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Allegory

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identify their world (514c–515a). According to the allegory, the shadows are as close as the prisoners get to viewing reality, until one of them finds his way into the outside world where he sees the actual objects that produced the shadows. He tries to tell the people in the cave of his discovery, but they do not believe him and vehemently resist his efforts to free them so they can see for themselves (516e–518a). This allegory is, on a basic level, about a philosopher who upon finding greater knowledge outside the cave of human understanding, seeks to share it as is his duty, and the foolishness of those who would ignore him because they think themselves educated enough.
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Theagenes of Rhegium (whom Porphyry calls the "first allegorist," Porph. Quaest. Hom. 1.240.14–241.12 Schrad.) or Pherecydes of Syros, both of whom are presumed to be active in the 6th century B.C.E., though Pherecydes is earlier and as he is often presumed to be the first writer of prose. The debate is complex, since it demands we observe the distinction between two often conflated uses of the Greek verb "allēgoreīn," which can mean both "to speak allegorically" and "to interpret allegorically."
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physical elements. So, Hephestus represents Fire, for instance (for which see fr. A2 in Diels-Kranz). Some scholars, however, argue that Pherecydes cosmogonic writings anticipated Theagenes allegorical work, illustrated especially by his early placement of Time (Chronos) in his genealogy of the gods, which is thought to be a reinterpretation of the titan Kronos, from more traditional genealogies.
27: 943: 518:. While all this does not mean Tolkien's works may not be treated as having allegorical themes, especially when reinterpreted through postmodern sensibilities, it at least suggests that none were conscious in his writings. This further reinforces the idea of forced allegoresis, as allegory is often a matter of interpretation and only sometimes of original artistic intention. 1060: 1107: 971: 214:. In this perspective, the characters in a "naive" allegory are not fully three-dimensional, for each aspect of their individual personalities and of the events that befall them embodies some moral quality or other abstraction; the author has selected the allegory first, and the details merely flesh it out. 418:
Since meaningful stories are nearly always applicable to larger issues, allegories may be read into many stories which the author may not have recognized. This is allegoresis, or the act of reading a story as an allegory. Examples of allegory in popular culture that may or may not have been intended
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is another example of a well-known work mistakenly perceived as allegorical, as the author himself once stated, "...I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presence. I much prefer history – true or feigned – with
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In the case of "interpreting allegorically," Theagenes appears to be our earliest example. Presumably in response to proto-philosophical moral critiques of Homer (e.g., Xenophanes fr. 11 Diels-Kranz), Theagenes proposed symbolic interpretations whereby the Gods of the Iliad actually stood for
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in his "quasi-allegorical" use of personifications of, e.g., Terror (Deimos) and Fear (Phobos) at Il. 115 f. The title of "first allegorist", however, is usually awarded to whoever was the earliest to put forth allegorical interpretations of Homer. This approach leads to two possible answers:
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or visual representation in which a character, place, or event can be interpreted to represent a meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or
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In this allegory, Plato describes a group of people who have lived chained in a cave all of their lives, facing a blank wall (514a–b). The people watch shadows projected on the wall by things passing in front of a fire behind them and begin to ascribe forms to these shadows, using language to
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in which various powers would try to obtain such a Ring for themselves. Then Tolkien went on to outline an alternative plot for "Lord of The Rings", as it would have been written had such an allegory been intended, and which would have made the book into a
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has a comment by its English translator: "The principal characteristic of Fortunatianus' exegesis is a figurative approach, relying on a set of concepts associated with key terms in order to create an allegorical decoding of the text."
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its varied applicability to the thought and experience of readers. I think that many confuse applicability with allegory, but one resides in the freedom of the reader, and the other in the purposed domination of the author."
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While allegoresis may make discovery of allegory in any work, not every resonant work of modern fiction is allegorical, and some are clearly not intended to be viewed this way. According to Henry Littlefield's 1964 article,
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of this one and only Church there is one body and one head—not two heads as if it were a monster... If, then, the Greeks or others say that they were not committed to the care of Peter and his successors, they
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confess that they are not of the sheep of Christ." This text also demonstrates the frequent use of allegory in religious texts during the Mediaeval Period, following the tradition and example of the Bible.
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In: Ästhetik und Kommunikation, Nr. 25/1976, S. 92–112. Langfassung in: Frauen und Wissenschaft. BeitrĂ€ge zur Berliner SommeruniversitĂ€t fĂŒr Frauen, Juli 1976, Berlin 1977, S.258–297. With illustrations.
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Roppolo, Joseph Patrick. "Meaning and 'The Masque of the Red Death'", collected in Poe: A Collection of Critical Essays, edited by Robert Regan. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1967. p. 137.
1082:): Painting is shown as related to history and politics, the young woman being Clio, the muse of history, and other symbols for the political and religious division of the Netherlands appearing. 481:, may be readily understood as a plot-driven fantasy narrative in an extended fable with talking animals and broadly sketched characters, intended to discuss the politics of the time. Yet, 993:): The three human heads symbolise past, present and future, the characterisation of which is furthered by the triple-headed beast (wolf, lion, dog), girded by the body of a big snake. 2067: 1043: 806: 858: 1663: 1646: 892:: "Such visual representations have raised the question why so many allegories in the history of art, pertaining occupations once reserved for men only, are of female sex." 1882: 822: 360:
with the pope as its head in which the allegorical details of the metaphors are adduced as facts on which is based a demonstration with the vocabulary of logic: "
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Allegory has an ability to freeze the temporality of a story, while infusing it with a spiritual context. Mediaeval thinking accepted allegory as having a
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figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use
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Some elaborate and successful specimens of allegory are to be found in the following works, arranged in approximate chronological order:
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the young man needed to know as guests. Also, the Neoplatonic philosophy developed a type of allegorical reading of Homer and Plato.
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discussed what he termed a "continuum of allegory", a spectrum that ranges from what he termed the "naive allegory" of the likes of
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was a common early Christian practice and continues. For example, the recently re-discovered Fourth Commentary on the Gospels by
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underlying any rhetorical or fictional uses. The allegory was as true as the facts of surface appearances. Thus, the Papal Bull
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organized all the information a fifth-century upper-class male needed to know into an allegory of the wedding of Mercury and
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and its impressive spread and growth, representing Israel's conquest and peopling of the Promised Land. Also allegorical is
1883:"'Animal Farm': Andy Serkis-directed adaptation of George Orwell's allegory acquired by Netflix – Wonderfully Curated News" 1146: 2129: 1389:. Princeton Classics. Vol. 70. Princeton, New Jersey: Princeton University Press (published 2020). pp. 89ff. 1156: 3203: 2783: 2051: 1705: 1602: 1564: 1504: 1394: 1272: 1222: 561:: The journey of the protagonists Christian and Evangelist symbolises the ascension of the soul from earth to Heaven. 83: 1937: 3429: 881: 3815: 3646: 3112: 2524: 1213: 181:), "veiled language, figurative", literally "speaking about something else", which in turn comes from áŒ„Î»Î»ÎżÏ‚ ( 3381: 2666: 1427:
H. Diels and W. Kranz. (1951). Die Fragmente der Vorsokratiker, vol. 1. 6th edn. Berlin: Weidmann, 126–138.
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16 and 17, wherein the capture of that same vine by the mighty Eagle represents Israel's exile to Babylon.
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English summary from Kvinnovetenskaplig Tidskrift, Nr.4. 1981, Lund, Sweden as PDF. Retrieved 10.July 2011
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Like allegorical stories, allegorical poetry has two meanings – a literal meaning and a symbolic meaning.
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H. Diels and W. Kranz. (1951). Die Fragmente der Vorsokratiker, vol. 1. 6th edn. Berlin: Weidmann, 51–52.
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Writers and speakers typically use allegories to convey (semi-) hidden or complex meanings through
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looking over her left shoulder. Two cherubs are removing the weighty crown from her tired head.
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Homer the Theologian: Neoplatonist Allegorical Reading and the Growth of the Epic Tradition
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Domaradzki, M. (2017). "The Beginnings of Greek Allegoresis". Classical World 110 (3):301
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Triumphant Spain and the laureate church all over the world by the patronage of Holy Mary
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Calian, Florin George (2013), DolealovĂĄ, Lucie; Rider, Jeff; Zironi, Alessandro (eds.),
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Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times
1510: 1463: 898: 652: 606: 589: 453: 379:, with its elaborate woodcut illustrations, shows the influence of themed pageants and 309: 124: 3805: 3563: 3506: 3453: 3354: 3240: 3158: 3124: 3048: 3018: 2983: 2953: 2698: 2656: 2651: 2581: 2576: 2548: 2514: 2479: 2189: 2047: 1963:: The Muses, Banned From Their Occupations: Why Are There So Many Allegories Female? 1834: 1814: 1783: 1701: 1686: 1636: 1598: 1560: 1500: 1467: 1390: 1268: 1218: 717: 533: 391: 271: 206: 128: 1482:
Martianus Capella and the Seven Liberal Arts – The Marriage of Philology and Mercury
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Small, S. G. P. (1949). "On Allegory in Homer". The Classical Journal 44 (7): 423.
448: 3742: 3339: 3289: 3279: 3146: 3102: 3085: 2993: 2336: 2263: 2248: 2194: 2007: 1459: 1384: 1023: 934: 876: 681: 630: 506: 375: 72: 549:: an allegory of the civilisation/barbarism binary as it pertains to colonialism 3327: 3306: 3092: 3080: 2948: 2919: 2671: 2509: 2426: 2411: 2169: 1380: 1171: 573:: The Devil's Staff symbolises defiance of God. The characters' names, such as 528: 420: 395: 174: 1235: 60: 3799: 3752: 3548: 3388: 3253: 3141: 3097: 3043: 2963: 2933: 2872: 2830: 2613: 2591: 2538: 2378: 2357: 2352: 2204: 2184: 2164: 2024: 1988: 1767: 1376: 668: 642: 639:: The story can be read as an allegory for humans' inability to escape death. 596: 472: 201: 151: 87: 593:: The letter represents self-reliance from America's Puritan and conformity. 37:. The dreamer stands on the other side of the stream from the Pearl-maiden. 3762: 3666: 3583: 3476: 3461: 3393: 3258: 2631: 2367: 2308: 2253: 2226: 1304: 929: 895: 889: 741: 660: 647: 437: 352: 291: 279: 38: 1632: 3651: 3636: 3631: 3523: 3486: 3466: 3398: 3364: 3359: 2968: 2958: 2904: 2882: 2716: 2603: 2416: 2401: 2372: 2325: 2268: 2243: 2231: 1176: 1066: 1019: 1005: 837: 767: 656: 601: 552: 545: 430: 357: 335: 189:), "to harangue, to speak in the assembly", which originates from áŒ€ÎłÎżÏÎŹ ( 704:
Allegoria del Buono e Cattivo Governo e loro Effetti in CittĂ  e Campagna
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Some unique specimens of allegory can be found in the following works:
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The denial of medieval allegory as found in the 12th-century works of
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Berufsverbot fĂŒr die Musen. Warum sind so viele Allegorien weiblich?
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Littlefield, Henry (1964). "The Wizard of Oz: Parable on Populism".
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Commentary on the Gospels: English translation and introduction
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Full Texts Online: CĂ€cilia (Cillie) Rentmeister: publications
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Bogstad, Janice M.; Kaveny, Philip E., eds. (9 August 2011).
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As barbas do imperador: D. Pedro II, um monarca nos trĂłpicos
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Tolkien specifically resented the suggestion that the book's
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In classical literature two of the best-known allegories are
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As barbas do imperador: D. Pedro II, um monarca nos trĂłpicos
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emphasized in 1893 that "A fairy tale is not an allegory."
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is thought to mark the beginnings of early modern science.
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The Bible, Protestantism, and the Rise of Natural Science
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An Allegory of Peace and the Arts under the English Crown
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Feast of Herod with the Beheading of St John the Baptist
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The origins of allegory can be traced at least back to
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The Annotated Wizard of Oz: The Wonderful Wizard of Oz
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Elliott, R. K. (1967). "Socrates and Plato's Cave".
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Allegory of Triumphant Spain with immaculist banner
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Portrait of a Lady, Called Elizabeth, Lady Tanfield
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SĂŁo Paulo: Companhia das Letras. p. 181. 64:striking to its viewers, readers, or listeners. 1722:"Revised Memoir of Newton (Normalized Version)" 383:on contemporary allegorical representation, as 605:: The pigs stand for political figures of the 143:, carving the "great event" on a stone tablet. 135:, their daughter Maria da GlĂłria (later Queen 3430: 2123: 1802: 1806:Picturing Tolkien:Essays on Peter Jackson's 158:First attested in English in 1382, the word 937:, with other esoteric and exoteric symbols. 251:Among the best-known examples of allegory, 210:, to the more private allegories of modern 43:is one of the greatest allegories from the 3437: 3423: 2130: 2116: 1494: 1167:Cultural depictions of Philip II of Spain 1044:Self-Portrait as the Allegory of Painting 807:Self-Portrait as the Allegory of Painting 2041: 1935: 1760: 1680: 1559:(2nd ed.). UNC Press. p. 142. 1260: 447: 373:In the late 15th century, the enigmatic 330: 290:Other early allegories are found in the 146: 119:. The painting depicts British diplomat 106: 82: 25: 2002:Allegory: The Theory of a Symbolic Mode 1552: 1445: 1233: 1152:Allegorical interpretation of the Bible 356:(1302) presents themes of the unity of 310:Allegorical interpretation of the Bible 3798: 2801:Types of fiction with multiple endings 1527: 1362:, Henry George Liddell, Robert Scott, 1346:, Henry George Liddell, Robert Scott, 1330:, Henry George Liddell, Robert Scott, 1290:, Henry George Liddell, Robert Scott, 1211:Stephen A. Barney (1989). "Allegory". 3444: 3418: 2111: 1835:"The Faerie Queene | work by Spenser" 1586: 1305:"Etymology of allegory by etymonline" 1205: 443: 217: 185:), "another, different" and áŒ€ÎłÎżÏÎ”ÏÏ‰ ( 2019: 1901: 1766: 1375: 1147:Allegorical interpretations of Plato 436:The story of the apple falling onto 320: 285: 16:For the concept in mathematics, see 2080:, Richard Levis, "Allegory and the 1936:Sullivan, James (October 2, 2020). 1618:Fortunatianus Aquileiensis (2017). 1236:"Literary Terms and Definitions: A" 1234:Wheeler, L. Kip (11 January 2018). 294:, such as the extended metaphor in 111:Allegory of the recognition of the 13: 2069:Dictionary of the History of Ideas 1982: 1499:. University of California Press. 1157:Allegory in Renaissance literature 655:are thought to be an allegory for 413: 259:, forms a part of his larger work 14: 3832: 3204:Third-person omniscient narrative 2061: 1386:Anatomy of Criticism: Four Essays 1366:, in the Perseus Digital Library. 1652:from the original on 2022-10-09. 1106: 1087: 1059: 1031: 998: 970: 942: 917: 400:Historie of Foure-footed Beastes 100:, the goddess of luck, with the 2042:Schwarcz, Lilia Moritz (1998). 1954: 1929: 1920: 1895: 1875: 1851: 1827: 1739: 1714: 1674: 1656: 1611: 1580: 1546: 1521: 1488: 1474: 1439: 1430: 1421: 1412: 1403: 1261:Schwarcz, Lilia Moritz (1998). 882:The Cycle of Terror and Tragedy 2592:Conflict between good and evil 1587:Jones, Alexander, ed. (1968). 1369: 1353: 1337: 1321: 1297: 1281: 1254: 1227: 1: 2137: 2037:– via Internet Archive. 1214:Dictionary of the Middle Ages 1198: 1122: 1076: 1048: 1012: 987: 959: 847: 811: 794: 775: 772:"Allegory of Queen Elizabeth" 758: 727: 708: 461: 131:, who is flanked by his wife 2073:Allegory in Literary history 1967:Original Version in German: 1460:10.1515/kant.1967.58.1-4.137 1350:, on Perseus Digital Library 1334:, on Perseus Digital Library 1294:, on Perseus Digital Library 955:Venus, Cupid, Folly and Time 870:Truth Coming Out of Her Well 754:Venus, Cupid, Folly and Time 618:The Melancholy of Resistance 78: 7: 1627:. De Gruyter. p. XIX. 1553:Kennedy, George A. (1999). 1140: 1134:Hispanic Society of America 1009:Allegory of Queen Elizabeth 636:The Masque of the Red Death 10: 3837: 2090:and interpreting Vergil's 1813:. McFarland. p. 189. 1694:Cambridge University Press 1495:Lamberton, Robert (1986). 1242:. Carson-Newman University 907: 478:The Wonderful Wizard of Oz 324: 15: 3612: 3452: 3267: 3239: 3231:Stream of unconsciousness 3174: 2918: 2809: 2762:Falling action/Catastasis 2707: 2612: 2547: 2470: 2282: 2145: 1902:Romm, Jake (2017-04-26). 859:AllĂ©gorie de la publicitĂ© 314:Fortunatianus of Aquileia 2599:Self-fulfilling prophecy 2104:Introduction to Allegory 1684:(2001). "Introduction". 1534:Medium Aevum Quotidianum 669:United States of America 426:The Chronicles of Narnia 327:Four senses of Scripture 196: 3226:Stream of consciousness 2689:Suspension of disbelief 2000:Fletcher, Angus (1964) 1863:Encyclopedia Britannica 1839:Encyclopedia Britannica 1364:A Greek-English Lexicon 1348:A Greek-English Lexicon 1332:A Greek-English Lexicon 1292:A Greek-English Lexicon 790:Allegory of Inclination 154:: Mythological allegory 2767:Denouement/Catastrophe 2748:Rising action/Epitasis 1904:"Misery Loves Company" 991:  1565–1570 689: 624:Werckmeister Harmonies 558:The Pilgrim's Progress 467: 458:Allegory of Arithmetic 343: 155: 144: 104: 75:of abstract concepts. 48: 18:Allegory (mathematics) 3113:Utopian and dystopian 2086:Roman definitions of 1808:The Lord of the Rings 1633:10.1515/9783110516371 1162:Allegorical sculpture 1039:Artemisia Gentileschi 785:Artemisia Gentileschi 494:The Lord of the Rings 451: 419:include the works of 334: 150: 110: 86: 55:or artistic form, an 29: 3816:Narrative techniques 2667:Narrative techniques 2447:Story within a story 2259:Supporting character 2101:What is an Allegory? 2078:Electronic Antiquity 2026:The Key Of Knowledge 1994:Anatomy of Criticism 1193:Theagenes of Rhegium 1006:The English School's 983:Allegory of Prudence 856:Fernand Le Quesne – 843:Allegory of Painting 828:Bartholomeus Strobel 768:The English School's 613:LĂĄszlĂł Krasznahorkai 257:Allegory of the Cave 137:Maria II of Portugal 3770:Rhetorical question 3372:Political narrative 3214:Unreliable narrator 3071:Speculative fiction 2779:Nonlinear narrative 2727:Three-act structure 2587:Deal with the Devil 2013:The Order of Things 1961:CĂ€cilia Rentmeister 1590:The Jerusalem Bible 1515:10.1525/j.ctt1ppp1k 1240:Literary Vocabulary 1099:Allegory of Hearing 1072:The Art of Painting 699:Ambrogio Lorenzetti 585:Nathaniel Hawthorne 570:Young Goodman Brown 565:Nathaniel Hawthorne 541:William Shakespeare 406:and the astronomer 93:Allegory of Fortune 3350:Narrative paradigm 3345:Narrative identity 3275:Dominant narrative 3221:Multiple narrators 2505:Fictional location 2348:Dramatic structure 1778:. Norton. p.  1747:American Quarterly 1726:The Newton Project 653:Salem witch trials 607:Russian Revolution 590:The Scarlet Letter 468: 454:Laurent de La Hyre 444:Poetry and fiction 385:humanist dialectic 344: 270:In Late Antiquity 218:Classical allegory 212:paradox literature 156: 145: 125:letter of credence 121:Sir Charles Stuart 105: 49: 3811:Figures of speech 3793: 3792: 3564:Hysteron proteron 3446:Figures of speech 3412: 3411: 3355:Narrative therapy 2789:television series 2734:Freytag's Pyramid 2577:Moral development 2480:Alternate history 2190:False protagonist 2021:Jain, Champat Rai 1820:978-0-7864-8473-7 1789:978-0-393-04992-3 1749:, 16 (1): 47–58. 1642:978-3-11-051637-1 1022:at her right and 930:Melencolia I 832:Thirty Years' War 718:Sandro Botticelli 534:The Faerie Queene 392:Hugh of St Victor 321:Medieval allegory 286:Biblical allegory 278:, with the seven 272:Martianus Capella 207:The Faerie Queene 129:Pedro I of Brazil 33:, miniature from 3828: 3439: 3432: 3425: 3416: 3415: 3335:Literary science 2878:Narrative poetry 2774:Linear narrative 2684:Stylistic device 2679:Show, don't tell 2642:Figure of speech 2432:Shaggy dog story 2175:Characterization 2132: 2125: 2118: 2109: 2108: 2057: 2038: 2036: 2034: 2008:Foucault, Michel 1976: 1958: 1952: 1951: 1949: 1948: 1933: 1927: 1924: 1918: 1917: 1915: 1914: 1899: 1893: 1892: 1890: 1889: 1879: 1873: 1872: 1870: 1869: 1855: 1849: 1848: 1846: 1845: 1831: 1825: 1824: 1800: 1794: 1793: 1777: 1764: 1758: 1743: 1737: 1736: 1734: 1732: 1718: 1712: 1711: 1691: 1678: 1672: 1671: 1660: 1654: 1653: 1651: 1626: 1615: 1609: 1608: 1584: 1578: 1577: 1575: 1573: 1550: 1544: 1543: 1542: 1541: 1525: 1519: 1518: 1492: 1486: 1485: 1478: 1472: 1471: 1443: 1437: 1434: 1428: 1425: 1419: 1416: 1410: 1407: 1401: 1400: 1373: 1367: 1357: 1351: 1341: 1335: 1325: 1319: 1318: 1316: 1315: 1301: 1295: 1285: 1279: 1278: 1258: 1252: 1251: 1249: 1247: 1231: 1225: 1209: 1127: 1124: 1110: 1091: 1081: 1078: 1063: 1053: 1050: 1035: 1017: 1014: 1002: 992: 989: 974: 964: 961: 946: 921: 888:Many statues of 865:Jean-LĂ©on GĂ©rĂŽme 852: 849: 816: 813: 799: 796: 780: 777: 763: 760: 732: 729: 713: 712: 1338–1339 710: 677:Shel Silverstein 489:J. R. R. Tolkien 483:George MacDonald 466: 463: 133:Maria Leopoldina 117:its independence 113:Empire of Brazil 45:High Middle Ages 3836: 3835: 3831: 3830: 3829: 3827: 3826: 3825: 3796: 3795: 3794: 3789: 3743:Personification 3608: 3448: 3443: 3413: 3408: 3340:Literary theory 3280:Fiction writing 3263: 3235: 3170: 2922: 2914: 2805: 2703: 2608: 2543: 2466: 2337:Deus ex machina 2278: 2264:Title character 2249:Stock character 2195:Focal character 2141: 2136: 2064: 2054: 2032: 2030: 1985: 1983:Further reading 1980: 1979: 1959: 1955: 1946: 1944: 1942:BostonGlobe.com 1934: 1930: 1925: 1921: 1912: 1910: 1908:The New Inquiry 1900: 1896: 1887: 1885: 1881: 1880: 1876: 1867: 1865: 1857: 1856: 1852: 1843: 1841: 1833: 1832: 1828: 1821: 1801: 1797: 1790: 1765: 1761: 1755:10.2307/2710826 1744: 1740: 1730: 1728: 1720: 1719: 1715: 1708: 1682:Harrison, Peter 1679: 1675: 1662: 1661: 1657: 1649: 1643: 1624: 1616: 1612: 1605: 1585: 1581: 1571: 1569: 1567: 1551: 1547: 1539: 1537: 1526: 1522: 1507: 1493: 1489: 1480: 1479: 1475: 1444: 1440: 1435: 1431: 1426: 1422: 1417: 1413: 1408: 1404: 1397: 1381:Damrosch, David 1374: 1370: 1358: 1354: 1342: 1338: 1326: 1322: 1313: 1311: 1303: 1302: 1298: 1286: 1282: 1275: 1259: 1255: 1245: 1243: 1232: 1228: 1210: 1206: 1201: 1143: 1136: 1125: 1115:August Bouttats 1111: 1102: 1092: 1083: 1079: 1064: 1055: 1051: 1036: 1027: 1015: 1003: 994: 990: 975: 966: 962: 947: 938: 935:personification 922: 910: 877:Graydon Parrish 850: 814: 797: 778: 761: 730: 711: 692: 682:The Giving Tree 631:Edgar Allan Poe 507:nuclear weapons 464: 446: 416: 414:Modern allegory 387:conveyed them. 376:Hypnerotomachia 338:17th century – 329: 323: 288: 220: 199: 193:), "assembly". 123:presenting his 96:, representing 81: 73:personification 53:literary device 35:Cotton Nero A.x 24: 23:Literary device 21: 12: 11: 5: 3834: 3824: 3823: 3821:Poetic devices 3818: 3813: 3808: 3791: 3790: 3788: 3787: 3782: 3777: 3772: 3767: 3766: 3765: 3755: 3750: 3745: 3740: 3735: 3730: 3725: 3720: 3719: 3718: 3713: 3703: 3698: 3697: 3696: 3686: 3681: 3680: 3679: 3669: 3664: 3659: 3654: 3649: 3644: 3639: 3634: 3629: 3624: 3618: 3616: 3610: 3609: 3607: 3606: 3601: 3596: 3591: 3586: 3581: 3576: 3571: 3566: 3561: 3556: 3551: 3546: 3541: 3536: 3531: 3526: 3521: 3516: 3515: 3514: 3504: 3499: 3494: 3489: 3484: 3479: 3474: 3469: 3464: 3458: 3456: 3450: 3449: 3442: 3441: 3434: 3427: 3419: 3410: 3409: 3407: 3406: 3404:Verisimilitude 3401: 3396: 3391: 3386: 3385: 3384: 3374: 3369: 3368: 3367: 3357: 3352: 3347: 3342: 3337: 3332: 3331: 3330: 3320: 3319: 3318: 3309: 3307:Parallel novel 3304: 3303: 3302: 3297: 3292: 3277: 3271: 3269: 3265: 3264: 3262: 3261: 3256: 3251: 3245: 3243: 3237: 3236: 3234: 3233: 3228: 3223: 3218: 3217: 3216: 3211: 3206: 3196: 3191: 3186: 3180: 3178: 3172: 3171: 3169: 3168: 3167: 3166: 3161: 3151: 3150: 3149: 3144: 3139: 3134: 3129: 3128: 3127: 3122: 3121: 3120: 3115: 3110: 3100: 3095: 3090: 3089: 3088: 3078: 3068: 3063: 3058: 3057: 3056: 3051: 3041: 3036: 3031: 3026: 3021: 3016: 3011: 3006: 3001: 2996: 2991: 2986: 2981: 2976: 2971: 2966: 2961: 2956: 2951: 2949:Action fiction 2941: 2936: 2930: 2928: 2916: 2915: 2913: 2912: 2907: 2902: 2897: 2892: 2887: 2886: 2885: 2875: 2870: 2865: 2864: 2863: 2858: 2853: 2848: 2843: 2833: 2828: 2821: 2815: 2813: 2807: 2806: 2804: 2803: 2798: 2793: 2792: 2791: 2786: 2776: 2771: 2770: 2769: 2764: 2759: 2750: 2745: 2731: 2730: 2729: 2724: 2713: 2711: 2705: 2704: 2702: 2701: 2696: 2691: 2686: 2681: 2676: 2675: 2674: 2664: 2659: 2654: 2649: 2644: 2639: 2634: 2629: 2624: 2618: 2616: 2610: 2609: 2607: 2606: 2601: 2596: 2595: 2594: 2589: 2579: 2574: 2569: 2564: 2559: 2553: 2551: 2545: 2544: 2542: 2541: 2536: 2531: 2530: 2529: 2528: 2527: 2517: 2512: 2502: 2497: 2492: 2487: 2482: 2476: 2474: 2468: 2467: 2465: 2464: 2459: 2454: 2449: 2444: 2439: 2434: 2429: 2427:Self-insertion 2424: 2419: 2414: 2412:Poetic justice 2409: 2404: 2399: 2394: 2389: 2382: 2375: 2370: 2365: 2360: 2355: 2350: 2345: 2340: 2333: 2328: 2323: 2318: 2313: 2312: 2311: 2301: 2296: 2288: 2286: 2280: 2279: 2277: 2276: 2271: 2266: 2261: 2256: 2251: 2246: 2241: 2236: 2235: 2234: 2229: 2224: 2214: 2207: 2202: 2197: 2192: 2187: 2182: 2177: 2172: 2170:Character flaw 2167: 2162: 2157: 2151: 2149: 2143: 2142: 2135: 2134: 2127: 2120: 2112: 2106: 2105: 2097: 2074: 2063: 2062:External links 2060: 2059: 2058: 2052: 2039: 2017: 2005: 1998: 1989:Frye, Northrop 1984: 1981: 1978: 1977: 1953: 1928: 1919: 1894: 1874: 1850: 1826: 1819: 1795: 1788: 1768:Baum, L. Frank 1759: 1738: 1713: 1706: 1673: 1655: 1641: 1610: 1603: 1579: 1565: 1545: 1520: 1505: 1487: 1473: 1438: 1429: 1420: 1411: 1402: 1395: 1377:Frye, Northrop 1368: 1352: 1336: 1320: 1309:etymonline.com 1296: 1280: 1273: 1253: 1226: 1203: 1202: 1200: 1197: 1196: 1195: 1190: 1185: 1180: 1174: 1172:Diwan (poetry) 1169: 1164: 1159: 1154: 1149: 1142: 1139: 1138: 1137: 1132:, Collection: 1112: 1105: 1103: 1095:Jan van Kessel 1093: 1086: 1084: 1065: 1058: 1056: 1052: 1638–39 1037: 1030: 1028: 1004: 997: 995: 976: 969: 967: 948: 941: 939: 925:Albrecht DĂŒrer 923: 916: 914: 909: 906: 905: 904: 893: 886: 874: 862: 854: 835: 818: 815: 1638–39 782: 765: 746: 737:Albrecht DĂŒrer 734: 715: 691: 688: 687: 686: 673: 672: 640: 628: 610: 594: 582: 562: 550: 538: 529:Edmund Spenser 445: 442: 421:Bertolt Brecht 415: 412: 396:Edward Topsell 336:British School 322: 319: 287: 284: 219: 216: 198: 195: 102:horn of plenty 80: 77: 22: 9: 6: 4: 3: 2: 3833: 3822: 3819: 3817: 3814: 3812: 3809: 3807: 3804: 3803: 3801: 3786: 3783: 3781: 3778: 3776: 3773: 3771: 3768: 3764: 3761: 3760: 3759: 3756: 3754: 3753:Procatalepsis 3751: 3749: 3746: 3744: 3741: 3739: 3736: 3734: 3731: 3729: 3726: 3724: 3721: 3717: 3714: 3712: 3709: 3708: 3707: 3704: 3702: 3699: 3695: 3692: 3691: 3690: 3687: 3685: 3682: 3678: 3675: 3674: 3673: 3670: 3668: 3665: 3663: 3660: 3658: 3655: 3653: 3650: 3648: 3645: 3643: 3640: 3638: 3635: 3633: 3630: 3628: 3625: 3623: 3620: 3619: 3617: 3615: 3611: 3605: 3602: 3600: 3597: 3595: 3592: 3590: 3587: 3585: 3582: 3580: 3577: 3575: 3572: 3570: 3567: 3565: 3562: 3560: 3557: 3555: 3552: 3550: 3549:Homeoteleuton 3547: 3545: 3542: 3540: 3537: 3535: 3532: 3530: 3527: 3525: 3522: 3520: 3517: 3513: 3510: 3509: 3508: 3505: 3503: 3500: 3498: 3495: 3493: 3490: 3488: 3485: 3483: 3480: 3478: 3475: 3473: 3470: 3468: 3465: 3463: 3460: 3459: 3457: 3455: 3451: 3447: 3440: 3435: 3433: 3428: 3426: 3421: 3420: 3417: 3405: 3402: 3400: 3397: 3395: 3392: 3390: 3389:Screenwriting 3387: 3383: 3380: 3379: 3378: 3375: 3373: 3370: 3366: 3363: 3362: 3361: 3358: 3356: 3353: 3351: 3348: 3346: 3343: 3341: 3338: 3336: 3333: 3329: 3326: 3325: 3324: 3321: 3317: 3313: 3310: 3308: 3305: 3301: 3298: 3296: 3293: 3291: 3288: 3287: 3286: 3283: 3282: 3281: 3278: 3276: 3273: 3272: 3270: 3266: 3260: 3257: 3255: 3252: 3250: 3247: 3246: 3244: 3242: 3238: 3232: 3229: 3227: 3224: 3222: 3219: 3215: 3212: 3210: 3207: 3205: 3202: 3201: 3200: 3197: 3195: 3194:Second-person 3192: 3190: 3187: 3185: 3182: 3181: 3179: 3177: 3173: 3165: 3162: 3160: 3157: 3156: 3155: 3152: 3148: 3145: 3143: 3140: 3138: 3135: 3133: 3130: 3126: 3123: 3119: 3116: 3114: 3111: 3109: 3106: 3105: 3104: 3101: 3099: 3098:Magic realism 3096: 3094: 3091: 3087: 3084: 3083: 3082: 3079: 3077: 3074: 3073: 3072: 3069: 3067: 3064: 3062: 3059: 3055: 3052: 3050: 3047: 3046: 3045: 3042: 3040: 3037: 3035: 3032: 3030: 3029:Psychological 3027: 3025: 3022: 3020: 3017: 3015: 3012: 3010: 3009:Philosophical 3007: 3005: 3002: 3000: 2997: 2995: 2992: 2990: 2987: 2985: 2982: 2980: 2977: 2975: 2972: 2970: 2967: 2965: 2962: 2960: 2957: 2955: 2952: 2950: 2947: 2946: 2945: 2942: 2940: 2937: 2935: 2934:Autobiography 2932: 2931: 2929: 2926: 2921: 2917: 2911: 2908: 2906: 2903: 2901: 2898: 2896: 2893: 2891: 2888: 2884: 2881: 2880: 2879: 2876: 2874: 2873:Narrative art 2871: 2869: 2866: 2862: 2859: 2857: 2854: 2852: 2849: 2847: 2844: 2842: 2839: 2838: 2837: 2834: 2832: 2831:Flash fiction 2829: 2827: 2826: 2822: 2820: 2817: 2816: 2814: 2812: 2808: 2802: 2799: 2797: 2794: 2790: 2787: 2785: 2782: 2781: 2780: 2777: 2775: 2772: 2768: 2765: 2763: 2760: 2758: 2754: 2751: 2749: 2746: 2744: 2740: 2737: 2736: 2735: 2732: 2728: 2725: 2723: 2722:Act structure 2720: 2719: 2718: 2715: 2714: 2712: 2710: 2706: 2700: 2697: 2695: 2692: 2690: 2687: 2685: 2682: 2680: 2677: 2673: 2670: 2669: 2668: 2665: 2663: 2660: 2658: 2655: 2653: 2650: 2648: 2645: 2643: 2640: 2638: 2635: 2633: 2630: 2628: 2625: 2623: 2620: 2619: 2617: 2615: 2611: 2605: 2602: 2600: 2597: 2593: 2590: 2588: 2585: 2584: 2583: 2580: 2578: 2575: 2573: 2570: 2568: 2565: 2563: 2560: 2558: 2555: 2554: 2552: 2550: 2546: 2540: 2539:Worldbuilding 2537: 2535: 2532: 2526: 2523: 2522: 2521: 2518: 2516: 2513: 2511: 2508: 2507: 2506: 2503: 2501: 2498: 2496: 2493: 2491: 2488: 2486: 2483: 2481: 2478: 2477: 2475: 2473: 2469: 2463: 2460: 2458: 2455: 2453: 2450: 2448: 2445: 2443: 2440: 2438: 2435: 2433: 2430: 2428: 2425: 2423: 2420: 2418: 2415: 2413: 2410: 2408: 2405: 2403: 2400: 2398: 2395: 2393: 2390: 2388: 2387: 2386:Kishƍtenketsu 2383: 2381: 2380: 2379:In medias res 2376: 2374: 2371: 2369: 2366: 2364: 2361: 2359: 2358:Foreshadowing 2356: 2354: 2353:Eucatastrophe 2351: 2349: 2346: 2344: 2341: 2339: 2338: 2334: 2332: 2329: 2327: 2324: 2322: 2319: 2317: 2316:Chekhov's gun 2314: 2310: 2307: 2306: 2305: 2302: 2300: 2297: 2295: 2294: 2290: 2289: 2287: 2285: 2281: 2275: 2272: 2270: 2267: 2265: 2262: 2260: 2257: 2255: 2252: 2250: 2247: 2245: 2242: 2240: 2237: 2233: 2230: 2228: 2225: 2223: 2220: 2219: 2218: 2215: 2213: 2212: 2208: 2206: 2205:Gothic double 2203: 2201: 2198: 2196: 2193: 2191: 2188: 2186: 2185:Deuteragonist 2183: 2181: 2178: 2176: 2173: 2171: 2168: 2166: 2165:Character arc 2163: 2161: 2158: 2156: 2153: 2152: 2150: 2148: 2144: 2140: 2133: 2128: 2126: 2121: 2119: 2114: 2113: 2110: 2103: 2102: 2098: 2095: 2094: 2089: 2085: 2083: 2079: 2075: 2072: 2070: 2066: 2065: 2055: 2053:85-7164-837-9 2049: 2045: 2040: 2028: 2027: 2022: 2018: 2015: 2014: 2009: 2006: 2003: 1999: 1996: 1995: 1990: 1987: 1986: 1975: 1970: 1966: 1962: 1957: 1943: 1939: 1932: 1923: 1909: 1905: 1898: 1884: 1878: 1864: 1860: 1854: 1840: 1836: 1830: 1822: 1816: 1812: 1811: 1807: 1799: 1791: 1785: 1781: 1776: 1775: 1769: 1763: 1756: 1752: 1748: 1742: 1727: 1723: 1717: 1709: 1707:0-521-59196-1 1703: 1699: 1695: 1690: 1689: 1683: 1677: 1669: 1665: 1659: 1648: 1644: 1638: 1634: 1630: 1623: 1622: 1614: 1606: 1604:0-385-01156-3 1600: 1596: 1592: 1591: 1583: 1568: 1566:0-8078-4769-0 1562: 1558: 1557: 1549: 1535: 1531: 1524: 1516: 1512: 1508: 1506:9780520066076 1502: 1498: 1491: 1483: 1477: 1469: 1465: 1461: 1457: 1453: 1449: 1442: 1433: 1424: 1415: 1406: 1398: 1396:9780691202563 1392: 1388: 1387: 1382: 1378: 1372: 1365: 1361: 1356: 1349: 1345: 1340: 1333: 1329: 1324: 1310: 1306: 1300: 1293: 1289: 1284: 1276: 1274:85-7164-837-9 1270: 1266: 1263: 1257: 1241: 1237: 1230: 1224: 1223:0-684-16760-3 1220: 1216: 1215: 1208: 1204: 1194: 1191: 1189: 1186: 1184: 1181: 1178: 1175: 1173: 1170: 1168: 1165: 1163: 1160: 1158: 1155: 1153: 1150: 1148: 1145: 1144: 1135: 1131: 1120: 1116: 1109: 1104: 1100: 1096: 1090: 1085: 1074: 1073: 1068: 1062: 1057: 1046: 1045: 1040: 1034: 1029: 1025: 1021: 1010: 1007: 1001: 996: 985: 984: 979: 973: 968: 957: 956: 951: 945: 940: 936: 932: 931: 926: 920: 915: 912: 911: 902: 901: 897: 894: 891: 887: 884: 883: 878: 875: 872: 871: 866: 863: 861: 860: 855: 845: 844: 839: 836: 833: 829: 825: 824: 819: 809: 808: 803: 792: 791: 786: 783: 773: 769: 766: 756: 755: 750: 747: 744: 743: 738: 735: 725: 724: 719: 716: 706: 705: 700: 697: 696: 695: 684: 683: 678: 675: 674: 670: 666: 662: 658: 654: 650: 649: 644: 643:Arthur Miller 641: 638: 637: 632: 629: 626: 625: 621:and the film 620: 619: 614: 611: 608: 604: 603: 598: 597:George Orwell 595: 592: 591: 586: 583: 580: 576: 572: 571: 566: 563: 560: 559: 554: 551: 548: 547: 542: 539: 536: 535: 530: 527: 526: 525: 522: 519: 517: 512: 508: 504: 499: 496: 495: 490: 486: 484: 480: 479: 474: 473:L. Frank Baum 459: 455: 450: 441: 439: 434: 432: 428: 427: 422: 411: 409: 405: 401: 397: 393: 388: 386: 382: 378: 377: 371: 368: 363: 359: 355: 354: 349: 341: 337: 333: 328: 318: 315: 311: 307: 305: 301: 297: 293: 283: 281: 277: 273: 268: 265: 263: 258: 254: 249: 247: 243: 242: 237: 232: 228: 225: 215: 213: 209: 208: 203: 202:Northrop Frye 194: 192: 188: 184: 180: 176: 172: 168: 165: 161: 153: 152:Marco Marcola 149: 142: 138: 134: 130: 126: 122: 118: 114: 109: 103: 99: 95: 94: 89: 88:Salvator Rosa 85: 76: 74: 70: 65: 62: 58: 54: 46: 42: 41: 36: 32: 28: 19: 3763:Antanaclasis 3667:Epanorthosis 3621: 3584:Polysyndeton 3477:Antimetabole 3462:Alliteration 3394:Storytelling 3209:Subjectivity 3199:Third-person 3189:First-person 2823: 2632:Comic relief 2621: 2384: 2377: 2368:Flashforward 2335: 2309:Origin story 2291: 2254:Straight man 2209: 2100: 2091: 2087: 2081: 2077: 2068: 2043: 2031:. Retrieved 2025: 2011: 2001: 1992: 1968: 1956: 1945:. Retrieved 1941: 1931: 1922: 1911:. 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Index

Allegory (mathematics)

Cotton Nero A.x
Pearl
High Middle Ages
literary device
narrative
symbolic
personification

Salvator Rosa
Allegory of Fortune
Fortuna
horn of plenty

Empire of Brazil
its independence
Sir Charles Stuart
letter of credence
Pedro I of Brazil
Maria Leopoldina
Maria II of Portugal
History

Marco Marcola
Latin
latinisation
Greek
Northrop Frye
The Faerie Queene

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