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that he is the son of Sir Howard's deceased brother, Miles. He blames Sir Howard for the death of his mother and for tricking him out of his inheritance by legal technicalities. He intends to hand over Sir Howard to a fanatical
Islamist Sheik. He tells Sir Howard that he presides over an unfair justice system that punishes the poor and weak. Now that Sir Howard is powerless he will receive the justice of revenge. Lady Cicely intercedes and argues with Brassbound that his own code of honour is at least as brutal as the legal system he condemns. Brassbound wavers, and eventually agrees to give up revenge. When the Sheik arrives he offers to buy back Sir Howard, but the Sheik will only accept one price – Lady Cicely. Cicely agrees, but at this point the local ruler appears, having learned of the transaction. He frees Sir Howard and arrests Brassbound.
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that
Brassbound is innocent of any crime. Kearney agrees to release Brassbound. The liberated Brassbound declares his devotion to Lady Cicely, and says he wishes to marry her. Lady Cicely is powerfully drawn to Brassbound, and fears that she may succumb to his charisma. As she is about to agree, a gunshot is heard. It is the signal from Brassbound's crew that his ship is ready to depart. He leaves immediately, leaving Lady Cicely to say "What an escape!"
216:
after marrying a local woman. Sir Howard tells Rankin that his brother's property was illicitly seized after his death by his widow's family, but Sir Howard has now recovered it. Lady Cicely decides to explore
Morocco with Sir Howard. They are advised to take an armed escort. This can be organised by
232:
ACT III, Rankin's house. Commander
Kearney is to preside over a court of inquiry into Brassbound's actions. Sir Howard says he cannot interfere, but Lady Cicely persuades him to let her tell the court all that happened on the trip. She uses all her powers of persuasion to convince Commander Kearney
228:
member of
Brassbound's crew, has been wounded in a feud. Lady Cicely is tending to him, initially to Brassbound's irritation, but she wins him over. Sir Howard complains that Brassbound is behaving more like a jailer than a host; Brassbound says that Sir Howard is his prisoner. Brassbound explains
241:
Shaw explained that the topic of the play was the relationship between law and justice. He commented that "one of the evils of the pretence that our institutions represent abstract principles of justice, instead of being mere social scaffolding, is that persons of a certain temperament take the
253:(the ancient Arab name of Morocco) (1898), "without which Captain Brassbound's Conversion would never have been written". The story of the legal dispute over the estate was derived from information provided about a similar case given to him by a Frederick Jackson, of Hindhead.
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pretence seriously; and when the law is on the side of injustice, will not accept the situation, and are driven mad by their vain struggle against it".
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221:. When Brassbound arrives, he warns Sir Howard that in the mountain-country justice is ruled by codes of honour, not law courts.
208:. Sir Howard Hallam, a judge, and his sister-in-law, Lady Cicely Waynflete, a well-known explorer, are at the home of Rankin, a
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The play was first performed at the Stage
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in 1907. The play explores the relationship between the law, justice, revenge and forgiveness.
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In
February, 1971, a production opened at The Theatre Royal, Brighton. It transferred to The
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minister. Rankin knows Sir Howard as the brother of an old friend, Miles Hallam, who moved to
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ACT II, A Moorish castle occupied by
Brassbound. Marzo, an
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at the Queen's
Theatre followed on 12 May 1902. The first
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The
Intelligent Woman's Guide to Socialism and Capitalism
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Shaw added that his information about Morocco came from
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The Adventures of the Black Girl in Her Search for God
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production was at the Royal Court, 20 March 1906 with
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Captain Brassbound, a smuggler who owns a ship called
143:). The first American production of the play starred
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An aggrieved captain is persuaded to forego revenge
449:Dictionary to the Plays and Novels of Bernard Shaw
436:Dictionary to the Plays and Novels of Bernard Shaw
857:A Glimpse of the Domesticity of Franklyn Barnabas
263:Captain Brassbound's Conversion
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492:"Why Stars Stop Being Stars: Margaret Lockwood"
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327:The play was adapted for British TV in 1953.
125:. It was published in Shaw's 1901 collection
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29:
451:, A. & C. Black, London, 1929, p.217.
1145:SHAW: The Annual of Bernard Shaw Studies
438:, A. & C. Black, London, 1929, p.37.
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447:Violet M. Broad & C. Lewis Broad,
434:Violet M. Broad & C. Lewis Broad,
913:The Simpleton of the Unexpected Isles
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315:Costumes: Beatrice Dawson. Director:
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430:
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892:How These Doctors Love One Another!
483:
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955:In Good King Charles's Golden Days
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836:Annajanska, the Bolshevik Empress
689:Passion, Poison, and Petrifaction
490:Vagg, Stephen (29 January 2020).
462:Captain Brassbound's Conversation
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1100:Charlotte Payne-Townshend (wife)
62:16 December 1900 (Stage Society)
717:The Shewing-Up of Blanco Posnet
647:Captain Brassbound's Conversion
118:Captain Brassbound's Conversion
41:Captain Brassbound's Conversion
24:Captain Brassbound's Conversion
1131:George Bernard Shaw: His Plays
703:The Interlude at the Playhouse
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192:Captain Hamlin Kearney, U.S.N.
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1179:Plays by George Bernard Shaw
752:The Dark Lady of the Sonnets
16:1900 play by G. Bernard Shaw
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675:How He Lied to Her Husband
303:. Lady Cicely Wayneflete:
268:Internet Broadway Database
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1024:Cashel Byron's Profession
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731:The Fascinating Foundling
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339:as Lady Cicely Wayneflete
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1083:Quintessence of Ibsenism
962:The British Party System
668:John Bull's Other Island
591:Mrs. Warren's Profession
284:as Cicely Waynflete and
128:Three Plays for Puritans
1152:Twain and Shaw Do Lunch
654:The Admirable Bashville
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247:R.B. Cunninghame Graham
199:
37:Federal Theatre Project
1017:Love Among the Artists
934:Arthur and the Acetone
766:Androcles and the Lion
738:The Glimpse of Reality
414:as Captain Kearney USN
402:Edgar K. Bruce as Cadi
1069:The Perfect Wagnerite
1031:An Unsocial Socialist
822:Augustus Does His Bit
815:The Inca of Perusalem
345:as Captain Brassbound
156:Lady Cicely Waynflete
1138:Great Contemporaries
941:Cymbeline Refinished
696:The Doctor's Dilemma
640:Caesar and Cleopatra
626:The Devil's Disciple
369:as Sir Howard Hallam
140:The Devil's Disciple
134:Caesar and Cleopatra
121:(1900) is a play by
71:Royal Strand Theatre
885:Too True to Be Good
537:George Bernard Shaw
195:American Bluejacket
53:George Bernard Shaw
1124:production history
983:Shakes versus Shav
850:Back to Methuselah
759:Fanny's First Play
619:You Never Can Tell
612:The Man of Destiny
478:1953 TV adaptation
323:1953 TV Production
162:Captain Brassbound
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990:Why She Would Not
976:Farfetched Fables
927:The Millionairess
920:The Six of Calais
864:Jitta's Atonement
373:Anthony Valentine
337:Margaret Lockwood
293:Cambridge Theatre
237:Preface and notes
159:Sir Howard Hallam
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77:Original language
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1115:Shavian alphabet
969:Buoyant Billions
843:Heartbreak House
661:Man and Superman
598:Arms and the Man
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399:as Sidi el Assif
301:Kenneth Williams
204:ACT I, Mogador,
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710:Getting Married
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131:(together with
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299:. Drinkwater:
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408:as Bluejacket
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406:Basil Appleby
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1110:Shaw Theatre
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906:On the Rocks
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563:Passion Play
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546:Bibliography
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397:John Colicos
391:John Ruddock
355:Leslie Dwyer
343:John Gregson
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297:Joss Ackland
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219:Thanksgiving
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210:Presbyterian
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101:problem play
40:
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1061:Non-fiction
745:Misalliance
381:as Redbrook
367:David Horne
349:John Laurie
282:Ellen Terry
145:Ellen Terry
1174:1900 plays
1168:Categories
1010:Immaturity
871:Saint Joan
633:The Gadfly
419:References
387:as Johnson
379:Noel Davis
274:Manchester
168:Drinkwater
151:Characters
49:Written by
787:Pygmalion
773:Overruled
363:as Hassan
351:as Rankin
249:'s book,
97:melodrama
393:as Osman
183:The Cadi
171:Redbrook
1093:Related
605:Candida
496:Filmink
375:as Page
266:at the
226:Italian
206:Morocco
174:Johnson
110:Morocco
107:Setting
85:Subject
80:English
1001:Novels
948:Geneva
480:at BFI
311:Crew:-
278:London
214:Brazil
189:Hassan
165:Rankin
43:(1937)
554:Plays
186:Osman
177:Marzo
93:Genre
467:IMDb
331:Cast
200:Plot
137:and
465:at
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494:.
427:^
319:.
307:.
1126:)
1122:(
529:e
522:t
515:v
498:.
99:/
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