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Blue Bird Inn

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20: 73:, James "Beans" Richardson on bass and Jack Tiant on bongos, and, as the Phil Hill Quintet, recorded a live album on July 20, 1949. The following April, the Wardell Gray Quartet, with Hill, Richardson and Mardigan recorded for Prestige. 130: 363:
Swing to Bop : An Oral History of the Transition in Jazz in the 1940s: An Oral History of the Transition in Jazz in the 1940s, p. 262. Oxford University Press
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presenting music every night except Monday. An African American owned venue, by the end of the 1940s it was the most important live outlet for bop in the city.
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was hired to assemble a house band that could play bebop. Hill's first trio there comprised Abe Woodly on vibraphone and
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in 2019 but found they were not suitable to be an affiliated area of the national park system.
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In 2020, the club was designated a local Historic District by the City of Detroit.
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Bjorn, Lars and Jim Gallert (1994) "Bebop in Detroit Nights at the Blue Bird Inn"
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joined the band, and would return many times with his own groups.
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placed tribute to the venue in the title track to an album with
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The venue had featured live music since the 1930s, but in 1948
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1951: Billy Mitchell, featuring various musicians, including
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The National Park Service conducted a study of the site and
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In the latter half of 1949, the trio was headlined by
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The following year, Hill and Mardigan were joined by
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The Da Capo Jazz and Blues Lover's Guide to the U.S.
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Before Motown: A History of Jazz in Detroit, 1920-60
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Index


Detroit
Thad Jones
Tommy Flanagan
Kenny Burrell
Beyond the Blue Bird
Phil Hill
Art Mardigian
Wardell Gray
Tate Houston
Frank Foster
Billy Mitchell
Elvin Jones
Miles Davis
Pepper Adams
Sonny Stitt
Ahmad Jamal
Donald Byrd
Frank Gant
Curtis Fuller
Detroit Sound Conservancy
United Sound Systems
Oliver Jackson
Ali Jackson
Thad Jones
Terry Pollard
Alvin Jackson
Ernie Farrow
Yusef Lateef
Bjorn, Lars and Jim Gallert (1994) "Bebop in Detroit Nights at the Blue Bird Inn"

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