891:. Prior to this incident, Vahideh had posted on her social media page about anonymous personal threats, including threats from a non-Iranian individual with a knife. On October 17 Iranian police arrested ten individuals suspected of being involved in the murders, including "the main killer". Four people were arrested by police days after the killing for their alleged involvement. One of them later confessed to being the killer, saying that he was a former employee of Mehrjui who harbored a grudge against him "due to financial issues". He was subsequently sentenced to death in February 2024 while the three others received prison terms ranging from eight to 36 years for being accomplices to the crime.
541:. Mehrjui got the idea for the film when a friend suggest that he investigate the black market and illicit blood traffic in Iran. Horrified with what he found, Mehrjui took the idea to Gholamhossein Sa'edi, who had written a play on the subject, "Aashghaal-duni". The play became the basis for the script, which then had to be approved by the Ministry of Culture before production could begin. With pressure from the Iranian medical community, approval was delayed for a year until Mehrjui began shooting the film in 1974. The film stars Saeed Kangarani, Esmail Mohammadi,
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at a local blood bank. Ali begins giving blood and eventually works for Dr. Sameri in luring blood donors, despite spreading diseases in the process. Ali meets another doctor (Nassirian) who is attempting to establish a legitimate blood bank, and helps Dr. Sameri in sabotaging his plans. Ali also meets and becomes the lover of a young nurse, played by
Fourouzan. As Ali becomes more and more involved in the illegal blood trafficking, his father's health worsens until he finally dies and Ali must decide what path his life will take. The film's title,
272:, whom Mehrjui credited with teaching him how to work with actors. Mehrjui was dissatisfied with the film program due to its emphasis on the technical aspects of film and the quality of most of the teachers. Mehrjui said of his educators, "They wouldn't teach you anything very significant... because the teachers were the kind of people who had not been able to make it in Hollywood themselves... bring the rotten atmosphere of Hollywood to the class and impose it on us." He switched his major to
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His only naive hope is that he will win the national lottery. When he discovers that his wife is the mistress of his town's wealthiest landowner, Taghi escapes to the local forest where he experiences a brief moment of peace and harmony. His wife comes looking for him, and in a fit of rage Taghi murders her and is eventually caught for his crime.
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721:. The film, seen as an allegory for the recent revolution, is about a group of high school students who join forces and rebel against their authoritative and abusive school principal. Film critic Hagir Daryoush criticized both the film and Mehrjui as propaganda and a work of the new regime more than Mehrjui himself.
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In the film, Nassirian plays Taghi, a miserable civil servant whose life spirals into chaos. He spends his days as an unhappy mail carrier and has two night jobs in order to pay his debts. His misery has caused impotence and he is experimented upon by an amateur herbalist who is one of his employers.
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In the film, Kangarani plays Ali, a teenager who has brought his dying father (Mohammadi) to Tehran in order to find medical treatment. They are too poor to afford any help from the local hospital, but Dr. Sameri (Entezami) offers them money in exchange for giving illegal and unsafe blood donations
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In the film, Nassirian plays a simple, naive villager who goes to Tehran to find a wife. While in the big city he is treated roughly and constantly fooled by local hustlers and con artists. When he goes into a dress shop to purchase a wedding gown, he meets a beautiful young woman (Fakhri
Khorvash)
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In the film, Entezami stars as Masht Hassan, a peasant in an isolated village in southern Iran. Hassan has a close relationship with his cow, which is his only possession (Mehrjui said that
Entezami even resembled a cow in the film). When other people from Hassan's village discover that the cow has
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and piano. He spent a lot of time going to the movies, particularly
American films which were un-dubbed and inter-spliced with explanatory title cards that explained the plot throughout the films. At this time Mehrjui started to learn English so as to better enjoy the films. The film that had the
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movement and is considered a turning point in the history of
Iranian cinema. The public received it with great enthusiasm, despite the fact that it had ignored all the traditional elements of box office attraction. It was screened internationally and received high praise from many film critics.
257:. At the age of 12, Mehrjui built a 35 mm projector, rented two-reel films and began selling tickets to his neighborhood friends. Although raised in a religious household, Mehrjui said that, at the age of 15, "The face of God gradually became a little hazy for me, and I lost my faith."
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been mysteriously killed, they decide to bury the cow and tell Hassan that it has run away. While in mourning for the cow, Hassan goes to the barn where it was kept and begins to assume the cow's identity. When his friends attempt to take him to a hospital, Hassan commits suicide.
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Mehrjui stated that he, "enthusiastically took part in the revolution, shooting miles of reels of its daily events". After the revolution, the censorship of the
Pahlavi regime was lifted, and for a time, artistic freedom seemed to flourish in the country. It was reported that the
375:, and he had been arrested sixteen times. When it was finally released in 1970, it was highly praised and won an award at the Ministry of Culture's film festival, but it was still denied an export permit. In 1971, the film was smuggled out of Iran and submitted to the
283:. The magazine's intention was to bring contemporary Persian literature to western readers. During this time he wrote his first script with the intention of filming it in Iran. He moved back to Tehran in 1965, and found employment as a journalist and screenwriter.
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on
Iranian television and liked it, calling it "very instructive" and commissioning new prints to be made for distribution. However the Khomeini government would go on to impose its own rules for censorship in Iran, specifically laws that were in accordance to
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From 1966 to 1968 he was a teacher at Tehran's Center for
Foreign Language Studies, where he taught classes in literature and English language. He also gave lectures on films and literature at the Center for Audiovisual Studies through the
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to increase human rights and intellectual freedoms in Iran. Because of a crowded film marketplace, the film premiered in Paris, and then was released internationally where it received rave reviews and was compared to
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The film was co-sponsored by the
Ministry of Culture but encountered opposition from the Iranian medical establishment and was banned for three years. It was finally released in 1977, with help from pressure from the
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where, without programming or subtitles, it became the largest event of that year's festival. It won the
International Critics Award at Venice, and later that year, Entezami won the Best Actor Award at the
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781:. Though the film could be distributed legally in Iran since the country has no official copyright relations with the United States, Salinger had his lawyers block a planned screening of the film at
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and is from a story by Fereydoon Doostdar. The film was sponsored by the Iranian Institute for the Intellectual Development of Children and Young Adults, whose filmmaking department was co-founded by
345:. Sa'edi was a friend of Mehrjui and suggested the idea to him when Mehrjui was looking for a suitable second film, and they collaborated on the script. Through Sa'edi, Mehrjui met the actors
371:, despite being one of the first two films in Iran to receive government funding. This was most likely due to Sa'edi being a controversial figure in Iran. His work was highly critical of the
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in 1974. He was also commissioned by the Iranian Blood Transfusion Center to create three short documentaries about safe and healthy blood donations. The films were used by the
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and proposes to her. The young woman turns out to be a prostitute who rejects him and takes his money, spending him back to his village empty handed but more world-wise.
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and remained there for several years, along with several other Iranian refugees in France. During this time he made a feature-length semi-documentary about the poet
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Modern Iranian cinema begins with Mehrjui. Mehrjui introduced realism, symbolism, and the sensibilities of art cinema. His films have some resemblance with those of
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219:(1969), is considered to be the first film of this movement. Most of his films are inspired by literature and adapted from Iranian and foreign novels and plays.
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758:(1989), a portrait of an intellectual whose life is falling apart, Mehrjui sought to depict his generation's post-revolutionary turn from politics to mysticism.
353:, who were performing in one of Sa'edi's plays. Mehrjui would work with Entezami and Nassirian throughout his career. The film's score was composed by musician
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in 1998. Mehrjui called Salinger's action "bewildering", explaining that he saw his film as "a kind of cultural exchange". His follow-up film, 1997's
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was screened at the Sepas Film Festival in Tehran in 1971 where it won awards for Best Film and Best Director. Later that year it was screened at the
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864:"Listen to me, I can't take it anymore," he said. "I want to fight . Kill me, do whatever you want with me...destroy me, but I want my right.
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The one constant in Mehrjui's work was his attention to the discontents of contemporary, primarily urban, Iran. His film
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of 1979 were causing a gradual loosening of strict censorship laws, which Mehrjui and other artists had great hopes for.
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On 14 October 2023, Mehrjui and his wife, Vahideh Mohammadifar, were found stabbed to death in their home in the city of
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In March 2022, Mehrjui publicly denounced the state censorship. In front of a filled cinema crowd, Mehrjui announced,
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in several countries for years. In 1978, the Iranian Ministry of Health commissioned Mehrjui to make the documentary
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to be released and gaining international recognition, Mehrjui was busy directing two more films. In 1970 he shot
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1873:"Dariush Mehrjui and Vahideh Mohammadifar: Man sentenced to death for murders of Iranian director and his wife"
791:, is a melodrama about an urban, upper-middle-class couple who learn that the wife is unable to bear children.
1837:"Revered Iranian Auteur Dariush Mehrjui and Wife Stabbed to Death at Home Outside Tehran, State Media Reports"
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In 1985, Mehrjui and his family returned to Iran and Mehrjui resumed his film career under the new regime.
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was voted the best Iranian film ever by readers and contributors to the Iranian journal Film Monthly.
1577:"UCLA Film and Television Archive Presents Dariush Mehrjui: Trapeze Without a Net, July 15 to Aug. 1"
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194:; 8 December 1939 – 14 October 2023) was an Iranian filmmaker and a member of the
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Wakeman, John. World Film Directors, Volume 2. The H. W. Wilson Company. 1988. 663-669.
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Lifetime Achievement Award, 1st Diorama International Film Festival & Market (2019)
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827:(1999) has been hailed as the apotheosis of the director's examination of the Iranian
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film series. The film was not financially successful. But his second feature film,
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1742:"'I Can't Stand It Anymore': Prominent Iranian Filmmaker Blasts State Censorship"
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Their funeral was held at Roudaki Performance Hall in Tehran, with tributes from
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1163:, 451 p. (Mage Publishers, Washington, DC, 2007); Chapter IV, pp. 107–134:
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for a modern-day Iranian setting. He went back to Iran later in 1970 to shoot
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The film is adapted from a short story by renowned Iranian literary figure
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1689:"همه آنچه باید درباره داریوش مهرجویی بدانید / مرور ویدیوییِ آثار مهرجویی"
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In 1973 Mehrjui began directing what was to be his most acclaimed film,
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Dariush Mehrjui was born on 8 December 1939 to a middle-class family in
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and at the Sepas Film festival. Internationally it was screened at the
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1812:"جزئیات جدید از قتل داریوش مهرجویی و همسرش/ سرنخی که همسر مهرجویی داد"
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Mehrjui has received 49 national and international awards, including:
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During this time, Iran was going through great political changes. The
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to become an Islamic Republic on 1 April 1979, and to approve a new
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had been ongoing since 1978 through strikes and demonstrations. The
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Producers who won the Audience Choice of Best Film Crystal Simorgh
1960:
Firouzan Films Iranian Movie Hall of Fame Inductee Dariush Mehrjui
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Daryoush Mehrjui and his wife, Vahideh Mohammadifar, were found
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334:), brought him national and international recognition. The film
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Because of the cycle of the universe, my heart is bleeding.
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movement of the early 1970s, which also included directors
437:, wanted to do a no-problem film." The film also starred
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to be released, Mehrjui worked on several documentaries.
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Several of Iran's prominent actors (Entezami, Nassirian,
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Fédération Internationale de la Presse Cinématographique
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In 1959, Mehrjui moved to the United States to study at
2222:
1373:"Iran Chamber Society: Iranian Cinema: Dariush Mehrjui"
1851:"Iran Police Arrest 'Main Killer' Of Director: Report"
624:, a documentary on the Isamailis, was commissioned by
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2008:
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1658:"Iranian Film Is Canceled After Protest By Salinger"
1630:"Iranian Film Is Canceled After Protest By Salinger"
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486:), which starred Nassirian, Entezami and Jaleh Sam.
1975:, FirouzanFilms, 25 November 2008: (4 min 37 sec).
279:Mehrjui started his own literary magazine in 1964,
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660:in armed street fighting. Iran voted by national
656:and rebel troops overwhelmed troops loyal to the
516:, where it received the Interfilm Award, and the
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1899:"Iranians pay tribute to slain director Mehrjui"
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2946:Producers who won the Best Film Crystal Simorgh
1853:. Dow Jones & Company, Inc. 18 October 2023
1511:"7th Moscow International Film Festival (1971)"
1399:"Famed Iranian Filmmaker Is Killed in His Home"
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299:
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1994:
1760:"فوری/ داریوش مهرجویی و همسرش به قتل رسیدند!"
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640:Film career after the 1979 Iranian Revolution
2926:University of California, Los Angeles alumni
1270:"the murder of Daryush Mehrjui and his wife"
1161:Masters & Masterpieces of Iranian Cinema
724:In 1981, Mehrjui and his family traveled to
418:, and Jafar Vali) played roles in the film.
2956:Crystal Simorgh for Best Screenplay winners
1244:"داریوش مهرجویی نشاندار شد + فیلم - ایسنا"
771:, an unauthorized loose film adaptation of
512:, where it received a special mention, the
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2001:
1987:
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2941:Crystal Simorgh for Best Director winners
1121:San Sebastián International Film Festival
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520:, where it was screened as part of the
514:22nd Berlin International Film Festival
457:. It was a commercial success in Iran.
247:strongest impact on him as a child was
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1739:
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883:on 14 October 2023, in their villa in
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500:) faced the same censorship issues as
455:7th Moscow International Film Festival
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1982:
1397:Nikounazar, Leily (15 October 2023).
1268:Farhadi, Parastoo (14 October 2023).
703:Hayat-e Poshti Madrese-ye Adl-e Afagh
403:Tranquility in the Presence of Others
262:University of California, Los Angeles
201:Mehrjui was a founding member of the
109:University of California, Los Angeles
1687:TABNAK, تابناک | (14 October 2023).
1656:Mckinley, Jesse (21 November 1998).
1628:Mckinley, Jesse (21 November 1998).
1621:
316:Mehrjui made his debut in 1966 with
2224:Crystal Simorgh for Best Screenplay
1131:Chicago International Film Festival
652:collapsed on 11 February 1979 when
468:and began writing an adaptation of
382:Chicago International Film Festival
191:
13:
1541:"The Cycle (1977) - Awards - IMDb"
736:in 1983. It was shown at the 1983
676:of the country, in December 1979.
557:, refers to a line from a poem by
506:Tehran International Film Festival
367:was banned for over a year by the
357:. The film was completed in 1969.
238:. He showed interest in painting
14:
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2602:Crystal Simorgh for Best Director
1967:Dariush Mehrjui discusses The Cow
1932:
276:and graduated from UCLA in 1964.
1937:
268:. One of his teachers there was
38:
2911:Persian-language film directors
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2936:Iranian documentary filmmakers
1583:. 16 June 1999. Archived from
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965:Journey to the Land of Rimbaud
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1:
1766:(in Persian). 14 October 2023
1435:"The Films of Darius Mehrjui"
1193:"MIFF 1999 Schedule (MIFF 2)"
1178:
1150:
840:in 1969, Mehrjui, along with
464:in 1970, Mehrjui traveled to
320:, a big budget parody of the
16:Iranian filmmaker (1939–2023)
1901:. Arab News. 18 October 2023
1746:Radiofreeeurope/Radioliberty
1486:"Massoud Mehrabi - Articles"
1461:""The Cow", Dariush Mehrjui"
636:, about kidney transplants.
369:Ministry of Culture and Arts
7:
1839:. Variety. 15 October 2023.
626:Iranian National Television
300:Early film career 1966–1972
196:Iranian Academy of the Arts
10:
2987:
2971:Deaths by stabbing in Iran
2863:Mohammad Ali Bashe Ahangar
2845:Mohammad Hossein Mahdavian
1563:, Encyclopædia Britannica.
872:
802:Cinematic style and legacy
709:) in 1980. The film stars
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2017:
1550:– via www.imdb.com.
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918:Mehrjui's films include:
875:Murder of Dariush Mehrjui
734:Voyage au Pays de Rimbaud
630:World Health Organization
518:1972 Cannes Film Festival
294:
173:
131:
123:
115:
104:
93:
74:
49:
37:
30:
23:
2053:The School We Used to Go
1165:Dariush Mehrjui; The Cow
959:The School We Used to Go
230:Early life and education
163:(died 2023)
31:
2931:People murdered in Iran
2921:UCLA Film School alumni
2916:Film people from Tehran
2759:Mohammad-Hossein Latifi
2319:Houshang Moradi Kermani
1786:"داریوش مهرجویی درگذشت"
967:(1983) (documentary in
666:theocratic constitution
2966:Iranian murder victims
2901:Iranian film directors
1490:www.massoudmehrabi.com
866:
798:was released in 2019.
794:His last film, titled
765:In 1995, Mehrjui made
701:Mehrjui then directed
313:
2906:Iranian screenwriters
2711:Rasoul Mollagholipour
1946:at Wikimedia Commons
1617:U.S. Copyright Office
1611:28 March 2007 at the
1561:Iran Islamic Republic
862:
856:2022 'Kill me' speech
707:The School We Went to
571:Carter administration
307:
242:, music, and playing
2961:2023 murders in Iran
2763:Amir-Shahab Razavian
2669:Rakhshan Bani-Etemad
2411:Rakhshan Bani-Etemad
2325:Rakhshan Bani-Etemad
2267:Masoud Jafari Jozani
1764:روزنامه دنیای اقتصاد
1740:Esfandiari, Golnaz.
1587:on 24 September 2015
869:Murder and aftermath
742:London Film Festival
738:Venice Film Festival
607:events leading up to
600:Berlin Film Festival
522:Directors' Fortnight
510:Venice Film Festival
466:Berkeley, California
377:Venice Film Festival
343:Gholamhossein Sa'edi
289:University of Tehran
266:Department of Cinema
154:Vahideh Mohammadifar
2663:Varuzh Karim-Masihi
2363:Hamid Farrokhnezhad
2315:Mohammad-Ali Talebi
2243:Alireza Davoodnejad
1721:on 31 December 2006
1377:www.iranchamber.com
711:Ezzatollah Entezami
594:. The film won the
586:Pier Paolo Pasolini
543:Ezzatollah Entezami
213:. His second film,
94:Cause of death
2811:Abolhassan Davoudi
2805:Ahmad-Reza Darvish
2741:Ahmad-Reza Darvish
2681:Mohammad Bozorgnia
2551:Babak Khajeh Pasha
2449:Homayoun Shahnavaz
2439:Abolhassan Davoodi
2391:Peyman Ghasemkhani
2009:Films directed by
1879:. 12 February 2024
1666:The New York Times
1635:The New York Times
1403:The New York Times
1141:Fajr Film Festival
646:Iranian Revolution
616:While waiting for
611:Iranian Revolution
421:While waiting for
416:Jamshid Mashayekhi
373:Pahlavi government
347:Ezzatolah Entezami
314:
308:Mehrjui on set of
146:(divorced)
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2877:
2829:Ebrahim Hatamikia
2793:Parviz Sheikhtadi
2781:Ebrahim Hatamikia
2705:Ebrahim Hatamikia
2693:Kiumars Pourahmad
2651:Mohsen Makhmalbaf
2568:
2567:
2419:Mohsen Abdolvahab
2347:Ebrahim Hatamikia
2303:Hassan Gholizadeh
2281:Mohsen Makhmalbaf
2190:
2189:
1942:Media related to
1792:. 14 October 2023
1715:"Dariush Mehrjui"
1441:on 24 August 2007
904:Mohammad Rasoulof
685:Ruhollah Khomeini
549:, and Fourouzan.
181:
180:
140:Faryar Javaherian
124:Years active
2978:
2729:Rasul Sadr-Ameli
2717:Bahman Farmanara
2639:Abbas Kiarostami
2616:
2595:
2588:
2581:
2572:
2571:
2560:
2515:Mohammad Davoudi
2501:Kambuzia Partovi
2495:Kambuzia Partovi
2406:
2397:Kambuzia Partovi
2379:Rasul Sadr-Ameli
2375:Kambuzia Partovi
2299:Asghar Abdollahi
2276:
2261:Majid Gharizadeh
2256:
2238:
2217:
2210:
2203:
2194:
2193:
2003:
1996:
1989:
1980:
1979:
1969:
1941:
1926:
1917:
1911:
1910:
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1895:
1889:
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1869:
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1776:
1775:
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1771:
1756:
1750:
1749:
1737:
1731:
1730:
1728:
1726:
1717:. Archived from
1711:
1705:
1704:
1702:
1700:
1684:
1678:
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1564:
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1537:
1531:
1530:
1528:
1526:
1517:. Archived from
1507:
1501:
1500:
1498:
1496:
1482:
1476:
1475:
1473:
1471:
1457:
1451:
1450:
1448:
1446:
1437:. Archived from
1431:
1422:
1421:
1419:
1417:
1394:
1388:
1387:
1385:
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1369:
1358:
1355:
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1240:
1234:
1233:
1231:
1229:
1215:
1209:
1208:
1206:
1204:
1199:on 23 March 2007
1195:. Archived from
1189:
908:Bahman Farmanara
881:stabbed to death
850:Iranian New Wave
778:Franny and Zooey
740:and at the 1983
719:Abbas Kiarostami
650:Iranian monarchy
460:After finishing
411:Iranian New Wave
249:Vittorio De Sica
203:Iranian New Wave
193:
164:
147:
81:
59:
57:
42:
21:
20:
2986:
2985:
2981:
2980:
2979:
2977:
2976:
2975:
2881:
2880:
2879:
2874:
2869:Behrouz Afkhami
2833:Bahram Tavakoli
2823:Vahid Jalilvand
2799:Parviz Shahbazi
2687:Dariush Mehrjui
2657:Dariush Mehrjui
2627:Yadollah Samadi
2612:
2604:
2599:
2569:
2564:
2556:
2539:Tahmineh Bahram
2477:Behrouz Afkhami
2443:Farid Mostafavi
2429:Shadmehr Rastin
2415:Farid Mostafavi
2402:
2385:Parviz Shahbazi
2353:Tahmineh Milani
2309:Dariush Mehrjui
2293:Yadollah Samadi
2287:Dariush Mehrjui
2272:
2252:
2234:
2226:
2221:
2191:
2186:
2168:Good to Be Back
2160:The Orange Suit
2013:
2011:Dariush Mehrjui
2007:
1965:
1944:Dariush Mehrjui
1935:
1930:
1929:
1918:
1914:
1904:
1902:
1897:
1896:
1892:
1882:
1880:
1871:
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1613:Wayback Machine
1604:
1600:
1590:
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1575:
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1567:
1559:
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1521:on 3 April 2014
1509:
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1200:
1191:
1190:
1186:
1181:
1153:
1137:Crystal Simorgh
1117:Golden Seashell
1110:
1084:Good To Be Back
1076:The Orange Suit
916:
877:
871:
858:
834:Since his film
804:
732:for French TV,
642:
533:
439:Fakhri Khorvash
302:
297:
254:Bicycle Thieves
232:
226:, near Tehran.
184:Dariush Mehrjui
169:
166:
162:
158:
155:
149:
145:
141:
105:Alma mater
89:
83:
79:
78:14 October 2023
70:
61:
60:8 December 1939
55:
53:
45:
44:Mehrjui in 2018
33:
26:
25:Dariush Mehrjui
17:
12:
11:
5:
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2857:Reza Mirkarimi
2854:
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2826:
2820:
2817:Saeed Roustayi
2814:
2808:
2802:
2796:
2790:
2787:Asghar Farhadi
2784:
2778:
2775:Asghar Farhadi
2772:
2766:
2756:
2753:Asghar Farhadi
2750:
2744:
2738:
2735:Reza Mirkarimi
2732:
2726:
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2708:
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2696:
2690:
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2642:
2636:
2633:Kianoush Ayari
2630:
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2535:Ida Panahandeh
2528:
2518:
2511:Mohsen Gharaie
2508:
2505:Houman Seyyedi
2498:
2492:
2489:Saeed Roustayi
2486:
2483:Roya Mohaghegh
2480:
2474:
2471:Behnam Behzadi
2468:
2465:Mostafa Kiayee
2462:
2459:Asghar Farhadi
2456:
2446:
2436:
2433:Reza Mirkarimi
2426:
2423:Naghmeh Samini
2408:
2400:
2394:
2388:
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2372:
2366:
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2335:Reza Maghsoodi
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2146:Tehran, Tehran
2142:
2135:
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2100:
2093:
2086:
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2074:
2067:
2065:The Wild Bafti
2062:
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2018:
2015:
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1998:
1991:
1983:
1977:
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1962:
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1951:Darius Mehrjui
1934:
1933:External links
1931:
1928:
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1920:Darius Mehrjui
1912:
1890:
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1661:(fee required)
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873:Main article:
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783:Lincoln Center
773:J. D. Salinger
730:Arthur Rimbaud
674:Supreme Leader
641:
638:
634:Peyvast kolieh
532:
526:
462:Agha-ye Hallou
450:Agha-ye Hallou
441:and Entezami.
427:Agha-ye Hallou
409:initiated the
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192:داریوش مهرجویی
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82:(aged 83)
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32:داریوش مهرجویی
28:
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2621:Khosrow Sinai
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2559:
2555:
2552:
2549:
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2545:Kazem Daneshi
2543:
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2532:
2531:Arsalan Amiri
2529:
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2453:Shahram Asadi
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2359:Khosrow Sinai
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2247:Ebrahim Makki
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2119:
2118:To Stay Alive
2115:
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2108:
2106:
2105:
2104:The Pear Tree
2101:
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1581:Business Wire
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1465:openDemocracy
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1223:www.namava.ir
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1173:0-934211-85-X
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1157:Hamid Dabashi
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1028:The Pear Tree
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846:Masoud Kimiai
843:
842:Nasser Taqvai
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581:Los Olvidados
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559:Hafiz Shirazi
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2851:Mehdi Jafari
2839:Narges Abyar
2769:Majid Majidi
2747:Majid Majidi
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1606:Circular 38a
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1197:the original
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80:(2023-10-14)
18:
2896:2023 deaths
2891:1939 births
2614:Not Awarded
2525:Nima Javidi
2236:Not Awarded
2153:Beloved Sky
2125:Mum's Guest
2059:The Tenants
2041:The Postman
1883:12 February
1816:www.alef.ir
1790:www.irna.ir
1591:26 February
1525:24 December
1445:26 February
1274:CafehDanesh
1253:19 November
1228:19 November
1127:Silver Hugo
1068:Beloved Sky
1052:Mum's Guest
976:The Lodgers
945:The Postman
914:Filmography
829:bourgeoisie
696:Islamic law
576:Luis Buñuel
498:The Postman
484:The Postman
405:, the film
387:Along with
310:The Postman
281:Pars Review
270:Jean Renoir
2885:Categories
1905:18 October
1857:19 October
1821:14 October
1796:14 October
1770:14 October
1725:15 October
1699:14 October
1546:15 October
1495:15 October
1470:15 October
1416:15 October
1382:15 October
1280:14 October
1203:15 October
1179:References
1151:Literature
923:Diamond 33
662:referendum
654:guerrillas
322:James Bond
318:Diamond 33
274:philosophy
240:miniatures
116:Occupation
56:1939-12-08
2558:No winner
2404:No winner
2274:No winner
2254:No winner
2047:The Cycle
2035:Mr. Naive
2022:Almaas 33
1411:0362-4331
952:The Cycle
938:Mr. Naive
808:Rosselini
682:Ayatollah
618:The Cycle
602:in 1978.
591:Accattone
538:The Cycle
531:1973–1978
529:The Cycle
431:Mr. Naive
264:' (UCLA)
127:1966–2023
119:Filmmaker
2182:La minor
2132:Santouri
2077:The Lady
1609:Archived
1219:"Namava"
1100:La minor
1060:Santouri
997:The Lady
796:Laminor,
775:'s book
670:Khomeini
668:whereby
174:Children
2111:The Mix
2028:The Cow
1973:YouTube
1672:5 April
1641:5 April
1615:of the
1248:isna.ir
1036:The Mix
930:The Cow
837:The Cow
812:De Sica
672:became
494:Postchi
480:Postchi
475:Woyzeck
332:The Cow
244:santoor
216:The Cow
188:Persian
165:
161:
157:
148:
144:
132:Spouses
2871:(2024)
2865:(2023)
2859:(2022)
2853:(2021)
2847:(2020)
2841:(2019)
2835:(2018)
2825:(2017)
2819:(2016)
2813:(2015)
2807:(2014)
2801:(2013)
2795:(2012)
2789:(2011)
2783:(2010)
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2561:(2024)
2553:(2023)
2547:(2022)
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2517:(2019)
2507:(2018)
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2239:(1983)
2176:Ghosts
2071:Hamoun
1409:
1171:
1108:Awards
1103:(2020)
1095:(2014)
1092:Ghosts
1087:(2013)
1079:(2012)
1071:(2010)
1063:(2007)
1055:(2004)
1047:(2002)
1039:(2000)
1031:(1998)
1023:(1996)
1015:(1995)
1007:(1993)
999:(1991)
993:(1990)
990:Hamoun
985:(1988)
979:(1987)
969:France
961:(1981)
955:(1975)
947:(1971)
941:(1970)
933:(1969)
925:(1967)
844:, and
814:, and
760:Hamoon
754:Hamoun
622:Alamut
394:Qeysar
312:(1971)
295:Career
236:Tehran
111:(UCLA)
98:Murder
88:, Iran
64:Tehran
2097:Leila
1020:Leila
889:Karaj
788:Leila
726:Paris
224:Karaj
159:
142:
86:Karaj
2537:and
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2333:and
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2301:and
2245:and
2090:Pari
2083:Sara
1955:IMDb
1924:IMDb
1907:2023
1885:2024
1859:2023
1823:2023
1798:2023
1772:2023
1727:2023
1701:2023
1674:2007
1643:2007
1593:2007
1548:2023
1527:2012
1515:MIFF
1497:2023
1472:2023
1447:2007
1418:2023
1407:ISSN
1384:2023
1282:2023
1255:2021
1230:2021
1205:2023
1169:ISBN
1143:2004
1133:1998
1123:1993
1012:Pari
1004:Sara
906:and
768:Pari
713:and
690:Gaav
687:saw
658:Shah
644:The
609:the
584:and
502:Gaav
435:Gaav
423:Gaav
407:Gaav
397:and
365:Gaav
349:and
336:Gaav
327:Gaav
209:and
75:Died
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50:Born
1971:on
1953:at
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