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412:
484:). As well as journal entries from Karen Sifakis and Marshall E. "Marsh" Bowen. Later in the novel, characters Robert Sinclair "Scotty" Bennett and Joan Rosen Klein are focused on. Through the evolution of the story, right-winger Holly makes a sharp move to the left, while Tedrow's search for peace and redemption are supported by his relationship with African-American Mary Beth Hazzard, whose deceased husband he had shot and killed.
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You could possibly read it as a stand-alone. But why would you want to? And even having inhaled the previous two like a paint-huffing junkie, I sometimes felt like I was hanging on by my fingernails to keep everyone and everything straight in the big cast of characters and sprawling story that spans
27:
389:. This book is so full of race shit, it's fucking hilarious shit. There's a lot of scenes of black people and white people cracking jokes. And as much as the people grandstand about race in this book, they're driven by racial animus and the idea of racial reconciliation. Because of
209:
534:, took issue with Ellroy's character development. He stated, "... as in the earlier book, Ellroy hasn't lavished enough attention on character, a deficit his stylistic razzle-dazzle can't paper over." He continued, "Mastery of the cheap thrill doesn't carry no matter how amusing."
479:
Character development focuses on several main characters: Dwight
Chalfont "The Enforcer" Holly, Wayne Tedrow, Jr., and Donald Linscott "Crutch" Crutchfield (Don Crutchfield is a real person and private investigator, and Ellroy uses a real and fictional portrayal of him in
371:
in office, all that. I'll stop short of
Watergate, because Watergate bores me." He also told interviewer Robert Birnbaum, "'s been done to death. And most of the characters are still alive; thus you can't use them fictionally."
343:
is my second. I will soon begin work on the epic third volume, a ghastly tale of political malfeasance and imperialistic bad juju from 1968 to 1972." He said the book would have "a different style entirely" than
208:
505:
commands your attention from the first page and, thanks to its heft, makes reading in piecemeal fashion daunting. Ellroy's latest is
American fiction at its finest, a dexterous, astounding achievement."
1178:
472:
Ellroy again utilizes the "telegraphic" writing style previously found in the two previous books in the trilogy. "Document
Inserts," journal entries, conversation transcripts, and
501:, Preston Jones wrote, "History is refracted and reflected through Ellroy's peerless paragraphs, lending a fresh urgency and a sense of rediscovery to events thoroughly analyzed.
288:
on its website in
September 2008. It mentioned the novel's three protagonists and briefly outlined some of the novel's major plot points. These include the reappearance of
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562:. The film was to be set in 1968 Los Angeles, with characters Dwight Holly, J. Edgar Hoover, Scotty Bennett, and Joan Rosen Klein.
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397:'s line from a million years ago: "a literature that cannot be vulgarized is not literature at all and will not last."
1041:"Mark Gordon To Finance James Ellroy Novel 'Blood's A Rover' For Movie; 'Iron Man' Scribes Fergus & Ostby Script"
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515:, stated succinctly, "Verdict: so absorbing and satisfying that it's exhausting." He then went on to say:
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FBI profiles, again show character development and provide insights not readily evident in the narrative.
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363:, covers 1958 to 1963; a third will proceed to 1972. You can see exactly where the story's going: the
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Print (hardback & paperback), unabridged audible audio edition, audio CD (both narrated by
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989:"'Blood's a Rover': the satisfying third installment of Ellroy's alternate-history epic"
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335:. When asked if he still saw Underworld U.S.A. as a trilogy, Ellroy responded, "
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Oh yeah... You're supposed to be seduced and shocked by the casual racism in
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Los
Angeles, Las Vegas, Chicago, Florida, Haiti and the Dominican Republic.
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Ellroy's literary agent, Sobel Weber
Associates, posted a brief blurb for
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Ellroy addresses the book's strong racial overtone in an interview with
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721:"James Ellroy: Author of L.A. Confidential talks with Robert Birnbaum"
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246:. A 10,000-word excerpt was published in the December 2008 issue of
26:
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1070:"Movie Version of 'Blood's A Rover' to Start Filming by Year End"
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50:
Front-of-jacket photograph by Jeanne Hilary, Jacket design by
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we are losing the outrageousness of humor. I always think of
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James Ellroy talks about Blood's A Rover on
Bookbits radio.
181:
106:
September 22, 2009, June 3, 2010 (Mass Market paperback)
637:"Blood's a Rover (Hardcover) by James Ellroy (Author)"
339:
is the first volume of my
Underworld U.S.A. Trilogy.
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963:"Book review: 'Blood's a Rover' by James Ellroy"
607:
546:would produce and finance a film adaptation of
492:Reviewers were mostly positive about the book.
252:. The book was released on September 22, 2009.
832:"Don Crutchfield James Ellroy Blood's a Rover"
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1015:"Fiction: "Blood's a Rover," by James Ellroy"
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930:"James Ellroy Divulges A Few Dirty Secrets"
440:. Unsourced material may be challenged and
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264:is taken from a poem titled "Reveille" by
25:
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878:"Private Investigator - Hollywood Author"
857:"James Ellroy Previews "Blood's A Rover""
460:Learn how and when to remove this message
331:several times during his tour to promote
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351:Ellroy said he would steer clear of the
205:
96:, Windmill Books (Mass Market paperback)
1405:The Hilliker Curse: My Pursuit of Women
1038:
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747:"Inside the Dark Mind of James Ellroy"
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272:Clay lies still, but blood's a rover;
438:adding citations to reliable sources
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255:
1039:Fleming, Mike Jr. (March 3, 2016).
938:. 22 September 2009. Archived from
274:Breath's a ware that will not keep.
13:
777:Tayler, Christopher (2009-11-07).
755:. rollingstone.com. Archived from
537:
280:There'll be time enough for sleep.
14:
1556:
1545:Books with cover art by Chip Kidd
904:"James Ellroy - Hollywood Author"
779:"Blood's a Rover by James Ellroy"
660:A.E. Housman - "A Shropshire Lad"
367:, the Mob's foreign casino plan,
327:Ellroy commented on the scope of
296:, FBI infiltration into militant
137:656 pp (first edition, hardcover)
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571:Ellroy, James (September 2009).
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276:Up, lad; when the journey's over
242:as the final volume of Ellroy's
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995:. seattletimes.nwsource.com
691:Keith Phipps (2004-12-01).
10:
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1013:Carlo Wolff (2009-10-11).
987:Mark Rahner (2009-10-04).
678:September 5, 2008, at the
550:, with Vincent Sieber and
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16:2009 novel by James Ellroy
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544:The Mark Gordon Company
531:Pittsburgh Post-Gazette
498:The Dallas Morning News
1540:Underworld USA Trilogy
1535:Novels by James Ellroy
1281:Underworld USA Trilogy
855:(September 20, 2009).
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244:Underworld USA Trilogy
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70:Underworld USA Trilogy
31:First US edition cover
1298:The Cold Six Thousand
1199:Lloyd Hopkins Trilogy
935:National Public Radio
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391:political correctness
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357:The Cold Six Thousand
346:The Cold Six Thousand
341:The Cold Six Thousand
333:The Cold Six Thousand
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260:The book's title and
239:The Cold Six Thousand
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197:The Cold Six Thousand
1530:2009 American novels
1424:Original screenplays
1378:Destination: Morgue!
942:on 23 September 2009
434:improve this section
187:PS3555.L6274B57 2009
1362:Hollywood Nocturnes
993:Dallas Morning News
967:Dallas Morning News
725:Identity Theory.com
402:Style and Structure
21:
1171:Killer on the Road
1049:Deadline Hollywood
1021:. post-gazette.com
910:on 19 January 2015
884:on 6 December 1998
759:on October 4, 2009
581:Random House, Inc.
306:Dominican Republic
215:
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1475:L.A. Confidential
1261:L.A. Confidential
1216:Because the Night
1208:Blood on the Moon
811:"Don Crutchfield"
618:. independent.com
588:978-0-679-40393-7
512:The Seattle Times
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353:Watergate scandal
256:Plot introduction
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111:Publication place
84:political fiction
47:Cover artist
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1491:The Black Dahlia
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1317:The L.A. Quintet
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1245:The Black Dahlia
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1076:. March 4, 2016
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1078:. Retrieved
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1045:deadline.com
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432:Please help
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365:'68 election
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124:Craig Wasson
41:James Ellroy
1389:Non-fiction
1163:Clandestine
1147:Stand-alone
853:Taylor, Art
556:Mark Fergus
526:Carlo Wolff
298:black power
80:Crime novel
1524:Categories
1370:Crime Wave
1333:This Storm
1269:White Jazz
1025:2010-03-08
999:2010-03-08
973:2010-03-08
946:13 October
914:13 October
888:13 October
862:13 October
837:13 October
816:13 October
796:2024-05-20
763:2010-03-08
705:2010-03-08
646:2009-01-16
641:Amazon.com
622:2010-03-08
566:References
560:Hawk Ostby
450:March 2010
320:Ellroy on
222:is a 2009
1432:Dark Blue
1138:Works by
791:0261-3077
595:Footnotes
524:However,
421:does not
162:290466912
90:Publisher
52:Chip Kidd
1510:Category
1413:LAPD '53
1325:Perfidia
1080:26 March
1054:26 March
730:June 12,
676:Archived
474:redacted
312:vibe in
300:groups,
262:epigraph
58:Language
1448:Rampart
488:Reviews
442:removed
427:sources
308:, and "
249:Playboy
126:), and
61:English
1494:(2006)
1486:(1998)
1478:(1997)
1470:(1988)
1451:(2011)
1443:(2008)
1435:(2002)
1416:(2015)
1408:(2010)
1400:(1996)
1381:(2004)
1373:(1999)
1365:(1994)
1344:(2023)
1336:(2019)
1328:(2014)
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1256:(1988)
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1219:(1984)
1211:(1984)
1190:(2023)
1182:(2021)
1174:(1986)
1166:(1982)
1158:(1981)
789:
586:
310:voodoo
199:
128:Kindle
66:Series
37:Author
369:Nixon
314:Haiti
302:Mafia
134:Pages
76:Genre
1082:2019
1056:2019
948:2019
916:2019
890:2019
864:2019
839:2019
818:2019
787:ISSN
732:2009
584:ISBN
558:and
425:any
423:cite
292:and
236:and
156:OCLC
143:ISBN
1467:Cop
495:In
436:by
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