311:, 1993). Choi Suchol's method is often clinical; he dissects or lengthens observed phenomena and reconstructs them in a way that deliberately flouts the principle of recognizability. His search for alternative means of communication is predicated on the desire to achieve sympathetic understanding with other beings, a desire he views as being frustrated in the modern world of overdetermined signs.
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The point of departure for Choi Suchol's fiction is the claim that genuine communication has become impossible in the print culture of the modern age, and he is known for the abstruse quality of his works. This claim forms the basis of his early work, “Tower in the Air”
287:), and “Body Language” resurrect systems of meaning inscribed onto the physical body itself as possible alternatives to the written language. The search for a means of communication that predates actual language continues in “The Beginning of Story, Record, Fossil” (
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472:"최수철" LTI Korea Datasheet available at LTI Korea Library or online at:
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418:"최수철" biographical PDF available at LTI Korea Library or online at:
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544:Seoul National University alumni
385:The Death of an Anarchist (1990)
365:Mome daehan eunmilhan iyagideul
296:Eoneu mujeongbu juuijaui jugeum
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362:Intimate Stories of the Body (
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359:Record, Fossil (1987)
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315:Works in Translation
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379:Gorae baetsogeseo
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322:一个无政府主义者的爱情
248:Chosun Ilbo
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210:Choi Suchol
158:Korean name
103:Citizenship
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518:Categories
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406:References
236:Gangwon-do
75:Occupation
59:1958-05-13
284:Siseon go
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