349:
231:
384:), and past performance (increasingly problematic as more and more artists truck on into middle age). Quality boiled down to my grading system." Like the previous volume, the guide follows a grading schema on a scale of A-plus to E-minus, although there are far less records graded C-minus or lower in this volume. B-plus records are the most commonly reviewed in the book, and are defined by Christgau as those offering satisfactory listen through at least half their songs and encourage revisiting: "In school, B+ is a good grade—almost any student will settle for the near-excellence it implies. It's a compliment in the Consumer Guide too."
29:
703:
689:
487:
731:
717:
28:
655:
were equally compelling, and
Christgau could apply his naturally skeptical eye to artists who either bore the scrutiny, or shrunk away to nothing." The website's Michaelangelo Matos, who had been greatly influenced by Christgau, said the first two volumes were books he had read most frequently as an
565:
s Barry Miller praised the broad-based musical coverage but deemed the writing glib and unctuous: "Christgau's catholic tastes provide a wonderful cornucopia, but the cumulative effect of his terminally hip prose and gymnastic verbal constructions ('boho
Americanism,' 'antipunk discowave,' 'postprog
676:
journalist Noel Murray as "seminal works for budding rock critics, who can learn from them the art of concision and the virtue of wielding strong opinions backed by a general spirit of enthusiasm." Veteran
Washington, D.C.-based critic Mark Jenkins said he would "refer to them often, both for basic
276:
There's something very mechanical about what I do. I'm a sophisticated and very well-oiled machine, but I am a machine. I put the music through my head even when I'm not listening because I know something rubs off. It's not the only way to be a critic. Some listen to the good stuff and listen to it
507:
believed the collection of capsule reviews reinforced a number of qualities about
Christgau: how his interest extends beyond individual recording artists and into "the state of rock and in the richness of its culture"; how he "constantly challenges artists, fans and other critics to demand more of
555:
as an example of the latter. Kot believed
Christgau was less understanding of metal and also called some of the writing inaccessible: "Sometimes he assumes an intimate understanding of not only the record he's discussing but also a host of peripheral concerns that most of his readers could not
371:
In the book's introductory essay, Christgau identifies a two-pronged criteria ("importance" and "quality") for the music reviewed in the guide: "Importance divided into cultural impact (commercial or occasionally just sociopolitical reach, with added panache preferred), subcultural acclaim
209:
The book was received positively by critics. Christgau's sensibility and the qualities of his judgements were deemed entertaining and insightful, although some regarded the writing as too challenging for most readers. Another guide was published in 2000, called
482:
remarked on the guide in 1990: "The entries covering a decade's work by a performer sometimes read like tiny novels, full of suspense, dramatic turnarounds, tragedy or farce. But what makes the book work is
Christgau's endless capacity for surprise."
440:—was published in 2000, forming a three-volume series of "Consumer Guide" collections. The contents of all three books were made available on Christgau's website after it went online in 2001 with the help of fellow critic and web designer
508:
themselves and their favorites"; and "why he nurtures new and significant developments, however uncommercial or controversial." Hilburn regarded him as the premier reference for popular music, and the journalistic equivalent of
293:—and are arranged as entries, ordered alphabetically by the name of the album's recording artist, and annotated with year of release and record label. The styles of music covered throughout the collection include
516:: "Quite simply, Christgau writes with the same reckless independence and ferocious eccentricity that fuels our most valuable pop artists." The book's "charged eloquence" embodied rock music in the mind of
205:
through the 1980s. It covers a variety of genres and musical developments from the decade, which are given an overview in his introductory essays. Further insight is also given into his grading criteria.
277:
hard and write about that. But in order to provide an overview of good and bad, it's the only way to do it. I don't do enough to suit myself, but I know I do more than anybody else. So that's satisfying.
656:
adult. Along with
Christgau's ability to "distill a record's essence into a handful of words", Murray highlighted his humor, quoting "what remains the single best sentence ever written on
579:
1245:
1647:
252:
184:
146:
1663:
436:
212:
159:
387:
There are also introductory essays about musical developments and trends during the 1980s. In one essay, Christgau identifies the fusion of post-punk and
1356:
1121:
475:
395:" to describe their synthesis. An appendix lists artists overlooked in the reviews and a "core collection" of albums before 1980, including
1623:
348:
266:
throughout the decade specific to each volume. In the process of reviewing 20 records per month for the column, Christgau told the
289:
The book collects approximately 3,000 "Consumer Guide" reviews which range individually from 50 to 150 words—accompanied by a
281:
Christgau later said he spent "a year or two" transforming the original reviews into this book, re-listening to albums twice.
272:
in 1990 that he had developed into a "processor" of music, with 12 to 14 hours of his day usually spent listening to albums:
478:, said Christgau "gives full rein to his pithiness and proves just how readable reference books can be". Fellow rock critic
631:—and has since "maintained a resourceful timelessness ... Christgau's judgments are incisive, knowledgeable, and amusing."
545:
while noting a partiality for third-world music records and an impenetrability as a writer, citing the review of the 1987
1730:
1745:
1551:
1504:
1481:
1158:
460:
1447:
1186:
135:
1755:
1740:
1720:
1425:
1221:
Davis, Elizabeth A.; Bristah, Pamela; Gottlieb, Jane; Underwood, Kent David; Anderson, William E., eds. (1997).
1735:
1616:
1310:
1234:
1211:
1765:
1725:
1346:
1321:
760:
199:
album reviews, most of which were originally written by
Christgau for his monthly "Consumer Guide" column in
345:
music, Christgau included his critiques of music from countries such as
Senegal, Nigeria, and South Africa.
1226:
596:
230:
1273:
1770:
605:
1609:
588:
1518:
1129:
1750:
1246:"The Dean of Rock Critics Schools Us On Himself: Robert Christgau's Going Into the City (Dey St.)"
400:
1374:
454:
1760:
1326:
1203:
754:
647:
singled out as the best of the three; an accompanying blurb said it covered a decade "when
290:
535:
The book was not without criticism. Hilburn questioned
Christgau's "grouchy dismissal" of
8:
1671:
1250:
529:
260:
album reviews, which were originally written for his monthly "Consumer Guide" column in
1388:
1197:
352:
1699:
1500:
1477:
1306:
1278:
1230:
1207:
1182:
1172:
1154:
736:
708:
670:
should fold up his penis and go home". Both the 1970s and 1980s guides were cited by
657:
546:
499:
441:
377:
360:
356:
318:
262:
239:
201:
130:
1632:
1563:
1496:
1168:
1150:
179:
75:
39:
580:
Christgau's Record Guide: Rock Albums of the Seventies § Legacy and influence
399:
records categorized as "Gone But Not Forgotten". The book was also printed with a
1430:
1411:
1351:
1302:
672:
558:
268:
1023:
524:, who could not recommend it "highly enough", finding the entries on pop singer
1689:
1594:
1294:
1269:
1178:
749:
600:
551:
504:
490:
419:
404:
373:
257:
225:
196:
189:
175:
99:
65:
367:, among the most popular musicians from the 1980s that are covered in the book
1714:
1694:
1567:
1547:
1452:
1393:
652:
636:
525:
466:
427:
338:
314:
302:
234:
80:
1571:
1514:
722:
694:
627:
479:
396:
1523:
1446:
Murray, Noel; Phipps, Keith; Ryan, Kyle; Modell, Josh (October 6, 2006).
667:
541:
391:
sounds as one of the decade's major developments while coining the term "
330:
70:
662:
621:
513:
392:
388:
294:
85:
852:
1473:
1387:
Matos, Michaelangelo; et al. (A.V. Club Staff) (June 10, 2011).
744:
509:
342:
326:
322:
298:
688:
1601:
1342:
615:
521:
1047:
458:
said it "works well not only by itself, but also as an update" of
1519:"Music's Time Capsules: 41 Years of Christgau's 'Consumer Guide'"
486:
423:
364:
216:, forming a three-volume series of "Consumer Guide" collections.
566:
art-rock,' 'mucho pusho,' etc.) is vacuous." Miller recommended
996:
648:
334:
1409:
Miller, Barry (October 15, 1990). "Christgau's Record Guide".
1122:"Answers From the Dean: Online Exchange with Robert Christgau"
1220:
1029:
930:
599:
as a guide for librarians and other collectors. According to
306:
60:
1223:
A Basic Music Library: Essential Scores and Sound Recordings
593:
A Basic Music Library: Essential Scores and Sound Recordings
613:
was a precursor to more popular music guide series—such as
310:
643:
s list of the 17 most essential popular music books, with
250:
is the second in a series of books—beginning in 1981 with
634:
In 2006, the "Consumer Guide" series was ranked fifth on
493:(pictured in 2009), among the guide's original supporters
381:
1672:
Going Into the City: Portrait of a Critic as a Young Man
1035:
805:
570:
as an alternative of superior "depth and information".
536:
1648:
Christgau's Record Guide: Rock Albums of the Seventies
1445:
1372:
Lawson, John (June 1991). "Christgau's Record Guide".
1053:
1013:
1011:
864:
822:
820:
253:
Christgau's Record Guide: Rock Albums of the Seventies
185:
Christgau's Record Guide: Rock Albums of the Seventies
147:
Christgau's Record Guide: Rock Albums of the Seventies
972:
591:
as a reference to prepare select rock recordings for
984:
684:
470:(1989), even if it covers only one decade of music.
1448:"Inventory: 17 Essential Books About Popular Music"
1083:
1008:
817:
1071:
403:to his daughter Nina, whom Christgau and his wife
1059:
908:
795:
793:
791:
789:
1712:
341:. Among the first widely published reviewers of
1299:The Greenwood Guide to American Popular Culture
774:
606:The Greenwood Guide to American Popular Culture
452:Reviewing the book in 1991, John Lawson of the
444:, who also served as a resource for this book.
256:—to compile, revise, and expand on Christgau's
1664:Christgau's Consumer Guide: Albums of the '90s
1199:Christgau's Consumer Guide: Albums of the '90s
786:
476:Australian Library and Information Association
437:Christgau's Consumer Guide: Albums of the '90s
213:Christgau's Consumer Guide: Albums of the '90s
160:Christgau's Consumer Guide: Albums of the '90s
1617:
188:(1981), it was published in October 1990 by
1624:
1610:
1147:Popular Music in America: The Beat Goes On
1109:Australian Academic and Research Libraries
472:Australian Academic and Research Libraries
376:'s producers and consumers, but also from
178:by American music journalist and essayist
27:
1195:
1167:
1002:
966:
858:
838:
811:
573:
243:was headquartered at the end of the 1980s
1293:
1144:
1041:
886:
485:
347:
229:
16:Music reference book by Robert Christgau
1470:A Brief History of Rock, Off the Record
1319:
1268:
1089:
1017:
418:was first published in October 1990 by
195:The guide compiles approximately 3,000
1713:
1490:
1467:
1423:
1408:
1371:
1077:
978:
942:
926:
902:
898:
882:
870:
842:
826:
410:
1605:
1386:
1274:"A Guide, Gossip, a Glimpse of Glory"
1243:
1119:
1106:
1065:
990:
962:
958:
914:
447:
1631:
1513:
946:
780:
284:
1341:
1107:Anon. (June 1994). "Book Reviews".
846:
799:
407:had adopted from Honduras in 1985.
22:Christgau's Record Guide: The '80s
13:
1656:Christgau's Record Guide: The '80s
1540:
1359:from the original on July 10, 2019
1174:Christgau's Record Guide: The '80s
611:Christgau's Record Guide: The '80s
585:Christgau's Record Guide: The '80s
568:The New Trouser Press Record Guide
467:The New Trouser Press Record Guide
461:The New Rolling Stone Record Guide
416:Christgau's Record Guide: The '80s
248:Christgau's Record Guide: The '80s
171:Christgau's Record Guide: The '80s
14:
1782:
1586:
474:, the journal publication of the
1556:Journal of Popular Music Studies
1424:Murray, Noel (January 4, 2001).
1320:Jenkins, Mark (April 27, 2001).
729:
715:
701:
687:
1099:
952:
936:
920:
1552:"Old Books for New Ceremonies"
892:
876:
832:
1:
1297:; Hall, Dennis, eds. (2002).
767:
761:Spin Alternative Record Guide
219:
1227:American Library Association
597:American Library Association
7:
1493:Understanding Popular Music
680:
677:facts and pithy insights".
10:
1787:
1731:American non-fiction books
1244:Gross, Jason (June 2015).
1196:Christgau, Robert (2000).
1145:Campbell, Michael (2012).
577:
223:
1746:Books by Robert Christgau
1682:
1639:
595:(1997), published by the
589:Music Library Association
154:
141:
129:
121:
113:
105:
94:
53:
45:
35:
26:
1568:10.1525/jpms.2018.000018
532:especially fun to read.
1264:(subscription required)
1756:Encyclopedias of music
1741:Books about rock music
1721:1990 non-fiction books
1468:Robins, Wayne (2016).
1375:School Library Journal
574:Legacy and reappraisal
494:
455:School Library Journal
368:
279:
244:
237:office building where
1736:Books about pop music
1345:(November 15, 1990).
1327:Washington City Paper
969:, "Acknowledgements".
755:Rockism and poptimism
660:" from the review of
489:
351:
274:
233:
1766:Pantheon Books books
1726:American anthologies
1491:Shuker, Roy (1994).
1389:"Most Re-Read Books"
1272:(October 28, 1990).
1132:on December 30, 2018
1042:Inge & Hall 2002
889:, pp. 335, 394.
1550:(March–June 2018).
1426:"A Critical Matter"
1032:, pp. xi, 576.
556:possibly possess."
411:Publication history
393:dance-oriented rock
329:, and a variety of
23:
1204:St. Martin's Press
1054:Murray et al. 2006
528:and hip hop group
495:
448:Critical reception
369:
245:
21:
1771:The Village Voice
1708:
1707:
1347:"Elder Statesman"
1279:Los Angeles Times
1169:Christgau, Robert
1030:Davis et al. 1997
931:Davis et al. 1997
873:, pp. 70–71.
737:Rock music portal
709:Journalism portal
500:Los Angeles Times
430:. A follow-up to
378:alternative radio
372:(especially from
361:Bruce Springsteen
285:Content and scope
263:The Village Voice
240:The Village Voice
202:The Village Voice
182:. A follow-up to
167:
166:
106:Publication place
1778:
1683:Related articles
1633:Robert Christgau
1626:
1619:
1612:
1603:
1602:
1598:
1597:
1595:Official website
1582:
1580:
1579:
1570:. Archived from
1535:
1533:
1531:
1517:(July 9, 2010).
1510:
1497:Psychology Press
1487:
1464:
1462:
1460:
1442:
1440:
1438:
1420:
1405:
1403:
1401:
1383:
1368:
1366:
1364:
1338:
1336:
1334:
1316:
1290:
1288:
1286:
1265:
1262:
1260:
1258:
1251:Rock's Backpages
1240:
1217:
1192:
1164:
1151:Cengage Learning
1149:(4th ed.).
1141:
1139:
1137:
1128:. Archived from
1116:
1093:
1087:
1081:
1075:
1069:
1063:
1057:
1051:
1045:
1039:
1033:
1027:
1021:
1015:
1006:
1000:
994:
988:
982:
976:
970:
956:
950:
940:
934:
924:
918:
912:
906:
896:
890:
880:
874:
868:
862:
856:
850:
836:
830:
824:
815:
809:
803:
797:
784:
778:
739:
734:
733:
732:
725:
720:
719:
718:
711:
706:
705:
704:
697:
692:
691:
642:
587:was used by the
564:
180:Robert Christgau
155:Followed by
142:Preceded by
76:music journalism
40:Robert Christgau
31:
24:
20:
1786:
1785:
1781:
1780:
1779:
1777:
1776:
1775:
1751:Consumer guides
1711:
1710:
1709:
1704:
1678:
1635:
1630:
1593:
1592:
1589:
1577:
1575:
1546:
1543:
1541:Further reading
1538:
1529:
1527:
1507:
1484:
1458:
1456:
1436:
1434:
1431:Nashville Scene
1412:Library Journal
1399:
1397:
1362:
1360:
1352:Chicago Tribune
1332:
1330:
1313:
1303:Greenwood Press
1301:. Vol. 3.
1295:Inge, M. Thomas
1284:
1282:
1270:Hilburn, Robert
1263:
1256:
1254:
1237:
1214:
1189:
1161:
1135:
1133:
1126:RockCritics.com
1102:
1097:
1096:
1088:
1084:
1076:
1072:
1064:
1060:
1052:
1048:
1044:, p. 1125.
1040:
1036:
1028:
1024:
1016:
1009:
1001:
997:
989:
985:
977:
973:
957:
953:
945:, p. 277;
941:
937:
925:
921:
913:
909:
897:
893:
881:
877:
869:
865:
857:
853:
845:, p. 136;
837:
833:
825:
818:
810:
806:
798:
787:
779:
775:
770:
735:
730:
728:
721:
716:
714:
707:
702:
700:
693:
686:
683:
673:Nashville Scene
640:
616:All Music Guide
582:
576:
562:
559:Library Journal
518:Chicago Tribune
450:
413:
287:
269:Chicago Tribune
228:
222:
114:Media type
90:
17:
12:
11:
5:
1784:
1774:
1773:
1768:
1763:
1758:
1753:
1748:
1743:
1738:
1733:
1728:
1723:
1706:
1705:
1703:
1702:
1697:
1695:Pazz & Jop
1692:
1690:Carola Dibbell
1686:
1684:
1680:
1679:
1677:
1676:
1668:
1660:
1652:
1643:
1641:
1637:
1636:
1629:
1628:
1621:
1614:
1606:
1600:
1599:
1588:
1587:External links
1585:
1584:
1583:
1562:(1–2): 27–44.
1548:Weisbard, Eric
1542:
1539:
1537:
1536:
1511:
1506:978-0415107228
1505:
1488:
1483:978-1135923464
1482:
1465:
1443:
1421:
1406:
1384:
1369:
1339:
1322:"Add N to (X)"
1317:
1311:
1291:
1266:
1241:
1235:
1218:
1212:
1193:
1187:
1179:Pantheon Books
1165:
1160:978-1133712602
1159:
1142:
1120:Anon. (2002).
1117:
1103:
1101:
1098:
1095:
1094:
1082:
1070:
1058:
1046:
1034:
1022:
1007:
1003:Christgau 1990
995:
993:, p. 129.
983:
981:, p. 136.
971:
967:Christgau 1990
951:
935:
933:, p. 576.
929:, p. 78;
919:
907:
905:, p. 136.
901:, p. 78;
891:
885:, p. 78;
875:
863:
859:Christgau 1990
851:
841:, back cover;
839:Christgau 1990
831:
816:
814:, p. vii.
812:Christgau 2000
804:
785:
772:
771:
769:
766:
765:
764:
757:
752:
750:1980s in music
747:
741:
740:
726:
712:
698:
682:
679:
601:M. Thomas Inge
575:
572:
552:See How We Are
539:'s 1980 debut
505:Robert Hilburn
491:Robert Hilburn
449:
446:
420:Pantheon Books
412:
409:
405:Carola Dibbell
374:rock criticism
339:African genres
286:
283:
226:1980s in music
221:
218:
190:Pantheon Books
176:reference book
165:
164:
156:
152:
151:
143:
139:
138:
133:
127:
126:
123:
119:
118:
115:
111:
110:
107:
103:
102:
100:Pantheon Books
96:
92:
91:
89:
88:
83:
78:
73:
68:
66:capsule review
63:
57:
55:
51:
50:
47:
43:
42:
37:
33:
32:
15:
9:
6:
4:
3:
2:
1783:
1772:
1769:
1767:
1764:
1762:
1759:
1757:
1754:
1752:
1749:
1747:
1744:
1742:
1739:
1737:
1734:
1732:
1729:
1727:
1724:
1722:
1719:
1718:
1716:
1701:
1698:
1696:
1693:
1691:
1688:
1687:
1685:
1681:
1674:
1673:
1669:
1666:
1665:
1661:
1658:
1657:
1653:
1650:
1649:
1645:
1644:
1642:
1638:
1634:
1627:
1622:
1620:
1615:
1613:
1608:
1607:
1604:
1596:
1591:
1590:
1574:on 2018-12-10
1573:
1569:
1565:
1561:
1557:
1553:
1549:
1545:
1544:
1526:
1525:
1520:
1516:
1515:Wolk, Douglas
1512:
1508:
1502:
1498:
1494:
1489:
1485:
1479:
1475:
1471:
1466:
1455:
1454:
1453:The A.V. Club
1449:
1444:
1433:
1432:
1427:
1422:
1418:
1414:
1413:
1407:
1396:
1395:
1394:The A.V. Club
1390:
1385:
1381:
1377:
1376:
1370:
1358:
1354:
1353:
1348:
1344:
1340:
1329:
1328:
1323:
1318:
1314:
1308:
1304:
1300:
1296:
1292:
1281:
1280:
1275:
1271:
1267:
1253:
1252:
1247:
1242:
1238:
1232:
1228:
1224:
1219:
1215:
1209:
1205:
1201:
1200:
1194:
1190:
1188:0-679-73015-X
1184:
1180:
1176:
1175:
1170:
1166:
1162:
1156:
1152:
1148:
1143:
1131:
1127:
1123:
1118:
1114:
1110:
1105:
1104:
1091:
1086:
1079:
1074:
1067:
1062:
1055:
1050:
1043:
1038:
1031:
1026:
1019:
1014:
1012:
1005:, back cover.
1004:
999:
992:
987:
980:
975:
968:
965:, p. 1;
964:
960:
955:
948:
944:
939:
932:
928:
923:
916:
911:
904:
900:
895:
888:
887:Campbell 2012
884:
879:
872:
867:
860:
855:
848:
844:
840:
835:
829:, p. 78.
828:
823:
821:
813:
808:
801:
796:
794:
792:
790:
782:
777:
773:
763:
762:
758:
756:
753:
751:
748:
746:
743:
742:
738:
727:
724:
713:
710:
699:
696:
690:
685:
678:
675:
674:
669:
665:
664:
659:
654:
653:college radio
650:
646:
639:
638:
637:The A.V. Club
632:
630:
629:
624:
623:
618:
617:
612:
608:
607:
602:
598:
594:
590:
586:
581:
571:
569:
561:
560:
554:
553:
548:
544:
543:
538:
533:
531:
527:
526:Debbie Gibson
523:
519:
515:
511:
506:
502:
501:
492:
488:
484:
481:
477:
473:
469:
468:
463:
462:
457:
456:
445:
443:
439:
438:
433:
429:
428:Da Capo Press
425:
421:
417:
408:
406:
402:
398:
394:
390:
385:
383:
379:
375:
366:
362:
358:
354:
350:
346:
344:
340:
336:
332:
328:
324:
320:
316:
312:
308:
304:
300:
296:
292:
282:
278:
273:
271:
270:
265:
264:
259:
255:
254:
249:
242:
241:
236:
235:Cooper Square
232:
227:
217:
215:
214:
207:
204:
203:
198:
193:
191:
187:
186:
181:
177:
173:
172:
163:
161:
157:
153:
150:
148:
144:
140:
137:
136:0-679-73015-X
134:
132:
128:
124:
120:
116:
112:
109:United States
108:
104:
101:
97:
93:
87:
84:
82:
81:popular music
79:
77:
74:
72:
69:
67:
64:
62:
59:
58:
56:
52:
48:
44:
41:
38:
34:
30:
25:
19:
1761:Music guides
1670:
1662:
1655:
1654:
1646:
1576:. Retrieved
1572:the original
1559:
1555:
1528:. Retrieved
1522:
1492:
1469:
1457:. Retrieved
1451:
1435:. Retrieved
1429:
1416:
1410:
1398:. Retrieved
1392:
1379:
1373:
1361:. Retrieved
1350:
1331:. Retrieved
1325:
1298:
1283:. Retrieved
1277:
1255:. Retrieved
1249:
1222:
1198:
1173:
1146:
1134:. Retrieved
1130:the original
1125:
1112:
1108:
1100:Bibliography
1090:Jenkins 2001
1085:
1073:
1061:
1049:
1037:
1025:
1018:Hilburn 1990
998:
986:
974:
954:
938:
922:
910:
894:
878:
866:
854:
834:
807:
776:
759:
723:Music portal
695:1980s portal
671:
661:
644:
635:
633:
628:Rough Guides
626:
620:
614:
610:
604:
592:
584:
583:
567:
557:
550:
540:
534:
530:Public Enemy
517:
498:
496:
480:Greil Marcus
471:
465:
459:
453:
451:
435:
431:
415:
414:
397:out of print
386:
370:
331:world musics
291:letter grade
288:
280:
275:
267:
261:
251:
247:
246:
238:
211:
208:
200:
194:
183:
170:
169:
168:
158:
145:
18:
1437:October 20,
1400:October 13,
1363:October 13,
1078:Murray 2001
979:Lawson 1991
943:Robins 2016
927:Miller 1990
903:Lawson 1991
899:Miller 1990
883:Miller 1990
871:Shuker 1994
861:, "Decade".
843:Lawson 1991
827:Miller 1990
668:Mick Jagger
464:(1983) and
426:in 1994 by
355:records by
174:is a music
71:discography
1715:Categories
1578:2018-08-27
1459:August 20,
1312:0313308780
1285:August 27,
1257:January 1,
1236:0838934617
1213:0312245602
1136:August 21,
1066:Matos 2011
991:Anon. 1994
963:Anon. 2002
959:Matos 2011
915:Gross 2015
768:References
663:Dirty Mind
622:MusicHound
578:See also:
514:Neil Young
401:dedication
389:post-disco
380:and dance
333:, such as
224:See also:
220:Background
86:rock music
1530:April 15,
1474:Routledge
1343:Kot, Greg
947:Wolk 2010
781:Wolk 2010
745:Album era
666:(1980): "
510:Bob Dylan
424:reprinted
343:worldbeat
327:post-punk
323:punk rock
95:Published
1700:Tom Hull
1357:Archived
1333:March 4,
1171:(1990).
847:Kot 1990
800:Kot 1990
681:See also
645:The '80s
609:(2002),
522:Greg Kot
442:Tom Hull
432:The '80s
422:and was
353:Platinum
98:1990 by
46:Language
1524:Vulture
520:critic
497:In the
365:Madonna
315:hip hop
303:country
258:capsule
197:capsule
54:Subject
49:English
1675:(2015)
1667:(2000)
1659:(1990)
1651:(1981)
1503:
1480:
1309:
1233:
1210:
1185:
1157:
658:Prince
649:Top 40
625:, and
549:album
363:, and
357:Prince
335:reggae
162:
149:
61:Albums
36:Author
1640:Books
641:'
563:'
319:metal
307:blues
122:Pages
117:Print
1532:2017
1501:ISBN
1478:ISBN
1461:2018
1439:2018
1402:2018
1365:2018
1335:2020
1307:ISBN
1287:2018
1259:2019
1231:ISBN
1208:ISBN
1183:ISBN
1155:ISBN
1138:2018
651:and
337:and
311:jazz
295:rock
131:ISBN
1564:doi
1417:115
603:'s
542:Boy
512:or
382:DJs
299:pop
125:514
1717::
1560:30
1558:.
1554:.
1521:.
1499:.
1495:.
1476:.
1472:.
1450:.
1428:.
1415:.
1391:.
1380:37
1378:.
1355:.
1349:.
1324:.
1305:.
1276:.
1248:.
1229:.
1225:.
1206:.
1202:.
1181:.
1177:.
1153:.
1124:.
1113:25
1111:.
1010:^
961:;
819:^
788:^
619:,
537:U2
503:,
359:,
325:,
321:,
317:,
313:,
309:,
305:,
301:,
297:,
192:.
1625:e
1618:t
1611:v
1581:.
1566::
1534:.
1509:.
1486:.
1463:.
1441:.
1419:.
1404:.
1382:.
1367:.
1337:.
1315:.
1289:.
1261:.
1239:.
1216:.
1191:.
1163:.
1140:.
1115:.
1092:.
1080:.
1068:.
1056:.
1020:.
949:.
917:.
849:.
802:.
783:.
547:X
434:—
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
