221:. The theatrical 35 mm version of the film is different from the original 16 mm release and was re-edited by Elfick and Greenough. It became one of Australia's most successful surf films, grossing more than A$ 100,000 (in 1973) on its initial Australian release, before being picked up by British
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The film is structured as a loose biography of
Greenough and was shot largely in California. It documents Greenough's search for uncrowded waves, which led to the construction of his 37-foot ocean-going yacht. It also feature Greenough's surfing friends, Californian
258:, is generally considered to be the highlight of the film. Filmed with a camera in a waterproof housing strapped to Greenough's back, the sequence is composed entirely of slow-motion footage shot inside the curl of waves, edited to the 23-minute song "
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Pink Floyd used to project it behind them when performing their 22-minute prog-rock jam, 'Echoes.' In return, Greenough was given the rights to use 'Echoes' as the soundtrack for the crescendo section of the 1973 film, 'The
Crystal
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According to
Greenough, Oz filmmaker David Elfick worked out the details, which gave Greenough permission to use Pink Floyd's music on the condition that his experimental footage be projected behind them during their next
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on 5 December 1973 and had a successful three-week run there before opening in other
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gained substantial press on its release, mostly due to its strong reception at the
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354:"A Meditative Surf-Film Soundtrack for Your Chill Weekend Ahead"
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191:. The soundtrack was written and produced and performed by
233:. It had a record-breaking 6-month run in London's
285:"Revisiting the Original Classics of Surf Cinema"
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241:'s animated science-fiction film
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35:Original theatrical poster
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270:References
264:Pink Floyd
172:Australian
170:is a 1973
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127:1973-12-05
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175:surf film
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159:English
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