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Bournemouth Symphony Orchestra

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143: 573:"Anyone who played with the Bournemouth Symphony Orchestra in the largest wooden church in the world, Kerimäki Church, Finland, as part of the BSO’s 1981 tour will tell that it was a truly unforgettable experience. On this tour we played all the Sibelius' Symphonies, with Paavo on spectacular form. This particular concert featured Sibelius' Fourth Symphony plus the Violin Concerto played superbly by Ida Haendel. 49: 583:"He remains, for me one of the best, if not the best conductor that I have ever played for and am so grateful to have caught the latter days of Paavo’s extraordinarily fruitful relationship with the BSO. For any string players reading this, I particularly loved it when he used to say, "violins, you play like in a telephone booth", i.e. use much more bow!". 789:, principal conductor from September 2002 to 2008, was the BSO's first female principal conductor and the first female principal conductor of a UK orchestra. Her time with the orchestra continued the programming of American repertoire from Litton's tenure, which she often introduced to the audience from the podium in the style of her mentor 234:. On 14 December 1903, the Orchestra gave its 500th symphony concert, conducted by Godfrey; a souvenir booklet listed all the works played by the orchestra since its inception, noting any first performances. The Bournemouth Municipal Choir, founded by Godfrey in 1911, sang regularly with the orchestra. 739:
first conducted the BSO in 1986, and subsequently became the BSO's principal conductor from 1988 to 1994, the first American principal conductor of the orchestra. Litton subsequently was named the BSO's Conductor Laureate. His recordings with the BSO include William Walton's symphonies and concertos
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who saw the orchestra as a commercial concern which needed to pay its way. As part of Bournemouth's visitor attractions, any request for expansion of the orchestra or changes to their contracts were the subject of exhaustive debates in the Council chamber. However, in general, Godfrey was successful
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as a group of 30 wind players and a drummer, though several of the instrumentalists – as is the current practice with military musicians – were proficient in both wind and string instruments. This flexible approach meant that the musicians could form a military band for open-air concerts (playing on
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was founded, with a complementary remit to tour the smaller towns of the south and west, as well as concentrating on classical repertoire. Despite artistic acclaim throughout its history, financial difficulties and funding withdrawals led to its sudden closure in November 1999. Since then, sections
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by Jean Sibelius. Berglund led Sibelius Centenary Concerts with the Bournemouth Symphony Orchestra in 1965, and became the principal conductor in 1972, concluding his tenure in 1979. Berglund led the Bournemouth Symphony Orchestra with distinction, significantly raising the performing standards, as
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first guest-conducted the orchestra in 2022. In March 2024, the orchestra announced simultaneously the appointments of Wigglesworth as its next chief conductor and of van Soeterstède as its next principal guest conductor, both effective with the 2024–2025 season and with initial contracts of four
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for the Onyx label. In August 2011, the BSO extended Karabits' contract as principal conductor through the 2015–2016 season. In April 2015, the BSO announced that Karabits had signed a rolling contract as its principal conductor, to extend his tenure to a minimum date of 2018. In January 2023, the
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as their 13th Principal Conductor, the first Ukrainian principal conductor of a UK orchestra. Karabits held the title of orchestra's Principal Conductor-Designate for the 2008–2009 season, and became Principal Conductor with the 2009–2010 season. With the BSO, Karabits made his first conducting
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told in their 80th year birthday interview of Paavo Berglund that his one-time assistant from Bournemouth, Simon Rattle, called him "one of the last great", and uses Berglund's bowings in his Sibelius performances. The Helsinki Philharmonic Orchestra always gets very suspicious when a visiting
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Recent releases on BBC Legends, transferred from recordings of live concerts given at the Winter Gardens and elsewhere during Silvestri's tenure, provide a vivid record of the orchestra's style in this era. These include accounts of Tchaikovsky's Manfred Symphony and Elgar's Enigma Variations.
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Sibelius: Complete Symphonies 1–7 and Orchestral Works (Including World Premiere Recording of Kullervo Symphony). Bournemouth Symphony Orchestra. 1976 (No. 1). 1978 (No. 2). 20 June 1977 (No. 3). ? (No. 4). June 1973 (No. 5). 1976 (No. 6). 1973 (No. 7). Southampton Guildhall. Dec. 1970,
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Godfrey remains the longest serving principal conductor of the orchestra, and his stewardship ensured that, unlike many of the seaside orchestras that functioned from the end of the 19th century up until the outbreak of World War II, the Bournemouth Municipal Orchestra established an ongoing
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Edward Greenfield wrote in a review of a concert by the Bournemouth Symphony Orchestra and Paavo Berglund in The Guardian in 1972, that the brilliantly richful strings left behind many interpretations from London. (Finnish translation from Vesa Sirens book "Finnish Conductors",
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From 1922 to 1940, an Easter Festival was an important feature in the Bournemouth calendar. In 1927, the Festival was devoted to music of British women composers. In 1934, Godfrey retired as principal conductor, having conducted over 2,000 symphony concerts.
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Paavo Berglund's tenure as principal conductor from 1972 to 1979 included commercial recordings such as the complete symphonies of Jean Sibelius for EMI. The Bournemouth Symphony Orchestra and Paavo Berglund made the world premiere recording of the
578:"I joined the BSO in 1979, as much because I had seen and heard them play under Berglund and knew that he (and they!) were quite exceptional. Many of Paavo’s comments, criticisms and demands are as fresh in my mind as though it were only yesterday. 371:
helped keep the orchestra going during the war, giving many 'popular' concerts. Whilst the Municipal Orchestra struggled in a depleted state, the war years saw concerts in the town by the Wessex Philharmonic, a freelance orchestra conducted by
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took over as musical director in 1951, but a rising annual deficit and termination of players' contracts caused a crisis, averted only by support from the Winter Gardens Society. In 1952, a plan to merge the BMO with the
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orchestra announced that Karabits is to stand down as its chief conductor at the close of the 2023–2024 season, and subsequently to take the title of conductor laureate and serve as artistic director of the orchestra's
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Sibelius: Finlandia; The Swan of Tuonela; Lemminkäinen's return; Intermezzo from Karelia Suite; Nocturne, Elegie, Musette, Valse Triste from King Kristian II suite. Bournemouth Symphony Orchestra. (EMI 1 C 063-05 011
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in 1963, a first European tour in 1965, notable recordings and regular radio broadcasts. The orchestra gained its first international recognition during Silvestri's tenure, such as in a joint performance with the
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Shostakovich: Concerto No. 1 for Piano, Trumpet and Strings (with Cristina Ortiz and Rodney Senior); Piano Concerto No. 2 (with Cristina Ortiz); Three Fantastic Dances. Bournemouth Symphony Orchestra. Sep 1975.
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Rimsky-Korsakov: May Night Overture; Glazunov: Valse de Concert No. 1; Glinka: Valse Fantaisie; Sibelius: Intermezzo and Alla Marcia from Karelia Suite; Shalaster: Dance "Liana". Bournemouth Symphony Orchestra.
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Shostakovich: Symphonies 5, 6, 7, 10, 11. Bournemouth Symphony Orchestra. 30–31 July 1975, No. 1 Studio, Abbey Road, London (No. 5). Jan 1974, Guildhall, Southampton (No. 7). 1975 (No. 10). Dec 1978 (No. 11).
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The document also included a preface by Godfrey about the origins of the orchestra, a record of the players in 1903, and photos of the orchestra. Arts and Humanities Research Council,
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In addition to the first acoustic recordings by the Bournemouth Municipal Orchestra in 1914, early mass media activities included radio broadcasts from the original Winter Gardens on
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The first recording by the Bournemouth Municipal Orchestra was made in 1914 and occasional records were issued during Godfrey's tenure: Godfrey's recordings included works such as
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was principal conductor from 1995 to 2000. Whilst he made no commercial recordings with the orchestra, he and the BSO toured the United States, including their debut at
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for several weeks. The continuation of the orchestra was only secured by the formation of the Western Orchestral Society. In 1954, the orchestra changed its name to the
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Kokoro is a contemporary music ensemble of the Bournemouth Symphony Orchestra, consisting of players from the orchestra and freelance musicians (formed 1994).
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was cleared for the first time in several hundred years to enable a live television broadcast of the orchestra, conducted by Constantin Silvestri, performing
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Sibelius: Violin Concerto; Serenades Nos. 1, 2; Humoresque No. 5. (with Ida Haendel). Bournemouth Symphony Orchestra. July 1975, Southampton Guildhall. (EMI)
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Shostakovich: Cello Concerto No. 1; Walton: Cello Concerto (with Paul Tortelier). Bournemouth Symphony Orchestra. 7–8 Jan 1973, Southampton Guildhall. (EMI)
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Vaughan Williams: Symphony No. 6; Oboe Concerto (with John Williams). Bournemouth Symphony Orchestra. 1 April 1975, Southampton Guildhall. (EMI ASD 3127)
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Bliss: Suite from Miracle in the Gorbals; Cello Concerto (with Arto Noras). Bournemouth Symphony Orchestra. 1977, Southampton Guildhall. (EMI ASD 3342)
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From 1954 the BSO developed its present role of giving concerts at more venues in the southwest of England. Other work included accompanying the
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Glazunov: Piano Concerto (with John Ogdon); Yardumian: Passacaglia, Recitative & Fugue. Bournemouth Symphony Orchestra. 1977. (EMI ASD 3367)
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was appointed musical director of a re-formed orchestra of 60. He conducted the orchestra in its first concert in London since 1911, at the
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archive contains short films of the orchestra conducted by Dan Godfrey and Richard Austin made at the Pavilion Theatre in 1930 and 1937.
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The Israeli conductor Uri Segal succeeded Berglund from 1980 to 1982. During his tenure, the BSO recorded suites from Benjamin Britten's
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Bournemouth Pier) or a more formal classical ensemble for indoor programmes. The group gave its first concert on Whit Monday 1893 at the
825:'s Concertos for Orchestra Nos 4 and 5) was released on the Naxos label in April 2010. The BSO and Karabits have also recorded music of 1915: 982:
symphonies for Chandos, the Vaughan Williams symphonies for Naxos (with Kees Bakels for seven of the symphonies and Paul Daniel for
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Walton: Violin Concerto (with Ida Haendel). Bournemouth Symphony Orchestra. 1978, Southampton Guildhall. (EMI ASD3843 CDM 764202 2)
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can be heard from the many recordings made by it for EMI. During this period, Nordic repertoire became a staple of the orchestra.
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Note that other orchestra such as the Boston Symphony Orchestra and the Baltimore Symphony Orchestra also use the acronym 'BSO'.
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maestro wants to change Paavo's Sibelius markings. The visiting maestro is silenced by saying that the markings are Sibelius'.
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The Bournemouth Symphony Orchestra currently gives around 150 concerts a year. In September 1995 the orchestra, conducted by
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In 1957 Groves and the orchestra made commercial recordings, for Classics Club, (with a local engineer from Ronaldsons of
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Grieg: Peer Gynt Suite; Alfven: Swedish Rhapsody; Järnefelt: Praeludium; Berceuse. Bournemouth Symphony Orchestra. (EMI)
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Croscombe B. A Chronology. In BSO 90 1893–1983 – A special souvenir edition of WOS News. 1983, Spring/Summer, p16-17.
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Franck: Symphony; Symphonic Variations (with Sylvia Kersenbaum). Bournemouth Symphony Orchestra. 1976. (EMI ASD 3308)
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Grieg: Symphonic Dances; Old Norwegian Romance with Variations. Bournemouth Symphony Orchestra. 1982. (EMI ASD 4170)
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Britten: Violin Concerto (with Ida Haendel). Bournemouth Symphony Orchestra. 12 June 1977. (EMI ASD 3843 CDM7642022)
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In addition to its roster of principal conductors, other conductors affiliated with the orchestra have included
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became Principal Conductor and raised the standard and profile of the orchestra, with an appearance at the
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became a regular guest conductor. After Godfrey's retirement, the task of sustaining the orchestra fell to
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The band quickly expanded to become a full orchestra, gaining a reputation for championing British music.
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The orchestra were featured in a short-lived series of programmes on the local commercial radio station
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gave an annual series of Christmas concerts with the orchestra around the south and west of England.
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and the 4th). The orchestra has also recorded for Naxos a complete series of the symphonies of Sir
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tradition of music making. Godfrey's programmes mixed populist elements, such as variety acts and
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Rimsky-Korsakov: The Golden Cockerel Suite. Bournemouth Symphony Orchestra. 1975. (EMI ASD 3141)
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After the end of the war, the orchestra found a new home at the 'new' Winter Gardens. In 1947,
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in 1951. Schwarz's tenure was marked by artistic consolidation, but also financial troubles.
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served as the BSO's principal conductor from 1982 to 1988. His BSO recordings included the
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Roger Preston, co-principal Cello, who worked with Berglund on many occasions, has said:
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Prokofiev: Summer Night Suite. Bournemouth Symphony Orchestra. 1975. (EMI ASD 3141)
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was avoided by an arrangement with the Arts Council for the orchestra to accompany
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in the Winter Gardens by the combined string sections of both orchestras, playing
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Symphony) for Virgin Classics. In February 1997 Litton's recording of Walton's
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in April 1997. Kreizberg and the BSO also performed a 3-day residency at the
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Nielsen: Symphony No. 5. Bournemouth Symphony Orchestra. 1975. (EMI ASD 3063)
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James Inverne, "Bournemouth Symphony Orchestra names new chief conductor".
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principal conductor from 1969 to 1972, between the tenures of Silvestri and
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English orchestra with a remit to serve the South and South West of England
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From the very beginning, Godfrey had a difficult relationship with the
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of the BSO occasionally tour to smaller venues in the south and west.
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for Decca, and the complete Tchaikovsky symphonies (including the
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at balancing both high artistic standards and box-office success.
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in the 1920s. Subsequently, the BMO gave regular concerts on the
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Recordings by Bournemouth Symphony Orchestra and Paavo Berglund:
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as its next principal guest conductor, with immediate effect.
1812:"Bournemouth Symphony extends principal conductor's contract" 837:
In November 2021, the orchestra announced the appointment of
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The Bournemouth Symphony Orchestra, A Centenary Celebration
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The orchestra is resident at the Lighthouse arts centre in
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and has played in other great halls of the world, such as
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Premieres given by the orchestra include the following:
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The BSO's first commercial recording with Karabits (of
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Official website of the Bournemouth Symphony Orchestra
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with the BSO, Bournemouth Symphony Chorus and soloist
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In November 2007, the BSO announced the appointment
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Principal guest conductors of the BSO have included
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Principal conductors of the orchestra have included
2034:Lebrecht, Norman. "Too English for his own good". 193: 1581: 1259:. The Bournemouth Symphony Orchestra recording of 426: 2058: 1529: 1096:: Concertino for Two Pianos and Orchestra (1931) 379: 1980: 1664: 978:The orchestra recorded a complete cycle of the 1497:Sir Dan Godfrey: Champion of British Composers 327:1934–1947: Austin, Birch and wartime austerity 376:, which included some ex-members of the BMO. 2010:"Orchestral discord over money with strings" 1706:"Karabits appointed new Principal Conductor" 1555: 1223:, including Godfrey's farewell concert. The 1057:: Clarinet Concerto in A minor Op. 80 (1903) 1888: 1862: 123:, with other major concert series given at 119:, since 1979. The orchestra is resident at 2007: 1757: 1730: 1637: 1532:"2 American Conductors Thriving in Europe" 1420:. Wimborne, The Dovecote Press Ltd, 1993 ( 895:in 1970. Other notable recordings include 47: 1615:. London. 9 February 2007. Archived from 1584:"Sense and Sensibility, From Bournemouth" 1518:Bournemouth Symphony Orchestra 1893–1993 1438: 1436: 1434: 1051:: Symphony in F ("The Cotswolds") (1902) 1016:For many years until his death in 2003, 993:The orchestra performs regularly in the 141: 1491: 1489: 1301: 1247:In the 1970s the orchestra appeared in 1084:Rutland Boughton: Symphony No. 2 (1927) 671:Southampton Guildhall (Kullervo). (EMI) 419:. At the inaugural concert, Groves and 14: 2059: 1116:Deux Interludes symphonique de Macbeth 553: 181:. The current principal conductor is 1431: 1410: 1023: 885:made the world premiere recording of 435:on their first British tour in 1956. 409:City of Birmingham Symphony Orchestra 1981:Fiachra Gibbons (18 November 1999). 1582:James R. Oestreich (22 April 1997). 1486: 865: 499:Fantasia on a Theme by Thomas Tallis 392:in 1948, and in two concerts at the 35:Bournemouth Symphony Orchestra (BSO) 1665:Andrew Clements (31 October 2008). 1446:. Dorset Publishing Company, 1970 ( 1298:, Bournemouth's local bus company. 684: 533: 24: 2092:Musical groups established in 1893 1530:Craig R. Whitney (8 August 1991). 1444:The Bournemouth Symphony Orchestra 1166:: Symphony No 1 ("Requiem") (1988) 522:with the additional forces of the 25: 2103: 2045: 1558:"Closing the Book on Bournemouth" 1416:Street, Sean, and Carpenter, R., 705:1982–2008: Russians and Americans 1983:"In brief: Sinfonietta to close" 1273:, was used on the soundtrack of 194:Origins to 1934: The Godfrey era 2077:Musical groups from Bournemouth 2028: 2001: 1974: 1952: 1930: 1908: 1882: 1856: 1830: 1804: 1778: 1758:Tim Ashley (11 November 2010). 1751: 1724: 1698: 1685: 1658: 1638:Tim Ashley (14 December 2007). 1631: 1601: 1575: 200:Bournemouth Municipal Orchestra 18:Bournemouth Municipal Orchestra 2087:1893 establishments in England 1556:Allan Kozinn (24 April 1994). 1549: 1523: 1516:Stephen Lloyd, Liner notes to 1510: 1477: 1457: 1401: 804: 427:1954–1969: The Silvestri years 417:Bournemouth Symphony Orchestra 109:Bournemouth Symphony Orchestra 13: 1: 1863:Andy Martin (29 April 2015). 1731:Tim Ashley (12 August 2009). 1520:. EMI CD CDM 7 64719 2, 1993. 1394: 1128:: Overture 'The Smoke' (1948) 1090:: Piano Concerto No. 1 (1930) 1005:in New York, the Musikverein 380:1947–1954: Schwarz and Groves 1238:'s "Good Friday Music" from 1045:: Serenade in A minor (1901) 1039:: Symphony in A minor (1900) 849: 484:Leipzig Gewandhaus Orchestra 7: 1889:Andy Martin (15 May 2019). 793:. She conducted all of the 320:Bournemouth Borough Council 10: 2108: 2008:David Ward (2 June 2001). 1122: 1033: 846:years for each conductor. 512:, and a 1966 recording of 457:Academic Festival Overture 188: 1470:25 September 2008 at the 1280:The Man Who Fell to Earth 1055:Charles Villiers Stanford 988:Charles Villiers Stanford 953:'s completion of Elgar's 724:Award-winning release of 698:The Prince of the Pagodas 301:Charles Villiers Stanford 91: 81: 63: 55: 46: 39: 34: 1210: 1196:: Second Symphony (1999) 524:Band of HM Royal Marines 493:Introduction and Allegro 232:Pyotr Ilyich Tchaikovsky 1465:Concerprogrammes.org.uk 1153:: Piano Concerto (1973) 1147:: Symphony No. 2 (1969) 1141:: Piano Concerto (1967) 1102:: Symphony No. 1 (1933) 1037:Samuel Coleridge-Taylor 949:in the slow movement); 856:Bournemouth Sinfonietta 735:The American conductor 273:Petite Suite de Concert 269:Samuel Coleridge-Taylor 202:was founded in 1893 by 1200:Ralph Vaughan Williams 1043:Ralph Vaughan Williams 918:In the South (Alassio) 876:Ralph Vaughan Williams 797:symphonies except the 599:The Finnish newspaper 331:Between 1929 and 1934 150: 1255:series, conducted by 1230:In 1963, the nave of 1078:The Queen of Cornwall 843:ChloĂ© van Soeterstède 145: 2038:, 11 September 1995. 1792:on 28 September 2011 1340:Constantin Silvestri 1302:Principal conductors 1232:Winchester Cathedral 1171:The Gardens of Exile 923:Constantin Silvestri 881:The orchestra under 832:Voices from the East 730:Piano Concerto No. 2 475:Constantin Silvestri 413:Welsh National Opera 163:Constantin Silvestri 127:, the Great Hall of 125:Portsmouth Guildhall 2072:Symphony orchestras 1844:on 30 December 2016 1712:on 30 November 2007 1695:, 23 November 2007. 1249:Southern Television 1169:Gerhard Schurmann: 718:Dmitri Shostakovich 554:1972–1979: Berglund 423:shared the podium. 398:Festival of Britain 394:Royal Festival Hall 311:and the Australian 293:Alexander Mackenzie 228:Camille Saint-SaĂ«ns 121:Lighthouse in Poole 82:Principal conductor 2067:English orchestras 1588:The New York Times 1562:The New York Times 1536:The New York Times 1474:, accessed 30.8.08 1442:Miller, Geoffrey, 1257:Owain Arwel Hughes 1145:Malcolm Williamson 1024:First performances 931:2nd Piano Concerto 783:, Vienna in 1999. 747:Belshazzar's Feast 479:Edinburgh Festival 467:L'ArlĂ©sienne Suite 421:Sir Thomas Beecham 353:Sergei Rachmaninov 349:Ernest John Moeran 264:The Crown Diamonds 151: 1499:. Thames, 1995 ( 1388:Mark Wigglesworth 1208: 1207: 1164:Alexander Lokshin 1151:Gerhard Schurmann 999:Royal Albert Hall 968:Chichester Psalms 963:Leonard Bernstein 941:as soloist (with 899:'s completion of 866:Concert programme 839:Mark Wigglesworth 827:Aram Khachaturian 791:Leonard Bernstein 601:Helsingin Sanomat 594:978-951-1-21303-1 390:Royal Albert Hall 183:Mark Wigglesworth 129:Exeter University 105: 104: 86:Mark Wigglesworth 16:(Redirected from 2099: 2039: 2032: 2026: 2025: 2023: 2021: 2005: 1999: 1998: 1996: 1994: 1978: 1972: 1971: 1969: 1967: 1956: 1950: 1949: 1947: 1945: 1934: 1928: 1927: 1925: 1923: 1912: 1906: 1905: 1903: 1901: 1895:Bournemouth Echo 1886: 1880: 1879: 1877: 1875: 1869:Bournemouth Echo 1860: 1854: 1853: 1851: 1849: 1834: 1828: 1827: 1825: 1823: 1818:. 11 August 2011 1808: 1802: 1801: 1799: 1797: 1782: 1776: 1775: 1773: 1771: 1755: 1749: 1748: 1746: 1744: 1728: 1722: 1721: 1719: 1717: 1702: 1696: 1689: 1683: 1682: 1680: 1678: 1662: 1656: 1655: 1653: 1651: 1635: 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1452:978-0902129061 1430: 1426:978-1874336105 1409: 1399: 1398: 1396: 1393: 1392: 1391: 1390:(2024–present) 1385: 1379: 1373: 1367: 1361: 1358:Rudolf Barshai 1355: 1349: 1346:Paavo Berglund 1343: 1337: 1334:Charles Groves 1330: 1327:Rudolf Schwarz 1324: 1321:Montague Birch 1318: 1315:Richard Austin 1312: 1303: 1300: 1212: 1209: 1206: 1205: 1204: 1203: 1197: 1191: 1181: 1176:George Lloyd: 1174: 1167: 1161: 1158:Symphony No. 9 1154: 1148: 1142: 1139:Robert Simpson 1136: 1133:Symphony No. 2 1129: 1126:Malcolm Arnold 1121: 1120: 1119: 1109: 1106:Percy Whitlock 1103: 1097: 1091: 1085: 1082: 1070: 1058: 1052: 1046: 1040: 1025: 1022: 984:A Sea Symphony 935:Rudolf Barshai 883:Paavo Berglund 872:Richard Hickox 867: 864: 851: 848: 814:appearance at 806: 803: 799:Symphony No. 8 767:Richard Hickox 714:Symphony No. 8 710:Rudolf Barshai 706: 703: 686: 683: 682: 681: 678: 675: 672: 668: 664: 651: 647: 644: 640: 636: 633: 630: 627: 624: 621: 618: 615: 612: 585: 584: 580: 579: 575: 574: 555: 552: 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906: 902: 901:Gustav Mahler 898: 894: 893: 888: 884: 879: 877: 873: 863: 860: 857: 854:In 1968, the 847: 844: 840: 835: 833: 828: 824: 819: 817: 812: 802: 800: 796: 792: 788: 784: 782: 778: 777:Carnegie Hall 774: 770: 769:(1992–1995). 768: 764: 759: 757: 753: 749: 748: 743: 738: 737:Andrew Litton 733: 731: 727: 723: 719: 715: 711: 702: 700: 699: 694: 693: 679: 676: 673: 669: 665: 662: 661:The Oceanides 658: 657: 652: 648: 645: 641: 637: 634: 631: 628: 625: 622: 619: 616: 613: 610: 609: 608: 605: 602: 597: 595: 591: 582: 581: 577: 576: 572: 571: 570: 567: 564: 563: 551: 549: 545: 541: 531: 527: 525: 521: 520: 519:1812 Overture 515: 511: 510: 505: 501: 500: 495: 494: 489: 485: 480: 476: 471: 469: 468: 463: 459: 458: 453: 449: 445: 441: 436: 434: 424: 422: 418: 414: 410: 405: 401: 399: 395: 391: 387: 377: 375: 370: 366: 362: 358: 357:Roger Quilter 354: 350: 346: 342: 338: 334: 324: 321: 316: 314: 310: 306: 302: 298: 294: 290: 286: 282: 276: 274: 270: 266: 265: 260: 259: 255:'s overtures 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Retrieved 2014:The Guardian 2013: 2003: 1991:. Retrieved 1987:The Guardian 1986: 1976: 1964:. Retrieved 1954: 1942:. Retrieved 1932: 1920:. Retrieved 1910: 1898:. Retrieved 1894: 1884: 1872:. Retrieved 1868: 1858: 1846:. Retrieved 1842:the original 1832: 1820:. Retrieved 1815: 1806: 1794:. Retrieved 1790:the original 1780: 1768:. Retrieved 1764:The Guardian 1763: 1753: 1741:. Retrieved 1737:The Guardian 1736: 1726: 1714:. Retrieved 1710:the original 1700: 1692: 1687: 1675:. Retrieved 1671:The Guardian 1670: 1660: 1648:. Retrieved 1644:The Guardian 1643: 1633: 1621:. Retrieved 1617:the original 1612: 1603: 1591:. Retrieved 1587: 1577: 1565:. Retrieved 1561: 1551: 1539:. 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London 1989:. London 1966:18 March 1900:26 April 1766:. London 1739:. London 1673:. London 1646:. London 1468:Archived 1294:for the 1277:'s film 1241:Parsifal 1066:Tintagel 892:Kullervo 887:Sibelius 720:, and a 692:Gloriana 562:Kullervo 544:de facto 997:at the 980:Tippett 742:Manfred 656:En saga 189:History 97:bsolive 92:Website 56:Founded 1503:  1450:  1424:  1292:jingle 1236:Wagner 1190:(1994) 1180:(1993) 1173:(1991) 1160:(1987) 1135:(1953) 1118:(1939) 1081:(1924) 1069:(1921) 1007:Vienna 961:, and 795:Mahler 754:won a 592:  452:Brahms 442:), of 177:, and 76:Dorset 2082:Poole 1874:6 May 1848:6 May 1225:PathĂ© 1211:Media 971:with 957:with 933:with 921:with 913:Elgar 650:(EMI) 643:(EMI) 639:(EMI) 462:Bizet 267:, or 248:Zampa 148:Poole 117:Poole 72:Poole 2022:2009 1995:2009 1968:2024 1946:2021 1924:2023 1902:2020 1876:2015 1850:2015 1824:2011 1798:2011 1772:2011 1745:2009 1718:2007 1679:2009 1652:2009 1625:2007 1595:2009 1569:2009 1543:2009 1501:ISBN 1448:ISBN 1422:ISBN 1332:Sir 1307:Sir 945:and 937:and 695:and 590:ISBN 460:and 363:and 261:and 230:and 218:and 198:The 131:and 107:The 99:.com 59:1893 1288:2CR 1263:'s 1251:'s 1221:BBC 1217:2LO 965:'s 929:'s 915:'s 903:'s 889:'s 728:'s 716:of 596:). 516:'s 506:'s 490:'s 464:'s 454:'s 446:'s 271:'s 2063:: 2012:. 1985:. 1893:. 1867:. 1814:. 1762:. 1735:. 1669:. 1642:. 1611:. 1586:. 1560:. 1534:. 1507:). 1488:^ 1454:). 1433:^ 1428:). 1283:. 1244:. 1186:: 1114:: 1075:: 1063:: 990:. 975:. 925:, 911:; 878:. 758:. 701:. 667:Q) 659:; 526:. 502:, 470:. 450:, 359:, 355:, 351:, 347:, 343:, 315:. 307:, 303:, 299:, 295:, 291:, 287:, 251:, 226:, 173:, 169:, 165:, 161:, 157:, 139:. 74:, 70:, 2024:. 1997:. 1970:. 1948:. 1926:. 1904:. 1878:. 1852:. 1826:. 1800:. 1774:. 1747:. 1720:. 1681:. 1654:. 1627:. 1597:. 1571:. 1545:. 20:)

Index

Bournemouth Municipal Orchestra
Orchestra

Lighthouse
Poole
Dorset
Mark Wigglesworth
bsolive.com
Bournemouth
Poole
Lighthouse in Poole
Portsmouth Guildhall
Exeter University
Bristol Beacon
Basingstoke

Poole
Sir Dan Godfrey
Rudolf Schwarz
Constantin Silvestri
Paavo Berglund
Andrew Litton
Marin Alsop
Kirill Karabits
Mark Wigglesworth
Dan Godfrey
Winter Gardens
Edward Elgar
Gustav Holst
Richard Strauss

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