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Eclair (company)

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767: 684:(UK) Ltd. company and moved production to the United Kingdom. Meanwhile, Soremec-Cehess took over the French side of the company and resumed production in France, so English Eclair cameras (similar to the French product with minor differences) were manufactured simultaneously for a few years until Éclair-Debrie (UK) Ltd ceased activities in 1973. Production then continued in France with a good degree of success, but the company eventually declined in the late-1970s and early-1980s until it was eventually sold to 36: 310: 302: 159: 711:
light weight and ergonomic design, which housed the film spools at the back of the camera rather than on top, the NPR was seen as a considerable improvement over its predecessors. For 16mm cameramen out in the field, this ease of use and maneuverability was vital to capture the right shot, often in hostile conditions. NPR stands for
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Later 16mm silent models such as the 1960 Eclair NPR (aka "Eclair 16" or "Eclair Coutant") and the 1971 Eclair ACL were documentary cinema favorites. The NPR also saw considerable use in television production and was the standard camera used by 16mm film crews in the BBC's Film Department. Due to its
668:, and the Eclair company for excessive alteration of the source material. The courts ruled that 6,000 francs were to be paid to Sazie in damages, but Eclair appealed the case resulting in the amount to be paid increasing to 10,000 francs, with an additional 250 francs for any future violations. 758:, since magazine changes could now be made in seconds without the need to spend time threading the film through the camera. The ACL model used a focal plane shutter for exposure and a side-to-side oscillating mirror for reflex viewing to keep the camera body size to a minimum. 80:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 849:
spliced the 18-meter still camera rolls into 120-meter rolls for use as motion picture film, and pushed it to ASA 800 during development. A handheld Eclair camera was used in the shower scene in the 1960 film
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in the Paris-based newspaper Le Matin. The movies would go on to be very successful commercially, but Sazie came to feel that they were too different from his idea for the series, and so sued the director,
887:, he explained some of the challenges he faced using a then seven-year-old camera in a manner that would have been unheard of for 35mm movie cameras, let alone the relatively untried NPR. 66: 90: 735:
ecoeur. The last models designed by Eclair in the early-1980s came too late to save the company from bankruptcy and were hardly produced, if at all : the
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The company produced many silent shorts in France starting in 1908, and soon thereafter in America. The American division produced films from 1911-1914 such as
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Between 1911 and 1913, Eclair released a series of films revolving around the fictional character Zigomar that had been created in 1909 by the French author
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Among their early models was the Caméréclair of 1928, then the Camé 300 Réflex, both successful studio cameras. Their real breakthrough design, the
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
288:, restoration, digital and theatrical delivery, and versioning. The company is currently made up of two entities: Eclair Cinema and Eclair Media. 660: 754:
of the Caméflex and later the NPR, ACL, EX16 and PANORAM models' coaxial pre-threaded loop magazines revolutionized filmmaking, in particular
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in 1959. Godard wished to film using ambient light, and the Cameflex was the only motion picture camera capable of using
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S.A. in 1986 who ceased all camera production, offering only a license for maintenance of the many existing cameras.
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Content in this edit is translated from the existing French Knowledge article at ]; see its history for attribution.
17: 342: 1109: 904:"FILM FACTORY BURNS WITH $ 800,000 LOSS; Many Valuable Reels Destroyed in Eclair Company's Fort Lee Plant" 994: 665: 980: 869: 775: 116: 1099: 833: 792: 322: 967: 550: 137: 130: 357: 1023:. Hollywood, California: American Society of Cinematographers, Hollywood. p. 139-42. 8: 334: 274: 852: 512: 172: 1024: 935: 755: 112: 1051: 879: 874: 48: 860: 828: 751: 704: 369: 365: 956: 333:, was established as its German studio branch. In 1909, Eclair took part in the 838: 677: 373: 348:
Originally a film production company, Eclair started building cameras in 1912.
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The film processing and post-production side of Éclair continues to operate.
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The company was acquired in late 1968 by UK-based Canadian film producer
739:(similar to ACL with fixed viewfinder and 24/25fps fixed motor) and the 356:
An Eclair studio, the Eclair Moving Picture Company, was established in
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to the source of your translation. A model attribution edit summary is
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eflex and ACL comes from the letters of the names of its designers
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by allowing for a freer form of shooting 35mm fiction films.
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Ellis, John; Hall, Nick (2017): ADAPT. figshare. Collection.
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The New Historical Dictionary of the American Film Industry
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Glasshouse studio in Épinay-sur-Seine, originally built by
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DVD. Special Features, disc 2. Coutard and Rissient. 2007.
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to this template: there are already 1,488 articles in the
873:(1967). Two years later, the NPR was chosen by director 910:. No. Special to The New York Times. 20 March 1914 73: 987: 337:, an attempt by major European producers to form a 69:
a machine-translated version of the French article.
896: 269:began as a film production, film laboratory, and 1091: 280:What remains of the business is a unit of Group 364:. A western studio set was also established in 351: 1019:Miller, Arthur; Strange, Walter, eds. (1969). 482:The Stirrup Brother; or, The Higher Abdication 379: 115:accompanying your translation by providing an 60:Click for important translation instructions. 47:expand this article with text translated from 1021:American Cinematographer Manual Third edition 1018: 811:Learn how and when to remove this message 1120:Mass media companies established in 1907 1041: 1008:https://doi.org/10.17637/rh.c.3925603.v1 883:. Wadleigh used sixteen NPR cameras. In 774:This article includes a list of general 671: 308: 300: 14: 1092: 1042:John, Ellis; Nick, Hall (2017-11-09). 823: 654: 538:Till the Sands of the Desert Grow Cold 277:, France by Charles Jourjon in 1907. 954: 831:used an Eclair Cameflex when filming 273:manufacturing company established in 1115:French companies established in 1907 760: 29: 885:Woodstock: From Festival to Feature 845:still camera film. Cinematographer 24: 1125:Early film in Fort Lee, New Jersey 780:it lacks sufficient corresponding 750:The instant clip-on design of the 372:was involved with the company and 25: 1136: 1078: 997:. (Le Petit Journal, 1919). p. 3. 765: 747:camera with "Varigate" system). 157: 34: 1105:Photography companies of France 127:{{Translated|fr|Groupe Eclair}} 1062: 1035: 1012: 1000: 948: 922: 863:(and discussed, on camera) in 125:You may also add the template 27:Former film production company 13: 1: 995:"Auteur et Metteur en Scène" 890: 352:Studios in the United States 7: 934:. Routledge. Feb 25, 2014. 392:The Reformation of Calliope 380:Eclair films made in Tucson 296: 97:will aid in categorization. 10: 1141: 1068:The Criterion Collection. 694: 476:Within an Inch of His Life 452:When Death Rode the Engine 291: 72:Machine translation, like 944:– via Google Books. 877:to shoot his documentary 867:'s ground-breaking film, 859:An Eclair 16 was used by 666:Victorin-Hippolyte Jasset 582:The Devil Fox of the Orth 250: 197: 186: 178: 165: 156: 49:the corresponding article 526:Smallpox on the Circle U 955:Dawid, Glownia (2012). 795:more precise citations. 612:The Thief and the Chief 404:Mesquite Pete's Fortune 329:Deutsche Eclair, later 305:Charles Jourjon in 1914 136:For more guidance, see 1056:10.17637/rh.5987551.v1 975:Cite journal requires 743:(first dual format 16+ 434:The Cross in the Cacti 317: 306: 870:David Holzman's Diary 680:who then founded the 672:Later company history 630:The Oath of Smoky Joe 624:Romance in Bear Creek 551:The Girl Stage Driver 506:The Ghost of the Mine 410:At the Crucial Moment 312: 304: 138:Knowledge:Translation 109:copyright attribution 600:The Blunderer's Mark 594:The Bar Crossed Lier 544:Whom God Hath Joined 494:A Tale of the Desert 488:The Blunderer's Mark 358:Fort Lee, New Jersey 267:Laboratoires Éclair, 1110:Silent film studios 824:Famous camera users 655:The Zigomar Lawsuit 564:The Wondrous Melody 458:The Heart of Carita 446:The Caballero's Way 335:Paris Film Congress 199:Number of locations 153: 1085:eclair ACL manuals 908:The New York Times 618:Saved by Telephone 558:The Jewel of Allah 513:Into the Foothills 500:The Bar Cross Liar 398:The Aztec Treasure 376:one of its stars. 318: 307: 173:production company 151: 117:interlanguage link 821: 820: 813: 756:documentary films 576:The Yellow Streak 260: 259: 149: 148: 61: 57: 16:(Redirected from 1132: 1073: 1066: 1060: 1059: 1039: 1033: 1032: 1016: 1010: 1004: 998: 991: 985: 984: 978: 973: 971: 963: 961: 952: 946: 945: 926: 920: 919: 917: 915: 900: 875:Michael Wadleigh 816: 809: 805: 802: 796: 791:this article by 782:inline citations 769: 768: 761: 731:oma and Jacques 642:Lure of the West 588:The First Nugget 470:Dead Men's Tales 422:The Jackpot Club 416:The Renunciation 275:Épinay-sur-Seine 161: 154: 150: 128: 122: 96: 95:|topic= 93:, and specifying 78:Google Translate 59: 55: 38: 37: 30: 21: 1140: 1139: 1135: 1134: 1133: 1131: 1130: 1129: 1090: 1089: 1081: 1076: 1067: 1063: 1040: 1036: 1017: 1013: 1005: 1001: 992: 988: 976: 974: 965: 964: 959: 953: 949: 942: 928: 927: 923: 913: 911: 902: 901: 897: 893: 861:L.M. Kit Carson 829:Jean-Luc Godard 826: 817: 806: 800: 797: 787:Please help to 786: 770: 766: 752:camera magazine 727:gusti (Austin) 705:French New Wave 697: 674: 657: 386:Over the Cliffs 382: 370:Jules Brulatour 366:Tucson, Arizona 354: 341:similar to the 299: 294: 256:Charles Jourjon 253: 242: 237: 232: 227: 222: 217: 212: 207: 200: 145: 144: 143: 126: 120: 94: 62: 39: 35: 28: 23: 22: 18:Charles Jourjon 15: 12: 11: 5: 1138: 1128: 1127: 1122: 1117: 1112: 1107: 1102: 1100:Cinematography 1088: 1087: 1080: 1079:External links 1077: 1075: 1074: 1061: 1034: 1011: 999: 986: 977:|journal= 947: 940: 921: 894: 892: 889: 825: 822: 819: 818: 801:September 2013 773: 771: 764: 741:Eclair PANORAM 696: 693: 678:Harry Saltzman 673: 670: 656: 653: 652: 651: 645: 639: 633: 627: 621: 615: 609: 603: 597: 591: 585: 579: 573: 570:The Price Paid 567: 561: 555: 547: 541: 535: 532:The Line Rider 529: 523: 517: 509: 503: 497: 491: 485: 479: 473: 467: 461: 455: 449: 443: 437: 431: 425: 419: 413: 407: 401: 395: 389: 381: 378: 374:Dorothy Gibson 353: 350: 315:Joseph Menchen 298: 295: 293: 290: 258: 257: 254: 251: 248: 247: 201: 198: 195: 194: 188: 184: 183: 180: 176: 175: 170:Motion picture 167: 163: 162: 147: 146: 142: 141: 134: 123: 101: 98: 86:adding a topic 81: 70: 63: 56:(October 2019) 44: 43: 42: 40: 33: 26: 9: 6: 4: 3: 2: 1137: 1126: 1123: 1121: 1118: 1116: 1113: 1111: 1108: 1106: 1103: 1101: 1098: 1097: 1095: 1086: 1083: 1082: 1071: 1065: 1057: 1053: 1049: 1045: 1038: 1030: 1026: 1022: 1015: 1009: 1003: 996: 990: 982: 969: 958: 951: 943: 941:9781135925543 937: 933: 932: 925: 909: 905: 899: 895: 888: 886: 882: 881: 876: 872: 871: 866: 862: 857: 855: 854: 848: 847:Raoul Coutard 844: 840: 836: 835: 830: 815: 812: 804: 794: 790: 784: 783: 777: 772: 763: 762: 759: 757: 753: 748: 746: 742: 738: 734: 730: 726: 722: 718: 714: 708: 706: 702: 692: 689: 687: 683: 682:Éclair-Debrie 679: 669: 667: 662: 649: 648:The Lone Game 646: 643: 640: 637: 634: 631: 628: 625: 622: 619: 616: 613: 610: 607: 604: 601: 598: 595: 592: 589: 586: 583: 580: 577: 574: 571: 568: 565: 562: 559: 556: 553: 552: 548: 545: 542: 539: 536: 533: 530: 527: 524: 521: 520:Fate's Finger 518: 515: 514: 510: 507: 504: 501: 498: 495: 492: 489: 486: 483: 480: 477: 474: 471: 468: 465: 462: 459: 456: 453: 450: 447: 444: 441: 438: 435: 432: 429: 426: 423: 420: 417: 414: 411: 408: 405: 402: 399: 396: 393: 390: 387: 384: 383: 377: 375: 371: 367: 363: 359: 349: 346: 344: 340: 336: 332: 327: 325: 324: 316: 311: 303: 289: 287: 286:color grading 283: 278: 276: 272: 268: 264: 255: 249: 245: 240: 235: 230: 225: 220: 219:New York City 216: 210: 205: 202: 196: 192: 189: 185: 181: 177: 174: 171: 168: 164: 160: 155: 139: 135: 132: 124: 118: 114: 110: 106: 102: 99: 92: 91:main category 88: 87: 82: 79: 75: 71: 68: 65: 64: 58: 52: 50: 45:You can help 41: 32: 31: 19: 1069: 1064: 1047: 1037: 1020: 1014: 1002: 989: 968:cite journal 950: 930: 924: 912:. Retrieved 907: 898: 884: 878: 868: 858: 851: 832: 827: 807: 798: 779: 749: 740: 736: 732: 728: 724: 720: 716: 712: 709: 700: 698: 690: 681: 675: 658: 647: 641: 635: 629: 623: 617: 611: 605: 599: 593: 587: 581: 575: 569: 563: 557: 549: 543: 537: 531: 525: 519: 511: 505: 499: 493: 487: 481: 475: 469: 464:The Squatter 463: 457: 451: 445: 439: 433: 427: 421: 415: 409: 403: 397: 391: 385: 355: 347: 345:in America. 328: 321: 319: 279: 271:movie camera 266: 262: 261: 191:Paris-Vanves 187:Headquarters 113:edit summary 104: 84: 54: 46: 865:Jim McBride 841:35 mm 793:introducing 737:Eclair EX16 1094:Categories 1070:Breathless 891:References 843:Ilford HPS 834:Breathless 776:references 661:LĂ©on Sazie 636:The Answer 428:The Return 331:Decla-Film 323:Robin Hood 252:Key people 993:Gallica, 880:Woodstock 715:oiseless 282:fr:Ymagis 265:formerly 246:, Morocco 241:, Belgium 234:Barcelona 226:, Germany 224:Karlsruhe 131:talk page 83:Consider 51:in French 1048:Figshare 1029:71-88212 914:2 August 719:ortable 701:CamĂ©flex 440:The Dupe 297:Founding 213:Berlin, 211:, France 193:, France 166:Industry 107:provide 1044:"ADAPT" 957:"Silva" 839:ASA 400 789:improve 745:Super16 695:Cameras 292:History 263:Eclair, 236:, Spain 231:, Spain 215:Germany 179:Founded 129:to the 111:in the 53:. 1027:  938:  853:Psycho 778:, but 650:, 1915 644:, 1915 638:, 1915 632:, 1915 626:, 1915 620:, 1915 614:, 1915 608:, 1915 606:Terror 602:, 1914 596:, 1914 590:, 1914 584:, 1914 578:, 1914 572:, 1914 566:, 1914 560:, 1914 554:, 1914 546:, 1914 540:, 1914 534:, 1914 528:, 1914 522:, 1914 516:, 1914 508:, 1914 502:, 1914 496:, 1914 490:, 1914 484:, 1914 478:, 1914 472:, 1914 466:, 1914 460:, 1914 454:, 1914 448:, 1914 442:, 1914 436:, 1914 430:, 1914 424:, 1914 418:, 1914 412:, 1914 406:, 1914 400:, 1914 394:, 1913 388:, 1913 339:cartel 229:Madrid 209:Vanves 204:London 152:Eclair 960:(PDF) 686:Aaton 244:Rabat 239:Liège 221:, USA 74:DeepL 1025:LCCN 981:help 936:ISBN 916:2019 362:lost 343:MPPC 206:, UK 182:1907 105:must 103:You 67:View 1052:doi 76:or 1096:: 1050:. 1046:. 972:: 970:}} 966:{{ 906:. 856:. 368:. 1058:. 1054:: 1031:. 983:) 979:( 962:. 918:. 814:) 808:( 803:) 799:( 785:. 733:L 729:C 725:A 721:R 717:P 713:N 140:. 133:. 20:)

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Motion picture
production company
Paris-Vanves
London
Vanves
Germany
New York City
Karlsruhe
Madrid
Barcelona
Liège
Rabat
movie camera
Épinay-sur-Seine
fr:Ymagis
color grading

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