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102:. The painting depicts migrants coming to Australia from Europe aboard a steamship. Roberts based the painting on sketches he had made when returning to Australia aboard the
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describes it as "a definitive image of the migrant experience" and "Roberts's first exploration of one of the great themes of
Australian life".
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63.5 cm × 52.2 cm (25.0 in × 20.6 in)
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The painting was acquired by the
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This article about a nineteenth-century painting is a
117:as one of Roberts' seven best-known paintings. The
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208:. National Gallery of Victoria. Archived from
148:. National Gallery of Victoria. Archived from
546:Paintings in the National Gallery of Victoria
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297:Winter morning after rain, Gardiner's Creek
106:in 1885 after four years abroad in Europe.
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239:– National Gallery of Victoria
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98:painting by the Australian artist
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142:"Migration and multiculturalism"
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484:. You can help Knowledge by
431:. You can help Knowledge by
400:9 by 5 Impression Exhibition
361:In a Corner on the Macintyre
119:National Gallery of Victoria
78:National Gallery of Victoria
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561:19th-century painting stubs
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531:Paintings by Tom Roberts
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16:Painting by Tom Roberts
173:"Review: Tom Roberts"
212:on 27 November 2012
171:Seeton, Alexander.
541:Maritime paintings
146:Collection Stories
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395:Heidelberg School
353:The Golden Fleece
337:Shearing the Rams
206:Collection Online
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406:One Summer Again
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111:Humphrey McQueen
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214:. Retrieved
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181:. Retrieved
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115:Coming South
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104:SS Lusitania
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274:Tom Roberts
100:Tom Roberts
42:Tom Roberts
525:Categories
128:References
113:describes
109:Historian
66:Dimensions
369:Bailed Up
281:Paintings
82:Melbourne
289:Rejected
74:Location
388:Related
380:(1903)
372:(1895)
364:(1894)
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216:11 May
183:11 May
156:11 May
58:Medium
38:Artist
94:is a
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218:2012
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158:2012
96:1886
52:1886
48:Year
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.