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is not the product of a metal band rooted in the metal scene, but of a one-off project that sets out to explore a particular aesthetic ... Saft is clearly a genius at wielding and manipulating the musical tools available in the metal armoury. Contrary to the stereotype of metal as a stock of banal
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anti-Semitism that is promoted by some black and death metal bands. For everyone else, it is an angry howl of both pain and resistance whose anger is carried beautifully as the artist's ultimate weapon: his imagination and creativity to provoke, to give pause and reflection". Metal
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is not for everybody, not even some Saft fans necessarily, but it is a powerful, excellent work that uses the metal genre well – expertly even – and will convince headbangers of its essential importance as one of the voices out there that stands tall and defiant in the face of much of the
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has some good ideas, but it's an awkward, bitty album. Saft clearly has talent, but he's effectively crippled by a weird, overly dry production and a steadfast refusal to stick to any one idea. Still, there's hope here, and if Jamie Saft ever raises his game and makes a
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clichés played by morons, metal has diversified enormously in the last three decades, creating a sophisticated and complex panopoly of sounds and possibilities. Saft shows no loyalty to any one style and the tracks skip radically between influences and sub-genres ...
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will provide unnerving delights for anyone like me who is as obsessed with the possibilities of distorted guitar as they are with Jewish identity".
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takes in a range of styles, and taking into account the previous works of its creator it's difficult to know whether
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is a serious attempt at making a metal record, or more a pastiche of the genre as a whole ...
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456:(2010). "Hipster Metal for Hipster Jews: Jamie Saft's Black Shabbis".
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384:(track 9), Dmitriy Shnaydman (tracks 4 & 8) – drums
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is an interesting idea with a rather messy execution".
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Mr. Dorgon (track 7), Vanessa Saft (track 8) – vocals
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316:"Black Shabbis - The Trail of Libels" – 2:41
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197:concepts and incidents throughout history.
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341:"Remember" (Lyrics by Vanessa Saft) – 6:36
287:he might be on to a good thing. As it is,
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181:is an album by multi-instrumentalist
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18:2009 studio album by Jamie Saft
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460:(2nd ed.). Morrisville NC:
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312:All compositions by Jamie Saft
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431:. Retrieved November 28, 2013.
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335:"King of King of Kings" – 4:52
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458:Selected Writings: 2003–2009
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405:Tzadik website: album entry
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185:which was released on the
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322:"Serpent Seed" – 3:41
206:Professional ratings
374:– bass (tracks 2–7)
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189:label in 2009. The
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454:Kahn-Harris, Keith
332:"Army Girl" – 6:43
261:In his review for
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497:Jamie Saft albums
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293:Keith Kahn-Harris
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39:Studio album
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502:2009 albums
425:> Review
372:Trevor Dunn
195:antisemitic
81:Heavy metal
486:Categories
392:References
378:Mike Pride
359:Jamie Saft
183:Jamie Saft
133:chronology
131:Jamie Saft
124:Jamie Saft
44:Jamie Saft
367:Mellotron
353:Personnel
346:Leo Frank
201:Reception
462:Lulu.com
429:AllMusic
348:" – 8:58
263:Allmusic
225:Allmusic
119:Producer
59:Recorded
51:Released
41: by
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148:(2008)
144:Merzdub
112:TZ 8133
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219:Rating
216:Source
187:Tzadik
109:Tzadik
87:Length
67:Studio
363:organ
104:Label
76:Genre
466:ISBN
62:2008
54:2009
427:at
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412:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
