Knowledge

Book design

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103:(i, ii, iii, iv, v, etc.), which obviates renumbering the remainder of a book when front matter content is added at the last moment, such as a dedication page or additional acknowledgments. Page number is omitted on blank pages and display pages (i.e., such stand-alone pages as those for the half title, frontispiece, title page, colophon, dedication, and epigraph), and it is either omitted or a drop folio is used on the opening page of each section of the front matter (e.g., table of contents, foreword, preface). Front matter generally appears only in the first of a multi-volume work, although some elements (such as a table of contents or index) may appear in each volume. It can get in the way of reading a book for even the most devoted fans of an author. 317: 20: 826: 372:. Arabic numbering starts at this first page. If the text is introduced by a second half title or opens with a part title, the half title or part title counts as page one. As in the front matter, page numbers are omitted on blank pages, and are either omitted or a drop folio is used on the opening page of each part and chapter. On pages containing only illustrations or tables, page numbers are usually omitted, except in the case of a long sequence of figures or tables. 3292: 617: 54:(1902–1974), book design, "though largely forgotten today, methods and rules upon which it is impossible to improve, have been developed over centuries. To produce perfect books, these rules have to be brought back to life and applied". Richard Hendel describes book design as "an arcane subject", and refers to the need for a context to understand what that means. 1722: 394:(usually bound as a single volume) comprises two "testaments" (which might more typically be described as "parts", and differ in length by a factor of three or four), each containing dozens of books of varying lengths. In turn, each book (except for the shortest) contains multiple chapters, which are traditionally divided (for purposes of 714:
oriented left-to-right on the spine. This practice is reflected in the industry standards ANSI/NISO Z39.41 and ISO 6357., but "... lack of agreement in the matter persisted among English-speaking countries as late as the middle of the twentieth century, when books bound in Britain still tended to have their titles read up the spine ...".
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pocketbooks. These paperbacks are smaller than usual—small enough to barely fit into a pocket (especially the back pocket of one's trousers). However, this capacity to fit into a pocket diminishes with increasing number of pages and increasing thickness of the book. Such a book may still be designated as a pocketbook.
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elements and fold-out pages may be used to add dimensions to the page in different ways. Children's books commonly incorporate a wide array of design features built into the fabric of the book. Some books for preschoolers include textured fabric, plastic on other materials. Die-cut techniques in the
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In many continental European and Latin American countries, the spine text, when the book is standing upright, runs from the bottom up, so the title can be read by tilting the head to the left. This allows the reader to read spines of books shelved in alphabetical order in accordance to the usual way
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In languages with Chinese-influenced writing systems, the title is written top-to-bottom. In languages written from left to right, the spine text can be pillar (one letter per line), transverse (text line perpendicular to long edge of spine) and along spine. Conventions differ about the direction in
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of the book is an important aspect in book design, especially in the cover design. When the books are stacked up or stored in a shelf, the details on the spine is the only visible surface that contains the information about the book. In a book store, it is often the details on the spine that attract
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A mostly-blank page at the front of the book block which precedes the title page and contains only the title (omitting the subtitle, author, publisher, etc. found on the full title page) and occasionally includes some slight ornamentation. The title traditionally appears on the page as a single line
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Often, a foreword will tell of some interaction between the writer of the foreword and the writer of the story, or a personal reaction and significance the story elicited. A foreword to later editions of a work often describes the work's historical context and explains in what respects the current
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This is a list of chapter headings and sometimes nested subheadings, together with their respective page numbers. This includes all front matter items listed below, together with chapters in the body matter and back matter. The number of levels of subheadings shown should be limited, so as to keep
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A decorative illustration on the verso facing the title page. It may be an image related to the book's subject or a portrait of the author. Frontispieces have become less common, with a list of the author's previous works or other titles in a multi-author series frequently taking the place of the
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In texts published or printed in the United States, the United Kingdom, the Commonwealth, Scandinavia and the Netherlands, the spine text, when the book is standing upright, runs from the top to the bottom. This means that when the book is lying flat with the front cover upwards, the title is
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books (sometimes called softback or softcover). Most paperbacks are bound with paper or light cardboard, though other materials (such as plastic) are used. The covers are flexible and usually bound to the pages using glue (perfect binding). Some small paperback books are sub-classified as
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Repeats the title and author as printed on the cover or spine, often using typographic elements carried over from either the cover design or from the rest of the book's interior. Title pages may also include the publisher's logo accompanied by the city and/or year of publication.
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to help find material quickly. Gold leaf may also be applied to the edges of the pages, so that when closed, the side, top, and bottom of the book have a golden color. On some books, a design may be printed on the edges, or marbling or a simple colour applied. Some
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A chapter or section may be contained within a part or a book. When both chapters and sections are used in the same work, the sections are more often contained within chapters than the reverse. Chapters and sections may have intertitles, also known as internal
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In many continental European countries, where the ascending system has been used in the past, the descending system has been used in recent decades, probably due to the influence of the English-speaking countries, such as Italy, Russia, Poland and elsewhere.
301:, the prologue is an opening to the story that establishes the setting and gives background details, often from some earlier or later timeframe that ties into the main one. As such, it is generally considered part of the body in modern book organization (cf. 185:) Technical information such as edition dates, copyrights, translations used, and the name and address of the publisher or printer. It usually appears in modern books on the verso of the title page, but in some books is placed at the end (see Back matter). 229:
the contents list short, ideally one page, or possibly a double-page spread. Technical books may include a list of figures and a list of tables. In French language books, the table of contents is often part of the back matter rather than the front matter.
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A preface is generally the author recounting the story of how the book came into being, or how the idea for the book was developed. This is often followed by thanks and acknowledgments to people who were helpful to the author during the time of writing.
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Single-volume works account for most of the non-academic consumer market in books. A single volume may embody either a part of a book or the whole of a book; in some works, parts encompass multiple books, while in others, books may consist of multiple
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The possible layout of the sets of letters of the alphabet, or words, on a page is determined by the so-called print space, and is also an element in the design of the page of the book. There must be sufficient space at the
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In some books the chapters are grouped into bigger parts, sometimes called modules. The numbering of the chapters can begin again at the start of every module. In educational books, especially, the chapters are often called
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Front matter (or preliminaries; shortened to "prelims") comprises the first section of a book, and is usually the smallest section in terms of the number of pages. Front matter pages are traditionally numbered in lower-case
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This brief description may be located at the end of a book or on the verso of the title page. It describes production notes relevant to the edition, such as typeface used, and may include a printer's mark or logotype.
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On the inside of the back cover page, extending from the facing page before it, is the endpaper. Its design matches the front endpaper and, in accordance with it, contains either plain paper or pattern, image etc.
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The glossary consists of a set of definitions of words of importance to the work. They are normally alphabetized. The entries may consist of places and characters, which is common for longer works of fiction.
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Sometimes part of the preface rather than a separate section in its own right, or sometimes placed in the back matter rather than the front, it acknowledges those who contributed to the creation of the book.
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The spine usually contains all, or some, of four elements (besides decoration, if any), and in the following order: (1) author, editor, or compiler; (2) title; (3) publisher; and (4) publisher logo.
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is the front of the book, and is marked appropriately by text or graphics in order to identify it as such (namely as the very beginning of the book). The front cover usually contains at least the
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determines the effective area on the paper of a book, journal or other press work. The print space is limited by the surrounding borders, or in other words the gutters outside the printed area.
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The back cover often contains biographical matter about the author or editor, and quotes from other sources praising the book. It may also contain a summary or description of the book
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on their spines; rather they were shelved flat with their spines inward and titles written with ink along their fore edges. Modern books display their titles on their spines.
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This supplemental addition to a given main work may correct errors, explain inconsistencies or otherwise detail or update the information found in the main work.
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This list of terms used in the text contains references, often page numbers, to where the terms can be found in the text. Most common in non-fiction books.
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in capital letters, but modern half title pages may be scaled-down versions of the typography from the full title page. The half title page faces a blank
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has three parts (either in one volume each, or in a single volume), with each part containing two books, each containing, in turn, multiple chapters.
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A dedication page is a page in a book that precedes the text, in which the author names the person or people for whom he/she has written the book.
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The following table defines some common types of front matter, and the "voice" (or point of view) in which each can be said to be given:
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A phrase, quotation, or poem. The epigraph may serve as a preface, as a summary, as a counter-example, or to link the work to a wider
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Modern books are paginated consecutively, and all pages are counted in the pagination whether or not the numbers appear (see also:
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The conclusion to a piece of work; this is considered the opposite of the intro. This term is more commonly used in music.
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The first page of the actual text of a book is the opening page, which often incorporates special design features, such as
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An afterword generally covers the story of how the book came into being, or of how the idea for the book was developed.
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This cites other works consulted when writing the body. It is most common in non-fiction books or research papers.
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books) are of the same size and aspect ratio, and are centered on the gutter where they are bound together at the
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it can be either plain, as in many text-oriented books, or variously ornamented and illustrated in books such as
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This piece of writing at the end of a work of literature or drama is usually used to bring closure to the work.
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Books are classified under two categories according to the physical nature of their binding. The designation
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virtual exhibition of the German Museum of Books and Writing, i.a. with a thematic module on book design
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and immediacy is especially important and publishing tradition and formality are less important.
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A set of leaves bound together. Thus each work is either a volume, or is divided into volumes.
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The structure of a work—and especially of its body matter—is often described hierarchically.
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Integrating Reading and the Other Language Arts: Foundations of a Whole Language Curriculum
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of the page, which frame the book, are made of the appropriate size for both practical and
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A basic unit in book design is the page spread. The left page and right page (called
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of the author, sometimes accompanied by a photograph of them. It is written in the
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A beginning section which states the purpose and goals of the following writing.
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The Book; a cover-to-cover exploration of the most powerful object of our time
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of the book if the text is to be visible. On the other hand, the other three
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ones. The binding of a hardcover book usually includes boards (often made of
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Binding design and paper conservation of antique books, albums and documents
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On the inside of the cover page, extending to the facing page is the front
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The design of each individual page, on the other hand, is governed by the
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that comprise all of the additional matter that is included in the book.
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sometimes referred as FEP. The free half of the end paper is called a
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The Rollo Books by Jacob Abbott: an example of first edition designs
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Stice, Carole F.; Bertrand, John E.; Bertrand, Nancy Parks (1995).
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are one example. Clear or reflective surfaces, flaps, textiles and
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Styling, formatting and designing the layout of a book's contents
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The Form of the Book: Essays on the Morality of Good Design
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into a coherent unit. In the words of renowned typographer
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is the vertical edge of a book as it normally stands on a
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Some books such as Bibles or dictionaries may have a
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ANSI/NISO Z39.41-1997 Printed Information on Spines
1485:The Book of Books: 500 Years of Graphic Innovation 1287: 1019: 990: 772:A less expensive binding method is that used for 5204: 608:Arabic numbering continues for the back matter. 38:is the art of incorporating the content, style, 1435: 1418:Pocket Pal: A Graphic Arts Production Handbook 645:. When the book has a soft or hard cover with 3322: 3252:Intellectual property protection of typefaces 2315: 2122: 1947: 1549: 323:on the opening page of a book printed by the 2794: 1396: 1163:Spine titles on books and other publications 703:which the title along the spine is rotated: 672:and hobbyist books, novelty/gift-market and 375:The following are two instructive examples: 2136: 2048: 410: 3329: 3315: 2322: 2308: 2129: 2115: 1556: 1542: 1511:Dutch Art Nouveau and Art Deco Book Design 1327: 984: 3278:Punctuation and other typographic symbols 1233:. Cambridge: Cambridge University Press. 452:The narrator (or a character in the book) 4846:Good Design Award (Museum of Modern Art) 1285: 1231:Paratexts; threasholds of interpretation 1175: 824: 615: 315: 18: 1464:Bookmaking: Editing, Design, Production 1266: 1228: 1187: 1181: 1101: 1089: 1077: 1065: 1025: 5205: 1481: 1436:Hochuli, Jost; Kinross, Robin (1996). 1378:Review of Japanese Culture and Society 1371: 1308: 1247: 1037: 996: 4891: 4851:Good Design Award (Chicago Athenaeum) 4594: 4039: 3366: 3310: 2303: 2110: 1537: 1414: 1399:Nieuwe berekening voor de vormgeving 477:The author, or some other real person 294:Narrator (or a character in the book) 1439:Designing books: practice and theory 1352:University of Chicago Press (2003), 668:, other children's literature, some 243:edition differs from previous ones. 1460: 1372:Bassoe, Pedro Thiago Ramos (2017). 1188:Drösser, Christoph (9 April 2011). 757:(or hardback) refers to books with 13: 4892: 4795:American Institute of Graphic Arts 1407: 1271:. New York, London: W. W. Norton. 612:Front cover, spine, and back cover 14: 5229: 4805:Design and Industries Association 1808: 1504: 831:J. A. van de Graaf's construction 729:left-to-right and top-to-bottom. 239:Some person other than the author 3291: 3290: 1906: 1720: 1014:University of Chicago Press 2003 3367: 1563: 1209: 1154: 1136: 1107: 641:, with possibly an appropriate 93: 27:for a metalwork book cover (or 4800:Chartered Society of Designers 4040: 2329: 1031: 887: 814: 780: 402:" each containing roughly one 311: 297:Usually present in fiction or 1: 4871:Prince Philip Designers Prize 3514:Architectural lighting design 3247:History of Western typography 967: 811:are other possible features. 4677:Electronic design automation 4660:Virtual home design software 3632:Automotive suspension design 3094:traditional point-size names 1397:Van de Graaf, J. A. (1946). 972: 57: 7: 3536:Environmental impact design 2347:Canons of page construction 2251:List of proofreader's marks 1613:Canons of page construction 1355:The Chicago Manual of Style 1311:Appealing Book Cover Design 952:Interactive children's book 903: 866:canons of page construction 708:top-to-bottom (descending): 695:. Early books did not have 10: 5234: 4815:International Forum Design 4185:Engineering design process 3336: 1528:"Signs – Books – Networks" 1519:(archived 3 December 2013) 1415:Bruno, Michael H. (2007). 1221: 1038:Foster, Zoe (2023-09-04). 818: 794:go even further, by using 746: 742: 723:bottom-to-top (ascending): 594:A brief, single page-long 414: 329: 5150: 4898: 4887: 4828: 4787: 4730: 4620: 4616: 4590: 4046: 4035: 3937:Integrated circuit design 3872: 3859:Stage/set lighting design 3791: 3748:Hardware interface design 3707: 3664:Hardware interface design 3615: 3497: 3377: 3373: 3362: 3344: 3286: 3270: 3202: 3155: 3109: 3049: 2932: 2872: 2830: 2807: 2775: 2735: 2724: 2669: 2623: 2575: 2527: 2504:Subscript and superscript 2459: 2450: 2400: 2337: 2261: 2223: 2142: 2031: 1946: 1905: 1807: 1789: 1741:Anthropodermic bibliopegy 1729: 1718: 1571: 1313:. Yale University Press. 1290:The Book on the Bookshelf 1252:. Yale University Press. 1044:Barnett Ghostwriting Blog 4772:Industrial design rights 4760:Fashion design copyright 4672:Design quality indicator 4121:Creative problem-solving 3912:Electrical system design 3768:Sonic interaction design 3679:Photographic lens design 3553:Healthy community design 3262:Vox-ATypI classification 2392:Intentionally blank page 2081:Intentionally blank page 1482:Lommen, Mathieu (2012). 1286:Petroski, Henry (1999). 1248:Hendel, Richard (1998). 1229:Genette, Gerard (1997). 1148:14 November 2008 at the 837:) and margin proportions 833:of classical text area ( 415:Not to be confused with 411:Back matter (end matter) 25:Hans Holbein the Younger 4968:New product development 4933:Enterprise architecture 4861:IF Product Design Award 4820:Design Research Society 4372:Reliability engineering 2137:Book publishing process 1488:. Thames & Hudson. 1337:. Hartley & Marks. 1267:Houston, Keith (2016). 303:Chicago Manual of Style 4424:Top-down and bottom-up 3773:User experience design 3674:Packaging and labeling 3647:Electric guitar design 3585:Landscape architecture 2795: 2049: 1513:(archived 26 May 2013) 1461:Lee, Marshall (2004). 1190:"Linksdrehende BĂĽcher" 855:left-to-right language 838: 761:covers, as opposed to 626: 600:third-person narrative 327: 32: 4953:Innovation management 4836:European Design Award 4602:Intellectual property 4419:Theory of constraints 4382:Responsibility-driven 4222:For manufacturability 4126:Creativity techniques 3964:Nuclear weapon design 3778:User interface design 3642:Corrugated box design 3563:Interior architecture 2171:intellectual property 1390:10.1353/roj.2017.0011 1309:Taylor, Eric (2008). 828: 619: 381:The Lord of the Rings 353:Chapters and sections 319: 178:Publisher and printer 22: 4998:Unintelligent design 4978:Philosophy of design 4692:Design specification 4645:Comprehensive layout 4217:For behaviour change 4190:Probabilistic design 3952:Power network design 3489:Visual merchandising 3446:Instructional design 3424:Postage stamp design 3132:Typographic features 2200:Developmental editor 2195:Commissioning editor 2167:Contract negotiation 1120:Wadsworth Publishing 946:Other types of books 625:the attention first. 509:Appendix or Addendum 299:narrative nonfiction 4918:Creative industries 4841:German Design Award 4750:Design infringement 4635:Architectural model 3974:Organization design 3969:Nucleic acid design 3917:Experimental design 3470:Traffic sign design 3257:Technical lettering 3156:Typography in other 2897:Hanging punctuation 2179:rates, format, etc. 1294:. Alfred A. Knopf. 957:Interactive fiction 150:Author or publisher 4983:Process simulation 4958:Intelligent design 4282:Intelligence-based 4277:Integrated topside 4207:Framework-oriented 3892:Behavioural design 3763:Information design 3441:Information design 3220:Handwriting script 3147:Desktop publishing 3117:Character encoding 3110:Digital typography 2624:Horizontal aspects 2577:Visual distinction 2435:Widows and orphans 2161:Publisher's reader 2076:Fore-edge painting 2071:Extra-illustration 1104:, p. 329-331. 1092:, p. 294-318. 1080:, p. 144-160. 839: 796:fore-edge painting 674:coffee table books 627: 404:independent clause 328: 33: 5200: 5199: 5146: 5145: 4913:Conceptual design 4883: 4882: 4879: 4878: 4866:James Dyson Award 4722:Website wireframe 4712:Technical drawing 4586: 4585: 4434:Transgenerational 4175:Ecological design 4051:Activity-centered 4031: 4030: 4027: 4026: 4009:Spacecraft design 3803:Public art design 3741:Video game design 3719:Experience design 3689:Production design 3669:Motorcycle design 3627:Automotive design 3531:Ecological design 3409:Film title design 3304: 3303: 3051:Typographic units 2969:For position only 2868: 2867: 2720: 2719: 2297: 2296: 2104: 2103: 1983:Addendum/Appendix 1867:Table of contents 1495:978-0-500-51591-4 1474:978-0-393-73018-0 1428:978-0-9772716-1-0 1344:978-0-88179-116-7 1320:978-0-300-07570-0 1259:978-0-300-07570-0 1215:Van de Graaf 1946 853:respectively, in 829:Page spread with 809:scratch-and-sniff 606: 605: 360:Modules and units 309: 308: 221:Table of contents 5225: 5192: 5185: 5178: 5171: 5164: 5157: 4889: 4888: 4766:Geschmacksmuster 4740:Community design 4618: 4617: 4592: 4591: 4352:Process-centered 4148:Design–bid–build 4116:Cradle-to-cradle 4096:Concept-oriented 4037: 4036: 4014:Strategic design 3984:Processor design 3959:Mechanism design 3927:Geometric design 3887:Algorithm design 3827:Jewellery design 3758:Immersive design 3652:Furniture design 3597:Landscape design 3375: 3374: 3364: 3363: 3331: 3324: 3317: 3308: 3307: 3294: 3293: 3271:Related template 3203:Related articles 3004:Phototypesetting 2858:reverse-contrast 2843:Display typeface 2800: 2777:Blackletter type 2733: 2732: 2670:Vertical aspects 2651:Sentence spacing 2461:Typeface anatomy 2457: 2456: 2324: 2317: 2310: 2301: 2300: 2131: 2124: 2117: 2108: 2107: 2052: 1781:Treasure binding 1724: 1558: 1551: 1544: 1535: 1534: 1499: 1478: 1457: 1432: 1402: 1393: 1368: 1348: 1324: 1305: 1293: 1282: 1263: 1244: 1216: 1213: 1207: 1206: 1204: 1202: 1185: 1179: 1173: 1167: 1158: 1152: 1140: 1134: 1133: 1111: 1105: 1099: 1093: 1087: 1081: 1075: 1069: 1063: 1054: 1053: 1051: 1050: 1035: 1029: 1023: 1017: 1011: 1000: 994: 988: 982: 433: 432: 426:, also known as 109: 108: 29:treasure binding 5233: 5232: 5228: 5227: 5226: 5224: 5223: 5222: 5218:Book publishing 5203: 5202: 5201: 5196: 5190: 5183: 5176: 5169: 5162: 5155: 5142: 4943:Futures studies 4894: 4875: 4824: 4783: 4732: 4726: 4612: 4611: 4582: 4488:Value sensitive 4478:User innovation 4357:Public interest 4322:Object-oriented 4042: 4023: 4004:Software design 3994:Research design 3947:Physical design 3902:Database design 3876: 3874: 3868: 3844:Property design 3839:Game art design 3793: 3787: 3710: 3703: 3618: 3611: 3568:Interior design 3519:Building design 3500: 3493: 3380: 3369: 3358: 3340: 3335: 3305: 3300: 3282: 3266: 3198: 3158:writing systems 3157: 3151: 3105: 3045: 2989:Microtypography 2928: 2864: 2826: 2803: 2771: 2728:classifications 2727: 2716: 2665: 2619: 2585:Blackboard bold 2571: 2523: 2446: 2396: 2387:Recto and verso 2333: 2328: 2298: 2293: 2262:Book production 2257: 2219: 2205:Authors' editor 2190:Literary editor 2138: 2135: 2105: 2100: 2027: 1942: 1938:Tipped-in pages 1901: 1882:Acknowledgments 1803: 1785: 1732: 1725: 1716: 1690:Recto and verso 1576: 1567: 1562: 1507: 1502: 1496: 1475: 1454: 1429: 1410: 1408:Further reading 1405: 1366: 1345: 1329:Tschichold, Jan 1321: 1302: 1279: 1260: 1241: 1224: 1219: 1214: 1210: 1200: 1198: 1186: 1182: 1174: 1170: 1159: 1155: 1150:Wayback Machine 1141: 1137: 1130: 1122:. p. 490. 1112: 1108: 1100: 1096: 1088: 1084: 1076: 1072: 1064: 1057: 1048: 1046: 1036: 1032: 1024: 1020: 1012: 1003: 995: 991: 985:Tschichold 1991 983: 979: 975: 970: 935:Recto and verso 906: 890: 823: 817: 783: 751: 745: 614: 420: 413: 346:Books and parts 334: 325:Kelmscott Press 314: 263:Acknowledgments 181:(Also known as 96: 60: 17: 12: 11: 5: 5231: 5221: 5220: 5215: 5198: 5197: 5195: 5194: 5187: 5180: 5173: 5166: 5159: 5151: 5148: 5147: 5144: 5143: 5141: 5140: 5135: 5130: 5125: 5120: 5115: 5110: 5105: 5100: 5095: 5090: 5085: 5080: 5075: 5070: 5065: 5060: 5055: 5050: 5045: 5044: 5043: 5038: 5028: 5023: 5018: 5011: 5010: 5008:Wicked problem 5005: 5000: 4995: 4990: 4985: 4980: 4975: 4970: 4965: 4960: 4955: 4950: 4945: 4940: 4935: 4930: 4925: 4920: 4915: 4910: 4905: 4899: 4896: 4895: 4893:Related topics 4885: 4884: 4881: 4880: 4877: 4876: 4874: 4873: 4868: 4863: 4858: 4853: 4848: 4843: 4838: 4832: 4830: 4826: 4825: 4823: 4822: 4817: 4812: 4810:Design Council 4807: 4802: 4797: 4791: 4789: 4785: 4784: 4782: 4781: 4780: 4779: 4777:European Union 4769: 4762: 4757: 4752: 4747: 4742: 4736: 4734: 4728: 4727: 4725: 4724: 4719: 4714: 4709: 4704: 4699: 4694: 4689: 4684: 4679: 4674: 4669: 4664: 4663: 4662: 4657: 4647: 4642: 4637: 4632: 4626: 4624: 4614: 4613: 4610: 4609: 4606: 4603: 4600: 4596: 4588: 4587: 4584: 4583: 4581: 4580: 4575: 4570: 4565: 4560: 4555: 4550: 4545: 4540: 4535: 4530: 4525: 4520: 4515: 4510: 4505: 4498: 4497: 4496: 4495: 4485: 4480: 4475: 4474: 4473: 4463: 4458: 4456:Usage-centered 4453: 4452: 4451: 4449:Design for All 4441: 4436: 4431: 4429:Transformation 4426: 4421: 4416: 4411: 4410: 4409: 4399: 4394: 4389: 4384: 4379: 4377:Research-based 4374: 4369: 4364: 4359: 4354: 4349: 4344: 4342:Platform-based 4339: 4334: 4329: 4324: 4319: 4314: 4309: 4304: 4299: 4294: 4292:KISS principle 4289: 4284: 4279: 4274: 4269: 4264: 4259: 4254: 4249: 4244: 4239: 4234: 4229: 4224: 4219: 4214: 4209: 4204: 4202:Fault-tolerant 4199: 4197:Error-tolerant 4194: 4193: 4192: 4182: 4180:Energy neutral 4177: 4172: 4167: 4162: 4161: 4160: 4150: 4145: 4140: 4139: 4138: 4136:Design fiction 4128: 4123: 4118: 4113: 4108: 4103: 4098: 4093: 4088: 4083: 4078: 4073: 4068: 4063: 4058: 4053: 4047: 4044: 4043: 4033: 4032: 4029: 4028: 4025: 4024: 4022: 4021: 4019:Systems design 4016: 4011: 4006: 4001: 3996: 3991: 3989:Protein design 3986: 3981: 3979:Process design 3976: 3971: 3966: 3961: 3956: 3955: 3954: 3949: 3944: 3942:Circuit design 3934: 3929: 3924: 3919: 3914: 3909: 3904: 3899: 3894: 3889: 3883: 3881: 3870: 3869: 3867: 3866: 3864:Textile design 3861: 3856: 3851: 3846: 3841: 3836: 3831: 3830: 3829: 3824: 3822:Costume design 3817:Fashion design 3814: 3805: 3799: 3797: 3789: 3788: 3786: 3785: 3780: 3775: 3770: 3765: 3760: 3755: 3750: 3745: 3744: 3743: 3738: 3728: 3727: 3726: 3715: 3713: 3705: 3704: 3702: 3701: 3699:Service design 3696: 3694:Sensory design 3691: 3686: 3684:Product design 3681: 3676: 3671: 3666: 3661: 3660: 3659: 3649: 3644: 3639: 3634: 3629: 3623: 3621: 3613: 3612: 3610: 3609: 3604: 3602:Spatial design 3599: 3594: 3593: 3592: 3582: 3580:Keyline design 3577: 3576: 3575: 3565: 3560: 3555: 3550: 3549: 3548: 3546:Computer-aided 3538: 3533: 3528: 3527: 3526: 3516: 3511: 3505: 3503: 3495: 3494: 3492: 3491: 3486: 3481: 3472: 3463: 3458: 3453: 3448: 3443: 3438: 3433: 3432: 3431: 3426: 3421: 3414:Graphic design 3411: 3406: 3404:Exhibit design 3401: 3396: 3391: 3385: 3383: 3371: 3370: 3360: 3359: 3357: 3356: 3351: 3345: 3342: 3341: 3334: 3333: 3326: 3319: 3311: 3302: 3301: 3299: 3298: 3287: 3284: 3283: 3281: 3280: 3274: 3272: 3268: 3267: 3265: 3264: 3259: 3254: 3249: 3244: 3239: 3234: 3229: 3228: 3227: 3222: 3217: 3206: 3204: 3200: 3199: 3197: 3196: 3195: 3194: 3192:National Fonts 3184: 3179: 3178: 3177: 3167: 3161: 3159: 3153: 3152: 3150: 3149: 3144: 3139: 3137:Web typography 3134: 3129: 3124: 3119: 3113: 3111: 3107: 3106: 3104: 3103: 3098: 3097: 3096: 3086: 3081: 3076: 3071: 3066: 3061: 3055: 3053: 3047: 3046: 3044: 3043: 3042: 3041: 3031: 3026: 3021: 3016: 3014:Reversing type 3011: 3006: 3001: 2996: 2991: 2986: 2981: 2976: 2971: 2966: 2961: 2960: 2959: 2954: 2944: 2938: 2936: 2930: 2929: 2927: 2926: 2921: 2916: 2911: 2910: 2909: 2899: 2894: 2889: 2883: 2881: 2870: 2869: 2866: 2865: 2863: 2862: 2861: 2860: 2855: 2850: 2840: 2834: 2832: 2828: 2827: 2825: 2824: 2819: 2813: 2811: 2805: 2804: 2802: 2801: 2792: 2787: 2781: 2779: 2773: 2772: 2770: 2769: 2764: 2763: 2762: 2757: 2752: 2741: 2739: 2730: 2722: 2721: 2718: 2717: 2715: 2714: 2709: 2704: 2699: 2694: 2689: 2684: 2679: 2673: 2671: 2667: 2666: 2664: 2663: 2658: 2653: 2648: 2643: 2641:Letter-spacing 2638: 2633: 2627: 2625: 2621: 2620: 2618: 2617: 2612: 2607: 2602: 2597: 2595:Color printing 2592: 2587: 2581: 2579: 2573: 2572: 2570: 2569: 2564: 2559: 2554: 2549: 2544: 2539: 2533: 2531: 2529:Capitalization 2525: 2524: 2522: 2521: 2516: 2511: 2506: 2501: 2496: 2491: 2486: 2481: 2476: 2471: 2465: 2463: 2454: 2448: 2447: 2445: 2444: 2443: 2442: 2432: 2427: 2422: 2417: 2412: 2406: 2404: 2398: 2397: 2395: 2394: 2389: 2384: 2379: 2374: 2369: 2367:Page numbering 2364: 2359: 2354: 2349: 2343: 2341: 2335: 2334: 2327: 2326: 2319: 2312: 2304: 2295: 2294: 2292: 2291: 2286: 2281: 2276: 2271: 2265: 2263: 2259: 2258: 2256: 2255: 2254: 2253: 2243: 2238: 2233: 2227: 2225: 2221: 2220: 2218: 2217: 2212: 2207: 2202: 2197: 2192: 2187: 2181: 2180: 2174: 2168: 2164: 2163: 2158: 2156:Literary agent 2153: 2149: 2147: 2140: 2139: 2134: 2133: 2126: 2119: 2111: 2102: 2101: 2099: 2098: 2093: 2088: 2083: 2078: 2073: 2068: 2063: 2060: 2055: 2054: 2053: 2041: 2035: 2033: 2032:Other elements 2029: 2028: 2026: 2025: 2020: 2015: 2010: 2005: 2000: 1995: 1990: 1985: 1980: 1975: 1974: 1973: 1963: 1958: 1952: 1950: 1944: 1943: 1941: 1940: 1935: 1930: 1927: 1922: 1917: 1911: 1909: 1903: 1902: 1900: 1899: 1897:Printer's mark 1894: 1889: 1884: 1879: 1874: 1869: 1864: 1859: 1854: 1849: 1844: 1842:Imprimi potest 1839: 1837:Edition notice 1834: 1829: 1824: 1823: 1822: 1813: 1811: 1805: 1804: 1802: 1801: 1795: 1793: 1787: 1786: 1784: 1783: 1778: 1773: 1768: 1763: 1758: 1753: 1748: 1743: 1737: 1735: 1727: 1726: 1719: 1717: 1715: 1714: 1713: 1712: 1702: 1697: 1692: 1687: 1682: 1680:Page numbering 1677: 1672: 1667: 1662: 1661: 1660: 1655: 1645: 1640: 1635: 1630: 1625: 1620: 1615: 1610: 1609: 1608: 1603: 1598: 1593: 1582: 1580: 1569: 1568: 1561: 1560: 1553: 1546: 1538: 1532: 1531: 1525: 1520: 1514: 1506: 1505:External links 1503: 1501: 1500: 1494: 1479: 1473: 1458: 1452: 1433: 1427: 1411: 1409: 1406: 1404: 1403: 1394: 1369: 1364: 1349: 1343: 1325: 1319: 1306: 1300: 1283: 1277: 1264: 1258: 1250:On Book Design 1245: 1239: 1225: 1223: 1220: 1218: 1217: 1208: 1180: 1168: 1153: 1135: 1128: 1106: 1094: 1082: 1070: 1055: 1030: 1018: 1001: 989: 976: 974: 971: 969: 966: 965: 964: 959: 954: 948: 947: 943: 942: 937: 932: 927: 925:Page numbering 922: 917: 912: 905: 902: 889: 886: 816: 813: 792:artist's books 782: 779: 747:Main article: 744: 741: 726: 725: 711: 710: 682:graphic design 678:graphic novels 670:arts and craft 613: 610: 604: 603: 592: 589: 583: 582: 580: 578: 572: 571: 567: 564: 558: 557: 554: 551: 545: 544: 541: 538: 532: 531: 527: 524: 518: 517: 514: 511: 505: 504: 502: 500: 494: 493: 491: 488: 482: 481: 478: 475: 469: 468: 465: 463: 457: 456: 453: 450: 444: 443: 440: 437: 412: 409: 408: 407: 385: 366: 365: 361: 358: 354: 351: 347: 344: 341: 330:Main article: 313: 310: 307: 306: 295: 292: 286: 285: 282: 279: 273: 272: 268: 265: 259: 258: 254: 251: 245: 244: 240: 237: 231: 230: 226: 223: 217: 216: 213:literary canon 209: 206: 200: 199: 196: 193: 187: 186: 183:Edition notice 179: 176: 174:Copyright page 170: 169: 165: 162: 156: 155: 154:frontispiece. 151: 148: 142: 141: 129: 126: 120: 119: 116: 113: 101:Roman numerals 95: 92: 78:, flush right 59: 56: 52:Jan Tschichold 15: 9: 6: 4: 3: 2: 5230: 5219: 5216: 5214: 5211: 5210: 5208: 5193: 5188: 5186: 5181: 5179: 5174: 5172: 5167: 5165: 5160: 5158: 5153: 5152: 5149: 5139: 5136: 5134: 5131: 5129: 5126: 5124: 5123:specification 5121: 5119: 5116: 5114: 5111: 5109: 5106: 5104: 5101: 5099: 5096: 5094: 5091: 5089: 5086: 5084: 5081: 5079: 5076: 5074: 5071: 5069: 5066: 5064: 5061: 5059: 5056: 5054: 5051: 5049: 5046: 5042: 5039: 5037: 5036:architectural 5034: 5033: 5032: 5029: 5027: 5024: 5022: 5019: 5017: 5013: 5012: 5009: 5006: 5004: 5003:Visualization 5001: 4999: 4996: 4994: 4991: 4989: 4986: 4984: 4981: 4979: 4976: 4974: 4971: 4969: 4966: 4964: 4961: 4959: 4956: 4954: 4951: 4949: 4946: 4944: 4941: 4939: 4936: 4934: 4931: 4929: 4926: 4924: 4923:Cultural icon 4921: 4919: 4916: 4914: 4911: 4909: 4906: 4904: 4901: 4900: 4897: 4890: 4886: 4872: 4869: 4867: 4864: 4862: 4859: 4857: 4854: 4852: 4849: 4847: 4844: 4842: 4839: 4837: 4834: 4833: 4831: 4827: 4821: 4818: 4816: 4813: 4811: 4808: 4806: 4803: 4801: 4798: 4796: 4793: 4792: 4790: 4788:Organizations 4786: 4778: 4775: 4774: 4773: 4770: 4768: 4767: 4763: 4761: 4758: 4756: 4755:Design patent 4753: 4751: 4748: 4746: 4745:Design around 4743: 4741: 4738: 4737: 4735: 4729: 4723: 4720: 4718: 4715: 4713: 4710: 4708: 4705: 4703: 4700: 4698: 4695: 4693: 4690: 4688: 4685: 4683: 4680: 4678: 4675: 4673: 4670: 4668: 4665: 4661: 4658: 4656: 4653: 4652: 4651: 4648: 4646: 4643: 4641: 4638: 4636: 4633: 4631: 4628: 4627: 4625: 4623: 4619: 4615: 4607: 4605:Organizations 4604: 4601: 4598: 4597: 4593: 4589: 4579: 4576: 4574: 4571: 4569: 4566: 4564: 4561: 4559: 4556: 4554: 4551: 4549: 4546: 4544: 4541: 4539: 4536: 4534: 4531: 4529: 4526: 4524: 4521: 4519: 4516: 4514: 4511: 4509: 4506: 4504: 4500: 4499: 4494: 4491: 4490: 4489: 4486: 4484: 4481: 4479: 4476: 4472: 4469: 4468: 4467: 4466:User-centered 4464: 4462: 4459: 4457: 4454: 4450: 4447: 4446: 4445: 4442: 4440: 4437: 4435: 4432: 4430: 4427: 4425: 4422: 4420: 4417: 4415: 4414:Tableless web 4412: 4408: 4405: 4404: 4403: 4400: 4398: 4395: 4393: 4390: 4388: 4385: 4383: 4380: 4378: 4375: 4373: 4370: 4368: 4365: 4363: 4360: 4358: 4355: 4353: 4350: 4348: 4345: 4343: 4340: 4338: 4337:Participatory 4335: 4333: 4330: 4328: 4325: 4323: 4320: 4318: 4315: 4313: 4310: 4308: 4305: 4303: 4300: 4298: 4295: 4293: 4290: 4288: 4285: 4283: 4280: 4278: 4275: 4273: 4270: 4268: 4265: 4263: 4260: 4258: 4255: 4253: 4250: 4248: 4245: 4243: 4240: 4238: 4235: 4233: 4230: 4228: 4227:For Six Sigma 4225: 4223: 4220: 4218: 4215: 4213: 4210: 4208: 4205: 4203: 4200: 4198: 4195: 4191: 4188: 4187: 4186: 4183: 4181: 4178: 4176: 4173: 4171: 4170:Domain-driven 4168: 4166: 4163: 4159: 4158:architect-led 4156: 4155: 4154: 4151: 4149: 4146: 4144: 4141: 4137: 4134: 4133: 4132: 4129: 4127: 4124: 4122: 4119: 4117: 4114: 4112: 4109: 4107: 4104: 4102: 4101:Configuration 4099: 4097: 4094: 4092: 4089: 4087: 4084: 4082: 4079: 4077: 4074: 4072: 4069: 4067: 4066:Brainstorming 4064: 4062: 4059: 4057: 4054: 4052: 4049: 4048: 4045: 4038: 4034: 4020: 4017: 4015: 4012: 4010: 4007: 4005: 4002: 4000: 3999:Social design 3997: 3995: 3992: 3990: 3987: 3985: 3982: 3980: 3977: 3975: 3972: 3970: 3967: 3965: 3962: 3960: 3957: 3953: 3950: 3948: 3945: 3943: 3940: 3939: 3938: 3935: 3933: 3930: 3928: 3925: 3923: 3922:Filter design 3920: 3918: 3915: 3913: 3910: 3908: 3905: 3903: 3900: 3898: 3897:Boiler design 3895: 3893: 3890: 3888: 3885: 3884: 3882: 3880: 3871: 3865: 3862: 3860: 3857: 3855: 3852: 3850: 3849:Scenic design 3847: 3845: 3842: 3840: 3837: 3835: 3834:Floral design 3832: 3828: 3825: 3823: 3820: 3819: 3818: 3815: 3813: 3809: 3806: 3804: 3801: 3800: 3798: 3796: 3790: 3784: 3781: 3779: 3776: 3774: 3771: 3769: 3766: 3764: 3761: 3759: 3756: 3754: 3751: 3749: 3746: 3742: 3739: 3737: 3734: 3733: 3732: 3729: 3725: 3722: 3721: 3720: 3717: 3716: 3714: 3712: 3706: 3700: 3697: 3695: 3692: 3690: 3687: 3685: 3682: 3680: 3677: 3675: 3672: 3670: 3667: 3665: 3662: 3658: 3655: 3654: 3653: 3650: 3648: 3645: 3643: 3640: 3638: 3635: 3633: 3630: 3628: 3625: 3624: 3622: 3620: 3614: 3608: 3605: 3603: 3600: 3598: 3595: 3591: 3588: 3587: 3586: 3583: 3581: 3578: 3574: 3571: 3570: 3569: 3566: 3564: 3561: 3559: 3556: 3554: 3551: 3547: 3544: 3543: 3542: 3541:Garden design 3539: 3537: 3534: 3532: 3529: 3525: 3524:Passive solar 3522: 3521: 3520: 3517: 3515: 3512: 3510: 3507: 3506: 3504: 3502: 3499:Environmental 3496: 3490: 3487: 3485: 3482: 3480: 3476: 3473: 3471: 3467: 3464: 3462: 3461:Retail design 3459: 3457: 3454: 3452: 3449: 3447: 3444: 3442: 3439: 3437: 3434: 3430: 3427: 3425: 3422: 3420: 3417: 3416: 3415: 3412: 3410: 3407: 3405: 3402: 3400: 3397: 3395: 3392: 3390: 3387: 3386: 3384: 3382: 3379:Communication 3376: 3372: 3365: 3361: 3355: 3352: 3350: 3347: 3346: 3343: 3339: 3332: 3327: 3325: 3320: 3318: 3313: 3312: 3309: 3297: 3289: 3288: 3285: 3279: 3276: 3275: 3273: 3269: 3263: 3260: 3258: 3255: 3253: 3250: 3248: 3245: 3243: 3240: 3238: 3235: 3233: 3230: 3226: 3223: 3221: 3218: 3216: 3213: 3212: 3211: 3208: 3207: 3205: 3201: 3193: 3190: 3189: 3188: 3185: 3183: 3180: 3176: 3173: 3172: 3171: 3168: 3166: 3163: 3162: 3160: 3154: 3148: 3145: 3143: 3142:BĂ©zier curves 3140: 3138: 3135: 3133: 3130: 3128: 3127:Rasterization 3125: 3123: 3120: 3118: 3115: 3114: 3112: 3108: 3102: 3099: 3095: 3092: 3091: 3090: 3087: 3085: 3082: 3080: 3077: 3075: 3072: 3070: 3067: 3065: 3062: 3060: 3057: 3056: 3054: 3052: 3048: 3040: 3037: 3036: 3035: 3032: 3030: 3027: 3025: 3022: 3020: 3017: 3015: 3012: 3010: 3007: 3005: 3002: 3000: 2997: 2995: 2992: 2990: 2987: 2985: 2984:Microprinting 2982: 2980: 2977: 2975: 2972: 2970: 2967: 2965: 2962: 2958: 2955: 2953: 2950: 2949: 2948: 2945: 2943: 2942:Etaoin shrdlu 2940: 2939: 2937: 2935: 2931: 2925: 2922: 2920: 2917: 2915: 2912: 2908: 2905: 2904: 2903: 2900: 2898: 2895: 2893: 2890: 2888: 2885: 2884: 2882: 2879: 2875: 2871: 2859: 2856: 2854: 2851: 2849: 2846: 2845: 2844: 2841: 2839: 2836: 2835: 2833: 2829: 2823: 2820: 2818: 2815: 2814: 2812: 2810: 2806: 2799: 2798: 2793: 2791: 2788: 2786: 2783: 2782: 2780: 2778: 2774: 2768: 2765: 2761: 2758: 2756: 2753: 2751: 2748: 2747: 2746: 2743: 2742: 2740: 2738: 2734: 2731: 2729: 2723: 2713: 2710: 2708: 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2247: 2246:Proof-reading 2244: 2242: 2239: 2237: 2234: 2232: 2229: 2228: 2226: 2222: 2216: 2213: 2211: 2208: 2206: 2203: 2201: 2198: 2196: 2193: 2191: 2188: 2186: 2183: 2182: 2178: 2175: 2172: 2169: 2166: 2165: 2162: 2159: 2157: 2154: 2151: 2150: 2148: 2145: 2141: 2132: 2127: 2125: 2120: 2118: 2113: 2112: 2109: 2097: 2094: 2092: 2089: 2087: 2084: 2082: 2079: 2077: 2074: 2072: 2069: 2067: 2064: 2061: 2059: 2056: 2051: 2047: 2046: 2045: 2042: 2040: 2037: 2036: 2034: 2030: 2024: 2021: 2019: 2016: 2014: 2011: 2009: 2006: 2004: 2001: 1999: 1996: 1994: 1991: 1989: 1986: 1984: 1981: 1979: 1976: 1972: 1969: 1968: 1967: 1964: 1962: 1959: 1957: 1954: 1953: 1951: 1949: 1945: 1939: 1936: 1934: 1931: 1928: 1926: 1925:Illustrations 1923: 1921: 1918: 1916: 1913: 1912: 1910: 1908: 1904: 1898: 1895: 1893: 1890: 1888: 1885: 1883: 1880: 1878: 1875: 1873: 1870: 1868: 1865: 1863: 1860: 1858: 1855: 1853: 1850: 1848: 1845: 1843: 1840: 1838: 1835: 1833: 1830: 1828: 1825: 1821:bastard title 1820: 1819: 1818: 1815: 1814: 1812: 1810: 1806: 1800: 1797: 1796: 1794: 1792: 1788: 1782: 1779: 1777: 1776:Picture cover 1774: 1772: 1769: 1767: 1764: 1762: 1759: 1757: 1754: 1752: 1749: 1747: 1744: 1742: 1739: 1738: 1736: 1734: 1728: 1723: 1711: 1708: 1707: 1706: 1703: 1701: 1698: 1696: 1693: 1691: 1688: 1686: 1683: 1681: 1678: 1676: 1673: 1671: 1668: 1666: 1663: 1659: 1656: 1654: 1651: 1650: 1649: 1646: 1644: 1641: 1639: 1636: 1634: 1631: 1629: 1626: 1624: 1621: 1619: 1616: 1614: 1611: 1607: 1604: 1602: 1601:Marginal note 1599: 1597: 1594: 1592: 1589: 1588: 1587: 1584: 1583: 1581: 1579: 1574: 1570: 1566: 1559: 1554: 1552: 1547: 1545: 1540: 1539: 1536: 1529: 1526: 1524: 1521: 1518: 1515: 1512: 1509: 1508: 1497: 1491: 1487: 1486: 1480: 1476: 1470: 1466: 1465: 1459: 1455: 1453:9780907259084 1449: 1445: 1441: 1440: 1434: 1430: 1424: 1420: 1419: 1413: 1412: 1400: 1395: 1391: 1387: 1383: 1379: 1375: 1370: 1367: 1365:0-226-10403-6 1361: 1357: 1356: 1350: 1346: 1340: 1336: 1335: 1330: 1326: 1322: 1316: 1312: 1307: 1303: 1301:0-375-40649-2 1297: 1292: 1291: 1284: 1280: 1278:9780393244793 1274: 1270: 1265: 1261: 1255: 1251: 1246: 1242: 1240:0-521-42406-2 1236: 1232: 1227: 1226: 1212: 1197: 1196: 1191: 1184: 1177: 1176:Petroski 1999 1172: 1166: 1164: 1157: 1151: 1147: 1144: 1139: 1131: 1129:9780534240844 1125: 1121: 1117: 1110: 1103: 1098: 1091: 1086: 1079: 1074: 1068:, p. 32. 1067: 1062: 1060: 1045: 1041: 1034: 1027: 1022: 1015: 1010: 1008: 1006: 998: 993: 986: 981: 977: 963: 960: 958: 955: 953: 950: 949: 945: 944: 941: 938: 936: 933: 931: 930:Visual design 928: 926: 923: 921: 918: 916: 913: 911: 908: 907: 901: 899: 895: 885: 883: 879: 875: 869: 867: 862: 860: 856: 852: 851: 846: 845: 836: 832: 827: 822: 812: 810: 806: 801: 797: 793: 788: 778: 775: 770: 768: 764: 760: 756: 750: 740: 737: 733: 730: 724: 721: 720: 719: 715: 709: 706: 705: 704: 700: 698: 694: 690: 685: 683: 679: 675: 671: 667: 666:picture books 663: 659: 655: 650: 648: 644: 640: 636: 632: 623: 618: 609: 601: 597: 593: 590: 588: 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4461:Use-centered 4367:Regenerative 4347:Policy-based 4307:Mind mapping 4212:For assembly 4153:Design–build 4071:By committee 4056:Adaptive web 3854:Sound design 3812:glass design 3810: / 3795:applied arts 3736:Level design 3607:Urban design 3558:Hotel design 3509:Architecture 3484:Video design 3477: / 3468: / 3436:Illustration 3429:Print design 3399:Brand design 3393: 3242:Type foundry 3079:Metric units 3009:Punchcutting 2994:Movable type 2964:Font catalog 2924:Vertical bar 2661:Word spacing 2631:Figure space 2514:Text figures 2357:Even working 2230: 2215:Copy editing 1998:Bibliography 1887:Introduction 1847:Nihil obstat 1827:Frontispiece 1809:Front matter 1643:Illumination 1564: 1484: 1463: 1444:Hyphen Press 1438: 1417: 1398: 1381: 1377: 1353: 1333: 1310: 1289: 1268: 1249: 1230: 1211: 1199:. Retrieved 1193: 1183: 1171: 1162: 1156: 1138: 1115: 1109: 1102:Houston 2016 1097: 1090:Genette 1997 1085: 1078:Genette 1997 1073: 1066:Genette 1997 1047:. 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London: 1049:2023-10-16 968:References 819:See also: 805:Eric Carle 767:paperboard 662:publishing 498:Postscript 486:Conclusion 428:end matter 191:Dedication 160:Title page 124:Half title 84:drop folio 23:Design by 5177:Wikiquote 5163:Wikibooks 5113:rationale 5078:knowledge 5053:education 4973:OODA loop 4697:Prototype 4682:Flowchart 4640:Blueprint 4508:computing 4444:Universal 4392:Safe-life 4297:Low-level 4287:Iterative 4267:Inclusive 4252:Geodesign 4143:Defensive 4091:Co-design 4061:Affective 2707:Overshoot 2702:Mean line 2697:Descender 2610:Underline 2452:Character 2430:Runaround 2410:Alignment 2402:Paragraph 2050:ex-librÄ«s 2044:Bookplate 1956:Afterword 1915:Body text 1791:Endpapers 1771:Paperback 1761:Hardcover 1670:Miniature 1658:Inhabited 1638:Headpiece 1618:Catchword 1161:ISO 6357 973:Citations 898:type area 884:reasons. 882:aesthetic 774:paperback 755:hardcover 693:bookshelf 596:biography 566:Publisher 553:Publisher 473:Afterword 417:endpapers 389:Christian 332:Body text 225:Publisher 164:Publisher 128:Publisher 88:paratexts 58:Structure 5170:Wikinews 5103:paradigm 5083:language 5063:engineer 5058:elements 5048:director 4733:property 4578:thinking 4568:strategy 4553:research 4513:controls 4471:Empathic 4402:Systemic 4362:Rational 4317:New Wave 4131:Critical 3354:Designer 3296:Category 3175:PT Fonts 3170:Cyrillic 3034:Typeface 2952:computer 2853:fat face 2726:Typeface 2712:x-height 2682:Baseline 2677:Ascender 2537:All caps 2499:Rotation 2494:Ligature 2489:Ink trap 2284:Trimming 2269:Printing 2236:Indexing 2224:Prepress 2091:Slipcase 2018:Postface 2013:Colophon 1993:Glossary 1988:Endnotes 1966:Epilogue 1933:Sections 1920:Chapters 1892:Prologue 1872:Foreword 1862:Epigraph 1705:Typeface 1675:Ornament 1591:Footnote 1331:(1991). 1195:Die Zeit 1146:Archived 904:See also 803:work of 763:flexible 654:endpaper 576:Postface 562:Colophon 522:Glossary 448:Epilogue 442:Purpose 398:) into " 396:citation 370:initials 290:Prologue 235:Foreword 204:Epigraph 138:endpaper 118:Purpose 5156:Commons 5128:studies 5073:history 5041:student 5026:classic 5014:Design 4928:.design 4856:Graphex 4558:science 4548:pattern 4543:methods 4518:culture 4501:Design 4312:Modular 4165:Diffuse 4086:Closure 3808:Ceramic 3466:Signage 3349:Outline 3122:Hinting 2999:Pangram 2817:Insular 2790:Rotunda 2785:Fraktur 2750:Antiqua 2636:Kerning 2605:Oblique 2600:Italics 2547:Initial 2479:Dingbat 2469:Counter 2415:Leading 2289:Imprint 2279:Binding 2274:Folding 2185:Editing 2177:royalty 2086:Pop-ups 2066:Endband 1877:Preface 1799:Marbled 1766:Leather 1751:Buckram 1648:Initial 1606:Scholia 1222:Sources 1201:9 April 1165:, 1985. 915:Imprint 878:margins 743:Binding 658:flyleaf 357:titles. 340:Volumes 321:Initial 249:Preface 66:). The 5133:studio 5118:review 5098:museum 5021:change 4829:Awards 4702:Sketch 4687:Mockup 4667:CAutoD 4608:Awards 4573:theory 4563:sprint 4538:marker 4503:choice 3877:& 3875:design 3711:design 3619:design 3501:design 3419:Motion 3381:design 3338:Design 3165:Arabic 3064:Cicero 2902:Hyphen 2887:Bullet 2848:script 2822:Uncial 2755:Didone 2519:Tittle 2362:Margin 2352:Column 2231:Design 2173:rights 2008:Errata 1695:Rubric 1665:Margin 1633:Header 1628:Footer 1623:Column 1492:  1471:  1450:  1425:  1362:  1341:  1317:  1298:  1275:  1256:  1237:  1126:  800:Pop-up 697:titles 676:, and 639:author 591:Author 587:Author 540:Author 526:Author 513:Author 490:Author 400:verses 364:units. 350:parts. 281:Author 267:Author 253:Author 208:Author 195:Author 136:or an 44:design 40:format 5016:brief 4903:Agile 4622:Tools 4599:Tools 4237:For X 3873:Other 3792:Other 3089:Point 3059:Agate 2919:Space 2745:Serif 2646:Pitch 2509:Swash 2484:Glyph 2425:River 2003:Index 1971:Outro 1929:Parts 1596:Gloss 874:spine 859:spine 850:recto 844:verso 759:stiff 689:spine 635:title 622:spine 549:Index 461:Outro 439:Voice 392:Bible 134:verso 115:Voice 80:recto 76:verso 72:folio 70:, or 5093:load 5088:life 5068:firm 4655:CAID 4523:flow 4439:TRIZ 4327:Open 3187:Thai 3101:Twip 3084:Pica 3039:list 3019:Sort 2947:Font 2892:Dash 2878:List 2590:Bold 2440:runt 2339:Page 2144:Copy 1710:Font 1575:and 1490:ISBN 1469:ISBN 1448:ISBN 1423:ISBN 1360:ISBN 1339:ISBN 1315:ISBN 1296:ISBN 1273:ISBN 1254:ISBN 1235:ISBN 1203:2011 1124:ISBN 892:The 847:and 687:The 629:The 620:The 436:Name 422:The 387:The 112:Name 48:book 4650:CAD 4630:AAD 4407:SOD 4387:RWD 4257:HCD 3724:EED 3573:EID 1386:doi 896:or 637:or 305:). 5209:: 3074:En 3069:Em 1446:. 1382:29 1380:. 1376:. 1192:. 1118:. 1058:^ 1042:. 1004:^ 868:. 861:. 798:. 602:. 140:. 42:, 3330:e 3323:t 3316:v 2880:) 2876:( 2323:e 2316:t 2309:v 2130:e 2123:t 2116:v 1557:e 1550:t 1543:v 1498:. 1477:. 1456:. 1431:. 1401:. 1392:. 1388:: 1347:. 1323:. 1304:. 1281:. 1262:. 1243:. 1205:. 1178:. 1132:. 1052:. 1028:. 1016:. 999:. 987:. 419:. 406:. 31:)

Index


Hans Holbein the Younger
treasure binding
format
design
book
Jan Tschichold
blind folio
page number
folio
verso
recto
paratexts
Roman numerals
Half title
verso
endpaper
Frontispiece
Title page
Copyright page
Edition notice
Dedication
Epigraph
literary canon
Table of contents
Foreword
Preface
Acknowledgments
Introduction
Prologue

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