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111:, where he first met Merce Cunningham, who briefly taught there. Vaughan began studying with Cunningham in the mid-1950s, and became the company's paid secretary when Cunningham opened his own studio, after which he served in various staff capacities with Cunningham. He began to collect dance artifacts in the late 1950s, leading to an interest in collecting documentation to make a chronology of Cunningham's works. This resulted in his being formally made the company's archivist in 1976, assisted by a grant from the
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criticizing major ballet companies for falling behind other types of cultural organizations in giving artists of color regular opportunities to perform because of long-held ideas about the need for uniformity among dancers on stage. He observed that, "ballet technique has always accommodated itself
115:. He was the first in-house archivist for an American dance company. He held this position until the disbanding of the Merce Cunningham Company in 2012, after Cunningham's death in 2009. The Cunningham archive was then donated to the dance collection of the
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Vaughan was born in London, to Albert, who was the secretary of the
British Linoleum Manufacturers’ Association, and Ada Rose (née Starks). He studied at Oxford, but did not begin dance training until he was 23 years old.
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in a "storytelling duet" with Pepper Fajans, the founding director of the
Brooklyn Studios for Dance, about Vaughan's friendship with Cunningham. The production travelled to the
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Vaughan was active in the theatre, both on- and off-Broadway. Between 1958 and 1972, he appeared in six productions off-Broadway, including
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to call
Vaughan "possibly the finest bad singer in the country". Vaughan also played the Pope, via photographs and audio recordings, in
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At
Cunningham's suggestion, Vaughan coordinated the Cunningham Company's 1964 six-month world tour to Europe and Asia, with composer
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called "as complete and clear a portrait of the modern dance choreographer and his epochal work as has ever been published" –
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221:(1955). Vaughan also appeared in the film in a bit part. His film writing credits include the 1991 film
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At the age of 26, in 1950, Vaughan came to the New York City from London on a scholarship to study at the
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In his long career, Vaughan was a dancer, choreographer, actor and singer whose work had been seen in
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Vaughan hosted monthly film screenings at the New York Public
Library for the Performing Arts.
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Vaughan's film credits include creating the ballet choreography danced by
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hired their first black dancer, Vaughan wrote an opinion piece for
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Dance
Company from 1976 until the company was disbanded in 2012.
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Vaughan was the older brother of journalist and voiceover actor
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for sustained achievement. He was also a recipient of a 2015
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from off-Broadway, his last
Broadway appearance, in 1970.
654:"An Audience With the Poper (Or This is Where I Came In)"
189:. He made his Broadway debut in 1957 in a production of
30:(May 17, 1924 – October 27, 2017) was a dance archivist,
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British dance archivist, historian and critic (1924–2017)
419:"David Vaughan, Chronicler of Dance History, Dies at 93"
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An
Audience With the Pope (Or This is Where I Came In)
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Greenwich
Village Society for Historic Preservation
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Greenwich
Village Society for Historic Preservation
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87:. He has worked with both
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128:John Cage
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