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Christopher Tye

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148: 242: 22: 97: 1617: 1627: 205: 166:(then Prince Edward). This affiliation would prove to have a strong influence on him for the rest of his life. Cox was also the person who very probably introduced Tye to the royal court. It is believed that this led to Christopher Tye being a kind of musical adviser of the court who worked closely with Edward. In 1605, 257:
As a pre-eminent court musician with strong Protestant leanings, Tye is generally considered to be one of the most influential English composers of his day. Even after his appointment in the ministry when his composing ceased, his reputation as a musician continued to spread. However, only one of
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in the Bible and sets them to meter. Although it was met with divided reviews (even today), the work is hugely important because it is dedicated to Edward. In the preface he goes into some detail that implies a kind of friendship between the two. Although it is never mentioned explicitly, it is
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Little is known about Tye's origins. Cambridge University records for the academic year 1536-37 indicate that he received the degree of Bachelor of Music after "a study of ten years in the musical art"; from this it is supposed that Tye was born around 1505 (making him a direct contemporary of
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Some works only exist in parts or excerpts. For example, it was only after laboriously reconstructing a supposedly missing bass voice part of the anthem "To Father, Son and Holy Ghost" that the editor Vladimir Fedorov discovered the 'missing' part. Works such as
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into four-part harmony, was published during his lifetime. Compared to his polyphonic works, this work is not well regarded, although it is from this collection that his most familiar piece is derived; the most common tune of
120:; it was in 1536-37 that the so called "temporary" chapel (in use since the 1440s) collapsed, so Tye may well have been part of the first generation of lay clerks to sing in regular worship in the iconic 1671: 1195: 112:), probably in Cambridgeshire, where the family name was common and where Tye would go on to spend much of his career. For two terms in 1537 Tye is recorded among the 333:
suggests that given his reputation as an organist, it would be inconceivable that he composed no keyboard works and concludes that these must have also been lost.
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Tye is believed to have died at Doddington before March 1573 when his successor as rector was appointed, although no record is found of his death.
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of 1553. The latter half was adapted and used as the tune of "Winchester Old", otherwise known as "While Shepherds Watched their Flocks by Night".
135:. In 1545 the University of Cambridge awarded him the degree of Doctor of Music, and three years later the same honour was bestowed on him by the 441: 176:. In the play, Tye and King Edward play important roles and exchange dialogue where Edward identifies 'Doctor Tye' as 'Our music's lecturer.' 875: 1445: 1676: 847: 693: 648: 1656: 329: 1440: 513: 218:. Soon, thereafter, Tye took it upon himself to take up a place in the ministry and thus ceased to compose music. Cox, who was 716: 274:
His surviving Latin polyphonic choral works, most likely dating from the reign of Henry VIII include three full masses - the
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Nan Cooke Carpenter (1960). "Christopher Tye and the Musical Dialogue in Samuel Rowley's 'When You See Me, You Know Me".
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In 1558, Tye took up his posting again at Ely Cathedral, probably at the request of his old friend,
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He ceased composing when he was ordained, returning to Ely Cathedral and later becoming rector of
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in 1560 and later in the year as priest. Tye resigned from the post at Ely and was appointed to
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Grace book Γ (containing the records of the University of Cambridge for the years 1501-1542)
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s and other instrumental for four or five works survive, some of the earliest examples of
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and was held in high esteem for his choral music, as well as chamber works such as his 24
8: 1343: 974: 84:, which forms the basis of the most commonly performed version in the United Kingdom of " 1027: 1022: 1538: 1518: 1493: 1483: 1315: 1290: 1275: 1265: 1260: 1230: 1007: 969: 909: 812: 777: 625: 573: 538: 530: 466: 296: 80:. Today, he is perhaps best known for the hymn "Winchester Old", based on a theme from 1300: 1626: 1574: 1323: 1235: 1062: 959: 884: 712: 542: 370: 37: 924: 808: 1498: 1328: 1250: 1205: 1160: 1135: 1130: 1085: 1052: 1047: 1012: 954: 929: 804: 769: 704: 617: 565: 522: 733: 416: 1528: 1513: 1455: 1295: 1245: 1180: 1125: 1115: 1110: 1105: 1067: 997: 919: 914: 663: 556:
Robert W. Weidner (April 1972). "Tye's 'Actes of the Apostles:' A Reassessment".
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Judith H. Blezzard (October 1973). "Christopher Tye: A Quartercentenary Note".
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Robert W. Weidner (1964). "The Instrumental Music of Christopher Tye".
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Hillebrand, Harold N. “The Early History of the Chapel Royal.”
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The composer's career shows that he had a strong connection to
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Frontispiece of Christopher Tye's only published work, the
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Doe and Mateer, "Tye, Christopher," in Grove Music Online.
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John Langdon (October 1972). "Tye and His Church Music".
644:"Tye, Christopher (1560 - 1573) (CCEd Person ID 33022)" 649:
The Clergy of the Church of England Database 1540–1835
170:(believed to be Tye's grandson) wrote a play entitled 162:, who was a passionate church reformer and a tutor of 187:. In it he takes the ideas set forth in the book of 510: 73:was the only work to be published in his lifetime. 759: 692: 192:generally assumed that Tye held a position in the 1672:Members of the Choir of King's College, Cambridge 794: 555: 1643: 290:. Other surviving movements from psalms include 16:British organist and composer (c1505-before1573) 869: 797:Journal of the American Musicological Society 100:Tye may have been among the first singers in 703:(online ed.). Oxford University Press. 607: 142: 222:during this time, ordained the composer as 876: 862: 848:International Music Score Library Project 396:. Cambridge University Press. p. 312 127:By 1543 Tye had taken up the position of 240: 203: 146: 95: 20: 700:Oxford Dictionary of National Biography 690: 686: 684: 330:Oxford Dictionary of National Biography 292:Quaesumus omnipotens et misericors Deus 1644: 514:Journal of Research in Music Education 497: 495: 493: 491: 389: 196:staff during the 1550s at some point. 56:. He is noted as the music teacher of 52:and became the master of the choir at 36:(c.1505 – before 1573) was an English 883: 857: 681: 594:, vol. 18, no. 5, 1920, pp. 233–68. 467:"Christopher Tye - British composer" 269:While Shepherds Watched Their Flocks 262:of 1553, a verse translation of the 86:While Shepherds Watched Their Flocks 694:"Tye, Christopher (c. 1505–1571x3)" 488: 442:"King's College Chapel: Up to 1515" 230:, the richest benefice in England. 13: 414: 199: 179:Later, in 1553, Tye published his 118:Choir of King's College, Cambridge 14: 1688: 827: 1677:British male classical organists 1625: 1616: 1615: 1151:Giovanni Pierluigi da Palestrina 363:The Harvard University Hymn Book 327:. Nigel Davison, writing in the 102:King's College Chapel, Cambridge 809:10.1525/jams.1964.17.3.03a00070 788: 753: 750:– Volume 31, NumĂ©ro 1, 1984, 33 740: 656: 636: 601: 390:Searle, William George (1908). 306:Peccavimus cum patribus nostris 1657:16th-century English composers 844:Free scores by Christopher Tye 834:Free scores by Christopher Tye 584: 549: 504: 459: 434: 408: 383: 355: 302:Omnes gentes, plaudite manibus 1: 894:List of Renaissance composers 348: 91: 838:Choral Public Domain Library 734:UK public library membership 181:rhymed scriptural paraphrase 7: 336: 249:" of chapter VIII in Tye's 173:When You See Me You Know Me 10: 1693: 1667:Organists of Ely Cathedral 1524:Petrus Phalesius the Elder 1339:English Virginalist School 314:O God, be merciful unto us 228:Doddington, Cambridgeshire 78:Doddington, Cambridgeshire 1595: 1547: 1474: 1413: 1367: 1314: 1306:Jan Pieterszoon Sweelinck 1189: 1076: 988: 900: 891: 446:King's College, Cambridge 185:The Actes of the Apostles 143:Work with the Royal Court 367:Harvard University Press 236: 154:as Prince of Wales, 1546 1334:English Madrigal School 691:Davison, Nigel (2004). 475:EncyclopĂŠdia Britannica 343:Robert White (composer) 50:University of Cambridge 1662:English male composers 1176:TomĂĄs Luis de Victoria 980:Oswald von Wolkenstein 709:10.1093/ref:odnb/27931 570:10.1093/mq/lviii.2.242 254: 211: 155: 104: 30: 1196:Transition to Baroque 1141:Pierre de Manchicourt 598:Retrieved 4 May 2023. 558:The Musical Quarterly 369:. 2007. p. 426. 286:mass and a six-voice 260:Actes of the Apostles 251:Actes of the Apostles 244: 207: 150: 122:King's College Chapel 99: 27:Actes of the Apostles 24: 1226:Girolamo Frescobaldi 1033:CristĂłbal de Morales 748:Fontes Artis Musicae 264:Acts of the Apostles 137:University of Oxford 129:Magister Choristarum 82:Acts of the Apostles 71:Acts of the Apostles 48:, he trained at the 38:Renaissance composer 1344:Florentine Camerata 1316:Composition schools 975:Gaspar van Weerbeke 768:(1568): 1051–1053. 616:(1556): 1011–1015. 316:have been revived. 44:. 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Index


Renaissance composer
organist
Cambridgeshire
University of Cambridge
Ely Cathedral
Edward VI
polyphonic
In nomines
Doddington, Cambridgeshire
While Shepherds Watched Their Flocks

King's College Chapel, Cambridge
Thomas Tallis
lay clerks
Choir of King's College, Cambridge
King's College Chapel
Ely Cathedral
University of Oxford
Painting of Edward at 9 years. Both the pose of the prince and his dress imitate portraits of Henry VIII. The child wears a broad-shouldered mantle of dark velvet over his clothes which are ornately embroidered in gold thread. He wears a prominent cod-piece and carries a dagger. His short red hair can be seen beneath his cap, contrasting with dark eyes. He looks well and robust.
Edward VI
Richard Cox
King Edward
Samuel Rowley
When You See Me You Know Me
rhymed scriptural paraphrase
'Acts'
Chapel Royal

Ely Cathedral

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