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the brush, on the other hand, to depict the actions of heroes and visions from the spirit world". It was felt at the time that a picture should firstly contain beautiful emotions, often wrapped in witty allegories; then beautiful lines; and finally, beautiful colours. Kratzenstein Stub's pictures were thought to embody "a
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to compete for the professorship at their model school. This general satisfaction probably came from
Kratzenstein Stub's choice of subjects, which educated Danes of the time especially appreciated. Thus it was said at the time in Denmark that "it belonged to the chisel to portray gods and heroes,
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Kratzenstein Stub's health, never strong, was weakened by the early death of a daughter. He became depressed, finding relief in music, to the extent that he could not paint unless his wife played the harp for him. When painting the dead child of Baron Reedtz-Thott on
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Kratzenstein Stub spent his first years in the house of his maternal grandfather, after whom he was named, and whose family name he later added to his own. When the maternal grandfather died in 1795, the boy was sent to
Salzmanns school in Schnepfenthal near
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In 1811 he returned to
Copenhagen and celebrated his wedding. His paintings became more lively, and in the coming years he executed a series of portraits – mostly ladies of the distinguished Copenhagen
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Celenza, Anna H. Harwell (1998). "Efterklange Af Ossian: The
Reception of James Macpherson's 'Poems of Ossian' in Denmark's Literature, Art, and Music".
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From his grandfather, he had come into possession of a small inheritance, which enabled him to continue his studies. He spent some time studying
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to convalesce in the country air, but he died there on 24 July of the same year. He is buried at St. Olai's
Cemetery,
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Christian was born in
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to Mille
Johanne Smith, a daughter of provost Troels Smith, caused him to concentrate on art.
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To learn more about great art, in 1809 he travelled to France and Italy. In
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to become a painter, but soon decided to educate himself. His engagement in
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Kratzenstein Stub's pictures were much admired in his lifetime, such as by
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before his early death. In addition, in 1813 he had painted the picture
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251:'s brush". As an artist, Kratzenstein Stub was compared to
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Kratzenstein Stub has been compared to the German painter
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Neoclassical and
Romantic Painting in Denmark, 1754-1848
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430:Journal of the Warburg and Courtauld Institutes
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428:Okun, Henry (1967). "Ossian in painting".
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157:and Alphin's son listen to Malvin's spirit
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530:"Kratzenstein-Stub, Christian Gottlieb"
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563:"Christian Gottlieb Kratzenstein Stub"
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499:"Christian Gottlieb Kratzenstein Stub"
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584:63 artworks by C.G. Kratzenstein Stub
344:waits in vain for her departed spouse
16:Danish mythology and portrait painter
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41:Christian Gottlieb Kratzenstein Stub
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176:Hother and the three forest nymphs
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275:awakens the ghost of his father
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528:Bricka, Carl Frederick (1905).
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191:in an icy hall, he contracted
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329:with the tip of his arrow
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140:Cupid with the butterfly
56:Early life and education
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214:Appreciation of his art
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310:from the underworld
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64:An early painting:
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136:Bertel Thorvaldsen
108:Nicolai Abildgaard
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77:Royal Danish Navy
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416:Bricka 1905
200: [
164:bourgeoisie
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594:Categories
370:References
362:de Coninck
208:Kalundborg
104:hydraulics
458:195003210
279:from his
100:mechanics
51:Biography
36:, c. 1800
561:(1878).
485:40920065
325:awakens
308:Eurydice
277:Angantýr
230:in 1796.
522:Sources
509:27 July
342:Alkyone
304:Orpheus
289:Tyrfing
259:Gallery
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450:750749
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364:, 1814
327:Psyche
273:Hervör
168:Ossian
155:Ossian
71:, 1810
481:JSTOR
454:S2CID
446:JSTOR
323:Cupid
285:Samsø
204:]
189:Gavnø
182:Death
130:; in
124:Paris
93:Gotha
67:Cupid
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132:Rome
112:1808
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