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The fourth and final movement is a slow prelude and a four-voiced fugue, followed by an after-fugue in which the notes of the theme are represented in inversion. Accompanying the four voices, one more voice repeats notes in sextuplets, which is a direct reference to the first movement. It ends with a
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The third movement is a collection of variations of a theme that is not present in that movement, but in the fugue of the following movement. These four variations are characterised by having different speeds, melodic lines in different octaves throughout the whole movement; in the last variation, a
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The order of the movements was a challenging issue for
Stravinsky, due to his break at the time of composing this work. Stravinsky stated in a conversation with Robert Craft that the third movement was meant to be placed after the first movement. Nevertheless, Stravinsky expert Eric Walter White
224:, he wanted to explore the capabilities of the piano as a solo instrument. Stravinsky had in mind a piece for which no orchestra would be needed (in case he lived in a city where no resident orchestra was actually established) and which could be played by himself and his son,
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The
Concerto is included in some of the most complete catalogues of works by Igor Stravinsky. In Eric W. White's catalogue, the Concerto is listed with the reference number W66, Harry Halbreich lists it with the number HH58, and Clifford Cæsar lists it with the number CC80.
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by the
Université des Annales on November 21, 1935. Stravinsky gave two concerts the same day (one in the morning and another one in the evening), giving a 15-minute speech before each one. The concert was subsequently played during the following months with his son
539:
569:, that is, a third interval) is present. In various statements, Stravinsky claims he could have orchestrated this specific movement, but he wanted the composition to remain a composition for two pianos so that he and his son could play it.
532:
508:, was described by Stravinsky as "not so much night music as after-dinner music, in fact, a digestive to the largest movements", as he also stated that the first piano part was like "a ballerina represented by a harpsichord".
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to build him a double piano, one appended to the back part of the other. Pleyel could eventually invent it, so
Stravinsky finished the Concerto in 1935. In 1963, Stravinsky stated in a conversation with American conductor
418:
The concerto is divided into four movements, even though the third movement is also split up into four different parts. A typical performance lasts approximately 20 minutes. The movement titles were originally written in
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264:(1963) that "the Concerto is perhaps my 'Favorite' among my purely instrumental pieces." Stravinsky claimed to have been inspired by variations by Brahms and Beethoven and, especially, by Beethoven's fugues.
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251:. Having figured out that he had given a three-year break to his composition, and this could result in a radical difference between its first movement and the rest of the work, he opted for asking
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major while the harmonisation of the first piano implies C major. Ultimately, the last variation modulates to D major. Both the prelude and the fugue are in
1051:"Sonate für 2 Klaviere und Schlagzeug · Sonata for 2 Pianos and Percussion + Stravinsky: Konzert für 2 Klaviere Sonate für 2 Klaviere 20th-Century Classics"
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chord by the two pianos, followed by a softer and more consonant chord which closes the concerto, though in 1957 Stravinsky expressed to
American pianist
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in its middle section, its most remote key possible. However, the background voices are often dissonant with the two melodic subjects, which generate
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claims that
Stravinsky had put the variations after the fugue but eventually decided to change it because the last chord of the fugue was stronger.
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that he wanted to leave out the softer chord. Stravinsky considered this movement the one in the whole concerto he was most fond of.
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to make a commercial release of the concerto, which was eventually released after his death because of the war.
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There are discernible patterns in the work that indicate that every movement is in a different tonality.
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1003:"Sonata for Two Pianos / Trois Pièces Faciles / Cinq Pièces Faciles / Concerto per due pianoforti soli"
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228:. He began to work on a piece which would be the first movement of the Concerto in 1931 in
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1095:"Dmitri Shostakovich - Complete Works for Piano Duo + Stravinsky, Prokofiev, Dinicu"
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period. It was also
Stravinsky's first work after becoming a French citizen.
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He then took a break and took up the concerto again after finishing his
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The first movement is in a form that recalls a first movement of a
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533:"Variation IV" from "Concerto for Two Pianos", by Igor Stravinsky
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204:. It was finished on November 9, 1935 and, together with his
981:"Composers In Person - Stravinsky: Les Noces, Octet, Etc"
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883:
Stravinsky: The
Composer and His Works, Second edition
886:. University of California Press. pp. 389–392.
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typical
Stravinsky technique (an ostinato in G and B
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and, as in the first movement, it also modulates to
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952:. University of California Press. pp. 42–43.
247:, even though he was interrupted again due to an
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1025:"Arbiter 155: Stravinsky: Music for Four Hands"
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852:and Arbiter Records. p. 12. Archived from
38:Igor Stravinsky, at the time of the composition
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1075:. Hong Kong: Naxos Digital Services Ltd. 1995
1027:. New York: Allan Evans. 2008. Archived from
603:Notable recordings of this concerto include:
220:Stravinsky decided that, after composing his
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983:. Hong Kong: Rovi Data Solutions, Inc. 1993
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196:or rather as its Italian original name,
1469:Concerto for Piano and Wind Instruments
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222:Concerto for Piano and Wind Instruments
200:) is a composition by Russian composer
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679:78rpm and LP (in different couplings)
2181:Piano compositions by Igor Stravinsky
1819:Double Canon (in Memoriam Raoul Dufy)
1448:Variations: Aldous Huxley in memoriam
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399:throughout Europe and South America.
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1623:A Sermon, a Narrative, and a Prayer
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1053:. BerlĂn: Deutsche Grammophon. 1992
453:Preludio e fuga (Prelude and fugue)
13:
1073:"STRAVINSKY: Music for Two Pianos"
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2049:Coco Chanel & Igor Stravinsky
1474:Capriccio for Piano and Orchestra
1442:Movements for Piano and Orchestra
907:Lindemann Malone, Andrew (2012).
782:Aglika Genova and Liuben Dimitrov
528:Fourth part of the third movement
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467:, with its tonal regions and its
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386:The composition was premièred in
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845:Stravinsky: Music for Four Hands
668:Vera Appleton and Michael Field
553:Problems playing this file? See
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198:Concerto per due pianoforti soli
49:Concerto per due pianoforti soli
1773:Three Pieces for String Quartet
1453:Canon on a Russian Popular Tune
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192:(sometimes also referred to as
1836:Symphonies of Wind Instruments
1778:Three Pieces for Solo Clarinet
1720:Three Movements from Petrushka
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651:Vitya Vronsky and Victor Babin
444:Variazione III (Variation III)
431:Notturno: Adagietto (Nocturne)
288:, even though it modulates to
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16:Neoclassical piano composition
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645:78rpm, reissued on LP and CD
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2166:Concertos by Igor Stravinsky
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390:, at a recital given in the
302:. The second movement is in
194:Concerto for Two Solo Pianos
95:20th-century classical music
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2171:Compositions for two pianos
1407:The Song of the Nightingale
1362:Symphony in Three Movements
880:White, Eric Walter (1985).
182:Igor and Soulima Stravinsky
10:
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744:Katia and Marielle Labèque
726:Aloys and Alfons Kontarsky
685:Aloys and Alfons Kontarsky
438:Variazione I (Variation I)
159:21 November 1935
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1879:Monumentum pro Gesualdo
1736:Concerto for Two Pianos
911:. Rovi Corporation, Ltd
190:Concerto for Two Pianos
22:Concerto for Two Pianos
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65:HH58 (Harry Halbreich)
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1748:Sonata for Two Pianos
1097:. G&D media. 1998
1031:on September 11, 2012
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504:The second movement,
262:Dialogues and a Diary
206:Sonata for Two Pianos
68:CC80 (Clifford Cæsar)
2081:New York City Ballet
1977:Named for Stravinsky
1861:Bluebird Pas de Deux
1479:Violin Concerto in D
1153:List of compositions
1005:. Mainz: Wergo. 1965
402:After playing it in
232:after finishing his
2002:Stravinsky Fountain
1997:Stravinsky (crater)
1993:(river cruise ship)
1948:Théodore Strawinsky
1871:The Sleeping Beauty
1379:Scherzo fantastique
1302:Danses concertantes
1216:The Rake's Progress
731:Deutsche Grammophon
578:strongly dissonant
62:W66 (Eric W. White)
1943:Soulima Stravinsky
1920:Yekaterina Nosenko
1428:Scherzo Ă la russe
1351:Symphony of Psalms
1255:The Rite of Spring
1188:The Soldier's Tale
800:Marc-Andre Hamelin
628:Soulima Stravinsky
615:Year of Recording
599:Notable recordings
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397:Soulima Stravinsky
226:Soulima Stravinsky
27:by Igor Stravinsky
2176:1935 compositions
2153:
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2033:George Balanchine
2023:Earnest Andersson
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1903:Fyodor Stravinsky
1699:Étude for Pianola
1685:Three Easy Pieces
1661:Piano Sonata in F
1630:Requiem Canticles
1546:Abraham and Isaac
1539:Berceuses du chat
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2007:Stravinsky Inlet
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1678:Valse des fleurs
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1553:Elegy for J.F.K.
1492:"Dumbarton Oaks"
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856:on March 2, 2012
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1984:4382 Stravinsky
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1506:Concerto in D
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1357:Symphony in C
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1340:Symphony in E
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2101:Psalms chord
2056:Jean Cocteau
2047:
1988:
1964:Robert Craft
1877:
1869:
1859:
1853:Arrangements
1841:
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1811:
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1726:Piano Sonata
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1414:Circus Polka
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1393:Funeral Song
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1241:The Firebird
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1101:September 5,
1099:. Retrieved
1089:
1077:. Retrieved
1067:
1055:. Retrieved
1045:
1033:. Retrieved
1029:the original
1019:
1007:. Retrieved
997:
985:. Retrieved
975:
963:. Retrieved
948:
913:. Retrieved
902:
882:
858:. Retrieved
854:the original
848:. New York:
844:
840:Jacobs, Paul
602:
593:
576:
561:
552:
505:
503:
487:
479:repeated in
462:
417:
401:
392:Salle Gaveau
385:
382:Performances
283:
280:
271:
261:
258:Robert Craft
249:appendectomy
238:
219:
210:neoclassical
197:
193:
189:
187:
1866:Tchaikovsky
1672:Four Études
1400:Four Études
1260:discography
1202:Oedipus rex
1157:Discography
915:January 26,
860:January 28,
703:Paul Jacobs
672:Vox Records
639:/Soundmark
584:Paul Jacobs
404:Baden-Baden
216:Composition
122:–1935
44:Native name
2160:Categories
1957:Amanuensis
1813:Epitaphium
1650:Tarantella
1578:Zvezdoliki
1532:Pribaoutki
1333:Symphonies
1274:Pulcinella
1209:Perséphone
1164:Operas and
959:0520046501
893:0520039858
823:References
764:Peter Hill
738:LP and CD
697:LP and CD
663:LP and CD
590:Catalogues
580:fortissimo
555:media help
477:sextuplets
352:enharmonic
300:bitonality
277:Key system
245:Persephone
179:Performers
163:1935-11-21
2116:Serialism
1640:Piano and
1585:Ave Maria
1525:Pastorale
1462:Concertos
1386:Fireworks
1267:Les noces
1248:Petrushka
1223:The Flood
965:August 6,
949:Dialogues
609:Pianists
414:Structure
354:key with
143:Movements
56:Catalogue
2135:Category
1936:Children
1928:(second)
1905:(father)
1664:♯
1487:♭
1343:♭
1009:July 12,
946:(1982).
842:(2008).
809:Hyperion
748:Philips
711:Arbiter/
676:c. 1950
633:Columbia
566:♭
506:Notturno
428:Con moto
367:♭
359:♭
345:♯
335:♯
325:♭
311:♭
293:♭
171:Location
151:Premiere
127:Duration
111:Composed
2016:Related
1922:(first)
1896:Parents
1764:Chamber
1656:Scherzo
1642:pianola
1603:Cantata
1316:Orpheus
1233:Ballets
618:Format
421:Italian
376:E major
318:G minor
304:G major
286:E minor
230:Voreppe
161: (
116: (
81: (
2133:
2052:(film)
1889:Family
1864:(from
1807:Septet
1616:Threni
1570:Choral
1281:Apollo
1181:Renard
956:
890:
465:sonata
91:Period
2145:Audio
1913:Wives
1828:Other
1801:Elegy
1790:Octet
1766:music
1742:Tango
1667:minor
1592:Babel
1517:vocal
1195:Mavra
813:2018
791:1998
773:1995
751:1987
735:1977
717:1977
694:1962
690:Wergo
660:1945
642:1938
388:Paris
362:minor
348:minor
338:minor
328:major
314:major
296:major
174:Paris
101:Style
1598:Mass
1515:Solo
1323:Agon
1103:2013
1081:2012
1059:2012
1037:2012
1011:2014
989:2012
967:2012
954:ISBN
917:2012
888:ISBN
862:2012
802:and
762:and
705:and
626:and
243:and
188:The
156:Date
118:1930
114:1930
83:1935
79:1935
76:Year
1868:'s
1421:Ode
816:CD
794:CD
787:CPO
776:CD
754:CD
720:CD
637:EMI
2162::
942:;
925:^
870:^
831:^
496:.
423::
378:.
136:00
132:20
1874:)
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1258:(
1136:e
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896:.
864:.
635:/
557:.
488:4
372:D
356:B
342:A
332:C
322:B
308:D
290:B
165:)
146:4
134::
120:)
85:)
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