192:
22:
1121:
1133:
86:
118:
illustrate her inane chatter ("I want a hat of solid mahogany", "Mrs. Thingummy has an umbrella made of bone", "Miss Whats-her-face has married a man as dry as a cuckoo") while her exasperated spouse grumbles to the tune of "Ne parle pas, Rose, je t'en supplie" ("Rose, do not speak, I beg you") from
181:(1884). But a second narrative between the staves of the score shows he is vainly trying to hide his struggle with the burden. Shedding its confident tone the music begins to stagger, and in the suite's loudest moment the hauler drops the stone with a blunt
113:
Satie left extensive sketches for the text of this piece, a sign of the growing importance the verbal element was assuming in his piano suites. A lady drags her husband through a department store, wearing him down with her purchases and gossip. Dizzying
760:
271:
speculated, think of
Debussy as an imprisoned man after his controversial marriage to Bardac? If so this would have made the dedication painfully ironic. At any rate there are no attempts here to quote Debussy's music or mimic his style.
82:
is a trilogy of unrelated pieces. The melodic lines are kept simple through the borrowings from operettas and children's songs, but backed up by Satie's unique and often experimental harmonic sense.
129:(1856). This theme slows to a chromatically distorted end as the husband drops dead from exhaustion. The wife falls silent at last, and the man's final breath is quietly expelled with an unresolved
159:
He carries them on his back. He smirks and looks very sure of himself. His strength amazes the little children. We see him transporting an enormous stone, a hundred times bigger than himself
802:
374:
953:
1016:
946:
188:
The punchline of the preface had a double meaning for Satie. One of his personal quirks was that he never washed his hands with soap, but with pumice stone.
1030:
1136:
725:
1067:
907:
851:
324:(Decca, 2003), Håkon Austbø (Brilliant Classics, 2006), John McCabe (Regis Records, 2006), Cristina Ariagno (Brilliant Classics, 2007),
171:
The cocky laborer goes about his job accompanied by another borrowed operetta melody, "Vive la
Paresse" ("Long Live Laziness") from
781:
375:
https://www.allmusic.com/composition/chapitres-tourn%C3%A9s-en-tous-sens-chapters-turned-every-which-way-for-piano-mc0002356518
456:
Ornella Volta (ed.), "A Mammal's
Notebook: The Writings of Erik Satie", Atlas Publishing, London, 1996 (reissued 2014), p. 21.
1163:
1168:
526:
858:
1158:
928:
544:
658:
619:
900:
1087:
225:
In the enigmatic finale the text spans millennia to unite two prisoners yearning for their freedom: the biblical
63:
Satie announced the title of this suite as an upcoming project in his April 1913 advertisement in the periodical
967:
914:
267:
in 1903, would have gotten these connections, but what they meant for Satie is open to question. Did he, as
1124:
1073:
711:
360:, Dover Publications, Inc., NY, 1968, pp. 79-80. Originally published in 1948 by Denis Dobson Ltd., London.
67:, although he did not begin sketching the music until late August. On September 16 he wrote to his protégé
823:
704:
886:
152:
A little narrative preface picks up where the title leaves off, offering us glimpses of the protagonist:
500:
43:. One of his humoristic keyboard suites of the 1910s, it was published by the firm E. Demets that year.
1173:
317:
679:
893:
739:
329:
177:
672:
519:
844:
1002:
879:
746:
637:
559:
316:, 1994), Bojan Gorišek (Audiophile Classics, 1994), Olof Höjer (Swedish Society Discofil, 1996),
981:
337:
333:
125:
1048:
995:
988:
416:(first 3, 1920). These are the Viñes premiere dates, not those of composition or publication.
297:
474:
Debussy quoted the children's song in four works between 1890 and 1909. See Robert
Orledge,
1098:
612:
68:
795:
281:
8:
1055:
1009:
512:
321:
238:
761:
Fête donnée par des
Chevaliers Normands en l'honneur d'une jeune demoiselle (XIe siecle)
580:
1080:
960:
872:
809:
651:
325:
230:
172:
830:
605:
301:
1092:
732:
566:
120:
90:
44:
1062:
697:
573:
196:
1023:
865:
837:
309:
285:
268:
246:
130:
774:
305:
191:
1152:
1105:
788:
598:
313:
293:
289:
237:, where he spent many years (when not escaping) for attempting to swindle
21:
767:
260:
219:
48:
245:("We will go to the woods no more"), a tune that had haunted his friend
974:
753:
535:
40:
25:
921:
501:
https://imslp.org/Chapitres_tourn%C3%A9s_en_tous_sens_(Satie%2C_Erik)
255:
234:
665:
644:
85:
816:
162:
115:
55:
on
January 14, 1914. In performance it lasts about 5 minutes.
1132:
504:
226:
52:
229:
from the belly of the whale, and the 18th
Century schemer
78:
As with most of Satie's piano suites from this time, the
300:(Le Chant du Monde, 1986), Roland Pöntinen (BIS, 1986),
93:, who premiered eight Satie works between 1913 and 1920.
259:; and the piece is dedicated to Debussy's wife, singer
1031:Sonnerie pour réveiller le bon gros Roi des Singes
1068:Metropolitan Church of Art of Jesus the Conductor
1150:
947:Choses vues à droite et à gauche (sans lunettes)
803:Les trois valses distinguées du précieux dégoûté
402:Choses vues à droite et à gauche (sans lunettes)
71:with ironic bluster, "I have just completed the
726:Croquis et agaceries d'un gros bonhomme en bois
394:Croquis et agaceries d'un gros bonhomme en bois
478:, Cambridge University Press, 1990, pp. 63-64.
1017:Petit prélude de 'La Mort de Monsieur Mouche'
520:
427:Erik Satie: A Parisian Composer and his World
954:Cinq grimaces pour Le songe d'une nuit d'été
908:Veritables Preludes flasques (pour un chien)
386:Véritables Préludes flasques (pour un chien)
288:(twice, for Angel in 1968 and EMI in 1987),
527:
513:
308:(Decca, 1989), Peter Lawson (EMI, 1989),
208:3. Regrets des enfermés (Jonas et Latude)
408:(song cycle for voice and piano, 1916),
241:. Satie quotes the children's folk song
190:
84:
20:
429:, The Boydell Press, 2016, pp. 119-120.
343:
1151:
508:
852:Prélude de la porte héroïque du ciel
280:Notable recordings include those by
75:. I consider this a great triumph".
929:Vieux sequins et vieilles cuirasses
447:Stepfather of Alexis Roland-Manuel.
263:. Pianist Viñes, who premiered the
249:for much of his career, notably in
13:
14:
1185:
859:Préludes flasques (pour un chien)
782:Heures séculaires et instantanées
494:
410:Heures séculaires et instantanées
37:(Chapters Turned Every Which Way)
1131:
1120:
1119:
901:Trois morceaux en forme de poire
138:2. Le porteur de grosses pierres
481:
312:(Erato, 1993), Klára Körmendi (
39:is a 1913 piano composition by
16:Piano composition by Erik Satie
719:Chapitres tournés en tous sens
534:
468:
459:
450:
441:
432:
419:
398:Chapitres tournés en tous sens
379:
363:
350:
73:Chapitres tournés en tous sens
58:
33:Chapitres tournés en tous sens
1:
275:
1164:20th-century classical music
1074:The Minimalism of Erik Satie
620:Trois petites pièces montées
332:(Brilliant Classics, 2016),
292:(Vox, 1968, reissued 1990),
199:of the children's folk song
148:For Monsieur Fernand Dreyfus
7:
1169:Compositions for solo piano
404:(violin-piano duet, 1916),
10:
1190:
1159:Compositions by Erik Satie
1088:Musée-Placard d'Erik Satie
915:Verset laïque et somptueux
887:Sonneries de la Rose+Croix
499:Score available at IMSLP:
243:Nous n'irons plus aux bois
142:(The Hauler of Big Stones)
1114:
1040:
938:
894:Sports et divertissements
824:Petite ouverture à danser
740:Descriptions automatiques
689:
629:
590:
551:
542:
390:Descriptions automatiques
304:(Virgin Classics, 1988),
212:(Lament of the Confined )
201:Nous n'irons plus au bois
47:gave the premiere at the
465:Myers, op. cit., p. 125.
328:(Harmonia Mundi, 2009),
103:(She Who Talks Too Much)
880:Sonatine bureaucratique
712:Avant-dernières pensées
659:Quatre petites mélodies
638:Bonjour Biqui, Bonjour!
99:1. Celle qui parle trop
338:Steffen Schleiermacher
203:
126:Les dragons de Villars
94:
28:
369:Alexander Carpenter,
298:Jean-Pierre Armengaud
253:from his piano suite
251:Jardins sous la pluie
220:Madame Claude Debussy
194:
88:
24:
968:Geneviève de Brabant
705:Aperçus désagréables
680:Trois poèmes d'amour
613:La belle excentrique
545:List of compositions
344:Notes and references
69:Alexis Roland-Manuel
1010:Les Pantins dansent
996:Le Fils des étoiles
989:La statue retrouvée
982:La Diva de l'Empire
322:Jean-Yves Thibaudet
239:Madame de Pompadour
65:Le Guide du concert
1003:Le piège de Méduse
961:En habit de cheval
939:Other compositions
845:Prélude d'Eginhard
747:Embryons desséchés
476:Satie the Composer
296:(Forlane, 1980),
204:
95:
29:
1174:1913 compositions
1146:
1145:
796:Le poisson rêveur
652:Messe des pauvres
487:Orledge, op. cit.
425:Caroline Potter,
326:Alexandre Tharaud
320:(Olympia, 2001),
282:Jean-Joël Barbier
231:Jean Henri Latude
173:Robert Planquette
109:For Robert Manuel
1181:
1135:
1123:
1122:
1102:(1921 sculpture)
1093:Surrealist music
1041:Related articles
733:Danses gothiques
591:Orchestral works
529:
522:
515:
506:
505:
488:
485:
479:
472:
466:
463:
457:
454:
448:
445:
439:
436:
430:
423:
417:
383:
377:
367:
361:
356:Rollo H. Myers,
354:
284:(Accord, 1971),
1189:
1188:
1184:
1183:
1182:
1180:
1179:
1178:
1149:
1148:
1147:
1142:
1110:
1063:Furniture music
1036:
934:
685:
625:
586:
560:Jack in the Box
547:
538:
533:
497:
492:
491:
486:
482:
473:
469:
464:
460:
455:
451:
446:
442:
438:Myers, op. cit.
437:
433:
424:
420:
384:
380:
368:
364:
355:
351:
346:
330:Jeroen van Veen
318:Peter Dickinson
278:
214:- Soyez modéré
61:
17:
12:
11:
5:
1187:
1177:
1176:
1171:
1166:
1161:
1144:
1143:
1141:
1140:
1128:
1115:
1112:
1111:
1109:
1108:
1103:
1095:
1090:
1085:
1077:
1070:
1065:
1060:
1052:
1044:
1042:
1038:
1037:
1035:
1034:
1027:
1024:Salut drapeau!
1020:
1013:
1006:
999:
992:
985:
978:
971:
964:
957:
950:
942:
940:
936:
935:
933:
932:
925:
918:
911:
904:
897:
890:
883:
876:
869:
866:Premier Menuet
862:
855:
848:
841:
834:
831:Pièces froides
827:
820:
813:
806:
799:
792:
785:
778:
771:
764:
757:
750:
743:
736:
729:
722:
715:
708:
701:
693:
691:
687:
686:
684:
683:
676:
673:Trois mélodies
669:
662:
655:
648:
641:
633:
631:
627:
626:
624:
623:
616:
609:
606:Le Bœuf Angora
602:
594:
592:
588:
587:
585:
584:
577:
570:
563:
555:
553:
549:
548:
543:
540:
539:
532:
531:
524:
517:
509:
496:
495:External links
493:
490:
489:
480:
467:
458:
449:
440:
431:
418:
406:Trois Mélodies
378:
362:
348:
347:
345:
342:
310:Michel Legrand
302:Anne Queffélec
286:Aldo Ciccolini
277:
274:
269:Robert Orledge
247:Claude Debussy
223:
222:
169:
168:
167:
166:
150:
149:
131:eleventh chord
111:
110:
60:
57:
15:
9:
6:
4:
3:
2:
1186:
1175:
1172:
1170:
1167:
1165:
1162:
1160:
1157:
1156:
1154:
1139:
1138:
1134:
1129:
1127:
1126:
1117:
1116:
1113:
1107:
1106:Ornella Volta
1104:
1101:
1100:
1096:
1094:
1091:
1089:
1086:
1083:
1082:
1078:
1076:
1075:
1071:
1069:
1066:
1064:
1061:
1058:
1057:
1053:
1051:
1050:
1046:
1045:
1043:
1039:
1033:
1032:
1028:
1026:
1025:
1021:
1019:
1018:
1014:
1012:
1011:
1007:
1005:
1004:
1000:
998:
997:
993:
991:
990:
986:
984:
983:
979:
977:
976:
972:
970:
969:
965:
963:
962:
958:
956:
955:
951:
949:
948:
944:
943:
941:
937:
931:
930:
926:
924:
923:
919:
917:
916:
912:
910:
909:
905:
903:
902:
898:
896:
895:
891:
889:
888:
884:
882:
881:
877:
875:
874:
870:
868:
867:
863:
861:
860:
856:
854:
853:
849:
847:
846:
842:
840:
839:
835:
833:
832:
828:
826:
825:
821:
819:
818:
814:
812:
811:
807:
805:
804:
800:
798:
797:
793:
791:
790:
789:Le Piccadilly
786:
784:
783:
779:
777:
776:
772:
770:
769:
765:
763:
762:
758:
756:
755:
751:
749:
748:
744:
742:
741:
737:
735:
734:
730:
728:
727:
723:
721:
720:
716:
714:
713:
709:
707:
706:
702:
700:
699:
695:
694:
692:
688:
682:
681:
677:
675:
674:
670:
668:
667:
663:
661:
660:
656:
654:
653:
649:
647:
646:
642:
640:
639:
635:
634:
632:
628:
622:
621:
617:
615:
614:
610:
608:
607:
603:
601:
600:
596:
595:
593:
589:
583:
582:
578:
576:
575:
571:
569:
568:
564:
562:
561:
557:
556:
554:
550:
546:
541:
537:
530:
525:
523:
518:
516:
511:
510:
507:
503:
502:
484:
477:
471:
462:
453:
444:
435:
428:
422:
415:
411:
407:
403:
399:
395:
391:
387:
382:
376:
372:
366:
359:
353:
349:
341:
340:(MDG, 2021).
339:
336:(BIS, 2016),
335:
331:
327:
323:
319:
315:
314:Naxos Records
311:
307:
303:
299:
295:
294:France Clidat
291:
287:
283:
273:
270:
266:
262:
258:
257:
252:
248:
244:
240:
236:
232:
228:
221:
217:
216:
215:
213:
210:
209:
202:
198:
193:
189:
186:
184:
180:
179:
174:
164:
160:
157:
156:
155:
154:
153:
147:
146:
145:
143:
140:
139:
134:
132:
128:
127:
122:
121:Aimé Maillart
117:
108:
107:
106:
104:
101:
100:
92:
91:Ricardo Viñes
87:
83:
81:
76:
74:
70:
66:
56:
54:
50:
46:
45:Ricardo Viñes
42:
38:
35:
34:
27:
23:
19:
1130:
1118:
1097:
1079:
1072:
1054:
1047:
1029:
1022:
1015:
1008:
1001:
994:
987:
980:
973:
966:
959:
952:
945:
927:
920:
913:
906:
899:
892:
885:
878:
871:
864:
857:
850:
843:
836:
829:
822:
815:
808:
801:
794:
787:
780:
773:
766:
759:
752:
745:
738:
731:
724:
718:
717:
710:
703:
696:
678:
671:
664:
657:
650:
643:
636:
618:
611:
604:
597:
579:
572:
565:
558:
498:
483:
475:
470:
461:
452:
443:
434:
426:
421:
413:
409:
405:
401:
397:
393:
389:
385:
381:
370:
365:
357:
352:
334:Noriko Ogawa
290:Frank Glazer
279:
264:
254:
250:
242:
224:
211:
207:
206:
205:
200:
197:Épinal print
187:
182:
176:
170:
163:pumice stone
158:
151:
144:- Très lent
141:
137:
136:
135:
124:
123:'s operetta
112:
102:
98:
97:
96:
79:
77:
72:
64:
62:
36:
32:
31:
30:
18:
1059:(1924 film)
838:Poudre d'or
775:Gymnopédies
768:Gnossiennes
690:Piano music
630:Vocal music
306:Pascal Rogé
261:Emma Bardac
161:. (It is a
59:Description
49:Salle Erard
1153:Categories
975:Je te veux
873:Sarabandes
754:Enfantines
536:Erik Satie
373:review at
358:Erik Satie
276:Recordings
183:fortissimo
41:Erik Satie
26:Erik Satie
1081:Monotones
1056:Entr'acte
1049:A Romance
922:Vexations
810:Nocturnes
414:Nocturnes
233:from the
80:Chapitres
1125:Category
1099:The Gift
1084:(ballet)
412:(1917),
400:(1914),
396:(1914),
392:(1913),
388:(1913),
371:Allmusic
265:Estampes
256:Estampes
235:Bastille
185:crash.
116:triplets
89:Pianist
698:Allegro
666:Socrate
645:Ludions
581:Relâche
567:Mercure
552:Ballets
817:Ogives
574:Parade
105:- Vif
1137:Audio
599:Danse
227:Jonah
195:1863
53:Paris
218:For
133:.
178:Rip
175:'s
51:in
1155::
165:).
528:e
521:t
514:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
