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then, in 1839, succeeded his father at the
Academy in Bologna; a position he held until 1860. Much of his tenure was tainted by some of his colleagues' opinion that he had obtained his professorship through
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129:(1828). During the 1830s and 1840s, some of his works addressed the question of Italian unity, through literary and historical references.
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Of his works that are neither portraits nor copies, one of the most familiar is
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98:. This is the first painting positively identified as his. He also created a
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Dall'Accademia al vero. La pittura a
Bologna prima e dopo l'UnitĂ d'Italia
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by Don
Clemente Spada-Veralli (1778-1866), the Prince of
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He also made celebrated copies, including one of the
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106:, completed around 1841, for the church of
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223:Renzo Grandi, ed. (1983).
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118:(1861) for the church of
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284:Italian male painters
251:at Wikimedia Commons
229:(Exhibition catalog,
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153:Francesca
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