Cindy Sherman - Knowledge

896: 232:, where she majored in painting. During this time, she began to explore the ideas which became a hallmark of her work: She dressed herself as different characters, cobbled together from thrift-store clothing. Frustrated with what she saw as the limitations of painting as a medium of art, she abandoned it and took up photography. "here was nothing more to say ", she recalled. "I was meticulously copying other art, and then I realized I could just use a camera and put my time into an idea instead." Sherman has said about this time: 381: 370:

change external elements until she finds what she wants. She has said of her process, "I think of becoming a different person. I look into a mirror next to the camera…it’s trance-like. By staring into it I try to become that character through the lens ... When I see what I want, my intuition takes over—both in the 'acting' and in the editing. Seeing that other person that’s up there, that’s what I want. It's like magic."

236:"One of the reasons I started photographing myself was that supposedly in the spring one of my teachers would take the class out to a place near Buffalo where there were waterfalls and everybody romps around without clothes on and takes pictures of each other. I thought, ‘Oh, I don't want to do this. But if we're going to have to go to the woods I better deal with it early.’ Luckily we never had to do that." 397:(1977–1980), with which Cindy Sherman achieved international recognition, consists of 69 black-and-white photographs. The artist poses in different roles (librarians, hillbillies, and seductresses), and settings (streets, yards, pools, beaches, and interiors), producing a result reminiscent of stills typical of Italian neorealism or American film noir of the 1940s, 1950s and 1960s. 354:, (1977–80), Sherman appears as B-movie and film noir actresses. When asked if she considers herself to be acting in her photographs, Sherman said, "I never thought I was acting. When I became involved with close-ups I needed more information in the expression. I couldn't depend on background or atmosphere. I wanted the story to come from the face. Somehow the acting just happened." 339:, to transform her identity for each image, and the cutout characters were lined up along the bus's advertising strip. Some critiques say that this work showed insensitivity to race through the use of blackface makeup while others state that it was rather with the intention of exposing racism embedded in society. The American theatre critic 524:'s Editor in Chief Ingrid Sischy for an artist's section in the magazine. She poses either on the floor or in bed, usually recumbent and often supine. About her aims with the self-portraits, Sherman has said: "Some of them I'd hope would seem very psychological. While I'm working I might feel as tormented as the person I'm portraying." 33: 1137:

Sherman said that "I didn't really analyze it at the time as far as knowing that I was commenting upon some feminist issue. The theories weren't there at all... But now I can look back on some of them, and I think some of them are a little blatantly obvious, too much like the original pin-up pictures

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call attention to stereotypes of women in society, films, television and magazines. When talking about one of her centerfold pictures Sherman stated, "In content I wanted a man opening up the magazine suddenly look at it with an expectation of something lascivious and then feel like the violator that

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Her exhibition at the Museum of Modern Art in 2012 also presented a photographic mural (2010–11) accompanied by films selected by Sherman. In this mural, she photoshopped her face with a decorative backdrop to transform herself into a fictitious environment. Along with other characters, Sherman toys

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Sherman avoided putting titles on the images in order to preserve their ambiguity. She would often pose her heroines as alone, expressionless, and in private. An overarching characteristic of her heroines were those that did not follow conventional ideas of marriage and family; they were rebellious

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that Sherman's work is "ashioned from dismembered and recombined mannequins, some adorned with pubic hair, one posed with a tampon in vagina, another with sausages being excreted from vulva, this was anti-porn porn, the unsexiest sex pictures ever made, visions of feigning, fighting, perversion. …

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in 1990, "I feel I'm anonymous in my work. When I look at the pictures, I never see myself; they aren't self-portraits. Sometimes I disappear." She describes her process as intuitive, and that she responds to elements of a setting such as light, mood, location, and costume, and will continue to

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She spent the remainder of her college education focused on photography. Though Sherman had failed a required photography class as a freshman, she repeated the course with Barbara Jo Revelle, whom she credited with introducing her to conceptual art and other contemporary forms. At college she met

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Sherman's career has also included several fashion series, including designs for Prada, Dolce & Gabbana, and Marc Jacobs. In 1983, fashion designer and retailer Dianne Benson commissioned her to create a series of advertisements for her store, Dianne B., that appeared in several issues of

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has written, " all have nearly the same features, too, while Ms. Sherman is able to give the white characters she impersonates a real range of skin tones and facial features. This didn't look like irony to me. It looked like a stale visual myth that was still in good working order."

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opened later that year, Sherman's photographs were the first show. "Untitled Film Stills" were shown first at the non-profit gallery Artists Space where Sherman was working as a receptionist. Her first solo exhibitions in France were presented by Galerie Chantal Crousel in Paris.

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However, Sherman does not consider her work or herself to be feminist, stating "The work is what it is and hopefully it's seen as feminist work, or feminist-advised work, but I'm not going to go around espousing theoretical bullshit about feminist stuff."

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Sherman works in series, typically photographing herself in a range of costumes. To create her photographs, Sherman shoots alone in her studio, assuming multiple roles as author, director, make-up artist, hairstylist, wardrobe mistress, and model.

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Others question whether this confrontation with the male gaze and a feminine struggle was an intentional consideration of Sherman's, and whether this intentionality is important in considering the feminist standpoint of Sherman's photography.

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cycle, where the use of digital photography enabled her to create chromatically garish backdrops and montages of numerous characters. Set against opulent backdrops and presented in ornate frames, the characters in Sherman's 2008 untitled

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In 2017, she collaborated on a "selfie" project with W Magazine that was based on the concept of the "plandid", or "the planned candid photograph". Sherman utilized a variety of photo-correction apps to create her Instagram portraits.

335:(1976–2000) is a series of photographs that feature the artist as a variety of meticulously observed characters. The photographs were shot in 1976 for the Bus Authority for display on a bus. Sherman used costumes and make-up, including 1934: 408:

Modest in scale compared to Sherman's later cibachrome photographs, they are all 8 1/2 by 11 inches, each displayed in identical, simple black frames. Sherman used her own possessions as props, or sometimes borrowed, as in

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states that the film lacks the artist's usual finesse and is a retrospective of her work - "a fascinating if lumpish bit of Shermaniana." Movie critic colleague to Roberta Smith, Stephen Holden, called the film "sadly inept."

4212: 706:’s archive, a more recent series of large-scale pictures from 2012 depict outsized enigmatic female figures standing in striking isolation before ominous painterly landscapes the artist had photographed in Iceland during the 878:

In the catalog essay by Philipp Kaiser for Sherman's 2016 exhibition at the Metro Pictures Gallery, he mentioned six short films that Sherman made while in college, and how they were the precursors that eventually led to

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Sherman displays herself with a body made of prosthetic. Her face is the only part of her that shows but is covered by a gas mask meant to emphasize the parts of the female body that tend to be over-sexualized.

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In addition to her film stills, Sherman has appropriated a number of other visual forms—the centerfold, fashion photograph, historical portrait, and soft-core sex image. These and other series, like the 1980s

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has said that Dorine is 'a stand-in' for herself ... The most compelling similarity ... their shard interest in arranging bodies ... Dorine, like Sherman, is a puppeteer, an arranger of her own dioramas ...

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from her studio which was spent "coming to terms with health issues and getting older," Sherman produced and staged her first photo gallery in five years. The series, "The Imitation of Life," named after a

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is full of unexpected characters and plot twists. Schweitzer considers the film to be a comedy, horror, melodrama, noir, feminist statement, and an art piece. The film got negative reviews. In a review for

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they would be looking at this woman who is perhaps a victim. I didn't think of them as victims at the time... Obviously I'm trying to make someone feel bad for having a certain expectation".

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Between 1989 and 1990, Sherman made 35 large, color photographs restaging the settings of various European portrait paintings of the fifteenth through early 19th centuries under the title

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are not based on specific women, but the artist has made them look entirely familiar in their struggle with the standards of beauty that prevail in a youth- and status-obsessed culture.

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women who either died as that or who were later tamed by society. In this series, the gaze seems to come from another subject – "usually a man" – to highlight the concept of the

3064: 217:. Her mother taught reading to children with learning difficulties. Sherman has described her mother as good to a fault, and her father as strict and cruel. She was raised 6376: 2463: 520:, 1981, are inspired by the center spreads in fashion and pornographic magazines. The twelve (24 by 48 inches) photographs were initially commissioned — but not used — by 4765: 2763: 815:. Dorine, played by Carol Kane, is a stand-in for Sherman. They have a shared interest in arranging bodies, like a puppeteer, in diorama-like scenes. According to author 5029: 5138: 620:

as "n this scheme of things the impulse to erode the subject and to tear at the screen has driven Sherman to her recent work, where it is obliterated by the gaze."

5499: 1099:, the scholar Douglas Crimp states that Sherman's work is "a hybrid of photography and performance art that reveals femininity to be an effect of representation." 1654:. This fellowship grants $ 500,000 over five years, no strings attached, to important scholars in a wide range of fields, to encourage their future creative work. 646:, Sherman posed medical prostheses in sexualized positions, recreating—and strangely modifying—pornography. An example of this can be seen in her work entitled 264:, an arts center intended as a space that would accommodate artists from diverse backgrounds. Sherman was also exposed to the contemporary art exhibited at the 4620: 5748: 4193: 794:, creating a stage backdrop used in live concerts, and acting in the promotional video for the song "Bruise Violet." She also worked as a film director. 5492: 6431: 6426: 4495: 4346: 2956: 2668: 1736: 3884: 3123: 4870: 4047: 4289: 2366: 2280: 1923:, April 4, 2004; accessed May 21, 2012. "Ms. Sherman was born in Glen Ridge; when she was 3, her family moved to Huntington Beach on Long Island." 4984: 4707: 4320: 3616: 6406: 4097: 3829: 2416: 1213:, who manipulates themes of identity in his videos and photography. Her influence stretches to artists in other art mediums, including painter 6416: 2655: 2313: 1960: 4604: 4158:

Meager, Michelle (November 2010). "Would the Real Cindy Sherman Please Stand Up? Encounters between Cindy Sherman and Feminist Art Theory".

3998: 3391: 3325: 2746: 6401: 6396: 5764: 5586: 3158: 6386: 5564: 4587: 3645:. Schoon, Talitha., Schampers, Karel., Museum Boijmans Van Beuningen (Rotterdam, Netherlands). Rotterdam: Museum Boijmans Van Beuningen. 2501: 2231: 1991: 6005: 5515: 4691: 3851: 2851: 1244:. The exhibit garnered mainly negative reviews, calling Franco's appropriations 'sophomoric,' 'sexist,' and embarrassingly clueless.' 4664: 6391: 4915: 2582: 6366: 5552: 1375: 1005:

a show that chronicled Sherman's work from the mid-1970s on and include more than 170 photographs. The exhibition travelled to the

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Sprague-Jones, Sprague, Jessica, Joy (September 29, 2011). "The Standpoint of Art/Criticism: Cindy Sherman as Feminist Artist?".

3061: 967: 955: 209:, the youngest of the five children of Dorothy and Charles Sherman. Shortly after her birth, her family moved to the township of 6441: 6356: 3145: 6381: 5711: 5642: 5558: 4808: 3215: 2936: 1689: 1595: 1567: 1535: 943: 3177: 2176: 707: 6436: 6421: 5611: 4747: 3264: 1145:. Scholars like Hal Foster and Laura Mulvey interpret Sherman's use of the abject via the grotesque in 1980s projects like 570:

series in 1989. For once she removed herself from the shots, as these photographs featured pieced-together medical dummies

2064:"Biography - Cindy Sherman - Photographer, Model, Director, Actor, Avant-Garde Images, Doll Parts and Prosthetics, Movies" 3536:. Kellein, Thomas., Kunsthalle Basel., Staatsgalerie Moderner Kunst., Whitechapel Art Gallery. Stuttgart: Edition Cantz. 1721:

2012: Sherman was among the artists whose works were given as trophies to the filmmakers of winning pictures in the 2012

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Sherman's work is often credited as a major influence for contemporary portrait photographers. One such photographer is

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Cindy Sherman Has Unveiled Her First Non-Photographic Works at Art Basel Miami Beach: Tapestries Based on Her Instagram

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is full of unexpected characters and bizarre plot twists, a comedy/horror/melodrama/noir/feminist statement/art piece.

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Sherman has expressed contempt for social media platforms, calling them "so vulgar." However, she maintains an active

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on a design for a piece of jewelry. She returned to working with Teller on Marc Jacobs' Spring/Summer 2024 campaign.

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for $ 1.5 million. She later acquired a 19th-century home on a ten-acre waterfront property on Accabonac Harbor in

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Liu, Jui-Ch'i (February 2010). "Female Spectatorship and the Masquerade: Cindy Sherman's Untitled Film Stills".

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series of 2016 she poses, in vintage costume and theatrical makeup, as a variety of ageing actress-like women.

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Scholar Michele Meager interprets Sherman as having been "crowned a resistant celebrity" to feminist theory.

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Foster, Hal. "Obscene, Abject, Traumatic". Obscene, Abject, Traumatic 78 (1996): 106–24. Print. 15 Nov 2013.

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in Berlin (2007), among others. Major traveling retrospectives of Sherman's work have been organized by the

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Steve Martin and Rachel Maddow Toast World-Renowned Artists at the Hammer Museum Katy Perry Toasts Nail Art

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about the former's relationship with Sherman. She was initially supportive, but later opposed the project.

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in which the doggy pillow belongs to a friend. The shots were also largely taken in her own apartment. The

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Lindemann, Adam. "All Hail Cindy Sherman! Once Again, Unanimity Rules Among New York's Longtime Critics."

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being created. The catalog also includes a conversation between Sherman and the director of the exhibit,

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She took several photographs in the series while preparing for a road trip to Arizona with her parents.

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In addition to questions of the gaze, Sherman's work is also given feminist analysis in the context of

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grossed $ 37,446 and received generally poor reviews, which called the film "crude" and "laugh-free."

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Sherman later returned to her apartment, preferring to work from home. She created her version of a

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Cindy Sherman as Orson Welles... as John Ford... as Vittorio De Sica... as Alfred Hitchcock...

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Belasco, Daniel (April 1, 2005), "Review of The Unseen Cindy Sherman: Early Transformations",

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in 2008; they were first shown to the public in 2010. Also in 2010, Sherman collaborated with

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school system, Media Studies Buffalo, and the Center for Exploratory and Perceptual Arts, and

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Guests of Cindy Sherman: The Azuero Earth Project Benefit at the Artist’s East Hampton Spread

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Kelly, Michael, "Danto and Krauss on Cindy Sherman". In: M. A. Holly & K. Moxey (eds.),

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fetched $ 3.89 million at Christie's, making it the most expensive photograph at that time.

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in New York City, and also at the Broad Museum in Los Angeles. In 2017 it was shown at the

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by Paul Tschinkel; Marc H Miller; Sarah Berry; Stan Harrison; Cindy Sherman; Helen Winer;

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Many scholars emphasize the relationship Cindy Sherman's work has with the concept of the

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Other early works involved cutout figures, such as the Murder Mystery and Play of Selves.

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with the idea of reality and fantasy together. Based on a 32-page insert Sherman did for

628: 551: 4417: 3178:"Completely Punk Rock: Cindy Sherman's (Nearly) Forgotten History with Babes in Toyland" 185:, a series of 70 black-and-white photographs of herself evoking typical female roles in 5927: 5687: 5421: 5095: 4766:

Simone Leigh, Jeff Koons, and Other Top Artists Offer Work for Kamala Harris Fundraiser

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It was in Buffalo that Sherman encountered the photo-based conceptual works of artists

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Gaby Hoffmann on Girls, Dance Parties With Claire Danes, and Waxing for Veronica Mars

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Bridging the Art/Commerce Divide: Cindy Sherman and Rei Kawakubo of Comme des Garçons

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Later in 1978, Sherman began taking shots in outdoor locations around the city. E.g.

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series' relationship with the male gaze. In a 1991 interview with David Brittain in

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in 1984, making her stepmother to Auder's daughter, Alexandra, and her half-sister

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in Minneapolis. In 2013, Sherman was invited to organize a show within that year's

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In 2009, Paul Hasegawa-Overacker and Tom Donahue completed a feature documentary,

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modeled his porn star wife in his "Made in Heaven" series, Sherman produced the

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2005: Guild Hall Academy of the Arts Lifetime Achievement Award for Visual Arts

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Sherman serves on the artistic advisory committee of the New York City-based

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Sherman's first solo show in New York was presented at a noncommercial space

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of those times, so I have mixed feelings about them now as a whole series."

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Warhol's $ 63 Million Portrait of Elizabeth Taylor Stuns Dealers at Auction

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Cindy Sherman: The Complete Untitled Film Stills, June 26-September 2, 1997

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for $ 2.7 million, near the $ 3 million high estimate. In 2011, a print of

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in Paris (2006–2007). In 2009, Sherman was included in the seminal show "

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In 2006, Sherman created a series of fashion advertisements for designer

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Cindy Sherman Heads to Hauser & Wirth After Metro Pictures’s Closure

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for the brand's autumn/winter 1994–95 collections in collaboration with

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in Manhattan purchased the series for an estimated $ 1 million in 1995.

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Sherman has since participated in many international events, including

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series, the film includes several artistically executed murder scenes.

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Today, I think of Cindy Sherman as an artist who only gets better."

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Sherman was represented by Metro Pictures for 40 years and also by

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Cindy Sherman Poses for Juergen Teller in New Marc Jacobs Campaign

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Cindy Sherman: Her "History Portrait" Series as Post-Modern Parody

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Cindy Sherman: The Early Works 1975-1977 : Catalogue Raisonné

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Her breakthrough work is often considered to be the collection

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Cindy Sherman Self-Portraits Offer Empty Entertainment: Review

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reveal myself. That's a big, confusing thing that people have

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The Pictures Generation, 1974–1984; April 21 – August 2, 2009

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Greg Fallis of Utata Tribal Photography describes Sherman's

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After the Revolution Women Who Transformed Contemporary Art

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with my work: they think I'm trying to reveal these secret

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The remainder of the series was shot around New York, like

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Cindy Sherman to Receive the Jewish Museum's Man Ray Award

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Heilbrunn Timeline of Art History: The Pictures Generation

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Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman

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When writing about Sherman's "Film Stills" in the journal

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Tribeca lines up art prizes: Sherman, Walker donate works

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Foster, Hal (Autumn 1996). "Obscene, Abject, Traumatic".

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Sherman herself has identified an uncertainty toward the

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In the early 1990s, Sherman worked with Minneapolis band

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The first six are grainy and slightly out of focus (e.g.

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Photographer Cindy Sherman Shoots Her Best Model—Herself

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Works by Sherman are held in the following collections:

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was listed as one of the 100 influential photographs by

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Sarah Lucas Wins New Museum’s $ 400,000 Sculpture Prize

4737:, ArtistsAgainstFracking.com; accessed January 2, 2015. 2669:"Cindy Sherman: A Playful and Political Post-Modernist" 2499:

Cindy Sherman's Untitled Film Stills twenty years later

2432: 2430: 1482:

Cindy Sherman: Photographic Works 1975-1995 (Paperback)

734:. Sherman also created photographs for an editorial in 668:

fantasies or something. It's really about obliterating

542:, 1986–1989, Cindy Sherman uses visible prostheses and 531:

series which includes Untitled #97, #98, #99 and #100.

474:, often featuring a blonde victim typical of film noir. 5229:

Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).

5228: 4568:

Juliet Chung and Candace Jackson (November 11, 2011),

4543: 4541: 4019: 3208:

Cindy Sherman's Office Killer: Another Kind of Monster

3019:

Cindy Sherman on Her First Ever Non-Photographic Works

2923: 1602:

Cindy Sherman's Office Killer: Another Kind of Monster

1271:

Between 1991 and 2005, Sherman lived in a fifth-floor

797:

Sherman moved from photographs to film with her movie

6013: 4785:"Cindy Sherman: Transformations: ART/new york No. 58" 2392:"Cindy Sherman Biography, Art, and Analysis of Works" 2146: 2144: 1484:. Schirmer/Mosel, 2002. By Elisabeth Bronfen, et al. 758:. The advertisements themselves were photographed by 5749:

Heresies: A Feminist Publication on Art and Politics

4366:"Urs Fischer Spotlights Pluralistic Notions of Love" 4241:

Sarah Douglas and Alex Greenberger (March 9, 2021),

3915:

Khomami, Nadia (July 19, 2024). "House of Mirrors".

3852:"Cindy Sherman's Divas, Poised for a Final Close-Up" 2427: 1204: 213:, Long Island. Her father worked as an engineer for 6377:

Members of the American Academy of Arts and Letters

4538: 4496:"Bye, Everybody! Hank Azaria Sells $ 8 M. SoHo Pad" 3570:

Hirshhorn Museum and Sculpture Garden | Smithsonian

3367:"The Kitchen: Cindy Sherman: Untitled Film Stills" 2704: 2141: 1715:at the 10th anniversary Gala in the Garden at the 786:, providing photographs for covers for the albums 4698:, StephenPetronio.com; accessed January 2, 2015. 4449: 3241:"ART VIEW; A Horror Movie, Complete With Zombies" 1915:"Art Review; Portraits of the Artist as an Actor" 1737:International Photography Hall of Fame and Museum 1352:and nearly 150 fellow artists in the founding of 1298:For many years, Sherman spent her summers in the 6333: 4891:"Cindy Sherman | Artist | Royal Academy of Arts" 4825:"Museum Ludwig - Gesellschaft für Moderne Kunst" 4725:Estoril Film Festival; accessed January 2, 2015. 3474:"- Cindy Sherman - Exhibitions - Metro Pictures" 2838: 2836: 1496:Cindy Sherman: The Complete Untitled Film Stills 1371:’s $ 400,000 Hostetler/Wrigley Sculpture Award. 717:From 2019 she showed self-portraits executed as 3640: 3531: 3071:, phillipsdepury.com; accessed January 2, 2015. 2826:Fallis, Greg. "Sunday Salon with Greg Fallis", 2792:. N.p., March 13, 2012. Web. November 15, 2013. 2340:"Cindy Sherman's Bus Riders - The story behind" 2255:"'Untitled', Cindy Sherman, 1976, printed 2000" 2010: 1637: 1544:The MIT Press, 2006. Edited by Johanna Burton. 1456:. Holiday House, 2000. By Leslie Sills, et al. 1363:In 2023, Sherman served on the jury that chose 505:sequence, were shown for the first time at the 4570:Cindy Sherman Lists Her Hamptons Vacation Home 4258: 4256: 3299:"Office Killer: Cindy Sherman Turns to Movies" 2107: 1337:. Along with David Byrne, she was a member of 612:, an American art critic, describes Sherman's 357:Many of Sherman's photo series, like the 1981 73:State University of New York (SUNY) at Buffalo 5999: 5500: 5294: 3449:"Cindy Sherman - Artists - Skarstedt Gallery" 3421:"Disparities and Deformations: Our Grotesque" 2865:SFMOMA Presents Cindy Sherman, April 11, 2012 2833: 1324: 1201:(2010) for a well above-estimate $ 355,600. 550:funding controversy involving photographs by 5587:Elizabeth A. Sackler Center for Feminist Art 4046:: CS1 maint: multiple names: authors list ( 3812:Cindy Sherman’s Guises All in a Single Place 1992:"Cindy Sherman: 'Why am I in these photos?'" 1932: 762:and released as a monograph by Rizzoli. For 683:Between 2003 and 2004, Sherman produced the 5765:Why Have There Been No Great Women Artists? 5565:New York School of Applied Design for Women 4588:Cindy Sherman's Eclectic Hamptons Farmhouse 4253: 2661: 2016: 1856: 1854: 1690:American Academy of Arts and Sciences Award 974:in New York (1997), which was sponsored by 200: 6006: 5992: 5516:Feminist art movement in the United States 5507: 5493: 5301: 5287: 3887:" Columbus Underground (November 5, 2017). 3410:, Edinburgh University Press, 2007, p. xix 3205: 3148:, wmagazine.com; accessed January 2, 2015. 2631:"Cindy Sherman - Artists - Metro Pictures" 2481:"Under the Gaze: The Art of Cindy Sherman" 2230:. Metropicturesgallery.com. Archived from 2086: 2084: 1306:'s 4,200-square-foot house on 0.4 acre in 1053:. The series was exhibited in 2016 at the 1001:In 2012, the Museum of Modern Art mounted 642:series and her work as follows: "With her 307:, Sherman is considered to be part of the 31: 6432:21st-century American women photographers 6427:20th-century American women photographers 3845: 3843: 3500:"Art: Whitney Shows Cindy Sherman Photos" 3258: 3256: 3254: 2364: 2278: 1728:2013: Honorary doctorate degree from the 1360:to remove gas from underground deposits. 1283:neighborhood; she later sold it to actor 1232:exhibited a series of photographs at the 546:for the first time. Provoked by the 1989 5553:American Association of University Women 4099:Creative Camera: Thirty Years of Writing 4095: 3566:"Directions: Cindy Sherman: Film Stills" 3323:PAPERMAG: WORD UP!: Cindy Sherman Speaks 3265:"Cindy Sherman Takes On Aging (Her Own)" 2682:"'Untitled #97', Cindy Sherman: Summary" 2563: 2192:, metmuseum.org; accessed March 7, 2015. 2047: 1933:Sherman, Cindy; Schor, Gabriele (2012). 1851: 1432:Cindy Sherman: Retrospective (Paperback) 1376:2024 United States presidential election 1160:In 2010, Sherman's nearly six foot tall 894: 379: 5219:Art History, Aesthetics, Visual Studies 4850:"Hasselblad Foundation | Cindy Sherman" 4363: 3914: 3497: 3146:"Cindy Sherman and Anna Hu get to work" 2593: 2113: 2081: 2017:Hattenstone, Simon (January 15, 2011). 1197:NY auctioned the 159 cm x 359 cm sized- 968:Museum of Contemporary Art, Los Angeles 956:Scottish National Gallery of Modern Art 766:, Sherman created the six-image series 373: 165:(born January 19, 1954) is an American 6334: 5009:International Photography Hall of Fame 4662: 4494:Smith, Stephen Jacob (June 28, 2013). 4450:Simon Hattenstone (January 15, 2011). 4344: 4157: 4122: 3996: 3992: 3990: 3849: 3840: 3614: 3392:The 80s Seen Through A Postmodern Lens 3340: 3262: 3251: 2702: 2478: 2440:. Kunsthaus-bregenz.at. Archived from 2179:, nytimes.com; accessed March 7, 2015. 1972:Simon Hattenstone (January 15, 2011), 1963:, nytimes.com; accessed March 7, 2015. 1884: 1882: 1862:"Cindy Sherman - MacArthur Foundation" 1627:Cindy Sherman : Transformations. 6407:Honorary members of the Royal Academy 5987: 5712:WACK! Art and the Feminist Revolution 5559:National Association of Women Artists 5488: 5282: 4526:Linda Yablonsky (February 23, 2012), 4493: 4475:William Neuman (September 11, 2005), 4318: 4262: 4210: 3966: 3443: 3441: 3238: 3201: 3199: 2807:The Guggenheim Museums and Foundation 2365:Jefferson, Margo (January 10, 2005). 2279:Jefferson, Margo (January 10, 2005). 1454:In Real Life: Six Women Photographers 944:Hirshhorn Museum and Sculpture Garden 6417:Film directors from New York (state) 5653:The Women's Building (San Francisco) 5612:National Museum of Women in the Arts 4975: 4192:Lindsay Pollock (November 9, 2010), 3239:Smith, Roberta (November 30, 1997). 2954:Cindy Sherman, April 28–June 9, 2012 2667:Andy Grundberg (November 22, 1981), 2656:Cindy Sherman -- 'Centerfolds, 1981' 2052:. Munich: Prestel. pp. 168–171. 2043: 2041: 2039: 1333:and on the Artists Committee of the 768:Cindy Sherman: Untitled (Balenciaga) 428:The next group was taken in 1978 at 6402:21st-century American photographers 6397:20th-century American photographers 4764:Tessa Solomon (25 September 2024), 4608:, presented by Azuero Earth Project 4415: 4345:Sutton, Benjamin (April 22, 2014). 4263:Hoban, Phoebe (February 14, 2012). 4060: 3987: 3932:"October Files #6: Cindy Sherman". 2975: 2854:from the original on April 8, 2023. 2553:Cindy Sherman talks to Simon Schama 2511:, Issue 36, September–October 1997. 2464:Cindy Sherman: Monument Valley Girl 2415:Lance Esplund (February 27, 2012), 2129:Michael Small (November 30, 1987), 1879: 1149:as de-fetishizing the female body. 899:A work by Sherman displayed in the 740:in 1993. In 1994, she produced the 417:fall into several distinct groups: 13: 6387:People from Glen Ridge, New Jersey 5643:Women's Art Resources of Minnesota 5211: 4746:Alex Greenberger (28 March 2023), 3498:Brenson, Michael (July 24, 1987). 3438: 3296: 3196: 3157:Angelica Villa (24 January 2024), 3117: 3037:"Cindy Sherman: Street-Style Star" 3001:Sarah Cascone (December 5, 2019), 2868:San Francisco Museum of Modern Art 2707:Cindy Sherman : retrospective 2581:Barry Schwabsky (April 18, 1999), 2090: 1834:List of most expensive photographs 1776:Madison Museum of Contemporary Art 1470:. Glenn Horowitz Bookseller, 2001 1007:San Francisco Museum of Modern Art 984:Louisiana Museum for Moderne Kunst 948:San Francisco Museum of Modern Art 777: 708:2010 eruptions of Eyjafjallajökull 350:In her landmark photograph series 268:, the two Buffalo campuses of the 14: 6453: 5975:Feminist movements and ideologies 5308: 5263: 4880:Blouinartinfo, November 12, 2009. 4477:A SoHo Loft for Moe the Bartender 4364:Amadour, Ricky (April 28, 2022). 4319:Smith, Roberta (April 22, 2014). 3810:Carol Vogel (February 17, 2011), 3210:. Intellect. pp. 33–34, 38. 2551:Simon Schama (February 3, 2012), 2036: 2019:"Cindy Sherman: Me, myself and I" 1959:Carol Vogel (February 16, 2012), 1528:Contemporary Art Museum St. Louis 1302:. In 2000, she bought songwriter 1205:Influence on contemporary artists 1078:Goulandris Museum of Cycladic Art 1074:National Portrait Gallery, London 670:myself within these characters." 224:In 1972, Sherman enrolled in the 169:whose work consists primarily of 16:American photographer (born 1954) 6392:People from Sag Harbor, New York 5187: 5181: 5156: 5131: 5113: 5088: 5066: 5048: 5022: 4997: 4956: 4944:Julie Miller (October 7, 2012), 4938: 4908: 4883: 4864: 4842: 4817: 4802: 4777: 4758: 4740: 4728: 4716: 4701: 4682: 4656: 4631: 4619:Jonah Wolf (September 4, 2012), 4613: 4610:The Moore Charitable Foundation. 4598: 4580: 4562: 4520: 4487: 4443: 4409: 4397:Patti Greco (January 20, 2014), 4391: 4357: 4338: 4312: 4282: 4235: 4204: 4186: 4151: 4034:10.1111/j.1475-682X.2011.00385.x 3850:Cotter, Holland (May 26, 2016). 3343:Cindy Sherman: Imitation of Life 3263:Gopnik, Blake (April 21, 2016). 2762:Kimberlee A. Cloutier-Blazzard, 2252: 1402:, 1999. Edited by Shelley Rice. 1247: 1228:In April 2014, actor and artist 946:in Washington, D.C. (1995), the 134: 6367:American portrait photographers 5617:New York Feminist Art Institute 4962:Gordon Cox (January 31, 2012), 4663:Becker, Noah (August 9, 2017). 4290:"James Franco: New Film Stills" 4116: 4102:. Manchester University Press. 4089: 4054: 4013: 3960: 3925: 3908: 3890: 3877: 3822: 3804: 3792: 3766: 3742: 3717: 3692: 3667: 3634: 3608: 3583: 3558: 3525: 3491: 3466: 3413: 3400: 3390:Andy Grundberg (July 5, 1987), 3384: 3359: 3334: 3316: 3290: 3232: 3170: 3151: 3138: 3111: 3086: 3083:NYU Grey Art Gallery, New York. 3074: 3055: 3029: 3017:Liam Freeman (March 25, 2021), 3011: 2995: 2969: 2947: 2906:"SFMOMA PRESENTS CINDY SHERMAN" 2898: 2873: 2858: 2820: 2795: 2782: 2773: 2756: 2733: 2696: 2674: 2648: 2623: 2575: 2514: 2491: 2472: 2456: 2409: 2384: 2358: 2332: 2306: 2272: 2246: 2220: 2195: 2182: 2166: 2123: 2056: 1588:Cindy Sherman: Untitled Horrors 1556:Cindy Sherman: A Play of Selves 1389: 1321:account featuring her selfies. 1110:. In particular, scholars like 589: 453:Untitled Film Still #35 (1979)) 130: 6412:Film directors from New Jersey 5964:Women in the art history field 5648:Woman's Building (Los Angeles) 5274:and mass media representations 4416:Lee, Nathan (March 27, 2009). 3828:Carol Vogel (March 14, 2013), 3675:"Cindy Sherman: Retrospective" 3144:Sarah Taylor (December 2010), 2744:, November 8-December 20, 2008 1984: 1953: 1926: 1907: 1748: 1659:Larry Aldrich Foundation Award 1498:. Museum of Modern Art, 2003. 1171:Phillips de Pury & Company 936:Whitney Museum of American Art 890: 318: 252:In 1974, together with Longo, 1: 6442:Photographers from New Jersey 6357:American women film directors 5632:Washington Women's Art Center 4829:gesellschaft-museum-ludwig.de 4296:. Pace Prints. Archived from 3837:; accessed February 24, 2015. 3819:; accessed February 24, 2015. 3617:"Gropius Bau - Cindy Sherman" 3408:American Culture in the 1980s 2654:Grace Glueck (May 23, 2003), 2590:; accessed February 24, 2015. 2462:Victoria Olsen (March 2009), 2163:; accessed February 24, 2015. 1844: 1824:Blackface in contemporary art 1708:2012: Roswitha Haftmann Prize 1701:2010: Honorary Member of the 1414:Essential, The: Cindy Sherman 1155: 1037:inspired by the divas of old 856:in 2008, starring ex-husband 327: 205:Sherman was born in 1954, in 105:Complete Untitled Film Stills 6382:Buffalo State College alumni 5672:Exhibitions or installations 4211:Tully, Judd (May 25, 2011). 3898:"Cindy Sherman - Exhibition" 2753:Skarstedt Gallery, New York. 2658:, nytimes.com, May 23, 2003. 1794:Museum of Fine Arts, Houston 1638:Awards and other recognition 1604:. Intellect Books, 2014. By 1576:Museum of Modern Art, 2012. 1512:. Skarstedt Fine Art, 2004. 1275:loft at 84 Mercer Street in 964:Museum Boymans-van Beuningen 7: 6437:American postmodern artists 6422:People from SoHo, Manhattan 5797:Women Artists in Revolution 5637:Women Artists in Revolution 4628:; accessed January 2, 2015. 4586:Mayer Rus (December 2013), 4009:: 136 – via ProQuest. 3801:Metropolitan Museum of Art. 3206:Schweitzer, Dahlia (2014). 2583:A Photographer's Many Faces 1812: 1643:1981: Artist-in-residence, 1524:Cindy Sherman: Working Girl 1468:Early Work of Cindy Sherman 1438:, 2000. By Amanda Cruz and 1356:, a group in opposition to 1083: 702:using vintage clothes from 527:In 1982, Sherman began her 387:by Cindy Sherman, 1977–1980 81:Photographic self-portraits 10: 6458: 5257:"The Cindy Sherman Effect" 4265:"The Cindy Sherman Effect" 3967:Byrne, Betsy (June 2003). 3750:"OPIE, SHERMAN, STRUTH..." 3067:November 14, 2012, at the 2528:. Buffalo State University 2048:Heartney, Eleanor (2007). 1788:Metropolitan Museum of Art 1510:Cindy Sherman: Centerfolds 1325:Industry and advocacy work 1252:Sherman lived with artist 1118:series in relation to the 1067:Wexner Center for the Arts 996:Metropolitan Museum of Art 901:Wexner Center for the Arts 724: 710:and on the isle of Capri. 618:Obscene, Abject, Traumatic 295:. Along with artists like 6300: 6229: 6158: 6087: 6022: 5972: 5951: 5815: 5774: 5740: 5722: 5671: 5574: 5545: 5522: 5465: 5436: 5413: 5394: 5375: 5316: 5190:"Cindy Sherman born 1954" 4972:accessed January 2, 2015. 4876:February 1, 2014, at the 4809:Past Artists-in-Residence 4452:"Cindy Sherman interview" 4172:10.1080/09574040210122968 4075:10.1080/03087290903361399 3946:10.1080/01973760801892415 3621:www.berlinerfestspiele.de 3026:; accessed June 11, 2021. 3008:; accessed June 11, 2021. 2522:"The making of an Artist" 2504:January 12, 2016, at the 1974:Sherman: Me, myself and I 1770:Jewish Museum (Manhattan) 1735:2017: Induction into the 1221:, and performance artist 966:in Rotterdam (1996); the 503:Fairy Tales and Disasters 445:character from the movie 266:Albright-Knox Art Gallery 144: 112: 85: 77: 69: 61: 50:January 19, 1954 (age 70) 42: 30: 23: 6362:Conceptual photographers 5959:List of feminist artists 5757:The Feminist Art Journal 5437:Family and relationships 5060:Art Institute of Chicago 4987:August 14, 2013, at the 4160:Women: A Cultural Review 4096:Brittain, David (1999). 3729:www.kunsthaus-bregenz.at 3641:Sherman, Cindy. (1996). 3532:Sherman, Cindy. (1991). 3341:Kaiser, Philipp (2016). 3094:"THE ART/FASHION DIVIDE" 2703:Cindy., Sherman (1997). 2684:. Tate. October 26, 2015 1961:'Cindy Sherman Unmasked" 1758:Art Institute of Chicago 1620: 1354:Artists Against Fracking 1331:Stephen Petronio Company 1114:have analyzed Sherman's 654: 584: 495: 230:Buffalo State University 201:Early life and education 5663:Women's Studio Workshop 5658:Women's Interart Center 5575:Venues or organizations 5473:The Pictures Generation 5333:Untitled Film Still #48 5325:Untitled Film Still #21 4895:www.royalacademy.org.uk 4574:The Wall Street Journal 4532:The Wall Street Journal 3969:"Studio: Cindy Sherman" 3122:. Vogue. Archived from 2093:"BOMB Magazine profile" 1894:Encyclopædia Britannica 1711:2012: Honored by actor 1526:. St. Louis, Missouri: 1367:as first winner of the 1162:chromogenic color print 992:The Pictures Generation 926:(1982, 1995); and five 873:Guest of Cindy Sherman, 850:, and also appeared in 721:by a Belgian workshop. 560:Corcoran Gallery of Art 518:Centerfolds/Horizontals 514:Rear Screen Projections 512:It was with her series 486:Untitled Film Still #21 437:Untitled Film Still #21 411:Untitled Film Still #11 385:Untitled Film Still #23 311:. She graduated with a 6190:Bernd and Hilla Becher 5802:Women's Caucus for Art 5723:Films or documentaries 5597:Feminist Art Coalition 5121:"The Menil Collection" 4711:Americans for the Arts 4454:. London, UK: Guardian 4063:History of Photography 3997:Mulvey, Laura (1991). 3615:Festspiele, Berliner. 2964:Metro Pictures Gallery 2937:The Real Cindy Sherman 2881:"Cindy Sherman | MoMA" 2749:July 16, 2011, at the 1335:Americans for the Arts 1312:East Hampton, New York 1055:Metro Pictures Gallery 912:Metro Pictures Gallery 903: 673: 507:Metro Pictures Gallery 463:(1979), also known as 460:Untitled Film Still#48 388: 238: 207:Glen Ridge, New Jersey 163:Cynthia Morris Sherman 54:Glen Ridge, New Jersey 47:Cynthia Morris Sherman 6042:Henri Cartier-Bresson 5731:!Women Art Revolution 5532:Feminist art movement 4814:, Syracuse, New York. 4694:July 9, 2013, at the 4418:"For the Love of Art" 3478:www.metropictures.com 3328:May 13, 2008, at the 3062:Cindy Sherman profile 2959:May 11, 2012, at the 2635:www.metropictures.com 2175:(February 23, 2012), 1913:Genocchio, Benjamin. 1723:Tribeca Film Festival 1703:Royal Academy of Arts 1675:Hasselblad Foundation 1590:. Hatje Cantz, 2013. 1440:Elizabeth A. T. Smith 1418:Harry N. Abrams, Inc. 1343:Estoril Film Festival 1059:Spruth Magers gallery 934:in Amsterdam (1982), 898: 742:Post Card Series for 659: 562:, as well as the way 383: 234: 6048:Manuel Álvarez Bravo 5384:Untitled Film Stills 5272:Untitled Film Stills 5259:. Artnews.com. 2012. 5168:The MFAH Collections 5125:The Menil Collection 5062:. November 12, 2023. 4992:Royal College of Art 4606:Azuero on the Harbor 4592:Architectural Digest 4022:Sociological Inquiry 3595:Serpentine Galleries 2935:(January 11, 2012), 2611:on February 19, 2020 2467:Smithsonian Magazine 2318:The Creators Project 2234:on November 25, 2015 2068:www.cindysherman.com 1800:Museum of Modern Art 1730:Royal College of Art 1725:'s jury competitions 1652:MacArthur Fellowship 1647:, Syracuse, New York 1358:hydraulic fracturing 1348:In 2012, she joined 1242:Untitled Film Stills 994:, 1974–1984" at the 972:Museum of Modern Art 938:in New York (1987), 572:in flagrante delicto 480:Museum of Modern Art 415:Untitled Film Stills 394:Untitled Film Stills 375:Untitled Film Stills 352:Untitled Film Stills 247:Untitled Film Stills 182:Untitled Film Stills 152:MacArthur Fellowship 133: 1984; 5863:Helen Frankenthaler 5607:Lesbian Art Project 5223:Clark Art Institute 5100:thejewishmuseum.org 5096:"The Jewish Museum" 4852:. February 27, 2017 4723:Jury - 2009 Edition 4223:on February 1, 2014 3918:The Guardian Weekly 3883:Jeff Regensburger. 3725:"Kunsthaus Bregenz" 3126:on February 3, 2014 2438:"Kunsthaus Bregenz" 1681:National Arts Award 1665:Wolfgang Hahn Prize 1436:Thames & Hudson 1069:in Columbus, Ohio. 552:Robert Mapplethorpe 309:Pictures Generation 6137:Christer Strömholm 5928:Carolee Schneemann 5688:Three Weeks in May 5376:Photography series 5036:. January 13, 2020 4552:Studios by the Sea 4481:The New York Times 4422:The New York Times 4325:The New York Times 3940:(1): 88–94. 2008. 3856:The New York Times 3834:The New York Times 3830:News On The Rialto 3816:The New York Times 3504:The New York Times 3395:The New York Times 3303:The New York Times 3269:The New York Times 3245:The New York Times 3184:. February 7, 2013 3118:Palmer, Caroline. 3043:. February 9, 2016 2587:The New York Times 2497:Helen Molesworth, 2371:The New York Times 2320:. October 30, 2015 2285:The New York Times 2207:Hauser & Wirth 1920:The New York Times 1808:, Bankside, London 1380:Artists for Kamala 1300:Catskill Mountains 1188:Hauser & Wirth 960:Martin-Gropius-Bau 954:in London and the 952:Serpentine Gallery 910:in 1980. When the 904: 826:The New York Times 805:Jeanne Tripplehorn 803:in 1997, starring 732:Interview magazine 509:in New York City. 389: 367:The New York Times 189:media (especially 6372:MacArthur Fellows 6329: 6328: 6267:Wolfgang Tillmans 6214:Graciela Iturbide 6143:William Eggleston 6078:Sebastião Salgado 6014:Laureates of the 5981: 5980: 5853:Mary Beth Edelson 5848:Elaine de Kooning 5696:The Sister Chapel 5482: 5481: 5475:(2009 exhibition) 5221:. Massachusetts: 5143:www.metmuseum.org 4969:Los Angeles Times 4708:Artists Committee 4643:www.instagram.com 4625:New York Observer 4501:New York Observer 4403:New York Magazine 4300:on April 21, 2016 3975:. Tate Publishing 3921:. pp. 51–53. 3453:www.skarstedt.com 3297:Holden, Stephen. 3217:978-1-84150-707-1 3182:Walker Art Center 2976:Russeth, Andrew. 2850:. April 4, 2023. 2742:History Portraits 2153:(March 5, 2012), 2091:Fleury, Matthew. 1766:, Los Angeles, CA 1743:Wolf Prize in Art 1606:Dahlia Schweitzer 1596:978-3-7757-3487-5 1568:978-3-7757-1942-1 1536:978-0-9712195-8-8 1345:'s jury in 2009. 1186:before moving to 1090:Imitation of Life 1035:glamour portraits 1020:In 2016, after a 1011:Walker Art Center 980:Kunsthaus Bregenz 928:Whitney Biennials 836:Later, she had a 817:Dahlia Schweitzer 744:Comme des Garçons 690:Society Portraits 579:History Portraits 365:She explained to 160: 159: 6449: 6342:Self-portraiture 6320:Carrie Mae Weems 6255:Joan Fontcuberta 6172:Hiroshi Sugimoto 6016:Hasselblad Award 6008: 6001: 5994: 5985: 5984: 5923:Rachel Rosenthal 5898:Georgia O'Keeffe 5833:Louise Bourgeois 5704:The Dinner Party 5509: 5502: 5495: 5486: 5485: 5427:Babes in Toyland 5303: 5296: 5289: 5280: 5279: 5252: 5205: 5204: 5202: 5200: 5185: 5179: 5178: 5176: 5174: 5160: 5154: 5153: 5151: 5149: 5135: 5129: 5128: 5117: 5111: 5110: 5108: 5106: 5092: 5086: 5085: 5083: 5081: 5070: 5064: 5063: 5052: 5046: 5045: 5043: 5041: 5026: 5020: 5019: 5017: 5015: 5001: 4995: 4982:Honorary Doctors 4979: 4973: 4960: 4954: 4942: 4936: 4935: 4933: 4931: 4926:on March 6, 2019 4922:. Archived from 4920:en.artintern.net 4912: 4906: 4905: 4903: 4901: 4887: 4881: 4868: 4862: 4861: 4859: 4857: 4846: 4840: 4839: 4837: 4835: 4821: 4815: 4806: 4800: 4799: 4797: 4795: 4781: 4775: 4762: 4756: 4744: 4738: 4732: 4726: 4720: 4714: 4705: 4699: 4686: 4680: 4679: 4677: 4675: 4660: 4654: 4653: 4651: 4649: 4635: 4629: 4617: 4611: 4602: 4596: 4584: 4578: 4566: 4560: 4550:(January 2000), 4545: 4536: 4524: 4518: 4517: 4515: 4513: 4504:. Archived from 4491: 4485: 4473: 4464: 4463: 4461: 4459: 4447: 4441: 4440: 4438: 4436: 4413: 4407: 4395: 4389: 4388: 4386: 4384: 4372:. No. 228. 4361: 4355: 4354: 4342: 4336: 4335: 4333: 4331: 4316: 4310: 4309: 4307: 4305: 4286: 4280: 4279: 4277: 4275: 4260: 4251: 4239: 4233: 4232: 4230: 4228: 4219:. 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Roger Denson 2149: 2142: 2128: 2124: 2112: 2108: 2098: 2096: 2089: 2082: 2072: 2070: 2062: 2061: 2057: 2046: 2037: 2027: 2025: 2015: 2011: 2001: 1999: 1990: 1989: 1985: 1971: 1967: 1958: 1954: 1947: 1939:. Hatje Cantz. 1931: 1927: 1912: 1908: 1898: 1896: 1890:"Cindy Sherman" 1888: 1887: 1880: 1870: 1868: 1860: 1859: 1852: 1847: 1829:Laurel Nakadate 1815: 1751: 1640: 1623: 1392: 1327: 1304:Marvin Hamlisch 1250: 1238:New Film Stills 1207: 1193:In April 2023, 1158: 1086: 1063:Berlin, Germany 1015:Venice Biennale 986:, Denmark, and 924:Venice Biennale 893: 862:Untitled Horror 780: 778:Music and films 737:Harper's Bazaar 727: 681: 675: 672: 669: 667: 665: 663: 657: 616:in his article 608:series (1992). 594: 587: 498: 378: 341:Margo Jefferson 330: 321: 203: 156: 140: 137: 1999) 128: 124: 121: 86: 57: 51: 49: 48: 38: 37:Sherman in 2016 26: 17: 12: 11: 5: 6455: 6445: 6444: 6439: 6434: 6429: 6424: 6419: 6414: 6409: 6404: 6399: 6394: 6389: 6384: 6379: 6374: 6369: 6364: 6359: 6354: 6349: 6344: 6327: 6326: 6324: 6323: 6317: 6314:Dayanita Singh 6311: 6304: 6302: 6298: 6297: 6295: 6294: 6291:Daidō Moriyama 6288: 6282: 6276: 6270: 6264: 6258: 6252: 6246: 6240: 6233: 6231: 6227: 6226: 6224: 6223: 6217: 6211: 6205: 6199: 6193: 6187: 6181: 6175: 6169: 6162: 6160: 6156: 6155: 6153: 6152: 6146: 6140: 6134: 6128: 6125:Robert Häusser 6122: 6119:Susan Meiselas 6116: 6110: 6107:Josef Koudelka 6104: 6101:Richard Avedon 6098: 6091: 6089: 6085: 6084: 6082: 6081: 6075: 6072:Édouard Boubat 6069: 6066:Hiroshi Hamaya 6063: 6057: 6051: 6045: 6039: 6033: 6026: 6024: 6020: 6019: 6011: 6010: 6003: 5996: 5988: 5979: 5978: 5973: 5970: 5969: 5967: 5966: 5961: 5955: 5953: 5949: 5948: 5946: 5945: 5940: 5935: 5930: 5925: 5920: 5918:M. C. Richards 5915: 5910: 5905: 5903:Barbara Kruger 5900: 5895: 5890: 5885: 5880: 5875: 5870: 5865: 5860: 5855: 5850: 5845: 5840: 5835: 5830: 5825: 5823:Alison Bechdel 5819: 5817: 5813: 5812: 5810: 5809: 5804: 5799: 5794: 5792:The Waitresses 5789: 5784: 5778: 5776: 5772: 5771: 5769: 5768: 5761: 5753: 5744: 5742: 5738: 5737: 5735: 5734: 5726: 5724: 5720: 5719: 5717: 5716: 5708: 5700: 5692: 5684: 5675: 5673: 5669: 5668: 5666: 5665: 5660: 5655: 5650: 5645: 5640: 5634: 5629: 5624: 5622:SOHO20 Gallery 5619: 5614: 5609: 5604: 5599: 5594: 5584: 5582:A.I.R. Gallery 5578: 5576: 5572: 5571: 5569: 5568: 5562: 5556: 5549: 5547: 5543: 5542: 5540: 5539: 5534: 5529: 5523: 5520: 5519: 5512: 5511: 5504: 5497: 5489: 5480: 5479: 5477: 5476: 5469: 5467: 5463: 5462: 5460: 5459: 5453: 5447: 5440: 5438: 5434: 5433: 5431: 5430: 5417: 5415: 5411: 5410: 5408: 5407: 5398: 5396: 5392: 5391: 5389: 5388: 5379: 5377: 5373: 5372: 5370: 5369: 5361: 5353: 5345: 5337: 5329: 5320: 5318: 5314: 5313: 5306: 5305: 5298: 5291: 5283: 5277: 5276: 5265: 5264:External links 5262: 5261: 5260: 5253: 5239: 5226: 5213: 5210: 5207: 5206: 5180: 5155: 5130: 5112: 5087: 5065: 5047: 5021: 4996: 4974: 4955: 4937: 4907: 4882: 4863: 4841: 4816: 4801: 4776: 4757: 4739: 4727: 4715: 4700: 4681: 4655: 4630: 4612: 4597: 4579: 4561: 4537: 4519: 4486: 4465: 4442: 4408: 4390: 4356: 4337: 4311: 4281: 4252: 4234: 4217:Blouin Artinfo 4203: 4185: 4150: 4137:10.2307/778908 4115: 4108: 4088: 4053: 4028:(4): 404–420. 4012: 3986: 3959: 3924: 3907: 3902:www.npg.org.uk 3889: 3876: 3839: 3821: 3803: 3791: 3774:"Jeu de Paume" 3765: 3741: 3716: 3691: 3666: 3651: 3633: 3607: 3582: 3557: 3542: 3524: 3490: 3465: 3437: 3412: 3399: 3383: 3371:thekitchen.org 3358: 3352:978-3791355566 3351: 3333: 3315: 3289: 3250: 3231: 3216: 3195: 3169: 3150: 3137: 3110: 3085: 3073: 3054: 3028: 3010: 2994: 2968: 2946: 2922: 2897: 2872: 2857: 2832: 2819: 2794: 2781: 2772: 2755: 2732: 2717: 2695: 2673: 2660: 2647: 2622: 2592: 2574: 2562: 2539: 2513: 2490: 2471: 2455: 2426: 2408: 2383: 2357: 2331: 2305: 2271: 2245: 2219: 2194: 2181: 2165: 2140: 2122: 2117:Art in America 2106: 2095:. 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July 3, 2016 1983: 1965: 1952: 1945: 1925: 1906: 1878: 1849: 1848: 1846: 1843: 1842: 1841: 1836: 1831: 1826: 1821: 1814: 1811: 1810: 1809: 1803: 1802:, New York, NY 1797: 1791: 1790:, New York, NY 1785: 1779: 1773: 1772:, New York, NY 1767: 1761: 1750: 1747: 1746: 1745: 1739: 1733: 1726: 1719: 1709: 1706: 1699: 1692: 1686: 1683: 1677: 1667: 1661: 1655: 1648: 1639: 1636: 1635: 1634: 1622: 1619: 1618: 1617: 1599: 1585: 1574:Cindy Sherman. 1571: 1553: 1542:Cindy Sherman. 1539: 1521: 1507: 1493: 1479: 1465: 1451: 1429: 1411: 1391: 1388: 1326: 1323: 1249: 1246: 1215:Lisa Yuskavage 1211:Ryan Trecartin 1206: 1203: 1157: 1154: 1147:Vomit Pictures 1085: 1082: 1043:Gloria Swanson 1027:1959 melodrama 1003:Cindy Sherman, 892: 889: 809:Molly Ringwald 779: 776: 760:Juergen Teller 726: 723: 677:—Cindy Sherman 660: 658: 656: 653: 648:Untitled,#264. 604:to create her 593: 588: 586: 583: 556:Andres Serrano 497: 494: 476: 475: 468: 465:The Hitchhiker 455: 439: 433: 426: 377: 372: 329: 326: 320: 317: 305:Barbara Kruger 297:Laurie Simmons 260:, she created 254:Charles Clough 228:department at 202: 199: 191:arthouse films 174:self-portraits 158: 157: 155: 154: 148: 146: 142: 141: 126: 122: 117: 116: 114: 110: 109: 89: 83: 82: 79: 78:Known for 75: 74: 71: 67: 66: 63: 59: 58: 52: 46: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 6454: 6443: 6440: 6438: 6435: 6433: 6430: 6428: 6425: 6423: 6420: 6418: 6415: 6413: 6410: 6408: 6405: 6403: 6400: 6398: 6395: 6393: 6390: 6388: 6385: 6383: 6380: 6378: 6375: 6373: 6370: 6368: 6365: 6363: 6360: 6358: 6355: 6353: 6352:Living people 6350: 6348: 6345: 6343: 6340: 6339: 6337: 6321: 6318: 6315: 6312: 6309: 6306: 6305: 6303: 6299: 6292: 6289: 6286: 6283: 6280: 6277: 6274: 6271: 6268: 6265: 6262: 6259: 6256: 6253: 6250: 6247: 6244: 6241: 6238: 6235: 6234: 6232: 6228: 6221: 6218: 6215: 6212: 6209: 6206: 6203: 6200: 6197: 6194: 6191: 6188: 6185: 6184:Malick Sidibé 6182: 6179: 6176: 6173: 6170: 6167: 6164: 6163: 6161: 6157: 6150: 6149:Cindy Sherman 6147: 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