114:(i, ii, iii, iv, v, etc.), which obviates renumbering the remainder of a book when front matter content is added at the last moment, such as a dedication page or additional acknowledgments. Page number is omitted on blank pages and display pages (i.e., such stand-alone pages as those for the half title, frontispiece, title page, colophon, dedication, and epigraph), and it is either omitted or a drop folio is used on the opening page of each section of the front matter (e.g., table of contents, foreword, preface). Front matter generally appears only in the first of a multi-volume work, although some elements (such as a table of contents or index) may appear in each volume. It can get in the way of reading a book for even the most devoted fans of an author.
328:
31:
837:
383:. Arabic numbering starts at this first page. If the text is introduced by a second half title or opens with a part title, the half title or part title counts as page one. As in the front matter, page numbers are omitted on blank pages, and are either omitted or a drop folio is used on the opening page of each part and chapter. On pages containing only illustrations or tables, page numbers are usually omitted, except in the case of a long sequence of figures or tables.
3303:
628:
65:(1902–1974), book design, "though largely forgotten today, methods and rules upon which it is impossible to improve, have been developed over centuries. To produce perfect books, these rules have to be brought back to life and applied". Richard Hendel describes book design as "an arcane subject", and refers to the need for a context to understand what that means.
1733:
405:(usually bound as a single volume) comprises two "testaments" (which might more typically be described as "parts", and differ in length by a factor of three or four), each containing dozens of books of varying lengths. In turn, each book (except for the shortest) contains multiple chapters, which are traditionally divided (for purposes of
725:
oriented left-to-right on the spine. This practice is reflected in the industry standards ANSI/NISO Z39.41 and ISO 6357., but "... lack of agreement in the matter persisted among
English-speaking countries as late as the middle of the twentieth century, when books bound in Britain still tended to have their titles read up the spine ...".
788:
pocketbooks. These paperbacks are smaller than usual—small enough to barely fit into a pocket (especially the back pocket of one's trousers). However, this capacity to fit into a pocket diminishes with increasing number of pages and increasing thickness of the book. Such a book may still be designated as a pocketbook.
813:
elements and fold-out pages may be used to add dimensions to the page in different ways. Children's books commonly incorporate a wide array of design features built into the fabric of the book. Some books for preschoolers include textured fabric, plastic on other materials. Die-cut techniques in the
739:
In many continental
European and Latin American countries, the spine text, when the book is standing upright, runs from the bottom up, so the title can be read by tilting the head to the left. This allows the reader to read spines of books shelved in alphabetical order in accordance to the usual way
713:
In languages with
Chinese-influenced writing systems, the title is written top-to-bottom. In languages written from left to right, the spine text can be pillar (one letter per line), transverse (text line perpendicular to long edge of spine) and along spine. Conventions differ about the direction in
635:
of the book is an important aspect in book design, especially in the cover design. When the books are stacked up or stored in a shelf, the details on the spine is the only visible surface that contains the information about the book. In a book store, it is often the details on the spine that attract
142:
A mostly-blank page at the front of the book block which precedes the title page and contains only the title (omitting the subtitle, author, publisher, etc. found on the full title page) and occasionally includes some slight ornamentation. The title traditionally appears on the page as a single line
253:
Often, a foreword will tell of some interaction between the writer of the foreword and the writer of the story, or a personal reaction and significance the story elicited. A foreword to later editions of a work often describes the work's historical context and explains in what respects the current
239:
This is a list of chapter headings and sometimes nested subheadings, together with their respective page numbers. This includes all front matter items listed below, together with chapters in the body matter and back matter. The number of levels of subheadings shown should be limited, so as to keep
164:
A decorative illustration on the verso facing the title page. It may be an image related to the book's subject or a portrait of the author. Frontispieces have become less common, with a list of the author's previous works or other titles in a multi-author series frequently taking the place of the
724:
In texts published or printed in the United States, the United
Kingdom, the Commonwealth, Scandinavia and the Netherlands, the spine text, when the book is standing upright, runs from the top to the bottom. This means that when the book is lying flat with the front cover upwards, the title is
787:
books (sometimes called softback or softcover). Most paperbacks are bound with paper or light cardboard, though other materials (such as plastic) are used. The covers are flexible and usually bound to the pages using glue (perfect binding). Some small paperback books are sub-classified as
178:
Repeats the title and author as printed on the cover or spine, often using typographic elements carried over from either the cover design or from the rest of the book's interior. Title pages may also include the publisher's logo accompanied by the city and/or year of publication.
800:
to help find material quickly. Gold leaf may also be applied to the edges of the pages, so that when closed, the side, top, and bottom of the book have a golden color. On some books, a design may be printed on the edges, or marbling or a simple colour applied. Some
367:
A chapter or section may be contained within a part or a book. When both chapters and sections are used in the same work, the sections are more often contained within chapters than the reverse. Chapters and sections may have intertitles, also known as internal
728:
In many continental
European countries, where the ascending system has been used in the past, the descending system has been used in recent decades, probably due to the influence of the English-speaking countries, such as Italy, Russia, Poland and elsewhere.
312:, the prologue is an opening to the story that establishes the setting and gives background details, often from some earlier or later timeframe that ties into the main one. As such, it is generally considered part of the body in modern book organization (cf.
196:) Technical information such as edition dates, copyrights, translations used, and the name and address of the publisher or printer. It usually appears in modern books on the verso of the title page, but in some books is placed at the end (see Back matter).
240:
the contents list short, ideally one page, or possibly a double-page spread. Technical books may include a list of figures and a list of tables. In French language books, the table of contents is often part of the back matter rather than the front matter.
267:
A preface is generally the author recounting the story of how the book came into being, or how the idea for the book was developed. This is often followed by thanks and acknowledgments to people who were helpful to the author during the time of writing.
360:
Single-volume works account for most of the non-academic consumer market in books. A single volume may embody either a part of a book or the whole of a book; in some works, parts encompass multiple books, while in others, books may consist of multiple
882:
The possible layout of the sets of letters of the alphabet, or words, on a page is determined by the so-called print space, and is also an element in the design of the page of the book. There must be sufficient space at the
374:
In some books the chapters are grouped into bigger parts, sometimes called modules. The numbering of the chapters can begin again at the start of every module. In educational books, especially, the chapters are often called
109:
Front matter (or preliminaries; shortened to "prelims") comprises the first section of a book, and is usually the smallest section in terms of the number of pages. Front matter pages are traditionally numbered in lower-case
1156:
580:
This brief description may be located at the end of a book or on the verso of the title page. It describes production notes relevant to the edition, such as typeface used, and may include a printer's mark or logotype.
746:
On the inside of the back cover page, extending from the facing page before it, is the endpaper. Its design matches the front endpaper and, in accordance with it, contains either plain paper or pattern, image etc.
540:
The glossary consists of a set of definitions of words of importance to the work. They are normally alphabetized. The entries may consist of places and characters, which is common for longer works of fiction.
281:
Sometimes part of the preface rather than a separate section in its own right, or sometimes placed in the back matter rather than the front, it acknowledges those who contributed to the creation of the book.
671:. Traditionally, in hand-bound books, the endpaper was just a sheet of blank or ornamented paper physically masking and reinforcing the connection between the cover and the body of the book. In modern
743:
The spine usually contains all, or some, of four elements (besides decoration, if any), and in the following order: (1) author, editor, or compiler; (2) title; (3) publisher; and (4) publisher logo.
644:
is the front of the book, and is marked appropriately by text or graphics in order to identify it as such (namely as the very beginning of the book). The front cover usually contains at least the
911:
determines the effective area on the paper of a book, journal or other press work. The print space is limited by the surrounding borders, or in other words the gutters outside the printed area.
750:
The back cover often contains biographical matter about the author or editor, and quotes from other sources praising the book. It may also contain a summary or description of the book
710:
on their spines; rather they were shelved flat with their spines inward and titles written with ink along their fore edges. Modern books display their titles on their spines.
4106:
527:
This supplemental addition to a given main work may correct errors, explain inconsistencies or otherwise detail or update the information found in the main work.
567:
This list of terms used in the text contains references, often page numbers, to where the terms can be found in the text. Most common in non-fiction books.
143:
in capital letters, but modern half title pages may be scaled-down versions of the typography from the full title page. The half title page faces a blank
2888:
1538:
2139:
395:
has three parts (either in one volume each, or in a single volume), with each part containing two books, each containing, in turn, multiple chapters.
97:. Drop folios usually appear either centered on each page or flush left verso and flush right recto. The book contains the main text and a number of
209:
A dedication page is a page in a book that precedes the text, in which the author names the person or people for whom he/she has written the book.
4787:
3262:
1892:
117:
The following table defines some common types of front matter, and the "voice" (or point of view) in which each can be said to be given:
222:
A phrase, quotation, or poem. The epigraph may serve as a preface, as a summary, as a counter-example, or to link the work to a wider
4856:
1566:
73:
Modern books are paginated consecutively, and all pages are counted in the pagination whether or not the numbers appear (see also:
1533:
4861:
2132:
1504:
1483:
1437:
1353:
1329:
1268:
3642:
2332:
478:
The conclusion to a piece of work; this is considered the opposite of the intro. This term is more commonly used in music.
379:
The first page of the actual text of a book is the opening page, which often incorporates special design features, such as
491:
An afterword generally covers the story of how the book came into being, or of how the idea for the book was developed.
4805:
3600:
1680:
4815:
1462:
1374:
1310:
1287:
1249:
1138:
327:
5046:
4665:
3339:
2125:
554:
This cites other works consulted when writing the body. It is most common in non-fiction books or research papers.
410:
868:
books) are of the same size and aspect ratio, and are centered on the gutter where they are bound together at the
780:) covered in cloth, leather, or other materials. The binding is usually sewn to the pages using string stitching.
675:
it can be either plain, as in many text-oriented books, or variously ornamented and illustrated in books such as
30:
1050:
466:
This piece of writing at the end of a work of literature or drama is usually used to bring closure to the work.
4810:
4168:
2261:
1527:
962:
273:
4881:
4434:
3957:
3534:
3524:
3257:
1648:
1521:
764:
Books are classified under two categories according to the physical nature of their binding. The designation
17:
4687:
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4392:
4232:
3667:
3583:
3556:
3142:
3104:
1559:
3984:
3546:
3288:
2357:
1623:
1365:
876:
841:
5179:
1541:
virtual exhibition of the German Museum of Books and
Writing, i.a. with a thematic module on book design
5051:
4913:
4825:
4195:
3734:
2868:
5008:
4677:
4292:
4287:
4217:
3962:
3947:
3758:
3674:
2514:
1751:
546:
5228:
5013:
4770:
4682:
4444:
4158:
4131:
4061:
3922:
3778:
3689:
3563:
3272:
3089:
2760:
2697:
2402:
2325:
2091:
35:
5165:
4978:
4943:
4871:
4830:
4782:
4640:
4459:
4417:
4382:
4362:
4126:
1867:
1552:
695:
and immediacy is especially important and publishing tradition and formality are less important.
313:
201:
5193:
4498:
4367:
4332:
3783:
3684:
3657:
3595:
2717:
2440:
1897:
1653:
865:
610:
93:. The folio may also be printed at the bottom of the page, and in that location it is called a
1153:
354:
A set of leaves bound together. Thus each work is either a volume, or is divided into volumes.
4963:
4846:
4660:
4466:
4439:
4429:
4397:
4387:
4352:
4267:
4212:
4207:
4190:
4136:
3974:
3927:
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3573:
3429:
3192:
2692:
2687:
2600:
2587:
2420:
2181:
2171:
2023:
1872:
572:
391:
347:
The structure of a work—and especially of its body matter—is often described hierarchically.
214:
5223:
5133:
4988:
4948:
4702:
4655:
4476:
4424:
4347:
4337:
4237:
4200:
4180:
4111:
4101:
3509:
3499:
3456:
3434:
3389:
3332:
2984:
2625:
2479:
2299:
2210:
2205:
1943:
1130:
1127:
Integrating
Reading and the Other Language Arts: Foundations of a Whole Language Curriculum
925:
891:
of the page, which frame the book, are made of the appropriate size for both practical and
309:
287:
8:
4928:
4851:
4760:
4645:
4493:
4471:
4377:
4357:
4222:
4081:
4066:
3979:
3746:
3699:
3480:
3306:
3267:
3180:
3074:
2929:
2907:
2897:
2765:
2372:
2362:
2318:
1675:
1663:
1633:
967:
888:
884:
699:
632:
5041:
4993:
4968:
4407:
4242:
4227:
4086:
3902:
3773:
3719:
3451:
3230:
3157:
3137:
3127:
3099:
3069:
3029:
2656:
2519:
2504:
2445:
2435:
2246:
2215:
2086:
2081:
2013:
1606:
806:
707:
559:
414:
3152:
1299:
5148:
5118:
4923:
4876:
4732:
4722:
4543:
4538:
4533:
4503:
4342:
4327:
4282:
4272:
4257:
4252:
4185:
4121:
4116:
4019:
3854:
3751:
3729:
3679:
3637:
3627:
3541:
3419:
3359:
3175:
3094:
3049:
2979:
2450:
2154:
1971:
1935:
1907:
1877:
1837:
1668:
1601:
1500:
1479:
1458:
1433:
1370:
1349:
1325:
1306:
1283:
1264:
1245:
1134:
852:
A basic unit in book design is the page spread. The left page and right page (called
819:
684:
231:
156:
5123:
5088:
5063:
4776:
4750:
4712:
4518:
4454:
4402:
4307:
4297:
4277:
4163:
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4071:
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3897:
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3014:
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2800:
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2471:
1791:
1396:
802:
609:
of the author, sometimes accompanied by a photograph of them. It is written in the
39:
5113:
5093:
5073:
5068:
5058:
4953:
4588:
4578:
4563:
4523:
4488:
4481:
4412:
4372:
4141:
4014:
4004:
3912:
3869:
3849:
3578:
3529:
3325:
3197:
3084:
3079:
2999:
2967:
2858:
2595:
2397:
2200:
1930:
1700:
1596:
1494:
1473:
1448:
1427:
1343:
1160:
945:
660:, the cover yields all or part of its informational function to the dust jacket.
335:
295:
A beginning section which states the purpose and goals of the following writing.
223:
1385:"Judging a Book by Its Cover: Natsume SĹŤseki, Book Design, and the Value of Art"
836:
496:
5138:
5083:
5036:
5018:
4820:
4568:
4558:
4553:
4528:
4322:
4302:
4175:
4146:
4096:
4029:
3999:
3989:
3952:
3874:
3832:
3827:
3709:
3704:
3694:
3612:
3590:
3424:
3414:
3202:
3147:
3024:
2827:
2651:
2605:
2539:
2509:
2377:
2166:
1948:
1852:
1847:
1809:
1690:
1339:
935:
692:
193:
184:
111:
62:
5200:
1776:
1280:
The Book; a cover-to-cover exploration of the most powerful object of our time
5217:
5143:
5128:
5108:
5031:
4933:
4765:
4755:
4583:
4573:
4548:
4513:
4076:
4009:
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3907:
3859:
3844:
3551:
3471:
2994:
2962:
2952:
2832:
2294:
1786:
940:
887:
of the book if the text is to be visible. On the other hand, the other three
776:
ones. The binding of a hardcover book usually includes boards (often made of
688:
5186:
5172:
1993:
1528:
Binding design and paper conservation of antique books, albums and documents
5026:
5003:
4973:
4958:
4247:
3864:
3805:
3617:
3568:
3519:
3494:
3446:
3439:
3252:
3132:
3019:
3004:
2974:
2934:
2917:
2671:
2641:
2615:
2524:
2367:
2349:
2284:
2256:
2225:
2008:
1857:
1454:
950:
920:
759:
676:
663:
On the inside of the cover page, extending to the facing page is the front
653:
399:
2117:
1400:
1171:
875:
The design of each individual page, on the other hand, is governed by the
5103:
5098:
5078:
4998:
4918:
4727:
4632:
3942:
3917:
3889:
3818:
3763:
3741:
3489:
3466:
3461:
3399:
3247:
3242:
3235:
3225:
3039:
2989:
2944:
2884:
2848:
2819:
2807:
2787:
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2430:
2289:
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2220:
2106:
2096:
2033:
1766:
1756:
1710:
1643:
1638:
1583:
1020:
1018:
1016:
972:
930:
869:
831:
810:
797:
773:
657:
597:
441:, if used, normally consists of one or more of the following components:
101:
that comprise all of the additional matter that is included in the book.
78:
74:
50:
1384:
4717:
4312:
4091:
3813:
3793:
3647:
3485:
3220:
3034:
2924:
2777:
2770:
2747:
2702:
2666:
2620:
2577:
2572:
2567:
2552:
2392:
2387:
2382:
2341:
2068:
2049:
1988:
1862:
1842:
1827:
1741:
1695:
1611:
1588:
815:
777:
680:
672:
641:
508:
170:
134:
1013:
667:
sometimes referred as FEP. The free half of the end paper is called a
471:
85:, may be found at the top or the bottom of the page, often flush left
4983:
4707:
4692:
4650:
4262:
3822:
3662:
2712:
2707:
2484:
2412:
2187:
2054:
1966:
1925:
1781:
1771:
1628:
1200:
1051:"How to Format a Book for Publishing | Top 8 tips From Best-Sellers!"
892:
784:
769:
765:
703:
691:. These books have an audience and traditions of their own where the
606:
483:
342:
1534:
The Rollo Books by Jacob Abbott: an example of first edition designs
226:, either to invite comparison, or to enlist a conventional context.
4317:
3364:
3185:
3044:
2863:
2736:
2722:
2547:
2499:
2279:
2101:
2028:
2003:
1981:
1976:
1902:
1882:
1801:
1715:
1205:
1125:
Stice, Carole F.; Bertrand, John E.; Bertrand, Nancy Parks (1995).
818:
are one example. Clear or reflective surfaces, flaps, textiles and
664:
586:
532:
519:
458:
427:
406:
300:
245:
148:
98:
4938:
4866:
4606:
3476:
3009:
2795:
2646:
2557:
2489:
2425:
2195:
2076:
2018:
1998:
1887:
1761:
1685:
1658:
1616:
380:
331:
259:
27:
Styling, formatting and designing the layout of a book's contents
4697:
3348:
2912:
2529:
1705:
649:
54:
1544:
3409:
2755:
2494:
2462:
2310:
1369:(15th ed.), Chicago, Ill.: University of Chicago Press,
860:
854:
645:
402:
144:
90:
86:
82:
627:
4449:
3111:
2957:
2902:
1720:
1362:
1345:
The Form of the Book: Essays on the
Morality of Good Design
1024:
61:
into a coherent unit. In the words of renowned typographer
58:
57:, and sequence of the various components and elements of a
702:
is the vertical edge of a book as it normally stands on a
3317:
1106:
1094:
1082:
1732:
1072:
1070:
1124:
989:
796:
Some books such as Bibles or dictionaries may have a
622:
1478:(3rd ed.). New York: W. W. Norton and Company.
1180:
1067:
1432:(19th ed.). Memphis, TN: International Paper.
1154:
1496:The Book of Books: 500 Years of Graphic Innovation
1298:
1030:
1001:
783:A less expensive binding method is that used for
5215:
619:Arabic numbering continues for the back matter.
49:is the art of incorporating the content, style,
1446:
1429:Pocket Pal: A Graphic Arts Production Handbook
656:. When the book has a soft or hard cover with
3333:
3263:Intellectual property protection of typefaces
2326:
2133:
1958:
1560:
334:on the opening page of a book printed by the
2805:
1407:
1174:Spine titles on books and other publications
714:which the title along the spine is rotated:
683:and hobbyist books, novelty/gift-market and
386:The following are two instructive examples:
2147:
2059:
421:
3340:
3326:
2333:
2319:
2140:
2126:
1567:
1553:
1522:Dutch Art Nouveau and Art Deco Book Design
1338:
995:
3289:Punctuation and other typographic symbols
1244:. Cambridge: Cambridge University Press.
463:The narrator (or a character in the book)
4857:Good Design Award (Museum of Modern Art)
1296:
1242:Paratexts; threasholds of interpretation
1186:
835:
626:
326:
29:
1475:Bookmaking: Editing, Design, Production
1277:
1239:
1198:
1192:
1112:
1100:
1088:
1076:
1036:
14:
5216:
1492:
1447:Hochuli, Jost; Kinross, Robin (1996).
1389:Review of Japanese Culture and Society
1382:
1319:
1258:
1048:
1007:
4902:
4862:Good Design Award (Chicago Athenaeum)
4605:
4050:
3377:
3321:
2314:
2121:
1548:
1425:
1410:Nieuwe berekening voor de vormgeving
488:The author, or some other real person
305:Narrator (or a character in the book)
1450:Designing books: practice and theory
1363:University of Chicago Press (2003),
679:, other children's literature, some
254:edition differs from previous ones.
1471:
1383:Bassoe, Pedro Thiago Ramos (2017).
1199:Drösser, Christoph (9 April 2011).
768:(or hardback) refers to books with
24:
4903:
4806:American Institute of Graphic Arts
1418:
1282:. New York, London: W. W. Norton.
623:Front cover, spine, and back cover
25:
5240:
4816:Design and Industries Association
1819:
1515:
842:J. A. van de Graaf's construction
740:left-to-right and top-to-bottom.
250:Some person other than the author
3302:
3301:
1917:
1731:
1025:University of Chicago Press 2003
3378:
1574:
1220:
1165:
1147:
1118:
652:, with possibly an appropriate
104:
38:for a metalwork book cover (or
4811:Chartered Society of Designers
4051:
2340:
1042:
898:
825:
791:
413:" each containing roughly one
322:
308:Usually present in fiction or
13:
1:
4882:Prince Philip Designers Prize
3525:Architectural lighting design
3258:History of Western typography
978:
822:are other possible features.
4688:Electronic design automation
4671:Virtual home design software
3643:Automotive suspension design
3105:traditional point-size names
1408:Van de Graaf, J. A. (1946).
983:
68:
7:
3547:Environmental impact design
2358:Canons of page construction
2262:List of proofreader's marks
1624:Canons of page construction
1366:The Chicago Manual of Style
1322:Appealing Book Cover Design
963:Interactive children's book
914:
877:canons of page construction
719:top-to-bottom (descending):
706:. Early books did not have
10:
5245:
4826:International Forum Design
4196:Engineering design process
3347:
1539:"Signs – Books – Networks"
1530:(archived 3 December 2013)
1426:Bruno, Michael H. (2007).
1232:
1049:Foster, Zoe (2023-09-04).
829:
805:go even further, by using
757:
753:
734:bottom-to-top (ascending):
605:A brief, single page-long
425:
340:
5161:
4909:
4898:
4839:
4798:
4741:
4631:
4627:
4601:
4057:
4046:
3948:Integrated circuit design
3883:
3870:Stage/set lighting design
3802:
3759:Hardware interface design
3718:
3675:Hardware interface design
3626:
3508:
3388:
3384:
3373:
3355:
3297:
3281:
3213:
3166:
3120:
3060:
2943:
2883:
2841:
2818:
2786:
2746:
2735:
2680:
2634:
2586:
2538:
2515:Subscript and superscript
2470:
2461:
2411:
2348:
2272:
2234:
2153:
2042:
1957:
1916:
1818:
1800:
1752:Anthropodermic bibliopegy
1740:
1729:
1582:
1324:. Yale University Press.
1301:The Book on the Bookshelf
1263:. Yale University Press.
1055:Barnett Ghostwriting Blog
4783:Industrial design rights
4771:Fashion design copyright
4683:Design quality indicator
4132:Creative problem-solving
3923:Electrical system design
3779:Sonic interaction design
3690:Photographic lens design
3564:Healthy community design
3273:Vox-ATypI classification
2403:Intentionally blank page
2092:Intentionally blank page
1493:Lommen, Mathieu (2012).
1297:Petroski, Henry (1999).
1259:Hendel, Richard (1998).
1240:Genette, Gerard (1997).
1159:14 November 2008 at the
848:) and margin proportions
844:of classical text area (
426:Not to be confused with
422:Back matter (end matter)
36:Hans Holbein the Younger
4979:New product development
4944:Enterprise architecture
4872:IF Product Design Award
4831:Design Research Society
4383:Reliability engineering
2148:Book publishing process
1499:. Thames & Hudson.
1348:. Hartley & Marks.
1278:Houston, Keith (2016).
314:Chicago Manual of Style
4435:Top-down and bottom-up
3784:User experience design
3685:Packaging and labeling
3658:Electric guitar design
3596:Landscape architecture
2806:
2060:
1524:(archived 26 May 2013)
1472:Lee, Marshall (2004).
1201:"Linksdrehende BĂĽcher"
866:left-to-right language
849:
772:covers, as opposed to
637:
611:third-person narrative
338:
43:
4964:Innovation management
4847:European Design Award
4613:Intellectual property
4430:Theory of constraints
4393:Responsibility-driven
4233:For manufacturability
4137:Creativity techniques
3975:Nuclear weapon design
3789:User interface design
3653:Corrugated box design
3574:Interior architecture
2182:intellectual property
1401:10.1353/roj.2017.0011
1320:Taylor, Eric (2008).
839:
630:
392:The Lord of the Rings
364:Chapters and sections
330:
189:Publisher and printer
33:
5009:Unintelligent design
4989:Philosophy of design
4703:Design specification
4656:Comprehensive layout
4228:For behaviour change
4201:Probabilistic design
3963:Power network design
3500:Visual merchandising
3457:Instructional design
3435:Postage stamp design
3143:Typographic features
2211:Developmental editor
2206:Commissioning editor
2178:Contract negotiation
1131:Wadsworth Publishing
957:Other types of books
636:the attention first.
520:Appendix or Addendum
310:narrative nonfiction
4929:Creative industries
4852:German Design Award
4761:Design infringement
4646:Architectural model
3985:Organization design
3980:Nucleic acid design
3928:Experimental design
3481:Traffic sign design
3268:Technical lettering
3167:Typography in other
2908:Hanging punctuation
2190:rates, format, etc.
1305:. Alfred A. Knopf.
968:Interactive fiction
161:Author or publisher
4994:Process simulation
4969:Intelligent design
4293:Intelligence-based
4288:Integrated topside
4218:Framework-oriented
3903:Behavioural design
3774:Information design
3452:Information design
3231:Handwriting script
3158:Desktop publishing
3128:Character encoding
3121:Digital typography
2635:Horizontal aspects
2588:Visual distinction
2446:Widows and orphans
2172:Publisher's reader
2087:Fore-edge painting
2082:Extra-illustration
1115:, p. 329-331.
1103:, p. 294-318.
1091:, p. 144-160.
850:
807:fore-edge painting
685:coffee table books
638:
415:independent clause
339:
44:
5211:
5210:
5157:
5156:
4924:Conceptual design
4894:
4893:
4890:
4889:
4877:James Dyson Award
4733:Website wireframe
4723:Technical drawing
4597:
4596:
4445:Transgenerational
4186:Ecological design
4062:Activity-centered
4042:
4041:
4038:
4037:
4020:Spacecraft design
3814:Public art design
3752:Video game design
3730:Experience design
3700:Production design
3680:Motorcycle design
3638:Automotive design
3542:Ecological design
3420:Film title design
3315:
3314:
3062:Typographic units
2980:For position only
2879:
2878:
2731:
2730:
2308:
2307:
2115:
2114:
1994:Addendum/Appendix
1878:Table of contents
1506:978-0-500-51591-4
1485:978-0-393-73018-0
1439:978-0-9772716-1-0
1355:978-0-88179-116-7
1331:978-0-300-07570-0
1270:978-0-300-07570-0
1226:Van de Graaf 1946
864:respectively, in
840:Page spread with
820:scratch-and-sniff
617:
616:
371:Modules and units
320:
319:
232:Table of contents
16:(Redirected from
5236:
5203:
5196:
5189:
5182:
5175:
5168:
4900:
4899:
4777:Geschmacksmuster
4751:Community design
4629:
4628:
4603:
4602:
4363:Process-centered
4159:Design–bid–build
4127:Cradle-to-cradle
4107:Concept-oriented
4048:
4047:
4025:Strategic design
3995:Processor design
3970:Mechanism design
3938:Geometric design
3898:Algorithm design
3838:Jewellery design
3769:Immersive design
3663:Furniture design
3608:Landscape design
3386:
3385:
3375:
3374:
3342:
3335:
3328:
3319:
3318:
3305:
3304:
3282:Related template
3214:Related articles
3015:Phototypesetting
2869:reverse-contrast
2854:Display typeface
2811:
2788:Blackletter type
2744:
2743:
2681:Vertical aspects
2662:Sentence spacing
2472:Typeface anatomy
2468:
2467:
2335:
2328:
2321:
2312:
2311:
2142:
2135:
2128:
2119:
2118:
2063:
1792:Treasure binding
1735:
1569:
1562:
1555:
1546:
1545:
1510:
1489:
1468:
1443:
1413:
1404:
1379:
1359:
1335:
1316:
1304:
1293:
1274:
1255:
1227:
1224:
1218:
1217:
1215:
1213:
1196:
1190:
1184:
1178:
1169:
1163:
1151:
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1144:
1122:
1116:
1110:
1104:
1098:
1092:
1086:
1080:
1074:
1065:
1064:
1062:
1061:
1046:
1040:
1034:
1028:
1022:
1011:
1005:
999:
993:
444:
443:
437:, also known as
120:
119:
40:treasure binding
21:
5244:
5243:
5239:
5238:
5237:
5235:
5234:
5233:
5229:Book publishing
5214:
5213:
5212:
5207:
5201:
5194:
5187:
5180:
5173:
5166:
5153:
4954:Futures studies
4905:
4886:
4835:
4794:
4743:
4737:
4623:
4622:
4593:
4499:Value sensitive
4489:User innovation
4368:Public interest
4333:Object-oriented
4053:
4034:
4015:Software design
4005:Research design
3958:Physical design
3913:Database design
3887:
3885:
3879:
3855:Property design
3850:Game art design
3804:
3798:
3721:
3714:
3629:
3622:
3579:Interior design
3530:Building design
3511:
3504:
3391:
3380:
3369:
3351:
3346:
3316:
3311:
3293:
3277:
3209:
3169:writing systems
3168:
3162:
3116:
3056:
3000:Microtypography
2939:
2875:
2837:
2814:
2782:
2739:classifications
2738:
2727:
2676:
2630:
2596:Blackboard bold
2582:
2534:
2457:
2407:
2398:Recto and verso
2344:
2339:
2309:
2304:
2273:Book production
2268:
2230:
2216:Authors' editor
2201:Literary editor
2149:
2146:
2116:
2111:
2038:
1953:
1949:Tipped-in pages
1912:
1893:Acknowledgments
1814:
1796:
1743:
1736:
1727:
1701:Recto and verso
1587:
1578:
1573:
1518:
1513:
1507:
1486:
1465:
1440:
1421:
1419:Further reading
1416:
1377:
1356:
1340:Tschichold, Jan
1332:
1313:
1290:
1271:
1252:
1235:
1230:
1225:
1221:
1211:
1209:
1197:
1193:
1185:
1181:
1170:
1166:
1161:Wayback Machine
1152:
1148:
1141:
1133:. p. 490.
1123:
1119:
1111:
1107:
1099:
1095:
1087:
1083:
1075:
1068:
1059:
1057:
1047:
1043:
1035:
1031:
1023:
1014:
1006:
1002:
996:Tschichold 1991
994:
990:
986:
981:
946:Recto and verso
917:
901:
834:
828:
794:
762:
756:
625:
431:
424:
357:Books and parts
345:
336:Kelmscott Press
325:
274:Acknowledgments
192:(Also known as
107:
71:
28:
23:
22:
15:
12:
11:
5:
5242:
5232:
5231:
5226:
5209:
5208:
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5198:
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5096:
5091:
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5076:
5071:
5066:
5061:
5056:
5055:
5054:
5049:
5039:
5034:
5029:
5022:
5021:
5019:Wicked problem
5016:
5011:
5006:
5001:
4996:
4991:
4986:
4981:
4976:
4971:
4966:
4961:
4956:
4951:
4946:
4941:
4936:
4931:
4926:
4921:
4916:
4910:
4907:
4906:
4904:Related topics
4896:
4895:
4892:
4891:
4888:
4887:
4885:
4884:
4879:
4874:
4869:
4864:
4859:
4854:
4849:
4843:
4841:
4837:
4836:
4834:
4833:
4828:
4823:
4821:Design Council
4818:
4813:
4808:
4802:
4800:
4796:
4795:
4793:
4792:
4791:
4790:
4788:European Union
4780:
4773:
4768:
4763:
4758:
4753:
4747:
4745:
4739:
4738:
4736:
4735:
4730:
4725:
4720:
4715:
4710:
4705:
4700:
4695:
4690:
4685:
4680:
4675:
4674:
4673:
4668:
4658:
4653:
4648:
4643:
4637:
4635:
4625:
4624:
4621:
4620:
4617:
4614:
4611:
4607:
4599:
4598:
4595:
4594:
4592:
4591:
4586:
4581:
4576:
4571:
4566:
4561:
4556:
4551:
4546:
4541:
4536:
4531:
4526:
4521:
4516:
4509:
4508:
4507:
4506:
4496:
4491:
4486:
4485:
4484:
4474:
4469:
4467:Usage-centered
4464:
4463:
4462:
4460:Design for All
4452:
4447:
4442:
4440:Transformation
4437:
4432:
4427:
4422:
4421:
4420:
4410:
4405:
4400:
4395:
4390:
4388:Research-based
4385:
4380:
4375:
4370:
4365:
4360:
4355:
4353:Platform-based
4350:
4345:
4340:
4335:
4330:
4325:
4320:
4315:
4310:
4305:
4303:KISS principle
4300:
4295:
4290:
4285:
4280:
4275:
4270:
4265:
4260:
4255:
4250:
4245:
4240:
4235:
4230:
4225:
4220:
4215:
4213:Fault-tolerant
4210:
4208:Error-tolerant
4205:
4204:
4203:
4193:
4191:Energy neutral
4188:
4183:
4178:
4173:
4172:
4171:
4161:
4156:
4151:
4150:
4149:
4147:Design fiction
4139:
4134:
4129:
4124:
4119:
4114:
4109:
4104:
4099:
4094:
4089:
4084:
4079:
4074:
4069:
4064:
4058:
4055:
4054:
4044:
4043:
4040:
4039:
4036:
4035:
4033:
4032:
4030:Systems design
4027:
4022:
4017:
4012:
4007:
4002:
4000:Protein design
3997:
3992:
3990:Process design
3987:
3982:
3977:
3972:
3967:
3966:
3965:
3960:
3955:
3953:Circuit design
3945:
3940:
3935:
3930:
3925:
3920:
3915:
3910:
3905:
3900:
3894:
3892:
3881:
3880:
3878:
3877:
3875:Textile design
3872:
3867:
3862:
3857:
3852:
3847:
3842:
3841:
3840:
3835:
3833:Costume design
3828:Fashion design
3825:
3816:
3810:
3808:
3800:
3799:
3797:
3796:
3791:
3786:
3781:
3776:
3771:
3766:
3761:
3756:
3755:
3754:
3749:
3739:
3738:
3737:
3726:
3724:
3716:
3715:
3713:
3712:
3710:Service design
3707:
3705:Sensory design
3702:
3697:
3695:Product design
3692:
3687:
3682:
3677:
3672:
3671:
3670:
3660:
3655:
3650:
3645:
3640:
3634:
3632:
3624:
3623:
3621:
3620:
3615:
3613:Spatial design
3610:
3605:
3604:
3603:
3593:
3591:Keyline design
3588:
3587:
3586:
3576:
3571:
3566:
3561:
3560:
3559:
3557:Computer-aided
3549:
3544:
3539:
3538:
3537:
3527:
3522:
3516:
3514:
3506:
3505:
3503:
3502:
3497:
3492:
3483:
3474:
3469:
3464:
3459:
3454:
3449:
3444:
3443:
3442:
3437:
3432:
3425:Graphic design
3422:
3417:
3415:Exhibit design
3412:
3407:
3402:
3396:
3394:
3382:
3381:
3371:
3370:
3368:
3367:
3362:
3356:
3353:
3352:
3345:
3344:
3337:
3330:
3322:
3313:
3312:
3310:
3309:
3298:
3295:
3294:
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3285:
3283:
3279:
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3260:
3255:
3250:
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3240:
3239:
3238:
3233:
3228:
3217:
3215:
3211:
3210:
3208:
3207:
3206:
3205:
3203:National Fonts
3195:
3190:
3189:
3188:
3178:
3172:
3170:
3164:
3163:
3161:
3160:
3155:
3150:
3148:Web typography
3145:
3140:
3135:
3130:
3124:
3122:
3118:
3117:
3115:
3114:
3109:
3108:
3107:
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3064:
3058:
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3052:
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3025:Reversing type
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2659:
2654:
2652:Letter-spacing
2649:
2644:
2638:
2636:
2632:
2631:
2629:
2628:
2623:
2618:
2613:
2608:
2606:Color printing
2603:
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2584:
2583:
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2580:
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2540:Capitalization
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2378:Page numbering
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4238:For Six Sigma
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1187:Petroski 1999
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18:Book designer
5004:STEAM fields
4974:Lean startup
4959:Indie design
4775:
4742:Intellectual
4494:Value-driven
4472:Use-centered
4378:Regenerative
4358:Policy-based
4318:Mind mapping
4223:For assembly
4164:Design–build
4082:By committee
4067:Adaptive web
3865:Sound design
3823:glass design
3821: /
3806:applied arts
3747:Level design
3618:Urban design
3569:Hotel design
3520:Architecture
3495:Video design
3488: /
3479: /
3447:Illustration
3440:Print design
3410:Brand design
3404:
3253:Type foundry
3090:Metric units
3020:Punchcutting
3005:Movable type
2975:Font catalog
2935:Vertical bar
2672:Word spacing
2642:Figure space
2525:Text figures
2368:Even working
2241:
2226:Copy editing
2009:Bibliography
1898:Introduction
1858:Nihil obstat
1838:Frontispiece
1820:Front matter
1654:Illumination
1575:
1495:
1474:
1455:Hyphen Press
1449:
1428:
1409:
1392:
1388:
1364:
1344:
1321:
1300:
1279:
1260:
1241:
1222:
1210:. Retrieved
1204:
1194:
1182:
1173:
1167:
1149:
1126:
1120:
1113:Houston 2016
1108:
1101:Genette 1997
1096:
1089:Genette 1997
1084:
1077:Genette 1997
1058:. Retrieved
1054:
1044:
1037:Genette 1997
1032:
1003:
991:
951:Page (paper)
921:Galley proof
908:
904:
902:
881:
874:
859:
853:
851:
845:
795:
782:
763:
760:Book binding
749:
745:
742:
738:
733:
727:
723:
718:
712:
697:
668:
662:
654:illustration
639:
618:
547:Bibliography
438:
434:
432:
390:
385:
378:
346:
288:Introduction
157:Frontispiece
116:
108:
105:Front matter
94:
72:
46:
45:
5224:Book design
5042:competition
4999:Slow design
4949:Form factor
4919:Concept art
4728:HTML editor
4408:Sustainable
4243:For testing
4087:By contract
3943:Work design
3918:Drug design
3890:engineering
3764:Icon design
3742:Game design
3720:Interaction
3668:Sustainable
3601:Sustainable
3490:Type design
3467:Photography
3462:News design
3405:Book design
3400:Advertising
3379:Disciplines
3248:Type design
3243:Style guide
3236:Calligraphy
3226:Handwriting
3040:Type design
2990:Lorem ipsum
2985:Letterpress
2945:Typesetting
2885:Punctuation
2849:Record type
2820:Gaelic type
2808:Schwabacher
2698:Body height
2563:Letter case
2431:Line length
2252:Typesetting
2221:Book editor
2157:preparation
2107:Thumb index
2073:Die-cutting
2034:Author page
1959:Back matter
1918:Body matter
1767:Dust jacket
1757:Bookbinding
1744:back covers
1711:Rubrication
1664:Historiated
1584:Page layout
1576:Book design
1395:: 159–174.
1008:Hendel 1998
973:Pop-up book
931:Letterpress
905:print space
899:Print space
846:print space
832:Page layout
826:Page spread
798:thumb index
792:Other items
658:dust jacket
642:front cover
435:back matter
323:Body matter
79:page number
75:blind folio
47:Book design
5218:Categories
5202:Wiktionary
5195:Wikisource
5149:technology
5119:principles
4718:Storyboard
4544:management
4539:leadership
4504:Privacy by
4343:Parametric
4313:Metadesign
4283:Integrated
4273:High-level
4258:Generative
4253:Functional
4122:Continuous
4117:Contextual
4092:C-K theory
4052:Approaches
3794:Web design
3648:CMF design
3628:Industrial
3486:Typography
3221:Penmanship
3193:East Asian
3035:Type color
2968:monospaced
2925:Interpunct
2918:minus sign
2842:Specialist
2778:Sans-serif
2771:slab serif
2748:Roman type
2703:Cap height
2667:Thin space
2626:Whitespace
2578:Title case
2573:Snake case
2568:Small caps
2553:Camel case
2485:Diacritics
2393:Pull quote
2388:Pagination
2383:Paper size
2342:Typography
2163:Submission
2069:Book rhyme
2050:Book curse
1989:Postscript
1972:Conclusion
1868:Dedication
1863:Imprimatur
1843:Title page
1828:Half-title
1742:Front and
1696:Pull quote
1597:Annotation
1589:typography
1453:. London:
1060:2023-10-16
979:References
830:See also:
816:Eric Carle
778:paperboard
673:publishing
509:Postscript
497:Conclusion
439:end matter
202:Dedication
171:Title page
135:Half title
95:drop folio
34:Design by
5188:Wikiquote
5174:Wikibooks
5124:rationale
5089:knowledge
5064:education
4984:OODA loop
4708:Prototype
4693:Flowchart
4651:Blueprint
4519:computing
4455:Universal
4403:Safe-life
4308:Low-level
4298:Iterative
4278:Inclusive
4263:Geodesign
4154:Defensive
4102:Co-design
4072:Affective
2718:Overshoot
2713:Mean line
2708:Descender
2621:Underline
2463:Character
2441:Runaround
2421:Alignment
2413:Paragraph
2061:ex-librīs
2055:Bookplate
1967:Afterword
1926:Body text
1802:Endpapers
1782:Paperback
1772:Hardcover
1681:Miniature
1669:Inhabited
1649:Headpiece
1629:Catchword
1172:ISO 6357
984:Citations
909:type area
895:reasons.
893:aesthetic
785:paperback
766:hardcover
704:bookshelf
607:biography
577:Publisher
564:Publisher
484:Afterword
428:endpapers
400:Christian
343:Body text
236:Publisher
175:Publisher
139:Publisher
99:paratexts
69:Structure
5181:Wikinews
5114:paradigm
5094:language
5074:engineer
5069:elements
5059:director
4744:property
4589:thinking
4579:strategy
4564:research
4524:controls
4482:Empathic
4413:Systemic
4373:Rational
4328:New Wave
4142:Critical
3365:Designer
3307:Category
3186:PT Fonts
3181:Cyrillic
3045:Typeface
2963:computer
2864:fat face
2737:Typeface
2723:x-height
2693:Baseline
2688:Ascender
2548:All caps
2510:Rotation
2505:Ligature
2500:Ink trap
2295:Trimming
2280:Printing
2247:Indexing
2235:Prepress
2102:Slipcase
2029:Postface
2024:Colophon
2004:Glossary
1999:Endnotes
1977:Epilogue
1944:Sections
1931:Chapters
1903:Prologue
1883:Foreword
1873:Epigraph
1716:Typeface
1686:Ornament
1602:Footnote
1342:(1991).
1206:Die Zeit
1157:Archived
915:See also
814:work of
774:flexible
665:endpaper
587:Postface
573:Colophon
533:Glossary
459:Epilogue
453:Purpose
409:) into "
407:citation
381:initials
301:Prologue
246:Foreword
215:Epigraph
149:endpaper
129:Purpose
5167:Commons
5139:studies
5084:history
5052:student
5037:classic
5025:Design
4939:.design
4867:Graphex
4569:science
4559:pattern
4554:methods
4529:culture
4512:Design
4323:Modular
4176:Diffuse
4097:Closure
3819:Ceramic
3477:Signage
3360:Outline
3133:Hinting
3010:Pangram
2828:Insular
2801:Rotunda
2796:Fraktur
2761:Antiqua
2647:Kerning
2616:Oblique
2611:Italics
2558:Initial
2490:Dingbat
2480:Counter
2426:Leading
2300:Imprint
2290:Binding
2285:Folding
2196:Editing
2188:royalty
2097:Pop-ups
2077:Endband
1888:Preface
1810:Marbled
1777:Leather
1762:Buckram
1659:Initial
1617:Scholia
1233:Sources
1212:9 April
1176:, 1985.
926:Imprint
889:margins
754:Binding
669:flyleaf
368:titles.
351:Volumes
332:Initial
260:Preface
77:). The
5144:studio
5129:review
5109:museum
5032:change
4840:Awards
4713:Sketch
4698:Mockup
4678:CAutoD
4619:Awards
4584:theory
4574:sprint
4549:marker
4514:choice
3888:&
3886:design
3722:design
3630:design
3512:design
3430:Motion
3392:design
3349:Design
3176:Arabic
3075:Cicero
2913:Hyphen
2898:Bullet
2859:script
2833:Uncial
2766:Didone
2530:Tittle
2373:Margin
2363:Column
2242:Design
2184:rights
2019:Errata
1706:Rubric
1676:Margin
1644:Header
1639:Footer
1634:Column
1503:
1482:
1461:
1436:
1373:
1352:
1328:
1309:
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1267:
1248:
1137:
811:Pop-up
708:titles
687:, and
650:author
602:Author
598:Author
551:Author
537:Author
524:Author
501:Author
411:verses
375:units.
361:parts.
292:Author
278:Author
264:Author
219:Author
206:Author
147:or an
55:design
51:format
5027:brief
4914:Agile
4633:Tools
4610:Tools
4248:For X
3884:Other
3803:Other
3100:Point
3070:Agate
2930:Space
2756:Serif
2657:Pitch
2520:Swash
2495:Glyph
2436:River
2014:Index
1982:Outro
1940:Parts
1607:Gloss
885:spine
870:spine
861:recto
855:verso
770:stiff
700:spine
646:title
633:spine
560:Index
472:Outro
450:Voice
403:Bible
145:verso
126:Voice
91:recto
87:verso
83:folio
81:, or
5104:load
5099:life
5079:firm
4666:CAID
4534:flow
4450:TRIZ
4338:Open
3198:Thai
3112:Twip
3095:Pica
3050:list
3030:Sort
2958:Font
2903:Dash
2889:List
2601:Bold
2451:runt
2350:Page
2155:Copy
1721:Font
1586:and
1501:ISBN
1480:ISBN
1459:ISBN
1434:ISBN
1371:ISBN
1350:ISBN
1326:ISBN
1307:ISBN
1284:ISBN
1265:ISBN
1246:ISBN
1214:2011
1135:ISBN
903:The
858:and
698:The
640:The
631:The
447:Name
433:The
398:The
123:Name
59:book
4661:CAD
4641:AAD
4418:SOD
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4268:HCD
3735:EED
3584:EID
1397:doi
907:or
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430:.
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42:)
20:)
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