Knowledge

Marché du Film

Source 📝

146:. As early as in 1950, Robert Favre Le Bret, Executive Director of the Festival de Cannes, suggested including a film market in the Festival de Cannes, but his idea was rejected because the festival committee stressed out artistic significance and values of the Cannes festival and didn’t want to clutter it with commerce. For a whole decade, le Festival de la rue d'Antibes ran in parallel with the Cannes Film Festival, sometimes coinciding with important events. Seeing the success of the film market, the Cannes Film Festival Committee finally agreed to include it in its programme. In 1959, by two members of the Chambre Syndicale des Producteurs de Film Français (lit. "Trade Union Chamber of French Film Producers"), Émile Natan and Bertrand Bagge, with the patronage of 40: 220:
across new locations on the Riviera. It includes the largest database with industry contact details, project lists and event schedules. Although generally there is no public disclosure of sums and a significant number of agreements take place behind the scenes, Jérôme Payard estimates the total volume of deals made during the film market to be in the range of US$ 600 million to US$ 1 billion.
125:, generating multi-million dollar deals and a total turnover of between $ 600,000 and $ 1 billion. Its main purpose is to bring together the different players from the audiovisual industry to make connections and discuss business opportunities such as collaborations and co-productions, financing, and distribution. 219:
is a flagship event for the global film industry, with a multi-million pound budget and no fewer than 12,000 participants, 3,200 producers, 1,200 agents and 800 festival managers. Over 400 pavilions, collectively known as the International Village, stretch along La Croisette, and some are also spread
157:
In 1980, L'Association du Festival ("the festival association") decided to establish the Secrétariat Général du Marché du Film ("General Secretariat of the film market"), with Michel Bonnet and Marcel Lathière in charge. They started to slowly set up the Marché du Film by introducing fares for films
236:
for $ 50 million. A total of 3,420 films were marketed, with 1,600 European and 830 American. Participants noted an increasing trend in the number of deals for films that are at a very early stage of completion: projects with a finished script, an approved director and actors and little footage are
223:
In 2016, 11,900 participants registered for the film market, with China almost catching up with the US and France and the UK in terms of the percentage of attendees. A total of 1,426 screenings of 985 feature films took place and 1,050 additional projects were presented. One of the biggest deals of
282:
In 2022, Jérôme Paillard introduced his successor as director of the Marché du Film, Guillaume Esmiol, former head of innovation at TF1 Group and marketing director at start-up Wefound. Paillard and Esmiol co-directed the Marché du Film 2022; in December of the same year Paillard retired. Also in
290:
Guillaume Esmiol became the new director of the Film Market in 2023, with Jérôme Paillard stepping down after 27 years in charge. A new motto was created for the event: "the heart of the film industry". The beach at Palace of Festivals and Congresses became a plaza dedicated to new film trends:
405:
Launched 15 years ago, the Producers Network hosts producers from all around the world for a series of meetings and unique events specifically designed to create opportunities to build peer networks and get international co-production projects off the ground.
183:
and to extend the range of films on show beyond those on the main programme at Cannes. It was also Payard's idea to publish a guide to the film market with photos of all the participants (this guide has been nicknamed "the bible" by
158:
subscriptions and booth rentals. Up until the mid-1990s, however, most of the deals and meetings took place in the hotels and rented apartments where festival guests stayed. Marché du Film was shown in the basement of the
283:
2022, "Ukraine in Focus" program was launched, while key initiatives like Goes to Cannes, Cannes Docs Showcase, and Producers Network were dedicated to Ukrainian projects. The Marché du Film had a strong focus on
303:. On the ground floor of the palace, a Producers' Club was opened. The 2023 film market attracted an even greater number of participants, with at least 13,000 coming to Cannes. The biggest deal announced was 178:
was headed by Jérôme Paillard, a former professional oboist, sound engineer, and finance director of the Erato Disques label. It was his initiative to move the events of the Film Market to the pavilions on
494: 325:
A number of programs are provided during the Marché du Film for the benefit of producers, directors, festival programmers, sales agents, and other film industry professionals:
287:. The total number of participants in 2022 was 12,000, with another 13 joining the event online, but in general there has been a decline in comparison to the pre-COVID days. 212:
In 2012, more than half of the screenings were in European countries, with a total of 4,000 films sold at the Marché du Film that year, half of which were fully completed.
975: 630: 926: 397:
is an international co-production market and networking platform specifically focused on genre film financing and co-production between Europe and North America.
114:(French for "Film Market") is one of the largest and most important film markets in the world. Established in 1959, it is held annually in conjunction with the 903: 345:
platform designed to connect professionals to other documentary professionals, promote festival, company or organization, expand network and develop projects.
881: 1718: 1024: 833: 1268: 1184: 1131: 468: 686: 1713: 1169: 366: 142:
cinema rooms to show their films, while producers and professionals discussed business in hotels and apartments they had rented during the
1179: 1174: 709: 757: 1223: 582: 1754: 159: 1723: 1238: 386: 803: 1124: 952: 17: 1164: 1159: 927:"Netflix Lands Todd Haynes' Buzzy Cannes Competition Film 'May December' In Splashy $ 11M North American Rights Deal" 604: 440: 780: 377:
Goes to Cannes spotlights work-in-progress projects looking for sales agents, distributors or festival selection.
859: 121:
In the 2020s, more than 12,500 film industry professionals annually present around 4,000 films and projects at
1744: 1117: 1248: 237:
being sold. In addition, the market segment formerly occupied by DVD and pay-TV has virtually disappeared.
860:"Cannes Film Market Unveils Full Ukraine in Focus Program with Selected Filmmakers, Producers (EXCLUSIVE)" 658: 422:, launched to promote ethics, inclusion, representation and social responsibility in cinema industry. 1700: 1695: 1690: 1685: 1680: 1675: 1670: 1665: 1660: 1655: 1650: 1645: 1640: 1635: 1630: 1625: 1620: 1615: 1610: 1605: 1600: 1595: 1590: 1585: 1580: 1575: 1570: 1565: 1560: 1555: 1550: 1545: 1540: 1535: 1530: 1525: 1520: 1515: 1510: 1505: 1500: 1495: 1490: 1485: 1480: 1475: 1470: 1465: 1460: 1455: 1450: 1445: 1440: 1435: 1430: 1425: 1420: 1415: 1410: 1405: 1400: 1395: 1390: 1385: 1380: 1375: 1370: 1365: 1360: 1355: 1350: 1345: 1340: 1335: 1325: 1315: 1310: 731: 1228: 1194: 495:"My Screen Life: Marché du Film boss Jerome Paillard on flying planes, his favourite Cannes moment" 1284: 1263: 472: 1749: 1025:"Cannes Marche & Fantasia Select 13 Projects For Genre-Focused Industry Event Frontières" 268:
In 2021, one of the biggest deals was STX's $ 75m purchase of global distribution rights to
1140: 1077: 342: 273: 199:. By 2000, the number of participants had doubled, and by 2005 there were more than 8,000. 192: 143: 115: 1047: 8: 999:"Frontières Platform announces its line-up of genre film projects for the Marché du Film" 265:. More than 150 events were held, with 250 participants presenting their virtual stands. 1243: 976:"Cannes Fest Inks Major Genre Industry Alliance With Fantasia's Frontières (EXCLUSIVE)" 246: 88: 1233: 1189: 250: 225: 163: 1199: 174:, the business community saw a monetary opportunity in independent cinema. In 1995, 1289: 781:"With Cannes Market Half Over, Sellers Remain Optimistic While Deals Remain Scarce" 300: 171: 170:
grossed over $ 200 million at the worldwide box office, a sum never before seen in
1204: 904:"Netflix strikes $ 11m domestic deal for Todd Haynes' Cannes title 'May December'" 882:"War films, protests and Russia boycotts: How Ukraine's plight shaped Cannes 2022" 147: 296: 292: 254: 229: 1253: 998: 631:"Jérome Paillard on the past, present and future of the Cannes Marché du Film" 333:
Cannes XR is a program dedicated to immersive technologies and entertainment.
1738: 1154: 284: 269: 188:
regulars). The number of market participants in 1995 was over two thousand.
138:
Before the Marché du Film was created, film production companies rented the
837: 313: 233: 180: 167: 39: 560: 583:"Marché du Film – call for Producers Network and Impact Lab applications" 308: 195:-platform for members of the film industry, which by 2003 had grown into 1258: 1109: 538: 1051: 1002: 415: 804:"Cannes Market Boss Jerome Paillard to Step Down After 2022 Edition" 353:
Cannes Next is dedicated to innovative technologies in moviemaking.
1104: 659:"What is the Cannes Market, and Should You Bring Your Movie There?" 304: 262: 258: 196: 139: 1097: 687:"In Cannes, the real festival happens away from the red carpet" 441:"Cannes 2019 : Les 60 ans du Marché International du Film" 73: 69: 834:"10 things to know ahead of this year's Cannes Marche du Film" 99: 1048:"Industry Report: Gender Equality, Diversity and Inclusion" 605:"Ultimate tips for attending the Cannes Film Festival 2016" 369:
for Animation Day: a program, dedicated to animated films.
341:
Cannes Docs is dedicated to documentaries. It is also a
469:"Cannes Says Goodbye to Market Legend Jerome Paillard" 307:'s purchase of North American distribution rights to 27:
French film market held with the Cannes Film Festival
516: 514: 512: 953:"Cannes' NEXT Pavilion: Do digital and cinema mix?" 925:Fleming, Mike Jr.; Wiseman, Andreas (23 May 2023). 438: 996: 710:"5 Ways the Cannes Market Will Impact Indie Film" 509: 1736: 758:"Cannes Marché Du Film To Launch Virtual Market" 732:"Marché du Film, Festival de Cannes Case Study" 924: 1125: 1269:Pierre Angénieux Excellens in Cinematography 973: 827: 825: 823: 821: 462: 460: 458: 439:Ferasson De Quental, Fabien (13 May 2019). 191:In 1998, they launched Cannesmarket.com, a 1132: 1118: 1022: 628: 624: 622: 466: 818: 652: 650: 648: 455: 1139: 801: 778: 680: 678: 676: 831: 707: 619: 253:, Marché du Film 2020 ran online via a 14: 1737: 1075: 951:Roy, Charles Stephane (15 June 2015). 946: 944: 857: 755: 645: 520: 1113: 673: 656: 539:"Marché du Film – Festival de Cannes" 533: 531: 529: 1239:CST Award for Best Artist-Technician 1045: 684: 492: 387:Fantasia International Film Festival 320: 950: 941: 802:Keslassy, Elsa (11 February 2022). 629:Goodfellow, Melanie (15 May 2019). 486: 160:Palais des Festivals et des Congrès 24: 997:Vassilis Economou (6 April 2023). 832:Leffler, Rebecca (11 April 2023). 526: 25: 1766: 1089: 858:Frater, Patrick (13 April 2022). 467:Roxborough, Scott (18 May 2022). 1078:"La montée des marchés à Cannes" 414:impACT is a joint initiative of 38: 1039: 1016: 990: 967: 918: 896: 874: 851: 795: 779:Donnelly, Matt (11 July 2021). 772: 749: 724: 701: 202: 133: 756:Wilson, Josh (19 March 2020). 708:Winfrey, Graham (6 May 2016). 597: 575: 553: 432: 13: 1: 1755:1959 establishments in France 974:Hopewell, J. (6 April 2016). 657:Buder, Emily (17 June 2016). 425: 257:platform partnership between 1249:Prize of the Ecumenical Jury 1023:Grater, T. (28 April 2021). 493:Tutt, Louise (17 May 2022). 154:was officially established. 7: 906:. Screen Daily. 23 May 2023 249:imposed as a result of the 10: 1771: 1069: 128: 1709: 1303: 1277: 1213: 1147: 685:Borg, Max (1 June 2022). 94: 82: 62: 54: 46: 37: 884:. France 24. 25 May 2022 389:in partnership with the 240: 207: 150:and Robert Le Bret, the 1714:List of jury presidents 1264:Cannes Soundtrack Award 1216:by independent entities 1076:Lecler, Romain (2016). 585:. Film Co. 9 March 2023 365:has partnered with the 1229:François Chalais Prize 607:. American Film Market 473:The Hollywood Reporter 393:– Festival de Cannes, 1195:Short Film Palme d'Or 1745:Cannes Film Festival 1719:List of jury members 1285:Directors' Fortnight 1141:Cannes Film Festival 1105:Cannes Film Festival 1046:Economou, Vassilis. 144:Cannes Film Festival 116:Cannes Film Festival 955:. Canada Media Fund 443:. LesFrancais Press 84:Parent organization 34: 89:Festival de Cannes 32: 18:Cannes Film Market 1732: 1731: 1190:Un Certain Regard 401:Producers Network 385:Organised by the 321:Industry programs 251:COVID-19 pandemic 226:STX Entertainment 106: 105: 16:(Redirected from 1762: 1332: 1322: 1134: 1127: 1120: 1111: 1110: 1101: 1100: 1098:Official website 1085: 1063: 1062: 1060: 1058: 1043: 1037: 1036: 1034: 1032: 1020: 1014: 1013: 1011: 1009: 994: 988: 987: 985: 983: 971: 965: 964: 962: 960: 948: 939: 938: 936: 934: 922: 916: 915: 913: 911: 900: 894: 893: 891: 889: 878: 872: 871: 869: 867: 855: 849: 848: 846: 844: 829: 816: 815: 813: 811: 799: 793: 792: 790: 788: 776: 770: 769: 767: 765: 753: 747: 746: 744: 742: 728: 722: 721: 719: 717: 705: 699: 698: 696: 694: 682: 671: 670: 668: 666: 661:. No Film School 654: 643: 642: 640: 638: 626: 617: 616: 614: 612: 601: 595: 594: 592: 590: 579: 573: 572: 570: 568: 561:"Marché du Film" 557: 551: 550: 548: 546: 535: 524: 518: 507: 506: 504: 502: 490: 484: 483: 481: 479: 464: 453: 452: 450: 448: 436: 301:machine learning 172:Independent Film 162:. In 1994, when 102: 100:marchedufilm.com 42: 35: 31: 21: 1770: 1769: 1765: 1764: 1763: 1761: 1760: 1759: 1735: 1734: 1733: 1728: 1724:List of records 1705: 1330: 1320: 1299: 1278:Parallel events 1273: 1234:Trophée Chopard 1215: 1209: 1185:Best Screenplay 1143: 1138: 1096: 1095: 1092: 1084:(200): 209–242. 1072: 1067: 1066: 1056: 1054: 1044: 1040: 1030: 1028: 1021: 1017: 1007: 1005: 995: 991: 981: 979: 972: 968: 958: 956: 949: 942: 932: 930: 923: 919: 909: 907: 902: 901: 897: 887: 885: 880: 879: 875: 865: 863: 856: 852: 842: 840: 830: 819: 809: 807: 800: 796: 786: 784: 777: 773: 763: 761: 754: 750: 740: 738: 736:www.shift72.com 730: 729: 725: 715: 713: 706: 702: 692: 690: 683: 674: 664: 662: 655: 646: 636: 634: 627: 620: 610: 608: 603: 602: 598: 588: 586: 581: 580: 576: 566: 564: 559: 558: 554: 544: 542: 537: 536: 527: 519: 510: 500: 498: 491: 487: 477: 475: 465: 456: 446: 444: 437: 433: 428: 367:Annecy Festival 323: 255:video-on-demand 243: 230:Martin Scorsese 228:'s purchase of 210: 205: 136: 131: 98: 85: 78: 28: 23: 22: 15: 12: 11: 5: 1768: 1758: 1757: 1752: 1747: 1730: 1729: 1727: 1726: 1721: 1716: 1710: 1707: 1706: 1704: 1703: 1698: 1693: 1688: 1683: 1678: 1673: 1668: 1663: 1658: 1653: 1648: 1643: 1638: 1633: 1628: 1623: 1618: 1613: 1608: 1603: 1598: 1593: 1588: 1583: 1578: 1573: 1568: 1563: 1558: 1553: 1548: 1543: 1538: 1533: 1528: 1523: 1518: 1513: 1508: 1503: 1498: 1493: 1488: 1483: 1478: 1473: 1468: 1463: 1458: 1453: 1448: 1443: 1438: 1433: 1428: 1423: 1418: 1413: 1408: 1403: 1398: 1393: 1388: 1383: 1378: 1373: 1368: 1363: 1358: 1353: 1348: 1343: 1338: 1333: 1328: 1323: 1318: 1313: 1307: 1305: 1301: 1300: 1298: 1297: 1295:Marché du Film 1292: 1287: 1281: 1279: 1275: 1274: 1272: 1271: 1266: 1261: 1256: 1254:Palm Dog Award 1251: 1246: 1241: 1236: 1231: 1226: 1219: 1217: 1211: 1210: 1208: 1207: 1202: 1197: 1192: 1187: 1182: 1177: 1172: 1167: 1162: 1157: 1151: 1149: 1145: 1144: 1137: 1136: 1129: 1122: 1114: 1108: 1107: 1102: 1091: 1090:External links 1088: 1087: 1086: 1071: 1068: 1065: 1064: 1038: 1015: 989: 966: 940: 917: 895: 873: 850: 817: 794: 771: 748: 723: 700: 672: 644: 633:. Screen Daily 618: 596: 574: 552: 525: 508: 485: 454: 430: 429: 427: 424: 420:Marché du Film 412: 411: 403: 402: 391:Marché du Film 383: 382: 375: 374: 373:Goes to Cannes 363:Marché du Film 359: 358: 351: 350: 339: 338: 331: 330: 322: 319: 242: 239: 217:Marché du Film 209: 206: 204: 201: 186:Marché du Film 176:Marché du Film 152:Marché du Film 135: 132: 130: 127: 123:Marché du Film 111:Marché du Film 104: 103: 96: 92: 91: 86: 83: 80: 79: 77: 76: 66: 64: 60: 59: 56: 52: 51: 48: 44: 43: 33:Marché du Film 26: 9: 6: 4: 3: 2: 1767: 1756: 1753: 1751: 1748: 1746: 1743: 1742: 1740: 1725: 1722: 1720: 1717: 1715: 1712: 1711: 1708: 1702: 1699: 1697: 1694: 1692: 1689: 1687: 1684: 1682: 1679: 1677: 1674: 1672: 1669: 1667: 1664: 1662: 1659: 1657: 1654: 1652: 1649: 1647: 1644: 1642: 1639: 1637: 1634: 1632: 1629: 1627: 1624: 1622: 1619: 1617: 1614: 1612: 1609: 1607: 1604: 1602: 1599: 1597: 1594: 1592: 1589: 1587: 1584: 1582: 1579: 1577: 1574: 1572: 1569: 1567: 1564: 1562: 1559: 1557: 1554: 1552: 1549: 1547: 1544: 1542: 1539: 1537: 1534: 1532: 1529: 1527: 1524: 1522: 1519: 1517: 1514: 1512: 1509: 1507: 1504: 1502: 1499: 1497: 1494: 1492: 1489: 1487: 1484: 1482: 1479: 1477: 1474: 1472: 1469: 1467: 1464: 1462: 1459: 1457: 1454: 1452: 1449: 1447: 1444: 1442: 1439: 1437: 1434: 1432: 1429: 1427: 1424: 1422: 1419: 1417: 1414: 1412: 1409: 1407: 1404: 1402: 1399: 1397: 1394: 1392: 1389: 1387: 1384: 1382: 1379: 1377: 1374: 1372: 1369: 1367: 1364: 1362: 1359: 1357: 1354: 1352: 1349: 1347: 1344: 1342: 1339: 1337: 1334: 1329: 1327: 1324: 1319: 1317: 1314: 1312: 1309: 1308: 1306: 1302: 1296: 1293: 1291: 1290:Critics' Week 1288: 1286: 1283: 1282: 1280: 1276: 1270: 1267: 1265: 1262: 1260: 1257: 1255: 1252: 1250: 1247: 1245: 1242: 1240: 1237: 1235: 1232: 1230: 1227: 1225: 1221: 1220: 1218: 1214:Awards given 1212: 1206: 1205:Cinéfondation 1203: 1201: 1198: 1196: 1193: 1191: 1188: 1186: 1183: 1181: 1178: 1176: 1173: 1171: 1170:Best Director 1168: 1166: 1163: 1161: 1158: 1156: 1153: 1152: 1150: 1146: 1142: 1135: 1130: 1128: 1123: 1121: 1116: 1115: 1112: 1106: 1103: 1099: 1094: 1093: 1083: 1079: 1074: 1073: 1053: 1049: 1042: 1026: 1019: 1004: 1000: 993: 977: 970: 954: 947: 945: 928: 921: 905: 899: 883: 877: 861: 854: 839: 835: 828: 826: 824: 822: 805: 798: 782: 775: 759: 752: 737: 733: 727: 711: 704: 688: 681: 679: 677: 660: 653: 651: 649: 632: 625: 623: 606: 600: 584: 578: 562: 556: 540: 534: 532: 530: 522: 517: 515: 513: 497:. Screen Life 496: 489: 474: 470: 463: 461: 459: 442: 435: 431: 423: 421: 417: 409: 408: 407: 400: 399: 398: 396: 392: 388: 380: 379: 378: 372: 371: 370: 368: 364: 357:Animation Day 356: 355: 354: 348: 347: 346: 344: 336: 335: 334: 328: 327: 326: 318: 316: 315: 310: 306: 302: 298: 294: 288: 286: 285:Indian cinema 280: 278: 276: 271: 270:Gerard Butler 266: 264: 260: 256: 252: 248: 238: 235: 231: 227: 224:the year was 221: 218: 213: 200: 198: 194: 189: 187: 182: 177: 173: 169: 165: 161: 155: 153: 149: 148:André Malraux 145: 141: 126: 124: 119: 117: 113: 112: 101: 97: 93: 90: 87: 81: 75: 71: 68: 67: 65: 61: 57: 53: 49: 45: 41: 36: 30: 19: 1750:Film markets 1294: 1180:Best Actress 1081: 1055:. Retrieved 1041: 1029:. Retrieved 1018: 1006:. Retrieved 992: 980:. Retrieved 969: 957:. Retrieved 931:. Retrieved 920: 908:. Retrieved 898: 886:. Retrieved 876: 864:. Retrieved 853: 841:. Retrieved 838:Screen Daily 808:. Retrieved 797: 785:. Retrieved 774: 762:. Retrieved 751: 739:. Retrieved 735: 726: 714:. Retrieved 712:. Indie Wire 703: 691:. Retrieved 689:. Swiss Info 663:. Retrieved 635:. Retrieved 609:. Retrieved 599: 587:. Retrieved 577: 565:. Retrieved 555: 543:. Retrieved 499:. Retrieved 488: 476:. Retrieved 445:. Retrieved 434: 419: 413: 404: 394: 390: 384: 376: 362: 360: 352: 340: 332: 324: 314:May December 312: 289: 281: 274: 267: 244: 234:The Irishman 222: 216: 214: 211: 203:21st century 190: 185: 181:La Croisette 175: 168:Pulp Fiction 156: 151: 137: 134:20th century 122: 120: 110: 109: 107: 29: 1222:Prix de la 1200:Caméra d'Or 563:. Cinecittà 541:. Immersify 521:Lecler 2016 349:Cannes Next 337:Cannes Docs 309:Todd Haynes 245:Due to the 58:Film market 1739:Categories 1259:Queer Palm 1244:L'Œil d'or 1175:Best Actor 1165:Jury Prize 1160:Grand Prix 1155:Palme d'Or 1027:. Deadline 929:. Deadline 426:References 395:Frontières 381:Frontières 247:quarantine 1052:Cineuropa 1003:Cineuropa 978:. Variety 862:. Variety 806:. Variety 783:. Variety 416:Microsoft 329:Cannes XR 297:streaming 275:Greenland 164:Tarantino 47:Formation 1224:FIPRESCI 760:. Forbes 741:2 August 418:and the 311:' drama 63:Location 1304:By year 1082:Réseaux 1070:Sources 305:Netflix 263:Shift72 259:Cinando 215:Modern 197:Cinando 140:Antibes 129:History 95:Website 1148:Awards 1057:31 May 1031:11 May 1008:11 May 982:11 May 959:3 June 933:31 May 910:31 May 888:31 May 866:31 May 843:31 May 810:3 June 787:3 June 764:2 June 716:3 June 693:3 June 665:2 June 637:3 June 611:3 June 589:2 June 567:31 May 545:2 June 501:3 June 478:3 June 447:31 May 410:impACT 299:, and 277:sequel 74:France 70:Cannes 241:2020s 208:2010s 1701:2024 1696:2023 1691:2022 1686:2021 1681:2020 1676:2019 1671:2018 1666:2017 1661:2016 1656:2015 1651:2014 1646:2013 1641:2012 1636:2011 1631:2010 1626:2009 1621:2008 1616:2007 1611:2006 1606:2005 1601:2004 1596:2003 1591:2002 1586:2001 1581:2000 1576:1999 1571:1998 1566:1997 1561:1996 1556:1995 1551:1994 1546:1993 1541:1992 1536:1991 1531:1990 1526:1989 1521:1988 1516:1987 1511:1986 1506:1985 1501:1984 1496:1983 1491:1982 1486:1981 1481:1980 1476:1979 1471:1978 1466:1977 1461:1976 1456:1975 1451:1974 1446:1973 1441:1972 1436:1971 1431:1970 1426:1969 1421:1968 1416:1967 1411:1966 1406:1965 1401:1964 1396:1963 1391:1962 1386:1961 1381:1960 1376:1959 1371:1958 1366:1957 1361:1956 1356:1955 1351:1954 1346:1953 1341:1952 1336:1951 1331:1950 1326:1949 1321:1948 1316:1947 1311:1946 1059:2023 1033:2022 1010:2022 984:2022 961:2023 935:2023 912:2023 890:2023 868:2023 845:2023 812:2023 789:2023 766:2023 743:2023 718:2023 695:2023 667:2023 639:2023 613:2023 591:2023 569:2023 547:2023 503:2023 480:2023 449:2023 361:The 261:and 108:The 55:Type 50:1959 343:B2B 272:'s 232:'s 193:B2B 166:'s 1741:: 1080:. 1050:. 1001:. 943:^ 836:. 820:^ 734:. 675:^ 647:^ 621:^ 528:^ 511:^ 471:. 457:^ 317:. 295:, 293:VR 279:. 118:. 72:, 1133:e 1126:t 1119:v 1061:. 1035:. 1012:. 986:. 963:. 937:. 914:. 892:. 870:. 847:. 814:. 791:. 768:. 745:. 720:. 697:. 669:. 641:. 615:. 593:. 571:. 549:. 523:. 505:. 482:. 451:. 20:)

Index

Cannes Film Market
Marché du Film logo
Cannes
France
Festival de Cannes
marchedufilm.com
Cannes Film Festival
Antibes
Cannes Film Festival
André Malraux
Palais des Festivals et des Congrès
Tarantino
Pulp Fiction
Independent Film
La Croisette
B2B
Cinando
STX Entertainment
Martin Scorsese
The Irishman
quarantine
COVID-19 pandemic
video-on-demand
Cinando
Shift72
Gerard Butler
Greenland sequel
Indian cinema
VR
streaming

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.