787)
2404: 1777
2396:The Parasol
2362:(1825–1827)
2330:(1814–1816)
2314:(1810–1811)
2290:(1804–1805)
2258:(1799–1800)
2242:(1798–1799)
2216: 1795
2161: 1788
2152:The Red Boy
2079: 1817
2064: 1816
2049: 1816
2036:(1815–1819)
2004:(1812–1819)
1996:(1812–1819)
1988:(1812–1814)
1972:(1808–1812)
1964:(1808–1812)
1956:(1808–1812)
1931: 1805
1918:(1800–1805)
1887:(1797–1798)
1879:(1797–1798)
1863:(1793–1794)
1855:(1793–1794)
1847:(1793–1794)
1831:(1786–1787)
1825:(1786–1787)
1793:(1770–1771)
1783: 1769
1768: 1763
774:Men Reading
731:Two Old Men
721:La Leocadia
577:, near the
557:scale model
537:, 1819–1823
515:, 1819–1823
493:, 1819–1823
471:, 1819–1823
449:, 1819–1823
427:, 1819–1823
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358:, 1819–1823
355:La Leocadia
336:, 1819–1823
314:, 1819–1823
292:, 1819–1823
289:Men Reading
270:, 1819–1823
267:Two Old Men
248:, 1819–1823
226:, 1819–1823
187:La Leocadia
145:Men Reading
121:Two Old Men
89:in Madrid.
2963:Categories
2877:Volavérunt
2829:Depictions
2208:Charles IV
1070:Licht, 168
1061:Licht, 159
1047:23 January
92:After the
60:(Spanish:
2761:(1824–25)
2705:(1815–16)
2626:(1797–98)
2482:(1791–92)
2460:(1786–87)
2427:The Swing
2414:(1778–79)
2274:(1800–18)
2184:La Tirana
2176:La Tirana
2143:(1787–88)
2135:(1783–84)
2124:Portraits
2086:Bullfight
2071:The Forge
1817:(1786–87)
1752:Paintings
1454:0004-0428
1374:0004-0428
1333:0004-0428
1113:1578-9047
2946:Goyescas
2938:Goyescas
2809:Zaragoza
2373:cartoons
2371:Tapestry
1289:El Globo
1228:Archived
1088:Archived
613:Bordeaux
240:El perro
2904:Related
2819:Castres
2778:Museums
2600:The Dog
2586:Asmodea
2579:Atropos
1258:4 April
780:The Dog
756:Atropos
744:Asmodea
579:Segovia
555:, in a
543:History
534:Atropos
512:Asmodea
245:The Dog
193:Asmodea
175:The Dog
2913:(wife)
2896:(2017)
2476:(1789)
2457:Summer
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2108:(1772)
2097:Murals
2089:(1824)
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728:) and
726:Saturn
190:, and
1182:JSTOR
1003:Notes
2378:list
1668:ISBN
1651:ISBN
1637:ISBN
1623:ISBN
1619:Goya
1605:ISBN
1556:ISBN
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1260:2010
1234:and
1109:ISSN
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915:mud.
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