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427:(1708-1717), the chorale melody is usually in the upper part and the accompanying lower parts, while being highly elaborate in their harmonic and contrapuntal detail, the beginnings and endings of phrases generally coincide with those of the chorale. An example is "Jesu, meine Freude", where the chorale melody in the upper part is supported by a closely woven and harmonically subtle counterpoint in three parts:
1979:
459:: âEach approach to Bachâs organ chorales â their beauty, their âsymbolismâ, their mastery- is rewarding.â Williams continues (1972, p29) âOne of the most remarkable features of most of the settings is that the accompaniment and the motifs from which it is composed are newly invented and are not related thematically to the melody.â
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Mincham says that while âtheme and chorale are not designed to begin and end together⊠fit together perfectly. Get to know the chorale and ritornello melodies well and the apparently effortless ways in which they inter-relate will become obvious. The important point is that they seem not to fit; but
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movements, the accompaniment is a free-flowing obbligato which both derives from the chorale melody, yet seems to float independently over it. "The achieving of a melody independent of the cantus firmus, though in principle it is familiar in obbligato arias, is here unusually complete." Julian
84:, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very long. It could be the case that these were played during special services in churches or in cathedrals.
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settings, with a chorale tune, plainly audible and often ornamented, used as cantus firmus. Accompanying motifs are usually derived from contrapuntal manipulations of the chorale melody.
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in the
Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a
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Mincham (2010) sees an asymmetry here that is possibly rooted in the chorale itself âwith its slightly puzzling mixture of different phrase lengthsâ:
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406:. His earliest extant compositions, works for organ which he possibly wrote before his fifteenth birthday, include the chorale preludes
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399:'s compositions are another example of the form, with many of his chorale preludes elaborating upon Protestant chorale melodies.
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900:"Chapter 55 BWV 140 Wachet auf, ruft uns die Stimme / Awake! The WatchmanâČs voice commands us"
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Snyder, Kerala J. Dieterich
Buxtehude: Organist in LĂŒbeck. New York: Schirmer Books, 1987.
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Chorale
Prelude by Helmut Walcha - recordings, Cat. Opal-Libraries.org. Frankfurt, 1980
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There are several examples of 19th- and 20th-century chorale preludes, such as the
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Two melodic ideas from the chorale, labelled (a) and (b) above are embedded in the
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793:. "Bulletin of the American Musicological Society, NÂș3, pp.11â12. Apr., 1939.
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Notable composers of chorale preludes during the
Baroque period include
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The only known painting of
Buxtehude (detail, Johannes Voorhout, 1674)
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202:. Statements consisting only of original research should be removed.
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393:. Over 40 chorale preludes by Buxtehude have survived to this day.
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591:'s. Works such as these continue to be produced nowadays such as
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The Organ Music of J.S. Bach: Vol. II, Works based on
Chorales
44:
tune as its basis. It was a predominant style of the German
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378:, containing several such works, was published in 1624.
1967:
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Among the old masters who wrote chorale preludes is
60:, along with multiple other works of the type in
1991:
778:The New Grove Dictionary of Music and Musicians,
48:era and reached its culmination in the works of
402:The best-known composer of chorale preludes is
453:Peter Williams (1972, p. 27) says of the
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385:Chorale preludes also appear in the works of
382:is also typical of the early Baroque period.
72:The precise liturgical function of a chorale
872:Williams, P. Bach Organ Music. London, BBC.
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20:Autograph manuscript of the chorale prelude
780:2nd edition, Oxford University Press, 2001.
161:Learn how and when to remove these messages
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658:Grout, Donald J. & Claude V. Palisca,
757:International Music Score Library Project
738:International Music Score Library Project
719:International Music Score Library Project
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627:(1900â04) and 30 small chorale preludes,
595:'s four volumes and the seven volumes of
284:Learn how and when to remove this message
218:Learn how and when to remove this message
791:The Chorale Preludes of Johann Pachelbel
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923:(Chorale Preludes for Christmas), 1960.
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776:Sadie, Stanley and John Tyrell (eds.).
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540:O Gott, du frommer Gott, Op. 122 No. 7
36:is a short liturgical composition for
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488:Chorale melody (cantus firmus) of
321:O Lamm Gottes unschuldig, BWV 1095
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22:Wie schön leuchtet der Morgenstern
14:
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142:This section has multiple issues.
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753:. Hamburg: Michael Hering, 1624.
562:Problems playing this file? See
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351:Problems playing this file? See
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509:Wachet auf, ruft uns die Stimme
467:Wachet auf, ruft uns die Stimme
462:By contrast, in the prelude on
150:or discuss these issues on the
92:Chorale preludes are typically
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713:Zur Geschichte des Orgelspiels
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660:A History of the Western Music
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623:, Chorale Preludes for Organ,
619:Reger composed, among others,
472:(BWV 645) from the set of six
56:) examples of the form in his
1:
885:. Cambridge University Press.
732:Choralvorspiele alter Meister
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343:, performed by Ulrich Metzner
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554:Performed by Matthias Flierl
257:or discuss the issue on the
52:, who wrote 46 (with a 47th
7:
1889:Gothic Revival architecture
881:Williams, P. (1980, p.112)
715:. Leipzig: Max Hesse, 1884.
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621:52 chorale preludes, Op. 67
447:Jesu meine Freude (BWV 610)
198:the claims made and adding
67:
10:
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1830:Neue Zeitschrift fĂŒr Musik
1005:List of Romantic composers
945:"Peeters: menu Organmusic"
804:"Bach - Chorales: a guide"
249:towards certain viewpoints
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2010:19th-century music genres
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2000:17th-century music genres
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437:from the Orgelbuchlein.
300:Title page of Scheidt's
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734:. Edition Peters, 1907.
688:Encyclopedia Britannica
609:Eleven Chorale Preludes
573:Eleven Chorale Preludes
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755:: Scores at the
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951:on 2009-02-25
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593:Helmut Walcha
590:
589:Samuel Barber
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456:OrgelbĂŒchlein
436:
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424:OrgelbĂŒchlein
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267:November 2017
260:
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243:This section
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208:November 2017
201:
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181:This section
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58:OrgelbĂŒchlein
55:
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31:
23:
18:
1932:
1925:
1828:
1812:Other topics
1762:
1636:J. Strauss I
1526:Rachmaninoff
1281:Gretchaninov
953:. Retrieved
949:the original
939:
928:
920:
915:
903:. Retrieved
882:
877:
868:
861:Bach Digital
823:
811:. Retrieved
807:
798:
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785:
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772:
763:
750:
744:
731:
725:
712:
691:. Retrieved
687:
678:
659:
654:
618:
606:
597:Flor Peeters
581:CĂ©sar Franck
570:
561:
516:
506:
494:
489:
463:
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434:
422:
420:
408:BWV 700
401:
395:
384:
373:
367:
350:
301:
280:
264:
244:
214:
205:
182:
158:
151:
145:
144:Please help
141:
98:
91:
71:
33:
29:
28:In music, a
27:
21:
1879:Romanticism
1661:Tchaikovsky
1596:R. Schumann
1591:C. Schumann
1576:Saint-Saëns
1471:Niedermeyer
1361:Leoncavallo
1331:Kalkbrenner
1106:Bortkiewicz
490:Wachet auf.
335:One of the
1994:Categories
1867:Background
1768:Intermezzo
1701:Wieniawski
1681:Vieuxtemps
1646:R. Strauss
1571:Rubinstein
1496:Paderewski
1466:Mussorgsky
1461:Moszkowski
1436:Mercadante
955:2009-03-05
921:Dei Natali
813:2 December
808:Classic FM
693:9 November
647:References
564:media help
518:they do.â
391:Georg Böhm
353:media help
247:unbalanced
192:improve it
147:improve it
94:polyphonic
78:Protestant
54:unfinished
1481:Offenbach
1456:Moscheles
1451:Moniuszko
1446:Meyerbeer
1401:Marschner
1386:MacDowell
1201:Donizetti
1146:Cherubini
1136:Chaminade
1061:Beethoven
1046:Balakirev
1036:Atterberg
1014:musicians
615:Max Reger
585:Max Reger
513:(BWV 645)
497:obbligato
380:Sweelinck
259:talk page
196:verifying
153:talk page
117:Max Reger
50:J.S. Bach
1947:Category
1924: â
1803:Symphony
1666:Thalberg
1631:Spontini
1606:Sibelius
1601:Scriabin
1586:Schubert
1581:Sarasate
1546:Respighi
1541:Reinecke
1501:Paganini
1411:Massenet
1406:Masarnau
1391:Madetoja
1336:Kreisler
1326:Kalivoda
1271:J. Gomis
1256:Glazunov
1251:Giuliani
1141:Chausson
1131:Chadwick
1121:Bruckner
666:, 2006.
635:See also
631:(1914).
629:Op. 135a
82:Lutheran
68:Function
40:using a
1937:â
1899:Science
1778:Mazurka
1753:Ballade
1686:VoĆĂĆĄek
1656:TĂĄrrega
1651:Taneyev
1611:Smetana
1566:Rossini
1521:Puccini
1516:Prudent
1476:Nielsen
1441:MĂ©reaux
1416:Medtner
1381:Lysenko
1351:Lachner
1316:Joachim
1296:Herbert
1216:Farrenc
1181:Delibes
1156:Crusell
1101:Borodin
1091:Berwald
1081:Berlioz
1071:Bennett
1066:Bellini
1051:Bazzini
1031:Arensky
905:4 March
863:website
625:Op. 79b
587:'s and
478:cantata
253:Please
245:may be
190:Please
74:prelude
46:Baroque
42:chorale
1970:Portal
1957:Portal
1894:Poetry
1746:Genres
1691:Wagner
1671:Tobias
1536:Reicha
1511:Popper
1491:Pacini
1486:Onslow
1396:Mahler
1376:Lumbye
1341:Kuhlau
1321:Joplin
1311:Hummel
1301:HĂ©rold
1291:Halévy
1276:Gounod
1261:Glinka
1241:Franck
1236:Foster
1206:DvoĆĂĄk
1196:d'Indy
1186:Delius
1166:Czerny
1151:Chopin
1126:Busoni
1111:Brahms
1086:Bertin
1076:BĂ©riot
827:Works
670:
664:London
499:line:
372:. His
1884:Chess
1716:YsaĂże
1696:Weber
1676:Verdi
1626:Spohr
1621:Sousa
1506:Paine
1421:MĂ©hul
1371:Loewe
1366:Liszt
1346:Kuula
1306:Holst
1286:Grieg
1266:Gomes
1246:Franz
1231:Foote
1226:Field
1221:Fauré
1211:Elgar
1191:Denza
1116:Bruch
1096:Bizet
1056:Beach
1041:Auber
1026:Alkan
857:01305
853:01299
849:01298
845:01283
841:01280
837:01277
833:00847
829:00820
88:Style
38:organ
1773:Lied
1711:Wolf
1561:Rode
1551:Ries
1531:Raff
1356:Lalo
1021:Adam
907:2016
855:and
815:2017
695:2017
668:ISBN
607:See
389:and
115:and
107:and
1616:Sor
1161:Cui
859:at
575:by
412:724
339:by
194:by
32:or
1996::
890:^
851:,
847:,
843:,
839:,
835:,
831:,
806:.
703:^
686:.
611:.
599:.
583:,
579:,
418:.
414:,
410:,
156:.
119:.
103:,
64:.
1972::
1859:"
1855:"
988:e
981:t
974:v
958:.
909:.
817:.
697:.
566:.
355:.
287:)
281:(
269:)
265:(
261:.
251:.
221:)
215:(
210:)
206:(
188:.
163:)
159:(
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