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meters. The castle was constructed of red brick with natural stone elements such as windows, arcades, profiled moldings, and corner blocks. The arrangement of the rooms was almost symmetrical, with two large apartments in the corners and the main public spaces, the entrance gate, and the chapel, on the central axis. The chapel was two stories high and featured a gallery on the first floor and an extended apse in the middle of the rear facade. The grand salon was located on the floor above the hall and opened onto the chapel.
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In 1844, notary
Charles Alexander Snoeck was appointed to divide the assets of the van Hove heirs, and the 20-hectare estate was subdivided. He acquired a large number of lands himself and built several small houses in the 1850s, a tenement now known as the "Snoecksteegje". Through the subdivision of
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John VIII of Nassau-Siegen was colonel of a German regiment and later became general of the cavalry in
Flanders. After his death on 29 July 1638, his widow Ernestine Yolande de Ligne continued to live in the castle until 1663. After her death in 1669, the lords of Ronse hardly ever stayed in Ronse.
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The castle of Ronse became a monumental palace, intended to serve as the ancestral castle of the
Catholic branch of the Nassau family in the Southern Netherlands. John VIII spent almost all his financial resources on the castle, which was completed after the plague epidemic of 1635–1636. Love for
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In addition, Snoeck had a villa built for his son, the renowned musicologist César Snoeck, on the foundations and basement of the gatehouse of the demolished castle. Thus, the 17th-century barrel vaults in the basement with one-meter-thick whitewashed brick walls and door openings with sandstone
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The castle of Ronse was a U-shaped palace in late renaissance style on a square plan of 58 metres by 72 metres in five stories, consisting of a gatehouse, a central courtyard with an extensive residential wing and a chapel at the rear, two side wings, and four corner towers with a height of 37
314:'s reign ushered in the first modern textile industry in Ronse, and the castle became the first location for the emerging textile industry. In 1803, the Lousbergs brothers introduced the first large cotton weaving mill in the city with 180 looms in the castle's cellars.
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Ultimately, the castle was sold in 1823 for 30,000 francs and demolished as a result of the feud between the conservative van Hove family, who had been the representatives of the lord during the ancien régime, and the progressive
Fostier family.
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On 28 March 1629, John VIII of Nassau-Siegen acquired the barony of Ronse from the last descendants of the
Granvelle family. In April 1630, he started the construction of a palace modelled after the Luxembourg Palace in Paris and
74:. It was demolished due to political unwillingness in 1823. Except for some foundations below a 19th-century villa, nothing remains anymore of what was once considered one of the most beautiful castle of the Southern Netherlands.
284:(1688–1735). These heirs of John VIII of Nassau were entangled in prolonged and complicated disputes over the ownership rights of the barony, among other things, and ultimately the barony was sold to the counts of
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casings were preserved. The backyard of Villa Snoeck was the former courtyard of the castle and is still bordered by the old walls or foundations of the castle.
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265:(1675–1754). A detailed description of the former furnishings exists, detailing the furniture, paintings, and carpets that were present at the time.
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on 26 June 1794, the barony was abolished, and the castle was put up for sale after centuries of being owned by the illustrious families of
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Painted portraits of the entire Nassau family tree hung in the vestibule. The famous portrait of Jan van Nassau and his family, painted by
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as the head of the House of Nassau. When prince Philip
William passed away, he was granted his former properties: the
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the former estate, the city began to expand beyond its old small core in the 1850s-60s for the first time.
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in 1634, hung in the left antechamber. This painting is now a masterpiece in the Cowper
Collection in
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453:(in French). Ronse: Geschied- en oudheidkundige kring van Ronse en het Tenement van Inde: 97–124.
444:(in French). Ronse: Geschied- en oudheidkundige kring van Ronse en het Tenement van Inde: 86–98.
413:(in French). Ronse: Geschied- en oudheidkundige kring van Ronse en het Tenement van Inde: 86–98.
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building was strong in the family, his protestant brother John
Maurice constructed the
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and married
Princess Ernestine Yolande de Ligne (1594–1668). He was considered by the
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Choix des monumens, édifices et maisons les plus remarquables du royaume des Pays-Bas
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462:. Brussels: Royal Museums of Art and History Brussels, Brepols. pp. 185–190.
373:. Brussels: Royal Museums of Art and History Brussels, Brepols. pp. 185–190.
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Annales du cercle historique et archéologique de Renaix en Tènement d'Inde XXXIII
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Annales du cercle historique et archéologique de Renaix en Tènement d'Inde XXXIII
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Annales du cercle historique et archéologique de Renaix en Tènement d'Inde XXXIII
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Ottenheyn, Koen (1998). "The
Catholic Nassaus in Brussels and Their Buildings".
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Ottenheyn, Koen (1998). "The Catholic Nassaus in Brussels and Their Buildings".
288:(1745–1795), who, apart from their joyful entries, never actually stayed there.
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John VIII ‘the Younger’, count of Nassau-Siegen with his family by
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to serve as the ‘ancestral castle’ of the catholic branch of the
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158:(1604–1679). John had a successful career in the armies of the
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Ernestine Yolande de Ligne, wife of John VIII of Nassau-Siegen
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Deconinck, Jacques (1984). "Le Château des Nassau à Renaix".
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John VIII of Nassau-Siegen (1583–1638) was grand-nephew of
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Ancestral castle of catholic branch of the House of Nassau
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Exterior of the castle of Ronse by Goethgenhuer (1827)
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Castle of Ronse in the Flandria Illustrata around 1640
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Henry de Nassau d'Auverquerque, 1st Earl of Grantham
94:Cross section of the castle by Goethgenhuer (1827)
274:John Francis Desideratus, Prince of Nassau-Siegen
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431:(in French). Gent. pp. 23–24, XXXIII–XXXV.
504:Demolished buildings and structures in Belgium
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261:(1738–1789), who inherited the painting from
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