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Darmstädter Ferienkurse

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During the late 1950s and early 1960s the courses were charged with a perceived lack of interest on the part of some of its zealot followers in any music not matching the uncompromisingly modern views of Pierre Boulez – the "party subservience" of the "clique orthodoxy" of a "sect", in the words of
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A first series were courses, lectures and concerts from 25 August to 21 September. They were followed by public concerts and lectures, titled "Internationale zeitgenössische Musiktage" (International contemporary music days) from 22 to 29 September, held in collaboration with the city of Darmstadt,
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For the organisation of the event, the Internationales Musikinstitut Darmstadt was founded in 1948. It also keeps an archive of past events and compositions. It holds around 20,000 photographs, 10,000 letters, sound files and other documents, available online since 2016. The event is sponsored by
206:, Germany. It was founded in 1946, under the name "Ferienkurse für Internationale Neue Musik Darmstadt" (Vacation Courses of International New Music in Darmstadt), as a gathering with lectures and concerts over several summer weeks. Composers, performers, theorists and philosophers of 889:, written in 1962 in an effort to "make the public believe that the most advanced music of the day was no more than a fancy cooked up by a bunch of aberrant conspirators conniving at war against music proper." This led to the use of the phrase " 40: 1187: 632: 219: 1141: 242: 466:
It was the first forum of contemporary music in Germany after World War II, including music theory and philosophy. Lectures were held by instructors such as
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The courses were first held annually, lasting for about twelve days. From 1970, they have been held biennially for two to three weeks. The first venue was
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er Musikinstitut, which was renamed Internationales Musikinstitut Darmstadt (IMD). It is regarded as a leading international forum of contemporary and
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in Darmstadt. Beginning in 1949, public buildings in Darmstadt have been used not only for some concerts as in the beginning, but also for courses.
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During the first years of the event, a focus was on German premieres of works, sometimes decades after their composition, by composers such as
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visited, presenting their work and aesthetic in composition classes, and contributing to worldwide recognition of the institution.
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in 1949. That year, a symphony concert was dedicated exclusively to Schoenberg's works, including the German premiere of his
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However, although Messiaen paid "a brief visit" to the courses in 1949, "he neither taught students nor lectured" there.
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presented their radical approach and theories. They are sometimes referred to as the "Darmstädter Schule" (
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being written at that time by himself and composers such as Boulez, Maderna, Stockhausen, Berio, and
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The Ferienkurse were founded to reconnect Germany to the international scene in classical music, as
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has published recordings, often documenting world premieres and first performances in Germany.
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The Sanctification of Misapprehension into a Doctrine: Darmstadt Epigones and Xenophobes
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Notable performers instructed in new playing techniques, and works by young composers (
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met first annually until 1970, and then biennially. The event was organised by the
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The courses presented in 70 years around 5,000 world premieres. The record label
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Recipients include performers (with their instrument listed) and composers:
432:'s String Quartet No. 6 (1943) received their first performance in Germany. 886: 867: 693: 495: 440: 211: 1437:
Von Kranichstein zur Gegenwart 1946–1996. 50 Jahre Darmstädter Ferienkurse
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was installed in 1952, first for performers, then also for composers.
901:) as a pejorative term, implying a "mathematical", rule-based music. 894: 503: 373: 308: 258: 199: 105: 1182: 311:) had been systematically suppressed by the Nazis from 1933 as " 404:'s sonata for solo flute, a trio for flute, viola and cello by 371:, "Zeitgenössische deutsche Kunst", and also Carl Orff's opera 257:, then responsible for culture in the municipal government of 1105:"Ferienkurse für internationale neue Musik, 25.8.-29.9. 1946" 203: 1399:. Music since 1900. Cambridge: Cambridge University Press. 1397:
New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez
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Includes a photo of Brown and Bruno Maderna in Darmstadt.
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The first event in 1946 offered courses in conducting by
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several organisations, especially public broadcasters.
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with a focus on composition. The festival awards the
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Translated by Prescod Jokel, Sonia. 1244: 1220: 1208: 1139: 929:literally: Darmstadt Vacation Courses 1422:Darmstädter Beiträge zur Neuen Musik 1365: 1327: 1321: 1232: 1126: 229:for performers and young composers. 1250: 1174:Hagedorn, Volker (13 August 2016). 1057: 1025: 509: 343:, opera direction by Bruno Hey and 24: 1414: 1001:Deutsches Musikinformationszentrum 988: 967:Music and German National Identity 412:for flute, piano and strings, and 299:forms of classical music (such as 25: 1577: 1484: 1366:Beal, Amy C. (June–August 2007). 1140:Eckle, Barbara (12 August 2016). 18:Darmstadt New Music Summer School 1523: 1439:(Stuttgart: DACO-Verlag, 1996), 1424:(Mainz: Schott Music, 1958ff.), 1190:from the original on Feb 4, 2024 377:, and the award ceremony of the 58: 1368:"An Interview with Earle Brown" 1278: 1114:(in German). pp. 1, 27, 33 932: 1333:Texte, Studien zu seiner Musik 923: 626: 535:Composers such as, initially, 183:.internationales-musikinstitut 27:Festival of contemporary music 13: 1: 1504:Darmstadt in den 90er Jahren? 945: 904: 290: 879: 610:) were offered in so-called 455:was played in 1948, and his 410:Kranichsteiner Kammerkonzert 396:'s string sextet, Fortner's 318: 78:Contemporary classical music 7: 1028:"Kranichsteiner Musikpreis" 972:University of Chicago Press 237: 118:; 78 years ago 10: 1582: 1561:Music festivals in Germany 1343: 1331:(1975). Stenzl, J. (ed.). 513: 369:Neue Darmstädter Sezession 274:Friedrich Ferdinand Hommel 232: 1387:10.1080/07494460701414223 1375:Contemporary Music Review 1064:darmstadt-stadtlexikon.de 1032:darmstadt-stadtlexikon.de 633:Kranichsteiner Musikpreis 347:, and music criticism by 220:Kranichsteiner Musikpreis 175: 163: 140: 130: 112: 101: 84: 73: 57: 50: 48: 916: 581:Gottfried Michael Koenig 281:Jagdschloss Kranichstein 1352:"Earle Brown: A Sketch" 426:Symphonie in einem Satz 359:, and the broadcasters 196:Darmstädter Ferienkurse 80:in courses and concerts 51:Darmstädter Ferienkurse 36:Infobox recurring event 29: 1435:Rudolf Stephan (ed.): 1395:Iddon, Martin (2013). 1066:(in German). Darmstadt 1034:(in German). Darmstadt 781:Steffen Schleiermacher 532: 305:Second Viennese School 250: 41:considered for merging 1546:20th century in music 712:Detlev Müller-Siemens 537:Karlheinz Stockhausen 529:Karlheinz Stockhausen 523: 361:Süddeutscher Rundfunk 245: 94:bi-annually from 1972 91:annually 1946 to 1970 66:Karlheinz Stockhausen 1456:Im Zenit der Moderne 974:. pp. 209–210. 862:Simon Steen-Andersen 800:Joël-François Durand 614:(atelier concerts). 608:Nachwuchskomponisten 457:String Quartet No. 4 845:, Seth Wrightington 565:Niccolò Castiglioni 476:Heinz-Klaus Metzger 379:Georg Büchner Prize 329:musical composition 301:expressionist music 167:City of Darmstadt, 834:2002 Nam-Kuk Kim, 569:Franco Evangelisti 533: 325:Carl Mathieu Lange 255:Wolfgang Steinecke 251: 247:Wolfgang Steinecke 216:experimental music 208:contemporary music 135:Wolfgang Steinecke 1556:Modernism (music) 1478:978-3-88377-487-9 1464:978-3-7930-9138-7 1450:Gianmario Borio, 1445:978-3-87135-028-3 1406:978-1-107-03329-0 1360:New World Records 1354:, liner notes to 1058:Krebber, Jürgen. 1026:Krebber, Jürgen. 1004:(in German). 2020 981:978-0-22-602131-7 757:Robert H.P. Platz 597:Brian Ferneyhough 593:Helmut Lachenmann 468:Theodor W. 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Index

Darmstadt New Music Summer School
template
Infobox recurring event
considered for merging

Karlheinz Stockhausen
Contemporary classical music
Darmstadt
Wolfgang Steinecke
Staatstheater
www.internationales-musikinstitut.de/ferienkurse
Darmstadt
Hesse
contemporary music
Kranichstein
experimental music
Kranichsteiner Musikpreis
de

Wolfgang Steinecke
Wolfgang Steinecke
Darmstadt
Ernst Thomas
ru
Friedrich Ferdinand Hommel
Jagdschloss Kranichstein
hunting lodge
modernist
expressionist music
Second Viennese School

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