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Die Gezeichneten

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island for orgies with young women abducted from prominent Genoan families, and intervene with Duke Adorno to stop the transfer of ownership. One of them, Count Tamare, has set his sights on Carlotta, daughter of the PodestĂ . (The word "PodestĂ " refers to the holder of the highest civil office in the government of the cities of Central and Northern Italy during the Late Middle Ages.) Carlotta rejects him, as she is only interested in Salvago, whose soul she wants to paint.
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abductions. Salvago, beside himself with worry for Carlotta, leads everyone to the underground grotto. Carlotta lies senseless on a bed, while Tamare prides himself on his conquering abilities. Salvago stabs him. Carlotta awakens, Salvago rushes to her side, but with her dying breath she calls for Tamare. Salvago, completely deranged, stumbles over Tamare's body as he makes his way through the stunned crowd.
1816: 233:. Before the composer's music was banned in 1933, due to his Jewish ancestry, a further two dozen productions followed in fifteen different cities in Germany and Austria. The playbill of the first performance in Vienna, in January 1920, mentions 66 previous performances of the opera in five different opera houses (Frankfurt, Nuremberg, Munich, Dresden and Breslau). 987:
veto the transfer. While Salvago is sitting for Carlotta, she complains that she can't paint his soul if he keeps avoiding looking at her. To which he responds that ugly as he is, he still has the feelings of a man in the presence of a beautiful woman... Eventually Carlotta confesses that she loves him, but faints in his arms as both are overcome with emotion.
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The young Genoan nobleman Alviano Salvago, hunchbacked and deformed, does not dare dream of the love of women. He wants to donate to the people of Genoa the island paradise called "Elysium" he has created. His friends, a group of dissolute young noblemen, have been using an underground grotto on the
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Infuriated by Carlotta's rejection, Tamare swears to Adorno that he will take her by force. He also reveals the secret of the grotto to Adorno. Not wanting Salvago to become more popular than himself as a result of the gift, Adorno decides to use the existence of the secret grotto as an excuse to
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The citizens of Genoa go to the island for the first time and are awed by what they see. Salvago asks the PodestĂ  for Carlotta's hand in marriage. She evades him, wanders off alone, and in the grotto finally succumbs to Tamare who's wearing a mask. The Duke accuses Salvago of masterminding the
1522: 1464: 1365: 1094: 1288: 1260: 628: 1598: 1434: 1866: 528: 1404: 1369: 1498: 229:. It established Schreker as the pre-eminent opera composer of his generation and won him the support of Germany's foremost music critic 299:(Tamare) sang the principal roles. These performances were hailed by critics as the first-ever performance of a Schreker opera in the 1628: 1736: 1664: 1795: 1067:– Marilyn Schmiege/William Cochran/Cowan/van Tassel/Oosterkamp, Netherlands Radio Chorus and Orchestra, 1990, live in Amsterdam, 1234: 1090: 1622: 1544: 1199: 176:. However, Schreker decided to set the text himself, and completed the opera in 1915. The score was first published by 1836: 322:
in a production by David Bösch. It was conducted by Alejo Pérez. The opera returned to Munich in a new production at
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revived the opera at the Oper Frankfurt in 1979. In the performance, which was recorded,
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Alejo Pérez – Hofmann-MA/Workman/Neal/Marquardt/Eder, 2015, live in Lyon,
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An expanded concert version of the overture to the opera, entitled "
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The complete opera was first performed on 25 April 1918 by the
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Schreker wrote the libretto in 1911 at the request of composer
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on 10 April 2010, followed by three more performances.
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as the Duke. It was staged, albeit heavily cut, at the
1804: 1368:. Ernst von Siemens Musikstiftung. Archived from 1828: 1505:, production details. Retrieved 29 March 2015. 1519:"The Stigmatized | Bayerische Staatsoper" 1658: 201: 121: 29: 1542: 1229: 1227: 1225: 1155:, 2010, live in Los Angeles, Bridge Records 1151:/Johnson-J/Schöne, Chorus and Orchestra of 1665: 1651: 49: 1629:International Music Score Library Project 1411:. Los Angeles Opera. 2010. Archived from 1343: 1283: 1281: 1194: 1192: 1737:Christophorus oder Die Vision einer Oper 1571:"On-line catalogue entry Franz Schreker 1222: 994: 187: 1610:Opera – Komponisten, Werke, Interpreten 1339:. Cambridge University Press. p. . 1867:Adaptations of works by Frank Wedekind 1829: 1363: 1334: 1278: 1189: 1041:, recorded 1960, live in Hamburg, Voce 183: 159: 1646: 1612:, Könemann, 2000, (Dutch translation) 1353:(Media notes). Decca. 1995. 444442-2. 1337:Franz Schreker: A Cultural Biography 1091:Deutsches Symphonie-Orchester Berlin 279:The American premiere was staged by 1299:. L'Almanacco di Gherardo Casaglia 1271:. L'Almanacco di Gherardo Casaglia 1206:. operone.com. 2010. Archived from 999:Les StigmatisĂ©s, OpĂ©ra de Lyon 2015 13: 1672: 1592: 803: 14: 1878: 1616: 1093:, 1994, studio recording made in 965:The opera is set in 16th-century 310:received six performances at the 276:(Carlotta) in the leading roles. 1814: 1791: 1790: 1705:Das Spielwerk und die Prinzessin 1435:"Opera review: Franz Schreker's 1351:Franz Schreker: Die Gezeichneten 348:Roles, voice types, premier cast 306:Back in Europe, the same month, 1563: 1536: 1511: 1487: 1457: 1427: 1397: 1061:, 1984, live in Salzburg, Orfeo 808:The orchestral score requires: 206:", was performed at the Vienna 1384: 1357: 1328: 1306: 1253: 314:in Palermo in a production by 19:For the 1922 German film, see 1: 1543:Rob Barnett (February 2003). 1178: 1059:Radio-Symphonieorchester Wien 1007: 244:appeared as Alviano Salvago, 1405:"L. A. Opera: Productions – 1335:Hailey, Christopher (1993). 1095:Jesus-Christus-Kirche Dahlem 362:Premiere cast, 25 April 1918 326:in July 2017 as part of the 7: 1772:Der Geburtstag der Infantin 1316:. Franz Schreker Foundation 959: 10: 1883: 1287:Casaglia, Gherardo (2005). 1259:Casaglia, Gherardo (2005). 832:in A/B-flat (4th doubling 210:on 8 February 1914 by the 148:by the composer, based on 18: 1788: 1763: 1680: 1053:– Martin-Ja/Riegel/Becht/ 94: 80: 72: 64: 48: 37: 28: 1837:Operas by Franz Schreker 1551:. MusicWeb International 1104:, Berlin, Decca (in its 990: 981: 972: 341: 1394:, Vol. 23, Autumn 2007. 1364:Peters, Rainer (2010). 203:Vorspiel zu einem Drama 168:based on the 1904 play 144:with a German-language 99:25 April 1918 21:Die Gezeichneten (film) 16:Opera by Franz Schreker 1852:German-language operas 1000: 582:Marie Welling-Bertram 549:Capitaneo di Giustizia 390:Count Vitelozzo Tamare 374:Duke Antoniotto Adorno 202: 197: 122: 57:OpĂ©ra National de Lyon 30: 1862:Operas based on plays 998: 740:Frieda Hammerschmidt 573:Alviano's housekeeper 457:Guidobald Usodimare, 332:Krzysztof Warlikowski 328:Munich Opera Festival 260:in 2005, directed by 194:Frankfurt Opera House 191: 172:by German playwright 1753:Der Schmied von Gent 433:Else Gentner-Fischer 324:Bavarian State Opera 55:A production at the 1847:Operas set in Italy 1745:Der singende Teufel 1392:The Opera Quarterly 1241:. Universal Edition 862:in C (4th doubling 350: 212:Vienna Philharmonic 184:Performance history 166:Alexander Zemlinsky 160:Composition history 110:Opernhaus Frankfurt 1634:Libretto, synopsis 1501:2015-04-02 at the 1239:, opera in 3 acts" 1235:"Franz Schreker – 1001: 505:Gonsalvo Fieschi, 399:Robert vom Scheidt 346: 301:Western Hemisphere 198: 1802: 1801: 1636:, opera-guide.ch 1545:"Franz Schreker: 1465:"Performances of 1443:Los Angeles Times 1153:Los Angeles Opera 1147:/Robert Brubaker/ 1118:Anne Schwanewilms 1079:Elizabeth Connell 801: 800: 764:Franz Wartenberg 652:Rudolf Brinkmann 606:Franz Wartenberg 537:a Genoan nobleman 521:a Genoan nobleman 507:a Genoan nobleman 491:a Genoan nobleman 489:Michelotto Cibo, 475:a Genoan nobleman 473:Menaldo Negroni, 459:a Genoan nobleman 441:a Genoan nobleman 439:Alviano Salvago, 366:Ludwig Rottenberg 281:Los Angeles Opera 274:Anne Schwanewilms 264:and conducted by 262:Nikolaus Lehnhoff 258:Salzburg Festival 252:as Carlotta, and 227:Ludwig Rottenberg 216:Felix Weingartner 178:Universal Edition 140:in three acts by 117: 116: 1874: 1819: 1818: 1810: 1794: 1793: 1779:Chamber Symphony 1721:Der Schatzgräber 1713:Die Gezeichneten 1667: 1660: 1653: 1644: 1643: 1639: 1627:: Scores at the 1624:Die Gezeichneten 1607: 1587: 1586: 1584: 1582: 1573:Die Gezeichneten 1567: 1561: 1560: 1558: 1556: 1547:Die Gezeichneten 1540: 1534: 1533: 1531: 1530: 1521:. 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Index

Die Gezeichneten (film)
Opera
Franz Schreker

Opéra National de Lyon
Frank Wedekind
Opernhaus Frankfurt
opera
Franz Schreker
libretto
Frank Wedekind's
Alexander Zemlinsky
Frank Wedekind
Universal Edition

Frankfurt Opera House
Musikverein
Vienna Philharmonic
Felix Weingartner
Oper Frankfurt
Ludwig Rottenberg
Paul Bekker
Michael Gielen
William Cochran
Barry Mora
June Card
GĂĽnter Reich
Salzburg Festival
Nikolaus Lehnhoff
Kent Nagano

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