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Dig Me Out

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1004:'s Anthony Carew, the record took the band "from the cult corner of the Pacific Northwest to international acclaim". Writing for Nooga.com, Joshua Pickard stated that the album "was a revelation for both its clever use of punk principles and for its breakdown of social assumptions." With the album, Pickard felt that Sleater-Kinney "succeeded in reshaping what was considered possible for punk rock", and that the album transformed the band into "an institution of rebellion and proponents of a musical insurgency. And they never compromised on their ideas of what music could and should be." 405:
hear both things at once". Goodmanson also noted that the fact that the band features no bass player was an advantage for the album's production. He explained: "The awesome thing about having no bass player is you can make the guitars sound as big as you want. Usually you have to clear all that room out for the bass, so you can hear the bass line. With no bass there, you can just go for giant guitar sounds that you wouldn't normally be able to go for".
526:. "Little Babies" is a protest against the traditional maternity role, while the title song "Dig Me Out" exposes a woman in a dominant role. The album's title was inspired by the fact that the band had to literally dig out the recording studio after a heavy snowstorm that took place in Winter 1996 in Seattle. Musically, the song "Words and Guitar" was said to " and with the just-released repression of early 847: 809: 702: 842: 837: 832: 827: 804: 799: 794: 789: 747: 742: 737: 732: 697: 692: 687: 682: 664: 659: 654: 649: 644: 563:. The layouts are identical, with the exception that the Kinks had a fourth member and thus a fourth portrait lining the top. Sleater-Kinney substituted their own portraits and their own guitars. As a fan of the Kinks, Weiss explained that the cover suggested that Sleater-Kinney could be an example of a "revered" rock band. When 453:, among others. Both Tucker and Brownstein remarked that Weiss became an essential part of the band's sound. According to Tucker, "Musically, she's completed our band. She's become the bottom end and the solidness that we've really wanted for our songwriting". In addition to playing drums, Weiss provides 482:
published a controversial article discussing Tucker and Brownstein's personal relationship without their permission. Brownstein felt that "it was a complete invasion of privacy. My parents didn't know Corin and I were going out. They didn't know I had ever dated a woman before. It was horrible. I was
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involved some difficulties. However, the producer took care and prevented favoring one voice over the other. As Goodmanson recalls: "We always used different mikes for the lead vocal and for the second vocal, or different kinds of processing to make those things really distinct. To make it so you can
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praised the union and teamwork of the band, stating that "they're so confident of their ability to please that they just can't stop. And this confidence is collective: Corin and Carrie chorus-trade like the two-headed girl, dashing and high-stepping around on Janet Weiss's shoulders. What a ride".
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as the B-side, while the second single features "I'm Not Waiting", also from their previous album. The compact disc version of "One More Hour" includes a third song, "Don't Think You Wanna", which was originally released on the band's debut album
469:. As Brownstein explains, "If you were to separate our guitar parts I don't necessarily think they would fully stand on their own. Our songs aren't really complete until the other person has put their part over it, and their vocals". 1014:
editors ranked it at No. 21 on their list of The 90 Greatest Albums of the '90s. In 2001, the magazine placed it at No. 19 on its list of 50 Most Essential Punk Records. In 2005, the album was ranked No. 24 in
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thought had better resources to ensure the band's distribution. Goodmanson also remarked that Kill Rock Stars afforded the band a generous amount of studio time for an independent label, stating that
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stated similar pros and highlighted Brownstein's energetic guitar playing, noting that the band "now the punch their words describe." She also gave high marks to the album's
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deal with issues of heartbreak and survival. The song "One More Hour" is about the breakup of Tucker and Brownstein's romantic relationship. Before the release of the album,
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noted that "one can almost hear Tucker crying in the studio as she wails, 'I needed it', while behind her Brownstein offers her attempts at consolation". In her 2015 memoir
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critics' poll for 1997. In the poll's accompanying essay, Christgau referred to the album as one of his "favorite albums of the year, easy", alongside those by
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captures the noise of a soul-filled body shaking itself awake, and that's an experience that bridges any gender divide." The album was ranked No. 47 on
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praised Tucker's emotional vocal delivery, writing that "she's obsessed with finding honest emotions within the cold machinery of the human heart."
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Two singles were released in support of the album: "One More Hour" and "Little Babies". The title track "Dig Me Out" peaked at number six on the
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reviewer Jason Ankeny credited the band for expanding their musical boundaries with a more confident and mature sound. Wook Kim of
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on June 1, 1998, and September 7, 1998, respectively. The first single features the song "I Wanna Be Your Joey Ramone" from
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is considered the band's breakthrough record and is frequently included on several publications' best album lists. In 2020,
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praised Tucker and Brownstein's "interlocking" vocals and called the record a "fine example of state-of-the-art punk". In
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responsible for that." The song features a lot of vocal interplay by Tucker and Brownstein. Chris Nelson of
400:. During the recording sessions, recording the vocal interplay between Tucker and co-vocalist and guitarist 2914: 1870: 568: 1968: 2246: 557:
was released on April 8, 1997, by Kill Rock Stars. The album cover is an homage to the Kinks' 1965 album
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joined the band. Previously, the band had had a number of temporary drummers, including Misty Farrell,
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bands, while the lyrics deal with issues of heartbreak and survival. The album cover is an homage to
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was released, the band went on a tour to promote the album; a performance of "Words and Guitar" at
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was considered rockier than its predecessor. Weiss' drumming style was influenced by traditional
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by Justin Mitchell. As of July 1999, the album had sold 64,000 copies in the U.S. according to
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Top 90.3 Album Chart in 1997 without being released as a single. The album was acclaimed by
3125: 3006: 2564:"Record Bin: How Sleater-Kinney used punk rock to break social stereotypes on 'Dig Me Out'" 2215: 2072: 2037: 942: 711: 590:
Two songs from the album, "One More Hour" and "Little Babies", were released as singles by
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on its list of The 100 Best Albums of the 1990s. In 2012, the album was ranked No. 272 on
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s "100 Greatest Guitar Songs of All Time". In 2011, the album was placed at No. 71 by
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s 100 Greatest Albums, 1985–2005. In 2008, the song "Dig Me Out" was ranked No. 44 in
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was written in nearly two months and recorded from December 1996 to January 1997 at
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journalists placed the album at No. 3 in their list of Top 20 Albums of the Year.
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ranked it at No. 74 on their 125 Best Albums of the Past 25 Years, stating that "
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described "Heart Factory" as a song that "roars over synthetic emotions of the
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also contains more guitar and vocal interplay by Tucker and Brownstein than
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is frequently included on several publications' best album lists. In 1999,
981: 450: 442: 375: 359: 339: 106: 370:. The band left Chainsaw Records and decided to release the album through 334:
confirmed the band's reputation as one of the major musical acts from the
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150 Best Albums of the 1990s. The album was also included in the book
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1001 Albums You Must Hear Before You Die: Revised and Updated Edition
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Top 90.3 Album Chart in 1997 without being released as a single.
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is considered Sleater-Kinney's breakthrough album. According to
1277: 1273: 519: 534:-esque keyboards of a distinctly '80s vintage". Jenn Pelly of 374:, another independent record label which singer and guitarist 38: 934:', Sleater-Kinney remain the real socket for that energy". 531: 2615: 1558: 1556: 1554: 2284: 2005: 1936:"Hush, Hush and Rock: Snapshot Of A Young Sleater-Kinney" 756: 1864: 1862: 1659:"Sleater-Kinney Make Rock & Roll New Again – Page 1" 1626:"Sleater-Kinney Make Rock & Roll New Again – Page 4" 1527:"Sleater-Kinney Make Rock & Roll New Again – Page 5" 1494:"Sleater-Kinney Make Rock & Roll New Again – Page 2" 1450:"Sleater-Kinney Make Rock & Roll New Again – Page 3" 2528:"Definitive Albums: Sleater-Kinney 'Dig Me Out' (1997)" 1551: 1619: 1617: 1487: 1485: 1483: 1481: 1479: 1477: 1443: 1441: 1439: 503:, Brownstein also states that almost all the songs on 2668:"The 100 Greatest Guitar Songs of All Time (Page 20)" 1859: 1683: 2067: 2065: 2032: 2030: 2028: 605:. The song "Dig Me Out" peaked at number six on the 2359: 2357: 1650: 1614: 1518: 1474: 1436: 920:proves they're up to it." Similarly, Matt Diehl of 242:and recorded from December 1996 to January 1997 at 2724: 2134: 2132: 1792: 350:'s male-dominated hierarchy. After the release of 2660: 2490: 2454: 2062: 2025: 1361: 507:are about either her or Tucker's future husband, 3117: 2557: 2555: 2354: 2247:"'Dig Me Out' Shimmers Like a New Rock Frontier" 2097: 2756: 2129: 518:also features songs that show frustration with 2422: 1762: 1760: 1758: 1756: 1754: 1752: 1598: 1405: 1403: 1401: 1399: 1397: 729: 641: 2915: 2853:Dimery, Robert; Lydon, Michael (March 2010). 2552: 2240: 2238: 2165: 1594: 1592: 530:", while "Dance Song '97" was said to "sport 2732:"500 Greatest Albums of All Time (Page 272)" 2519: 2204: 2202: 1828: 1826: 1824: 1801:"Scottish trio jazzes up its punk-pop sound" 824: 786: 679: 386:was recorded over the period of eight days. 2852: 2846: 2586: 1749: 1394: 304: 2922: 2908: 2632: 2393: 2271: 2235: 1993: 1960: 1589: 1412:"How Sleater-Kinney became heroes of rock" 226:is the third studio album by the American 29: 2692: 2592: 2460: 2363: 2199: 1821: 2788: 2277: 2244: 2105:"The KEXP Top 90.3 Album Chart for 1997" 1060:1001 Albums You Must Hear Before You Die 2603:. Vol. 15, no. 9. p. 128 2574:from the original on September 23, 2017 2561: 2399: 2304: 2153:from the original on September 19, 2012 2085:from the original on September 10, 2014 2050:from the original on September 10, 2014 1895: 1780:. Vol. 13, no. 3. p. 117 1689: 1562: 1409: 1072:All music is composed by Sleater-Kinney 18:1997 studio album by Sleater-Kinney 3118: 2796:"125 Best Albums of the Past 25 Years" 2744:from the original on February 12, 2013 2562:Pickard, Joshua (September 23, 2017). 2507:. Vol. 14, no. 1. p. 86 2430:"The 1997 Pazz & Jop Critics Poll" 2310: 2171: 1981:from the original on February 28, 2014 1933: 1766: 1716: 1563:Goldman, Marlene (February 19, 1999). 1222: 1211: 1200: 1189: 2903: 2764:"The 500 Greatest Albums of All Time" 2648:. Vol. 21. July 2005. p. 78 2496: 2259:from the original on January 20, 2016 1966: 1915:from the original on January 27, 2013 1883:from the original on October 24, 2014 1868: 1832: 1737:from the original on December 7, 2015 1382:from the original on October 18, 2014 1251:Credits are adapted from the album's 1233: 1178: 1167: 1156: 1145: 1134: 1123: 1112: 1101: 1090: 1045:, and No. 189 on their 2020 edition. 912:lyrics, commenting "If wanna be our 622: 612: 283:, who praised the album's energy and 2595:"The 90 Greatest Albums of the '90s" 2593:McDonnell, Evelyn (September 1999). 2442:from the original on August 15, 2013 2278:Williams, Simon (October 18, 1997). 2175:(September 2007). "Sleater-Kinney". 1948:from the original on August 24, 2013 1927: 1798: 1722: 1424:from the original on August 28, 2017 1258: 575:is featured in the documentary film 382:only took four days to record while 2540:from the original on March 29, 2013 2208: 1606:(CD booklet). Olympia, Washington: 1410:BaboviΔ‡, Jovana (August 26, 2017). 731: 643: 408: 299:The 500 Greatest Albums of All Time 13: 3131:Albums produced by John Goodmanson 2929: 2828:"The 150 Best Albums of the 1990s" 2808:from the original on July 24, 2013 2700:"The 100 Best Albums of the 1990s" 2622:"50 Most Essential Punk Records". 2478:from the original on June 25, 2002 2381:from the original on March 3, 2016 2138: 2013:from the original on July 27, 2015 1690:Tinkham, Chris (August 12, 2006). 1656: 1623: 1524: 1491: 1447: 1367: 884:received substantial acclaim from 14: 3162: 2881: 2712:from the original on May 29, 2012 2525: 2322:The New Rolling Stone Album Guide 2178:The Encyclopedia of Popular Music 1934:Zoladz, Lindsay (July 16, 2013). 1342:Robert Paul Maxwell – photography 1043:s 500 Greatest Albums of All Time 826: 788: 681: 316:'s highly acclaimed second album 297:ranked it No. 189 on its list of 2776:from the original on May 6, 2021 2640:"100 Greatest Albums, 1985–2005" 2245:Scribner, Sara (April 5, 1997). 2073:"Little Babies – Sleater-Kinney" 2038:"One More Hour – Sleater-Kinney" 1871:"Sleater-Kinney: Start Together" 1869:Pelly, Jenn (October 24, 2014). 1066: 898:is a monster". Sara Scribner of 845: 840: 835: 830: 825: 807: 802: 797: 792: 787: 745: 740: 735: 730: 700: 695: 690: 685: 680: 662: 657: 652: 647: 642: 234:, released on April 8, 1997, by 2820: 2497:Aaron, Charles (January 1998). 2466:"The Year of No Next Big Thing" 1799:Linn, Allison (April 3, 1998). 1723:Ryan, Kyle (October 26, 2016). 1127:"The Drama You've Been Craving" 888:. Randall Roberts, writing for 2400:Roberts, Randall (June 1997). 2311:Chonin, Neva (November 2004). 1833:Diehl, Matt (April 17, 1997). 1078: 1: 2280:"Sleater-Kinney – Dig Me Out" 2141:"Dig Me Out – Sleater-Kinney" 1354: 819:The Rolling Stone Album Guide 674:Encyclopedia of Popular Music 500:Hunger Makes Me A Modern Girl 2209:Kim, Wook (April 25, 1997). 1967:Boehm, Mike (July 1, 1999). 1772:"Sleater-Kinney: Dig Me Out" 1246: 238:. The album was produced by 62:December 1996 – January 1997 7: 2499:"Top 20 Albums of the Year" 2319:; Hoard, Christian (eds.). 207:Released: September 7, 1998 10: 3167: 1969:"Emerging From Under Rock" 1370:"Sleater-Kinney Biography" 549: 322:, released in 1996 by the 3101: 3083: 3065: 2977: 2937: 2410:. No. 46. p. 12 1085: 1082: 1077: 991: 630: 627: 587:had sold 130,000 copies. 326:independent record label 287:lyrics. Retrospectively, 215: 189: 178: 174: 137: 129: 117: 105: 89: 77: 66: 58: 50: 37: 28: 23: 3014:All Hands on the Bad One 2628:. May 2001. p. 109. 305:Background and recording 583:. As of February 2015, 3146:Matador Records albums 3136:Kill Rock Stars albums 2772:. September 22, 2020. 926:said that, "while the 514:Like its predecessor, 472:The lyrical themes on 433:, as well as numerous 198:Released: June 1, 1998 3141:Sleater-Kinney albums 3042:The Center Won't Hold 2804:. February 15, 2012. 2708:. February 14, 2011. 2464:(February 24, 1998). 2438:. February 24, 1998. 2407:CMJ New Music Monthly 2001:"Unfinished Business" 961:appeared at No. 4 in 891:CMJ New Music Monthly 73:, Seattle, Washington 2834:. September 28, 2022 2216:Entertainment Weekly 2009:. February 3, 2015. 1704:on February 21, 2009 1303:Additional musicians 943:Entertainment Weekly 712:Entertainment Weekly 618:Professional ratings 577:Songs for Cassavetes 560:The Kink Kontroversy 394:John and Stu's Place 338:, rebelling against 312:is the follow-up to 269:The Kink Kontroversy 254:marked the debut of 244:John and Stu's Place 2861:Universe Publishing 1565:"Hot-Rockin' Beats" 1322:Technical personnel 1182:"Not What You Want" 619: 398:Seattle, Washington 248:Seattle, Washington 2896:(list of releases) 2367:(April 15, 1997). 2292:on August 17, 2000 2117:on August 11, 2013 1806:The Register-Guard 1149:"Words and Guitar" 930:prattle on about ' 914:Simone de Beauvoir 617: 613:Critical reception 524:gender stereotypes 437:musicians such as 423:the Rolling Stones 3113: 3112: 3035:No Cities to Love 2943:Carrie Brownstein 2471:The Village Voice 2462:Christgau, Robert 2435:The Village Voice 2374:The Village Voice 2365:Christgau, Robert 2252:Los Angeles Times 2223:on April 21, 2009 1974:Los Angeles Times 1664:Addicted to Noise 1631:Addicted to Noise 1532:Addicted to Noise 1499:Addicted to Noise 1455:Addicted to Noise 1351: 1350: 1270:Carrie Brownstein 1243: 1242: 996:Retrospectively, 963:The Village Voice 949:The Village Voice 901:Los Angeles Times 878: 877: 869:The Village Voice 724:Los Angeles Times 581:Nielsen SoundScan 494:Addicted to Noise 461:in "Turn It On". 439:Lightnin' Hopkins 402:Carrie Brownstein 336:Pacific Northwest 219: 218: 170: 169: 3158: 3102:Related articles 3049:Path of Wellness 2924: 2917: 2910: 2901: 2900: 2875: 2874: 2850: 2844: 2843: 2841: 2839: 2824: 2818: 2817: 2815: 2813: 2792: 2786: 2785: 2783: 2781: 2760: 2754: 2753: 2751: 2749: 2740:. 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KRS #279. 1338:photography 1289:Janet Weiss 1253:liner notes 1055:Pitchfork's 978:Yo La Tengo 928:Spice Girls 573:Los Angeles 509:Lance Bangs 427:the Beatles 413:Musically, 356:Janet Weiss 344:consumerism 256:Janet Weiss 184:Dig Me Out 3120:Categories 3000:Dig Me Out 2960:Toni Gogin 2889:Dig Me Out 2838:October 6, 2716:August 23, 2652:August 23, 2607:October 7, 2578:August 31, 2544:August 31, 2446:August 24, 2414:August 23, 2385:January 9, 2227:August 31, 2121:August 21, 2089:August 23, 2017:August 24, 1952:August 24, 1813:August 26, 1784:August 23, 1604:Dig Me Out 1581:October 1, 1386:August 23, 1355:References 1297:percussion 1051:Dig Me Out 1008:Dig Me Out 998:Dig Me Out 959:Dig Me Out 932:girl power 918:Dig Me Out 906:Ann Powers 896:Dig Me Out 882:Dig Me Out 585:Dig Me Out 565:Dig Me Out 555:Dig Me Out 516:Dig Me Out 505:Dig Me Out 483:pissed at 474:Dig Me Out 463:Dig Me Out 459:tambourine 455:hand claps 435:blues rock 415:Dig Me Out 390:Dig Me Out 384:Dig Me Out 354:, drummer 348:indie rock 310:Dig Me Out 289:Dig Me Out 252:Dig Me Out 223:Dig Me Out 153:Dig Me Out 133:chronology 24:Dig Me Out 3028:The Woods 2832:Pitchfork 2568:Nooga.com 2533:About.com 2482:August 3, 1941:Pitchfork 1876:Pitchfork 1313:saxophone 1247:Personnel 1002:About.com 952:, critic 769:Pitchfork 537:Pitchfork 431:the Kinks 324:queercore 264:the Kinks 84:Punk rock 3021:One Beat 2812:June 12, 2806:Archived 2780:June 21, 2774:Archived 2742:Archived 2710:Archived 2572:Archived 2538:Archived 2476:Archived 2440:Archived 2379:Archived 2296:June 14, 2263:June 14, 2257:Archived 2151:Archived 2146:AllMusic 2083:Archived 2078:AllMusic 2054:July 25, 2048:Archived 2043:AllMusic 2011:Archived 1979:Archived 1946:Archived 1913:Archived 1881:Archived 1735:Archived 1602:(1997). 1422:Archived 1380:Archived 1375:AllMusic 1332:producer 974:Pavement 938:AllMusic 910:feminist 637:AllMusic 285:feminist 119:Producer 59:Recorded 51:Released 41: by 2894:Discogs 2684:June 5, 2331:742–743 2110:KEXP-FM 1226:"Jenny" 550:Release 180:Singles 166:(1999) 157:(1997) 148:(1996) 2867:  2748:May 5, 2337:  2189:  2157:May 5, 1919:May 5, 1851:May 2, 1675:May 2, 1642:May 2, 1543:May 2, 1510:May 2, 1466:May 2, 1346: 1278:vocals 1274:guitar 1086:Length 992:Legacy 980:, and 774:9.3/10 631:Rating 628:Source 520:sexism 449:, and 429:, and 346:, and 90:Length 67:Studio 2315:. 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Index


Studio album
Sleater-Kinney
John and Stu's
Genre
Punk rock
Label
Kill Rock Stars
Producer
John Goodmanson
Sleater-Kinney
Call the Doctor
The Hot Rock
Singles
rock
Sleater-Kinney
Kill Rock Stars
John Goodmanson
John and Stu's Place
Seattle, Washington
Janet Weiss
rock and roll
the Kinks
The Kink Kontroversy
KEXP
music critics
feminist
Rolling Stone
The 500 Greatest Albums of All Time
Sleater-Kinney

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