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Center channel

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70 mm system used six (left, left-center, center, right-center and right, plus a single surround channel). Unfortunately, these magnetic systems were not only very expensive but were also unreliable and so were little used, the industry preferring to stay with the tried, tested, and economical
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type). In addition a matrix, similar in principle to those used for the existing matrix-type quadraphonic systems, allowed the audio for left, center and right speakers, plus a single surround channel to be carried by the two tracks. Thus Dolby Stereo provided a similar stereo performance to that
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option that provides options for dialogue reproduction, as well as the overall content mapped to the center and front channels. Common settings include modes that map dialogue strictly to the center channel (to the best ability of the decoder), modes that emphasize vocals for clear dialogue, and
101:-1941) have always included one. Post-war stereo sound in theaters initially came from separate magnetic film reproducers synchronized to the picture, but in the 1950s systems using magnetic stripes on the film itself came into use. 165:
modes that mix the center and front channels, mapping some vocals to the front channels, and some non-vocal audio content to the center channel. It may also simply raise the volume level of the center channel.
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In material without accompanying visuals (e.g. music), the center channel simply reproduces sound intended to come from immediately in front of the listener, which usually includes the
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with left and right stereo speakers. The center channel provides image stabling effects and is considered the most important channel for film production.
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in 1975. It divided the existing soundtrack area of a 35 mm film print into two, allowing a two-channel recording. Each of these two channels used
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previously only available in the cinema by the magnetic tracks on 4-track Cinemascope or 6-track Todd-AO 70 mm formats, but at far lower cost.
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sound editing, dialogue can be mapped to other speakers when story action and direction require it, such as when the person talking is off-screen.
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experiments in stereo sound from the 1930s, and multi-channel cinema sound systems, starting with the first commercial stereophonic film (
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formats. It is the channel that is mostly, or fully, dedicated to the reproduction of the dialogue of an audiovisual program. The
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providing for not only the usual three screen speakers but also 2 or 4 groups of surround speakers and a sub-woofer.
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if the speakers were not precisely placed. The center channel eliminates the need to create a
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The need for a center speaker to locate screen-centered sounds has been recognized since the
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used four such tracks (left, center, right and surround), and the subsequent
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units, the center channel is positioned above or below the video screen.
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in addition to the traditional left and right surround channels.
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In recent years digital multi-channel sound systems, such as
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Index


audio channel
surround sound
speaker
home surround sound
post-production
filmmaking
video production
lead vocals
sound field
quadraphonic sound
phantom center
Bell Labs
Fantasia
Cinemascope
Todd-AO
Dolby Stereo
Dolby Laboratories
Dolby A-type noise reduction
Dolby SR
Dolby Digital
DTS
audio channels
AV receivers
DTS:X
Dolby Pro Logic IIx
Dolby Digital EX
DTS-ES
surround channel
"THX Home Theater Setup. Speaker Layout. Center Channel"

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