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His mother took up employment with a clothing designer, and her two sons, who entered the labour force as children, gradually recovered from the setback. In 1931, she remarried and had a daughter, María Esther, who went on to become a moderately successful actress under the pseudonym
373:'s snide dismissal of the historic elections as a "democratic way out," whereby he created ads appealing for votes for "more than a democratic way out...a way into life." Alfonsín won the 1983 election by a surprising 12-point margin, carrying majorities in
233:
success, Gorostiza returned to theatre direction, though without the draw of spectators he had earlier enjoyed. Turning to work as a publicist for an ad agency whose chief customer was a laundry soap maker, his fame returned somewhat as a screenwriter for
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His works continued to be shown into his 90s, with four in rotation on the Buenos Aires theatre circuit in 2015. He died at the age of 96 in Buenos Aires on 19 July 2016. A vigil was held in the Teatro
Nacional Cervantes.
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Appointed
Secretary of Culture by President Alfonsín upon taking office on December 10, he rescinded the National Film Rating Entity and devoted his time to the post, helping encourage a strong recovery in the
151:. He and an older brother enjoyed a happy early childhood until, in 1926, their father, Fermín Gorostiza (among the first Argentines to receive a pilot's licence) abandoned the family.
308:
in the hope of encouraging a further return of the freedom of expression whose absence had led so many other cultural figures to leave
Argentina since 1975. Converting a shuttered
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Gorostiza returned to writing, publishing a novella, collaborating on an acclaimed 1989 documentary of the Open
Theatre and penning a nostalgic look at his brief time with his
320:– The entourage) to acclaim on July 28, 1981. This success was marred by the theatre's fire bombing a week later, still an "unsolved mystery" (the Picadero reopened in 2001).
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drew partly on his own childhood experiences with his mother's fallen social status and secured his reputation in Buenos Aires. Produced in a professional version by director
805:
281:– The voting booths) yielded him a National Grand Prize for Literature. This, his first novel, coincided with the military coup that would usher in the most brutal
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of the 20th century; shortly thereafter, Gorostiza lost his tenure at the
University of Buenos Aires. Cautious but undeterred, Gorostiza published a second novel,
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289:(Dear brothers), in 1978. A subtle criticism of the era's climate of fear, it earned him another Municipal Grand Prize and National Grand Prize.
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amid continuing economic malaise and budgetary scarcity. Frustrated by the post's limitations, he resigned amicably in 1986. He was replaced by
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district of Buenos Aires to the
Picadero Theatre, they premiered a festival of their collective new works (including Gorostiza's
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Devoting himself mostly to teaching, Gorostiza produced only two new plays in the next decade. A novel published early in 1976 (
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Gorostiza's
Spanish-born stepfather, a playwright, introduced Carlos to the theatre. In 1943, he debuted his first work, a
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trees) with Juana Sujo. Returning to
Argentina in 1964, he continued his academic experience as professor of drama at the
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Facing a harried timetable and with his candidate unable to break out in the polls, Gorostiza was struck by
President
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417:(Pigeons fly) were less-well received, though Gorostiza retained his loyal following. His existentialist 2001 novel
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to acclaim in 1958. The tragedy won him the coveted
Municipal Prize, an award that earned him an invitation to the
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and with elections but three months away, the UCR nominee was given a simple slogan by the former publicist: the
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123:; June 7, 1920 – July 19, 2016) was an Argentine playwright, theatre director, and novelist. His seminal work
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debuted in 1949 and he garnered numerous awards for his proceeding works. He later was
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197:. Encouraged by friends, he presented his first play at the Máscara Theatre in 1949,
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and economic collapse at the hand of the dictators' economists, Gorostiza produced
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in the title role, it continues Gorostiza's distinction as the dean of Argentine
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183:. He began frequenting the Máscara Theatre, where he began a successful run as
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murder from the perspective of the inactive spectators of the near buildings.
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Capturing the tension between different social classes in Buenos Aires, the
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Harbinger of modernity: Marcos Aguinis and the democratization of Argentina
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527:(in Spanish) (1st ed.). Buenos Aires: Galerna. pp. 191–194.
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was followed in 2004 by another tale of his own childhood curiosity,
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A certain loosening of censorship in 1980 led his fellow playwright
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was adapted into a film version, which Gorostiza directed in 1950.
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179:). The show's success allowed him to open a puppet theatre,
479:"Murió Carlos Gorostiza, figura clave del teatro argentino"
246:(The bread of madness) was produced at Buenos Aires' famed
592:(in Spanish). Buenos Aires: Ed. Colihue. pp. 54–55.
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called for October 1983 drew Gorostiza to a progressive
429:(Dad's soul) in 2008. Starring Open Theatre colleague
695:"A los 94 años, cuatro obras en la cartelera porteña"
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in 1982, plays which earned him an Argentores Prize.
254:Drama School in 1960, where he taught and co-wrote
323:The return to democracy imminently following the
806:Academic staff of the University of Buenos Aires
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31: and the second or maternal family name is
296:to form a partnership with Gorostiza, writer
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16:Argentine author and playwright (1920–2016)
720:Theatre world mourns icon Carlos Gorostiza
619:Teatro del Pueblo. Retrieved 19 July 2016.
558:(in Spanish). 19 July 2016. Archived from
504:"Carlos Gorostiza y otro cruce del puente"
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811:Argentine male dramatists and playwrights
266:. In 1966, he writes and stages the play
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139:Carlos Gorostiza Rodríguez was born to
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510:, 29 June 1998; retrieved 19 July 2016.
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683:. 11 May 2008. Retrieved 19 July 2016.
674:Realismo clásico, por Carlos Gorostiza
630:El marketing que acompañó al candidato
628:Ginzburg, Victoria (30 October 2008).
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219:at the prestigious Argentine Theatre,
97:Playwright, theatre director, novelist
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425:. Gorostiza debuted his long-awaited
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791:Argentine dramatists and playwrights
590:Teatro breve contemporáneo argentino
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187:in their productions of the classic
120:[ˈkaɾlosɣoɾosˈtisaroˈðɾiɣes]
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786:Argentine people of Basque descent
734:(in Spanish). Argentine Government
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653:. Leiden: Brill. pp. 45–46.
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525:La segunda modernidad (1949–1976)
477:Muchnik, Daniel (19 July 2016).
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693:Pacheco, Carlos (22 May 2015).
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252:Central University of Venezuela
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354:. Facing a close contest with
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523:Pellettieri, Osvaldo (2003).
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23:, the first or paternal
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796:Argentine theatre directors
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732:"Adiós a Carlos Gorostiza"
413:and 1999 historical novel
264:University of Buenos Aires
112:Carlos Gorostiza Rodríguez
42:Carlos Gorostiza Rodríguez
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639:. Retrieved 19 July 2016.
242:(1954) and when his play
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552:"Murió Carlos Gorostiza"
649:Wassner, Dalia (2014).
375:Lower House of Congress
143:parents in the upscale
89:Buenos Aires, Argentina
801:Argentine male writers
306:Argentine Open Theatre
283:Argentine dictatorship
116:Spanish pronunciation:
588:Perez, Irene (2000).
287:Los hermanos queridos
464:[ɡoɾosˈtisa]
129:Secretary of Culture
423:The Masked Marauder
387:cinema of Argentina
339:Foray into politics
279:Los cuartos oscuros
244:El pan de la locura
431:Jorge Rivera López
415:Vuelan las Palomas
181:La Estrella Grande
173:La clave encantada
333:A Fire to Put Out
318:El acompañamiento
304:and others in an
248:Cervantes Theatre
217:Armando Discépolo
177:The enchanted key
131:between 1983-86.
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102:Years active
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457:In isolation,
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560:the original
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487:. Retrieved
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85:(2016-07-19)
70:Buenos Aires
67:June 7, 1920
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21:Spanish name
781:2016 deaths
776:1920 births
419:Good People
360:Ítalo Lúder
350:candidate,
169:puppet show
157:Analía Gadé
147:borough of
770:Categories
445:References
411:Rear Patio
407:Aeroplanos
397:Later work
358:candidate
310:spark plug
256:Los Caobos
226:Following
203:The Bridge
135:Early life
94:Occupation
63:1920-06-07
699:La Nación
681:La Nación
637:Página/12
556:La Nación
459:Gorostiza
344:Elections
314:Balvanera
238:'s drama
228:El puente
221:El puente
213:El puente
199:El puente
125:El puente
105:1943–2016
74:Argentina
33:Rodríguez
29:Gorostiza
356:Peronist
300:, actor
260:mahogany
194:Antigone
19:In this
738:20 July
705:20 July
566:19 July
489:20 July
483:Infobae
435:realist
383:theatre
210:realist
149:Palermo
25:surname
657:
596:
531:
508:Clarín
231:'s
163:Career
258:(The
185:Creon
761:IMDb
740:2016
707:2016
655:ISBN
594:ISBN
568:2016
529:ISBN
491:2016
385:and
331:and
205:).
80:Died
57:Born
759:at
348:UCR
27:is
772::
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676:.
632:.
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576:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
