144:. Reminiscent of a crime scene photo, the picture shows a dead woman lying on the ground and covered in dirt, her glassy eyes opened wide, as if shocked by her own violent demise. Unlike a police photograph, however, this larger-than-life glossy picture is full of seductive detail, with rich descriptions of the colors and textures of the gravel background, the woman’s mussed hair, and her waxy face."
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to create a series of photographs inspired by fairy tales. The photographs would never be published by the magazine but are amongst some of her best and more representative work. They tend to be more dark and grotesque than the sources where it is supposed to have taken inspiration, and aren't
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directly inspired by any specific fairy tale. The current picture is, like its usual in the artist, a self-portrait, depicting a woman, lying in the ground as a corpse, covered with mud in what appears to be a natural environment.
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Eva
Respini, "Will the Real Cindy Sherman Please Stand Up?" in Exh. Cat., New York, Museum of Modern Art, Cindy Sherman, 2012, p. 35
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said of the picture: “Even when
Sherman is in the photographs, she appears doll-like and artificial, as in
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in 1985. In 2010, a print was auctioned for $ 2.7 million, making it one of the
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170 cm Ă— 120 cm (67 in Ă— 49 in);
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227:"Warhol's $ 63 Million Portrait of Elizabeth Taylor Stuns Dealers at Auction"
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The picture resulted from an invitation of the magazine
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Photographs in the Museum of Modern Art (New York City)
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is a color photograph made by
American visual artist
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Cindy
Sherman, Untitled #153, Sotheby's, 12 May 2015
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Cindy
Sherman, Untitled #153, Sotheby's, 12 May 2015
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152:There are prints of the photograph at the
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19:The correct title of this article is
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162:Musée d'art contemporain de Montréal
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182:List of most expensive photographs
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518:Photographs by Cindy Sherman
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16:Photograph by Cindy Sherman
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158:Museum of Contemporary Art
117:most expensive photographs
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440:Family and relationships
119:ever sold at that time.
476:The Pictures Generation
336:Untitled Film Still #48
328:Untitled Film Still #21
123:History and description
83:Chromogenic color print
29:technical restrictions
23:. The omission of the
168:, Jerusalem, and the
387:Untitled Film Stills
154:Museum of Modern Art
170:Museo Rufino Tamayo
379:Photography series
148:Public collections
513:1980s photographs
498:Color photographs
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478:(2009 exhibition)
235:. 8 November 2010
205:"Untitled (#153)"
166:The Israel Museum
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461:(ex-partner)
459:Robert Longo
455:(ex-partner)
449:(ex-husband)
447:Michel Auder
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417:Album covers
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360:Untitled #96
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237:. Retrieved
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209:. Retrieved
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508:1985 in art
453:David Byrne
390:(1977-1980)
320:Photographs
207:. art21.org
138:Eva Respini
130:Vanity Fair
503:1985 works
492:Categories
425:Fontanelle
188:References
89:Dimensions
73:Photograph
27:is due to
239:26 August
211:26 August
100:Anonymous
176:See also
469:Related
432:album)
428:(1992
409:(1997)
371:(1985)
363:(1981)
355:(1981)
347:(1981)
339:(1979)
331:(1978)
79:Medium
51:Artist
398:Films
97:Owner
241:2014
213:2014
69:Type
64:1985
61:Year
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229:.
196:^
164:,
305:e
298:t
291:v
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31:.
25:#
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