710:, editing the film along with Italian editors Jacopo Quadri and Letizia Caudullo. However, the film was "dreamed, written and filmed" for Brazilian people, so they returned to Brazil to listen to their opinions. After some screenings in Brazil, they felt the film was not working as they wanted. On the airplane back to Italy, they rewrote the screenplay; they focused more on Neto and removed minor characters and subplots, while emphasizing the son-father relationship. When they arrived they had a long discussion with the Italian producers before finally agreeing and finishing the film. The film was finalized in October at the
669:. After seeing Santoro's acting, he was Bodanzky's first choice for Neto's role; "I never even thought of another person. ... When I saw him, I was impressed with his giving of himself to the role/character. I knew that Neto was him." Santoro read the book and was "shocked," which led him to contact Carrano; after talking to the author, he was convinced to take the role. He found the story "very moving, but kind of over the top," and was worried about overacting and making the character "fake." To prepare himself for the role, he talked with interns and watched productions on the subject, among them the film
686:, coordinated the cast preparation. His primary aim was to deconstruct the "superficial figure, stereotyped and crystallized by prejudice" image about psychiatric hospitals and the people who live there. The idea was to create another vision that would contain the first, but focus on "more humane and deep aspects." Former psychiatric institution patients from the theatrical groups Pazzo a Pazzo and Teatral Ueinzz, both directed by Penna, appeared as guests. They, however, did not play characters that were interned but supporting characters who remained outside of the hospital.
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screenplay as he "learned that the slightest loss of attention could be mortal and irreversible." The script needed to be rewritten five times in two years as it was analyzed by
Bodanzky and other collaborators. Because of costs, producers suggested the removal of several parts that helped Bolognesi make the film flow faster. Another important group of critics were five teenagers who suggested making Neto a graffiti writer, for example. Lastly and most fundamental was Carrano's approval a few months before the start of filming.
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his father visits him to say he and Meire miss him; Neto asks to leave the place and Wilson takes him away. At home, his mother asks a downcast Neto if he wants to return to school or to work as a salesman; he decides to work. The mother of one of his friends forbids Neto to see him, and he discovers
Leninha is a married woman. Then, he becomes distressed to the point of leaving a client in the midst of a sale. To unwind, Neto goes to a party at night, where he mixes
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when necessary for the general public or to keep the efficacy of cinematic storytelling. Bolognesi wrote Neto as a shyer character than
Carrano did, and made him not the leader of the class but a common student. His objective was to create a character that would reflect the regular viewer rather than "a hero." He also softened some scenes and removed others that he thought the public would find unbelievable.
477:. After being released from solitary, Neto writes a letter to his father and silently gives it to him when he visits. After refusing to have his hair cut, Neto is locked in solitary once again. He sets fires to the cage and is rescued by the nurses. After reading the letter, Wilson takes him from the clinic. The films ends as Wilson cries while he and Neto are seen seated side-by-side on a curbside.
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457:. Rogério also tells him not to consume the medications administered by nurses because it awakes the appetite in order to make patients look healthier. Meanwhile, Cintra has a conversation in which he discusses that if necessary he could easily admit more people, mostly homeless, to avoid losing the government subsidy.
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After some time, Neto's parents and sister visit him, and are deceived by the doctor who says Neto requires months of treatment. Neto begs his parents to take him with them and they refuse. Days later, Neto tries to escape but is captured and receives electroshock treatment. Suddenly, on another day,
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without informing his parents. They go to an apartment where they swim and eat food; Neto leaves the place when Lobo suggests that they reciprocate for the food by letting the men there caress them. Alone in downtown, Neto begs for money, and he is helped by a woman called
Leninha. She takes him home
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praised all of the cast including the extras, whose "wandering like zombies in the courtyards of the asylum ... contribute to the realistic climate of the film." He, however, highlighted
Santoro, stating that the joint effort of the cast would be meaningless without his performance. Similar comments
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In this new institution, Neto angers the nurse Ivan after reporting to the hospital's superior that the nurse overreacted while trying to calm a patient. The nurse has it out for him, and when Ivan sees Neto faking to take a pill, he injects the drug through a syringe. That night, Neto, after doping
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In adapting the book, Bolognesi considered the work as his inspiration but felt free to create situations or characters and to modify the personality of the characters. Carrano accepted
Bodanzky and Bolognesi's offer as they stated that their wish was to keep the base of the story while adapting it
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I think the film was in the right dosage, though this is not even 10% of what we, psychiatric patients, suffered within these psychiatric sties, which are still true 'extermination houses.' When I compare these horror institutions with extermination houses, it is not only because 80% of the inmates
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for the first time in 1996, when she was signed to assist with the direction of a documentary on the subject. She found the book after entering a discussion and research group on mental health in Brazil. Impressed by its narrative, she asked Luiz
Bolognesi to adapt it, as she knew he had a similar
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Wilson tricks Neto and brings him to a hospital where he is forcibly admitted without any examination to verify its necessity. Neto is sedated by a nurse before receiving the diagnosis of Dr. Cintra. When he wakes up, Neto encounters Ceará, a hyperactive man, and finds out the hospital is decaying
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to adapt it into a film and transpose its setting from the 1970s to the 1990s. In addition to keeping the film in the present, Bodanzky chose to make it a documentary-style film to create greater impact on the viewer. Bolognesi began writing in 1997 with the freedom to make changes to the original
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In addition to the central theme—the violence of institutions against the people outside the norms—Bolognesi felt the necessity of a parallel, "complementary" discussion. First, he tried to put Neto in a love story, but he could not write something satisfying. Making it a story of love and hate,
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s deemed it "a portrait of hell in motion," "painted with such passion, competence and integrity" which makes it "both a torment and a pleasure." The newspaper commented that all
Bodanzky's choices are "unerring", that the documentary tone "amplifies the incisiveness of history" and the natural
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The first version of the script was written in June 1997 during a trip for the project Cine
Mambembe, which screens Brazilian films around the country in places where the people cannot pay for or do not have access to movie theaters. The trip and the screenings helped Bolognesi to write the
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Bodanzky's main concern was transposing the story's setting from the 1970s to the current day because she wanted to cause an impact. She felt audiences would find the situations in the film unlikely if it were set in the past. She wanted to show that the end of
799:' music. According to the writer, he found some songs that seemed to be composed for the film. He then wrote some scenes and characters to fit the compositions and integrate them into the narrative. The soundtrack consists of songs by Atunes, with lyrics by
699:'s incentive laws; however, most companies did not want associate their brands to its theme. In addition to the Brazilian distributor Riofilme, half of the film cost was gathered by European resources: Italian studio Fabrica Cinema, Italian network
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said that with "an unattractive palette of cold, blue-green hues, pic does little to build sympathy for its protagonist or any of the other characters, and flashy visual effects for Neto's mental dislocation add to the viewer's own alienation."
585:. Bodanzky declared that it was necessary to replace the book title because the film was not exactly the transposition of the book to cinema, but an adaptation inspired by it. This title can be translated as "seven-headed beast;" "
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Filming took place in the city of SĂŁo Paulo between
February and April 2000, with a budget of R$ 1,5 million ($ 700,000). The biggest difficulty Bodanzky faced while producing the film was to find funders. She was helped by the
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stated the film has a point in its subject "but the simplistic and outraged tone spoils the film" as "Anyone not already convinced that such institutions are monstrous will legitimately dismiss the work as intemperate
637:; it was her only way of attracting a good cast and staff because it was her first feature film. It aroused the interest of lead actors Santoro, Bastos, Kiss, and the producers Sara Silveira, Caio and Fabiano Gullane.
843:, where it won seven awards out of thirteen, and at the 5th Recife Film Festival, where it won nine out of eleven awards. In early 2001, the film was screened in a public square during the Tiradentes Film Festival in
469:. Drunk, he carries his friend Bel to the bathroom and they start to kiss each other. However, he goes berserk and starts to damage the place. The police are called and send him to another psychiatric hospital.
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grossed R$ 2,184,514 and was watched by 401,565 people in the 50 Brazilian theaters in which it was released. In addition, the film won several national awards; it was the most awarded film at the 1st
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worldview and would have the respect necessary to work on the subject. Bolognesi was reluctant as he considered it a complicated subject; he was close to giving up until he read and was touched by
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who said, "It's hard to believe that the actors here are not really crazy." Forlani praised the photography and the sound editing as factors that differentiate it from other films. Furthermore,
566:". To achieve this goal, she also used a documentary-like film style to generate further impact. She filmed in actual hospitals that were disabled because of reports of mistreatment, and added
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The film opens as Mr. Wilson reads a letter he has received from his son Neto, in which Neto declares his contempt for his father. It is followed by a flashback to explain the story; Neto, a
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s Gautaman Bhaskaran dubbed it "extremely gripping", "disturbing"; ultimately, he declared it has a "morbidity" and a "sense of truth, bitter and brutal". Writing for Indian magazine
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and careless. He also meets Rogério, an injectable drug user committed by his family, who tells him it is impossible to escape and that if he were to try he would be drugged with
858:, winning seven out of thirteen awards: Best Film, Best Director, Best Screenplay, Best Score, Best Editing, Best Actor (Santoro), and Best Supporting Actor (Othon Bastos). The
589:" ("to make a seven-headed beast") is an expression in Brazil commonly used to describe an overreaction that can be compared to the English expression "to make heavy weather."
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died or turned into residents there, but also for the physical and chemical prison to which we are subjected, in other words, a living death that brings us to zombiism.
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387:. There, Neto is subjected to abuse. In addition to abuse by psychiatric hospitals, the film deals with the issues of drugs and relationships between fathers and sons.
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1005:] youth culture." Joshi, however, criticized it for its "excessive in the portrayal of the traumas of Neto which are evoked in the fashion of a radical,
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magazine, which also commended "the feeling of terror." Santoro and Camilo, as well as the other patient actors, were praised by Marcelo Forlani of
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in October 2000. It subsequently received several awards and nominations both domestically and internationally; among them, Best Actor at the
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Bolognesi decided to explore another theme he considered a taboo: the father-son relationship. He based the atmosphere of the relation on
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a nurse, goes to the hospital stockroom and asks the inmate Biu to set fire to a stack of drugs. When Ivan discovers this, Neto receives
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dialogue, and that "the absence of proselytism facilitates the entry of the viewer in the universe of characters." Ivan Claudio of
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awarded it Best Film, Best Director, Best Screenplay, and Best Actor (Santoro). Santoro also received a Best Actor Award from the
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956:." In 2015, it was recognized by the Brazilian Film Critics Association as the 72nd best Brazilian film of all time on its
847:; 11% of the two thousand people in the audience gave the film a rating of "Good," and 89% of them gave it an "Excellent."
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music video," and the fact he found the reason to intern Neto "never convincingly grounded in the narrative." Similarly,
881:, where it won the Young Jury's Award. It subsequently won several international awards, including Best Film at the 2001
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to have lunch with some friends; after it, Neto and Leninha have sex. Later, at night, he is arrested for doing
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367:. The film was made through a partnership between Brazilian and Italian studios and starred
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In contrast, international critics were not so favorable. Derek Elley of American magazine
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middle-class teenager, has a troubled relationship with his father and his mother, Meire.
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in his jacket. Neto's sister advises his parents to send him to a mental institution.
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had its premiere in October 2000, when it was selected for and screened at the 2nd
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When Bolognesi was re-writing the screenplay, Bodanzky suggested that he listen to
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1349:"Translation examples from external sources for 'fazer um bicho de sete cabeças'"
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to a woman to open the film, as he wanted its feelings to guide the story.
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Bodanzky read Carrano's book in 1996 and, impressed by the theme, assigned
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It was released in the commercial circuit of theaters on June 22, 2001.
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Bodanzky's first choice for the main role, Santoro debuted in film with
2272:"CrĂticos elegem 'Limite', de Mário Peixoto, o melhor filme brasileiro"
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Bodanzky considered the screenplay a key element of the production of
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SĂ©rgio Penna, a theatrical director and a theater guest professor at
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379:. The film tells the story of Neto, a young man who is admitted to a
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421:, while international critics were more mixed in their response.
2159:"CrĂtica: "Bicho de 7 Cabeças" Ă© viagem ao inferno em movimento"
2135:(in Portuguese). Universo Online. August 1, 2001. Archived from
2075:(in Portuguese). Universo Online. March 23, 2002. Archived from
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901:. It also entered into competition for Best Film at the 2001
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praised it as "stylishly shot, alternating between a
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1928:""Bicho de Sete Cabeças" vence Prêmio BR de Cinema"
835:. Later in the month, it was exhibited at the 24th
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1958:"Saiba quem foram os premiados pela APCA em 2001"
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1544:""Bicho de Sete Cabeças" começou na Mostra de SP"
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889:, and Best First Film and Best Actor at the 2002
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2246:""Bicho de Sete Cabeças" testa o grande público"
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1934:(in Portuguese). Universo Online. Archived from
1901:""Bicho de Sete Cabeças" sai vencedor de Recife"
2047:"IFFI to Open with Brazilian film 'Brainstorm'"
1964:(in Portuguese). Grupo Folha. December 11, 2001
1768:"Rio veste gala para a noite de Terence Davies"
1285:"Filme mostra viagem ao inferno dos manicĂ´mios"
803:. In addition, it features singer DĂ©cio Rocha,
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2165:(in Portuguese). Grupo Folha. October 26, 2000
2069:""Bicho de Sete Cabeças" é premiado na França"
1806:(in Portuguese). Grupo Folha. October 23, 2000
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1293:(in Portuguese). Grupo Estado. January 3, 2001
436:One day, Neto travels with his friend Lobo to
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1877:. Brainstorm official website. Archived from
1744:. Brainstorm official website. Archived from
1711:. Brainstorm official website. Archived from
1637:. Brainstorm official website. Archived from
1583:. Brainstorm official website. Archived from
1436:. Brainstorm official website. Archived from
1410:. Brainstorm official website. Archived from
1320:
1199:. Brainstorm official website. Archived from
1116:. Brainstorm official website. Archived from
999:images of the underground Sao Paolo [
534:LaĂs Bodanzky read the autobiographical book
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2252:(in Portuguese). Grupo Estado. June 21, 2001
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706:Bodanzky and Bolognesi spent four months in
665:, who acted along with him in the TV series
2020:(in Portuguese). Grupo Folha. April 3, 2002
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1143:"Filmes Brasileiros Lançados – 1995 a 2013"
917:Domestic reception was generally positive.
899:Créteil International Women's Film Festival
383:after his father discovers he is a user of
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2423:(in Portuguese). Editora 34. p. 143.
2390:"Films by Godard, Cox, Imamura and others"
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577:—is based on the song of the same name by
395:story. The film was shot in early 2000 in
29:
3075:Proezas de Satanás na Vila de Leva e Tráz
1907:(in Portuguese). Grupo Folha. May 2, 2001
1853:"Bicho de Sete Cabeças, de LaĂs Bodanzky"
1850:
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1258:(in Portuguese) (1628). Editora Três: 1–2
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950:dubbed it "the best Brazilian film since
399:, and was edited and finalized in Italy.
2417:Bolognesi, Luiz; Bodanzky, LaĂs (2002).
2361:"Die Milch der inhaltlichen Denkungsart"
2043:Ministry of Information and Broadcasting
2014:"Cinesesc exibe melhores do ano passado"
1926:Carvalho, Ludmila (September 12, 2002).
1844:
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1137:
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864:National Conference of Bishops of Brazil
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648:
3603:Cinema Brazil Grand Prize for Best Film
3563:There was no award in 1972, 1973, 1974.
3003:There was no award in 1987, 1988, 1989.
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1148:(in Portuguese). Ancine. Archived from
1027:
703:and Swiss Fondation Montecinemaveritá.
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2299:Bhaskaran, Gautman (October 3, 2002).
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1832:(in Portuguese). R7. November 29, 2001
1826:"Bicho de 7 Cabeças Vence em BrasĂlia"
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995:view of the Brazilian family life and
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2103:Stockholm International Film Festival
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903:Stockholm International Film Festival
893:. The film was awarded by the French
856:Grande PrĂŞmio BR de Cinema Brasileiro
837:SĂŁo Paulo International Film Festival
3671:The Year My Parents Went on Vacation
3091:The Hour and Turn of Augusto Matraga
1471:AraĂşjo, Felipe (September 2, 2006).
1329:(in Portuguese) (1655). Editora TrĂŞs
895:Minister of Youth Affairs and Sports
562:was not the end of what she dubbed "
2301:"A 'disturbing' start to film fete"
2032:
1473:"Entrevista: Bicho de sete cabeças"
1186:
879:Locarno International Film Festival
722:mixing technology and the standard
352:based on the autobiographical book
13:
3833:Films set in psychiatric hospitals
2332:Joshi, Namrata (October 4, 2002).
2216:Forlani, Marcelo (June 22, 2001).
1994:(in Portuguese). R7. June 28, 2001
570:to improve the realistic climate.
14:
3874:
2438:
626:. He used words from a letter by
3496:Once Upon a Time Was I, VerĂ´nica
2614:Cassy Jones, o MagnĂfico Sedutor
2388:Walsh, David (October 8, 2001).
2226:(in Portuguese). Universo ONline
1774:(in Portuguese). October 5, 2000
1074:Elley, Derek (August 26, 2001).
909:that forbade such institutions.
510:Altair Lima as Dr. Cintra AraĂşjo
504:Daniela Nefussi as Neto's sister
419:best Brazilian films of all time
199:Dezenove Som e Imagens Produções
3853:Best Picture APCA Award winners
3848:2000s Portuguese-language films
3828:Films directed by LaĂs Bodanzky
3823:Films based on Brazilian novels
3751:Bingo: The King of the Mornings
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2218:"CrĂtica: Bicho de Sete Cabeça"
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2006:
1976:
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1798:"Nova safra nacional Ă© variada"
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1481:(in Portuguese). Archived from
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1321:Claudio, Ivan (June 20, 2001).
1250:Filho, Francisco Alves (2000).
672:One Flew Over the Cuckoo's Nest
573:The original title of the film—
1554:. October 2011. Archived from
1039:
885:, Best First Film at the 2001
824:Accolades and public reception
587:fazer um bicho de sete cabeças
1:
3695:Elite Squad: The Enemy Within
3663:Cinema, Aspirins and Vultures
3177:Iracema: Uma Transa AmazĂ´nica
2869:Cinema, Aspirins and Vultures
2756:Conterrâneos Velhos de Guerra
1855:(in Portuguese). Contra Campo
1696:Bolognesi & Bodanzky 2002
1684:Bolognesi & Bodanzky 2002
1672:Bolognesi & Bodanzky 2002
1660:Bolognesi & Bodanzky 2002
1531:Bolognesi & Bodanzky 2002
1519:Bolognesi & Bodanzky 2002
1504:Bolognesi & Bodanzky 2002
1459:Bolognesi & Bodanzky 2002
1231:Bolognesi & Bodanzky 2002
1181:Bolognesi & Bodanzky 2002
1056:
560:Brazilian military government
554:'s presentation of the book.
529:
88:by Austregésilo Carrano Bueno
3858:2000 directorial debut films
2630:RelatĂłrio de um Homem Casado
2539:The Best Things in the World
1114:"Production – co-production"
645:Casting and cast preparation
7:
3045:Award for Best Feature Film
2369:(in German). August 8, 2001
661:Santoro was recommended by
10:
3879:
3818:Films based on biographies
3083:Todas as Mulheres do Mundo
1988:recebe Margarida de Prata"
1434:"Director – Lais Bodansky"
1374:"Significado de "weather""
934:on the cast were woven by
868:Social Service of Commerce
608:Austregésilo Carrano Bueno
592:
540:Austregésilo Carrano Bueno
507:Jairo Mattos as Nurse Ivan
358:Austregésilo Carrano Bueno
16:2000 film by LaĂs Bodanzky
3711:Gonzaga: de Pai pra Filho
3609:
3560:
3459:
3379:To the Left of the Father
3362:
3265:
3168:
3101:
3050:
3000:
2909:
2806:
2723:
2664:
2597:
2517:
1635:"Cast – cast preparation"
897:Jury's Award at the 24th
877:was featured at the 54th
781:
771:
763:
750:
741:
736:
519:Linneu Dias as Jornalista
319:
306:
298:
281:
271:
232:
213:
184:
174:
157:
149:
123:
92:
78:
68:
58:
54:
44:
40:
35:Theatrical release poster
28:
23:
3655:Cazuza: O Tempo Não Pára
2673:A Volta do Filho PrĂłdigo
2591:APCA Award for Best Film
2394:World Socialist Web Site
2193:(in Portuguese) (1705).
1086:Penske Media Corporation
1032:
1017:World Socialist Web Site
729:
405:had its premiere at the
3843:Films shot in SĂŁo Paulo
3534:A cidade onde envelheço
3209:Nunca Fomos tĂŁo Felizes
2918:Antes Que o Mundo Acabe
2899:A Festa da Menina Morta
2713:Avaete, Seed of Revenge
891:Cartagena Film Festival
684:University of SĂŁo Paulo
501:as Meire, Neto's mother
480:
424:
413:, and Best Film at the
411:Cartagena Film Festival
256:June 22, 2001
3838:Films set in SĂŁo Paulo
3518:Branco Sai, Preto Fica
3110:Of Gods and the Undead
2105:. 2001. Archived from
2045:(September 29, 2002).
1742:"Calendar – festivals"
1581:"Director – interview"
1323:"Um estranho no ninho"
1076:"Review: 'Brainstorm'"
883:Biarritz Film Festival
841:BrasĂlia Film Festival
658:
611:
415:BrasĂlia Film Festival
339:
3863:2000s Brazilian films
3808:Brazilian drama films
3468:O CĂ©u Sobre os Ombros
3336:Anahy de las Misiones
3290:A Maldição do Sanpaku
3201:O Mágico e o Delegado
3185:O Homem do Pau-Brasil
2823:Cronicamente Inviável
2689:O Olho Mágico do Amor
2547:Just Like Our Parents
2469:Bicho de Sete Cabeças
2458:Bicho de Sete Cabeças
2420:Bicho de Sete Cabeças
2139:on September 28, 2011
1986:Bicho de Sete Cabeças
1875:"Calendar – premiers"
1587:on September 23, 2015
887:Trieste Film Festival
819:Release and reception
737:Bicho de Sete Cabeças
652:
600:
575:Bicho de Sete Cabeças
341:Bicho de Sete Cabeças
49:Bicho de Sete Cabeças
3225:A Cor do Seu Destino
3067:The Red Light Bandit
2681:Eros, o Deus do Amor
2366:Neue ZĂĽrcher Zeitung
2313:on February 21, 2005
2250:O Estado de S. Paulo
1772:O Estado de S. Paulo
1408:"Story – playwright"
1378:Dicionário Michaelis
1290:O Estado de S. Paulo
1028:Notes and references
1012:Neue ZĂĽrcher Zeitung
947:O Estado de S. Paulo
624:Letter to His Father
475:solitary confinement
381:psychiatric hospital
3813:Italian drama films
3510:O Mestre e o Divino
3255:Que Bom Te Ver Viva
2780:How Angels Are Born
2280:. November 26, 2015
2109:on October 27, 2014
2079:on October 27, 2014
1938:on October 27, 2014
1606:Bruns, Zoë (2003).
1485:on October 26, 2011
697:Ministry of Culture
690:Filming and editing
628:LupicĂnio Rodrigues
564:concentration camps
447:marijuana cigarette
3727:A Wolf at the Door
3647:The Man Who Copied
3504:Exilados do VulcĂŁo
3142:Tenda dos Milagres
3118:A Casa Assassinada
2942:Neighboring Sounds
2891:Serras da Desordem
2847:The Man Who Copied
2509:Films directed by
2450:2013-04-30 at the
1327:IstoÉ Independente
1256:IstoÉ Independente
1045:In the credits of
913:Critical reception
659:
536:Canto dos Malditos
354:Canto dos Malditos
83:Canto dos Malditos
3785:
3784:
3735:The Second Mother
3719:Brazilian Western
3569:
3568:
3490:They'll Come Back
3425:Baixio das Bestas
3059:MemĂłria de Helena
3009:
3008:
2958:The Second Mother
2788:A Ostra e o Vento
2705:Memoirs of Prison
2557:
2556:
1715:on April 24, 2012
1608:"Rodrigo Santoro"
1550:(in Portuguese).
1380:(in Portuguese).
1252:"Choque estético"
1155:on March 27, 2014
1120:on March 26, 2012
833:Rio Film Festival
793:
792:
407:Rio Film Festival
327:
326:
251:Rio Film Festival
241:October 2000
3870:
3803:2000 drama films
3687:É Proibido Fumar
3596:
3589:
3582:
3573:
3572:
3449:É Proibido Fumar
3306:Louco por Cinema
3217:Hour of the Star
3036:
3029:
3022:
3013:
3012:
2877:Suely in the Sky
2697:Sergeant Getulio
2606:Os Inconfidentes
2584:
2577:
2570:
2561:
2560:
2503:
2496:
2489:
2480:
2479:
2445:Official website
2434:
2405:
2404:
2402:
2400:
2385:
2379:
2378:
2376:
2374:
2357:
2351:
2350:
2348:
2346:
2329:
2323:
2322:
2320:
2318:
2309:. Archived from
2296:
2290:
2289:
2287:
2285:
2268:
2262:
2261:
2259:
2257:
2242:
2236:
2235:
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2213:
2207:
2206:
2204:
2202:
2185:"Veja recomenda"
2181:
2175:
2174:
2172:
2170:
2163:Folha de S.Paulo
2155:
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2148:
2146:
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2018:Folha de S.Paulo
2010:
2004:
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1999:
1980:
1974:
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1969:
1962:Folha de S.Paulo
1954:
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1914:
1912:
1905:Folha de S.Paulo
1897:
1891:
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1886:
1881:on July 15, 2015
1871:
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1803:Folha de S.Paulo
1794:
1788:
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1779:
1764:
1758:
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1755:
1753:
1748:on March 4, 2016
1738:
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1648:
1646:
1641:on March 3, 2016
1631:
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1597:
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1577:
1568:
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1534:
1533:, p. 12–13.
1528:
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1462:
1456:
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1447:
1445:
1440:on March 4, 2016
1430:
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1419:
1414:on March 4, 2016
1404:
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1234:
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1210:
1208:
1203:on March 4, 2016
1193:
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920:Folha de S.Paulo
873:In August 2001,
752:Soundtrack album
746:
734:
733:
609:
548:
366:
263:
261:
248:
246:
221:Columbia TriStar
167:Letizia Caudullo
33:
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3164:
3126:Guerra Conjugal
3097:
3046:
3040:
3010:
3005:
2996:
2905:
2802:
2796:Central Station
2772:No Rio Amazonas
2740:Corpo em Delito
2719:
2660:
2622:O Anjo da Noite
2593:
2588:
2558:
2553:
2513:
2507:
2474:Rotten Tomatoes
2452:Wayback Machine
2441:
2431:
2413:
2408:
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2198:
2197:. June 20, 2001
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1851:Gardnier, Ruy.
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1552:Universo Online
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1382:Universo Online
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1197:"Cast – actors"
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915:
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809:Geraldo Azevedo
797:Arnaldo Antunes
759:
732:
692:
647:
610:
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595:
583:Geraldo Azevedo
542:
532:
487:Rodrigo Santoro
483:
427:
369:Rodrigo Santoro
360:
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294:
274:
267:
259:
257:
244:
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170:
145:
131:Rodrigo Santoro
119:
108:Fabiano Gullane
87:
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2974:Corpo Elétrico
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2885:Linha de Passe
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2129:"Duas Cabeças"
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3550:Long Way Home
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3401:Filme de Amor
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3322:Perfumed Ball
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3298:Alma Corsária
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3274:Beijo 2348/72
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2646:O Seminarista
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2511:LaĂs Bodanzky
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2195:Editora Abril
2192:
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2164:
2160:
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2138:
2134:
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2108:
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2100:
2099:"Competition"
2094:
2078:
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2048:
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2038:
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2019:
2015:
2009:
1993:
1989:
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1714:
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1704:
1698:, p. 14.
1697:
1692:
1686:, p. 18.
1685:
1680:
1674:, p. 17.
1673:
1668:
1662:, p. 16.
1661:
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1636:
1630:
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1558:on 2014-10-26
1557:
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1521:, p. 12.
1520:
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1506:, p. 11.
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992:cinéma vérité
988:
987:Namrata Joshi
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724:Dolby Digital
721:
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687:
685:
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667:Hilda FuracĂŁo
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495:as Mr. Wilson
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234:Release dates
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212:
204:
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196:Buriti Filmes
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164:Jacopo Quadri
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153:Hugo Kovensky
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102:Sara Silveira
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99:Maria Ionescu
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69:Screenplay by
67:
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63:LaĂs Bodanzky
61:
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32:
27:
22:
19:
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3502:
3494:
3488:
3482:
3474:
3466:
3460:2010—present
3447:
3439:
3431:
3423:
3417:Eu me Lembro
3415:
3407:
3399:
3393:Mango Yellow
3391:
3383:
3377:
3370:
3369:
3350:
3342:
3334:
3328:
3320:
3312:
3304:
3296:
3288:
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3272:
3253:
3245:
3241:MemĂłria Viva
3239:
3233:Night Angels
3231:
3223:
3215:
3207:
3199:
3191:
3183:
3175:
3158:Muito Prazer
3156:
3148:
3140:
3132:
3124:
3116:
3108:
3089:
3081:
3073:
3065:
3057:
3002:
2988:
2980:
2972:
2964:
2956:
2950:Futuro Beach
2948:
2940:
2932:
2924:
2916:
2910:2010—present
2897:
2889:
2883:
2875:
2867:
2859:
2853:
2845:
2837:
2830:
2829:
2821:
2813:
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2770:
2762:
2754:
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2671:
2654:Mar de Rosas
2652:
2644:
2636:
2628:
2620:
2612:
2604:
2545:
2537:
2531:The Ballroom
2529:
2522:
2521:
2468:
2457:
2419:
2411:Bibliography
2397:. Retrieved
2383:
2371:. Retrieved
2364:
2355:
2343:. Retrieved
2337:
2334:"IFFI Diary"
2327:
2315:. Retrieved
2311:the original
2304:
2294:
2282:. Retrieved
2275:
2266:
2254:. Retrieved
2249:
2240:
2228:. Retrieved
2221:
2211:
2199:. Retrieved
2188:
2179:
2167:. Retrieved
2162:
2153:
2141:. Retrieved
2137:the original
2132:
2123:
2111:. Retrieved
2107:the original
2093:
2081:. Retrieved
2077:the original
2072:
2063:
2051:. Retrieved
2022:. Retrieved
2017:
2008:
1996:. Retrieved
1991:
1985:
1978:
1966:. Retrieved
1961:
1952:
1940:. Retrieved
1936:the original
1931:
1921:
1909:. Retrieved
1904:
1895:
1883:. Retrieved
1879:the original
1869:
1857:. Retrieved
1846:
1834:. Retrieved
1829:
1820:
1808:. Retrieved
1801:
1792:
1782:– via
1776:. Retrieved
1771:
1762:
1750:. Retrieved
1746:the original
1717:. Retrieved
1713:the original
1709:"Soundtrack"
1703:
1691:
1679:
1667:
1655:
1643:. Retrieved
1639:the original
1629:
1617:. Retrieved
1611:
1601:
1589:. Retrieved
1585:the original
1560:. Retrieved
1556:the original
1548:Revista Cult
1547:
1538:
1526:
1499:
1487:. Retrieved
1483:the original
1476:
1466:
1454:
1442:. Retrieved
1438:the original
1428:
1416:. Retrieved
1412:the original
1387:November 16,
1385:. Retrieved
1377:
1368:
1358:November 16,
1356:. Retrieved
1343:
1331:. Retrieved
1326:
1295:. Retrieved
1288:
1260:. Retrieved
1255:
1233:, p. 7.
1205:. Retrieved
1201:the original
1183:, p. 8.
1157:. Retrieved
1150:the original
1122:. Retrieved
1118:the original
1089:. Retrieved
1079:
1046:
1041:
1010:
1000:
991:
980:
971:
964:
962:
951:
945:
935:
928:
918:
916:
874:
872:
851:
849:
845:Minas Gerais
828:
827:
813:Zeca Baleiro
794:
718:, using the
705:
693:
681:
677:Miloš Forman
670:
666:
663:Paulo Autran
660:
654:
639:Marco Muller
634:
632:
616:
612:
601:
596:
586:
574:
572:
556:
535:
533:
514:Caco Ciocler
493:Othon Bastos
471:
459:
451:
435:
428:
402:
401:
389:
373:Othon Bastos
353:
348:directed by
344:) is a 2000
340:
330:
329:
328:
323:R$ 2,184,514
313:1.5 million
273:Running time
136:Othon Bastos
115:Marco Muller
105:Caio Gullane
82:
48:
18:
3639:City of God
3623:Me You Them
3352:Santo Forte
3344:Love and Co
3247:O Mentiroso
2815:Santo Forte
2638:O Predileto
2399:October 26,
2373:November 8,
2345:October 26,
2284:January 20,
2256:November 2,
2230:November 2,
2201:November 2,
2169:November 2,
2113:October 26,
2083:October 26,
2053:October 26,
2024:October 26,
1998:October 26,
1968:October 26,
1942:October 26,
1911:October 26,
1885:October 26,
1859:October 25,
1836:October 25,
1810:October 25,
1778:October 25,
1752:October 25,
1645:October 25,
1619:October 26,
1591:October 25,
1562:October 25,
1489:November 2,
1444:October 26,
1418:October 26,
1333:October 25,
1297:October 26,
1262:October 25,
1207:October 25,
1159:October 25,
1091:October 26,
930:IstoÉ Gente
620:Franz Kafka
543: [
523:Gero Camilo
499:Cássia Kiss
455:haloperidol
377:Cassia Kiss
361: [
315:($ 700,000)
141:Cássia Kiss
93:Produced by
59:Directed by
3798:2000 films
3792:Categories
3631:Brainstorm
3441:FilmeFobia
3371:Brainstorm
2831:Brainstorm
2523:Brainstorm
2430:857326229X
1057:References
1047:Brainstorm
1022:propaganda
1007:nihilistic
875:Brainstorm
866:, and the
852:Brainstorm
829:Brainstorm
805:ZĂ© Ramalho
714:studio in
655:Brainstorm
635:Brainstorm
579:ZĂ© Ramalho
530:Production
516:as Rogério
403:Brainstorm
346:drama film
336:Portuguese
331:Brainstorm
320:Box office
302:Portuguese
277:74 minutes
260:2001-06-22
186:Production
86:1993 novel
45:Portuguese
24:Brainstorm
3775:The Fever
3703:The Clown
3433:CleĂłpatra
3363:2000—2009
3266:1990—1999
3169:1980—1989
3102:1970—1979
3051:1965—1969
2855:Entreatos
2839:O Invasor
2807:2000—2009
2724:1990—1999
2665:1980—1986
2598:1972—1979
2306:The Hindu
1992:Cineclick
1830:Cineclick
1719:March 15,
973:The Hindu
712:CinecittĂ
463:Coca-Cola
431:SĂŁo Paulo
397:SĂŁo Paulo
385:marijuana
282:Countries
188:companies
158:Edited by
3759:Loveling
3743:Aquarius
3679:EstĂ´mago
3526:Big Jato
3150:Tudo Bem
3043:Candango
2966:Aquarius
2748:Stelinha
2448:Archived
2317:July 11,
2143:June 25,
1124:June 25,
953:retomada
907:Congress
764:Released
754: by
606:—
525:as Ceará
443:graffiti
299:Language
225:RioFilme
175:Music by
124:Starring
79:Based on
3767:Bacurau
3330:Miramar
3314:The Jew
3282:O Corpo
2990:Bacurau
2339:Outlook
2277:O Globo
2223:Omelete
2133:A Tarde
2073:A Tarde
1932:A Tarde
1353:Linguee
1081:Variety
982:Outlook
966:Variety
958:Top 100
942:Omelete
777:Various
593:Writing
489:as Neto
467:cachaça
258: (
245:2000-10
243: (
3778:(2021)
3770:(2020)
3762:(2019)
3754:(2018)
3746:(2017)
3738:(2016)
3730:(2015)
3722:(2014)
3714:(2013)
3706:(2012)
3698:(2011)
3690:(2010)
3682:(2009)
3674:(2008)
3666:(2007)
3658:(2005)
3650:(2004)
3642:(2003)
3634:(2002)
3626:(2001)
3618:(2000)
3553:(2018)
3545:(2017)
3537:(2016)
3529:(2015)
3521:(2014)
3513:(2013)
3499:(2012)
3479:(2011)
3471:(2010)
3452:(2009)
3444:(2008)
3436:(2007)
3428:(2006)
3420:(2005)
3412:(2004)
3404:(2003)
3396:(2002)
3388:(2001)
3374:(2000)
3355:(1999)
3347:(1998)
3339:(1997)
3325:(1996)
3317:(1995)
3309:(1994)
3301:(1993)
3293:(1992)
3285:(1991)
3277:(1990)
3258:(1989)
3250:(1988)
3236:(1987)
3228:(1986)
3220:(1985)
3212:(1984)
3204:(1983)
3196:(1982)
3188:(1981)
3180:(1980)
3161:(1979)
3153:(1978)
3145:(1977)
3137:(1976)
3129:(1975)
3121:(1971)
3113:(1970)
3094:(1965)
3086:(1966)
3078:(1967)
3070:(1968)
3062:(1969)
2993:(2019)
2985:(2018)
2977:(2017)
2969:(2016)
2961:(2015)
2953:(2014)
2945:(2013)
2937:(2012)
2929:(2011)
2926:BrĂłder
2921:(2010)
2902:(2009)
2894:(2008)
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