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224:), a method for the decacorde, a harmony treatise, a treatise dealing with guitar accompaniment of the voice, and several collections of vocalises and solfèges. The latter studies were intended to exploit the guitar's accompanying capabilities, and to be used by both singer-guitarists amateurs, and voice teachers who were not proficient figured bass readers.
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Carulli worked together with Lacote to create the 10-string DĂ©cacorde. There exists a patent for this instrument. It is speculated that the original "invention" and patent was aimed at amateur guitarists: in the patent configuration only the 5 lower strings are fretted. On the other hand, there also
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Carulli was among the most prolific composers of his time. He wrote more than four hundred works for the guitar, and countless others for various instrumental combinations, always including the guitar. His most influential work, the "Method, op. 27", published in 1810, contains pieces still widely
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Many of the pieces now regarded as
Carulli's finest were initially turned down by publishers who considered them too difficult for the average recreational guitarist. It is likely that many of his best works remained unpublished and are now lost. Nevertheless, several of Carulli's published works
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used today in training students of the classical guitar. Along with numerous works for two guitars, works for guitar with violin or flute, and three concertos for guitar with chamber orchestra, Carulli also composed several works for guitar and piano (in collaboration with his son,
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Carulli became highly successful as a guitar teacher in Paris. It was also here that the majority of his works were published. Later in his life he became a self-publisher. In addition to his own music, he published the works of such other prominent guitarists including
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Carulli was a gifted performer. His concerts in Naples were so popular that he soon began touring Europe. Around 1801 Carulli married a French woman, Marie-Josephine Boyer, and had a son with her. A few years later
Carulli started to compose in
213:(dedicated to the guitarist Matteo Carcassi) being a good example. The great majority of Carulli's surviving works, however, were those considered marketable enough by mainstream Parisian publishers aiming at an amateur recreational market.
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Ferdinando
Carulli (1770–1841) : profilo biografico-critico e catalogo tematico delle opere con numero (con cenni sulla formazione della chitarra esacorde ed elementi di metodologia bibliografica)
220:(which went through four editions during his lifetime and a major revision, as Op. 241), Carulli also published several supplements to the method, along with a method without explanatory text (
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and devoted his life to the study and advancement of this instrument. As there were no professional guitar teachers in Naples at the time, Carulli developed his own style of playing.
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Toward the end of his life, Carulli also began to experiment with instrument making. In collaboration with
Parisian luthier René Lacôte, he developed a 10-string instrument, the
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235:, although his Duo in G Op.34 achieved a measure of indirect fame in Britain as the theme tune of cult 1980s science fiction/television game show
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tour, Carulli moved there. At the time the city was known as the 'music-capital' of the world, and he stayed there for the rest of his life.
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Classical guitarists have recorded many of his works. Arguably his most famous work is a duet for guitar and flute, which was recorded by
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exist other configurations, where 6 or 7 strings are fretted, and it is speculated that these DĂ©cacordes were played professionally.
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by
Ferdinando Carulli, edited by Gonzalo Gallardo and Sam Desmet (Quebec: Les Productions d’OZ, 2012). See pp. 160-163.
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53:, op. 27 (1810), which contains music still used by student guitarists today. He wrote a variety of works for
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The guitar and mandolin : biographies of celebrated players and composers for these instruments
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The guitar and mandolin : biographies of celebrated players and composers for these instruments
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502:; Doctoral thesis by Mario Torta; (UniversitĂ degli studi di Roma, La Sapienza; 1989)
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65:. He was an extremely prolific writer, composing over 400 works for the instrument.
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92:, taught to him by the local priest. At the age of twenty, Carulli discovered the
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by a priest, who was also an amateur musician. Carulli's first instrument was the
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273:(p. 70, 71), this instrument was presented by Ferdinando Carulli to his son
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Carulli died in Paris on 17 February 1841, eight days after his 71st birthday.
277:. The initials GC can be seen on the instrument, at either side of the bridge.
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116:, whom he befriended and who later dedicated three guitar duets to Carulli.
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Free Scores for Guitar by
Ferdinando Carulli fingered by Eythor Thorlaksson
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384:, Just Classical Guitar, Milano, Firenze, ITALIA. Retrieved on 2010-05-20.
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point at the likely quality and sophistication of his concert music, the
104:, where he contributed to local publications. After a highly successful
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30:
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Solfèges and vocalises with very easy guitar accompaniment, Op. 195
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241:. The Duo in G has been recorded several times, most famously by
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81:, secretary to the delegate of the Neapolitan Jurisdiction.
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Ferdinando Maria
Meinrado Francesco Pascale Rosario Carulli
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Rischel & Birket-Smith's
Collection of guitar music
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Carulli was born to an affluent, upper-class family in
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Like many of his contemporaries, Carulli was taught
41:(9 February 1770 – 17 February 1841) was an Italian
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Catalogo tematico delle opere di
Ferdinando Carulli
356:"Ferdinando Carulli | Biography & History"
424:by Philip James Bone - see p. 70 and text on p. 71
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451:by Françoise Sinier de Ridder (harpguitars.net)
589:Musicians from the Kingdom of the Two Sicilies
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257:Among the guitars used by Carulli, one finds
77:. His father, Michele, was a distinguished
336:List of compositions by Ferdinando Carulli
537:International Music Score Library Project
461:René Lacote: Décacorde, Paris around 1826
183:The second piece from Carulli's Opus 114
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162:The first piece from Carulli's Opus 114
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267:According to Philip James Bone's book
216:In addition to his highly successful
51:Méthode complète pour guitare ou lyre
584:Musicians from the Kingdom of Naples
475:E.986.5.1, Museum Cité de la Musique
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609:19th-century Italian male musicians
599:18th-century Italian male musicians
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434:The LacĂ´te DĂ©cacorde and Heptacorde
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614:Composers for the classical guitar
473:René Lacote: Décacorde, Paris 1830
191:Problems playing these files? See
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49:and the author of the influential
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533:Free scores by Ferdinando Carulli
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463:E.1040, Museum Cité de la Musique
624:Italian male classical composers
604:19th-century classical composers
594:18th-century classical composers
518:Det Kongelige Bibliotek, Denmark
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408:E.33, Museum Cité de la Musique
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619:Italian classical guitarists
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524:The Music Library of Sweden
253:Instruments used by Carulli
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629:Italian Romantic composers
449:A Unique LacĂ´te DĂ©cacorde
418:Guitar of Gustave Carulli
406:Guitar of Gustave Carulli
634:Italian male guitarists
496:(Mario Torta, Ed. LIM)
222:L'Anti Methode Op. 272
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639:Composers from Naples
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310:adding missing items
261:Guitar around 1810 (
211:Six Andantes Op. 320
380:2010-05-10 at the
375:Ferdinando Carulli
308:; you can help by
281:Pierre René Lacôte
238:The Adventure Game
233:Jean-Pierre Rampal
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34:Ferdinando Carulli
552:Images of Carulli
436:(harpguitars.net)
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16:(Redirected from
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114:Filippo Gragnani
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47:classical guitar
27:Italian composer
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148:Opus 114 No. 1
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579:1841 deaths
574:1770 births
543:Free scores
507:Sheet music
130:Music/style
568:Categories
342:References
306:incomplete
193:media help
560:(Gallica)
285:DĂ©cacorde
121:Decacorde
79:literator
69:Biography
63:concertos
378:Archived
361:AllMusic
43:composer
539:(IMSLP)
535:at the
203:Gustavo
18:Carulli
558:Images
263:photos
94:guitar
75:Naples
106:Paris
102:Milan
90:cello
334:See
245:and
231:and
45:for
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441:^
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