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the Flight to the Moon act emphasizes her sexuality as she wore a tight, low-cut bodice with stars placed where her nipples are, which was meant show that she was an exploited woman in the West, just merely a sex object for rich and powerful men such as
Kneschtiz. The scene where Marion throws her expensive Western dresses at Kneschtiz as she says that "Marion you knew is no more!" marked a key turning point in her character's development as she thereafter dresses in a more Soviet style. Marion's more conservative Soviet clothing was meant to show that she was no longer an exploited woman. Marion is portrayed as the typical foreigner in Soviet films as she is naïve, romantic, generous, kind and utterly passive as it is the Soviet characters who take the initiative in rescuing her from the cruel clutches of Kneschtiz. Unlike films in the 1920s, which featured strong feminist heroines, Marion is very much a "damsel in distress" who needs Martynov to save her. The film ends with Marion marching alongside Martynov-whom she is planning to marry-in the May Day parade with both dressed in the same white uniforms, which symbolized her assimilation into Soviet society and her acceptance of its values as her own.
573:. Just after that, America and Americans disappeared from Soviet cinema. Lyubov Orlova had to participate in the anti-abortion law promotion company: "I myself want a child, and I will certainly have one. And it is natural. Life is getting more and more joyful and more fun. The future is even more wonderful. Why not give birth?". In 1941, she adopted Douglas (b. 19 May 1925), Grigori Aleksandrov's son by his first marriage to actress Olga Ivanova (she died during childbirth in June 1941, being married to a famous actor
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a lengthy masturbatory dance on atop of the phallic cannon and as she falls downwards after being shot out of the cannon, is captured by the ropes that
Kneschtiz has placed under the circus tent, symbolizing her status as a sort of sex slave to Kneschtiz. By contrast, when Dixon performs the "Trip to the Stratosphere" act, she is presented as Martynov's equal as the two perform the act together wearing unisex uniforms.
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accidentally runs into a lion cage and has to calm the lions with a bouquet of flowers. When
Martynov does not respond to her love letter, Dixon nearly leaves Moscow with Kneishitz. By this time, Rayechka has learned the truth and she helps Dixon escape Kneishitz. Martynov and Dixon are late to the circus, forcing Ludvig to perform the top act of 1903, the
341:" ("Sleep comes to your doorstep/Sleep very,very soundly/A hundred paths, a hundred doorways/Are open to you"). Dixon and Martynov declare their love for one another while Rayechka and Skameikin become engaged. The film ends with Rayechka and Dixon marching together in the annual May Day parade under banners depicting the faces of Lenin and Stalin.
269:), which was seen and liked by Aleksandrov. They made the play into the plot, but during the initial film shooting they went to America. Upon return, they disliked the director's interpretation, and after a conflict they abandoned the work, forbade the mention of their names in the credits, and further work on the plot was continued by
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his concern about racial purity or race at all. Dixon's black son is embraced by friendly Soviet people. Kneishitz tries to seize Jimmy, but the audience unites to save him. Finally, a group of burly Red Army soldiers in the audience block
Kneishitz, who cowers in fear and leaves. The movie climaxes with a
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Likewise, the character of Marion is presented as highly sexualized at the beginning of the film, which associates her with "western decadence", and her appearance becomes increasingly chaste as she assimilates into the puritanical Soviet society as the film goes along. Marion's dress as she performs
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taking turns. The lyrics of the lullaby to Jimmy are sung in
Russian, Ukrainian, Yiddish, Uzbek and Georgian. One of the members of the audience is a black American man dressed in a Soviet naval officer's uniform with a white Russian wife, which was meant to show that there is no racism in the Soviet
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Kneishitz interrupts the act to tell Dixon to come with him or else he will reveal her secret. When she refuses, Kneishitz delivers a Hitler-like rant about how Dixon has a black son Jimmy, only for the audience to laugh at him. Ludvig tells
Kneishitz that the peoples of the Soviet Union do not share
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Dixon wants to stay in Moscow with
Martynov, saying she has found happiness again. Kneishitz diverts a love letter from Dixon meant for Martynov to Skameikin, which throws the circus into romantic chaos as Rayechka is furious with Skameikin while Martynov is heartbroken. To escape Rayechka, Skameikin
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Soviet censors disapproved of any signs of sexuality, and rather surprisingly allowed the circus scenes where young women dance around and longingly touch the phallic cannons, though those scenes were subsequently censored. Despite the efforts of the censors, Aleksandrov was able to insert the scene
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Salys wrote that the film's had a strong message about gender roles as Dixon comes to embrace the role of a wife and a mother at the film's conclusion as well accepting the demands of the Soviet state upon her as the price of happiness. Salys noted that in her "Trip to the Moon" act, Dixon performed
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Dixon is only kept alive by her love for her son Jimmy, and when she plays in Moscow as a guest performer, she is portrayed as spiritually broken. At the Moscow circus, the circus director Ludvig hires the Arctic explorer Ivan
Petrovich Martynov to design a new circus act to top Dixon's "Trip to the
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is intended to show that the Soviet people are devoid of racial prejudices. Of course, it was an attack against
America and propaganda, but on the other hand, Aleksandrov probably sincerely called for reconciliation, for harmony, hoping that in these terrible times he would awaken conscience in the
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had a rather heavy-handed message about the evils of racism, which are associated with the West in the film, versus Soviet society, which is portrayed as free of racism. The film's message that Jimmy will have a bright future in the Soviet Union as he grows up despite being black stands in contrast
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baby to escape a lynch mob in a provincial
American town. The fate of the black father of her child is not mentioned, but it is implied that he was lynched. Dixon is taken under the wing of Franz von Kneishitz, a sinister German theatrical agent whose mustache and mannerisms resemble those of
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Moon" act. Ludvig's fiery daughter Rayechka has a tempestuous relationship with her boyfriend Skameikin. Despite his mission to design an act better than her act, Martynov and Dixon fall in love, which attracts Kneishitz's rage and he beats Dixon quite savagely with his whip.
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to the racism that the film depicts as being the norm in the United States and Germany. The scene where Dixon, Martynov and Jimmy pose together as a blended family was often reproduced in the Soviet Union as a symbol of racial tolerance. Likewise, the character of
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on false treason claims and, at 26 in a prison, had suffered his first heart attack before being forcefully renamed to 'Vasilii'. The MVD unsuccessfully wanted him to testify about his father being an American spy. He was released shortly after Stalin's death in
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in the film is a bullied servant to Kneschtiz, who delights in humiliating him. Aleksandrov was friend of the real Chaplin, who often fought with Hollywood studios over the contents of his films, and Chaplin as portrayed in
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such being romantic, but laconic; always willing to defend the weak; a stoic acceptance of pain; and possessing super-human heroism and strength. Stolyarov having successfully played a character who matched the
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marked in many ways a return to traditional Russian gender roles. Martynov was played by the tall, muscular and blond actor Stolyarov whose appearance matched the popular stereotype of a
226:(Aleksandrov's wife), the first recognized star of Soviet cinema and a gifted singer, the film contains several songs which instantly became Soviet classics. The most famous is the "
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archetype as the ideal Russian man in Soviet films starting in the 1930s reflected a certain reversion to the traditional patriarchal Russian values during the Stalinist era.
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The "Flight to the Moon" stunt coordinated and performed by three Kharkiv inventors where the extreme sports athlete Vera Buslaeva substituted for Lyubov Orlova for the cameras
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where Martynov and Dixon fly together in their Trip to the Stratosphere act with ecstatic expressions on their faces, which serves as a metaphor for high of an orgasm.
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738:Театральная энциклопедия. / Гл. ред. П. А. Марков. Т. 4. — Moscow: Советская энциклопедия, Нежин — Сярев, 1965, 1152 стб. с илл., 6 л. илл.
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The movie was the most commercially successful Soviet film. Two weeks after the release, it was viewed by 1 million people in Moscow alone
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visited the Bolshevik state back then and were admired by Grigori and Olga. In 1952, Douglas Aleksandrov was arrested by the
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was intended as a metaphor for the real Chaplin, namely as a "humiliated genius forced to serve the almighty dollar".
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The well known animal trainer Boris Eder substituted for Aleksandr Komissarov in Skameikin's flower fight with the lions
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Marion Dixon, a popular white American circus artist, is forced to flee for her life with her
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studios. In his own words, it was conceived as "an eccentric comedy...a real side splitter."
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as Marion Dixon, American actress and circus artist. Her name is a tribute to the actress
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Son prikhodit na porog/Krepko, krepko spi ty/Sto putei, sto dorog/Dlia tebia otkryty
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The Musical Comedy Films of Grigorii Aleksandrov: Laughing Matters
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541:(which were performed by Solomon Mikhoels) were removed. After
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1047:"Fact 23- Ju. S. Sakov - 100 Truths and Untruths about Orlova"
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in subsequent films. Salys wrote that the appearance of the
529:. American researcher Herbert Eagle said: "The scene in the
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being sung to the baby by representatives of various Soviet
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as Ivan Petrovich Martynov, Soviet performance director
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In early 1953, the verses from the lullaby, sung in
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534:audience with the means available to him."
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692:, May 25, 2013 (retrieved July 19, 2015)
672:. The Grey Walls Press Ltd. p. 169.
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1538:Films about racism in the United States
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1401:October: Ten Days That Shook the World
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1073:"Mary & Doug Travel to Russia"
1016:Abramov, Vladimir (14 July 2013).
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606:List of racism-related films
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1518:Soviet musical comedy films
1326:Fighting Film Collection #4
1198:, released by the official
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1158:. Mir 24. 14 August 2020
233:Широка страна моя родная
380:as Jimmy, Marion's baby
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1196:with English subtitles
669:Experiment in the Film
577:). He was named after
571:1936 anti-abortion law
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228:Song of the Motherland
1528:1930s melodrama films
1348:Encounter at the Elbe
601:List of musical films
437:The American scholar
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333:Union. The lyrics of
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263:Under the Circus Dome
211:. It was directed by
131:23 May 1936
1417:Romance sentimentale
748:«Цирк» зажигает огни
408:Aleksandr Komissarov
1483:Films set in Russia
1356:The Composer Glinka
1277:Grigori Aleksandrov
402:Yevgeniya Melnikova
213:Grigori Aleksandrov
55:Grigori Aleksandrov
43:Grigori Aleksandrov
1468:1930s Soviet films
1275:Films directed by
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1098:Razzakov, Feodor.
1018:"Soviet Hollywood"
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688:2015-07-22 at the
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1533:1936 comedy films
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1425:¡Que viva México!
1392:Sergei Eisenstein
1372:Starling and Lyre
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652:978-1-841-50282-3
579:Douglas Fairbanks
560:Mikhail Lermontov
554:The movie has an
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420:Coretti Arle-Titz
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203:melodramatic
198:) is a 1936
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159:Soviet Union
147:Running time
124:Release date
92:Boris Petrov
1375: [
1329: [
1305:Volga-Volga
1162:8 September
1136:8 September
1110:8 September
1083:9 September
1057:3 September
1022:svoboda.org
946:8 September
937:svoboda.org
575:Boris Tenin
517:In Russia,
330:ethnicities
271:Isaac Babel
39:Directed by
33:Film poster
1458:1936 films
1452:Categories
1340:Springtime
1130:Sobesednik
992:culture.ru
917:Salys 2009
905:Salys 2009
893:Salys 2009
878:Salys 2009
863:Salys 2009
848:Salys 2009
827:Salys 2009
815:Salys 2009
803:Salys 2009
788:Salys 2009
776:Salys 2009
764:Salys 2009
727:Salys 2009
713:2015-07-20
612:References
523:chauvinism
337:declare: "
135:1936-05-23
108:Production
51:Written by
1031:21 August
1001:19 August
972:20 August
581:, he and
509:Reception
189:romanized
1313:A Family
1230:AllMovie
1156:mir24.tv
933:"Circus"
686:Archived
639:(2009).
595:See also
491:bogatyri
433:Analysis
164:Language
97:Music by
61:Starring
1205:channel
1203:YouTube
1200:Mosfilm
556:in-joke
539:Yiddish
495:bogatyr
483:bogatry
478:bogatyr
469:bogatyr
326:lullaby
217:Mosfilm
191::
180:Russian
167:Russian
156:Country
151:94 min.
133: (
116:Mosfilm
110:company
1428:(1932)
1420:(1930)
1412:(1929)
1404:(1928)
1382:(1974)
1367:(1960)
1359:(1952)
1351:(1949)
1343:(1947)
1335:(1941)
1322:(1940)
1316:(1943)
1308:(1938)
1300:(1936)
1297:Circus
1292:(1934)
1225:Circus
1214:Circus
1194:Circus
1132:. 2011
649:
558:about
543:Stalin
531:Circus
487:Circus
474:byliny
464:Circus
453:Circus
443:Circus
360:, and
295:(1936)
293:Circus
206:comedy
200:Soviet
175:Circus
22:Circus
1438:Notes
1390:With
1379:]
1333:]
1320:Tanya
301:black
195:Tsirk
1219:IMDb
1164:2020
1138:2020
1112:2020
1085:2020
1059:2020
1033:2020
1003:2020
974:2020
948:2020
647:ISBN
590:1953
525:and
345:Cast
277:Plot
253:and
244:ISWC
184:Цирк
1228:at
1217:at
587:MVD
242:).
230:" (
1454::
1377:ru
1331:ru
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