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Born Yesterday (1950 film)

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his business interests. Paul demurs politely but shows Billie respect and patience, using her attraction to him to stimulate her interest in world affairs. Starting with reading the daily newspaper, Paul encourages Billie to circle items she doesn’t understand. Initially Billie circles every article she attempts to read and complains that she has to look up nearly every word. They discuss the related issues and vocabulary. Blossoming under Paul's encouragement and her own hard work, Billie learns about literature, history, politics and the law, and turns out to be much smarter than she or anyone else knew.
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disapproves of a crooked deal and refuses to sign. Harry reacts violently, striking her and forcing her to sign the contracts related to his crooked deal. After consulting a dictionary during the heat of the argument, Billie calls him a "fascist"; missing the mark, the increasingly out-of-his-depth Harry counters that he doesn't belong to any organized religion. Tension grows in Billie’s and Harry’s relationship as he experiences her new questioning and independence. Growing wary, Harry tries to intimidate her into signing his assets back to him.
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prominent congressman’s wife, disgusted with Billie's ignorance and lack of manners, which he believes reflect badly on him. When journalist Paul Verrall comes to interview him, Harry is impressed by his unintimidated and spirited demeanor. Offering Paul a hefty fee as a way of exerting dominance over a better-educated but underpaid member of the
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Cukor held that if a scene is funny, there is no need to play about with it. When people complained, “that laugh overrode the line, I did not hear the next line,” Cukor's answer remained the same, “Go and see the movie again.” But he did make some changes – when the laughter was long and loud, he added some visual detail.
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wrote, "Just in time to make itself evident as one of the best pictures of this fading year is Columbia's trenchant screen version of the stage play, 'Born Yesterday' ... On the strength of this one appearance, there is no doubt that Miss Holliday will leap into popularity as a leading American movie
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In the stage production, Holliday's character Billie Dawn wore only five costumes, but in the film, costume designer Jean Louis designed thirteen elaborate creations. Cukor asked Louis to “characterize” the clothes, with obviously expensive and ornate clothes at the beginning, when Billie is dumb and
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However, the censors thought the scrutiny was necessary, and Cukor was urged to use caution when filming Holliday's dresses. At that time, it was mandatory for intimate body areas, especially breasts, to be completely covered. The censors also requested that Cukor avoid any suggestion that Billie was
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was quite innovative. The actors rehearsed the screenplay for two weeks, then performed it before an audience drawn from studio employees. Cukor's idea was to give the actors a chance to develop “dimensional characters,” and clock laugh values from audience reaction before the cameras began rolling.
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Syndicated Catholic columnist William H. Mooring decried the film as "clever film satire strictly from Marx." In 1951, the film was picketed by the Anti-Communist Committee of the Catholic War Veterans because Holliday and Kanin were affiliated with organizations on the U.S. attorney general's list
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declared, "An excellent adult comedy ... What really puts the picture over is the brilliant performance of Judy Holliday as the beautiful but dizzy 'girl-friend' of an unscrupulous, uncouth multi-millionaire junk dealer, whose downfall is brought about when he makes the mistake of deciding that she
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Later, when Paul and Billie are driving out of DC, they are stopped for speeding by a traffic policeman who asks Paul for his “license,” Billie hands over their marriage license and the sympathetic officer lets them go. When Billie comments that their marriage was "predestination," the officer says
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Paul soon finds that Billie has a limited vocabulary and is completely uninterested in areas of common knowledge outside of her sphere. Attracted to Paul, Billie suggests they have a fling, reassuring him that Harry has always remained unaware because he doesn’t pay attention to anything outside of
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Although the film was clearly written for a mature audience, Kanin and Cukor were forced to amend the film to appease censors. Cukor explained, "It seems ludicrous now, but twenty years ago you couldn't have a character say, 'I love that broad,' you couldn't even say 'broad.' And the nonsense that
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With aspirations to become a power broker among DC dignitaries, Harry likes to exert dominance over political figures he pays off, sometimes humiliating them when they are not sufficiently compliant. Though his own behavior is much worse, Harry is embarrassed by Billie’s oblivious behavior with a
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Billie starts thinking for herself and applying her learning to her situation. She also falls in love with Paul, who begins to appreciate her intellectual development and reciprocate her feelings. When Billie begins to read the documents that Harry has her sign for businesses under her name, she
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went on to get over the fact that Judy Holliday and Broderick Crawford lived together! It required the greatest skill and some new business that Garson invented, like Billie Dawn always creeping into the apartment the back way. We managed to keep it amusing, I think, but it was so unnecessary."
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awarded the film its Seal of Merit, but warned its readers that Holliday's character is "from New York's East Side, and speaks in a baby Bronx voice that is like the tinkling of many tiny, tuneless cymbals." The magazine admired Holliday's performance and spoke of her in the same breath as
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stated, "Columbia has a promising box-office offering in its screen version of the Broadway hit play, 'Born Yesterday.' The bright, biting comedy of the Garson Kanin legit piece adapts easily to film and there is every indication that key-city audiences will give it a hearty ticket play."
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With Paul’s help, gathering evidence against Harry in a safe place as a precaution, Billie uses her leverage to escape from Harry's domination. She promises to give Harry back his property little by little as long as he “behaves” in his business dealings and leaves them alone.
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Bullying, uncouth junkyard tycoon Harry Brock goes to Washington, DC, with his brassy girlfriend, Emma "Billie" Dawn, and his crooked lawyer, Jim Devery, to "influence" a politician or two. As a legal precaution, Devery presses Harry to marry Billie, as
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and were surprised that the recipient was newcomer Judy Holliday for this film. Bette Davis believed that her and Swanson's comparable characters effectively "cancelled each other out", allowing Holliday to win, a theory also invoked to explain
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trying to get Paul in bed. Billie's line "Are you one of those talkers, or would you be interested in a little action?" was deemed offensive. However, Cukor stood his ground, and the line made it into the final cut.
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Holliday's performance in the film garnered her critical acclaim and convinced Cohn of her comedic abilities. Larry Oliver and Frank Otto also reprised their Broadway roles. A September 20, 1950 article in the
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stated, "Garson Kanin's comedy is a pleasing lesson in the virtues of democracy, enlivened by smart, sometimes witty, dialogue and by characterisation which, if broad and simple, is always lively."
2618: 432:, Columbia Studios purchased the rights for $ 750,000 plus a percentage of the profits in 1947, the second most paid for screen rights to a play at the time behind the $ 1 million paid for 815: 325:. To hide and safeguard Harry’s assets from the government, Devery persuades Harry to sign over many of his assets to Billie, his reliably docile and unquestionably obedient fiancée. 529:
To increase the film's authenticity, Cukor went to Washington, D.C. for locations, and the city became a dramatic personage in the story. Six named Washington, D.C. locations (
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needs an education. One has to see and hear Miss Holliday to fully appreciate the superb delivery of her lines and the fine shadings of her artful mannerisms."
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called it "an even more beguiling comedy than it was on the stage, and Judy Holliday's even funnier ... It's one of the few I'd like to see twice." A review in
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reported that before filming began, the cast perfected their comic timing during six performances in front of live audiences of studio employees.
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had also been considered for the part. An October 16, 1947 Hollywood Reporter news item stated that Columbia was negotiating with
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that he doesn't know what that means, and Billie—the advocate for expanding vocabulary—responds, "Look it up."
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news item, Holliday initially refused to reprise her popular Broadway role for the film. In September 1947,
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Throughout the 1970s and 1980s, Kanin reportedly pursued plans for an updated remake, possibly starring
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self-centered. However, as she acquires culture, her wardrobe becomes simpler and more elegant.
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According to modern sources, Kanin convinced Cohn to cast Holliday by co-writing – with wife
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was deemed "culturally, historically, or aesthetically significant" by the United States
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was reported to be in line for the role, but in late April 1949, it was reported that
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Though all the major Hollywood studios wanted to film Garson Kanin's Broadway play
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was attended by many celebrities and the film was met with enthusiastic applause.
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Films featuring a Best Musical or Comedy Actress Golden Globe winning performance
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The film tells the story of an uneducated young woman, Billie Dawn (played by
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Coe, Richard L. (February 2, 1951). "Kanin Play's Even Better on Screen".
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season 6. The film is also partially shown in the mid-season premiere "
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as Harry Brock, but neither of these projects came to fruition. The
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Billie Dawn: "Wouldja do me a favor, Harry? Drop dead!" – Nominated
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Films featuring a Best Actress Academy Award-winning performance
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William Holden and Judy Holliday in a promotional still for
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In the Long Run: A Cultural History of Broadway's Hit Plays
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The New York Times Guide to the Best 1,000 Movies Ever Made
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essay by Ariel Schudson on the National Film Registry site
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over Miranda Richardson and Vanessa Redgrave for the 1992
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In a review published the day after the film's premiere,
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Ann Hornaday, "The 34 best political movies ever made"
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a wife cannot be forced to testify against her husband
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Best Actress in a Motion Picture – Musical or Comedy
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White House Sightseeing bus as pictured in the film.
485:– a part specifically for her in the 1949 MGM film 466:was to be borrowed from RKO for the lead, and that 1800: 1264: 1262: 1260: 2565: 1008:, as well as a musical version that might star 1671:. New York and London: Routledge. p. 95. 1527:The Playboy interviews : larger than life 1257: 2243: 1786: 657:In late 1950 many critics predicted that the 2664:English-language romantic comedy-drama films 1233:"Col. Looks Set to Pay 750G for 'Yesterday'" 1666: 2639:United States National Film Registry films 2250: 2236: 1793: 1779: 637:Supporters of the film included columnist 27: 2257: 1587: 1326:"Born Yesterday (1950) Filming Locations" 1285: 1283: 1153:"Complete National Film Registry Listing" 652: 398:Larry Oliver as Congressman Norval Hedges 816:Best Actress in a Motion Picture – Drama 353: 308: 1509: 1129:presentation of the film (June 1, 2014) 2566: 1378:Crowther, Bosley (December 27, 1950). 1351:, July 11, 2012. Retrieved 2016-09-01. 1280: 1024:was finally made in 1993, directed by 277:The film was produced and released by 2231: 1774: 1043: 786:Best Costume Design – Black and White 297:and selected for preservation in the 2629:Films scored by Friedrich Hollaender 2589:American romantic comedy-drama films 1628:"AFI's 100 Years...100 Movie Quotes" 1572: 641:, reviewer William R. Weaver of the 395:Frank Otto as Eddie, Harry's servant 1348:http://greatergreaterwashington.org 1112:'The Top Box Office Hits of 1951', 883:New York Film Critics Circle Awards 661:for Best Actress would be given to 13: 1343:"Do you know the other Watergate?" 968:AFI's 100 Years...100 Movie Quotes 901:Venice International Film Festival 14: 2675: 2579:1950s romantic comedy-drama films 2063:The Model and the Marriage Broker 1689: 421: 243:. The screenplay was credited to 1422:"Film Reviews: Born Yesterday". 1142:, 2008, London: Allen Lane, p118 868:National Film Preservation Board 1660: 1640: 1620: 1596: 1566: 1518: 1482: 1461: 1446: 1431: 1416: 1390: 1372: 1354: 1335: 1319: 1301: 1209:. September 17, 1947. p. 5 919:Writers Guild of America Awards 2614:Films directed by George Cukor 2599:American black-and-white films 1604:"AFI's 100 Years...100 Laughs" 1241:. September 3, 1947. p. 2 1225: 1193: 1169: 1145: 1132: 1125:Osborne, Robert. Outro to the 1119: 1106: 985:Nominated Romantic Comedy Film 839:Best Director – Motion Picture 478:to reprise his Broadway role. 1: 2634:Films set in Washington, D.C. 2609:American films based on plays 1099: 961:AFI's 100 Years... 100 Laughs 502: 441:Cukor's preparatory work for 2654:1950s English-language films 1831:The Royal Family of Broadway 1755:AFI Catalog of Feature Films 1667:Schildcrout, Jordan (2019). 1087:", the mid-season finale of 924:Best Written American Comedy 524: 7: 1083:during the final scene of " 806:Best Motion Picture – Drama 688:Best Supporting Actress win 564: 555:National Symphony Orchestra 515: 237:stage play of the same name 216:$ 4.15 million (US rentals) 172:December 25, 1950 10: 2680: 2307:They Knew What They Wanted 1593:Wiley and Bona, p. ?? 1573:Welk, Brian (2017-03-13). 951:The film is recognized by 937:The British film magazine 584: 569:The Hollywood premiere of 449: 2526: 2499: 2456: 2357: 2266: 1809: 1471:The Monthly Film Bulletin 1458:. November 25, 1950. 186. 1402:. Macmillan. 2004-02-21. 991: 871: 819: 804: 799: 719: 645:and Kenneth Clark of the 627:The Monthly Film Bulletin 410:as Sanborn, hotel manager 256:Oscar-winning performance 212: 204: 196: 186: 163: 153: 139: 129: 121: 111: 93: 83: 64: 48: 38: 33:Theatrical release poster 26: 21: 16:1950 film by George Cukor 2594:American satirical films 1490:"Born Yesterday - Notes" 2604:Columbia Pictures films 2422:It Should Happen to You 2151:Something's Got to Give 2095:It Should Happen to You 1608:American Film Institute 1478:(206): 227. March 1951. 1428:. November 22, 1950. 8. 1332:. 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Sylvan Simon 697:My Cousin Vinny 655: 639:Louella Parsons 591:Bosley Crowther 587: 567: 551:Watergate Steps 527: 518: 505: 454:According to a 452: 424: 419: 414:Claire Carleton 390:Howard St. John 386:as Paul Verrall 367: 362: 361: 307: 262:) who comes to 189: 182: 175: 173: 166: 149: 144: 142: 104: 100: 88:S. Sylvan Simon 75: 73: 55: 34: 17: 12: 11: 5: 2677: 2667: 2666: 2661: 2656: 2651: 2646: 2641: 2636: 2631: 2626: 2621: 2616: 2611: 2606: 2601: 2596: 2591: 2586: 2581: 2576: 2559: 2558: 2556: 2555: 2547: 2539: 2535:Born Yesterday 2530: 2528: 2524: 2523: 2521: 2520: 2512: 2503: 2501: 2497: 2496: 2494: 2493: 2485: 2477: 2469: 2465:Born Yesterday 2460: 2458: 2454: 2453: 2451: 2450: 2442: 2434: 2426: 2418: 2410: 2402: 2398:Born Yesterday 2394: 2386: 2378: 2370: 2361: 2359: 2355: 2354: 2352: 2351: 2343: 2335: 2331:The True Glory 2327: 2319: 2311: 2303: 2295: 2287: 2279: 2270: 2268: 2267:Films directed 2264: 2263: 2255: 2254: 2247: 2240: 2232: 2223: 2222: 2220: 2219: 2211: 2203: 2195: 2187: 2179: 2171: 2163: 2155: 2147: 2139: 2131: 2123: 2115: 2107: 2103:A Star Is Born 2099: 2091: 2083: 2075: 2067: 2059: 2055:Born Yesterday 2051: 2043: 2035: 2031:Edward, My Son 2027: 2019: 2015:Winged Victory 2011: 2003: 1995: 1987: 1979: 1975:A Woman's Face 1971: 1963: 1955: 1947: 1939: 1931: 1923: 1915: 1907: 1899: 1891: 1883: 1875: 1867: 1859: 1851: 1843: 1839:Tarnished Lady 1835: 1827: 1819: 1810: 1807: 1806: 1798: 1797: 1790: 1783: 1775: 1769: 1768: 1767:, ranked No. 9 1758: 1757: 1749:Born Yesterday 1745: 1738:Born Yesterday 1734: 1727:Born Yesterday 1723: 1716:Born Yesterday 1712: 1705:Born Yesterday 1701: 1697:Born Yesterday 1691: 1690:External links 1688: 1685: 1684: 1678:978-0367210908 1677: 1659: 1639: 1619: 1595: 1586: 1565: 1536: 1517: 1508: 1481: 1460: 1445: 1430: 1415: 1408: 1389: 1371: 1353: 1341:Cochran, Tom, 1334: 1318: 1300: 1279: 1256: 1224: 1192: 1168: 1144: 1131: 1118: 1104: 1103: 1101: 1098: 1097: 1096: 1081:Born Yesterday 1070: 1045: 1042: 993: 990: 989: 988: 987: 986: 976: 975: 974: 964: 946:Carole Lombard 933: 932: 929: 926: 921: 915: 914: 911: 908: 903: 897: 896: 893: 892:Judy Holliday 890: 885: 879: 878: 875: 870: 864: 863: 860: 859:Judy Holliday 857: 854: 848: 847: 844: 841: 835: 834: 831: 825: 824: 821: 820:Judy Holliday 818: 812: 811: 808: 803: 797: 796: 793: 788: 782: 781: 778: 773: 767: 766: 763: 758: 752: 751: 748: 743: 737: 736: 733: 728: 723: 721:Academy Awards 717: 716: 713: 710: 707: 684:Marisa Tomei's 663:Gloria Swanson 654: 651: 609:Richard L. Coe 586: 583: 571:Born Yesterday 566: 563: 526: 523: 517: 514: 504: 501: 464:Gloria Grahame 451: 448: 443:Born Yesterday 429:Born Yesterday 423: 422:Pre-production 420: 418: 417: 411: 408:Grandon Rhodes 405: 399: 396: 393: 387: 384:William Holden 381: 380:as Harry Brock 375: 374:as Billie Dawn 368: 366: 363: 352: 351: 315:Born Yesterday 306: 303: 291:Born Yesterday 272:William Holden 224:Born Yesterday 218: 217: 214: 210: 209: 206: 202: 201: 198: 194: 193: 190: 187: 184: 183: 181: 180: 169: 167: 164: 161: 160: 155: 154:Distributed by 151: 150: 147: 145: 140: 137: 136: 131: 127: 126: 125:Charles Nelson 123: 119: 118: 113: 112:Cinematography 109: 108: 106:William Holden 95: 91: 90: 85: 81: 80: 70:Born Yesterday 66: 62: 61: 56:Garson Kanin ( 50: 46: 45: 40: 36: 35: 32: 24: 23: 22:Born Yesterday 15: 9: 6: 4: 3: 2: 2676: 2665: 2662: 2660: 2657: 2655: 2652: 2650: 2647: 2645: 2642: 2640: 2637: 2635: 2632: 2630: 2627: 2625: 2622: 2620: 2617: 2615: 2612: 2610: 2607: 2605: 2602: 2600: 2597: 2595: 2592: 2590: 2587: 2585: 2582: 2580: 2577: 2575: 2572: 2571: 2569: 2553: 2552: 2548: 2545: 2544: 2540: 2537: 2536: 2532: 2531: 2529: 2525: 2518: 2517: 2513: 2510: 2509: 2505: 2504: 2502: 2498: 2491: 2490: 2486: 2483: 2482: 2481:The Live Wire 2478: 2475: 2474: 2470: 2467: 2466: 2462: 2461: 2459: 2457:Plays written 2455: 2448: 2447: 2443: 2440: 2439: 2435: 2432: 2431: 2427: 2424: 2423: 2419: 2416: 2415: 2411: 2408: 2407: 2403: 2400: 2399: 2395: 2392: 2391: 2387: 2384: 2383: 2382:A Double Life 2379: 2376: 2375: 2371: 2368: 2367: 2363: 2362: 2360: 2358:Films written 2356: 2349: 2348: 2347:Where It's At 2344: 2341: 2340: 2336: 2333: 2332: 2328: 2325: 2324: 2320: 2317: 2316: 2312: 2309: 2308: 2304: 2301: 2300: 2296: 2293: 2292: 2288: 2285: 2284: 2280: 2277: 2276: 2272: 2271: 2269: 2265: 2261: 2253: 2248: 2246: 2241: 2239: 2234: 2233: 2230: 2217: 2216: 2212: 2209: 2208: 2204: 2201: 2200: 2199:The Blue Bird 2196: 2193: 2192: 2188: 2185: 2184: 2180: 2177: 2176: 2172: 2169: 2168: 2164: 2161: 2160: 2156: 2153: 2152: 2148: 2145: 2144: 2140: 2137: 2136: 2132: 2129: 2128: 2124: 2121: 2120: 2116: 2113: 2112: 2108: 2105: 2104: 2100: 2097: 2096: 2092: 2089: 2088: 2084: 2081: 2080: 2076: 2073: 2072: 2068: 2065: 2064: 2060: 2057: 2056: 2052: 2049: 2048: 2044: 2041: 2040: 2036: 2033: 2032: 2028: 2025: 2024: 2023:A Double Life 2020: 2017: 2016: 2012: 2009: 2008: 2004: 2001: 2000: 1996: 1993: 1992: 1988: 1985: 1984: 1980: 1977: 1976: 1972: 1969: 1968: 1964: 1961: 1960: 1959:Susan and God 1956: 1953: 1952: 1948: 1945: 1944: 1940: 1937: 1936: 1932: 1929: 1928: 1924: 1921: 1920: 1916: 1913: 1912: 1908: 1905: 1904: 1900: 1897: 1896: 1892: 1889: 1888: 1884: 1881: 1880: 1876: 1873: 1872: 1868: 1865: 1864: 1860: 1857: 1856: 1852: 1849: 1848: 1844: 1841: 1840: 1836: 1833: 1832: 1828: 1825: 1824: 1820: 1817: 1816: 1812: 1811: 1808: 1804: 1796: 1791: 1789: 1784: 1782: 1777: 1776: 1773: 1766: 1765:Jan. 23, 2020 1764: 1759: 1756: 1753: 1751: 1750: 1746: 1744: 1740: 1739: 1735: 1733: 1729: 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927: 925: 922: 920: 917: 916: 912: 910:George Cukor 909: 907: 904: 902: 899: 898: 894: 891: 889: 886: 884: 881: 880: 876: 874: 869: 866: 865: 861: 858: 855: 853: 850: 849: 845: 843:George Cukor 842: 840: 837: 836: 832: 830: 827: 826: 822: 817: 814: 813: 809: 807: 802: 798: 794: 792: 789: 787: 784: 783: 779: 777: 774: 772: 769: 768: 764: 762: 761:Judy Holliday 759: 757: 754: 753: 749: 747: 744: 742: 741:Best Director 739: 738: 734: 732: 729: 727: 724: 722: 718: 714: 711: 708: 705: 704: 701: 699: 698: 693: 689: 685: 680: 679: 678:All About Eve 674: 670: 669: 664: 660: 659:Academy Award 650: 648: 644: 640: 635: 631: 629: 628: 622: 621: 616: 615: 610: 605: 604: 598: 597: 592: 582: 580: 576: 572: 562: 560: 556: 552: 548: 544: 543:Statler Hotel 540: 536: 532: 522: 513: 509: 500: 498: 497: 491: 489: 484: 479: 477: 473: 469: 465: 461: 460:Rita Hayworth 457: 447: 444: 439: 437: 436: 431: 430: 415: 412: 409: 406: 403: 402:Barbara Brown 400: 397: 394: 392:as Jim Devery 391: 388: 385: 382: 379: 376: 373: 372:Judy Holliday 370: 369: 356: 350: 346: 342: 338: 334: 332: 331:Fourth Estate 326: 324: 316: 311: 302: 300: 296: 292: 288: 284: 280: 275: 273: 269: 265: 261: 257: 253: 252:Judy Holliday 248: 246: 242: 238: 234: 230: 226: 225: 215: 211: 207: 203: 200:United States 199: 195: 191: 185: 171: 170: 168: 162: 159: 156: 152: 146: 138: 135: 132: 128: 124: 120: 117: 116:Joseph Walker 114: 110: 107: 103: 99: 98:Judy Holliday 96: 92: 89: 86: 82: 79: 72: 71: 67: 63: 59: 54: 51: 47: 44: 41: 37: 30: 25: 20: 2549: 2543:Mr. Broadway 2541: 2533: 2514: 2506: 2487: 2479: 2473:The Rat Race 2471: 2463: 2446:The Rat Race 2444: 2436: 2428: 2420: 2412: 2406:Pat and Mike 2404: 2397: 2396: 2388: 2380: 2372: 2364: 2345: 2337: 2329: 2321: 2313: 2305: 2297: 2289: 2281: 2273: 2260:Garson Kanin 2213: 2205: 2197: 2189: 2181: 2173: 2167:My Fair Lady 2165: 2157: 2149: 2141: 2133: 2125: 2117: 2109: 2101: 2093: 2085: 2079:Pat and Mike 2077: 2069: 2061: 2054: 2053: 2045: 2037: 2029: 2021: 2013: 2005: 1997: 1989: 1981: 1973: 1965: 1957: 1949: 1941: 1933: 1925: 1917: 1909: 1901: 1895:Little Women 1893: 1885: 1877: 1869: 1861: 1853: 1845: 1837: 1829: 1821: 1813: 1803:George Cukor 1762: 1748: 1737: 1726: 1715: 1704: 1696: 1668: 1662: 1651:. 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( 1049:In the " 565:Premiere 549:and the 516:Costumes 254:, in an 205:Language 130:Music by 94:Starring 65:Based on 2508:Moviola 2175:Justine 1935:Holiday 1927:Camille 1752:at the 1719:at the 1501:July 7, 1425:Variety 1238:Variety 1206:Variety 1114:Variety 1066:Cleaver 1051:Stage 5 1016:, with 715:Result 603:Variety 600:star." 585:Reviews 450:Casting 208:English 197:Country 174: ( 143:company 2554:(1980) 2546:(1964) 2538:(1956) 2519:(1980) 2511:(1979) 2500:Novels 2484:(1950) 2468:(1946) 2449:(1960) 2441:(1960) 2433:(1956) 2425:(1954) 2417:(1952) 2409:(1952) 2401:(1950) 2393:(1949) 2385:(1947) 2377:(1946) 2369:(1942) 2350:(1969) 2342:(1968) 2334:(1945) 2326:(1941) 2318:(1940) 2310:(1940) 2302:(1939) 2294:(1939) 2286:(1938) 2278:(1938) 2218:(1981) 2210:(1979) 2202:(1976) 2194:(1975) 2186:(1972) 2178:(1969) 2170:(1964) 2162:(1962) 2154:(1962) 2146:(1960) 2138:(1960) 2130:(1957) 2122:(1957) 2114:(1956) 2106:(1954) 2098:(1954) 2090:(1953) 2082:(1952) 2074:(1952) 2066:(1951) 2058:(1950) 2050:(1950) 2042:(1949) 2034:(1949) 2026:(1947) 2018:(1944) 2010:(1944) 2002:(1943) 1994:(1942) 1986:(1941) 1978:(1941) 1970:(1940) 1962:(1940) 1954:(1939) 1946:(1939) 1938:(1938) 1930:(1936) 1922:(1936) 1914:(1935) 1906:(1935) 1898:(1933) 1890:(1933) 1882:(1933) 1874:(1932) 1866:(1932) 1858:(1932) 1850:(1931) 1842:(1931) 1834:(1930) 1826:(1930) 1818:(1930) 1815:Grumpy 1675:  1544:  1534:  1406:  1022:remake 992:Remake 978:2008: 966:2005: 959:2000: 706:Award 435:Harvey 2516:Smash 1443:. 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Index


George Cukor
Albert Mannheimer
Born Yesterday
Garson Kanin
S. Sylvan Simon
Judy Holliday
Broderick Crawford
William Holden
Joseph Walker
Frederick Hollander
Columbia Pictures
comedy-drama
George Cukor
stage play of the same name
Garson Kanin
Albert Mannheimer
Judy Holliday
Oscar-winning performance
Broderick Crawford
Washington
congressman
William Holden
Columbia Pictures
Harry Cohn
Bob Thomas
Library of Congress
National Film Registry

a wife cannot be forced to testify against her husband

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