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performance was as a member of
Theremin's Carnegie Hall ensemble in 1930. By 1932, Lucie Rosen was performing frequently in New York as a soloist, but it wasn't until 1935 that she made her official New York debut with a recital at Town Hall. “Mrs. Rosen wove with eloquent hands the magical-seeing spell,” the New York World-Telegram wrote, “and the theremin responded to her summons with some of the most strictly musical sounds it has yet produced in our concert rooms.” The New York Times described how “the instrument got out of gear and its inventor, Leon Theremin, was called onto the stage to set it right ... Mrs. Rosen was in command of its resources all evening. She plays the theremin, not only with an awareness of its possibilities, but with a knowledge of music.” Reviews such as these were quite satisfying to Lucie, proving that the theremin was indeed a serious instrument and she was no dilettante.
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Lucie also continued performing in the United States giving numerous concerts in New York City and throughout the
Northeast, again to rave reviews. “Lucie Rosen is one of the most original women in New York’s social world,” The New York Evening Journal observed. “She has a very curly blond hair which fuzzes out into a wide halo around her delicate and ethereal face ... her robe de style evening gowns are said to be designed by Mr. Rosen.”(February 3, 1936) By late 1938 the Walter Rosen was reconsidering his support for Leon Theremin. The inventor had a significant amount of unpaid taxes, the FBI was monitoring him, and his personal life was in shambles. He was also seriously behind in his rent payments. Later that year Mr. Rosen, in his typically gentlemanly tone, wrote Theremin a letter demanding he vacate the brownstone.
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After his release from the Soviet camps, Theremin briefly took a teaching position at a music conservatory, but was soon expelled by the authorities. He contacted Lucie several times before her death in 1968, wishing to visit with her once more and show her his newest inventions, but it was not meant to be. When her beloved Walter died in 1951, Lucie dedicated herself to establishing the
Caramoor Music Festival, determined to see it grow and thrive. Caramoor remains a destination for theremin scholars, historians, and artists who find our archives of Lucie's correspondence and original scores to be a valuable and comprehensive resource for their research.
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Music
Etherwave Theremin. Lucie made absolutely certain she knew every detail of the instrument, each placement of tube and wire, so that she could tune and repair the instrument as she believed she would never see Professor Theremin again. Her detailed “Theremin Notebook” contains schematics, specifications, and RCA part numbers for replacement tubes. Many of these spare parts are still stored at the Rosen House.
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to this day hosts a variety of events. Performances include live music performances of small ensembles with piano accompaniment, an annual cabaret show with full lighting and educational field trips for school children interested in percussion and music composition. The room seats between 150-220 patrons. Some performances utilize amplification systems.
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design criteria within practical, cost-effective design and construction means were established. Design input was provided for room design in conjunction with installation of new seating and risers. Appropriate noise control and sound isolation and separations were verified pertaining to changes to the toilet rooms and courtyard winterization.
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During the 1930s and beyond, the theremin was becoming very popular in the United States and Europe. Lucie continued to maintain a very active performing schedule here and abroad. While other theremin performers preferred to play classical music, Lucie encouraged composers to write music specifically
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Just before Leon
Theremin fled the country, he completed a new instrument for Lucie Rosen. She named the September Theremin and it remains the most powerful and technologically advanced instrument ever built by Theremin. The September Theremin is on display at Caramoor's Rosen House, alongside a Moog
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In 2015, Caramoor Center hired
Acoustic Distinctions for an acoustic study to inform and support a $ 1M renovation of the historical Rosen House Music Room. Honoring the legacy of the Rosen Family’s creation of a unique haven for culture, artists and the arts in the early 20th Century, the music room
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In April 1950 the Rosens traveled to Europe for Lucie Rosen's third and last
European tour, (her second tour took place in 1939) again crisscrossing the continent with performances in London, Amsterdam, the Hague, Zurich, Geneva, Rome, and Vienna. Her last concert took place in 1953 in Celina, Ohio.
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That same year, Lucie Rosen gave a successful concert in London, deciding then to return the following year with a grand
European tour. She played to enthusiastic reviews in Naples, Rome, Venice, Zurich, Munich, Budapest, Hamburg, Stockholm, Oslo, Copenhagen, Amsterdam, Brussels, Paris, and London.
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Seven years after Walter Rosen died in 1951, the performances had become so popular it became necessary to add the third venue, the
Venetian Theater, near the Sunken Garden the Rosens had preserved from the prior estate. The house was opened to public tours in 1970, two years after Lucie Rosen died.
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columns, reached by a large stone arched entryway in the center of the south wall. The cloister, a one-story colonnaded open walkway, to allow the courtyard's use as the primary entrance to the house. In the center is a large fountain; a clock is on the second story near the main gate. When used for
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forced them to reconsider those plans, and instead they slowly remodeled the existing farm buildings on the site into the current estate, which at one point was 117 acres (47 ha). By 1939 that work was complete. Architect
Christian Rosborg is credited with the design, closely supervised by the
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The largest room, the Music Room, is located at the north end. It is 40 by 80 feet (12 by 24 m) with a 30-foot-high (9.1 m) ceiling. Originally the living room, the furniture has been moved to the west side and removable seating installed on movable risers. A large stage is located at the
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The Rosens offered Professor Theremin the use of one of their three brownstones on West 54th Street, New York, at a greatly reduced rent, as his studio and residence. Lucie Rosen set out to master the instrument, becoming one of Theremin's best pupils as well as his patron and advocate. Her first
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The second-largest building on the property is the Venetian Theater, along the main entrance drive. It was added in the late 1950s expressly as an additional music venue by enclosing a brick stage already in the garden with a colonnade. A large tent roof is in place to shelter the audience, and a
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ceilings. Much of the furniture and decoration, sometimes comprising entire rooms, was brought by the Rosens from England, France, Italy and Spain. The second floor, less extensively decorated and primarily bedroom space, is also mostly original. The basement, under the kitchen wing, has storage
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They bought the property in 1928. John Hoyt, one of Walter Rosen's former law partners, knew they were looking for a country retreat and told them about his mother's estate, named Caramoor as a contraction of her name, Caroline Moore Hoyt. The Rosens visited and were greatly taken by the Sunken
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Near it is the Sunken Garden, a holdover from the estate owner who preceded the Rosens. It was planted around 1912, making it the oldest feature of the estate native to it. It is enclosed by stucco walls on three sides, with stairs and intersecting walkways leading to its flower beds. The large
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Acoustic Distinction’s team attended several on-site meetings and collected sound measurements during multiple performances in the room. The team analyzed data to evaluate the Music Room’s acoustical attributes and provided programming assistance to architects and engineers. Achievable acoustic
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Caramoor also has extensive educational programs. Since 1986, an average of 5,000 students have in some way been involved through these education efforts. They range from programs for schoolchildren that, in addition to music, introduce them to Renaissance culture and Chinese art. Programs for
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He remained there for the rest of his life. In 1914 he married Lucie Bigelow Dodge, a woman who had grown up in an affluent New Jersey family and shared his passion for music and art. On vacations and business trips to Europe, they collected many of the artworks that are now at Caramoor.
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for the theremin and she commissioned many works by such composers as Edward Mates, Ricardo Valente, Jenö Szanto, Jenö Takács, Mortimer Browning, John Haussermann, and Bohuslav Martinü. Much of this original material is in the archives at Caramoor Center for Music and the Arts.
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The Caramoor estate became a center for the arts and music following the death of the son of owners Walter and Lucie Rosen during World War 2. The couple donated the property in their son's memory, and it quickly became an established summer festival. There are 12 total
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United States, approximately 50 miles (80 km) north of New York City. Today it serves as a live music venue for symphonic, opera, chamber, American roots, and jazz, performances. The estate and its historic home are legacies of their original owners, Walter and
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Other outbuildings around the property include a stable, two cottages, accompanying garages and a storage shed. All are contributing, dating to the 1930s, and are architecturally similar to the Rosen House. The landscaping is included in the Register listing as well.
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632:“... With all the good will in the world, it is impossible ... to permit you or the Teletouch Corporation to occupy number 37 West 54th Street. ... I ask you to be good enough to leave everything ... that belongs to Mrs. Rosen or myself.”
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development. Nearby is the Cutting Garden, just outside the greenhouse and cottage, where Caramoor's horticultural staff cultivates cut flowers for planting. A longer wooded path leads through the Theater Garden's tall trees to a large
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Picnic lunches are available for visitors who wish to wander the grounds before a performance. The facilities can be rented out for events such as corporate retreats and photo shoots; weddings are a particularly popular use, with
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is held there every summer. It also runs educational programs, and can be rented for events such as: weddings, pre and post-concert receptions, meetings and retreats, corporate and cultivation dinners, and photo and film shoots.
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three years after entering it at a young age. Three years later, he became one of the founding partners of the law firm of Underwood, Van Vorst, Rosen and Hoyt. After another three years, in 1901, he left to join a client, the
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Attached to the Rosen House via a connecting wall is the servants' quarters. Architecturally similar, the two-story building has its own entrance to the courtyard, and serves today as the Caramoor Center's offices.
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frame. Around the table are red lacquered chairs made by an English cabinetmaker for a Spanish castle. More Chinese wallpaper is found in the Reception Room, with furniture from a
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The tent roof and floor were added to the Venetian Theater later to allow its use in inclement weather. The restroom wing was added later. The Sense Circle was created after the
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on the estate—seven buildings, one site, and four structures. An additional building, the Venetian Theater, was built after the estate became the performing arts center.
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Caramoor founder Lucie Bigelow Rosen (1890-1968) was already an accomplished musician when she first heard the futuristic electronic musical instrument known as the
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Recommendations included the addition of retractable acoustic curtains to enable the room to be adjusted or ‘tuned’ to the type and size of the performing ensemble.
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artworks, some rare, is on display throughout the estate. Lucie Rosen later donated it to the private organization that runs it today. In 2001 it was listed on the
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through Caramoor's wooded perimeter into a central cleared area, dominated by the Rosen House on a slight rise to the south. A branch leads to other outbuildings.
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of the Woodland Garden to the Italian Pavilion, formerly the viewing area for a nearby tennis court, now bricked over. The Butterfly Garden there, based on a
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Rooms are mostly entered from the courtyard or narrow hallways along the exterior walls. Most are finished in the style of the house, with stucco walls and
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was moved to its following pigeon problems in the late 1980s. There have been few significant changes to the buildings and gardens other than those.
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Chinese wallpaper made for the European market in the 18th century decorates the dining room, complemented by one of the only two eight-fold Chinese
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Library. It has a vaulted blue ceiling decorated with 13 Biblical scenes, and 65 other paintings on the doors and walls. The Cabinet Room has
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In 1940 they began hosting musical performances for their friends in the Music Room. Four years later, when their only son Walter died in
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restroom wing similar to the Rosen House projects from the west end. It seats 1,546 and is the principal venue for musical performances.
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and popular artists have performed as well. Concerts continue year-round presented in the Music Room. In 2005 the festival staged
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designed a new wing in 1974 to house rooms from the Rosens' New York City apartment and expand the art collection on display.
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The Venetian Circle on the east of the garden is framed by a pair of 17th-century Swiss gates. They are topped with
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Originally, the Rosens intended to tear down all but the garden and build a Florentine-style palazzo. The
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A curving driveway leads past modest stone entrance posts and through an electric entrance gate at a high
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dress shop. In the master bedroom is a gilded bed that once belonged to Cardinal Maffeo Barberini, later
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west end. It seats 172 and is used for music year-round. Its art includes a 16th-century
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having chosen Caramoor as one of its favorite places for the ceremony and reception.
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Caramoor is an 81-acre (33 ha) parcel on Girdle Ridge Road just east of the
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from distinguished artists and the Ernst Stiefel String Quartet-in-Residence.
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extends from the dining room on the east; another terrace is located off the
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828:"The View From: Katonah; For Costume Fanciers, Regal Fantasy Fashions"
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Rosens, whose townhouse on Manhattan's East Side had been redone in a
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New York State Office of Parks, Recreation and Historic Preservation
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planted "Medieval Mount" at the rear has built-in concrete benches.
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has been in residence there since 1979) and operatic. During the
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Among the rooms with notable furnishings and decor are the
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musical performances during the festival, it seats 500.
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At the center is the Spanish Courtyard, surrounded by a
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panels originally created for the Palazzo Riccasoli in
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Renaissance Revival architecture in New York (state)
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History of the National Register of Historic Places
988:"How the Rosens of Caramoor Built Their Collection"
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652:Caramoor's offerings are primarily classical (the
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1067:"Electronica From the 1920s, Ready for Sampling"
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1206:. Caramoor Center for Music and the Arts. 2015
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1162:. Caramoor Center for Music and the Arts. 2015
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767:Shaver, Peter (October 25, 2000).
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470:Outbuildings and gardens
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654:Orchestra of St. Luke's
456:Lucas Cranach the Elder
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853:"Lectures & Tours"
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363:on the southeast. The
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1807:Outside New York City
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158:81 acres (33 ha)
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1116:"Schools & Kids"
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1758:Poughkeepsie
1686:New Rochelle
1586:St. Lawrence
1210:December 15,
1208:. Retrieved
1198:
1188:December 15,
1186:. Retrieved
1176:
1166:December 15,
1164:. Retrieved
1154:
1144:December 15,
1142:. Retrieved
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1120:. Retrieved
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913:December 15,
911:. Retrieved
886:December 15,
884:. Retrieved
859:December 15,
857:. Retrieved
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414:Qing Dynasty
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349:fenestration
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280:east of the
272:
264:
260:
256:
237:
217:is a former
214:
213:
112:White Plains
108:Nearest city
18:
1787:Other lists
1636:Westchester
1566:Schenectady
1361:Cattaraugus
460:terra cotta
355:with stone
335:with a red
316:Rosen House
228:Lucie Rosen
142: /
118:Coordinates
1862:Categories
1626:Washington
1546:Rensselaer
1481:Montgomery
1466:Livingston
1371:Chautauqua
1204:"Weddings"
716:References
594:Architect
572:Depression
567:of Italy.
444:cassapanca
441:Florentine
392:Burgundian
357:balustrade
333:foundation
322:deer fence
130:73°38′49″W
127:41°14′20″N
1768:Rochester
1763:Rhinebeck
1753:Peekskill
1714:Manhattan
1571:Schoharie
1451:Jefferson
1334:by county
965:"History"
934:"Gardens"
690:mentoring
676:inventor
662:bluegrass
565:cypresses
526:A former
521:Victorian
516:butterfly
396:lacquered
376:Byzantine
365:caretaker
171:Architect
1827:Category
1773:Syracuse
1699:Brooklyn
1646:Southern
1641:Northern
1611:Tompkins
1601:Sullivan
1576:Schuyler
1561:Saratoga
1556:Rockland
1506:Onondaga
1446:Herkimer
1441:Hamilton
1421:Franklin
1406:Dutchess
1401:Delaware
1396:Cortland
1391:Columbia
1381:Chenango
1346:Allegany
1268:New York
880:"Venues"
837:July 12,
704:See also
698:The Knot
674:theremin
648:Programs
615:theremin
603:dovecote
528:dovecote
452:Guan Yin
429:Venetian
372:cloister
199:01000548
98:Location
32:Caramoor
1778:Yonkers
1681:Buffalo
1669:by city
1653:Wyoming
1596:Suffolk
1591:Steuben
1521:Orleans
1511:Ontario
1496:Niagara
1471:Madison
1431:Genesee
1386:Clinton
1376:Chemung
1078:July 5,
1044:"Music"
999:July 4,
778:July 1,
682:patrons
548:Harvard
538:History
504:eastern
496:Pegasus
353:terrace
294:Bedford
288:in the
286:Katonah
248:Chinese
166:1929–39
1704:Queens
1676:Albany
1621:Warren
1616:Ulster
1581:Seneca
1541:Queens
1536:Putnam
1531:Otsego
1526:Oswego
1516:Orange
1501:Oneida
1486:Nassau
1476:Monroe
1436:Greene
1426:Fulton
1366:Cayuga
1356:Broome
1341:Albany
1275:Topics
1160:"Food"
1021:. 2002
809:
555:bank.
544:Berlin
422:gilded
418:Taoist
329:stucco
282:hamlet
240:Tuscan
230:. The
219:estate
1694:Bronx
1667:Lists
1658:Yates
1631:Wayne
1606:Tioga
1461:Lewis
1416:Essex
1351:Bronx
1332:Lists
523:urn.
400:Turin
384:coved
341:gable
337:tiled
275:NY 22
221:near
163:Built
1837:List
1411:Erie
1212:2015
1190:2015
1168:2015
1146:2015
1124:2015
1102:2015
1080:2010
1052:2015
1027:2015
1001:2010
973:2015
942:2015
915:2015
888:2015
861:2015
839:2010
807:ISBN
780:2010
506:and
454:, a
425:teak
407:jade
343:and
300:, a
290:Town
246:and
155:Area
1266:in
803:288
345:hip
292:of
284:of
194:No.
1864::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
