George Bernard Shaw

1231:, who had joined the society in February 1903. Wells's ideas for reform—particularly his proposals for closer cooperation with the Independent Labour Party—placed him at odds with the society's "Old Gang", led by Shaw. According to Cole, Wells "had minimal capacity for putting across in public meetings against Shaw's trained and practised virtuosity". In Shaw's view, "the Old Gang did not extinguish Mr Wells, he annihilated himself". Wells resigned from the society in September 1908; Shaw remained a member, but left the executive in April 1911. He later wondered whether the Old Gang should have given way to Wells some years earlier: "God only knows whether the Society had not better have done it". Although less active—he blamed his advancing years—Shaw remained a Fabian. 330: 1330: 1881: 1454:, written in 1918–20 and staged in 1922. Weintraub describes it as "Shaw's attempt to fend off 'the bottomless pit of an utterly discouraging pessimism'". This cycle of five interrelated plays depicts evolution, and the effects of longevity, from the Garden of Eden to the year 31,920 AD. Critics found the five plays strikingly uneven in quality and invention. The original run was brief, and the work has been revived infrequently. Shaw felt he had exhausted his remaining creative powers in the huge span of this "Metabiological Pentateuch". He was now sixty-seven, and expected to write no more plays. 1177: 3133:

like "honour" and "favour"; and wherever possible he rejected the apostrophe in contractions such as "won't" or "that's". In his will, Shaw ordered that, after some specified legacies, his remaining assets were to form a trust to pay for fundamental reform of the English alphabet into a phonetic version of forty letters. Though Shaw's intentions were clear, his drafting was flawed, and the courts initially ruled the intended trust void. A later out-of-court agreement provided a sum of £8,300 for spelling reform; the bulk of his fortune went to the residuary legatees—the British Museum, the

3451: 42: 3177:, "a very moving exhortation, and it gives you one first-rate tip, which is to do good to those who despitefully use you and persecute you". In his will, Shaw stated that his "religious convictions and scientific views cannot at present be more specifically defined than as those of a believer in creative revolution". He requested that no one should imply that he accepted the beliefs of any specific religious organisation, and that no memorial to him should "take the form of a cross or any other instrument of torture or symbol of blood sacrifice". 3334: 959: 498: 170: 1408: 3153: 1155:, written in 1912 and staged in Vienna the following year, and in Berlin shortly afterwards. Shaw commented, "It is the custom of the English press when a play of mine is produced, to inform the world that it is not a play—that it is dull, blasphemous, unpopular, and financially unsuccessful. ... Hence arose an urgent demand on the part of the managers of Vienna and Berlin that I should have my plays performed by them first." The British production opened in April 1914, starring 1635: 879:, a matter Shaw declared of no relevance to socialism. In 1894 the Fabian Society received a substantial bequest from a sympathiser, Henry Hunt Hutchinson—Holroyd mentions £10,000. Webb, who chaired the board of trustees appointed to supervise the legacy, proposed to use most of it to found a school of economics and politics. Shaw demurred; he thought such a venture was contrary to the specified purpose of the legacy. He was eventually persuaded to support the proposal, and the 4145:" soliloquy: "Shakespear, dispensing with the customary exordium, announces his subject at once in the infinitive, in which mood it is presently repeated after a short connecting passage in which, brief as it is, we recognize the alternative and negative forms on which so much of the significance of repetition depends. Here we reach a colon; and a pointed pository phrase, in which the accent falls decisively on the relative pronoun, brings us to the first full stop." 1399:. Shaw was much impressed by Collins, and was saddened when, three days later, the Irish leader was ambushed and killed by anti-treaty forces. In a letter to Collins's sister, Shaw wrote: "I met Michael for the first and last time on Saturday last, and am very glad I did. I rejoice in his memory, and will not be so disloyal to it as to snivel over his valiant death". Shaw remained a British subject all his life, but took dual British-Irish nationality in 1934. 418: 3021: 2882:. In a 2001 analysis of Shaw's Shakespearian criticisms, Robert Pierce concludes that Shaw, who was no academic, saw Shakespeare's plays—like all theatre—from an author's practical point of view: "Shaw helps us to get away from the Romantics' picture of Shakespeare as a titanic genius, one whose art cannot be analyzed or connected with the mundane considerations of theatrical conditions and profit and loss, or with a specific staging and cast of actors." 2761:. As in earlier decades, the shorter plays were generally comedies, some historical and others addressing various political and social preoccupations of the author. Ervine writes of Shaw's later work that although it was still "astonishingly vigorous and vivacious" it showed unmistakable signs of his age. "The best of his work in this period, however, was full of wisdom and the beauty of mind often displayed by old men who keep their wits about them." 2727:(1931), the subtitle "A political extravaganza", although the two works differ greatly in their themes; the first presents the politics of a nation (with a brief royal love-scene as an interlude) and the second, in Judith Evans's words, "is concerned with the social mores of the individual, and is nebulous." Shaw's plays of the 1930s were written in the shadow of worsening national and international political events. Once again, with 11986: 1552:"We the undersigned are recent visitors to the USSR ... We desire to record that we saw nowhere evidence of economic slavery, privation, unemployment and cynical despair of betterment. ... Everywhere we saw hopeful and enthusiastic working-class ... setting an example of industry and conduct which would greatly enrich us if our systems supplied our workers with any incentive to follow it." 3529:

Cole, who considered Shaw the greatest writer of his age, professed never to have understood him. She thought he worked "immensely hard" at politics, but essentially, she surmises, it was for fun—"the fun of a brilliant artist". After Shaw's death, Pearson wrote: "No one since the time of Tom Paine has had so definite an influence on the social and political life of his time and country as Bernard Shaw."

2502:(1912) is a Shavian study of language and speech and their importance in society and in personal relationships. To correct the impression left by the original performers that the play portrayed a romantic relationship between the two main characters Shaw rewrote the ending to make it clear that the heroine will marry another, minor character. Shaw's only full-length play from the war years is 803:'s style. The public took a different view, and the management of the theatre staged extra matinée performances to meet the demand. The play ran from April to July, toured the provinces and was staged in New York. It earned him £341 in royalties in its first year, a sufficient sum to enable him to give up his salaried post as a music critic. Among the cast of the London production was 494:, a junior civil servant who, like Shaw, was busy educating himself. Despite difference of style and temperament, the two quickly recognised qualities in each other and developed a lifelong friendship. Shaw later reflected: "You knew everything that I didn't know and I knew everything you didn't know ... We had everything to learn from one another and brains enough to do it". 3012:, written during a visit to South Africa in 1932. The eponymous girl, intelligent, inquisitive, and converted to Christianity by insubstantial missionary teaching, sets out to find God, on a journey that after many adventures and encounters, leads her to a secular conclusion. The story, on publication, offended some Christians and was banned in Ireland by the Board of Censors. 1737:(1939). The first, a fantasy reworking of Shakespeare, made little impression, but the second, a satire on European dictators, attracted more notice, much of it unfavourable. In particular, Shaw's parody of Hitler as "Herr Battler" was considered mild, almost sympathetic. The third play, an historical conversation piece first seen at Malvern, ran briefly in London in May 1940. 663: 2864:, whom I can despise so entirely as I despise Shakespear when I measure my mind against his," he also said, "But I am bound to add that I pity the man who cannot enjoy Shakespear. He has outlasted thousands of abler thinkers, and will outlast a thousand more". Shaw had two regular targets for his more extreme comments about Shakespeare: undiscriminating " 768: 2363:(1909)—the latter seen by Judith Evans as a companion piece to the former—are both in what Shaw called his "disquisitionary" vein, with the emphasis on discussion of ideas rather than on dramatic events or vivid characterisation. Shaw wrote seven short plays during the decade; they are all comedies, ranging from the deliberately absurd 2931:' "abuse" of their 1918 victory for the rise of Hitler, and hoped that, after defeat, the Führer would escape retribution "to enjoy a comfortable retirement in Ireland or some other neutral country". These sentiments, according to the Irish philosopher-poet Thomas Duddy, "rendered much of the Shavian outlook passé and contemptible". 390:. Shaw, a sensitive boy, found the less salubrious parts of Dublin shocking and distressing, and was happier at the cottage. Lee's students often gave him books, which the young Shaw read avidly; thus, as well as gaining a thorough musical knowledge of choral and operatic works, he became familiar with a wide spectrum of literature. 905:, a rich Anglo-Irish woman whom he had met through the Webbs. The previous year she had proposed that she and Shaw should marry. He had declined, but when she insisted on nursing him in a house in the country, Shaw, concerned that this might cause scandal, agreed to their marriage. The ceremony took place on 1 June 1898, in the 3786:. Shaw chose it as his pen name because he thought it seemed dashing: "it sounded like a foreign title and nobody knew what a corno di bassetto was". Only later did he hear one played, after which he declared it "a wretched instrument peculiar watery melancholy. ... The devil himself could not make a basset horn sparkle". 917:, "their life together was entirely felicitous". There were no children of the marriage, which it is generally believed was never consummated; whether this was wholly at Charlotte's wish, as Shaw liked to suggest, is less widely credited. In the early weeks of the marriage Shaw was much occupied writing his Marxist analysis of 2719:(1923) drew widespread praise both for Shaw and for Sybil Thorndike, for whom he wrote the title role and who created the part in Britain. In the view of the commentator Nicholas Grene, Shaw's Joan, a "no-nonsense mystic, Protestant and nationalist before her time" is among the 20th century's classic leading female roles. 573:, Shaw went to the society's next advertised meeting, on 16 May 1884. He became a member in September, and before the year's end had provided the society with its first manifesto, published as Fabian Tract No. 2. He joined the society's executive committee in January 1885, and later that year recruited Webb and also 1873:(1945). It cost three times its original budget and was rated "the biggest financial failure in the history of British cinema". The film was poorly received by British critics, although American reviews were friendlier. Shaw thought its lavishness nullified the drama, and he considered the film "a poor imitation of 2349:(1906), a play about medical ethics and moral choices in allocating scarce treatment, was described by Shaw as a tragedy. With a reputation for presenting characters who did not resemble real flesh and blood, he was challenged by Archer to present an on-stage death, and here did so, with a deathbed scene for the 1852:, was published in 1944. Holroyd describes this as "a rambling narrative ... that repeats ideas he had given better elsewhere and then repeats itself". The book sold well—85,000 copies by the end of the year. After Hitler's suicide in May 1945, Shaw approved of the formal condolences offered by the Irish 3470:

not to accept the bequest of Shaw's Corner, predicting that Shaw would be totally forgotten within fifty years. In the event, Shaw's broad cultural legacy, embodied in the widely used term "Shavian", has endured and is nurtured by Shaw Societies in various parts of the world. The original society was

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In June 1873 Lee left Dublin for London and never returned. A fortnight later, Bessie followed him; the two girls joined her. Shaw's explanation of why his mother followed Lee was that without the latter's financial contribution the joint household had to be broken up. Left in Dublin with his father,

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Shaw was an enthusiastic amateur photographer from 1898 until his death, amassing about 10,000 prints and more than 10,000 negatives documenting his friends, travels, politics, plays, films and home life. The collection is archived at the London School of Economics; an exhibition of his photography,

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In a 2003 encyclopaedia article on Shaw, Nicholas Grene writes, "The Cinderella story of the flower-girl turned into a lady by a professor of phonetics resulted in a lifelong struggle by Shaw, first with ... Tree and then with film producers, to prevent it being returned to stock with a 'happy'

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The substance of Shaw's political legacy is uncertain. In 1921 Shaw's erstwhile collaborator William Archer, in a letter to the playwright, wrote: "I doubt if there is any case of a man so widely read, heard, seen, and known as yourself, who has produced so little effect on his generation." Margaret

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Shaw did not found a school of dramatists as such, but Crawford asserts that today "we recognise as second only to Shakespeare in the British theatrical tradition ... the proponent of the theater of ideas" who struck a death-blow to 19th-century melodrama. According to Laurence, Shaw pioneered

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describes Shaw as "a pole of negative electricity set in a people of positive electricity". In one area at least Shaw was constant: in his lifelong refusal to follow normal English forms of spelling and punctuation. He favoured archaic spellings such as "shew" for "show"; he dropped the "u" in words

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commented that the play contained nothing to which even the most conservative audiences could take exception, and though it was long and lacking in dramatic action only "witless and idle" theatregoers would object. After their first runs none of the three plays were seen again in the West End during

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for 1925 praised his work as "... marked by both idealism and humanity, its stimulating satire often being infused with a singular poetic beauty". He accepted the award, but rejected the monetary prize that went with it, on the grounds that "My readers and my audiences provide me with more than

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In the 21st century Shaw's 1930s flirtations with fascism and his association with eugenics have been resurrected by American TV talk-show hosts to depict him as a "monster" and to similarly disparage the causes and institutions with which he was associated, most particularly the Fabian Society and

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Shaw attributed the breach to Bessie's disillusion when Lee abandoned his distinctive teaching methods to pursue a cynically commercial exploitation of gullible pupils; others, including Holroyd, have suggested that Bessie was resentful that Lee's affections were turning elsewhere, not least to her

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for referring to Shaw as "the greatest British dramatist since Shakespeare". Osborne responded that Shaw "is the most fraudulent, inept writer of Victorian melodramas ever to gull a timid critic or fool a dull public". Despite this hostility, Crawford sees the influence of Shaw in some of Osborne's

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against smallpox. He called vaccination "a peculiarly filthy piece of witchcraft"; in his view immunisation campaigns were a cheap and inadequate substitute for a decent programme of housing for the poor, which would, he declared, be the means of eradicating smallpox and other infectious diseases.

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Shaw's diaries for 1885–1897, edited by Weintraub, were published in two volumes, with a total of 1,241 pages, in 1986. Reviewing them, the Shaw scholar Fred Crawford wrote: "Although the primary interest for Shavians is the material that supplements what we already know about Shaw's life and work,

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Shaw was a prolific correspondent throughout his life. His letters, edited by Dan H. Laurence, were published between 1965 and 1988. Shaw once estimated his letters would occupy twenty volumes; Laurence commented that, unedited, they would fill many more. Shaw wrote more than a quarter of a million

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Shaw's political and social commentaries were published variously in Fabian tracts, in essays, in two full-length books, in innumerable newspaper and journal articles and in prefaces to his plays. The majority of Shaw's Fabian tracts were published anonymously, representing the voice of the society

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in the late 1880s and early 1890s. In his view music criticism should be interesting to everyone rather than just the musical élite, and he wrote for the non-specialist, avoiding technical jargon—"Mesopotamian words like 'the dominant of D major'". He was fiercely partisan in his columns, promoting

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flower-girl. There had earlier been a romantic liaison between Shaw and Campbell that caused Charlotte Shaw considerable concern, but by the time of the London premiere it had ended. The play attracted capacity audiences until July, when Tree insisted on going on holiday, and the production closed.

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The mid-1880s marked a turning point in Shaw's life, both personally and professionally: he lost his virginity, had two novels published, and began a career as a critic. He had been celibate until his twenty-ninth birthday, when his shyness was overcome by Jane (Jenny) Patterson, a widow some years

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After the turn of the twentieth century, Shaw increasingly propagated his ideas through the medium of his plays. An early critic, writing in 1904, observed that Shaw's dramas provided "a pleasant means" of proselytising his socialism, adding that "Mr Shaw's views are to be sought especially in the

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later confirmed Shaw's authorship. According to Holroyd, the business of the early Fabians, mainly under the influence of Shaw, was to "alter history by rewriting it". Shaw's talent as a pamphleteer was put to immediate use in the production of the society's manifesto—after which, says Holroyd, he

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image of a vengeful Jehovah. By the early twentieth century, he termed himself a "mystic", although Gary Sloan, in an essay on Shaw's beliefs, disputes his credentials as such. In 1913 Shaw declared that he was not religious "in the sectarian sense", aligning himself with Jesus as "a person of no

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and worn-out conventions". As a music critic he had frequently been able to concentrate on analysing new works, but in the theatre he was often obliged to fall back on discussing how various performers tackled well-known plays. In a study of Shaw's work as a theatre critic, E. J. West writes that

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Between 1865 and 1871 Shaw attended four schools, all of which he hated. His experiences as a schoolboy left him disillusioned with formal education: "Schools and schoolmasters", he later wrote, were "prisons and turnkeys in which children are kept to prevent them disturbing and chaperoning their

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she married to escape a tyrannical great-aunt. If, as Holroyd and others surmise, George's motives were mercenary, then he was disappointed, as Bessie brought him little of her family's money. She came to despise her ineffectual and often drunken husband, with whom she shared what their son later

281:, castigated British policy on Ireland in the postwar period. These stances had no lasting effect on his standing or productivity as a dramatist; the inter-war years saw a series of often ambitious plays, which achieved varying degrees of popular success. In 1938 he provided the screenplay for a 3568:

and Wagner all had their applications and misapplications. By bending to their service all the faculties of a powerful mind, by inextinguishable wit, and by every artifice of argument, he carried their thoughts as far as they would reach—so far beyond their sources that they came to us with the

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Shaw espoused racial equality, and inter-marriage between people of different races. Despite his expressed wish to be fair to Hitler, he called anti-Semitism "the hatred of the lazy, ignorant fat-headed Gentile for the pertinacious Jew who, schooled by adversity to use his brains to the utmost,

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in 2012 Daniel Janes commented that Shaw's reputation had declined by the time of his 150th anniversary in 2006 but had recovered considerably. In Janes's view, the many current revivals of Shaw's major works showed the playwright's "almost unlimited relevance to our times". In the same year,

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in the middle months of 1923, and the play was premiered on Broadway in December. It was enthusiastically received there, and at its London premiere the following March. In Weintraub's phrase, "even the Nobel prize committee could no longer ignore Shaw after Saint Joan". The citation for the

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scholars on the likelihood of this. The young Shaw suffered no harshness from his mother, but he later recalled that her indifference and lack of affection hurt him deeply. He found solace in the music that abounded in the house. Lee was a conductor and teacher of singing; Bessie had a fine

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Besides his collected music criticism, Shaw has left a varied musical legacy, not all of it of his choosing. Despite his dislike of having his work adapted for the musical theatre ("my plays set themselves to a verbal music of their own") two of his plays were turned into musical comedies:

3247:... Academically unfashionable, of limited influence even in areas such as Irish drama and British political theatre where influence might be expected, Shaw's unique and unmistakable plays keep escaping from the safely dated category of period piece to which they have often been consigned. 240:, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included 3369:

Assessing Shaw's reputation in a 1976 critical study, T. F. Evans described Shaw as unchallenged in his lifetime and since as the leading English-language dramatist of the (twentieth) century, and as a master of prose style. The following year, in a contrary assessment, the playwright

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as "a very remarkable man, a very able man", and professed himself proud to be the only writer in England who was "scrupulously polite and just to Hitler"; though his principal admiration was for Stalin, whose regime he championed uncritically throughout the decade. Shaw saw the 1939

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As the new century began, Shaw became increasingly disillusioned by the limited impact of the Fabians on national politics. Thus, although a nominated Fabian delegate, he did not attend the London conference at the Memorial Hall, Farringdon Street in February 1900, that created the

620:), Shaw became convinced of the folly of attempting to challenge police power. Thereafter he largely accepted the principle of "permeation" as advocated by Webb: the notion whereby socialism could best be achieved by infiltration of people and ideas into existing political parties. 222:

Born in Dublin, in 1876 Shaw moved to London, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the

1272:, which argued that the warring nations were equally culpable. Such a view was anathema in an atmosphere of fervent patriotism, and offended many of Shaw's friends; Ervine records that "is appearance at any public function caused the instant departure of many of those present." 718:, Robert Anderson writes, "Shaw's collected writings on music stand alone in their mastery of English and compulsive readability." Shaw ceased to be a salaried music critic in August 1894, but published occasional articles on the subject throughout his career, his last in 1950. 1347:

about militant Irish nationalism: "In point of learning nothing and forgetting nothing these fellow-patriots of mine leave the Bourbons nowhere." Total independence, he asserted, was impractical; alliance with a bigger power (preferably England) was essential. The Dublin

582:"The most striking result of our present system of farming out the national Land and capital to private individuals has been the division of society into hostile classes, with large appetites and no dinners at one extreme, and large dinners and no appetites at the other" 2922:

report dated 10 December 1933 quoted a recent Fabian Society lecture in which Shaw had praised Hitler, Mussolini and Stalin: "hey are trying to get something done, are adopting methods by which it is possible to get something done". As late as the Second World War, in

3086:, vegetarianism, religion, language, cinema and photography, on all of which he wrote and spoke copiously. Collections of his writings on these and other subjects were published, mainly after his death, together with volumes of "wit and wisdom" and general journalism. 1018:... It was uncongenial to the whole spirit of the neo-Gaelic movement, which is bent on creating a new Ireland after its own ideal, whereas my play is a very uncompromising presentment of the real old Ireland." Nonetheless, Shaw and Yeats were close friends; Yeats and 1511:, written in late 1928. It was, in Ervine's view, unexpectedly popular, taking a conservative, monarchist, anti-democratic line that appealed to contemporary audiences. The premiere was in Warsaw in June 1928, and the first British production was two months later, at 11966: 3640:

Shaw's loathing of the name George began in his childhood. He never succeeded in persuading his mother and sister to stop calling him by the name, but he made it known that everyone else who had any respect for his wishes should refrain from using it—"I hate being

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his senior. Their affair continued, not always smoothly, for eight years. Shaw's sex life has caused much speculation and debate among his biographers, but there is a consensus that the relationship with Patterson was one of his few non-platonic romantic liaisons.

627:, edited by Shaw who also provided two of the essays. The second of these, "Transition", details the case for gradualism and permeation, asserting that "the necessity for cautious and gradual change must be obvious to everyone". In 1890 Shaw produced Tract No. 13, 2908:. In this, he denounced the pacifist line espoused by Ramsay MacDonald and other socialist leaders, and proclaimed his readiness to shoot all pacifists rather than cede them power and influence. On the advice of Beatrice Webb, this pamphlet remained unpublished. 562:, whom he found autocratic, ill-tempered and lacking leadership qualities. Shaw doubted the ability of the SDF to harness the working classes into an effective radical movement and did not join it—he preferred, he said, to work with his intellectual equals. 1582:, whom Shaw later described as "a Georgian gentleman" with no malice in him. At a dinner given in his honour, Shaw told the gathering: "I have seen all the 'terrors' and I was terribly pleased by them". In March 1933, he was a co-signatory to a letter in 3765:—was consummated. Evidence came to light in 2004 that a well-documented relationship between the septuagenarian Shaw and the young actress Molly Tompkins was not, as had been generally supposed, platonic. Shaw himself stressed his own heterosexuality to 1667:. New Zealand, which he and Charlotte visited the following year, struck him as "the best country I've been in"; he urged its people to be more confident and loosen their dependence on trade with Britain. He used the weeks at sea to complete two plays— 631:, a revision of an earlier tract in which Charlotte Wilson had defined socialism in anarchistic terms. In Shaw's new version, readers were assured that "socialism can be brought about in a perfectly constitutional manner by democratic institutions". 2954:, he was writing that "if we desire a certain type of civilization and culture we must exterminate the sort of people who do not fit into it"; critical opinion is divided on whether this was intended as irony. In an article in the American magazine 2735:(1934), a political comedy with a clear plot was followed by an introspective drama. The first play portrays a British prime minister considering, but finally rejecting, the establishment of a dictatorship; the second is concerned with polygamy and 2345:(1905) presents ethical questions in an unconventional way, confounding expectations that in the depiction of an armaments manufacturer on the one hand and the Salvation Army on the other the moral high ground must invariably be held by the latter. 1888:

In 1946, the year of Shaw's ninetieth birthday, he accepted the freedom of Dublin and became the first honorary freeman of the borough of St Pancras, London. In the same year the British government asked Shaw informally whether he would accept the

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did not feel that Shaw belonged to the real Irish tradition. His plays would thus have no place in the Irish theatre movement". Kavanagh added, "an important part of Shaw's plays was political argument, and Yeats detested this quality in dramatic

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Shaw's influence crossed the Atlantic at an early stage. Bernard Dukore notes that he was successful as a dramatist in America ten years before achieving comparable success in Britain. Among many American writers professing a direct debt to Shaw,

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he wrote in 1932, "In every country you can find rabid people who have a phobia against Jews, Jesuits, Armenians, Negroes, Freemasons, Irishmen, or simply foreigners as such. Political parties are not above exploiting these fears and jealousies."

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By the time of Shaw's birth his mother had become close to George John Lee, a flamboyant figure well known in Dublin's musical circles. Shaw retained a lifelong obsession that Lee might have been his biological father; there is no consensus among

293:. His appetite for politics and controversy remained undiminished; by the late 1920s, he had largely renounced Fabian Society gradualism, and often wrote and spoke favourably of dictatorships of the right and left—he expressed admiration for both 1212:. By 1903, when his term as borough councillor expired, he had lost his earlier enthusiasm, writing: "After six years of Borough Councilling I am convinced that the borough councils should be abolished". Nevertheless, in 1904 he stood in the 2855:

observed that by attacking Shakespeare, "it is Shaw who appears a ridiculous pigmy shaking his fist at a mountain." Shaw was, nevertheless, a knowledgeable Shakespearian, and in an article in which he wrote, "With the single exception of

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Shaw was a poseur and a puritan; he was similarly a bourgeois and an antibourgeois writer, working for Hearst and posterity; his didacticism is entertaining and his pranks are purposeful; he supports socialism and is tempted by fascism.

3438:, founded in 2006, presents works by Shaw and others in New York City that feature the humanitarian ideals that his work promoted. It became the first theatre group to present all of Shaw's stage work through its monthly concert series 3756:

Some writers, including Lisbeth J. Sachs, Bernard Stern and Sally Peters, believe Shaw was a repressed homosexual, and that after Jenny Patterson all his relationships with women, including his marriage, were platonic. Others, such as

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in September 1938, Shaw included the statement: "There are many people in the world who ought to be liquidated". Many commentators assumed that such comments were intended as a joke, although in the worst possible taste. Otherwise,

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in the leading roles. Two touring companies took his plays all round Britain. The revival in his popularity did not tempt Shaw to write a new play, and he concentrated on prolific journalism. A second Shaw film produced by Pascal,

1254:"I see the Junkers and Militarists of England and Germany jumping at the chance they have longed for in vain for many years of smashing one another and establishing their own oligarchy as the dominant military power of the world." 1642:

During the decade Shaw travelled widely and frequently. Most of his journeys were with Charlotte; she enjoyed voyages on ocean liners, and he found peace to write during the long spells at sea. Shaw met an enthusiastic welcome in

1534:'s accession to power in Italy, observing that amid the "indiscipline and muddle and Parliamentary deadlock", Mussolini was "the right kind of tyrant". Shaw was prepared to tolerate certain dictatorial excesses; Weintraub in his 456:(1879), was too grim to appeal to publishers and did not appear until the 1930s. He was employed briefly by the newly formed Edison Telephone Company in 1879–80 and, as in Dublin, achieved rapid promotion. Nonetheless, when the 2774:

Shaw's collected musical criticism, published in three volumes, runs to more than 2,700 pages. It covers the British musical scene from 1876 to 1950, but the core of the collection dates from his six years as music critic of

3216:) was to license publication of his works only under the name Bernard Shaw. Shaw scholars including Ervine, Judith Evans, Holroyd, Laurence and Weintraub, and many publishers have respected Shaw's preference, although the 739:

and called for plays of real ideas and true characters. By this time he had embarked in earnest on a career as a playwright: "I had rashly taken up the case; and rather than let it collapse I manufactured the evidence".

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into "acting versions", often designed to give star actors greater prominence, to the detriment of the play as a whole. Shaw was in favour of cuts intended to enhance the drama by omitting what he saw as Shakespearean

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above the rest: "... our only thorough playwright. He plays with everything: with wit, with philosophy, with drama, with actors and audience, with the whole theatre". Shaw's collected criticisms were published as

1708:("Oscar"); he described his award for "best-written screenplay" as an insult, coming from such a source. He became the first person to have been awarded both a Nobel Prize and an Oscar. In a 1993 study of the Oscars, 1469:; Shaw had long found Joan an interesting historical character, and his view of her veered between "half-witted genius" and someone of "exceptional sanity". He had considered writing a play about her in 1913, and the 3196:

Less contentiously, Shaw was keenly interested in transport; Laurence observed in 1992 a need for a published study of Shaw's interest in "bicycling, motorbikes, automobiles, and planes, climaxing in his joining the

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Shaw strove throughout his adult life to be referred to as "Bernard Shaw" rather than "George Bernard Shaw", but confused matters by continuing to use his full initials—G.B.S.—as a by-line, and often signed himself

1813:"The rest of Shaw's life was quiet and solitary. The loss of his wife was more profoundly felt than he had ever imagined any loss could be: for he prided himself on a stoical fortitude in all loss and misfortune." 1283:

battlefields. Shaw's 10,000-word report, which emphasised the human aspects of the soldier's life, was well received, and he became less of a lone voice. In April 1917 he joined the national consensus in welcoming

1835:

article, he declared the war over and demanded a peace conference. Nevertheless, when he became convinced that a negotiated peace was impossible, he publicly urged the neutral United States to join the fight. The

2803:

with huge amateur choirs and inflated orchestration, calling for "a chorus of twenty capable artists". He railed against opera productions unrealistically staged or sung in languages the audience did not speak.

1840:

of 1940–41 led the Shaws, both in their mid-eighties, to live full-time at Ayot St Lawrence. Even there they were not immune from enemy air raids, and stayed on occasion with Nancy Astor at her country house,

855:. He was sceptical about the new party, and scorned the likelihood that it could switch the allegiance of the working class from sport to politics. He persuaded the conference to adopt resolutions abolishing 2113:(1893) develops the theme of the New Woman, draws on Ibsen, and has elements of Shaw's personal relationships, the character of Julia being based on Jenny Patterson. In a 2003 study Judith Evans describes 3395:. Two further aspects of Shaw's theatrical legacy are noted by Crawford: his opposition to stage censorship, which was finally ended in 1968, and his efforts which extended over many years to establish a 1845:. In 1943, the worst of the London bombing over, the Shaws moved back to Whitehall Court, where medical help for Charlotte was more easily arranged. Her condition deteriorated, and she died in September. 790:

comedy satirising conventions of love, military honour and class. The press found the play overlong, and accused Shaw of mediocrity, sneering at heroism and patriotism, heartless cleverness, and copying

3089:

Despite the many books written about him (Holroyd counts 80 by 1939) Shaw's autobiographical output, apart from his diaries, was relatively slight. He gave interviews to newspapers—"GBS Confesses", to

1216:

elections. After an eccentric campaign, which Holroyd characterises as " absolutely certain of not getting in", he was duly defeated. It was Shaw's final foray into electoral politics. Nationally, the

301:. In the final decade of his life, he made fewer public statements but continued to write prolifically until shortly before his death, aged ninety-four, having refused all state honours, including the 2851:

Shaw maintained a provocative and frequently self-contradictory attitude to Shakespeare (whose name he insisted on spelling "Shakespear"). Many found him difficult to take seriously on the subject;

1588:

protesting at the continuing misrepresentation of Soviet achievements: "No lie is too fantastic, no slander is too stale ... for employment by the more reckless elements of the British press."

3074:

the diaries are also valuable as a historical and sociological document of English life at the end of the Victorian age." After 1897, pressure of other writing led Shaw to give up keeping a diary.

1753:. His treatment, involving injections of concentrated animal liver, was successful, but this breach of his vegetarian creed distressed him and brought down condemnation from militant vegetarians. 1530:

During the 1920s Shaw began to lose faith in the idea that society could be changed through Fabian gradualism, and became increasingly fascinated with dictatorial methods. In 1922 he had welcomed

2494:(1911) continues his earlier examinations of middle-class British society from a Fabian viewpoint, with additional touches of melodrama and an epilogue in which theatre critics discuss the play. 1502:. He described the League as "a school for the new international statesmanship as against the old Foreign Office diplomacy", but thought that it had not yet become the "Federation of the World". 414:. He resigned from the land agents, and in March travelled to England to join his mother and Lucy at Agnes's funeral. He never again lived in Ireland, and did not visit it for twenty-nine years. 361:

in the civil service, from which he was pensioned off in the early 1850s; thereafter he worked irregularly as a corn merchant. In 1852 he married Bessie Gurly; in the view of Shaw's biographer

8001: 2868:", and actors and directors who presented insensitively cut texts in over-elaborate productions. He was continually drawn back to Shakespeare, and wrote three plays with Shakespearean themes: 2900:

prefaces to his plays". After loosening his ties with the Fabian movement in 1911, Shaw's writings were more personal and often provocative; his response to the furore following the issue of

463:

For the next four years Shaw made a negligible income from writing, and was subsidised by his mother. In 1881, for the sake of economy, and increasingly as a matter of principle, he became a

189:

and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as

398:, where he worked hard, and quickly rose to become head cashier. During this period, Shaw was known as "George Shaw"; after 1876, he dropped the "George" and styled himself "Bernard Shaw". 2918:

thought its arguments outdated and lacking in concern for individual freedoms. Shaw's increasing flirtation with dictatorial methods is evident in many of his subsequent pronouncements. A

12823: 2117:(1893) as "undoubtedly the most challenging" of the three Plays Unpleasant, taking Mrs Warren's profession—prostitute and, later, brothel-owner—as a metaphor for a prostituted society. 886:

By the later 1890s Shaw's political activities lessened as he concentrated on making his name as a dramatist. In 1897 he was persuaded to fill an uncontested vacancy for a "vestryman" (

623:

Throughout the 1880s the Fabian Society remained small, its message of moderation frequently unheard among more strident voices. Its profile was raised in 1889 with the publication of

1200:(1900), Shaw declared that "until the Federation of the World becomes an accomplished fact we must accept the most responsible Imperial federations available as a substitute for it". 600:; it was, Holroyd observes, "the closest Shaw had ever come to university education". This experience changed his political ideas; he moved away from Marxism and became an apostle of 429:, but he nevertheless needed an income. He had abandoned a teenage ambition to become a painter, and had not yet thought of writing for a living, but Lee found a little work for him, 3479:

until 2004. A second American organisation, founded in 1951 as "The Bernard Shaw Society", remains active as of 2016. More recent societies have been established in Japan and India.

16129: 15643: 2983:(1880) is a critique of conventional marriage, in which Weintraub finds the characterisations lifeless, "hardly more than animated theories". Shaw was pleased with his third novel, 1437:

concurred with the American critics: "As usual with Mr Shaw, the play is about an hour too long", although containing "much entertainment and some profitable reflection". Ervine in

1688:

Despite his contempt for Hollywood and its aesthetic values, Shaw was enthusiastic about cinema, and in the middle of the decade wrote screenplays for prospective film versions of

3467: 1625:

commenting that Shaw had "yielded to the impulse to write without having a subject", judged the play a "rambling and indifferently tedious conversation". The correspondent of the

10794: 490:

In 1880 Shaw began attending meetings of the Zetetical Society, whose objective was to "search for truth in all matters affecting the interests of the human race". Here he met

16124: 1647:

in 1932, despite his strong remarks about the racial divisions of the country. In December 1932 the couple embarked on a round-the-world cruise. In March 1933 they arrived at

1240:, which appeared in April 1913. He became a founding director, publicist, and in due course a contributor, mostly anonymously. He was soon at odds with the magazine's editor, 3515:. Although he had a high regard for Elgar, Shaw turned down the composer's request for an opera libretto, but played a major part in persuading the BBC to commission Elgar's 3003:, in a study of Shaw's political thought, sees the novel as an interesting record of conditions, both in society at large and in the nascent socialist movement of the 1880s. 15848: 3160:

Shaw's views on religion and Christianity were less consistent. Having in his youth proclaimed himself an atheist, in middle age he explained this as a reaction against the

3032:

letters, of which about ten per cent have survived; 2,653 letters are printed in Laurence's four volumes. Among Shaw's many regular correspondents were his childhood friend

2490:

In the decade from 1910 to the aftermath of the First World War Shaw wrote four full-length plays, the third and fourth of which are among his most frequently staged works.

379:

voice and was much influenced by Lee's unorthodox method of vocal production. The Shaws' house was often filled with music, with frequent gatherings of singers and players.

702:

Of Shaw's various reviewing activities in the 1880s and 1890s it was as a music critic that he was best known. After serving as deputy in 1888, he became musical critic of

12700: 10710:

Kent, Brad (Autumn 2008). "The Banning of George Bernard Shaw's 'The Adventures of the Black Girl in Her Search for God' and the Decline of the Irish Academy of Letters".

1494: 437:. Lee's relations with Bessie deteriorated after their move to London. Shaw maintained contact with Lee, who found him work as a rehearsal pianist and occasional singer. 16099: 3095:

in 1904 is an example—and provided sketches to would-be biographers whose work was rejected by Shaw and never published. In 1939 Shaw drew on these materials to produce

3434:

is the second largest repertory theatre company in North America. It produces plays by or written during the lifetime of Shaw as well as some contemporary works. The

894:

district. At least initially, Shaw took to his municipal responsibilities seriously; when London government was reformed in 1899 and the St Pancras vestry became the

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plays, and concludes that though the latter's work is neither imitative nor derivative, these affinities are sufficient to classify Osborne as an inheritor of Shaw.

2341:(1904), comically depicting the prevailing relationship between Britain and Ireland, was popular at the time but fell out of the general repertoire in later years. 15964: 15949: 12641: 2934:"Creative evolution", Shaw's version of the new science of eugenics, became an increasing theme in his political writing after 1900. He introduced his theories in 3475:. The Shaw Society of America began in June 1950; it foundered in the 1970s but its journal, adopted by Penn State University Press, continued to be published as 3423:

that Shaw's moral concerns engaged present-day audiences, and made him—like his model, Ibsen—one of the most popular playwrights in contemporary British theatre.

1964:

Shaw published a collected edition of his plays in 1934, comprising forty-two works. He wrote a further twelve in the remaining sixteen years of his life, mostly

15678: 12816: 12666: 12655: 3740: 3128:

Throughout his lifetime Shaw professed many beliefs, often contradictory. This inconsistency was partly an intentional provocation—the Spanish scholar-statesman

2914:, Shaw's main political treatise of the 1920s, attracted both admiration and criticism. MacDonald considered it the world's most important book since the Bible; 1765:

had been received without great enthusiasm, his earlier plays were revived in the West End throughout the Second World War, starring such actors as Edith Evans,

15989: 15969: 15954: 12675: 3008: 1220:

produced a huge Liberal majority and an intake of 29 Labour members. Shaw viewed this outcome with scepticism; he had a low opinion of the new prime minister,

677:

In 1884 and 1885, through the influence of Archer, Shaw was engaged to write book and music criticism for London papers. When Archer resigned as art critic of

1301:, written in 1915, encountered problems with the censor for burlesquing not only the enemy but the British military command; it was performed in 1916 at the 15853: 15536: 12634: 2136:(1896), portrays social mobility, and the gap between generations, particularly in how they approach social relations in general and mating in particular. 1492:, it was five years before Shaw wrote a play. From 1924, he spent four years writing what he described as his "magnum opus", a political treatise entitled 8590: 3542:

He was no originator of ideas. He was an insatiable adopter and adapter, an incomparable prestidigitator with the thoughts of the forerunners. Nietzsche,

16049: 16044: 15633: 13816: 11432: 2124:(1894) conceals beneath a mock-Ruritanian comic romance a Fabian parable contrasting impractical idealism with pragmatic socialism. The central theme of 1824: 308:

Since Shaw's death scholarly and critical opinion about his works has varied, but he has regularly been rated among British dramatists as second only to

8010:, pp. 94–95 (McNulty), 197–198 (Terry), 534 (Chesterton), 545–547 (Campbell), 604–606 (Tunney), 606–610 (Cockerell and McLachlan), and 833 (Wells). 3650:

By Shaw's account, Lee left Ireland because he had outgrown the musical possibilities of Dublin; in fact, Lee had overreached himself by trying to oust

16134: 16119: 15309: 12809: 4212:

Individual volumes have been published of the correspondence with Terry (issued 1931), Tunney (1951), Campbell (1952), Douglas (1982) and Wells (1995).

11518: 460:

with the rival Bell Telephone Company, Shaw chose not to seek a place in the new organisation. Thereafter he pursued a full-time career as an author.

15653: 15563: 12481: 11595: 7877: 4108: 4055:

In the early 1920s Lloyd George had considered putting Shaw's name forward for the award, but concluded that it would be more prudent to offer it to

2825:

Shaw "ceaselessly compared and contrasted artists in interpretation and in technique". Shaw contributed more than 150 articles as theatre critic for

11417: 10164: 8609: 3979:

Shaw had been considered and rejected for a Nobel Prize four or five times before this. He arranged for the prize money to be used to sponsor a new

3261:"intelligent" theatre, in which the audience was required to think, thereby paving the way for the new breeds of twentieth-century playwrights from 2987:(1881), feeling that it marked a turning point in his development as a thinker, although he had no more success with it than with its predecessors. 16004: 2498:(1912), which Shaw began writing as a play for children, became a study of the nature of religion and how to put Christian precepts into practice. 880: 7864: 7862: 7860: 1945:

on 6 November 1950. His ashes, mixed with those of Charlotte, were scattered along footpaths and around the statue of Saint Joan in their garden.

2163:(1899)—all centre on questions of empire and imperialism, a major topic of political discourse in the 1890s. The three are set, respectively, in 1591:

Shaw's admiration for Mussolini and Stalin demonstrated his growing belief that dictatorship was the only viable political arrangement. When the

3314:"had all the earmarks of Shavianism ... without the merits of the real Bernard Shaw". Among more recent British dramatists, Crawford marks 1631:

said that most of the play was "discourse, unbelievably long lectures" and that although the audience enjoyed the play it was bewildered by it.

16069: 15618: 7857: 1651:, to begin Shaw's first visit to the US. He had earlier refused to go to "that awful country, that uncivilized place", "unfit to govern itself 1433:: "Mr Shaw on this occasion has more than usual to say and takes twice as long as usual to say it". After the London premiere in October 1921 12152: 516:

suggested a collaboration, with a plot by Archer and dialogue by Shaw. The project foundered, but Shaw returned to the draft as the basis of

6345: 4034:

This did not prevent him from putting the award—a golden figurine—on his mantelpiece. Shaw was one of four to receive the award, along with

3804:

Shaw was sensitive to the charge of emulating Gilbert. He insisted that it was Gilbert who was heartless, while he himself was constructive.

2950:

magazine article observed that Shaw had "always tended to look at people more as a biologist than as an artist". By 1933, in the preface to

1893:. He declined, believing that an author's merit could only be determined by the posthumous verdict of history. 1946 saw the publication, as 1360:(1917), he envisaged a federal arrangement, with national and imperial parliaments. Holroyd records that by this time the separatist party 2812:

In Shaw's view, the London theatres of the 1890s presented too many revivals of old plays and not enough new work. He campaigned against "

1275:

Despite his errant reputation, Shaw's propagandist skills were recognised by the British authorities, and early in 1917 he was invited by

16154: 15994: 15613: 11881: 1227:

In the years after the 1906 election, Shaw felt that the Fabians needed fresh leadership, and saw this in the form of his fellow-writer

15974: 3082:

Through his journalism, pamphlets and occasional longer works, Shaw wrote on many subjects. His range of interest and enquiry included

10779: 4193:

writes: "Shaw ... did not spare the eugenics movement his unpredictable mockery ... acted the outrageous buffoon at times."

1010:, for fear of the affront it might provoke, although it was shown at the city's Royal Theatre in November 1907. Shaw later wrote that 16059: 15738: 12832: 9134: 1244:, who by 1916 was rejecting his contributions—"the only paper in the world that refuses to print anything by me", according to Shaw. 290: 357:

in Ireland; George Carr Shaw, an ineffectual alcoholic, was among the family's less successful members. His relatives secured him a

16084: 15873: 15529: 12769: 12418: 11348: 10453: 3702:

Vegetarianism and the luxuriant beard were among the things with which Shaw became associated by the general public. He was also a

2453: 1704:

in 1938. Shaw was determined that Hollywood should have nothing to do with the film, but was powerless to keep it from winning one

1574:

as "the one really interesting statesman in Europe". Having turned down several chances to visit, in 1931 he joined a party led by

1498:. The book was published in 1928 and sold well. At the end of the decade Shaw produced his final Fabian tract, a commentary on the 1396: 1367:

In the postwar period, Shaw despaired of the British government's coercive policies towards Ireland, and joined his fellow-writers

820:, which presented a young woman making a conventional romantic choice for unconventional reasons, received a single performance in 3391:

In a 1983 study, R. J. Kaufmann suggests that Shaw was a key forerunner—"godfather, if not actually finicky paterfamilias"—of the

691:, and he sought to follow their precepts in his criticisms. Their emphasis on morality appealed to Shaw, who rejected the idea of 16144: 15878: 13809: 12109: 3318:

as "the most Shavian of contemporary playwrights"; Shaw's "serious farce" is continued in the works of Stoppard's contemporaries

3272:

Crawford lists numerous playwrights whose work owes something to that of Shaw. Among those active in Shaw's lifetime he includes

2506:(1917), which in his words depicts "cultured, leisured Europe before the war" drifting towards disaster. Shaw named Shakespeare ( 1535: 714: 333:

Shaw's birthplace (2012 photograph). The plaque reads "Bernard Shaw, author of many plays, was born in this house, 26 July 1856".

3795:

The first British production was at a private theatre club in 1902; the play was not licensed for public performance until 1925.

3169:, Shaw asks "Why not give Christianity a chance?" contending that Britain's social order resulted from the continuing choice of 1897:, of the preface Shaw had written 20 years previously to a study of prison conditions. It was widely praised; a reviewer in the 16114: 16104: 15302: 12625: 1660: 1205: 452:

satirical piece on a religious theme. It was abandoned unfinished, as was his first try at a novel. His first completed novel,

382:

In 1862 Lee and the Shaws agreed to share a house, No. 1 Hatch Street, in an affluent part of Dublin, and a country cottage on

11335: 683:

in 1886, he secured the succession for Shaw. The two figures in the contemporary art world whose views Shaw most admired were

16164: 16139: 15984: 15979: 15628: 15421: 13825: 12579: 12537: 12178: 11786: 10350: 10331: 10312: 10293: 10274: 10038: 10019: 9982: 9961: 9921: 9897: 9876: 9857: 9780: 9750: 9722: 9661: 9600: 9581: 9562: 9524: 9505: 9447: 9416: 9394: 9373: 9350: 9327: 9308: 9285: 9266: 9245: 9207: 9186: 9167: 9144: 9103: 9084: 9061: 9042: 9019: 8975: 8948: 8903: 8865: 8827: 8780: 8759: 8738: 4410: 2651: 2630: 1733: 1669: 425:

Initially, Shaw refused to seek clerical employment in London. His mother allowed him to live free of charge in her house in

7829: 4128:

ending. This was a battle Shaw was to lose posthumously when the sugar-coated musical comedy adaptation, Lerner and Loewe's

3773:("I was not impotent: I was not sterile; I was not homosexual; and I was extremely, though not promiscuously, susceptible"). 1234:

In 1912 Shaw invested £1,000 for a one-fifth share in the Webbs' new publishing venture, a socialist weekly magazine called

16029: 12170: 12053: 3814: 2757:(1939), described by Weintraub as a warm, discursive high comedy, also depicts authoritarianism, but less satirically than 2168: 1954: 1217: 11845: 736: 16169: 16109: 16019: 15522: 12516: 4114: 1538:

biographical sketch comments that Shaw's "flirtation with authoritarian inter-war regimes" took a long time to fade, and

4154:

In a 1969 study, John F. Matthews credits Shaw with a successful campaign against the two-hundred-year-old tradition of

4025:

recorded that Hitler "could listen to reason", and that "Christianity in its purest sense might have a chance with him".

2839:

remained a classic throughout the twentieth century. Of contemporary dramatists writing for the West End stage he rated

2317:

Shaw's major plays of the first decade of the twentieth century address individual social, political or ethical issues.

15959: 13802: 12271: 3867: 2159: 2060: 1129:(the official theatre censor in England), and was produced instead in Dublin; it filled the Abbey Theatre to capacity. 895: 12012: 1918:(1948) a set of six short plays revisiting several of his earlier themes such as evolution; a comic play for puppets, 15497: 15492: 15487: 15482: 15477: 15467: 15462: 15457: 15452: 15447: 15295: 12460: 12313: 12187: 12145: 12040: 10483: 10176: 8231: 8229: 4078: 3980: 3970:, who had played Colonel Pickering in London. Campbell continued to romanticise the piece, contrary to Shaw's wishes. 3103:(there were seventeen). He made it clear to his publishers that this slim book was in no sense a full autobiography. 2481: 2365: 2280: 1899: 1196:, wanted unequivocal opposition, and resigned from the society when it followed Shaw. In the Fabians' war manifesto, 329: 11309: 10367: 7883: 4155: 1058:'s New York production in the same year. Among the other Shaw works presented by Vedrenne and Granville-Barker were 16034: 16014: 15823: 12748: 12530: 10601:

Dukore, Bernard; et al. (1994). "From Symposium: What May Lie Ahead for Shaw After the First Hundred Years?".

2623: 1527:

to Elgar as "a scandalous Aristophanic burlesque of democratic politics, with a brief but shocking sex interlude".

1516: 1224:, and saw the Labour members as inconsequential: "I apologise to the Universe for my connection with such a body". 266: 8336: 8226: 3200:

in his nineties". Shaw published articles on travel, took photographs of his journeys, and submitted notes to the

1930:(1950), which Shaw described as "a little comedy", written in one week shortly before his ninety-fourth birthday. 1745:

Towards the end of the decade, both Shaws began to suffer ill health. Charlotte was increasingly incapacitated by

230:

and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success,

15883: 15623: 12341: 12074: 11960: 11908: 2287: 1105: 752:(it was staged twice in London, in December 1892), Shaw continued writing plays. At first he made slow progress; 11124: 851:

In January 1893, as a Fabian delegate, Shaw attended the Bradford conference which led to the foundation of the

16079: 16064: 16009: 15898: 15704: 15351: 15271: 15260: 15249: 15238: 15216: 15205: 15194: 15183: 15172: 15161: 15150: 15139: 15128: 15117: 15106: 15095: 15084: 15073: 15062: 15051: 15040: 15029: 15018: 15007: 14985: 14974: 14963: 14952: 14941: 14930: 14919: 14908: 14897: 14886: 14875: 14864: 14853: 14842: 14831: 14820: 14809: 14798: 14787: 14776: 14754: 14743: 14732: 14721: 14710: 14699: 14684: 14673: 14662: 14651: 14640: 14629: 14618: 14607: 14592: 14581: 14569: 14558: 14547: 14536: 14514: 14503: 14492: 14481: 14470: 14459: 14448: 14437: 14426: 14415: 14404: 14393: 14382: 14371: 14360: 14349: 14338: 14330: 14321: 14312: 14292: 14280: 14269: 14258: 14247: 14239: 14227: 14216: 14205: 14189: 14178: 14167: 14156: 14145: 14134: 14123: 14112: 14101: 14090: 14079: 14057: 14046: 14038: 14022: 14011: 14000: 13992: 13980: 13969: 13958: 13947: 13936: 13925: 13914: 13903: 13892: 13877: 13866: 13855: 13844: 12755: 12327: 12320: 12250: 11927: 4090: 3891: 3885: 3197: 2238: 2046: 1575: 1392: 1387:

broke out in the south between its pro-treaty and anti-treaty factions, the former of whom had established the

1089:

Now prosperous and established, Shaw experimented with unorthodox theatrical forms described by his biographer

1070: 868: 844: 248: 10398:

Alexander, Doris M. (April 1959). "Captain Brant and Captain Brassbound: The Origin of an O'Neill Character".

6538: 6536: 1968:

pieces. Including eight earlier plays that he chose to omit from his published works, the total is sixty-two.

471:; eventually he grew a beard to hide the resultant facial scar. In rapid succession he wrote two more novels: 15804: 15673: 15638: 12390: 11747: 11129: 4021:

described the Führer in 1936 as "unquestionably a great leader". A year later the former Labour Party leader

3744: 3690: 3534: 3134: 2971:

Shaw's fiction-writing was largely confined to the five unsuccessful novels written in the period 1879–1885.

2404: 1149:, ran for eight weeks in September and October 1913. It was followed by one of Shaw's most successful plays, 1141: 20: 11322: 9133:

Drabble, Margaret; Stringer, Jemmy; Hahn, Daniel (2007). "Back to Methuselah: A Metabiological Pentateuch".

2101:

Shaw's first three full-length plays dealt with social issues. He later grouped them as "Plays Unpleasant".

16149: 16089: 16074: 15999: 15934: 12648: 12376: 12138: 10540: 9132: 6533: 6351: 4141:

In 1893 Shaw's column included his parody of music critics' idiom in a mock-academic analysis of Hamlet's "

3834:

Shaw served on the vestry's Health Committee, the Officers Committee and the Committee for Public Lighting.

3681:

voice, though he admitted that he was far outclassed as a singer by his sister Lucy, who had a career as a

3516: 3471:

founded in London in 1941 and survives; it organises meetings and events, and publishes a regular bulletin

2870: 2432: 2321:(1902) stands apart from the others in both its subject and its treatment, giving Shaw's interpretation of 1352:

later that month took him by surprise. After its suppression by British forces, he expressed horror at the

1302: 1285: 545: 4059:, who accepted it. Shaw later said he would have refused it if offered, just as he refused the offer of a 976:

During the first decade of the twentieth century, Shaw secured a firm reputation as a playwright. In 1904

758:, written in 1893 but not published until 1898, had to wait until 1905 for a stage production. Similarly, 440:

Eventually Shaw was driven to applying for office jobs. In the interim he secured a reader's pass for the

16024: 15658: 15580: 14791: 12292: 12264: 12215: 12049: 11404: 10980: 10153: 10140: 10080: 7429: 7427: 7425: 3903: 3861: 3706:

and non-smoker, and was known for his habitual costume of unfashionable woollen clothes, made for him by

3624: 3384: 3138: 3000: 2224: 2153: 2053: 1869: 1601: 1329: 1280: 1276: 1076: 998: 968: 254: 11690: 4991: 16054: 15545: 14284: 13870: 13012: 12299: 11996: 5713: 3966:

In Tree's absence from the American production, his role, Professor Higgins, was successfully taken by

3909: 3736: 3327: 3217: 2273: 2004: 1933:

During his later years, Shaw enjoyed tending the gardens at Shaw's Corner. He died at the age of 94 of

1746: 1022:

tried unsuccessfully to persuade Shaw to take up the vacant co-directorship of the Abbey Theatre after

887: 760: 735:, he used the by-line "G.B.S." He campaigned against the artificial conventions and hypocrisies of the 457: 448:) and spent most weekdays there, reading and writing. His first attempt at drama, begun in 1878, was a 12079: 10940: 7422: 1311:, satirising the government's attitude to Irish recruits, was banned in the UK and was presented at a 1126: 807:, with whom Shaw had a romantic relationship between 1890 and 1894, much resented by Jenny Patterson. 312:; analysts recognise his extensive influence on generations of English-language playwrights. The word 41: 16094: 15590: 15347: 13829: 12724: 12355: 12243: 12032: 11813: 8594: 6469: 3849: 3239:

Shaw, arguably the most important English-language playwright after Shakespeare, produced an immense

2991:(1882) is, says Weintraub, an indictment of society which anticipates Shaw's first full-length play, 2789: 2322: 2301: 2025: 1942: 1481: 963: 902: 216: 140: 11096: 6672: 6050: 15328: 12707: 12586: 12551: 10804: 7868: 6572: 5788: 3543: 3435: 2835: 2749:(1934) is a farcical depiction of the commercial and social affairs of a successful businesswoman. 2637: 2141: 2032: 1681: 1512: 1221: 1189: 996:

to present modern drama. Over the next five years they staged fourteen of Shaw's plays. The first,

876: 852: 723: 14611: 5872: 712:, where he wrote a weekly column as "G.B.S." for more than four years. In the 2016 version of the 345:. He was the youngest child and only son of George Carr Shaw and Lucinda Elizabeth (Bessie) Shaw ( 15585: 15441: 15336: 14474: 13929: 13163: 13099: 12988: 12776: 12278: 9812:

The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas: A Record of Productions, 1875–1961

7814: 3686: 3651: 3631:; Dublin Central Model Boys' School; and the Dublin English Scientific and Commercial Day School. 3620: 3494: 3292: 2266: 2147: 1627: 1584: 981: 922: 643:

The published novels, neither commercially successful, were his two final efforts in this genre:

513: 501: 11444: 5845: 5830: 2128:(1894) is a woman's choice between two men; the play contrasts the outlook and aspirations of a 1341:(which he thought should become the British Commonwealth). In April 1916 he wrote scathingly in 349:

Gurly). His elder siblings were Lucinda (Lucy) Frances and Elinor Agnes. The Shaw family was of

15723: 15709: 15396: 14644: 14116: 13458: 13179: 12558: 12362: 8550: 8534: 8042: 6131: 6129: 3655: 3599: 3404: 3396: 3310: 2797: 2753:(1936) lampoons the feebleness of the League of Nations compared with the dictators of Europe. 2308: 1659:, with which he was unimpressed, and New York, where he lectured to a capacity audience in the 1656: 1031: 1027: 597: 11885: 11537: 11536: 9908: 8574: 6542: 3450: 913:. The bride and bridegroom were both aged forty-one. In the view of the biographer and critic 402:

Shaw compensated for the absence of music in the house by teaching himself to play the piano.

14736: 14026: 14015: 13881: 13794: 13713: 13689: 13020: 12693: 12446: 12439: 12383: 11956: 10806: 10400: 9384: 9113: 8855: 3766: 3489: 3392: 3201: 3192: 3129: 2928: 2474: 2460: 2397: 1644: 1317: 1297: 1213: 1156: 1117: 1019: 930: 708:

in February 1889, writing under the pen-name Corno di Bassetto. In May 1890 he moved back to

692: 354: 282: 224: 15088: 14945: 12801: 11765: 6126: 5282: 4753: 4017:

Shaw was not alone in being initially deceived by Hitler. The former British prime minister

1663:. Harried by the intrusive attentions of the press, Shaw was glad when his ship sailed from 601: 16159: 15944: 15939: 15913: 15776: 15648: 14262: 13641: 13474: 13422: 13303: 13295: 13283: 13095: 13076: 13068: 12964: 12762: 12565: 12488: 11778: 11732: 8201: 8199: 5698: 5577: 5575: 5224: 5222: 5179: 5177: 5175: 5173: 4235:

The estate was officially assessed as worth £367,233 at the time of Shaw's death. Although

3945: 3553: 3183: 3043: 2796:

whom he saw as Brahmsian. He campaigned against the prevailing fashion for performances of

2686: 2528: 1800: 1721: 1380: 1160: 1082: 1011: 977: 914: 764:(1893) was written five years before publication and nine years before reaching the stage. 617: 612:, Besant and others, Shaw joined the majority in rejecting this approach. After a rally in 540: 15121: 11922: 6240: 5204: 8: 15717: 15410: 15165: 14758: 14507: 14193: 13984: 13962: 13753: 13597: 13442: 13430: 13243: 12928: 12509: 12201: 10121: 10099: 10058: 6306: 5321: 5019: 4142: 3603: 3431: 3358:, who empathised with Shaw as "the embattled individualist against the philistines"; and 3174: 3059: 3051: 2616: 2129: 1990: 1903:

considered it essential reading for any student of the American criminal justice system.

1609: 1002:, a comedy about an Englishman in Ireland, attracted leading politicians and was seen by 985: 679: 518: 480: 316:

has entered the language as encapsulating Shaw's ideas and his means of expressing them.

278: 14868: 14430: 11937: 11864: 11005: 8196: 8169: 6373: 6255: 5572: 5252: 5219: 5170: 4132:(1956), went on to make more money for the Shaw estate than all his plays put together." 2963:

magazine concluded, "this silliness can be classed with his more innocent bad guesses".

1696:. The latter was never made, but Shaw entrusted the rights to the former to the unknown 15893: 15568: 15379: 15110: 14725: 14596: 14342: 14030: 13896: 13506: 13044: 12940: 12607: 12474: 12432: 12236: 11412: 11183: 11174: 11154: 11080: 11056: 11033: 10989: 10963: 10925: 10893: 10865: 10839: 10820:

Merriman, Victor (2010). "Shaw in Contemporary Irish Studies: Passé or Contemptible?".

10763: 10739: 10719: 10695: 10686: 10669: 10642: 10610: 10586: 10562: 10523: 10505: 10478: 10462: 10432: 10409: 10356: 9972: 9829: 9790: 9633: 9612: 9156: 9073: 8918: 8727: 6388: 4039: 4018: 3927: 2700: 2595: 2534: 2518: 2467: 2092: 1920: 1828: 1750: 1450: 1376: 1343: 1321:, a genial farce, was granted a licence; it opened at the Royal Court in January 1917. 1312: 1307: 891: 826: 531: 350: 338: 64: 14463: 13907: 12060: 12027: 11122: 10929: 10843: 10646: 10345:. University Park, Pennsylvania: Pennsylvania State University Press. pp. 63–66. 8154: 6578: 1880: 1857: 1039: 394:

parents." In October 1871 he left school to become a junior clerk in a Dublin firm of

15888: 15371: 15242: 14923: 14622: 14585: 14441: 14251: 14094: 13973: 13390: 13008: 13004: 12614: 12600: 12544: 12495: 12257: 12006: 11950: 11801: 11782: 11047: 10346: 10327: 10308: 10289: 10270: 10253: 10236: 10219: 10202: 10185: 10127: 10108: 10086: 10067: 10034: 10015: 9978: 9957: 9940: 9917: 9893: 9872: 9853: 9836: 9815: 9798: 9776: 9746: 9718: 9712: 9699: 9679: 9657: 9640: 9619: 9596: 9577: 9558: 9541: 9520: 9501: 9495: 9479: 9462: 9443: 9426: 9412: 9404: 9390: 9369: 9346: 9323: 9304: 9281: 9262: 9256: 9241: 9222: 9203: 9182: 9163: 9140: 9121: 9099: 9080: 9057: 9038: 9015: 8995: 8971: 8954: 8944: 8925: 8899: 8880: 8861: 8842: 8823: 8795: 8776: 8755: 8734: 8298: 8296: 3984: 3707: 3343: 2821: 2707: 2693: 2679: 2602: 2164: 2105:(1892) concerns the landlords of slum properties, and introduces the first of Shaw's 2078: 1926: 1914: 1874: 1794: 1675: 1499: 1475: 1356:

of the rebel leaders, but continued to believe in some form of Anglo-Irish union. In

1353: 1209: 1090: 856: 839: 270: 203: 14419: 13940: 13885: 3333: 1192:, to be a "non-Socialist" issue. Others, including the future Labour prime minister 616:

addressed by Besant was violently broken up by the authorities on 13 November 1887 (

15683: 15385: 15044: 14813: 14573: 14518: 14452: 14408: 14397: 14353: 14231: 13701: 13267: 13032: 12984: 12871: 12739: 12729: 12593: 12467: 12411: 12404: 12397: 12285: 12222: 11970: 11774: 11728: 11108: 10917: 10831: 10634: 10500: 10492: 4096: 3921: 3873: 3855: 3521: 3146: 3063: 2658: 2523: 2522:) as important influences on the piece, and critics have found elements drawing on 2439: 2418: 2411: 2217: 2011: 1908: 1861: 1786: 1782: 1701: 1531: 1466: 1426: 1421: 1412: 1388: 1372: 1289: 1193: 1151: 1050: 1006:, who laughed so much that he broke his chair. The play was withheld from Dublin's 942:", and lived there for the rest of their lives. They retained a London flat in the 939: 935: 835: 782: 773: 613: 609: 426: 294: 232: 215:, Shaw became the leading dramatist of his generation, and in 1925 was awarded the 197: 191: 92: 81: 14967: 14666: 11739: 11707: 11024:

Wallis, Eric (1991). "The Intelligent Woman's Guide: Some Contemporary Opinions".

10577:

Crawford, Fred D. (1990). "Ways Pleasant and Unpleasant: Collected Letters Four".

8618: 8576:

The Broadview Anthology of Drama, Volume 2: The Nineteenth and Twentieth Centuries

8293: 4924: 2975:(1879) is a semi-autobiographical portrayal of mid-Victorian England, Shaw's "own 2723:(1929) was Shaw's last popular success. He gave both that play and its successor, 1655:... illiberal, superstitious, crude, violent, anarchic and arbitrary". He visited 1519:. The other eminent creative artist most closely associated with the festival was 522:

in 1892, and the connection with Archer proved of immense value to Shaw's career.

15908: 15597: 15154: 14890: 14802: 14747: 14703: 14692: 14562: 14496: 14209: 13918: 13859: 13848: 13729: 13657: 13617: 13593: 13577: 13518: 13482: 13398: 13378: 13338: 13319: 13171: 13131: 13115: 12996: 12976: 12919: 12915: 12847: 12788: 12334: 12208: 12045: 11941: 10945: 10939: 10811: 10657: 10423: 10369: 9887: 9770: 9671: 9535: 9235: 9197: 9030: 8938: 8893: 8817: 8770: 8749: 8235: 4501: 4060: 4022: 3967: 3915: 3758: 3595: 3512: 3508: 3463: 3355: 3262: 2892: 2785: 2245: 1997: 1790: 1664: 1618: 1384: 1185: 1099: 993: 947: 943: 906: 875:

excoriated the government for ignoring social issues and concentrating solely on

860: 754: 704: 512:, written in 1884 but not published in his lifetime. In the same year the critic 445: 362: 274: 15220: 15099: 15022: 14978: 11992: 11656: 11637: 11576: 11557: 11499: 11474: 11252: 11236: 11207: 10324:

Shaw's Music: The Complete Music Criticism of Bernard Shaw, Volume 3 (1893–1950)

10305:

Shaw's Music: The Complete Music Criticism of Bernard Shaw, Volume 2 (1890–1893)

10286:

Shaw's Music: The Complete Music Criticism of Bernard Shaw, Volume 1 (1876–1890)

10213: 9933: 9362: 9339: 9297: 8591:"The Shaw Must Go On: David Staller Makes the Case for the Writer’s Many Facets" 7835: 3782:

A corno di bassetto is the Italian name for an obsolete musical instrument, the

3300:'s slayers explain their actions to the audience, might have been influenced by 1808:, partly because of Pascal's insistence on directing, to which he was unsuited. 1716:

was soon spoken of as having "lifted movie-making from illiteracy to literacy".

1188:

began, Shaw wished the Fabians to take a neutral stance on what he deemed, like

273:

and organised religion. He courted unpopularity by denouncing both sides in the

169: 15796: 15748: 15198: 15187: 14857: 14846: 14688: 14633: 14551: 14182: 14138: 14083: 14050: 14004: 13781: 13757: 13733: 13605: 13569: 13561: 13542: 13275: 13187: 13143: 13107: 12972: 12944: 12907: 12891: 12887: 12879: 12863: 12523: 12502: 12425: 12348: 12229: 12194: 12122: 11834: 10954:

Rodenbeck, John (May 1969). "The Irrational Knot: Shaw and The Uses of Ibsen".

10822: 10341:

Shaw, Bernard (1998). "Shaw's advice to Irishmen". In Crawford, Fred D. (ed.).

10151: 8989: 8634: 6135: 4168:

In 1937 the book was reissued, with additional chapters and an extended title,

4084: 4043: 3996:

In 1937 the book was reissued, with additional chapters and an extended title,

3897: 3319: 3278: 3213: 3173:

over Christ. In a broadcast just before the Second World War, Shaw invoked the

3091: 3033: 2833:'s plays when many theatregoers regarded them as outrageous, and his 1891 book 2817: 2672: 2609: 2446: 2371: 2334: 2294: 2188: 2018: 1890: 1709: 1697: 1507: 1462: 1368: 1338: 1241: 1176: 1065: 1055: 918: 816: 748:

After using the plot of the aborted 1884 collaboration with Archer to complete

684: 666: 570: 544:, which awakened his interest in economics. He began attending meetings of the 441: 302: 227: 12855: 12078: 11946: 10807:"All Honor to his Genius; But his Message is Irrelevant to our Problems Today" 9007: 7565: 7529: 7242: 5237: 3273: 3024:"The strenuous literary life—George Bernard Shaw at work": 1904 caricature by 2999:

as the first section of a monumental depiction of the downfall of capitalism.

2120:

Shaw followed the first trilogy with a second, published as "Plays Pleasant".

15928: 15903: 15838: 15828: 15784: 15753: 15514: 15287: 15077: 15055: 15033: 15011: 14934: 14912: 14901: 14780: 14677: 14364: 14273: 14160: 14149: 13745: 13709: 13633: 13625: 13581: 13514: 13498: 13406: 13370: 13362: 13346: 13251: 13219: 13155: 13123: 13052: 12992: 12956: 12936: 12899: 12744: 12572: 12306: 11145:

West, E.J. (October 1952). "The Critic as Analyst: Bernard Shaw as Example".

10257: 10240: 10223: 10206: 10090: 9944: 9819: 9691: 9683: 9644: 9623: 9491: 8958: 8929: 8913: 8799: 4190: 4177: 4173: 4170:

The Intelligent Woman's Guide to Socialism, Capitalism, Sovietism and Fascism

4035: 4005: 4001: 3998:

The Intelligent Woman's Guide to Socialism, Capitalism, Sovietism and Fascism

3949: 3941: 3879: 3844: 3762: 3557: 3455: 3427: 3362:, who was inspired to write for the theatre after attending a performance of 3359: 3323: 3297: 3266: 3161: 3099:, a miscellany which, a year before his death, he revised and republished as 3038: 2740: 2644: 2513: 2231: 2180: 1934: 1727: 1705: 1648: 1579: 1539: 1505:

Shaw returned to the theatre with what he called "a political extravaganza",

1364:

was in the ascendency, and Shaw's and other moderate schemes were forgotten.

1349: 1236: 1060: 1007: 989: 910: 901:

In 1898, as a result of overwork, Shaw's health broke down. He was nursed by

864: 821: 804: 792: 662: 559: 430: 376: 298: 242: 14540: 14375: 10496: 9125: 6282: 3735:

The Fabian Society was founded in January 1884 as a splinter group from the

1937:

precipitated by injuries incurred when falling while pruning a tree. He was

1924:(1949), a ten-minute piece in which Shakespeare and Shaw trade insults; and 958: 15728: 15575: 15404: 15253: 15209: 14989: 14835: 14824: 14655: 14485: 13773: 13673: 13649: 13609: 13414: 13386: 13354: 13211: 13203: 13159: 13036: 13024: 12734: 12453: 11953:(About 50 ebooks of Shaw's works and some additional Shaw-related material) 11169: 11112: 11003: 10921: 10856: 10835: 10638: 10131: 10112: 10071: 9802: 9237:

Socialism and Superior Brains: The Political Thought of George Bernard Shaw

9226: 8999: 8884: 8846: 8205: 6403: 5158: 5146: 4241: 4236: 4223: 4102: 4056: 3944:

to represent modern-day Ireland—the League had, he said, been "invented in

3770: 3503: 3376: 3371: 3315: 3305: 3243:, of which at least half a dozen plays remain part of the world repertoire. 3025: 2915: 2861: 2830: 2793: 1965: 1774: 1770: 1766: 1634: 1596: 1567: 1523:, with whom Shaw enjoyed a deep friendship and mutual regard. He described 1520: 1470: 728: 574: 535: 411: 387: 237: 11805: 11489:

Owen, Richard (14 June 2004). "Shaw's secret fair lady revealed at last".

10538:

Crawford, Fred D. (Spring 1982). "Bernard Shaw's Theory of Literary Art".

10189: 9840: 9703: 9545: 9483: 9466: 7553: 7541: 4630: 1361: 1145:(1912), a less heretical study of true and false religious attitudes than 1054:, completed in 1902, was a success both at the Royal Court in 1905 and in 525: 371: 15843: 15319: 15143: 15066: 14879: 14714: 14600: 14386: 14171: 14105: 14061: 13721: 13681: 13534: 13526: 13450: 13434: 13235: 13227: 13139: 13060: 12369: 10978:

Sharp, William (May 1959). "'Getting Married' New Dramaturgy in Comedy".

8985: 8020: 8018: 8016: 7577: 5192: 3953: 3847:, the Shaw plays presented by the partnership between 1905 and 1908 were 3783: 3703: 3416: 3354:, for whom Shaw "opened doors, turned on lights, and expanded horizons"; 3287: 3083: 3055: 3047: 2852: 2840: 2252: 1738: 1458: 1442: 1228: 1134: 1111: 1064:(1905), depicting the contrasting morality of arms manufacturers and the 1035: 1023: 688: 670: 554: 491: 449: 383: 309: 12066: 11084: 11037: 10967: 10897: 10869: 10767: 10743: 10723: 10699: 10673: 10614: 10590: 10566: 10527: 10466: 10436: 10360: 8345:, p. 103 (Crawford quotes Laurence, but does not state the source). 5134: 1268:

After the First World War began in August 1914, Shaw produced his tract

867:, in her Fabian history, terms a "grand philippic" against the minority 15688: 15663: 14220: 13951: 13765: 13697: 13585: 13315: 13307: 13287: 13259: 12102: 12084: 12002: 11158: 11060: 10993: 10413: 9476:

The Story of the Abbey Theatre: From its Origins in 1899 to the Present

3351: 3212:

Bernard Shaw". He left instructions in his will that his executor (the

2865: 2176: 1592: 1407: 1003: 838:

stage; his biggest success of the decade was in New York in 1897, when

464: 395: 12130: 12059: 11187: 10625:

Gahan, Peter (2010). "Bernard Shaw and the Irish Literary Tradition".

8013: 3152: 1604:

as a triumph for Stalin who, he said, now had Hitler under his thumb.

655:

magazine in 1884, although it did not appear in book form until 1887.

651:, begun and finished in 1883. The latter was published as a serial in 15668: 15264: 15176: 13737: 13665: 13490: 13466: 13195: 13147: 11762: 11575: 11290: 7433: 5719: 4400: 4398: 4396: 4394: 4392: 4390: 4388: 4386: 4384: 4382: 4380: 4378: 3565: 3350:. Other Shaw-influenced American playwrights mentioned by Dukore are 3066:. In 2007 a 316-page volume consisting entirely of Shaw's letters to 3006:

Shaw's only subsequent fiction of any substance was his 1932 novella

2813: 2508: 2350: 2106: 1938: 1864:, as an act of self-righteousness: "We are all potential criminals". 1853: 1837: 1288:

into the war: "a first class moral asset to the common cause against

787: 605: 549: 11299:

Holroyd, Michael (7 April 1992). "Abuse of Shaw's literary legacy".

10734:

Laurence, Dan, ed. (January 1955). "The Blanco Posnet Controversy".

6810: 5560: 4376: 4374: 4372: 4370: 4368: 4366: 4364: 4362: 4360: 4358: 3983:, for the translation into English of Swedish literature, including 3761:, suggest that at least one other of Shaw's relationships—that with 3020: 1804:(1941), was less successful both artistically and commercially than 1337:

Shaw had long supported the principle of Irish Home Rule within the

1014:, who had requested the play, "got rather more than he bargained for 767: 417: 14956: 13661: 11980: 9772:

Animal Sensibility and Inclusive Justice in the Age of Bernard Shaw

4914: 4912: 4910: 4908: 3678: 3607: 3170: 2800: 2736: 2192: 1860:, at the German embassy in Dublin. Shaw disapproved of the postwar 1842: 834:. In the 1890s Shaw's plays were better known in print than on the 696: 468: 410:

Early in 1876 Shaw learned from his mother that Agnes was dying of

358: 262: 212: 11976: 11879: 8640: 8281: 4303: 4301: 4299: 4297: 1578:. The carefully managed trip culminated in a lengthy meeting with 530:

On 5 September 1882 Shaw attended a meeting at the Memorial Hall,

12022: 11636: 10138: 10078: 9760:

Powell, Kerry. "New Women, new plays, and Shaw in the 1890s". In

9732:

Peters, Sally. "Shaw's life: a feminist in spite of himself". In

7230: 6678: 6056: 4997: 4355: 4295: 4293: 4291: 4289: 4287: 4285: 4283: 4281: 4279: 4277: 4245:

later boosted the income of the estate by several million pounds.

3726:

was first published as a book in 1900, by H. S. Stone of Chicago.

3682: 3658:, denounced him as a charlatan, and succeeded in driving him out. 3561: 3548: 3407:

for the endowment of a state theatre, was part of this campaign.

1383:

between north and south, a provision that dismayed Shaw. In 1922

1164: 1137:, had the longest initial run of any Shaw play—622 performances. 831: 497: 433:

a musical column printed under Lee's name in a satirical weekly,

186: 11628:

Tomlinson, Philip (10 November 1950). "Bernard Shaw: Obituary".

11594: 11443: 10908:

Pierce, Robert B. (2011). "Bernard Shaw as Shakespeare Critic".

9497:

In the Name of Eugenics: Genetics and the Uses of Human Heredity

7820: 5794: 5035: 4905: 3654:

as the city's leading conductor. Stewart, professor of music at

3290:, by no means an admirer of Shaw, admitted that the epilogue of 2829:, in which he assessed more than 212 productions. He championed 596:

From 1885 to 1889 Shaw attended the fortnightly meetings of the

15132: 11517: 11403: 10754:

Laurence, Dan (1985). "'That Awful Country': Shaw in America".

10119: 6885: 6846: 6738: 6692: 6690: 5878: 5851: 5836: 5614: 3628: 3286:

and continued to draw on the older man's works in later plays.

1906:

Shaw continued to write into his nineties. His last plays were

1614: 1425:, written in 1916–17 and performed in 1920. It was produced on 1333:

Dublin city centre in ruins after the Easter Rising, April 1916

342: 208: 13824: 12017: 11812: 11346: 11333: 11320: 10684:

Hoffsten, Ernest (2 April 1904). "The Plays of Bernard Shaw".

9425: 8556: 8540: 8048: 7679: 7481: 7386: 7248: 7136: 7134: 7082: 7080: 6980: 6978: 6965: 6963: 6938: 6936: 6873: 6444: 6442: 6415: 6409: 5820: 5818: 4552: 4274: 4226:

in conjunction with an online exhibition presented by the LSE.

3366:: "I thought it would be agreeable to write plays like that". 1867:

Pascal was given a third opportunity to film Shaw's work with

1074:(1906), a mostly serious piece about professional ethics; and 508:

Shaw's next attempt at drama was a one-act playlet in French,

12831: 12036: 7872:

editorial: "All honor to his genius ...", 12 August 1946

7657: 7655: 7410: 7362: 5382: 5380: 5378: 5309: 5272: 5270: 5122: 4945: 4943: 4429: 3722:

was eventually published in book form by Constable, in 1905;

2857: 1571: 1441:

thought the play brilliant but ponderously acted, except for

1094: 1086:, seen in New York in 1906 and in London the following year. 181:(26 July 1856 – 2 November 1950), known at his insistence as 11795: 11723:

Ervine, St John (1959). "Shaw, George Bernard (1856–1950)".

10854:

Morgan, L. N. (Spring 1951). "Bernard Shaw the Playwright".

10174: 9954:

The London Stage, 1910–1919: A Calendar of Plays and Players

9098:. University Park: The Pennsylvania State University Press. 9037:. University Park: The Pennsylvania State University Press. 8658: 8348: 8030: 7845: 7642: 7640: 7121: 7119: 6687: 6475: 5917: 5915: 4759: 4618: 4453: 12009:(Lists all film and TV versions of Shaw's works since 1921) 11618: 9889:

The New Statesman: Portrait of a Political Weekly 1913–1931

9635:

The Disciple and his Devil: Gabriel Pascal and Bernard Shaw

8416: 8414: 8401: 8399: 8245: 8184: 7374: 7131: 7077: 7065: 6975: 6960: 6933: 6909: 6702: 6662: 6660: 6560: 6439: 6141: 6078: 6038: 6002: 5951: 5939: 5927: 5860: 5815: 5803: 5602: 5288: 5112: 5110: 4695: 4693: 4596: 4594: 4564: 4518: 4516: 3606:, for which service he was granted a substantial estate in 3141:. Most of the £8,300 went on a special phonetic edition of 1777:. In 1944 nine Shaw plays were staged in London, including 261:

Shaw's expressed views were often contentious; he promoted

11006:"The Religion of George Bernard Shaw: When is an Atheist?" 10514:

Crawford, Fred D. (September 1975). "Journals to Stella".

10321: 10302: 10283: 9935:

The Cart and the Trumpet: The Plays of George Bernard Shaw

9258:

Behind the Oscar: The Secret History of the Academy Awards

9221:(fourteenth ed.). London: Sir Isaac Pitman and Sons. 8522: 8360: 8216: 8214: 7756: 7754: 7703: 7691: 7652: 7583: 7571: 7559: 7547: 7535: 6635: 6633: 6620: 6618: 6459: 6457: 6216: 6180: 5416: 5392: 5375: 5351: 5267: 5198: 5164: 5152: 5140: 4979: 4940: 4864: 4852: 4780: 12701:

The Intelligent Woman's Guide to Socialism and Capitalism

11832: 11336:"George Bernard Shaw photographs uncover man behind myth" 11206: 10231:

Shaw, Bernard (1949). "Biographers' Blunders Corrected".

8697: 8675: 8673: 8438: 8312: 8142: 8130: 8024: 7965: 7917: 7637: 7517: 7469: 7447: 7445: 7116: 7053: 7043: 7041: 6158: 6156: 6102: 5912: 5704: 5548: 5341: 5339: 4705: 4409:

sfn error: no target: CITEREFWeintraub_ODNB_online_2013 (

3346:

became an admirer at the age of seventeen, after reading

1595:

came to power in Germany in January 1933, Shaw described

1495:

The Intelligent Woman's Guide to Socialism and Capitalism

1295:

Three short plays by Shaw were premiered during the war.

604:. When in 1886–87 the Fabians debated whether to embrace 16130:

People associated with the Royal Academy of Dramatic Art

12065: 11688: 11609: 11390: 10097: 9835:. University Park: Pennsylvania State University Press. 8411: 8396: 8372: 8324: 8106: 7989: 7941: 7778: 7766: 7398: 7254: 7146: 6863: 6861: 6762: 6726: 6714: 6657: 6645: 6603: 6593: 6591: 6589: 6587: 6543:

Shaw et al.: "Social Conditions in Russia", 2 March 1933

5327: 5210: 5183: 5107: 5047: 5025: 4690: 4678: 4591: 4581: 4579: 4513: 4489: 4477: 4465: 3149:, published in 1962 to a largely indifferent reception. 2569:, 1914) and a brief sketch about a "Bolshevik empress" ( 2132:

and a poetic idealist. The third of the Pleasant group,

1042:, who was inspired to become a playwright after reading 934:

late in 1898. In 1906 the Shaws found a country home in

11556: 11538:"Social Conditions in Russia: Recent Visitor's Tribute" 11310:"Bernard Shaw and his lethally absurd doctor's dilemma" 11283: 11225: 9299:

Bernard Shaw, Volume 2: 1898–1918: The Pursuit of Power

8510: 8384: 8269: 8257: 8211: 8094: 8058: 7929: 7790: 7751: 7625: 7493: 7302: 7278: 7206: 7182: 7158: 7092: 7026: 7014: 7002: 6948: 6921: 6897: 6786: 6750: 6630: 6615: 6548: 6521: 6509: 6497: 6454: 6427: 6361: 6246: 6228: 6026: 6014: 5978: 5968: 5966: 5776: 5764: 5728: 5650: 5638: 5590: 5536: 5524: 5476: 5464: 5452: 5440: 5258: 5228: 4741: 4654: 4417: 2565:, 1915–16); a piece that Shaw called "utter nonsense" ( 2325:

in a combination of drama and associated printed text.

526:

Political awakening: Marxism, socialism, Fabian Society

12676:

The Adventures of the Black Girl in Her Search for God

11999:(Information on Broadway productions, 1894 to present) 11655: 11377: 11368: 11270: 10421:

Beerbohm, Max (January 1962). "Mr Shaw's Profession".

9500:. Cambridge, Massachusetts: Harvard University Press. 9411:. Cambridge and New York: Cambridge University Press. 9320:

Bernard Shaw, Volume 3: 1918–1950: The Lure of Fantasy

9278:

Bernard Shaw, Volume 1: 1856–1898: The Search for Love

9094:

Dukore, Bernard F. (1992). "Shaw and American Drama".

9079:. Lewisburg, Pennsylvania: Bucknell University Press. 8670: 8498: 8474: 8462: 8450: 8426: 8082: 8070: 7802: 7739: 7727: 7715: 7457: 7442: 7326: 7038: 6834: 6822: 6379: 6356:

2007 "Back to Methuselah: A Metabiological Pentateuch"

6312: 6261: 6204: 6192: 6168: 6153: 6066: 5888: 5740: 5581: 5512: 5428: 5336: 5297: 5007: 4895: 4893: 4891: 4729: 4540: 4404: 4318: 4316: 3009:

The Adventures of the Black Girl in Her Search for God

2891:

rather than of Shaw, although the society's secretary

2541:

The short plays range from genial historical drama in

898:, he was elected to the newly formed borough council. 16125:

People associated with the London School of Economics

11657:"Vedrenne-Barker Plays: Famous Partnership Dissolved" 10447:

Bosch, Marianne (1984). "Mother, Sister, and Wife in

9992:

Wikander, Martin. "Reinventing the history play". In

9202:. New Brunswick, New Jersey: Transaction Publishers. 8822:. Princeton, New Jersey: Princeton University Press. 8118: 7905: 7893: 7667: 7505: 7290: 7194: 7104: 6990: 6858: 6798: 6774: 6584: 6485: 6333: 6294: 6270: 6114: 6090: 5752: 5488: 5404: 5363: 5095: 5071: 5059: 4955: 4840: 4828: 4717: 4666: 4642: 4606: 4576: 4528: 4343: 3598:

records that in 1689 Captain William Shaw fought for

3077: 780:

Shaw's first play to bring him financial success was

207:(1923). With a range incorporating both contemporary 15854:

Montague Burton Professor of International Relations

11746: 11463: 11359: 11349:"Timing is everything: how plays find their moments" 10012:

Bernard Shaw and Totalitarianism: Longing for Utopia

9618:. Dublin: Dolman Press and Oxford University Press. 8853: 8685: 8646: 8160: 7953: 7613: 7601: 7589: 7350: 7338: 7314: 7266: 7218: 7170: 6816: 6394: 6321: 5990: 5963: 5674: 4967: 4918: 4876: 4792: 4768: 4441: 4333: 4331: 2329:(1901), a blank verse dramatisation of Shaw's novel 1617:

in February 1932. The reception was unenthusiastic.

1419:

Shaw's first major work to appear after the war was

1026:'s death in 1909. Shaw admired other figures in the 863:"to extinction". Back in London, Shaw produced what 16:

Irish playwright, critic, and polemicist (1856–1950)

15634:

Centre for Philosophy of Natural and Social Science

11722: 11642:– Mr G. B. Shaw's New Play – America Sees it First" 11298: 11071:Weales, Gerald (May 1969). "Shaw as Screenwriter". 10343:

Shaw: The Annual of Bernard Shaw Studies, Volume 18

10001:Wisenthal, J. L. "Shaw's plays as music-drama". In 9852:. Groningen, Netherlands: Noordhoff International. 8486: 8175: 5900: 5686: 5662: 5626: 5500: 4888: 4804: 4313: 4307: 4239:severely reduced the residuary sum, royalties from 1756: 1429:in November, and was coolly received; according to 743: 721:From 1895 to 1898, Shaw was the theatre critic for 19:"Bernard Shaw" redirects here. For other uses, see 16100:Members of St Pancras Metropolitan Borough Council 12793: 11764: 10247: 10056: 9932: 9828: 9809: 9632: 9611: 9361: 9338: 9296: 9155: 9136:The Concise Oxford Companion to English Literature 9072: 8917: 8839:Dictionary to the Plays and Novels of Bernard Shaw 8726: 8287: 7977: 7888:(Section: "Previous Attempts miss the Point") 1933 4930: 4636: 4262: 1168:His co-star then toured with the piece in the US. 15654:International Bibliography of the Social Sciences 15564:British Library of Political and Economic Science 12482:A Glimpse of the Domesticity of Franklyn Barnabas 11835:"A Chronology of Works By and About Bernard Shaw" 11172:(January 1966). "Shaw and the Charlatan Genius". 10660:(January 1961). "Bernard Shaw and Adolf Hitler". 5083: 4816: 4328: 4109:A Glimpse of the Domesticity of Franklyn Barnabas 2942:, and developed them further during the 1920s in 1411:The rotating hut in the garden of Shaw's Corner, 1163:as, respectively, a professor of phonetics and a 848:earned the author more than £2,000 in royalties. 824:in 1895; in 1897 a playlet about Napoleon called 366:described as a life of "shabby-genteel poverty". 16040:Deaths from kidney failure in the United Kingdom 15926: 9654:Wisdom and Innocence: A Life of G. K. Chesterton 9537:Fabian Socialism and English Politics, 1884–1918 8836: 8573:Walker, Craig S.; Wise, Jennifer (9 July 2003). 6579:Weintraub: "GBS and the Despots", 22 August 2011 5620: 4176:as the first in the new paperback series called 4004:as the first in the new paperback series called 2885: 1473:prompted him to return to the subject. He wrote 881:London School of Economics and Political Science 673:: important influences on Shaw's aesthetic views 479:(1881), but neither found a publisher; each was 15965:20th-century British dramatists and playwrights 15950:19th-century British dramatists and playwrights 10265:Shaw, Bernard (1969). Stanley Weintraub (ed.). 9572:Martin, Stanley (2007). "George Bernard Shaw". 9461:. Englewood Cliffs, New Jersey: Prentice Hall. 9437: 9364:Bernard Shaw: The One-Volume Definitive Edition 8837:Broad, Charlie Lewis; Broad, Violet M. (1929). 8206:Sloan: The religion of George Bernard Shaw 2004 6421: 2333:, focuses on the imperial relationship between 1415:, where Shaw wrote most of his works after 1906 15619:Centre for Climate Change Economics and Policy 15544: 15317: 11771:Oxford Encyclopedia of Theatre and Performance 11708:"The Fabian Society in Late Victorian Britain" 10880:Nothorcot, Arthur (January 1964). "A Plea for 10600: 10553:Crawford, Fred D. (1988). "The Shaw Diaries". 10147:. Vol. 1, no. 1. The New York Times. 9409:The Cambridge Companion to George Bernard Shaw 8898:. Basingstoke, Hampshire: Palgrave Macmillan. 8775:. Barnsley, Yorkshire: Pen & Sword Books. 8624: 8302: 4046:, who had also worked on adapting Shaw's text. 3054:, H. G. Wells and G. K. Chesterton; the boxer 15990:Best Adapted Screenplay Academy Award winners 15970:20th-century Irish dramatists and playwrights 15955:19th-century Irish dramatists and playwrights 15530: 15303: 13810: 12817: 12146: 9609: 4570: 4459: 4222:"Man & Cameraman", opened in 2011 at the 3821:was modified, to become Fabian Tract No. 49, 1561:, 2 March 1933, signed by Shaw and 20 others. 558:. He was not impressed by the SDF's founder, 11045:Weales, Gerald. "A Hand at Shaw's Curtain". 9745:. Gainesville: University Press of Florida. 2995:. Shaw later explained that he had intended 1570:dated to the early 1920s when he had hailed 659:appeared in magazine and book form in 1886. 552:, and thereafter spent much of 1883 reading 483:a few years later in the socialist magazine 467:. In the same year he suffered an attack of 15614:Centre for the Analysis of Social Exclusion 11670: 9850:Eugenics and Politics in Britain, 1900–1914 8807:Berst, Charles. "New theatres for old". In 5243: 1831:, Shaw was accused of defeatism when, in a 1542:thought he was "obsessed" about Mussolini. 953: 548:(SDF), where he discovered the writings of 16050:Fellows of the Royal Society of Literature 16045:English-language spelling reform advocates 15537: 15523: 15310: 15296: 13817: 13803: 12824: 12810: 12153: 12139: 10322:Shaw, Bernard (1981). Dan Laurence (ed.). 10303:Shaw, Bernard (1981). Dan Laurence (ed.). 10284:Shaw, Bernard (1981). Dan Laurence (ed.). 10248:Shaw, Bernard (1965). Dan Laurence (ed.). 9459:G.B. Shaw: A Collection of Critical Essays 9179:George Bernard Shaw: The Critical Heritage 9012:Present Indicative – Autobiography to 1931 8970:. Peterborough, Ontario: Broadview Press. 8572: 4510:, pp. 24 (literature) and 25 (music). 3222:Cambridge Companion to George Bernard Shaw 2764: 2549:(1910 and 1913) to a study of polygamy in 1375:in publicly condemning these actions. The 1171: 842:'s production of the historical melodrama 695:, and insisted that all great art must be 40: 16135:People educated at Wesley College, Dublin 16120:People associated with the British Museum 15849:List of London School of Economics people 12833:Academy Award for Best Adapted Screenplay 12023:The Shaw Society, UK, established in 1941 11627: 11094: 11026:Shaw: The Journal of Bernard Shaw Studies 10953: 10879: 10780:"How Shaw Destroyed his Irish Biographer" 10504: 10476: 10397: 10000: 9970: 9956:. Metuchen, New Jersey: Scarecrow Press. 9540:. Cambridge: Cambridge University Press. 8733:. Columbus: Ohio State University Press. 8703: 8444: 8318: 7971: 7059: 6503: 6136:Shaw: "Irish Nonsense About Ireland" 1916 5530: 4747: 4558: 4546: 3940:Shaw often mocked the pretensions of the 3769:("I am the normal heterosexual man") and 2784:the music of Wagner and decrying that of 1448:Shaw's largest-scale theatrical work was 1391:. Shaw visited Dublin in August, and met 938:, Hertfordshire; they renamed the house " 337:Shaw was born at 3 Upper Synge Street in 15874:Association of Commonwealth Universities 12770:SHAW: The Annual of Bernard Shaw Studies 11725:Dictionary of National Biography Archive 11705: 11430: 11101:Shaw: The Annual of Bernard Shaw Studies 10910:Shaw: The Annual of Bernard Shaw Studies 10819: 10756:Shaw: The Annual of Bernard Shaw Studies 10753: 10733: 10683: 10627:Shaw: The Annual of Bernard Shaw Studies 10603:Shaw: The Annual of Bernard Shaw Studies 10579:Shaw: The Annual of Bernard Shaw Studies 10576: 10555:Shaw: The Annual of Bernard Shaw Studies 10552: 10537: 10513: 10479:"Book Review: The Crime of Imprisonment" 10454:Shaw: The Annual of Bernard Shaw Studies 10420: 9991: 9866: 9717:. New Haven, CT: Yale University Press. 9714:Bernard Shaw: The Ascent of the Superman 9590: 9514: 9473: 9456: 9233: 9195: 9118:Bernard Shaw: His Life, Work and Friends 9028: 8924:. London and New York: Longmans, Green. 8516: 8420: 8405: 8378: 8354: 8342: 8330: 8112: 8036: 7995: 7935: 7851: 7784: 7772: 7697: 7332: 7260: 6768: 6732: 6720: 6696: 6651: 6597: 5746: 5644: 5608: 5542: 5128: 4882: 4648: 3477:Shaw: The Annual of Bernard Shaw Studies 3449: 3332: 3151: 3019: 1879: 1633: 1406: 1328: 1175: 957: 766: 661: 496: 416: 328: 277:as equally culpable, and although not a 16005:British male dramatists and playwrights 12160: 11472: 11307: 11168: 10800:from the original on 29 September 2015. 9951: 9930: 9740: 9690: 9670: 9595:. New York: Columbia University Press. 9533: 9359: 9336: 9317: 9294: 9275: 8968:Bernard Shaw: "Mrs Warren's Profession" 8966:Conolly, L. W. (2005). "Introduction". 8965: 8857:Historical Dictionary of British Cinema 8789: 8768: 8747: 8528: 8504: 8390: 8275: 8263: 8251: 8220: 8190: 8148: 8136: 8100: 8064: 8007: 7923: 7796: 7760: 7499: 7463: 7356: 7140: 7098: 7086: 7071: 7032: 7020: 7008: 6984: 6969: 6954: 6942: 6927: 6915: 6903: 6891: 6852: 6792: 6756: 6744: 6708: 6639: 6624: 6566: 6554: 6527: 6515: 6463: 6448: 6433: 6367: 6291:, pp. 855, 869, 891, 910–911, 938. 6234: 6210: 6174: 6162: 6147: 6084: 6044: 6020: 6008: 5984: 5957: 5945: 5933: 5921: 5894: 5866: 5824: 5809: 5782: 5770: 5734: 5596: 5566: 5554: 5482: 5470: 5458: 5446: 5434: 5422: 5398: 5386: 5369: 5357: 5303: 5276: 5116: 5077: 5053: 5041: 5013: 4985: 4961: 4949: 4870: 4858: 4846: 4834: 4798: 4786: 4735: 4699: 4684: 4672: 4624: 4612: 4600: 4585: 4522: 4507: 4495: 4483: 4423: 4349: 4322: 3227: 3220:was among the exceptions with its 1988 3106: 2860:, there is no eminent writer, not even 2553:; three satirical works about the war ( 1125:was banned on religious grounds by the 1080:, Shaw's counterblast to Shakespeare's 715:Grove Dictionary of Music and Musicians 534:, addressed by the political economist 155: 1898; died 1943) 15927: 11497: 11250: 11234: 11070: 11023: 10907: 10853: 10656: 10250:Collected Letters, Volume 1: 1874–1897 9847: 9826: 9810:Rollins, Cyril; R. John Witts (1962). 9768: 9759: 9731: 9710: 9651: 9630: 9571: 9557:. Edinburgh: Mainstream Publications. 9552: 9490: 9386:Edwardian Shaw: The Writer and his Age 9341:Bernard Shaw, Volume 4: The Last Laugh 9254: 9158:The Politics and Plays of Bernard Shaw 9112: 9093: 9070: 9051: 9006: 8984: 8854:Burton, Alan; Chibnall, Steve (2013). 8751:The Rise of the Labour Party 1880–1945 8679: 8641:Weintraub: Shaw Societies Once and Now 8480: 8468: 8456: 8432: 8366: 7911: 7899: 7808: 7745: 7733: 7721: 7709: 7685: 7673: 7661: 7487: 7451: 7200: 7152: 7047: 6996: 6840: 6828: 6804: 6780: 6666: 6609: 6327: 6300: 6276: 6222: 6198: 6186: 6072: 5518: 5315: 5101: 5065: 4973: 4723: 4711: 4660: 4447: 4435: 4268: 3015: 634: 16070:Irish male dramatists and playwrights 15629:Centre for the Economics of Education 15518: 15291: 13798: 12805: 12792: 12538:The Simpleton of the Unexpected Isles 12134: 11973:(More links to Shaw-related material) 11423:from the original on 6 November 2018. 11360:"Mr Bernard Shaw's £367,000 Estate". 11123:Weintraub, Stanley (22 August 2011). 10977: 10777: 10624: 10446: 10170:from the original on 6 November 2018. 10028: 10002: 9993: 9939:. New York: Oxford University Press. 9906: 9885: 9761: 9733: 9430: 9403: 9176: 9153: 8891: 8815: 8808: 8806: 8724: 8599:, November 2014, accessed 3 June 2018 8492: 8124: 8088: 7646: 7631: 7619: 7595: 7523: 7511: 7475: 7416: 7404: 7380: 7368: 7308: 7284: 7272: 7224: 7212: 7188: 7176: 7164: 7110: 6867: 6491: 6120: 6108: 6096: 6032: 5692: 5680: 5668: 5656: 5494: 5345: 4810: 4774: 4471: 2733:The Simpleton of the Unexpected Isles 2631:The Simpleton of the Unexpected Isles 2109:—a recurring feature of later plays. 1862:trials of the defeated German leaders 1719:Shaw's final plays of the 1930s were 1670:The Simpleton of the Unexpected Isles 130:Ireland (dual citizenship, 1934–1950) 12013:Shaw photographs held at LSE Library 11851:from the original on 21 January 2016 11814:"The Nobel Prize in Literature 1925" 11779:10.1093/acref/9780198601746.001.0001 11733:10.1093/odnb/9780192683120.013.36047 11706:Diniejko, Andrzej (September 2013). 11498:Rhodes, Crompton (16 October 1923). 11488: 11433:"Was George Bernard Shaw a Monster?" 11144: 10709: 10340: 10264: 10230: 10196: 9789: 9382: 9216: 9033:. In Bertolini, John Anthony (ed.). 8936: 8912: 8874: 8754:. Abingdon, Oxfordshire: Routledge. 8691: 8664: 8652: 8615:, 18 July 2017, accessed 3 June 2018 8076: 7959: 7947: 7607: 7392: 7344: 7320: 7296: 7236: 7125: 6879: 6339: 6288: 5996: 5972: 5906: 5758: 5632: 5506: 5410: 5089: 4899: 4534: 4337: 3585:Now (2016) known as 33 Synge Street. 3432:Niagara-on-the-Lake, Ontario, Canada 3165:religion". In the preface (1915) to 2788:and those British composers such as 1955:List of works by George Bernard Shaw 1912:(1947), his final full-length work; 1607:Shaw's first play of the decade was 883:(LSE) opened in the summer of 1895. 444:Reading Room (the forerunner of the 12517:How These Doctors Love One Another! 11251:Ervine, St John (14 October 1923). 11235:Ervine, St John (23 October 1921). 11230:. London. 29 April 1894. p. 2. 10145:Current History of the European War 10009: 9871:. Oxford: Oxford University Press. 9831:Shaw of Dublin: The Formative Years 9698:. Oxford: Oxford University Press. 9440:Twentieth-century Theatre and Drama 9139:. Oxford: Oxford University Press. 9075:Bernard Shaw: A Psychological Study 4822: 4115:How These Doctors Love One Another! 3952:, Peter Kavanagh wrote: "Yeats and 3843:At the Royal Court and then at the 3403:, in which Shakespeare pleads with 1613:, written in 1931 and premiered in 1457:This mood was short-lived. In 1920 1093:as "discussion drama" and "serious 185:, was an Irish playwright, critic, 13: 16155:20th-century British screenwriters 15995:British anti-vaccination activists 12580:In Good King Charles's Golden Days 12028:The Bernard Shaw Society, New York 11884:. The Shaw Society. Archived from 11675:. London. 1 May 1894. p. 179. 11475:"Superman? A look back in anguish" 11431:Nestruck, J. Kelly (1 July 2011). 11044: 10941:"Religion: Creative Revolutionary" 10778:Leary, Daniel J. (November 1971). 10477:Broughton, Philip S. (July 1946). 10199:The Complete Plays of Bernard Shaw 10049: 9916:. Montreal: McGill-Queen's Press. 9656:. London: Hodder & Stoughton. 9261:. New York: Simon & Schuster. 8236:Religion: Creative Revolutionary: 7983: 6410:The Nobel Prize in Literature 1925 3078:Miscellaneous and autobiographical 2904:in 1914, was to prepare a sequel, 2755:In Good King Charles's Golden Days 2652:In Good King Charles's Golden Days 2183:, was unfinished and unperformed. 1827:on 3 September 1939 and the rapid 1734:In Good King Charles's Golden Days 1247: 896:Metropolitan Borough of St Pancras 504:, colleague and benefactor of Shaw 14: 16181: 15975:20th-century British male writers 12461:Annajanska, the Bolshevik Empress 12314:Passion, Poison, and Petrifaction 12041:The University of Texas at Austin 11902: 11865:"Shaw, George Bernard: 1856–1950" 11308:Holroyd, Michael (13 July 2012). 11237:"At the Play: Mr Shaw In Despair" 10484:American Journal of Public Health 10267:Shaw: An Autobiography, 1856–1898 10216:Everybody's Political What's What 10152:Shaw, G. Bernard (9 April 1916). 9848:Searle, Geoffrey Russell (1976). 9407:(1998). Christopher Innes (ed.). 7838:Everybody's Political What's What 3981:Anglo-Swedish Literary Foundation 3532:In its obituary tribute to Shaw, 3308:comments that Eliot's later play 3036:; his theatrical colleagues (and 2925:Everybody's Political What's What 2482:Annajanska, the Bolshevik Empress 2366:Passion, Poison, and Petrifaction 2281:Passion, Poison, and Petrifaction 1900:American Journal of Public Health 1850:Everybody's Political What's What 1848:Shaw's final political treatise, 16060:Irish anti-vaccination activists 12927:Heinz Herald, Geza Herczeg, and 12725:Charlotte Payne-Townshend (wife) 11984: 11399:. 29 September 1925. p. 12. 10736:Shaw Society of America Bulletin 10014:. New York: Palgrave Macmillan. 8602: 8583: 8566: 4229: 4215: 4206: 4196: 4183: 4162: 4148: 4135: 4121: 4072:The works Shaw omitted from his 4066: 4049: 4028: 4011: 3990: 3973: 3960: 3934: 3837: 3828: 1757:Second World War and final years 1485:sufficient money for my needs". 1395:, then head of the Free State's 1358:How to Settle the Irish Question 814:was not immediately replicated. 744:Playwright and politician: 1890s 569:, issued by the recently formed 168: 16085:Irish people of English descent 15884:European University Association 15624:Centre for Economic Performance 12342:The Shewing-Up of Blanco Posnet 12272:Captain Brassbound's Conversion 11602:. 23 November 1913. p. X6. 11439:. Niagara-on-the-Lake, Ontario. 11294:. 12 November 1920. p. 11. 11097:"Shaw's Musician: Edward Elgar" 10139:Shaw, Bernard (December 1914). 9696:The Origins of the Labour Party 9519:. Austin: University of Texas. 9368:. London: Chatto & Windus. 9345:. London: Chatto & Windus. 9303:. London: Chatto & Windus. 9096:Shaw and the Last Hundred Years 8819:The Making of British Socialism 8579:. Broadview Press. p. 205. 3868:Captain Brassbound's Conversion 3807: 3798: 3789: 3776: 3750: 3729: 3713: 3696: 3671: 3661: 3644: 3634: 3613: 2906:More Common Sense About the War 2288:The Shewing-Up of Blanco Posnet 2160:Captain Brassbound's Conversion 2061:Captain Brassbound's Conversion 1206:Labour Representation Committee 1106:The Shewing-Up of Blanco Posnet 538:. Shaw then read George's book 341:, a lower-middle-class part of 152: 16145:People from Portobello, Dublin 12794:Awards for George Bernard Shaw 12756:George Bernard Shaw: His Plays 12328:The Interlude at the Playhouse 12046:Newspaper clippings about Shaw 11882:"Shaw Societies: Once and Now" 11587:. 21 November 1906. p. 7. 11529:. 13 October 1914. p. 11. 11473:Osborne, John (23 June 1977). 11386:. 29 December 1923. p. 8. 11373:. 15 October 1923. p. 10. 11321:Janes, Daniel (20 July 2012). 10184:. London: The Fabian Society. 10154:"Irish Nonsense About Ireland" 10085:. London: The Fabian Society. 8729:Bernard Shaw and the Aesthetes 7584:Shaw and Laurence (Vol 1) 1981 7572:Shaw and Laurence (Vol 2) 1981 7560:Shaw and Laurence (Vol 2) 1981 7548:Shaw and Laurence (Vol 2) 1981 7536:Shaw and Laurence (Vol 3) 1981 7436:Oxford Encyclopedia of Theatre 5199:Shaw and Laurence (Vol 3) 1981 5165:Shaw and Laurence (Vol 1) 1981 5153:Shaw and Laurence (Vol 1) 1981 5141:Shaw and Laurence (Vol 1) 1981 4091:The Interlude at the Playhouse 3588: 3579: 3569:vitality of the newly created. 3253:Oxford Encyclopedia of Theatre 1971: 871:that had taken power in 1892. 324: 1: 16115:Nobel laureates in Literature 16105:Members of the Fabian Society 15805:Lord President of the Council 15639:Crisis States Research Centre 11989:(19 downloads for audiobooks) 11630:The Times Literary Supplement 11581:: Mr Bernard Shaw's New Play" 11347:Lawson, Mark (11 July 2012). 11334:Kennedy, Maev (5 July 2011). 11279:. 19 October 1921. p. 8. 11218:. 3 December 1905. p. 5. 11199: 11130:The Times Literary Supplement 10376:. Project Gutenberg Australia 9678:. London: Four Square Books. 9614:Shaw and the Charlatan Genius 8994:. London: Rupert Hart-Davis. 8940:The Story of Fabian Socialism 8025:Pharand: Shaw chronology 2015 4251: 3817:looming in 1895, the text of 3535:The Times Literary Supplement 3276:, who based his early comedy 3232: 3193:controversy about vaccination 3181:outdoes him in business". In 3135:Royal Academy of Dramatic Art 2912:The Intelligent Woman's Guide 2896:was never again so succinct. 2886:Political and social writings 984:established a company at the 353:and belonged to the dominant 21:Bernard Shaw (disambiguation) 16165:British anti-vivisectionists 16140:People from Ayot St Lawrence 15985:Accidental deaths in England 15980:Accidental deaths from falls 15800:(Chair of Court and Council) 12377:The Dark Lady of the Sonnets 11928:Resources in other libraries 11740:UK public library membership 11468:. 27 March 1924. p. 12. 10805:Time Inc. (12 August 1946). 10541:Journal of General Education 10141:"Common Sense About the War" 8895:Bernard Shaw's Irish Outlook 8725:Adams, Elsie Bonita (1971). 7239:, pp. 218, 250 and 297. 5569:, pp. 261, 356 and 786. 4256: 3823:A Plan of Campaign For Labor 3401:The Dark Lady of the Sonnets 3348:The Quintessence of Ibsenism 2936:The Revolutionist's Handbook 2871:The Dark Lady of the Sonnets 2846:Our Theatres in the Nineties 2576: 2543:The Dark Lady of the Sonnets 2433:The Dark Lady of the Sonnets 2378: 2198: 1818:St John Ervine on Shaw, 1959 1761:Although Shaw's works since 1679:—and begin work on a third, 1379:of December 1921 led to the 1303:Birmingham Repertory Theatre 1222:Sir Henry Campbell-Bannerman 1038:, and was a close friend of 771:Shaw in 1894 at the time of 598:British Economic Association 546:Social Democratic Federation 7: 16030:Burials at Ayot St Lawrence 15679:Department of Social Policy 15659:International Growth Centre 15644:Grantham Research Institute 12075:Alexander Thom and Son Ltd. 12050:20th Century Press Archives 11983:(public domain audiobooks) 11938:Works by Shaw in eBook form 11671:"Waftings from the Wings". 11632:. London. pp. 709–710. 11568:. 22 April 1894. p. 5. 11364:. 24 March 1951. p. 8. 11147:Educational Theatre Journal 11095:Weintraub, Stanley (2002). 11004:Sloan, Gary (Autumn 2004). 10981:Educational Theatre Journal 10390: 10326:. London: The Bodley Head. 10307:. London: The Bodley Head. 10288:. London: The Bodley Head. 10079:Shaw, Bernard, ed. (1889). 9971:Weintraub, Stanley (1982). 9743:Bernard Shaw and the French 9031:"Shaw's British Inheritors" 8860:. London: Scarecrow Press. 8841:. New York: Haskell House. 3625:Methodist Church in Ireland 3621:Wesleyan Connexional School 3519:, and was the dedicatee of 3139:National Gallery of Ireland 10: 16186: 16170:Irish anti-vivisectionists 16110:Writers from Dublin (city) 16020:British male screenwriters 15547:London School of Economics 12300:How He Lied to Her Husband 12018:International Shaw Society 11997:Internet Broadway Database 11800:. H.S. Stone and Company. 11748:"Fabian Tracts: 1884–1901" 11663:. 8 March 1908. p. 8. 11648:. 2 March 1932. p. 9. 11614:. 1 April 1895. p. 2. 10126:. London: Grant Richards. 10107:. London: Grant Richards. 10082:Fabian Essays in Socialism 10066:. London: Grant Richards. 9814:. London: Michael Joseph. 9639:. London: Michael Joseph. 9591:Matthews, John F. (1969). 9517:Shaw, Books, and Libraries 9196:Feinberg, Leonard (2006). 9035:Shaw and Other Playwrights 9029:Crawford, Fred D. (1993). 8920:Growing up into Revolution 8712: 6059:Common Sense About the War 5000:Fabian Essays in Socialism 4405:Weintraub ODNB online 2013 3948:." In a 1950 study of the 3910:How He Lied to Her Husband 3737:Fellowship of the New Life 3619:The four schools were the 3564:, William Morris, Ruskin, 3445: 3218:Cambridge University Press 2979:" according to Weintraub. 2966: 2902:Common Sense About the War 2274:How He Lied to Her Husband 1952: 1566:Shaw's enthusiasm for the 1324: 1270:Common Sense About the War 1261:Common Sense About the War 625:Fabian Essays in Socialism 587:Shaw, Fabian Tract No. 2: 128:United Kingdom (1856–1950) 18: 15960:19th-century male writers 15866: 15816: 15769: 15762: 15737: 15697: 15606: 15591:Sir Arthur Lewis Building 15554: 15436: 15420: 15395: 15370: 15346: 15327: 15230: 14999: 14768: 14528: 14303: 14071: 13836: 13830:Nobel Prize in Literature 13553: 13330: 13087: 12839: 12799: 12717: 12685: 12665: 12649:Cashel Byron's Profession 12624: 12356:The Fascinating Foundling 12177: 12168: 12119: 12107: 12099: 12094: 11923:Resources in your library 11833:Pharand, Michael (2015). 11681: 11623:. 19 May 1894. p. 3. 9931:Valency, Maurice (1973). 9827:Rosset, Benjamin (1964). 9478:. New York: Devin-Adair. 9360:Holroyd, Michael (1997). 9337:Holroyd, Michael (1992). 9318:Holroyd, Michael (1993). 9295:Holroyd, Michael (1989). 9276:Holroyd, Michael (1990). 9234:Griffith, Gareth (1993). 9217:Gaye, Freda, ed. (1967). 9052:Croall, Jonathan (2008). 8769:Bennett, Richard (2010). 8608:Keddy, Genevieve Rafter. 7395:, pp. 1366 and 1466. 7249:Innes "Introduction" 1998 6882:, pp. 1391 and 1406. 5044:, pp. 72, 81 and 94. 3399:. Shaw's short 1910 play 3191:In 1903 Shaw joined in a 2989:Cashel Byron's Profession 2331:Cashel Byron's Profession 2302:The Fascinating Foundling 1943:Golders Green Crematorium 1895:The Crime of Imprisonment 1315:base in Belgium in 1917. 1208:—precursor of the modern 964:Johnston Forbes-Robertson 903:Charlotte Payne-Townshend 645:Cashel Byron's Profession 405: 289:for which he received an 217:Nobel Prize in Literature 167: 162: 141:Charlotte Payne-Townshend 134: 124: 107: 99: 88: 71: 51: 39: 32: 13626:Joel Coen and Ethan Coen 12708:Quintessence of Ibsenism 12587:The British Party System 12293:John Bull's Other Island 12216:Mrs. Warren's Profession 12095:Awards and achievements 11763:Grene, Nicholas (2003). 11208:"At the Play: Mr Shaw's 11055:(Autumn 1966): 518–522. 10787:Columbia Library Columns 10123:Fabianism and the Empire 9775:. Vancouver: UBC Press. 9741:Pharand, Michel (2000). 9631:Pascal, Valerie (1971). 9610:O'Donovan, John (1965). 9474:Kavanagh, Peter (1950). 9255:Holden, Anthony (1993). 9219:Who's Who in the Theatre 8717: 6817:Burton and Chibnall 2013 5881:Fabianism and the Empire 4919:Fabian Tracts: 1884–1901 4639:, pp. 54–55 and 58. 3862:John Bull's Other Island 3627:; a private school near 3573: 3507:with book and lyrics by 3462:In the 1940s the author 3436:Gingold Theatrical Group 2836:Quintessence of Ibsenism 2807: 2769: 2369:(1905) to the satirical 2339:John Bull's Other Island 2225:John Bull's Other Island 2142:Three Plays for Puritans 2033:Three Plays for Puritans 1959: 1948: 1661:Metropolitan Opera House 1545: 1402: 1198:Fabianism and the Empire 1097:". These plays included 1044:John Bull's Other Island 999:John Bull's Other Island 954:Stage success: 1900–1914 873:To Your Tents, O Israel! 853:Independent Labour Party 830:had a single staging at 647:written in 1882–83, and 84:, Hertfordshire, England 16035:Classical music critics 16015:British Nobel laureates 15581:Hall–Carpenter Archives 15337:Richard Adolf Zsigmondy 12777:Twain and Shaw Do Lunch 12279:The Admirable Bashville 11666:(subscription required) 11651:(subscription required) 11646:The Manchester Guardian 11605:(subscription required) 11596:"The Modest Shaw Again" 11590:(subscription required) 11585:The Manchester Guardian 11571:(subscription required) 11542:The Manchester Guardian 11532:(subscription required) 11513:(subscription required) 11508:The Manchester Guardian 11484:(subscription required) 11426:(subscription required) 11405:"Mrs Pat Campbell Here" 11393:Mrs Warren's Profession 11266:(subscription required) 11246:(subscription required) 11221:(subscription required) 11193:(subscription required) 11164:(subscription required) 11118:(subscription required) 11090:(subscription required) 11066:(subscription required) 10999:(subscription required) 10973:(subscription required) 10935:(subscription required) 10903:(subscription required) 10875:(subscription required) 10849:(subscription required) 10773:(subscription required) 10749:(subscription required) 10729:(subscription required) 10712:Irish University Review 10705:(subscription required) 10679:(subscription required) 10652:(subscription required) 10620:(subscription required) 10596:(subscription required) 10572:(subscription required) 10533:(subscription required) 10497:10.2105/AJPH.36.7.808-a 10472:(subscription required) 10442:(subscription required) 9867:Shepherd, John (2002). 9652:Pearce, Joseph (1997). 9555:Michael Collins: A Life 9534:McBriar, A. M. (1962). 9457:Kaufmann, R.J. (1965). 9442:. Trier, Germany: WVT. 9071:Dervin, Daniel (1975). 8937:Cole, Margaret (1961). 8667:, pp. 138 and 142. 8610:"Project Shaw Presents 7842:, pp. 137 and 249. 7688:, pp. 121 and 129. 7490:, pp. 166 and 169. 7419:, pp. 101 and 104. 7371:, pp. 103 and 105. 6894:, pp. 698 and 747. 6855:, pp. 718 and 724. 6747:, pp. 668 and 670. 6680:The Manchester Guardian 5721:The Manchester Guardian 5318:, pp. 138 and 210. 4438:, pp. 105 and 129. 4308:Ervine 1959 DNB archive 4172:, and was published by 4000:, and was published by 3739:, a society of ethical 3501:was adapted in 1956 as 3493:in 1908, with music by 3293:Murder in the Cathedral 3097:Shaw Gives Himself Away 2993:Mrs Warren's Profession 2938:(1903), an appendix to 2765:Music and drama reviews 2327:The Admirable Bashville 2267:The Admirable Bashville 2115:Mrs Warren's Profession 2005:Mrs Warren's Profession 1884:Garden of Shaw's Corner 1747:Paget's disease of bone 1628:New York Herald Tribune 1602:Molotov–Ribbentrop Pact 1585:The Manchester Guardian 1559:The Manchester Guardian 1172:Fabian years: 1900–1913 982:Harley Granville-Barker 761:Mrs Warren's Profession 727:, edited by his friend 565:After reading a tract, 319: 236:in 1894. Influenced by 15555:Campus, buildings and 15442:Nobel Prize recipients 15422:Physiology or Medicine 14792:Gabriel García Márquez 14645:Aleksandr Solzhenitsyn 12642:Love Among the Artists 12559:Arthur and the Acetone 12391:Androcles and the Lion 12363:The Glimpse of Reality 12068:Thom's Irish Who's Who 11967:Works by or about Shaw 11820:. Nobel Media AB. 2014 11798:Love Among the Artists 11766:"Shaw, George Bernard" 11113:10.1353/shaw.2002.0017 10930:10.5325/shaw.31.1.0118 10922:10.5325/shaw.31.1.0118 10844:10.5325/shaw.30.1.0216 10836:10.5325/shaw.30.1.0216 10647:10.5325/shaw.30.1.0001 10639:10.5325/shaw.30.1.0001 10368:Shaw, Bernard (2003). 10214:Shaw, Bernard (1944). 10197:Shaw, Bernard (1934). 10178:The League of Nations 10175:Shaw, Bernard (1929). 10120:Shaw, Bernard (1900). 10098:Shaw, Bernard (1890). 10057:Shaw, Bernard (1884). 10033:. London: White Lion. 9952:Wearing, J.P. (1982). 9886:Smith, Adrian (2013). 9711:Peters, Sally (1996). 9553:Mackay, James (1997). 9515:Laurence, Dan (1976). 9154:Evans, Judith (2003). 8794:. New York: Atheneum. 8790:Bentley, Eric (1968). 8748:Adelman, Paul (1996). 8288:Shaw and Laurence 1965 4761:Love Among the Artists 4637:Rollins and Witts 1962 4189:The science historian 3724:Love Among the Artists 3571: 3459: 3338: 3311:The Confidential Clerk 3249: 3198:Interplanetary Society 3167:Androcles and the Lion 3157: 3143:Androcles and the Lion 3116: 3028: 2985:Love Among the Artists 2713: 2496:Androcles and the Lion 2487: 2405:Androcles and the Lion 2314: 2309:The Glimpse of Reality 2098: 1885: 1815: 1639: 1554: 1416: 1397:Provisional Government 1334: 1256: 1181: 1142:Androcles and the Lion 1028:Irish Literary Revival 973: 869:Liberal administration 777: 674: 584: 567:Why Are The Many Poor? 505: 477:Love Among the Artists 422: 334: 16080:Irish Nobel laureates 16065:Irish Dominion League 16010:British music critics 14737:Isaac Bashevis Singer 14612:Miguel Ángel Asturias 14285:Frans Eemil Sillanpää 14016:Verner von Heidenstam 13871:Bjørnstjerne Bjørnson 13714:Tarell Alvin McCraney 12694:The Perfect Wagnerite 12656:An Unsocial Socialist 12447:Augustus Does His Bit 12440:The Inca of Perusalem 12061:"Shaw, Bernard" 11750:. LSE Digital Library 11619:"Things Theatrical". 11558:"The Avenue Theatre: 11125:"GBS and the Despots" 10401:Modern Language Notes 10269:. London: Reinhardt. 10252:. London: Reinhardt. 10235:. London: Constable. 10233:Sixteen Self Sketches 10218:. London: Constable. 10103:(Fabian Tract No. 13) 10029:Young, Percy (1973). 10010:Yde, Matthew (2013). 9907:Tyson, Brian (1982). 9892:. London: Routledge. 9438:Kamm, Jürgen (1999). 9389:. London: Macmillan. 9240:. London: Routledge. 9181:. London: Routledge. 9162:. London: McFarland. 9120:. London: Constable. 8943:. London: Heinemann. 8892:Clare, David (2016). 7383:, pp. 80 and 82. 6478:The League of Nations 5131:, pp. 21 and 23. 4627:, pp. 25 and 68. 4561:, pp. 3–4 and 9. 3540: 3490:The Chocolate Soldier 3453: 3393:Theatre of the Absurd 3337:Shaw's complete plays 3336: 3237: 3202:Royal Automobile Club 3155: 3130:Salvador de Madariaga 3111: 3101:Sixteen Self Sketches 3062:; and the art expert 3023: 2997:An Unsocial Socialist 2581: 2563:Augustus Does His Bit 2555:The Inca of Perusalem 2475:Augustus Does His Bit 2461:The Inca of Perusalem 2383: 2203: 2167:, Ancient Egypt, and 1976: 1883: 1811: 1700:, who produced it at 1638:Shaw in 1936, aged 80 1637: 1550: 1410: 1332: 1318:Augustus Does His Bit 1298:The Inca of Perusalem 1252: 1218:1906 general election 1214:London County Council 1180:Shaw in 1914, aged 57 1179: 962:Gertrude Elliott and 961: 931:The Perfect Wagnerite 770: 665: 649:An Unsocial Socialist 580: 500: 420: 355:Protestant Ascendancy 332: 15914:University of London 15649:Greater London Group 15586:Lincoln's Inn Fields 14263:Roger Martin du Gard 13732:, David Rabinowitz, 13642:Geoffrey S. Fletcher 13475:Ruth Prawer Jhabvala 13423:Ruth Prawer Jhabvala 13304:Francis Ford Coppola 13296:William Peter Blatty 13284:Francis Ford Coppola 13077:Joseph L. Mankiewicz 13069:Joseph L. Mankiewicz 12965:Donald Ogden Stewart 12763:Great Contemporaries 12566:Cymbeline Refinished 12321:The Doctor's Dilemma 12265:Caesar and Cleopatra 12251:The Devil's Disciple 11880:Weintraub, Stanley. 11693:. Grove Music Online 11579:The Doctor's Dilemma 11323:"The Shavian Moment" 10180:Fabian Tract No. 226 10062:(Fabian Tract No. 2) 9910:The Story of Shaw's 9769:Preece, Rod (2011). 9177:Evans, T.F. (1976). 8816:Bevir, Mark (2011). 7128:, pp. vii–viii. 6482:, pp. 6 and 11. 5621:Broad and Broad 1929 3946:Bedford Park, London 3904:Caesar and Cleopatra 3892:The Devil's Disciple 3886:The Doctor's Dilemma 3853:(177 performances), 3677:Shaw had a passable 3364:Caesar and Cleopatra 3228:Legacy and influence 3184:The Jewish Chronicle 3107:Beliefs and opinions 3050:; writers including 3044:Mrs Patrick Campbell 2876:Cymbeline Refinished 2687:Cymbeline Refinished 2529:The Way of the World 2347:The Doctor's Dilemma 2239:The Doctor's Dilemma 2154:Caesar and Cleopatra 2148:The Devil's Disciple 2054:Caesar and Cleopatra 2047:The Devil's Disciple 1870:Caesar and Cleopatra 1722:Cymbeline Refinished 1381:partition of Ireland 1161:Mrs Patrick Campbell 1083:Antony and Cleopatra 1077:Caesar and Cleopatra 1071:The Doctor's Dilemma 1012:William Butler Yeats 969:Caesar and Cleopatra 845:The Devil's Disciple 541:Progress and Poverty 255:Caesar and Cleopatra 249:The Doctor's Dilemma 16150:Victorian novelists 16090:Irish screenwriters 16075:Irish music critics 16000:British eugenicists 15935:George Bernard Shaw 15834:George Bernard Shaw 15797:Dame Shirley Pearce 15724:LSE Students' Union 15718:Clare Market Review 15411:Gustav Ludwig Hertz 15361:George Bernard Shaw 15166:Svetlana Alexievich 14508:Salvatore Quasimodo 14194:Erik Axel Karlfeldt 14128:George Bernard Shaw 13985:Rabindranath Tagore 13963:Maurice Maeterlinck 13754:Christopher Hampton 13443:Christopher Hampton 13431:Bernardo Bertolucci 13244:Stirling Silliphant 12949:George Bernard Shaw 12929:Norman Reilly Raine 12510:Too True to Be Good 12162:George Bernard Shaw 12037:Harry Ransom Center 11914:George Bernard Shaw 11888:on 21 December 2016 11710:. The Victorian Web 11640:Too True to Be Good 11416:. 10 October 1914. 11175:Music & Letters 9977:. New York: Ungar. 9974:The Unexpected Shaw 9593:George Bernard Shaw 9429:. Introduction. In 9383:Hugo, Leon (1999). 9322:. London: Penguin. 9280:. London: Penguin. 9014:. London: Methuen. 8879:. New York: Ungar. 8369:, pp. 114–115. 8357:, pp. 104–105. 8254:, pp. 643–647. 8193:, pp. 800–804. 8039:, pp. 142–143. 7950:, pp. 278–279. 7854:, pp. 219–220. 7712:, pp. 120–121. 7664:, pp. 118–119. 7649:, pp. 210–211. 7574:, pp. 245–246. 7538:, pp. 805–925. 7526:, pp. 163–168. 7478:, pp. 106–114. 7143:, pp. 400–405. 7089:, pp. 508–511. 7074:, pp. 486–488. 6987:, pp. 480–481. 6972:, pp. 744–747. 6945:, pp. 742–743. 6918:, pp. 737–738. 6711:, pp. 640–642. 6699:, pp. 279–282. 6569:, pp. 233–234. 6451:, pp. 128–131. 6422:Quoted in Kamm 1999 6225:, pp. 296–297. 6189:, pp. 251–254. 6150:, pp. 390–391. 6111:, pp. 112–113. 6087:, pp. 371–374. 6047:, pp. 319–321. 6011:, pp. 267–268. 5960:, pp. 142–145. 5948:, pp. 129–133. 5936:, pp. 125–126. 5869:, pp. 187–188. 5827:, pp. 443–444. 5812:, pp. 426–430. 5425:, pp. 409–411. 5401:, pp. 119–120. 5389:, pp. 270–272. 5360:, pp. 115–116. 5279:, pp. 172–173. 5214:, 29 September 1925 5004:, pp. 182–183. 4988:, pp. 182–183. 4952:, pp. 178–180. 4873:, pp. 129–131. 4861:, pp. 127–128. 4789:, pp. 172–173. 4714:, pp. 102–103. 4474:, pp. 115–117. 4156:editing Shakespeare 3743:founded in 1883 by 3720:The Irrational Knot 3604:Battle of the Boyne 3175:Sermon on the Mount 3119:—Leonard Feinberg, 3060:Laurentia McLachlan 3052:Lord Alfred Douglas 3016:Letters and diaries 2981:The Irrational Knot 2827:The Saturday Review 2725:Too True to Be Good 2617:Too True to Be Good 2175:, an adaptation of 2130:Christian Socialist 1749:, and he developed 1610:Too True to Be Good 1445:as Lady Utterword. 986:Royal Court Theatre 724:The Saturday Review 635:Novelist and critic 473:The Irrational Knot 271:opposed vaccination 179:George Bernard Shaw 34:George Bernard Shaw 16025:British socialists 15894:The General Course 15777:The Princess Royal 15380:Austen Chamberlain 15111:Mario Vargas Llosa 15089:J. M. G. Le Clézio 14946:Wisława Szymborska 14726:Vicente Aleixandre 14597:Shmuel Yosef Agnon 14475:Juan Ramón Jiménez 14343:Johannes V. Jensen 14031:Henrik Pontoppidan 13897:Henryk Sienkiewicz 13507:Billy Bob Thornton 12941:Cecil Arthur Lewis 12749:production history 12608:Shakes versus Shav 12475:Back to Methuselah 12384:Fanny's First Play 12244:You Never Can Tell 12237:The Man of Destiny 11867:. Verein SwissEduc 11689:Anderson, Robert. 11621:The Sporting Times 11600:The New York Times 11527:The New York Times 11502:Back To Methuselah 11451:. 10 December 1933 11449:The New York Times 11437:The Globe and Mail 11413:The New York Times 11369:"Mr Shaw's Play". 11255:Back To Methuselah 11226:"Avenue Theatre". 10949:. 4 December 1950. 10687:The Sewanee Review 10201:. London: Odhams. 10161:The New York Times 10101:What Socialism Is 9576:. London: Taurus. 9574:The Order of Merit 9427:Innes, Christopher 9405:Innes, Christopher 8875:Carr, Pat (1976). 8772:The Black and Tans 8531:, pp. 270–71. 7824:, 10 December 1933 7822:The New York Times 7407:, pp. 99–101. 6250:, 12 November 1920 5853:The New York Times 5838:The New York Times 5798:, 23 November 1913 5796:The New York Times 5723:, 21 November 1906 5611:, pp. 219–20. 5290:The Sporting Times 5186:Grove Music Online 4143:To be or not to be 4019:David Lloyd George 3928:The Man of Destiny 3850:You Never Can Tell 3652:Sir Robert Stewart 3594:Shaw's biographer 3460: 3385:Michael Billington 3339: 3284:You Never Can Tell 3158: 3039:amitiés amoureuses 3029: 2944:Back to Methuselah 2927:, Shaw blamed the 2880:Shakes versus Shav 2739:and ends with the 2701:Shakes versus Shav 2596:Back to Methuselah 2535:The Master Builder 2519:The Cherry Orchard 2492:Fanny's First Play 2398:Fanny's First Play 2335:Britain and Africa 2323:creative evolution 2187:(1895) is a short 2185:The Man of Destiny 2134:You Never Can Tell 2093:The Man of Destiny 2026:You Never Can Tell 1921:Shakes versus Shav 1886: 1829:conquest of Poland 1751:pernicious anaemia 1640: 1623:The New York Times 1451:Back to Methuselah 1417: 1377:Anglo-Irish Treaty 1344:The New York Times 1335: 1313:Royal Flying Corps 1277:Field Marshal Haig 1184:In 1899, when the 1182: 1131:Fanny's First Play 1118:Fanny's First Play 1103:(premiered 1908), 974: 827:The Man of Destiny 778: 693:art for art's sake 675: 608:, as advocated by 506: 458:Edison firm merged 423: 335: 117:political activist 95:, Ayot St Lawrence 65:Portobello, Dublin 16055:PEN International 15922: 15921: 15862: 15861: 15512: 15511: 15506: 15505: 15285: 15284: 15243:Abdulrazak Gurnah 15122:Tomas Tranströmer 14623:Yasunari Kawabata 14586:Mikhail Sholokhov 14442:Winston Churchill 14117:Władysław Reymont 14095:Jacinto Benavente 13974:Gerhart Hauptmann 13792: 13791: 13391:Donald E. Stewart 13009:Julius J. Epstein 13005:Philip G. Epstein 12786: 12785: 12615:Why She Would Not 12601:Farfetched Fables 12552:The Millionairess 12545:The Six of Calais 12489:Jitta's Atonement 12129: 12128: 12120:Succeeded by 12117:24 December 1923 11951:Project Gutenberg 11909:Library resources 11788:978-0-19-860174-6 11738:(subscription or 11523:Has Come to Town" 11170:Westrup, Sir Jack 11048:The Hudson Review 10449:The Millionairess 10352:978-0-271-01779-2 10333:978-0-370-30248-5 10314:978-0-370-30249-2 10295:978-0-370-30247-8 10276:978-0-370-01328-2 10040:978-0-85617-333-2 10021:978-1-137-33020-8 9984:978-0-8044-2974-0 9963:978-0-8108-1596-4 9923:978-0-7735-8513-3 9899:978-0-7146-4645-9 9878:978-0-19-820164-9 9859:978-90-286-0236-6 9782:978-0-7748-2109-4 9752:978-0-8130-1828-7 9724:978-0-300-06097-3 9663:978-0-340-69434-3 9602:978-0-231-03145-5 9583:978-1-86064-848-9 9564:978-1-85158-949-4 9526:978-0-87959-022-2 9507:978-0-520-05763-0 9492:Kevles, Daniel J. 9449:978-3-88476-333-9 9418:978-0-521-56633-9 9396:978-1-349-40737-8 9375:978-0-7011-6279-5 9352:978-0-7011-4583-5 9329:978-0-14-012443-9 9310:978-0-7011-3350-4 9287:978-0-14-012441-5 9268:978-0-671-70129-1 9247:978-0-203-21083-3 9209:978-1-4128-0562-9 9188:978-0-415-15953-1 9169:978-0-7864-1323-2 9146:978-0-19-921492-1 9105:978-0-271-01324-4 9086:978-0-8387-1418-8 9063:978-1-905791-92-7 9044:978-0-271-00908-7 9021:978-0-413-77413-2 8977:978-1-55111-627-3 8950:978-0-8047-0091-7 8905:978-1-349-55433-1 8867:978-0-8108-8026-9 8829:978-0-691-15083-3 8782:978-1-84884-384-4 8761:978-0-582-29210-9 8740:978-0-8142-0155-8 8151:, pp. 16–21. 8139:, pp. 80–81. 8079:, pp. 22–23. 7926:, pp. 96–97. 7700:, pp. 16–17. 7634:, pp. 67–68. 7311:, pp. 62–65. 7287:, pp. 46–47. 7215:, pp. 38–39. 7191:, pp. 34–35. 7167:, pp. 28–30. 7155:, pp. 74–78. 6669:, pp. 15–16. 6612:, pp. 11–12. 6383:, 9 December 1923 6316:, 15 October 1923 6265:, 19 October 1921 6035:, pp. 38–42. 5924:, pp. 46–47. 5855:, 13 October 1914 5840:, 10 October 1914 5708:, 3 December 1905 5659:, pp. 10–11. 5557:, pp. 11–13. 5413:, pp. 46–48. 5348:, pp. 75–78. 5167:, pp. 30–31. 5155:, pp. 16–17. 5119:, pp. 81–83. 5056:, pp. 92–94. 5028:What Socialism Is 4702:, pp. 55–56. 4687:, pp. 48–49. 4663:, pp. 56–57. 4603:, pp. 40–41. 4537:, pp. 89–90. 4525:, pp. 19–21. 4498:, pp. 23–24. 4486:, pp. 27–28. 4426:, pp. 13–14. 4224:Fox Talbot Museum 4103:parody of Macbeth 3985:August Strindberg 3487:was the basis of 3412:The New Statesman 3405:Queen Elizabeth I 3383:s theatre critic 2977:David Copperfield 2747:The Millionairess 2708:Why She Would Not 2694:Farfetched Fables 2680:The Six of Calais 2638:The Millionairess 2589:Full-length plays 2391:Full-length plays 2211:Full-length plays 2177:the popular novel 1984:Full-length plays 1927:Why She Would Not 1915:Farfetched Fables 1875:Cecil B. de Mille 1795:Margaret Leighton 1742:Shaw's lifetime. 1682:The Millionairess 1676:The Six of Calais 1513:Sir Barry Jackson 1500:League of Nations 1461:was proclaimed a 1354:summary execution 1237:The New Statesman 1133:, a comedy about 1091:Stanley Weintraub 888:parish councillor 857:indirect taxation 840:Richard Mansfield 737:Victorian theatre 629:What Socialism Is 577:, a fine orator. 176: 175: 16177: 16095:Irish socialists 15809: 15801: 15793: 15781: 15767: 15766: 15741: 15607:Research centres 15548: 15539: 15532: 15525: 15516: 15515: 15444: 15386:Charles G. 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Shaw Society. 11839: 11829: 11827: 11825: 11809: 11792: 11768: 11759: 11757: 11755: 11743: 11736: 11719: 11717: 11715: 11702: 11700: 11698: 11676: 11667: 11664: 11652: 11649: 11633: 11624: 11615: 11606: 11603: 11591: 11588: 11572: 11569: 11560:Arms and the Man 11553: 11551: 11549: 11533: 11530: 11514: 11511: 11494: 11485: 11482: 11469: 11460: 11458: 11456: 11440: 11427: 11424: 11422: 11409: 11400: 11387: 11374: 11365: 11356: 11343: 11330: 11317: 11304: 11295: 11286:Heartbreak House 11280: 11273:Heartbreak House 11267: 11264: 11247: 11244: 11231: 11222: 11219: 11194: 11191: 11165: 11162: 11141: 11139: 11137: 11119: 11116: 11091: 11088: 11067: 11064: 11041: 11020: 11018: 11016: 11010:American Atheist 11000: 10997: 10974: 10971: 10950: 10936: 10933: 10904: 10901: 10876: 10873: 10850: 10847: 10816: 10801: 10799: 10784: 10774: 10771: 10750: 10747: 10730: 10727: 10706: 10703: 10680: 10677: 10653: 10650: 10621: 10618: 10597: 10594: 10573: 10570: 10549: 10534: 10531: 10510: 10508: 10473: 10470: 10443: 10440: 10417: 10385: 10383: 10381: 10364: 10337: 10318: 10299: 10280: 10261: 10244: 10227: 10210: 10193: 10171: 10169: 10158: 10148: 10135: 10116: 10094: 10075: 10044: 10025: 10006: 9997: 9988: 9967: 9948: 9938: 9927: 9903: 9882: 9863: 9844: 9834: 9823: 9806: 9797:. London: Dent. 9786: 9765: 9756: 9737: 9728: 9707: 9687: 9672:Pearson, Hesketh 9667: 9648: 9638: 9627: 9617: 9606: 9587: 9568: 9549: 9530: 9511: 9487: 9470: 9453: 9434: 9422: 9400: 9379: 9367: 9356: 9344: 9333: 9314: 9302: 9291: 9272: 9251: 9230: 9213: 9192: 9173: 9161: 9150: 9129: 9109: 9090: 9078: 9067: 9056:. London: Haus. 9048: 9025: 9003: 8981: 8962: 8933: 8923: 8909: 8888: 8871: 8850: 8833: 8812: 8803: 8792:What is Theatre? 8786: 8765: 8744: 8732: 8707: 8701: 8695: 8689: 8683: 8677: 8668: 8662: 8656: 8650: 8644: 8638: 8632: 8622: 8616: 8612:Super Shaw Women 8606: 8600: 8596:American Theatre 8587: 8581: 8580: 8570: 8564: 8554: 8548: 8538: 8532: 8526: 8520: 8514: 8508: 8502: 8496: 8490: 8484: 8478: 8472: 8466: 8460: 8454: 8448: 8442: 8436: 8430: 8424: 8418: 8409: 8403: 8394: 8388: 8382: 8376: 8370: 8364: 8358: 8352: 8346: 8340: 8334: 8328: 8322: 8316: 8310: 8300: 8291: 8285: 8279: 8273: 8267: 8261: 8255: 8249: 8243: 8233: 8224: 8218: 8209: 8203: 8194: 8188: 8182: 8173: 8167: 8158: 8152: 8146: 8140: 8134: 8128: 8122: 8116: 8110: 8104: 8098: 8092: 8091:, pp. 3–11. 8086: 8080: 8074: 8068: 8062: 8056: 8046: 8040: 8034: 8028: 8022: 8011: 8005: 7999: 7993: 7987: 7981: 7975: 7969: 7963: 7957: 7951: 7945: 7939: 7933: 7927: 7921: 7915: 7909: 7903: 7897: 7891: 7881: 7875: 7866: 7855: 7849: 7843: 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Chesterton 1264: 1194:Ramsay MacDonald 1157:Sir Herbert Tree 1127:Lord Chamberlain 1051:Man and Superman 1017: 972:, New York, 1906 936:Ayot St Lawrence 812:Arms and the Man 800: 796: 783:Arms and the Man 774:Arms and the Man 750:Widowers' Houses 614:Trafalgar Square 610:Charlotte Wilson 592: 519:Widowers' Houses 427:South Kensington 233:Arms and the Man 192:Man and Superman 172: 156: 154: 82:Ayot St Lawrence 78: 61: 59: 44: 30: 29: 16185: 16184: 16180: 16179: 16178: 16176: 16175: 16174: 15925: 15924: 15923: 15918: 15909:Universities UK 15899:Golden triangle 15858: 15812: 15807: 15799: 15787: 15779: 15758: 15739: 15733: 15705:Athletics Union 15693: 15602: 15598:Peacock Theatre 15569:Women's Library 15556: 15550: 15546: 15543: 15513: 15508: 15507: 15502: 15440: 15432: 15416: 15391: 15388:(United States) 15366: 15342: 15323: 15316: 15286: 15281: 15276:to be announced 15270: 15259: 15248: 15237: 15226: 15215: 15204: 15193: 15182: 15171: 15160: 15155:Patrick Modiano 15149: 15138: 15127: 15116: 15105: 15094: 15083: 15072: 15061: 15050: 15039: 15028: 15017: 15006: 14995: 14984: 14973: 14962: 14951: 14940: 14929: 14918: 14907: 14896: 14891:Nadine Gordimer 14885: 14874: 14863: 14852: 14841: 14830: 14819: 14808: 14803:William Golding 14797: 14786: 14775: 14764: 14753: 14748:Odysseas Elytis 14742: 14731: 14720: 14709: 14704:Eugenio Montale 14698: 14693:Harry Martinson 14683: 14672: 14661: 14650: 14639: 14628: 14617: 14606: 14591: 14580: 14568: 14563:Giorgos Seferis 14557: 14546: 14535: 14524: 14513: 14502: 14497:Boris Pasternak 14491: 14480: 14469: 14464:Halldór Laxness 14458: 14447: 14436: 14425: 14414: 14403: 14392: 14381: 14370: 14359: 14348: 14337: 14329: 14328: 14320: 14319: 14311: 14310: 14299: 14291: 14290: 14279: 14268: 14257: 14246: 14238: 14237: 14226: 14215: 14210:John Galsworthy 14204: 14188: 14177: 14166: 14155: 14144: 14133: 14122: 14111: 14100: 14089: 14078: 14067: 14056: 14045: 14037: 14036: 14021: 14010: 13999: 13991: 13990: 13979: 13968: 13957: 13946: 13935: 13924: 13919:Rudyard Kipling 13913: 13908:Giosuè Carducci 13902: 13891: 13876: 13865: 13860:Theodor Mommsen 13854: 13849:Sully Prudhomme 13843: 13832: 13823: 13793: 13788: 13780: 13772: 13764: 13752: 13744: 13730:Charlie Wachtel 13728: 13720: 13708: 13696: 13688: 13680: 13672: 13658:Alexander Payne 13656: 13648: 13640: 13632: 13624: 13618:William Monahan 13616: 13604: 13594:Alexander Payne 13592: 13578:Philippa Boyens 13576: 13568: 13560: 13549: 13541: 13533: 13525: 13519:Brian Helgeland 13513: 13505: 13497: 13489: 13483:Steven Zaillian 13481: 13473: 13465: 13457: 13449: 13441: 13429: 13421: 13413: 13405: 13399:James L. Brooks 13397: 13385: 13379:Ernest Thompson 13377: 13369: 13361: 13353: 13345: 13339:William Goldman 13337: 13326: 13320:Lawrence Hauben 13314: 13302: 13294: 13282: 13274: 13266: 13258: 13250: 13242: 13234: 13226: 13218: 13210: 13202: 13194: 13186: 13178: 13172:Alan Jay Lerner 13170: 13154: 13138: 13132:Paddy Chayefsky 13130: 13122: 13116:Daniel Taradash 13114: 13106: 13094: 13083: 13075: 13067: 13059: 13051: 13045:Robert Sherwood 13043: 13031: 13019: 13003: 12997:Arthur Wimperis 12983: 12977:Seton I. Miller 12971: 12963: 12955: 12935: 12926: 12920:Sheridan Gibney 12916:Pierre Collings 12914: 12906: 12898: 12886: 12878: 12870: 12862: 12854: 12848:Benjamin Glazer 12846: 12835: 12830: 12795: 12787: 12782: 12713: 12681: 12661: 12620: 12433:O'Flaherty V.C. 12419:Great Catherine 12335:Getting Married 12209:The Philanderer 12173: 12164: 12159: 12125: 12116: 12105: 12077:1923. pp. 12058: 12033:Shaw collection 11985: 11942:Standard Ebooks 11934: 11933: 11932: 11917: 11916: 11912: 11905: 11900: 11891: 11889: 11870: 11868: 11863: 11854: 11852: 11848: 11837: 11823: 11821: 11796:Shaw, Bernard. 11789: 11753: 11751: 11737: 11713: 11711: 11696: 11694: 11691:"Shaw, Bernard" 11684: 11679: 11665: 11650: 11604: 11589: 11570: 11547: 11545: 11531: 11512: 11483: 11464:"New Theatre". 11454: 11452: 11425: 11420: 11407: 11265: 11245: 11220: 11202: 11197: 11192: 11163: 11135: 11133: 11117: 11089: 11073:The Shaw Review 11065: 11014: 11012: 10998: 10972: 10956:The Shaw Review 10934: 10902: 10886:The Shaw Review 10874: 10848: 10797: 10782: 10772: 10748: 10728: 10704: 10678: 10662:The Shaw Review 10651: 10619: 10595: 10571: 10532: 10516:The Shaw Review 10471: 10441: 10424:The Shaw Review 10393: 10388: 10379: 10377: 10353: 10334: 10315: 10296: 10277: 10167: 10156: 10052: 10050:Shaw's writings 10047: 10041: 10022: 9985: 9964: 9924: 9900: 9879: 9869:George Lansbury 9860: 9783: 9753: 9725: 9664: 9603: 9584: 9565: 9527: 9508: 9450: 9419: 9397: 9376: 9353: 9330: 9311: 9288: 9269: 9248: 9210: 9189: 9170: 9147: 9114:Ervine, St John 9106: 9087: 9064: 9054:Sybil Thorndike 9045: 9022: 8978: 8951: 8906: 8868: 8830: 8783: 8762: 8741: 8720: 8715: 8710: 8702: 8698: 8690: 8686: 8678: 8671: 8663: 8659: 8651: 8647: 8639: 8635: 8623: 8619: 8607: 8603: 8588: 8584: 8571: 8567: 8555: 8551: 8539: 8535: 8527: 8523: 8515: 8511: 8503: 8499: 8491: 8487: 8479: 8475: 8467: 8463: 8455: 8451: 8443: 8439: 8431: 8427: 8419: 8412: 8404: 8397: 8389: 8385: 8377: 8373: 8365: 8361: 8353: 8349: 8341: 8337: 8329: 8325: 8321:, pp. 3–5. 8317: 8313: 8301: 8294: 8286: 8282: 8274: 8270: 8262: 8258: 8250: 8246: 8240:, December 1950 8234: 8227: 8219: 8212: 8204: 8197: 8189: 8185: 8181:, p. 1(S). 8174: 8170: 8164:, 24 March 1951 8159: 8155: 8147: 8143: 8135: 8131: 8123: 8119: 8111: 8107: 8099: 8095: 8087: 8083: 8075: 8071: 8063: 8059: 8047: 8043: 8035: 8031: 8023: 8014: 8006: 8002: 7994: 7990: 7982: 7978: 7970: 7966: 7958: 7954: 7946: 7942: 7934: 7930: 7922: 7918: 7910: 7906: 7898: 7894: 7884:Shaw: Preface, 7882: 7878: 7867: 7858: 7850: 7846: 7834: 7830: 7819: 7815: 7807: 7803: 7795: 7791: 7783: 7779: 7771: 7767: 7759: 7752: 7744: 7740: 7732: 7728: 7720: 7716: 7708: 7704: 7696: 7692: 7684: 7680: 7672: 7668: 7660: 7653: 7645: 7638: 7630: 7626: 7618: 7614: 7606: 7602: 7594: 7590: 7582: 7578: 7570: 7566: 7558: 7554: 7546: 7542: 7534: 7530: 7522: 7518: 7510: 7506: 7498: 7494: 7486: 7482: 7474: 7470: 7462: 7458: 7450: 7443: 7432: 7423: 7415: 7411: 7403: 7399: 7391: 7387: 7379: 7375: 7367: 7363: 7355: 7351: 7343: 7339: 7331: 7327: 7319: 7315: 7307: 7303: 7299:, p. 1410. 7295: 7291: 7283: 7279: 7271: 7267: 7259: 7255: 7247: 7243: 7235: 7231: 7223: 7219: 7211: 7207: 7199: 7195: 7187: 7183: 7175: 7171: 7163: 7159: 7151: 7147: 7139: 7132: 7124: 7117: 7109: 7105: 7097: 7093: 7085: 7078: 7070: 7066: 7058: 7054: 7046: 7039: 7031: 7027: 7019: 7015: 7007: 7003: 6995: 6991: 6983: 6976: 6968: 6961: 6953: 6949: 6941: 6934: 6926: 6922: 6914: 6910: 6902: 6898: 6890: 6886: 6878: 6874: 6866: 6859: 6851: 6847: 6839: 6835: 6827: 6823: 6815: 6811: 6803: 6799: 6791: 6787: 6779: 6775: 6767: 6763: 6755: 6751: 6743: 6739: 6731: 6727: 6719: 6715: 6707: 6703: 6695: 6688: 6677: 6673: 6665: 6658: 6650: 6646: 6638: 6631: 6623: 6616: 6608: 6604: 6596: 6585: 6577: 6573: 6565: 6561: 6553: 6549: 6541: 6534: 6526: 6522: 6514: 6510: 6502: 6498: 6490: 6486: 6474: 6470: 6462: 6455: 6447: 6440: 6432: 6428: 6420: 6416: 6408: 6404: 6398:, 27 March 1924 6393: 6389: 6378: 6374: 6366: 6362: 6350: 6346: 6342:, p. 1357. 6338: 6334: 6326: 6322: 6311: 6307: 6299: 6295: 6287: 6283: 6275: 6271: 6260: 6256: 6245: 6241: 6233: 6229: 6221: 6217: 6209: 6205: 6197: 6193: 6185: 6181: 6173: 6169: 6161: 6154: 6146: 6142: 6134: 6127: 6119: 6115: 6107: 6103: 6095: 6091: 6083: 6079: 6071: 6067: 6055: 6051: 6043: 6039: 6031: 6027: 6019: 6015: 6007: 6003: 5995: 5991: 5983: 5979: 5971: 5964: 5956: 5952: 5944: 5940: 5932: 5928: 5920: 5913: 5905: 5901: 5893: 5889: 5877: 5873: 5865: 5861: 5850: 5846: 5835: 5831: 5823: 5816: 5808: 5804: 5793: 5789: 5781: 5777: 5769: 5765: 5761:, p. 1531. 5757: 5753: 5745: 5741: 5733: 5729: 5718: 5714: 5703: 5699: 5691: 5687: 5679: 5675: 5667: 5663: 5655: 5651: 5643: 5639: 5631: 5627: 5619: 5615: 5607: 5603: 5595: 5591: 5580: 5573: 5565: 5561: 5553: 5549: 5541: 5537: 5529: 5525: 5517: 5513: 5505: 5501: 5493: 5489: 5481: 5477: 5469: 5465: 5457: 5453: 5445: 5441: 5433: 5429: 5421: 5417: 5409: 5405: 5397: 5393: 5385: 5376: 5368: 5364: 5356: 5352: 5344: 5337: 5326: 5322: 5314: 5310: 5302: 5298: 5287: 5283: 5275: 5268: 5262:, 22 April 1894 5257: 5253: 5242: 5238: 5232:, 23 April 1894 5227: 5220: 5209: 5205: 5197: 5193: 5182: 5171: 5163: 5159: 5151: 5147: 5139: 5135: 5127: 5123: 5115: 5108: 5100: 5096: 5088: 5084: 5076: 5072: 5064: 5060: 5052: 5048: 5040: 5036: 5024: 5020: 5012: 5008: 4996: 4992: 4984: 4980: 4972: 4968: 4960: 4956: 4948: 4941: 4929: 4925: 4917: 4906: 4902:, pp. 7–8. 4898: 4889: 4881: 4877: 4869: 4865: 4857: 4853: 4845: 4841: 4833: 4829: 4821: 4817: 4809: 4805: 4797: 4793: 4785: 4781: 4773: 4769: 4758: 4754: 4746: 4742: 4734: 4730: 4722: 4718: 4710: 4706: 4698: 4691: 4683: 4679: 4671: 4667: 4659: 4655: 4647: 4643: 4635: 4631: 4623: 4619: 4611: 4607: 4599: 4592: 4584: 4577: 4569: 4565: 4557: 4553: 4545: 4541: 4533: 4529: 4521: 4514: 4506: 4502: 4494: 4490: 4482: 4478: 4470: 4466: 4458: 4454: 4446: 4442: 4434: 4430: 4422: 4418: 4408: 4403: 4356: 4352:, pp. 5–6. 4348: 4344: 4336: 4329: 4321: 4314: 4306: 4275: 4267: 4263: 4259: 4254: 4249: 4234: 4230: 4220: 4216: 4211: 4207: 4201: 4197: 4188: 4184: 4167: 4163: 4153: 4149: 4140: 4136: 4126: 4122: 4071: 4067: 4054: 4050: 4033: 4029: 4023:George Lansbury 4016: 4012: 3995: 3991: 3978: 3974: 3968:Philip Merivale 3965: 3961: 3939: 3935: 3916:The Philanderer 3842: 3838: 3833: 3829: 3812: 3808: 3803: 3799: 3794: 3790: 3781: 3777: 3759:Maurice Valency 3755: 3751: 3745:Thomas Davidson 3734: 3730: 3718: 3714: 3701: 3697: 3676: 3672: 3666: 3662: 3656:Trinity College 3649: 3645: 3639: 3635: 3618: 3614: 3596:Michael Holroyd 3593: 3589: 3584: 3580: 3576: 3513:Frederick Loewe 3509:Alan Jay Lerner 3464:Harold Nicolson 3448: 3380: 3356:William Saroyan 3258: 3251: 3244: 3235: 3230: 3209: 3126: 3118: 3109: 3080: 3070:was published. 3018: 3001:Gareth Griffith 2969: 2888: 2810: 2772: 2767: 2714: 2579: 2559:O'Flaherty V.C. 2547:Great Catherine 2488: 2468:O'Flaherty V.C. 2454:Great Catherine 2381: 2357:Getting Married 2315: 2246:Getting Married 2201: 2111:The Philanderer 2099: 1998:The Philanderer 1974: 1962: 1957: 1951: 1858:Éamon de Valera 1825:outbreak of war 1821: 1817: 1791:Sybil Thorndike 1759: 1652: 1619:Brooks Atkinson 1564: 1556: 1548: 1405: 1393:Michael Collins 1327: 1308:O'Flaherty V.C. 1286:America's entry 1266: 1258: 1250: 1248:First World War 1174: 1100:Getting Married 1015: 956: 948:Whitehall Court 928:, published as 907:register office 877:Irish Home Rule 861:unearned income 810:The success of 798: 794: 786:(1894), a mock- 755:The Philanderer 746: 637: 618:"Bloody Sunday" 594: 586: 528: 446:British Library 408: 363:Michael Holroyd 351:English descent 327: 322: 275:First World War 267:alphabet reform 211:and historical 158: 150: 146: 143: 129: 120: 80: 76: 75:2 November 1950 63: 57: 55: 47: 35: 24: 17: 12: 11: 5: 16183: 16173: 16172: 16167: 16162: 16157: 16152: 16147: 16142: 16137: 16132: 16127: 16122: 16117: 16112: 16107: 16102: 16097: 16092: 16087: 16082: 16077: 16072: 16067: 16062: 16057: 16052: 16047: 16042: 16037: 16032: 16027: 16022: 16017: 16012: 16007: 16002: 15997: 15992: 15987: 15982: 15977: 15972: 15967: 15962: 15957: 15952: 15947: 15942: 15937: 15920: 15919: 15917: 15916: 15911: 15906: 15901: 15896: 15891: 15886: 15881: 15876: 15870: 15868: 15864: 15863: 15860: 15859: 15857: 15856: 15851: 15846: 15841: 15836: 15831: 15826: 15820: 15818: 15814: 15813: 15811: 15810: 15802: 15794: 15782: 15773: 15771: 15764: 15760: 15759: 15757: 15756: 15751: 15749:Fabian Society 15745: 15743: 15735: 15734: 15732: 15731: 15726: 15721: 15714: 15707: 15701: 15699: 15695: 15694: 15692: 15691: 15686: 15681: 15676: 15671: 15666: 15661: 15656: 15651: 15646: 15641: 15636: 15631: 15626: 15621: 15616: 15610: 15608: 15604: 15603: 15601: 15600: 15595: 15594: 15593: 15583: 15578: 15573: 15572: 15571: 15560: 15558: 15552: 15551: 15542: 15541: 15534: 15527: 15519: 15510: 15509: 15504: 15503: 15501: 15500: 15495: 15490: 15485: 15480: 15475: 15470: 15465: 15460: 15455: 15450: 15445: 15437: 15434: 15433: 15431: 15430: 15426: 15424: 15418: 15417: 15415: 15414: 15408: 15401: 15399: 15393: 15392: 15390: 15389: 15383: 15376: 15374: 15368: 15367: 15365: 15364: 15357: 15355: 15344: 15343: 15341: 15340: 15333: 15331: 15325: 15324: 15315: 15314: 15307: 15300: 15292: 15283: 15282: 15280: 15279: 15268: 15257: 15246: 15234: 15232: 15228: 15227: 15225: 15224: 15213: 15202: 15199:Olga Tokarczuk 15191: 15188:Kazuo Ishiguro 15180: 15169: 15158: 15147: 15136: 15125: 15114: 15103: 15092: 15081: 15070: 15059: 15048: 15037: 15026: 15015: 15003: 15001: 14997: 14996: 14994: 14993: 14982: 14971: 14960: 14949: 14938: 14927: 14916: 14905: 14894: 14883: 14872: 14861: 14858:Naguib Mahfouz 14850: 14847:Joseph Brodsky 14839: 14828: 14817: 14806: 14795: 14784: 14772: 14770: 14766: 14765: 14763: 14762: 14759:Czesław Miłosz 14751: 14740: 14729: 14718: 14707: 14696: 14689:Eyvind Johnson 14681: 14670: 14659: 14648: 14637: 14634:Samuel Beckett 14626: 14615: 14604: 14589: 14578: 14566: 14555: 14552:John Steinbeck 14544: 14532: 14530: 14526: 14525: 14523: 14522: 14511: 14500: 14489: 14478: 14467: 14456: 14445: 14434: 14423: 14420:Pär Lagerkvist 14412: 14401: 14390: 14379: 14368: 14357: 14346: 14335: 14326: 14317: 14307: 14305: 14301: 14300: 14298: 14297: 14288: 14277: 14266: 14255: 14252:Eugene O'Neill 14244: 14235: 14224: 14213: 14202: 14186: 14183:Sinclair Lewis 14175: 14164: 14153: 14142: 14139:Grazia Deledda 14131: 14120: 14109: 14098: 14087: 14084:Anatole France 14075: 14073: 14069: 14068: 14066: 14065: 14054: 14051:Carl Spitteler 14043: 14034: 14027:Karl Gjellerup 14019: 14008: 14005:Romain Rolland 13997: 13988: 13977: 13966: 13955: 13944: 13941:Selma Lagerlöf 13933: 13922: 13911: 13900: 13889: 13886:José Echegaray 13874: 13863: 13852: 13840: 13838: 13834: 13833: 13822: 13821: 13814: 13807: 13799: 13790: 13789: 13787: 13786: 13782:Cord Jefferson 13778: 13770: 13762: 13758:Florian Zeller 13750: 13742: 13734:Kevin Willmott 13726: 13718: 13706: 13694: 13686: 13678: 13670: 13654: 13646: 13638: 13630: 13622: 13614: 13606:Larry McMurtry 13602: 13590: 13574: 13570:Ronald Harwood 13566: 13562:Akiva Goldsman 13557: 13555: 13551: 13550: 13548: 13547: 13543:Stephen Gaghan 13539: 13531: 13523: 13511: 13503: 13495: 13487: 13479: 13471: 13463: 13455: 13447: 13439: 13427: 13419: 13411: 13403: 13395: 13383: 13375: 13367: 13359: 13351: 13343: 13334: 13332: 13328: 13327: 13325: 13324: 13312: 13300: 13292: 13280: 13276:Ernest Tidyman 13272: 13264: 13256: 13248: 13240: 13232: 13224: 13216: 13208: 13200: 13192: 13188:Richard Brooks 13184: 13176: 13168: 13164:Michael Wilson 13152: 13144:S. J. Perelman 13136: 13128: 13120: 13112: 13108:Charles Schnee 13104: 13100:Michael Wilson 13091: 13089: 13085: 13084: 13082: 13081: 13073: 13065: 13057: 13049: 13041: 13029: 13017: 13001: 12981: 12973:Sidney Buchman 12969: 12961: 12953: 12945:W. P. Lipscomb 12933: 12924: 12912: 12908:Dudley Nichols 12904: 12896: 12892:Sarah Y. Mason 12888:Victor Heerman 12884: 12880:Edwin J. Burke 12876: 12868: 12864:Frances Marion 12860: 12852: 12843: 12841: 12837: 12836: 12829: 12828: 12821: 12814: 12806: 12800: 12797: 12796: 12784: 12783: 12781: 12780: 12773: 12766: 12759: 12752: 12742: 12737: 12732: 12727: 12721: 12719: 12715: 12714: 12712: 12711: 12704: 12697: 12689: 12687: 12683: 12682: 12680: 12679: 12671: 12669: 12663: 12662: 12660: 12659: 12652: 12645: 12638: 12630: 12628: 12622: 12621: 12619: 12618: 12611: 12604: 12597: 12590: 12583: 12576: 12569: 12562: 12555: 12548: 12541: 12534: 12527: 12524:Village Wooing 12520: 12513: 12506: 12503:The Apple Cart 12499: 12492: 12485: 12478: 12471: 12464: 12457: 12450: 12443: 12436: 12429: 12426:The Music Cure 12422: 12415: 12408: 12401: 12394: 12387: 12380: 12373: 12366: 12359: 12352: 12349:Press Cuttings 12345: 12338: 12331: 12324: 12317: 12310: 12303: 12296: 12289: 12282: 12275: 12268: 12261: 12254: 12247: 12240: 12233: 12226: 12219: 12212: 12205: 12198: 12195:Un Petit Drame 12191: 12183: 12181: 12175: 12174: 12169: 12166: 12165: 12158: 12157: 12150: 12143: 12135: 12127: 12126: 12123:Anthony Fokker 12121: 12118: 12106: 12101: 12097: 12096: 12090: 12089: 12056: 12043: 12030: 12025: 12020: 12015: 12010: 12000: 11990: 11974: 11964: 11954: 11944: 11931: 11930: 11925: 11919: 11918: 11907: 11906: 11904: 11903:External links 11901: 11899: 11898: 11877: 11861: 11830: 11818:Nobelprize.org 11810: 11793: 11787: 11760: 11744: 11720: 11703: 11685: 11683: 11680: 11678: 11677: 11668: 11653: 11634: 11625: 11616: 11612:The Daily News 11607: 11592: 11573: 11554: 11544:. 2 March 1933 11534: 11515: 11504:at Birmingham" 11495: 11486: 11470: 11461: 11441: 11428: 11401: 11388: 11375: 11366: 11357: 11344: 11331: 11318: 11305: 11296: 11288:in New York". 11281: 11268: 11253:"At the Play: 11248: 11232: 11223: 11203: 11201: 11198: 11196: 11195: 11166: 11153:(3): 200–205. 11142: 11120: 11092: 11068: 11042: 11021: 11001: 10988:(2): 103–109. 10975: 10951: 10937: 10916:(1): 118–132. 10905: 10877: 10864:(2): 100–104. 10851: 10817: 10802: 10775: 10751: 10731: 10718:(2): 274–291. 10707: 10694:(2): 217–222. 10681: 10654: 10622: 10598: 10574: 10550: 10535: 10511: 10474: 10444: 10418: 10408:(4): 306–310. 10394: 10392: 10389: 10387: 10386: 10365: 10351: 10338: 10332: 10319: 10313: 10300: 10294: 10281: 10275: 10262: 10245: 10228: 10211: 10194: 10172: 10149: 10136: 10117: 10095: 10076: 10053: 10051: 10048: 10046: 10045: 10039: 10026: 10020: 10007: 9998: 9989: 9983: 9968: 9962: 9949: 9928: 9922: 9904: 9898: 9883: 9877: 9864: 9858: 9845: 9824: 9807: 9787: 9781: 9766: 9757: 9751: 9738: 9729: 9723: 9708: 9692:Pelling, Henry 9688: 9668: 9662: 9649: 9628: 9607: 9601: 9588: 9582: 9569: 9563: 9550: 9531: 9525: 9512: 9506: 9488: 9471: 9454: 9448: 9435: 9423: 9417: 9401: 9395: 9380: 9374: 9357: 9351: 9334: 9328: 9315: 9309: 9292: 9286: 9273: 9267: 9252: 9246: 9231: 9214: 9208: 9193: 9187: 9174: 9168: 9151: 9145: 9130: 9110: 9104: 9091: 9085: 9068: 9062: 9049: 9043: 9026: 9020: 9004: 8991:Old Men Forget 8982: 8976: 8963: 8949: 8934: 8914:Cole, Margaret 8910: 8904: 8889: 8872: 8866: 8851: 8834: 8828: 8813: 8804: 8787: 8781: 8766: 8760: 8745: 8739: 8721: 8719: 8716: 8714: 8711: 8709: 8708: 8706:, p. 709. 8704:Tomlinson 1950 8696: 8694:, p. 148. 8684: 8682:, p. 100. 8669: 8657: 8655:, p. 142. 8645: 8633: 8631:, p. 266. 8617: 8601: 8589:Smith, Wendy. 8582: 8565: 8561:, 11 July 2012 8549: 8545:, 20 July 2012 8533: 8521: 8509: 8497: 8485: 8483:, p. 134. 8473: 8471:, p. 133. 8461: 8459:, p. 132. 8449: 8447:, p. 307. 8445:Alexander 1959 8437: 8435:, p. 128. 8425: 8423:, p. 109. 8410: 8408:, p. 108. 8395: 8393:, p. 144. 8383: 8381:, p. 107. 8371: 8359: 8347: 8335: 8333:, p. 103. 8323: 8319:Nothorcot 1964 8311: 8309:, p. 268. 8292: 8290:, p. 448. 8280: 8278:, p. 733. 8268: 8266:, p. 543. 8256: 8244: 8225: 8223:, p. 287. 8210: 8195: 8183: 8179:, 7 April 1992 8168: 8153: 8141: 8129: 8127:, p. 365. 8117: 8115:, p. 164. 8105: 8103:, p. 495. 8093: 8081: 8069: 8067:, p. 367. 8057: 8041: 8029: 8012: 8000: 7998:, p. 148. 7988: 7986:, p. 520. 7976: 7974:, p. 305. 7972:Wisenthal 1998 7964: 7962:, p. 291. 7952: 7940: 7928: 7916: 7904: 7892: 7876: 7856: 7844: 7828: 7813: 7811:, p. 185. 7801: 7799:, p. 361. 7789: 7787:, p. 228. 7777: 7775:, p. 219. 7765: 7763:, p. 132. 7750: 7748:, p. 129. 7738: 7736:, p. 131. 7726: 7724:, p. 127. 7714: 7702: 7690: 7678: 7666: 7651: 7636: 7624: 7612: 7610:, p. 204. 7600: 7588: 7576: 7564: 7562:, p. 429. 7552: 7550:, p. 898. 7540: 7528: 7516: 7514:, p. 154. 7504: 7502:, p. 161. 7492: 7480: 7468: 7456: 7454:, p. 286. 7441: 7421: 7409: 7397: 7385: 7373: 7361: 7349: 7347:, p. 540. 7337: 7325: 7323:, p. 503. 7313: 7301: 7289: 7277: 7265: 7263:, p. 196. 7253: 7251:, p. xxi. 7241: 7229: 7217: 7205: 7193: 7181: 7169: 7157: 7145: 7130: 7115: 7113:, p. 116. 7103: 7101:, p. 515. 7091: 7076: 7064: 7062:, p. 808. 7060:Broughton 1946 7052: 7050:, p. 484. 7037: 7035:, p. 768. 7025: 7023:, p. 477. 7013: 7011:, p. 483. 7001: 6989: 6974: 6959: 6957:, p. 427. 6947: 6932: 6930:, p. 738. 6920: 6908: 6906:, p. 737. 6896: 6884: 6872: 6870:, p. 360. 6857: 6845: 6843:, p. 141. 6833: 6831:, p. 257. 6821: 6819:, p. 715. 6809: 6797: 6795:, p. 715. 6785: 6773: 6771:, p. 285. 6761: 6759:, p. 667. 6749: 6737: 6735:, p. 292. 6725: 6723:, p. 288. 6713: 6701: 6686: 6682:, 2 March 1932 6671: 6656: 6654:, p. 341. 6644: 6642:, p. 404. 6629: 6627:, p. 421. 6614: 6602: 6583: 6571: 6559: 6557:, p. 226. 6547: 6532: 6530:, p. 146. 6520: 6518:, p. 143. 6508: 6504:Weintraub 2002 6496: 6494:, p. 240. 6484: 6468: 6466:, p. 373. 6453: 6438: 6436:, p. 530. 6426: 6414: 6402: 6387: 6372: 6370:, p. 520. 6360: 6344: 6332: 6320: 6305: 6293: 6281: 6269: 6254: 6239: 6237:, p. 384. 6227: 6215: 6203: 6201:, p. 280. 6191: 6179: 6167: 6152: 6140: 6125: 6123:, p. 176. 6113: 6101: 6099:, p. 110. 6089: 6077: 6075:, p. 464. 6065: 6049: 6037: 6025: 6023:, p. 318. 6013: 6001: 5999:, p. 144. 5989: 5987:, p. 259. 5977: 5975:, p. 123. 5962: 5950: 5938: 5926: 5911: 5899: 5887: 5871: 5859: 5844: 5829: 5814: 5802: 5787: 5785:, p. 440. 5775: 5773:, p. 379. 5763: 5751: 5739: 5737:, p. 217. 5727: 5712: 5697: 5685: 5673: 5661: 5649: 5637: 5625: 5613: 5601: 5599:, p. 311. 5589: 5585:, 8 March 1908 5571: 5559: 5547: 5535: 5531:Weintraub 1982 5523: 5521:, p. 218. 5511: 5499: 5497:, p. 154. 5487: 5485:, p. 263. 5475: 5473:, p. 249. 5463: 5461:, p. 416. 5451: 5449:, p. 414. 5439: 5437:, p. 184. 5427: 5415: 5403: 5391: 5374: 5362: 5350: 5335: 5331:, 1 April 1895 5329:The Daily News 5320: 5308: 5306:, p. 173. 5296: 5281: 5266: 5251: 5249:, p. 179. 5236: 5218: 5203: 5201:, p. 767. 5191: 5169: 5157: 5145: 5133: 5121: 5106: 5104:, p. 171. 5094: 5082: 5070: 5068:, p. 289. 5058: 5046: 5034: 5018: 5016:, p. 182. 5006: 4990: 4978: 4966: 4954: 4939: 4923: 4904: 4887: 4875: 4863: 4851: 4839: 4827: 4815: 4803: 4791: 4779: 4777:, p. 155. 4767: 4752: 4748:Rodenbeck 1969 4740: 4738:, p. 120. 4728: 4726:, p. 127. 4716: 4704: 4689: 4677: 4665: 4653: 4641: 4629: 4617: 4605: 4590: 4575: 4571:O'Donovan 1965 4563: 4559:Nothorcot 1964 4551: 4547:Nothorcot 1964 4539: 4527: 4512: 4500: 4488: 4476: 4464: 4462:, p. 108. 4460:O'Donovan 1965 4452: 4440: 4428: 4416: 4354: 4342: 4327: 4312: 4273: 4260: 4258: 4255: 4253: 4250: 4248: 4247: 4228: 4214: 4205: 4195: 4182: 4161: 4147: 4134: 4120: 4100:; an untitled 4085:Un Petit Drame 4074:Complete Plays 4065: 4048: 4044:W. P. Lipscomb 4027: 4010: 3989: 3972: 3959: 3933: 3836: 3827: 3806: 3797: 3788: 3775: 3767:St John Ervine 3749: 3728: 3712: 3695: 3670: 3668:daughter Lucy. 3660: 3643: 3633: 3612: 3587: 3577: 3575: 3572: 3517:Third Symphony 3468:National Trust 3447: 3444: 3344:Eugene O'Neill 3320:Alan Ayckbourn 3279:The Young Idea 3236: 3234: 3231: 3229: 3226: 3214:Public Trustee 3110: 3108: 3105: 3092:The Daily Mail 3079: 3076: 3034:Edward McNulty 3017: 3014: 2968: 2965: 2920:New York Times 2887: 2884: 2818:sentimentality 2809: 2806: 2771: 2768: 2766: 2763: 2721:The Apple Cart 2712: 2711: 2704: 2697: 2690: 2683: 2676: 2673:Village Wooing 2663: 2662: 2655: 2648: 2641: 2634: 2627: 2620: 2613: 2610:The Apple Cart 2606: 2599: 2580: 2578: 2575: 2567:The Music Cure 2486: 2485: 2478: 2471: 2464: 2457: 2450: 2447:The Music Cure 2443: 2436: 2423: 2422: 2415: 2408: 2401: 2382: 2380: 2377: 2372:Press Cuttings 2313: 2312: 2305: 2298: 2295:Press Cuttings 2291: 2284: 2277: 2270: 2257: 2256: 2249: 2242: 2235: 2228: 2221: 2202: 2200: 2197: 2189:curtain raiser 2097: 2096: 2083: 2082: 2069: 2068: 2067: 2066: 2065: 2064: 2057: 2050: 2038: 2037: 2029: 2022: 2015: 2008: 2001: 1994: 1975: 1973: 1970: 1961: 1958: 1950: 1947: 1891:Order of Merit 1823:Following the 1810: 1763:The Apple Cart 1758: 1755: 1712:observes that 1710:Anthony Holden 1698:Gabriel Pascal 1549: 1547: 1544: 1525:The Apple Cart 1508:The Apple Cart 1404: 1401: 1369:Hilaire Belloc 1339:British Empire 1326: 1323: 1251: 1249: 1246: 1242:Clifford Sharp 1173: 1170: 1066:Salvation Army 1056:Robert Loraine 1032:George Russell 978:J. E. Vedrenne 955: 952: 915:St John Ervine 890:) in London's 745: 742: 685:William Morris 667:William Morris 636: 633: 579: 571:Fabian Society 527: 524: 514:William Archer 510:Un Petit Drame 502:William Archer 442:British Museum 407: 404: 386:, overlooking 326: 323: 321: 318: 303:Order of Merit 283:filmed version 228:Fabian Society 174: 173: 165: 164: 160: 159: 148: 144: 139: 138: 136: 132: 131: 126: 122: 121: 119: 118: 115: 111: 109: 105: 104: 101: 97: 96: 90: 86: 85: 79:(aged 94) 73: 69: 68: 53: 49: 48: 45: 37: 36: 33: 15: 9: 6: 4: 3: 2: 16182: 16171: 16168: 16166: 16163: 16161: 16158: 16156: 16153: 16151: 16148: 16146: 16143: 16141: 16138: 16136: 16133: 16131: 16128: 16126: 16123: 16121: 16118: 16116: 16113: 16111: 16108: 16106: 16103: 16101: 16098: 16096: 16093: 16091: 16088: 16086: 16083: 16081: 16078: 16076: 16073: 16071: 16068: 16066: 16063: 16061: 16058: 16056: 16053: 16051: 16048: 16046: 16043: 16041: 16038: 16036: 16033: 16031: 16028: 16026: 16023: 16021: 16018: 16016: 16013: 16011: 16008: 16006: 16003: 16001: 15998: 15996: 15993: 15991: 15988: 15986: 15983: 15981: 15978: 15976: 15973: 15971: 15968: 15966: 15963: 15961: 15958: 15956: 15953: 15951: 15948: 15946: 15943: 15941: 15938: 15936: 15933: 15932: 15930: 15915: 15912: 15910: 15907: 15905: 15904:Russell Group 15902: 15900: 15897: 15895: 15892: 15890: 15887: 15885: 15882: 15880: 15877: 15875: 15872: 15871: 15869: 15865: 15855: 15852: 15850: 15847: 15845: 15842: 15840: 15839:Graham Wallas 15837: 15835: 15832: 15830: 15829:Beatrice Webb 15827: 15825: 15822: 15821: 15819: 15815: 15806: 15803: 15798: 15795: 15791: 15786: 15785:Eric Neumayer 15783: 15778: 15775: 15774: 15772: 15768: 15765: 15761: 15755: 15754:Fabian Window 15752: 15750: 15747: 15746: 15744: 15742: 15736: 15730: 15727: 15725: 15722: 15720: 15719: 15715: 15713: 15712: 15708: 15706: 15703: 15702: 15700: 15696: 15690: 15687: 15685: 15682: 15680: 15677: 15675: 15672: 15670: 15667: 15665: 15662: 15660: 15657: 15655: 15652: 15650: 15647: 15645: 15642: 15640: 15637: 15635: 15632: 15630: 15627: 15625: 15622: 15620: 15617: 15615: 15612: 15611: 15609: 15605: 15599: 15596: 15592: 15589: 15588: 15587: 15584: 15582: 15579: 15577: 15574: 15570: 15567: 15566: 15565: 15562: 15561: 15559: 15553: 15549: 15540: 15535: 15533: 15528: 15526: 15521: 15520: 15517: 15499: 15496: 15494: 15491: 15489: 15486: 15484: 15481: 15479: 15476: 15474: 15471: 15469: 15466: 15464: 15461: 15459: 15456: 15454: 15451: 15449: 15446: 15443: 15439: 15438: 15435: 15428: 15427: 15425: 15423: 15419: 15412: 15409: 15406: 15403: 15402: 15400: 15398: 15394: 15387: 15384: 15381: 15378: 15377: 15375: 15373: 15369: 15362: 15359: 15358: 15356: 15353: 15349: 15345: 15338: 15335: 15334: 15332: 15330: 15326: 15321: 15313: 15308: 15306: 15301: 15299: 15294: 15293: 15290: 15277: 15273: 15269: 15266: 15262: 15258: 15255: 15251: 15247: 15244: 15240: 15236: 15235: 15233: 15229: 15222: 15218: 15214: 15211: 15207: 15203: 15200: 15196: 15192: 15189: 15185: 15181: 15178: 15174: 15170: 15167: 15163: 15159: 15156: 15152: 15148: 15145: 15141: 15137: 15134: 15130: 15126: 15123: 15119: 15115: 15112: 15108: 15104: 15101: 15097: 15093: 15090: 15086: 15082: 15079: 15078:Doris Lessing 15075: 15071: 15068: 15064: 15060: 15057: 15056:Harold Pinter 15053: 15049: 15046: 15042: 15038: 15035: 15034:J. M. Coetzee 15031: 15027: 15024: 15020: 15016: 15013: 15012:V. S. Naipaul 15009: 15005: 15004: 15002: 14998: 14991: 14987: 14983: 14980: 14976: 14972: 14969: 14968:José Saramago 14965: 14961: 14958: 14954: 14950: 14947: 14943: 14939: 14936: 14935:Seamus Heaney 14932: 14928: 14925: 14921: 14917: 14914: 14913:Toni Morrison 14910: 14906: 14903: 14902:Derek Walcott 14899: 14895: 14892: 14888: 14884: 14881: 14877: 14873: 14870: 14866: 14862: 14859: 14855: 14851: 14848: 14844: 14840: 14837: 14833: 14829: 14826: 14822: 14818: 14815: 14811: 14807: 14804: 14800: 14796: 14793: 14789: 14785: 14782: 14781:Elias Canetti 14778: 14774: 14773: 14771: 14767: 14760: 14756: 14752: 14749: 14745: 14741: 14738: 14734: 14730: 14727: 14723: 14719: 14716: 14712: 14708: 14705: 14701: 14697: 14694: 14690: 14686: 14682: 14679: 14678:Patrick White 14675: 14671: 14668: 14667:Heinrich Böll 14664: 14660: 14657: 14653: 14649: 14646: 14642: 14638: 14635: 14631: 14627: 14624: 14620: 14616: 14613: 14609: 14605: 14602: 14598: 14594: 14590: 14587: 14583: 14579: 14575: 14571: 14567: 14564: 14560: 14556: 14553: 14549: 14545: 14542: 14538: 14534: 14533: 14531: 14527: 14520: 14516: 14512: 14509: 14505: 14501: 14498: 14494: 14490: 14487: 14483: 14479: 14476: 14472: 14468: 14465: 14461: 14457: 14454: 14450: 14446: 14443: 14439: 14435: 14432: 14428: 14424: 14421: 14417: 14413: 14410: 14406: 14402: 14399: 14395: 14391: 14388: 14384: 14380: 14377: 14373: 14369: 14366: 14365:Hermann Hesse 14362: 14358: 14355: 14351: 14347: 14344: 14340: 14336: 14332: 14327: 14323: 14318: 14314: 14309: 14308: 14306: 14302: 14294: 14289: 14286: 14282: 14278: 14275: 14274:Pearl S. Buck 14271: 14267: 14264: 14260: 14256: 14253: 14249: 14245: 14241: 14236: 14233: 14229: 14225: 14222: 14218: 14214: 14211: 14207: 14203: 14199: 14195: 14191: 14187: 14184: 14180: 14176: 14173: 14169: 14165: 14162: 14161:Sigrid Undset 14158: 14154: 14151: 14150:Henri Bergson 14147: 14143: 14140: 14136: 14132: 14129: 14125: 14121: 14118: 14114: 14110: 14107: 14103: 14099: 14096: 14092: 14088: 14085: 14081: 14077: 14076: 14074: 14070: 14063: 14059: 14055: 14052: 14048: 14044: 14040: 14035: 14032: 14028: 14024: 14020: 14017: 14013: 14009: 14006: 14002: 13998: 13994: 13989: 13986: 13982: 13978: 13975: 13971: 13967: 13964: 13960: 13956: 13953: 13949: 13945: 13942: 13938: 13934: 13931: 13930:Rudolf Eucken 13927: 13923: 13920: 13916: 13912: 13909: 13905: 13901: 13898: 13894: 13890: 13887: 13883: 13879: 13875: 13872: 13868: 13864: 13861: 13857: 13853: 13850: 13846: 13842: 13841: 13839: 13835: 13831: 13827: 13820: 13815: 13813: 13808: 13806: 13801: 13800: 13797: 13783: 13779: 13775: 13771: 13767: 13763: 13759: 13755: 13751: 13747: 13746:Taika Waititi 13743: 13739: 13735: 13731: 13727: 13723: 13719: 13715: 13711: 13710:Barry Jenkins 13707: 13703: 13699: 13695: 13691: 13687: 13683: 13679: 13675: 13671: 13667: 13663: 13659: 13655: 13651: 13647: 13643: 13639: 13635: 13634:Simon Beaufoy 13631: 13627: 13623: 13619: 13615: 13611: 13607: 13603: 13599: 13595: 13591: 13587: 13583: 13582:Peter Jackson 13579: 13575: 13571: 13567: 13563: 13559: 13558: 13556: 13552: 13544: 13540: 13536: 13532: 13528: 13524: 13520: 13516: 13515:Curtis Hanson 13512: 13508: 13504: 13500: 13499:Emma Thompson 13496: 13492: 13488: 13484: 13480: 13476: 13472: 13468: 13464: 13460: 13459:Michael Blake 13456: 13452: 13448: 13444: 13440: 13436: 13432: 13428: 13424: 13420: 13416: 13412: 13408: 13407:Peter Shaffer 13404: 13400: 13396: 13392: 13388: 13384: 13380: 13376: 13372: 13371:Alvin Sargent 13368: 13364: 13363:Robert Benton 13360: 13356: 13352: 13348: 13347:Alvin Sargent 13344: 13340: 13336: 13335: 13333: 13329: 13321: 13317: 13313: 13309: 13305: 13301: 13297: 13293: 13289: 13285: 13281: 13277: 13273: 13269: 13265: 13261: 13257: 13253: 13252:James Goldman 13249: 13245: 13241: 13237: 13233: 13229: 13225: 13221: 13220:Edward Anhalt 13217: 13213: 13209: 13205: 13201: 13197: 13193: 13189: 13185: 13181: 13180:Neil Paterson 13177: 13173: 13169: 13165: 13161: 13157: 13156:Pierre Boulle 13153: 13149: 13145: 13141: 13137: 13133: 13129: 13125: 13124:George Seaton 13121: 13117: 13113: 13109: 13105: 13101: 13097: 13093: 13092: 13090: 13086: 13078: 13074: 13070: 13066: 13062: 13058: 13054: 13053:George Seaton 13050: 13046: 13042: 13038: 13034: 13030: 13026: 13022: 13018: 13014: 13010: 13006: 13002: 12998: 12994: 12993:Claudine West 12990: 12986: 12982: 12978: 12974: 12970: 12966: 12962: 12958: 12957:Sidney Howard 12954: 12950: 12946: 12942: 12938: 12937:Ian Dalrymple 12934: 12930: 12925: 12921: 12917: 12913: 12909: 12905: 12901: 12900:Robert Riskin 12897: 12893: 12889: 12885: 12881: 12877: 12873: 12869: 12865: 12861: 12857: 12853: 12849: 12845: 12844: 12842: 12838: 12834: 12827: 12822: 12820: 12815: 12813: 12808: 12807: 12804: 12798: 12791: 12779: 12778: 12774: 12772: 12771: 12767: 12765: 12764: 12760: 12758: 12757: 12753: 12750: 12746: 12745:Shaw Festival 12743: 12741: 12738: 12736: 12733: 12731: 12730:Shaw's Corner 12728: 12726: 12723: 12722: 12720: 12716: 12710: 12709: 12705: 12703: 12702: 12698: 12696: 12695: 12691: 12690: 12688: 12684: 12678: 12677: 12673: 12672: 12670: 12668: 12667:Short stories 12664: 12658: 12657: 12653: 12651: 12650: 12646: 12644: 12643: 12639: 12637: 12636: 12632: 12631: 12629: 12627: 12623: 12617: 12616: 12612: 12610: 12609: 12605: 12603: 12602: 12598: 12596: 12595: 12591: 12589: 12588: 12584: 12582: 12581: 12577: 12575: 12574: 12570: 12568: 12567: 12563: 12561: 12560: 12556: 12554: 12553: 12549: 12547: 12546: 12542: 12540: 12539: 12535: 12533: 12532: 12528: 12526: 12525: 12521: 12519: 12518: 12514: 12512: 12511: 12507: 12505: 12504: 12500: 12498: 12497: 12493: 12491: 12490: 12486: 12484: 12483: 12479: 12477: 12476: 12472: 12470: 12469: 12465: 12463: 12462: 12458: 12456: 12455: 12451: 12449: 12448: 12444: 12442: 12441: 12437: 12435: 12434: 12430: 12428: 12427: 12423: 12421: 12420: 12416: 12414: 12413: 12409: 12407: 12406: 12405:Beauty's Duty 12402: 12400: 12399: 12395: 12393: 12392: 12388: 12386: 12385: 12381: 12379: 12378: 12374: 12372: 12371: 12367: 12365: 12364: 12360: 12358: 12357: 12353: 12351: 12350: 12346: 12344: 12343: 12339: 12337: 12336: 12332: 12330: 12329: 12325: 12323: 12322: 12318: 12316: 12315: 12311: 12309: 12308: 12307:Major Barbara 12304: 12302: 12301: 12297: 12295: 12294: 12290: 12288: 12287: 12283: 12281: 12280: 12276: 12274: 12273: 12269: 12267: 12266: 12262: 12260: 12259: 12255: 12253: 12252: 12248: 12246: 12245: 12241: 12239: 12238: 12234: 12232: 12231: 12227: 12225: 12224: 12220: 12218: 12217: 12213: 12211: 12210: 12206: 12204: 12203: 12199: 12197: 12196: 12192: 12190: 12189: 12185: 12184: 12182: 12180: 12176: 12172: 12167: 12163: 12156: 12151: 12149: 12144: 12142: 12137: 12136: 12133: 12124: 12115: 12114: 12113: 12104: 12098: 12093: 12086: 12081: 12080:229–230 12076: 12071: 12069: 12062: 12057: 12055: 12051: 12047: 12044: 12042: 12038: 12034: 12031: 12029: 12026: 12024: 12021: 12019: 12016: 12014: 12011: 12008: 12004: 12001: 11998: 11994: 11991: 11982: 11978: 11977:Works by Shaw 11975: 11972: 11968: 11965: 11962: 11958: 11957:Works by Shaw 11955: 11952: 11948: 11947:Works by Shaw 11945: 11943: 11939: 11936: 11935: 11929: 11926: 11924: 11921: 11920: 11915: 11910: 11887: 11883: 11878: 11866: 11862: 11847: 11843: 11836: 11831: 11819: 11815: 11811: 11807: 11803: 11799: 11794: 11790: 11784: 11780: 11776: 11772: 11767: 11761: 11749: 11745: 11741: 11734: 11730: 11726: 11721: 11709: 11704: 11692: 11687: 11686: 11674: 11669: 11662: 11658: 11654: 11647: 11643: 11641: 11635: 11631: 11626: 11622: 11617: 11613: 11610:"The Drama". 11608: 11601: 11597: 11593: 11586: 11582: 11580: 11574: 11567: 11563: 11561: 11555: 11543: 11539: 11535: 11528: 11524: 11522: 11516: 11509: 11505: 11503: 11496: 11492: 11487: 11481:. p. 12. 11480: 11476: 11471: 11467: 11462: 11450: 11446: 11445:"News Report" 11442: 11438: 11434: 11429: 11419: 11415: 11414: 11406: 11402: 11398: 11394: 11389: 11385: 11381: 11376: 11372: 11367: 11363: 11358: 11354: 11350: 11345: 11341: 11337: 11332: 11328: 11327:New Statesman 11324: 11319: 11315: 11311: 11306: 11302: 11297: 11293: 11292: 11287: 11282: 11278: 11274: 11269: 11263:. p. 11. 11262: 11258: 11256: 11249: 11243:. p. 11. 11242: 11238: 11233: 11229: 11224: 11217: 11213: 11211: 11210:Major Barbara 11205: 11204: 11189: 11185: 11181: 11177: 11176: 11171: 11167: 11160: 11156: 11152: 11148: 11143: 11132: 11131: 11126: 11121: 11114: 11110: 11106: 11102: 11098: 11093: 11086: 11082: 11078: 11074: 11069: 11062: 11058: 11054: 11050: 11049: 11043: 11039: 11035: 11031: 11027: 11022: 11011: 11007: 11002: 10995: 10991: 10987: 10983: 10982: 10976: 10969: 10965: 10961: 10957: 10952: 10948: 10947: 10942: 10938: 10931: 10927: 10923: 10919: 10915: 10911: 10906: 10899: 10895: 10891: 10887: 10883: 10878: 10871: 10867: 10863: 10859: 10858: 10852: 10845: 10841: 10837: 10833: 10829: 10825: 10824: 10818: 10815:. p. 26. 10814: 10813: 10808: 10803: 10796: 10792: 10788: 10781: 10776: 10769: 10765: 10761: 10757: 10752: 10745: 10741: 10737: 10732: 10725: 10721: 10717: 10713: 10708: 10701: 10697: 10693: 10689: 10688: 10682: 10675: 10671: 10667: 10663: 10659: 10658:Geduld, H. M. 10655: 10648: 10644: 10640: 10636: 10632: 10628: 10623: 10616: 10612: 10608: 10604: 10599: 10592: 10588: 10584: 10580: 10575: 10568: 10564: 10560: 10556: 10551: 10547: 10543: 10542: 10536: 10529: 10525: 10522:(3): 93–109. 10521: 10517: 10512: 10507: 10502: 10498: 10494: 10490: 10486: 10485: 10480: 10475: 10468: 10464: 10460: 10456: 10455: 10450: 10445: 10438: 10434: 10430: 10426: 10425: 10419: 10415: 10411: 10407: 10403: 10402: 10396: 10395: 10375: 10373: 10366: 10362: 10358: 10354: 10348: 10344: 10339: 10335: 10329: 10325: 10320: 10316: 10310: 10306: 10301: 10297: 10291: 10287: 10282: 10278: 10272: 10268: 10263: 10259: 10255: 10251: 10246: 10242: 10238: 10234: 10229: 10225: 10221: 10217: 10212: 10208: 10204: 10200: 10195: 10191: 10187: 10183: 10182: 10179: 10173: 10166: 10162: 10155: 10150: 10146: 10142: 10137: 10133: 10129: 10125: 10124: 10118: 10114: 10110: 10106: 10105: 10102: 10096: 10092: 10088: 10084: 10083: 10077: 10073: 10069: 10065: 10064: 10061: 10055: 10054: 10042: 10036: 10032: 10027: 10023: 10017: 10013: 10008: 10004: 9999: 9995: 9990: 9986: 9980: 9976: 9975: 9969: 9965: 9959: 9955: 9950: 9946: 9942: 9937: 9936: 9929: 9925: 9919: 9915: 9914: 9911: 9905: 9901: 9895: 9891: 9890: 9884: 9880: 9874: 9870: 9865: 9861: 9855: 9851: 9846: 9842: 9838: 9833: 9832: 9825: 9821: 9817: 9813: 9808: 9804: 9800: 9796: 9792: 9788: 9784: 9778: 9774: 9773: 9767: 9763: 9758: 9754: 9748: 9744: 9739: 9735: 9730: 9726: 9720: 9716: 9715: 9709: 9705: 9701: 9697: 9693: 9689: 9685: 9681: 9677: 9673: 9669: 9665: 9659: 9655: 9650: 9646: 9642: 9637: 9636: 9629: 9625: 9621: 9616: 9615: 9608: 9604: 9598: 9594: 9589: 9585: 9579: 9575: 9570: 9566: 9560: 9556: 9551: 9547: 9543: 9539: 9538: 9532: 9528: 9522: 9518: 9513: 9509: 9503: 9499: 9498: 9493: 9489: 9485: 9481: 9477: 9472: 9468: 9464: 9460: 9455: 9451: 9445: 9441: 9436: 9432: 9428: 9424: 9420: 9414: 9410: 9406: 9402: 9398: 9392: 9388: 9387: 9381: 9377: 9371: 9366: 9365: 9358: 9354: 9348: 9343: 9342: 9335: 9331: 9325: 9321: 9316: 9312: 9306: 9301: 9300: 9293: 9289: 9283: 9279: 9274: 9270: 9264: 9260: 9259: 9253: 9249: 9243: 9239: 9238: 9232: 9228: 9224: 9220: 9215: 9211: 9205: 9201: 9200: 9194: 9190: 9184: 9180: 9175: 9171: 9165: 9160: 9159: 9152: 9148: 9142: 9138: 9137: 9131: 9127: 9123: 9119: 9115: 9111: 9107: 9101: 9097: 9092: 9088: 9082: 9077: 9076: 9069: 9065: 9059: 9055: 9050: 9046: 9040: 9036: 9032: 9027: 9023: 9017: 9013: 9009: 9005: 9001: 8997: 8993: 8992: 8987: 8983: 8979: 8973: 8969: 8964: 8960: 8956: 8952: 8946: 8942: 8941: 8935: 8931: 8927: 8922: 8921: 8915: 8911: 8907: 8901: 8897: 8896: 8890: 8886: 8882: 8878: 8873: 8869: 8863: 8859: 8858: 8852: 8848: 8844: 8840: 8835: 8831: 8825: 8821: 8820: 8814: 8810: 8805: 8801: 8797: 8793: 8788: 8784: 8778: 8774: 8773: 8767: 8763: 8757: 8753: 8752: 8746: 8742: 8736: 8731: 8730: 8723: 8722: 8705: 8700: 8693: 8688: 8681: 8676: 8674: 8666: 8661: 8654: 8649: 8642: 8637: 8630: 8628: 8621: 8614: 8613: 8605: 8598: 8597: 8592: 8586: 8578: 8577: 8569: 8562: 8560: 8553: 8546: 8544: 8543:New Statesman 8537: 8530: 8525: 8519:, p. 11. 8518: 8517:Kaufmann 1965 8513: 8507:, p. 12. 8506: 8501: 8494: 8489: 8482: 8477: 8470: 8465: 8458: 8453: 8446: 8441: 8434: 8429: 8422: 8421:Crawford 1993 8417: 8415: 8407: 8406:Crawford 1993 8402: 8400: 8392: 8387: 8380: 8379:Crawford 1993 8375: 8368: 8363: 8356: 8355:Crawford 1993 8351: 8344: 8343:Crawford 1993 8339: 8332: 8331:Crawford 1993 8327: 8320: 8315: 8308: 8306: 8299: 8297: 8289: 8284: 8277: 8272: 8265: 8260: 8253: 8248: 8241: 8239: 8232: 8230: 8222: 8217: 8215: 8207: 8202: 8200: 8192: 8187: 8180: 8178: 8172: 8165: 8163: 8157: 8150: 8145: 8138: 8133: 8126: 8121: 8114: 8113:Feinberg 2006 8109: 8102: 8097: 8090: 8085: 8078: 8073: 8066: 8061: 8054: 8053:, 5 July 2011 8052: 8045: 8038: 8037:Crawford 1988 8033: 8026: 8021: 8019: 8017: 8009: 8004: 7997: 7996:Crawford 1990 7992: 7985: 7980: 7973: 7968: 7961: 7956: 7949: 7944: 7938:, p. 26. 7937: 7936:Griffith 1993 7932: 7925: 7920: 7914:, p. 92. 7913: 7908: 7902:, p. 86. 7901: 7896: 7889: 7887: 7880: 7874:, p. 26. 7873: 7871: 7865: 7863: 7861: 7853: 7852:Merriman 2010 7848: 7841: 7839: 7832: 7825: 7823: 7817: 7810: 7805: 7798: 7793: 7786: 7785:Griffith 1993 7781: 7774: 7773:Hoffsten 1904 7769: 7762: 7757: 7755: 7747: 7742: 7735: 7730: 7723: 7718: 7711: 7706: 7699: 7698:Matthews 1969 7694: 7687: 7682: 7676:, p. 40. 7675: 7670: 7663: 7658: 7656: 7648: 7643: 7641: 7633: 7628: 7622:, p. 56. 7621: 7616: 7609: 7604: 7598:, p. 71. 7597: 7592: 7586:, p. 14. 7585: 7580: 7573: 7568: 7561: 7556: 7549: 7544: 7537: 7532: 7525: 7520: 7513: 7508: 7501: 7496: 7489: 7484: 7477: 7472: 7466:, p. 10. 7465: 7460: 7453: 7448: 7446: 7438: 7437: 7430: 7428: 7426: 7418: 7413: 7406: 7401: 7394: 7389: 7382: 7377: 7370: 7365: 7358: 7353: 7346: 7341: 7334: 7333:Beerbohm 1962 7329: 7322: 7317: 7310: 7305: 7298: 7293: 7286: 7281: 7275:, p. 49. 7274: 7269: 7262: 7261:Wikander 1998 7257: 7250: 7245: 7238: 7233: 7227:, p. 41. 7226: 7221: 7214: 7209: 7203:, p. 18. 7202: 7197: 7190: 7185: 7179:, p. 31. 7178: 7173: 7166: 7161: 7154: 7149: 7142: 7137: 7135: 7127: 7122: 7120: 7112: 7107: 7100: 7095: 7088: 7083: 7081: 7073: 7068: 7061: 7056: 7049: 7044: 7042: 7034: 7029: 7022: 7017: 7010: 7005: 6999:, p. 18. 6998: 6993: 6986: 6981: 6979: 6971: 6966: 6964: 6956: 6951: 6944: 6939: 6937: 6929: 6924: 6917: 6912: 6905: 6900: 6893: 6888: 6881: 6876: 6869: 6864: 6862: 6854: 6849: 6842: 6837: 6830: 6825: 6818: 6813: 6807:, p. 86. 6806: 6801: 6794: 6789: 6783:, p. 80. 6782: 6777: 6770: 6769:Laurence 1985 6765: 6758: 6753: 6746: 6741: 6734: 6733:Laurence 1985 6729: 6722: 6721:Laurence 1985 6717: 6710: 6705: 6698: 6697:Laurence 1985 6693: 6691: 6684:, p. 12. 6683: 6681: 6675: 6668: 6663: 6661: 6653: 6652:Shepherd 2002 6648: 6641: 6636: 6634: 6626: 6621: 6619: 6611: 6606: 6599: 6598:Nestruck 2011 6594: 6592: 6590: 6588: 6580: 6575: 6568: 6563: 6556: 6551: 6544: 6539: 6537: 6529: 6524: 6517: 6512: 6505: 6500: 6493: 6488: 6481: 6479: 6472: 6465: 6460: 6458: 6450: 6445: 6443: 6435: 6430: 6424:, p. 74. 6423: 6418: 6411: 6406: 6400:, p. 12. 6399: 6397: 6391: 6384: 6382: 6376: 6369: 6364: 6357: 6355: 6348: 6341: 6336: 6329: 6324: 6318:, p. 11. 6317: 6315: 6309: 6303:, p. 11. 6302: 6297: 6290: 6285: 6279:, p. 11. 6278: 6273: 6266: 6264: 6258: 6252:, p. 11. 6251: 6249: 6243: 6236: 6231: 6224: 6219: 6213:, p. 62. 6212: 6207: 6200: 6195: 6188: 6183: 6177:, p. 60. 6176: 6171: 6165:, p. 60. 6164: 6159: 6157: 6149: 6144: 6137: 6132: 6130: 6122: 6117: 6110: 6105: 6098: 6093: 6086: 6081: 6074: 6069: 6063:, p. 12. 6062: 6060: 6053: 6046: 6041: 6034: 6029: 6022: 6017: 6010: 6005: 5998: 5993: 5986: 5981: 5974: 5969: 5967: 5959: 5954: 5947: 5942: 5935: 5930: 5923: 5918: 5916: 5909:, p. 90. 5908: 5903: 5897:, p. 83. 5896: 5891: 5885:, p. 24. 5884: 5882: 5875: 5868: 5863: 5856: 5854: 5848: 5841: 5839: 5833: 5826: 5821: 5819: 5811: 5806: 5800:, p. X6. 5799: 5797: 5791: 5784: 5779: 5772: 5767: 5760: 5755: 5748: 5747:Laurence 1955 5743: 5736: 5731: 5724: 5722: 5716: 5709: 5707: 5701: 5694: 5689: 5683:, p. 14. 5682: 5677: 5670: 5665: 5658: 5653: 5647:, p. 55. 5646: 5645:Kavanagh 1950 5641: 5635:, p. 64. 5634: 5629: 5623:, p. 53. 5622: 5617: 5610: 5609:Merriman 2010 5605: 5598: 5593: 5586: 5584: 5578: 5576: 5568: 5563: 5556: 5551: 5545:, p. 93. 5544: 5543:Crawford 1975 5539: 5532: 5527: 5520: 5515: 5509:, p. 10. 5508: 5503: 5496: 5491: 5484: 5479: 5472: 5467: 5460: 5455: 5448: 5443: 5436: 5431: 5424: 5419: 5412: 5407: 5400: 5395: 5388: 5383: 5381: 5379: 5372:, p. 22. 5371: 5366: 5359: 5354: 5347: 5342: 5340: 5332: 5330: 5324: 5317: 5312: 5305: 5300: 5293: 5292:, 19 May 1894 5291: 5285: 5278: 5273: 5271: 5263: 5261: 5255: 5248: 5246: 5240: 5233: 5231: 5225: 5223: 5216:, p. 12. 5215: 5213: 5207: 5200: 5195: 5188: 5187: 5180: 5178: 5176: 5174: 5166: 5161: 5154: 5149: 5143:, p. 22. 5142: 5137: 5130: 5129:Crawford 1982 5125: 5118: 5113: 5111: 5103: 5098: 5091: 5086: 5080:, p. 89. 5079: 5074: 5067: 5062: 5055: 5050: 5043: 5038: 5031: 5029: 5022: 5015: 5010: 5003: 5001: 4994: 4987: 4982: 4976:, p. 53. 4975: 4970: 4964:, p. 50. 4963: 4958: 4951: 4946: 4944: 4936: 4934: 4927: 4920: 4915: 4913: 4911: 4909: 4901: 4896: 4894: 4892: 4884: 4883:Diniejko 2013 4879: 4872: 4867: 4860: 4855: 4849:, p. 68. 4848: 4843: 4837:, p. 79. 4836: 4831: 4825:, p. 46. 4824: 4819: 4813:, p. 64. 4812: 4807: 4800: 4795: 4788: 4783: 4776: 4771: 4764: 4762: 4756: 4750:, p. 67. 4749: 4744: 4737: 4732: 4725: 4720: 4713: 4708: 4701: 4696: 4694: 4686: 4681: 4675:, p. 48. 4674: 4669: 4662: 4657: 4650: 4649:Laurence 1976 4645: 4638: 4633: 4626: 4621: 4615:, p. 24. 4614: 4609: 4602: 4597: 4595: 4588:, p. 58. 4587: 4582: 4580: 4573:, p. 75. 4572: 4567: 4560: 4555: 4548: 4543: 4536: 4531: 4524: 4519: 4517: 4509: 4504: 4497: 4492: 4485: 4480: 4473: 4468: 4461: 4456: 4450:, p. 56. 4449: 4444: 4437: 4432: 4425: 4420: 4412: 4406: 4401: 4399: 4397: 4395: 4393: 4391: 4389: 4387: 4385: 4383: 4381: 4379: 4377: 4375: 4373: 4371: 4369: 4367: 4365: 4363: 4361: 4359: 4351: 4346: 4340:, p. 22. 4339: 4334: 4332: 4324: 4319: 4317: 4309: 4304: 4302: 4300: 4298: 4296: 4294: 4292: 4290: 4288: 4286: 4284: 4282: 4280: 4278: 4270: 4265: 4261: 4244: 4243: 4238: 4232: 4225: 4218: 4209: 4199: 4192: 4191:Daniel Kevles 4186: 4179: 4175: 4174:Penguin Books 4171: 4165: 4157: 4151: 4144: 4138: 4131: 4124: 4117: 4116: 4111: 4110: 4105: 4104: 4099: 4098: 4097:Beauty's Duty 4093: 4092: 4087: 4086: 4081: 4080: 4075: 4069: 4062: 4058: 4052: 4045: 4041: 4037: 4036:Ian Dalrymple 4031: 4024: 4020: 4014: 4007: 4003: 4002:Penguin Books 3999: 3993: 3986: 3982: 3976: 3969: 3963: 3955: 3951: 3950:Abbey Theatre 3947: 3943: 3942:Gaelic League 3937: 3930: 3929: 3924: 3923: 3918: 3917: 3912: 3911: 3906: 3905: 3900: 3899: 3894: 3893: 3888: 3887: 3882: 3881: 3880:Major Barbara 3876: 3875: 3870: 3869: 3864: 3863: 3858: 3857: 3852: 3851: 3846: 3840: 3831: 3824: 3820: 3819:To Your Tents 3816: 3810: 3801: 3792: 3785: 3779: 3772: 3768: 3764: 3763:Florence Farr 3760: 3753: 3746: 3742: 3738: 3732: 3725: 3721: 3716: 3709: 3705: 3699: 3692: 3688: 3684: 3680: 3674: 3664: 3657: 3653: 3647: 3637: 3630: 3626: 3623:, run by the 3622: 3616: 3609: 3605: 3601: 3597: 3591: 3582: 3578: 3570: 3567: 3563: 3559: 3555: 3551: 3550: 3545: 3544:Samuel Butler 3539: 3537: 3536: 3530: 3526: 3524: 3523: 3518: 3514: 3511:and music by 3510: 3506: 3505: 3500: 3496: 3492: 3491: 3486: 3480: 3478: 3474: 3469: 3465: 3457: 3456:Jacob Epstein 3452: 3443: 3441: 3437: 3433: 3429: 3428:Shaw Festival 3424: 3422: 3418: 3413: 3408: 3406: 3402: 3398: 3394: 3389: 3386: 3379: 3378: 3373: 3367: 3365: 3361: 3360:S. N. Behrman 3357: 3353: 3349: 3345: 3335: 3331: 3329: 3328:Peter Nichols 3325: 3324:Henry Livings 3321: 3317: 3313: 3312: 3307: 3304:. The critic 3303: 3299: 3295: 3294: 3289: 3285: 3281: 3280: 3275: 3270: 3268: 3264: 3257: 3254: 3248: 3242: 3225: 3223: 3219: 3215: 3205: 3203: 3199: 3194: 3189: 3186: 3185: 3178: 3176: 3172: 3168: 3163: 3162:Old Testament 3154: 3150: 3148: 3144: 3140: 3136: 3131: 3125: 3122: 3115: 3104: 3102: 3098: 3094: 3093: 3087: 3085: 3075: 3071: 3069: 3065: 3061: 3057: 3053: 3049: 3045: 3041: 3040: 3035: 3027: 3022: 3013: 3011: 3010: 3004: 3002: 2998: 2994: 2990: 2986: 2982: 2978: 2974: 2964: 2962: 2957: 2953: 2949: 2945: 2941: 2937: 2932: 2930: 2926: 2921: 2917: 2913: 2909: 2907: 2903: 2897: 2894: 2883: 2881: 2877: 2873: 2872: 2867: 2863: 2859: 2854: 2849: 2847: 2842: 2838: 2837: 2832: 2828: 2823: 2819: 2815: 2805: 2802: 2799: 2795: 2791: 2787: 2782: 2778: 2762: 2760: 2756: 2752: 2748: 2744: 2742: 2738: 2734: 2730: 2726: 2722: 2718: 2710: 2709: 2705: 2703: 2702: 2698: 2696: 2695: 2691: 2689: 2688: 2684: 2682: 2681: 2677: 2675: 2674: 2670: 2669: 2668: 2667: 2661: 2660: 2656: 2654: 2653: 2649: 2647: 2646: 2642: 2640: 2639: 2635: 2633: 2632: 2628: 2626: 2625: 2621: 2619: 2618: 2614: 2612: 2611: 2607: 2605: 2604: 2600: 2598: 2597: 2593: 2592: 2591: 2590: 2586: 2585: 2574: 2572: 2568: 2564: 2560: 2556: 2552: 2548: 2544: 2539: 2537: 2536: 2532:) and Ibsen ( 2531: 2530: 2525: 2521: 2520: 2515: 2511: 2510: 2505: 2501: 2497: 2493: 2484: 2483: 2479: 2477: 2476: 2472: 2470: 2469: 2465: 2463: 2462: 2458: 2456: 2455: 2451: 2449: 2448: 2444: 2442: 2441: 2437: 2435: 2434: 2430: 2429: 2428: 2427: 2421: 2420: 2416: 2414: 2413: 2409: 2407: 2406: 2402: 2400: 2399: 2395: 2394: 2393: 2392: 2388: 2387: 2376: 2374: 2373: 2368: 2367: 2362: 2358: 2354: 2352: 2348: 2344: 2343:Major Barbara 2340: 2336: 2332: 2328: 2324: 2320: 2311: 2310: 2306: 2304: 2303: 2299: 2297: 2296: 2292: 2290: 2289: 2285: 2283: 2282: 2278: 2276: 2275: 2271: 2269: 2268: 2264: 2263: 2262: 2261: 2255: 2254: 2250: 2248: 2247: 2243: 2241: 2240: 2236: 2234: 2233: 2232:Major Barbara 2229: 2227: 2226: 2222: 2220: 2219: 2215: 2214: 2213: 2212: 2208: 2207: 2196: 2194: 2190: 2186: 2182: 2181:Ethel Voynich 2178: 2174: 2170: 2169:1890s Morocco 2166: 2165:1770s America 2162: 2161: 2156: 2155: 2150: 2149: 2144: 2143: 2137: 2135: 2131: 2127: 2123: 2118: 2116: 2112: 2108: 2104: 2095: 2094: 2090: 2089: 2088: 2087: 2081: 2080: 2076: 2075: 2074: 2073: 2063: 2062: 2058: 2056: 2055: 2051: 2049: 2048: 2044: 2043: 2042: 2041: 2040: 2039: 2036:, comprising: 2035: 2034: 2030: 2028: 2027: 2023: 2021: 2020: 2016: 2014: 2013: 2009: 2007: 2006: 2002: 2000: 1999: 1995: 1993: 1992: 1988: 1987: 1986: 1985: 1981: 1980: 1969: 1967: 1956: 1946: 1944: 1940: 1936: 1935:renal failure 1931: 1929: 1928: 1923: 1922: 1917: 1916: 1911: 1910: 1904: 1902: 1901: 1896: 1892: 1882: 1878: 1876: 1872: 1871: 1865: 1863: 1859: 1855: 1851: 1846: 1844: 1839: 1834: 1833:New Statesman 1830: 1826: 1820: 1814: 1809: 1807: 1803: 1802: 1801:Major Barbara 1796: 1792: 1788: 1784: 1780: 1776: 1772: 1768: 1764: 1754: 1752: 1748: 1743: 1740: 1736: 1735: 1730: 1729: 1724: 1723: 1717: 1715: 1711: 1707: 1706:Academy Award 1703: 1699: 1695: 1691: 1686: 1684: 1683: 1678: 1677: 1672: 1671: 1666: 1662: 1658: 1650: 1649:San Francisco 1646: 1636: 1632: 1630: 1629: 1624: 1620: 1616: 1612: 1611: 1605: 1603: 1598: 1594: 1589: 1587: 1586: 1581: 1577: 1573: 1569: 1563: 1560: 1553: 1543: 1541: 1540:Beatrice Webb 1537: 1533: 1528: 1526: 1522: 1518: 1515:'s inaugural 1514: 1510: 1509: 1503: 1501: 1497: 1496: 1491: 1486: 1483: 1478: 1477: 1472: 1468: 1464: 1460: 1455: 1453: 1452: 1446: 1444: 1440: 1436: 1432: 1428: 1424: 1423: 1414: 1409: 1400: 1398: 1394: 1390: 1386: 1382: 1378: 1374: 1370: 1365: 1363: 1359: 1355: 1351: 1350:Easter Rising 1346: 1345: 1340: 1331: 1322: 1320: 1319: 1314: 1310: 1309: 1304: 1300: 1299: 1293: 1291: 1287: 1282: 1281:Western Front 1279:to visit the 1278: 1273: 1271: 1265: 1262: 1255: 1245: 1243: 1239: 1238: 1232: 1230: 1225: 1223: 1219: 1215: 1211: 1207: 1201: 1199: 1195: 1191: 1187: 1178: 1169: 1166: 1162: 1158: 1154: 1153: 1148: 1147:Blanco Posnet 1144: 1143: 1138: 1136: 1132: 1128: 1124: 1123:Blanco Posnet 1120: 1119: 1114: 1113: 1108: 1107: 1102: 1101: 1096: 1092: 1087: 1085: 1084: 1079: 1078: 1073: 1072: 1067: 1063: 1062: 1061:Major Barbara 1057: 1053: 1052: 1047: 1045: 1041: 1037: 1033: 1029: 1025: 1021: 1013: 1009: 1008:Abbey Theatre 1005: 1001: 1000: 995: 991: 990:Sloane Square 987: 983: 979: 971: 970: 965: 960: 951: 949: 946:and later at 945: 941: 940:Shaw's Corner 937: 933: 932: 927: 925: 920: 916: 912: 911:Covent Garden 908: 904: 899: 897: 893: 889: 884: 882: 878: 874: 870: 866: 865:Margaret Cole 862: 859:, and taxing 858: 854: 849: 847: 846: 841: 837: 833: 829: 828: 823: 822:South Shields 819: 818: 813: 808: 806: 805:Florence Farr 802: 789: 785: 784: 776: 775: 769: 765: 763: 762: 757: 756: 751: 741: 738: 734: 730: 726: 725: 719: 717: 716: 711: 707: 706: 700: 698: 694: 690: 686: 682: 681: 672: 668: 664: 660: 658: 654: 650: 646: 641: 632: 630: 626: 621: 619: 615: 611: 607: 603: 599: 593: 590: 583: 578: 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M. Hyndman 557: 556: 551: 547: 543: 542: 537: 533: 523: 521: 520: 515: 511: 503: 499: 495: 493: 488: 486: 482: 478: 474: 470: 466: 461: 459: 455: 451: 447: 443: 438: 436: 432: 431:ghost-writing 428: 419: 415: 413: 403: 399: 397: 391: 389: 385: 380: 378: 377:mezzo-soprano 373: 367: 364: 360: 356: 352: 348: 344: 340: 331: 317: 315: 311: 306: 304: 300: 296: 292: 291:Academy Award 288: 284: 280: 276: 272: 268: 264: 259: 257: 256: 251: 250: 245: 244: 243:Major Barbara 239: 235: 234: 229: 226: 220: 218: 214: 210: 206: 205: 200: 199: 194: 193: 188: 184: 180: 171: 166: 161: 142: 137: 133: 127: 123: 116: 113: 112: 110: 106: 102: 98: 94: 93:Shaw's Corner 91: 89:Resting place 87: 83: 74: 70: 66: 54: 50: 43: 38: 31: 28: 26: 22: 15833: 15789: 15780:(Chancellor) 15729:Pulse! 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Retrieved 11886:the original 11869:. Retrieved 11853:. Retrieved 11842:Bernard Shaw 11841: 11822:. Retrieved 11817: 11797: 11770: 11752:. Retrieved 11724: 11712:. Retrieved 11695:. Retrieved 11672: 11661:The Observer 11660: 11645: 11639: 11629: 11620: 11611: 11599: 11584: 11578: 11566:The Observer 11565: 11559: 11546:. Retrieved 11541: 11526: 11520: 11510:. p. 8. 11507: 11501: 11493:. p. 3. 11490: 11479:The Guardian 11478: 11465: 11453:. Retrieved 11448: 11436: 11411: 11396: 11392: 11383: 11379: 11370: 11361: 11353:The Guardian 11352: 11340:The Guardian 11339: 11326: 11314:The Guardian 11313: 11303:. p. 1. 11300: 11289: 11285: 11276: 11272: 11261:The Observer 11260: 11254: 11241:The Observer 11240: 11228:The Standard 11227: 11216:The Observer 11215: 11209: 11182:(1): 57–58. 11179: 11173: 11150: 11146: 11134:. Retrieved 11128: 11104: 11100: 11079:(2): 80–82. 11076: 11072: 11052: 11046: 11029: 11025: 11013:. 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Yeats 14062:Knut Hamsun 13722:James Ivory 13682:John Ridley 13535:John Irving 13527:Bill Condon 13451:Alfred Uhry 13435:Mark Peploe 13236:Robert Bolt 13228:Robert Bolt 13140:John Farrow 13096:Harry Brown 13061:John Huston 13013:Howard Koch 12856:Hanns Kräly 12686:Non-fiction 12370:Misalliance 11892:18 February 11871:19 December 11855:13 February 11455:13 February 11378:"Mr Shaw's 11032:: 185–193. 11015:18 February 10830:: 216–235. 10793:(2): 3–11. 10762:: 279–297. 10609:: 265–276. 10585:: 148–154. 10561:: 139–143. 10461:: 113–127. 10380:13 February 8680:Morgan 1951 8481:Dukore 1992 8469:Dukore 1992 8457:Dukore 1992 8433:Dukore 1992 8367:Coward 2004 7912:Searle 1976 7900:Kevles 1995 7809:Wallis 1991 7746:Pierce 2011 7734:Pierce 2011 7722:Pierce 2011 7710:Pierce 2011 7686:Pierce 2011 7674:Cooper 1953 7662:Pierce 2011 7488:Croall 2008 7452:Dervin 1975 7434:Grene 2003 7201:Peters 1998 7153:Powell 1998 7048:Martin 2007 6997:Geduld 1961 6841:Holden 1993 6829:Peters 1998 6805:Pascal 1971 6781:Weales 1969 6667:Geduld 1961 6610:Geduld 1961 6328:Rhodes 1923 6301:Ervine 1923 6277:Ervine 1921 6223:Mackay 1997 6199:Mackay 1997 6187:Mackay 1997 6073:Ervine 1956 5519:Peters 1996 5316:Peters 1998 5102:Peters 1996 5066:Peters 1996 4974:Preece 2011 4933:A Manifesto 4724:Pearce 1997 4712:Peters 1996 4661:Peters 1996 4448:Dervin 1975 4436:Rosset 1964 4269:Peters 1996 4040:Cecil Lewis 3784:basset horn 3704:teetotaller 3600:William III 3538:concluded: 3473:The Shavian 3417:Mark Lawson 3410:Writing in 3374:castigated 3296:, in which 3288:T. S. Eliot 3274:Noël Coward 3084:vivisection 3056:Gene Tunney 3048:Ellen Terry 2866:Bardolaters 2853:Duff Cooper 2841:Oscar Wilde 2822:stereotypes 2731:(1933) and 2666:Short plays 2426:Short plays 2361:Misalliance 2359:(1908) and 2260:Short plays 2253:Misalliance 2157:(1898) and 1972:Early works 1739:James Agate 1731:(1936) and 1576:Nancy Astor 1459:Joan of Arc 1443:Edith Evans 1229:H. G. Wells 1112:Misalliance 1036:James Joyce 1024:J. M. Synge 689:John Ruskin 671:John Ruskin 669:(left) and 589:A Manifesto 555:Das Kapital 492:Sidney Webb 475:(1880) and 450:blank-verse 396:land agents 384:Dalkey Hill 325:Early years 310:Shakespeare 201:(1913) and 125:Citizenship 15929:Categories 15867:Affiliates 15770:Governance 15711:The Beaver 15689:TRIUM EMBA 15664:LSE Cities 15348:Literature 14541:Ivo Andrić 14376:André Gide 14221:Ivan Bunin 13952:Paul Heyse 13766:Sian Heder 13698:Adam McKay 13598:Jim Taylor 13586:Fran Walsh 13316:Bo Goldman 13308:Mario Puzo 13288:Mario Puzo 13260:Waldo Salt 12635:Immaturity 12496:Saint Joan 12258:The Gadfly 12103:Anton Lang 12085:Wikisource 12073:. 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