Dolores del Río - Knowledge

2092:"Hollywood needs a high-society Mexican woman, one who may have been exposed to foreign culture and customs through travel, but who maintains the customs and the traces of the Mexican land. And then, the vulgar and picturesque stereotype, so damaging because it falsities our image, will disappear naturally. This is my goal in Hollywood: All my efforts are turned toward filling this gap in the cinema. If I achieve this it will be the height of my artistic ambition and perhaps I'll give a small glory for Mexico. "I'd love to appear in fine, emotional dramas...and am eager to play in stories concerning my native people, the Mexican race. It is my dearest wish to make fans realize their real beauty, their wonder, their greatness as a people. The vast majority seem to regard Mexicans as a race of bandits, or laborers, dirty, unkempt, and uneducated. My ambition is to show the best that's in my nation". 2462:. Del Río never understood the quarrel that Vélez kept with her. Vélez hated del Río, and called her "bird of bad omen". Del Río was terrified to meet her in public places. When this happened, Vélez was scathing and aggressive. Vélez openly mimicked del Río, ironically making fun of her elegance. But the prestige of del Río was known and respected, and Vélez could not ignore this. Vélez wore spectacular costumes, but never reached del Río's supreme elegance. Vélez was popular, had many friends and devoted fans, but never attended the social circle in Hollywood, where del Río was accepted without reservations. Vélez spoke ill of del Río, but del Río never mentioned her name in an offensive way. Vélez evidently resented Del Rio's success during the years in which both met in Hollywood. 606:.” Jaime thought that this proposal was a response to their economic needs. Deep down, he could also fulfill his old dream of writing screenplays in Hollywood. Breaking with all the canons of Mexican society at that time and against their families wishes, they journeyed by train to the United States to start a career in film within that country. They arrived in Hollywood on 27 August of that year, where del Río was contracted by Carewe and he began to act as her agent, manager, producer and director. Her name was shortened to ‘Dolores Del Rio’ (with an incorrect capital ‘D’ in the word ‘del’). Seeking to get her wide public attention, Carewe made a report dedicated to del Río in the major magazines in Hollywood which said: 1514: 2165: 1004: 1428: 63: 2776: 565: 1404:. The film tells the story of a native indigenous woman from the lake region of Xochimilco, who is despised by her people. Fernández has said that he wrote an original version of the plot on 13 napkins while sitting in a restaurant. He was anxious because he was in love with del Río and could not afford to buy her a birthday present. However, there were tense moments during the filming of the film. Fernández could not hide his love for del Río and, faced with her rejection of his advances, he began to be very demanding and violent. Del Río showed great professionalism and finished filming, despite several threats to abandon the film. 928: 1260: 779: 551:, Durango. However, a fall in the world cotton market in 1924, caused an economic crisis for both and had to settle in Mexico City under the economic protection of their respective families. For her part, she had to sell her jewelry to try to recover some of the fortune she had lost with her husband. In addition to this, Dolores arrived pregnant when they returned to the country and had complications that could not be overcome, which caused a miscarriage and after which the doctors recommended not to get pregnant again since it would be very dangerous, taking away the possibility of having children. 419: 6394: 2396: 873: 6357: 5694: 5573: 4636: 898:, and upon recommendation of the firm's lawyers, del Río declared to the reporters: "Mr. Carewe and I are just friends and companions in the art of the cinema. I will not marry Mr. Carewe." Eventually, she canceled her contract with him. Furious, Carewe filed criminal charges against del Río alleging breach of contract. Advised by United Artists lawyers, del Río reached an agreement with Carewe out of court, paying compensation. In spite of this settlement, Carewe started a campaign against her. In order to eclipse her, he filmed a new sound version of 7767: 6507: 281: 2469:, another successful actress of the Mexican Cinema. Félix said in her autobiography: "With Dolores I don't have any rivalry. On the contrary. We were friends and we always treated each other with great respect. We were completely different. She refined, interesting, soft on the deal, and I'm more energetic, arrogant and bossy". Félix said in another interview: "Dolores del Río was a great lady. She behaved like a princess. A very intelligent and very funny woman. I appreciate her very much and I have great memories of her". 2110:. Del Rio's intrinsic elegance was apparent even off-screen. Del Río strongly identified with her Mexican heritage despite her growing fame and her transition to ‘modernity’. She also felt strongly about being able to play Mexican roles and bemoaned the fact that she was not cast in them. She never relinquished her Mexican citizenship and said in 1929 (at the height of her popularity) that she wanted "to play a Mexican woman and show what life in Mexico really is. No one has shown the artistic side – nor the social". 2661: 710: 1764: 2478: 2450:

Dolores received her at her home in Acapulco. After their meeting, Rebecca said: "My father considered Dolores the great love of his life. She is a living legend in the history of my family." According to Rebecca, until the end of his life, Welles felt for del Río a kind of obsession. For the rest of her life del Río kept a card with two beautiful slanted eyes (easily identifiable as Dolores's own) and a dove drawing along a banner inscribed with the word "always" and signed "Orson".

1337:"Divorced again, without the figure of my father. A film where I barely appeared, and one where they were really showing me the way of the art. I wanted to go the way of the art. Stop being a star and become an actress, and that I could only do in Mexico. I wish to choose my own stories, my own director, and camera man. I can accomplish this better in Mexico. I wanted to return to Mexico, a country that was mine and I did not know. I felt the need to return to my country". 2560: 6517: 3309: 1087: 1447:(1944), was a then controversial film where del Río plays a woman who gives up her son and falls into the world of prostitution. The film was about to be banned due to protests from the Mexican army, because the film spoke of a criminal gang infiltrated in the Mexican armed forces. These controversies ensured the film's box office success. Her performance as an actress was recognized by the Mexican Film Academy and she received the 1671:. But the U.S. government denied her permission to work in the United States, accusing her of being sympathetic to international communism. The document signed by her cheering for world peace, as well as her links with figures openly communist (as Diego Rivera and Frida Kahlo were) and her past relationship with Orson Welles, had been interpreted in the United States as sympathy with communism. She was replaced in the film by 3297: 1874: 2415:. The couple felt a mutual attraction and began a discreet affair. Welles had been infatuated with her since adolescence. He declared: "That's when I fell in love with her". He later said: "She changed my life". Their relationship was kept secret until 1941, when del Río filed for divorce from Cedric Gibbons. They openly appeared together in New York while Welles was directing the Mercury stage production 953:. The couple began a romance and married on August 6, 1930. Shortly after her marriage, del Río fell seriously ill with a severe kidney infection. The doctors recommended long bed rest. This caused the end of her contract with United Artists because the studio considered that if actresses were inactive they were not profitable. When she regained her health, she was hired exclusively by the producer 1955:. However, despite having received a high salary, the producer did not commit to the project and constantly appeared drunk. Del Río and her husband decided to fire him and were legally sued by the director. The matter was cleared up in court and delayed the premiere of the play, which was a great box office success, despite production problems. Del Río was acclaimed at daring to play a 65-year-old 2421:. After del Río filed for divorce, she threw herself into Welles' chaotic world, considering his intellect "second to none, not even Shakespeare." Welles was equally complimentary. "She lives so graciously. Everyone around her loves her. She is the one girl you can be with and not feel the need for conversation. She has a mind full of talk, though, when she wants". Throughout the filming of 1487:(1946), a film originally created for del Río. When the two stars realized the mistake they refused to return the scripts. Del Río was fascinated by playing a different character in which she showed off with a provocative costume, remembering her time as a sex symbol in Hollywood. Because of this anecdote the press began speculating a strong rivalry between del Río and Felix. 3285: 1755:. The meeting of the two actresses, considered the main female stars of Mexican cinema, was a success at the box office. Although the press speculated that a war would break out between the two actresses, the truth is that the filming went smoothly and both ended up forming friendly ties. That same year, she married Lewis Riley in a private ceremony in New York. 3603: 1594:. Peron invited del Río to tea, but del Río declined because of her filmmaking schedule. The next day, the government issued an order that the film industry was to shut down completely so del Río could have tea with Mrs. Peron. But her friendship with Evita was not viewed favorably by Hollywood's communist hunters either. In an interview with 830:. As if this were not enough, del Río had to suffer incessant harassment from her discoverer, Edwin Carewe, who did not cease in his attempt to conquer her. Del Río never felt attracted to Carewe. She only felt gratitude for his support and his romantic advances began to bother her. In the same year, del Rio made her third film with 1555:. The movie was filmed in Mexico and Emilio Fernández also served as associate producer. But from the beginning of its filming, the film caused controversy in the United States, accusing it of being a promoter of communism. Del Río was attacked again for having taken part in what was being called "a communist project". 610:"Dolores Del Rio, the heiress and First Lady of the High Mexican Society, has come to Hollywood with a cargo of shawls and combs valued at $ 50,000 (is said to be the richest girl in her country thanks to the fortune of her husband and her parents). She will debut in the film Joanna, led by her discoverer Edwin Carewe". 407:(1943). Del Río remained active mainly in Mexican films throughout the 1950s. In 1960 she returned to Hollywood. During the next years she appeared in Mexican and American films. From the late 1950s until the early 1970s she also successfully ventured into theater in Mexico and appeared in some American TV series. 2449:

But Welles never got over her completely, and off and on he went to Mexico in usually fruitless attempts to see her, or sent his children, whom she did receive. Rebecca Welles, the daughter of Welles and Hayworth, expressed her desire to travel to Mexico to meet Dolores on her 18th birthday. In 1962,

1144:, and was accused of promoting Communism in California with nationalist sentiment and socialist overtones. It was the first time that del Río was accused of being a communist in the United States, a circumstance that would eventually have consequences in her career inside the American film industry. 2273:

Del Río herself commented on her face and image: "Take care of your inner beauty, your spiritual beauty, and that will reflect in your face. We have the face we created over the years. Every bad deed, every bad fault will show on your face. God can give us beauty and genes can give us our features,

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Del Río married Jaime Martínez del Río in 1921. Her marriage ended in 1928. The differences between the couple emerged after settling in Hollywood. In Mexico she had been the wife of Jaime Martinez del Río, but in Hollywood Jaime became husband of a movie star. The trauma of a miscarriage added to

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Since the late 1950s, del Río became a main promoter of the Acapulco International Film Review, serving as host on numerous occasions. In 1966, del Río was co-founder of the Society for the Protection of the Artistic Treasures of Mexico with the philanthropist Felipe García Beraza. The society was

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The physical characteristics of del Río made her a figure of veneration even beyond death. From a young age, del Río had the intelligence to know how to surround herself with personalities of the intellectual environment. The Hollywood myth placed del Río in another area, as she became one of the

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When Del Río returned to Mexico, she radically changed her image. In Hollywood, she had lost ground to the modernity of the faces. In Mexico, she had the enormous fortune that filmmaker Emilio Fernández emphasized her Mexican indigenous features. She did not come to Mexico as the Hollywood ‘Latin

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conducted a search for "the most perfect female figure in Hollywood", using the criteria of doctors, artists and designers as judges. The ‘unanimous choice’ of these selective arbiters of female beauty was Del Río. The question posed by the search for the magazine and the methodology used to find

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in Rio de Janeiro, falling into the party and excesses, and the news came soon to the United States. Offended and outraged, del Río decided to end her relationship with Welles through a telegram that he never answered. Weeks later, her father died in Mexico. Due to these personal and professional

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was one of her admirers. He said that he had appeared as an extra in several films of del Río in Hollywood just to be near her. The beauty and elegance of del Río had impressed him deeply. Fernández said: "I fell in love with her, but she always ignored me. I adored her ... really I adored her."

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residence with her husband Lew and only received visits from a few friends and family. The last two years of her life were spent seriously ill, with prolonged hospital stays. Before her death, she designated her husband Lew as her heir, ensuring that her portraits and art objects were placed in

620:(1925), directed by Carewe and released that year. In the film del Río plays the role of Carlotta De Silva, a vamp of Spanish-Brazilian origin, but she appeared for only five minutes. While continuing with his advertising campaign for del Río, Carewe cast her in a secondary role in the film 1805:, would mark the reunion in the theater of the film couple del Río-Pedro Armendáriz. But the temperamental Armendáriz left the project in rehearsals due to differences with the director. He was replaced by another actor, but the project did not prosper and was a failure at the box office. 1463:

filming became a torture for both and for the rest of the team, who had to endure the mood swings of the director and the constant threats of del Río leaving the film. When the film was completed in January 1945, del Río announced that she would never again work with Fernández.

1635:. They started a romance. That same year, del Río's cousin, activist and feminist Maria Asúnsolo, asked her to sign a document for a ‘conference for the world peace’. Del Río never imagined that this document would point her out again as a supporter of international communism. 520:(famous painter of the Mexican aristocracy) to paint a portrait of her daughter. The portrait helped her overcome her insecurities. In 1921, aged 17, del Río was invited by a group of Mexican women to dance in a party to benefit a local hospital. At this party, she met Jaime 886:

Edwin Carewe still had ambitions to marry del Río, with the intent that they become a famous Hollywood couple. Carewe prepared his divorce from his wife Mary Atkin and seeded false rumors about a romance with del Río in campaigns of his films. During the filming of

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bombshell’ transforming her makeup to highlight her indigenous features. Del Río defied the change that her appearance suffered in her native country: "I took off my furs and diamonds, satin shoes and pearl necklaces; all swapped by the shawl and bare feet."

2257:: "I have had great beauties in front of my camera. But the facial bones of Dolores del Río are incomparable. That has been said many times. What has not been said is that she had a privileged smooth skin, a beautiful brown color and a body really perfect". 1285:. The couple felt a mutual attraction and began a discreet affair, which caused her divorce from Gibbons. While looking for ways to resume her career, she accompanied Welles in his shows across the United States, in works on radio and performances at the 506:

Del Río attended the Collège Français de Saint-Joseph, a college run by French nuns and located in Mexico City. She also developed a great taste for dance, that awakened in her when her mother took her to one of the performances of the Russian dancer

1985:. Del Río was responsible for various activities to raise funds for the project and she trained in modern teaching techniques. She served as the president from its founding until 1981. After her death, the day nursery adopted the official name of 515:

in Mexico City. She then persuaded her mother to allow her to take dance lessons with the respected teacher Felipita López. However, she suffered from great insecurity and felt like an ‘ugly duckling’. Her mother commissioned the renowned painter

1083:. But del Río and Jolson were gradually stealing the show. Del Río's character grew, while the character of Francis was reduced so she threatened several times to leave filming. The film was released in March 1934 and was a success for Warners. 663:. The film was a commercial success, becoming the second highest-grossing title of the year, grossing nearly $ 2 million in the United States alone. That same year, thanks to the remarkable progress in her career, she was selected as one of the 1358:. Of the latter, Orson Welles himself helped correct the script. But economic circumstances were not favorable for the entry of del Río to the Mexican cinema. She also maintained friendly ties with figures of Mexican art and culture (such as 1126:

as ‘a sex farce centered around del Rio’. The film was severely mutilated by censorship and was not the success anticipated. Even so, the film is considered one of the most popular del Río films in her period in Hollywood cinema.

1324:(and also associated with RKO through his family investments), hired Welles to visit South America as an ambassador of goodwill to counter fascist propaganda about Americans. Welles left the film four days later and traveled to 1043:. In this film, del Rio became the first major actress to wear a two-piece women's bathing suit on-screen. But after the premiere, RKO were worried about their economic problems and decided not to renew del Río's contract. 1255:

and others). The list was submitted to Los Angeles newspapers by an independent movie theater whose point was that these stars' high salaries and public prominence did not counteract the low ticket sales for their movies.

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Although her career blossomed, her personal life was turbulent. Her marriage to Jaime Martínez ended in 1928. After a brief separation, Dolores filed for divorce. Six months later, she received news that Jaime had died in

2124:) said Del Río's appearance in the early 1930s influenced Hollywood. Women imitated her style of dress and makeup. A new kind of beauty occurred, and Del Río was the forerunner. She is also considered the pioneer of the 2591:. The portrait was made in New York. It was del Río's favorite portrait and occupied a special place in her home in Mexico. Rivera also captured the image of del Río in some of his paintings and murals, highlighting 1822:. Her arrival in Hollywood caused excitement and she was warmly received by fellow actors, the press and staff members, some of whom she had known since her arrival in Hollywood in 1925. In 1964 she appeared in 1598:

from Argentina, del Río claimed to be unconcerned about the controversy surrounding her two last films. According to Hopper, "Del Río said controversy added millions of dollars to the profit of the pictures".

5745: 2442:, behaved promiscuously and the news came soon to the United States. Offended and outraged, del Río decided to end her relationship with Welles through a telegram that he never answered. He later married 2309:. The couple began a romance and finally married on August 6, 1930. The del Rio-Gibbons were one of the most famous couples of Hollywood in the early thirties. They organized 'Sunday brunches' in their 5383: 2849:

Since 1983, the society Periodistas Cinematográficos de México (Mexican Film Journalists) (PECIME) has been giving the Diosa de Plata (Dolores del Río) Award for the best dramatic female performance.

6689: 2425:, del Río was often at the difficult Welles' side, soothing him when he banged his head against the wall and dealing with his insomnia as he abused Dexedrine. They acted together in the movie 2050:

gave Dolores a diploma and a silver plaque for her work in cinema as a cultural ambassador of Mexico in the United States. During the ceremony she was remembered as a victim of McCarthyism.

1243:. Studio executives admired del Río's beauty, but her career did not interest them, as at the time, Latin stars had few opportunities to shine at the studio. She was put on a list entitled " 5523: 6508:"A marriage as a work of art; Eloy Torrez paints with intensity. Margarita Guzman assists with a sense of calm. But it was her brush with death that helped him see his work in a new light" 2073:

spoke, with Cukor declaring del Rio as one of the "First Ladies of American Cinema". This was her last known public appearance. In 1982, she was awarded the George Eastman Award, given by

5452: 1795:, which she had made as a film in Argentina a decade earlier. She toured Mexico in the play, an enterprise that was both financially and critically successful, and she later took it to 7379:

Strange Pilgrimages: Exile, Travel, and National Identity in Latin America, 1800–1990s: "So Far from God, So Close to Hollywood: Dolores del Río and Lupe Vélez in Hollywood, 1925–1944"

2242:: "I draped her naked body in jersey. She wanted no underpinnings to spoil the line. When I finished draping her she became a Greek goddess as she walked close to the mirror and said, 5636: 2290:

the marital difficulties and del Río was advised not to have children. After a brief separation, Dolores filed for divorce. Six months later, she received news that Jaime had died in

1163:(also 1935), with Busby Berkeley as director. The film had dance numbers and Berkeley focused on her glamour with a sophisticated wardrobe. The last film she made with Warners was 919:. The film was released in June 1930 with great success. Critics said that del Río could speak and sing in English with a charming accent. She was a suitable star for the talkies. 2575:

The face of del Río was also the object of veneration for many artists who shaped her image on their canvases. In 1916, when del Río was 11 years old, she was first portrayed by

2340:. The couple divorced in 1941. Del Río alleged before the judge in her divorce that her relationship with her husband had become cold and distant due to their work commitments. 2120:‘the most perfect female figure’ reveal a series of parameters that define femininity and feminine beauty at that particular moment in US history. Larry Carr (author of the book 6476: 751:. The film was a huge success and brought favorable reviews from critics. Also in 1928, she was hired again by United Artists for the third film version of the successful novel 822:

to prove they could meet the challenge of talking movies. Del Río surprised the audience by singing ‘Ramona’ proving to be an actress with the skills needed for sound cinema.

547:.The kings thanked her deeply and the queen gave her a photograph. Returning to Mexico, Jaime decided to dedicate himself to growing cotton at his ranch called Las Cruces, in 7809: 3439: 2748:

and Jorge Ayala Blanco also made her a tribute book on the occasion of the Ibero-American Film Festival of Huelva, in 1983. The book contains an essay by Monsiváis entitled

394:(1934). In the early 1940s, when her Hollywood career began to decline, Del Río returned to Mexico and joined the Mexican film industry, which at that time was at its peak. 6180: 3793: 891:, del Río considered separating professionally from Carewe, seeking support and advice from United Artists lawyers, since Carewe had an exclusivity contract signed by her. 1704:

In 1956, her political situation in the United States was resolved. She began to listen with interest to theatrical offerings. Del Río was already thinking that the play

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On April 11, 1983, Dolores del Río died from liver failure at the age of 78 in Newport Beach, California. It is said that the day she died, an invitation to attend the

2214:: "The most beautiful, the most gorgeous of the west, east, north and south. I'm in love with her as 40 million Mexicans and 120 million Americans who can't be wrong". 1235:. But despite his position in the studio, Gibbons was never able to help his wife achieve a higher profile, as the main figures of that company at the time were Garbo, 401:. A series of Mexican films starring Del Rio are considered classic masterpieces and helped boost Mexican cinema worldwide. Of them stands out the critically acclaimed 4846: 5753: 5679: 1781:

Del Río and Riley founded their own production company called Producciones Visuales. and they produced numerous theater projects featuring del Río. Mexican writer

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Amid the decline of her career, her marriage with Gibbons began to experience a crisis and the two began to drift apart. In 1940 del Río met actor and filmmaker

2359:. Del Río and Riley started a romance. In 1959, the couple married in New York after ten years of relationship. They remained together until her death in 1983. 1728:

to make clear her political position: "In Mexico we are worried and fighting against communism." In 1957, she was selected as vice president of the jury of the

4507: 511:, where she was fascinated by seeing her dance and decided to become a dancer herself. She confirmed her decision later when she witnessed the performances of 5393: 1654:(1953). Her portrayal of an overprotective mother with a mental instability attracted critical acclaim and she was honored with her third Silver Ariel Award. 6153: 5884: 2610:. The portrait was made at the request of Orson Welles. Unfortunately, when the artist painted the portrait he was already losing his sight. Del Río said: 6715: 2614:

Although the portrait was not liked by the actress, it had a very important place in her home. Other artists who recorded her image in her paintings were

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and had spent some time in Europe. After a two-month courtship, the couple wed on 11 April 1921. It was from him that she inherited her artistic surname.

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In 2004, to commemorate the centenary of her birth, and as part of a series of posthumous tributes, the Mexican government interred her remains at the

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Del Río is considered a pioneer on wearing the two piece swimsuit later known as the bikini. Here she is posing in a publicity photograph for the film

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of 1938. Both films were box-office failures. These cinematographic failures caused her to focus on advertising, becoming known for advertisements in "

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in a love story in the South Seas. I didn't have much of a story for the film, but be sure that it ends with del Río jumping into a volcano." The film

5128: 4617: 5232: 7721: 7402: 6765: 5515: 7903: 7888: 2673: 2638: 2493:. Del Río used to give herself vitamin injections periodically. One of the syringes is believed to have been contaminated and was diagnosed with 1732:. She was the first woman to sit on the jury. In 1957, she debuted in television in the role of a Spanish lady in the American television series 1130:

In the same year, del Río, along with the Mexican Hollywood stars Ramón Novarro and Lupe Vélez, attended a special screening of the Mexican film

6614: 4837: 1683:"I believe that after all this, I have nothing to reproach myself. I'm a catholic woman who only wants to live in peace with God and with men". 644:. These films were not big hits, but helped increase her profile with the movie-going public. Del Rio got her first starring role in the comedy 7858: 7848: 2189:: "Dolores del Río was the most beautiful woman who ever set foot in Hollywood". “Ah, this is the real beauty. We blondes have to work at it". 5432: 7893: 5558: 3932: 3530: 2764: 445:, and Antonia López Negrete, who belonged to one of the richest families in the country, whose lineage went back to Spain and the viceregal 6236: 3467: 2646: 5365: 5805: 2527:, located in the same cemetery and where the remains are found of some of the most outstanding Mexican personalities of art and culture. 499:

on a train, disguised as peasants. In 1912, the Asúnsolo family reunited in Mexico City and lived under the protection of then-president

4874: 4854:"Ciclo Cine Debate: Las abandonadas, on Dirección de Estudios Históricos del Instituto Nacional de Antropología e Historia (in Spanish)" 1195:. However, despite the popularity of the three stars, the film was a failure. Del Río would decide to emigrate and sign a contract with 7928: 6670: 4015: 6484: 7923: 7918: 6820:

More Fabulous Faces: The Evolution and Metamorphosis of Bette Davis, Katharine Hepburn, Dolores del Río, Carole Lombard and Myrna Loy

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Del Río is one of the entertainers displayed in the mural "Portrait of Hollywood", designed in 2002 by the artist Eloy Torrez in the

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became somewhat controversial due to del Rio's daring costumes, as well as a revealing swimming scene. This film was made before the

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Monsivais, Carlos (1995). "Dolores del Río: El Rostro del Cine Mexicano" [Dolores del Río: The Face of the Mexican Cinema].

6211:"Salma Hayek: "La gente se reía de mí por querer hacer una carrera en Hollywood. Pero estaba convencida. Sabía que era muy difícil"" 3434: 3338: 7868: 7806: 6547: 5970: 3364: 2046:. There she interprets the role of the grandmother. In the same year, the Mexican American Institute of Cultural Relations and the 1132: 7863: 7843: 6188: 4955: 3785: 1620:. Domínguez was Fernández's new romantic partner, and this situation caused tension on the set and speculation from the press. 640: 7797: 6439: 2579:, a very popular artist among Mexican high society. In the 1920s, del Río was also embodied in the canvases of Mexican painters 1383:

was del Río's first Spanish-language film. The film gathers a successful film crew consisting of Fernandez, the cinematographer

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As RKO got the result they expected, in 1933 they quickly decided to have del Rio do another film, a musical comedy directed by

7953: 7948: 7933: 6210: 3573: 1295:(1941). The film, considered a masterpiece today, caused a media scandal by directing open criticism against the media magnate 5820: 2863:

In 2005, on what was believed to be the centenary of her birth (she was actually born in 1904), her remains were moved to the

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became interested in del Río's career and signed a contract with her and Carewe. Under the production of the studio, the film

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and del Río became a beautiful Polynesian native. The film premiered on 13 September 1932 in New York, earning rave reviews.

5120: 3894: 1244: 441:, Mexico on 3 August 1904, daughter of Jesús Leonardo Asúnsolo Jacques, son of wealthy farmers and director of the Bank of 7898: 6757: 5154: 4655: 2516:

was sent to her. She was cremated and her ashes were moved from the United States to Mexico where they were buried at the

1701:. Unfortunately the prevailing censorship in the Spanish cinema caused the film to be seriously truncated during editing. 7883: 3732: 2677: 1477:. The script of this film came to her in error, because of a confused messaging. The film had been specially created for 7795:

The Dolores del Rio mural 1990 by artist Alfredo de Batuc, 6529 Hollywood Boulevard + Hudson St, Los Angeles, California

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Del Río had been sought by Mexican film directors since the late 1930s. She was considered to star in the Mexican films

7198: 6330: 4912: 2904:. When asked why, the actor replied: "I promised Dolores on her deathbed that I would not let people forget about her." 1409: 4486: 2835:

Del Río's memory is honored in three monuments in Mexico City. The first is a statue located in the second section of

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Her relationship with Welles ended after four years largely due to his infidelities. Welles, involved in filming the

7306:"Katy Jurado: Estrella de Hollywood orgullosamente mexicana" [Katy Jurado: Proudly Mexican Hollywood Star]. 4503: 4369: 2642: 1982: 7938: 2865: 125: 4067: 4040: 2025:. When the film was shown, del Río suddenly got up from her seat, disgusted by what for her was a repulsive film, 472:(another prominent actress of the Mexican cinema). On her father's side, she was a cousin of the Mexican sculptor 7913: 7908: 7853: 3030: 1712:, would be a good choice for her debut. To prepare for this new facet of her career, she engaged the services of 1395:

as the stars. The film was a huge box office success and allowed del Río to maintain her prestige as an actress.

1211: 702: 17: 5850: 2113:

Del Río was considered one of the prototypes of female beauty in the 1930s. In 1933, the American film magazine

1648:. For this work she won her second Silver Ariel Award for Best Actress. Gavaldón directed her again in the film 1490:

After breaking off her film collaboration with Emilio Fernández, del Río began a film partnership with director

1169:

of 1936, which went unnoticed. The studio terminated its contract with del Río after expectations were not met.

1039:

first appeared as dance partners. It featured del Río opposite Fred Astaire in an intricate dance number called

909:

Having finally broken off professionally from Carewe, del Río was prepared for the filming of her first talkie:

7131: 6869: 6723: 4738: 3214: 3014: 2321: 2034: 1981:, founded the union group "Rosa Mexicano", which provided a day nursery for the children of the members of the 1616:, a woman confronted by her own daughter for the love of a man. The role of her daughter was played by actress 1459:(1944) was her fourth movie directed by Fernández. As del Rio did not respond to the director's love advances, 1110:

as director. Dieterle focused on her beauty with the help of an extraordinary wardrobe designed for Dolores by

659: 540: 531:

Her honeymoon with Jaime lasted two years and they carried it out traveling through Europe, where in a stop at

305:), was a Mexican actress. With a career spanning more than 50 years, she is regarded as the first major female 5722: 4802: 3988: 3676: 2993: 2164: 6461: 3158: 3102: 2427: 2000:. Her deteriorating health led her to cancel two television projects in 1975. The American television series 1938:. In 1968, del Río first performed on Mexican television in an autobiographical documentary narrated by her. 1604: 1513: 1304: 1269: 1003: 3648: 598:. Carewe was fascinated with del Río and became determined to have her, so he invited the couple to work in 7873: 7758: 5185: 5075: 4351: 3474: 3182: 3054: 2266: 984: 933: 398: 378: 328:, she began her film career in Hollywood in 1925. She had roles in a string of successful films, including 318: 7262:"Dolores del Río: El Rostro del Cine Mexicano" [Dolores del Río: The Face of the Mexican Cinema]. 5593: 2975: 2877: 4797: 4795: 3078: 2497:

in 1981. In 1982, del Río was admitted to Scripps Hospital, La Jolla, California, where hepatitis led to

2278: 1687:

While her situation was being remedied in the United States, del Río accepted the proposal of filming in

1229:

used his influence with Metro-Goldwyn-Mayer and gained for del Río the main female role in the 1940 film

1102: 1092: 390: 310: 5656: 4302: 3961: 3506: 1977:

On January 8, 1970, she, in collaboration with other renowned Mexican actresses and performers, such as

6579: 5974: 5237: 4949: 4947: 4945: 4943: 3403: 2775: 2690: 2379: 2317: 1910: 1873: 1734: 1165: 850: 725: 487:

that spanned from 1910 to 1920. Durango aristocratic families were threatened by the insurrection that

314: 4792: 3490: 3374: 2148: 775:

film with synchronized sound and it is also one of the first Hollywood films to feature a soundtrack.

6909: 6606: 6289: 4834: 3552: 2535:

Del Río was the first Mexican actress to succeed in Hollywood. In her wake others followed including

1808:

Del Río returned to Hollywood after 18 years. She was hired by Fox to play the role of the mother of

1729: 582:, close friend of del Río and her husband, visited their home and with him was an American filmmaker 4940: 4210: 2576: 2221:: "Garbo and Dietrich were women turned into goddesses. Del Río was a goddess about being a woman". 517: 317:

during the 1920s and 1930s, she was also considered one of the most important female figures in the

6905: 3815: 3237: 3150: 3022: 1791: 1751: 1578: 1541: 1433: 1427: 1369:

As soon as she returned to her country, del Río began to listen to movie offers. Mexican filmmaker

1309: 849:(1929) a new production of United Artists also directed by Carewe and inspired by the epic poem by 692: 330: 68: 62: 7788: 5768: 5550: 5516:"Dolores del Rio, Mexican Movie Star, Was Photoplay's 'Best Figure In Hollywood' In 1931 (PHOTOS)" 3522: 2872:

Del Rio was the subject for a fashion collection by notable Mexican fashion milliner to the stars

2313: 1259: 1153:(1935), where she portrayed a sultry Mexican dancer who has an affair with the character of actor 512: 432:

Dolores del Rio. In the history of photography there are two perfect faces: hers and Greta Garbo's

6115: 3459: 3110: 1547: 1502: 1296: 906:, another popular Mexican film star and with whom the public assumed that del Río had a rivalry. 602:. He convinced Jaime, saying he could turn his wife into a movie star, “The female equivalent of 587: 410:

Del Río is considered a quintessential representation of the female face of Mexico in the world.

5384:"SU PIEL, LA CERCANIA DEL INCIENSO; SUS OJOS, LA HERIDA LIQUIDA DE LA OBSIDIANA: CARLOS FUENTES" 4922: 3267: 3166: 2607: 1943: 1640: 476:

and the social activist and model María Asúnsolo. Additionally, she was the aunt of the actress

5650: 5646: 5357: 4960: 3134: 3046: 2788: 2780: 2362:

Regardless of her marriages, at different times in her life some attribute romances with actor

2232: 1916: 1154: 878: 845: 700:

was chosen to play her co-star. Due to the success of the film, del Río quickly began shooting

599: 469: 397:

When Del Río returned to her native country, she became one of the more important stars of the

342: 257: 5797: 5195: 5129:"La guerra entre María Félix y Dolores del Río que pocos conocían, on Debate.com (in Spanish)" 5085: 3484: 3174: 2228:: "Dolores del Río and Marlene Dietrich are the most beautiful women I've ever photographed". 1974:

responsible for protecting buildings, paintings and other works of art and culture in México.

1716:

as her acting coach. Del Río debuted successfully at the theater on the Falmouth Playhouse in

1650: 7762: 4882: 3658: 3516: 2829: 2798:

Dolores del Río also has a statue at Hollywood-La Brea Boulevard in Los Angeles, designed by

2654: 2021: 1348: 778: 536: 521: 6662: 5666: 4479:"History of Sex in Cinema: The Greatest and Most Influential Sexual Films and Scenes – 1932" 3500: 3384: 2517: 2482: 418: 7838: 7833: 3413: 2724:

also wrote her a poem in 1967. In 1982, del Río and Maria Félix were parodied in the novel

2631: 2371: 2074: 2062: 1564: 1321: 872: 7818: 7772: 5885:"Mary Mallory / Hollywood Heights — The Gibbons-Del Rio House: Like Stepping Into a Dream" 4153: 3686: 1627:. Riley was well known in Hollywood in the 1930s and 1940s for his collaboration with the 786:

In late 1928, Hollywood was concerned with the conversion to sound films. On 29 March, at

8: 6881:

Grandes Mexicanos Ilustres: Dolores del Río (Great Illustrious Mexicans: Dolores del Río)

6636: 6413: 4224: 3869:"Dolores del Río, reconocida por Google Doodle: 5 Datos Importantes que tienes que saber" 3206: 2818: 2799: 2737: 2733: 2627: 2395: 2302: 2235:: “The bone structure of her head and body is magnificent. Her skin is like ripe fruit”. 2193: 2132: 2054: 2019:, in Spain. There she generated a controversy about her position before the Mexican film 1993: 1978: 1922: 1887:

Throughout the 1960s, del Río produced and starred in Mexico in theater projects such as

1858: 1763: 1645: 1474: 1231: 946: 743: 579: 500: 7766: 6543: 5978: 5775: 3118: 2745: 2383: 2012:

in Latin America and recorded a series of television commercials for the organization.

1746: 1491: 1400: 1370: 564: 473: 403: 7715: 7553: 7510: 7396: 7142: 6929: 6839: 6629: 6237:""Para mis mexicanos": Eiza González, entre las estrellas más taquilleras de Hollywood" 5388: 4104: 3408: 3062: 3038: 3006: 2701: 2623: 2615: 2584: 2580: 2207:: "I have seen many beautiful women in here, but none as complete as Dolores del Río!" 1961: 1849: 1518: 1388: 1375: 1317: 1123: 1027: 1013: 916: 767: 758: 753: 715: 616: 570: 484: 384: 361:

With the advent of sound, she acted in a range of film genres, from contemporary crime

336: 7163: 6262: 2846:

In Durango, Mexico, her hometown, an avenue is named after her, Blvd. Dolores del Río.

2543:. In recent years other Mexican stars that have achieved a place in Hollywood include 1500:(1946), her first film under Gavaldón's direction. This film later inspired the movie 1312:

as director and Welles as producer. Her relationship with Welles, in the midst of the

737:

began to show symptoms of tuberculosis, del Río was selected for the lead role of the

456:

that existed during the Porfiriato (period in the history of Mexico when the dictator

7794: 7744: 7701: 7682: 7659: 7640: 7621: 7602: 7583: 7560: 7537: 7531: 7516: 7495: 7472: 7453: 7434: 7415: 7382: 7363: 7344: 7315:"Dolores del Río: La Mexicana Divina" [Dolores del Río: The Divine Mexican]. 7234: 7213: 7194: 7169: 7148: 7127: 7104: 7081: 7058: 7035: 7016: 6997: 6974: 6955: 6936: 6913: 6884: 6865: 6846: 6823: 6797: 6512: 6455: 6042: 6017: 5946: 5444: 4987: 4734: 3604:"Dolores del Río (María de los Dolores Asúnsolo y López Negrete de Martínez del Río)" 2980: 2807: 2680:, the Museum of Art Carillo Gil and the Diego Rivera & Frida Kahlo House-Studio. 2417: 2348: 2274:

but whether that beauty remains or changes is determined by our thoughts and deeds."

2204: 2103: 2102:

Del Río always projected a special elegance with her beauty, more than just a ‘Latin

1709: 1628: 1617: 1609: 1469: 1354: 1316:

scandal, somehow affected her, as her character was drastically reduced in the film.

1248: 1178: 1141: 1022: 954: 795: 734: 664: 635: 603: 347: 4773: 4525:"Sex in Cinema: 1933 Greatest and Most Influential Erotic / Sexual Films and Scenes" 4344: 3581: 2753: 2713: 2587:. In 1938, the actress was portrayed by her close friend, the famous Mexican artist 1724:. She took advantage of her return to the United States and granted an interview to 491:

was leading in the region. The Asúnsolo family decided to escape, her father to the

280: 7776: 5828: 3760:"Andrea Palma, sola y abandonada deja de existir la primera diva del cine mexicano" 3289: 3245: 2966: 2836: 2822: 2665: 2466: 2375: 2347:. Riley was known in the Hollywood cinema in the forties for being a member of the 2325: 2254: 2186: 2136: 1948: 1801: 1662: 1602:

Del Río accepted working again with Emilio Fernández and her film team in the film

1483: 1478: 1392: 1384: 1196: 1107: 1058: 762: 453: 301: 7488: 7184: 6766:"Elsa ortiz played Dolores del Río in "La Doña", new series by Vix+, on Chispa TV" 6584: 2563:

Portrait of Dolores del Rio in the Diego Rivera & Frida Kahlo House-Studio in

2548: 2182:: "Dolores became, and remains, as one of the most beautiful stars in the world". 2029:

In the face of this scandal, the film was denied the opportunity to win an award.

1952: 1535:

to play the role of an indigenous woman who falls in love with a fugitive priest (

465: 457: 7813: 7801: 7228: 6899: 6791: 4841: 4373: 3443: 3198: 3126: 2817:

Del Río has also a mural painted on the east side of Hudson Avenue just north of

2721: 2660: 2264:: "Del Río represented the highest erotic ideal with her performance in the film 1931: 1879: 1837: 1828: 1725: 1443: 1286: 1159: 997: 963: 799: 709: 543:), who were fascinated to see her perform a dance for the soldiers of the war in 6442:. Mural Conservancy of Los Angeles. Archived from the original on 20 August 2008 4853: 4016:"Dolores del Río, la diva Hollywoodense que tenía un sillón para ser "venerada"" 1366:). After breaking off her relationship with Welles, del Río returned to Mexico. 4659: 3142: 2840: 2729: 2513: 2439: 2298: 2218: 2140: 1853: 1720:

on July 6, 1956 and to continue with a tour of seven other theaters throughout

1583: 1496: 1481:, another notable Mexican movie star. Félix meanwhile, received the script for 1325: 1226: 1200: 1188: 1072: 1046: 968: 942: 815: 811: 807: 803: 791: 772: 748: 687: 595: 525: 373: 306: 186: 7280:

Poniatowska, Elena (1995). "Dolores del Río: The Face of the Mexican Cinema".

6746: 6111: 2712:), published in 1933, which chronicles the life of an actress named "Piedad". 2324:. Many celebrities would attend and play tennis or swim in the pool including 7827: 5950:. Broken Hill, NSW: National Library of Australia. 25 October 1932. p. 1 5941: 5594:"Dolores del Río, la primera actriz hispanoamericana que conquistó Hollywood" 5448: 3313: 3253: 2914: 2897: 2886: 2853: 2811: 2697: 2693:. The statue was donated by del Río, who played Evangeline in the 1929 film. 2505: 2490: 2477: 2443: 2412: 2306: 2179: 2144: 2043: 2039: 1935: 1889: 1845: 1809: 1782: 1768: 1717: 1658: 1552: 1421: 1417: 1413: 1282: 1264: 1236: 1036: 950: 836: 787: 697: 668: 622: 492: 422:

Commemorative plaque at the house where Dolores del Río was born, located in

251: 113: 4728: 4524: 2536: 2459: 2107: 1785:

became the translator of her plays. Her first production in Mexico City was

1693: 927: 903: 460:

was the president). On her mother's side, she was a cousin of the filmmaker

7582:]. Universidad Nacional Autónoma de México, CCH Dirección Plantel Sur. 6793:

Latina/o stars in U.S. eyes: the making and meanings of film and TV stardom

5233:"Dolores del Río, la belleza y el talento mexicano que se ganó a Hollywood" 4618:"Dolores del Río, la belleza y el talento mexicano que se ganó a Hollywood" 4478: 4211:

The Library of Congress/FIAF American Silent Feature Film Survival Catalog:

3190: 2873: 2802:

built to honor the multi-ethnic leading ladies of the cinema together with

2619: 2588: 2435: 2408: 2400: 2352: 2261: 2225: 2211: 2070: 2066: 1863: 1814: 1796: 1773: 1739: 1713: 1698: 1667: 1595: 1587: 1448: 1359: 1329: 1291: 1278: 1216: 1050: 1032: 1008: 978:

with a new and ambitious project. Selznick told Vidor: "I want del Río and

958: 730: 676: 631: 583: 488: 477: 461: 438: 423: 366: 263: 237: 94: 31: 6530:

HOLLYWOOD HIGH: Eloy Torrez and his mural on an east-facing wall of the...

6331:"Covarrubias veía el mundo como una acumulación de culturas: Juan Coronel" 7749: 4363: 3301: 3086: 2931: 2890: 2792: 2564: 2544: 2540: 2494: 2458:

There are many anecdotes about her rivalry with the also Mexican actress

2367: 2363: 2356: 2333: 2329: 2170: 2047: 1867: 1841: 1786: 1758: 1721: 1676: 1672: 1632: 1591: 1573: 1536: 1507: 1363: 1240: 1192: 1149: 1147:

Warner called her again in 1935 to star in another musical comedy called

1137: 1080: 1068: 1054: 979: 911: 831: 654: 591: 508: 496: 369: 355: 351: 7490:

Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in America

4803:"Cine en Español: María Candelaria, on Golden Globe Awards (in Spanish)" 2676:

of Mexico, for display in various museums in Mexico City, including the

2672:

In her will, del Río stipulated that all her artworks be donated to the

2559: 2250:. Narcissistic? Probably yes, but she was right. She looked beautiful". 7740: 6154:"Hoy se cumplen 35 años del fallecimiento de la actriz Dolores del Río" 6135: 6133: 3070: 2919: 2685: 2465:

There was media speculation about a strong rivalry between del Rio and

2337: 2239: 1997: 1819: 1749:

brought del Río and her alleged rival María Félix together in the film

1455: 1220: 1205: 1111: 1063: 975: 858: 672: 646: 627: 362: 6294: 5110: 5108: 5106: 4956:"The Enchantress: Dolores del Río's Spellbinding Life, on Vanity Fair" 4600: 4598: 4432: 4430: 4328: 4326: 4324: 3700: 2351:, an organization created by movie stars to support relief efforts in 2015:

In 1976, del Río was invited to serve as president of the jury of the

1379:(1943). Fernandez was a great admirer and he was eager to direct her. 1114:(considered one of the most beautiful and expensive at the time). But 1053:

The studio was interested in promoting del Río as the answer to MGM's

757:, directed again by Carewe. The success of the film was helped by the 7450:

From Bananas to Buttocks: The Latina Body in Popular Film and Culture

3544: 2944: 2741: 2498: 2197: 2115: 1833: 1823: 1532: 1119: 1076: 866: 854: 6382: 6130: 6092: 5910: 5612: 5337: 5301: 5289: 5253: 5213: 5201: 3895:"Dolores del Río : icono mexicano de belleza, talento y estílo" 3531:"The Golden Age Of Mexican Cinema: A Short History, in Culture Trip" 2956:

Del Río is one of the Mexican celebrities honored in a cameo in the

2700:

wrote her a sonnet and translated all her stage plays. She inspired

1086: 346:(1929). Del Río came to be considered a sort of feminine version of 7753: 6290:"Muere Dolores del Río, la actriz mexicana que enamoró a Hollywood" 5714: 5433:"From Hollywood and Back: Dolores del Rio, a trans (national) star" 5103: 5063: 5039: 5000: 4595: 4583: 4571: 4427: 4321: 2803: 2795:

in recognition of her contributions to the motion picture industry.

2606:

In 1941, del Río was also portrayed by the famous Mexican muralist

2344: 2310: 2097:—Del Río commenting about her role as a Mexican woman in Hollywood. 1679:. She reacted by sending a letter to the U.S. government, stating: 1624: 1252: 680: 446: 6718:[Duranguense "Dolores del Río", honored in Pixar's COCO]. 6414:"Exhiben 55 fotografías inéditas de Dolores del Río en el Soumaya" 5776:"Dolores del Río by George Hoyningen-Huene. Art Institute Chicago" 5029: 5027: 4698: 4696: 4694: 4692: 4679: 4677: 4461: 4459: 4457: 4128: 4126: 3839: 3837: 2057:

theater the evening of October 11, 1981 for a tribute at the 25th

1987:

Estancia Infantil Dolores del Río (The Dolores del Río Day Nursery

1968: 524:

y Viñent, son of a wealthy family. Jaime had been educated in the

7637:

Latinas in the United States: A Historical Encyclopedia, Volume 1

6841:

The Girl Who Walked Home Alone: Bette Davis, a Personal Biography

2973:

She was played by the actress Elsa Ortiz in the streaming series

2949: 2645:, the Humane Society of the Artistic Treasures of Mexico and the 2572:

women related to the renaissance of Mexican culture and customs.

2520:

in Mexico City, Mexico. Lew Riley died in Newport Beach in 2005.

2291: 2008:. In her work in supporting children she became a spokeswoman of 827: 544: 442: 35: 6345: 6310: 6055: 5898: 5624: 5412: 5400: 5325: 5313: 5277: 5265: 4442: 3339:"¿Sabes quién es María de los Dolores Asúnsolo y López Negrete?" 2305:

and one of the most influential men in Hollywood, at a party at

1623:

In 1949, del Río met the American millionaire Lewis A. Riley in

1289:. Del Río was at his side during the filming and controversy of 949:

and one of the most influential men in Hollywood, at a party at

7193:] (in Spanish). México: Grupo Editorial Tomo, S.A. de C.V. 6559: 5173: 5091: 5024: 5012: 4928: 4754: 4708: 4689: 4674: 4559: 4547: 4535: 4454: 4415: 4403: 4379: 4283: 4271: 4259: 4247: 4192: 4180: 4123: 3913: 3834: 3733:"Curiosidades de Dolores del Río, un ícono latino en Hollywood" 3664: 2957: 2882: 2125: 2009: 989: 427: 325: 7144:

Hispanics in Hollywood: An Encyclopedia of Film and Television

1328:

as part of his goodwill tour. Welles, involved in filming the

7780: 7618:

Heroes, Lovers, and Others: The Story of Latinos in Hollywood

6716:"Duranguense "Dolores del Río", homenajeada en COCO de Pixar" 6181:"Panteón Civil de Dolores y Rotonda de las Personas Ilustres" 5471: 2961: 2936: 2856:

realized a tribute to del Rio in his Fall /Winter collection

1959:. Her last appearance on television was in a 1970 episode of 1688: 1608:(1949). The film is based on the novel of the Spanish writer 1061:. Del Río's first project with Warner was the musical comedy 548: 532: 7735: 5868:

Idalia, María (1948). "Dolores del Río se retira del cine".

5818: 2027:"a filth of such magnitude wrapped in the patriotic banner". 853:. The film was accompanied again by a theme song written by 6080: 2343:

In 1949 she met the American millionaire Lewis A. Riley in

437:

María de los Dolores Asúnsolo y López Negrete, was born in

7300:, Revista SOMOS México, 1994, ed. Televisa, pp. 70–72 6112:"María Félix speaks about Dolores del Río in an interview" 5993: 4235: 4085: 2876:, paying tribute to her numerous roles in Mexican cinema. 2355:. At that time Riley was engaged in a torrid affair with 738: 292:(3 August 1904 – 11 April 1983), known professionally as 6637:"Dress fall/winter 1995–96 by John Galliano, in The Met" 5495: 1852:

also appear in the film. In 1967, the Italian filmmaker

1118:

was a major cause of dispute between the studio and the

6686:"Google honors actress Dolores del Rio with new Doodle" 2689:, the heroine of Longfellow's romantic poem located in 2053:

At the age of 76, del Río appeared on the stage of the

922: 7555:

Dance and the Hollywood Latina: Race, Sex, and Stardom

7360:

From Hollywood: The Careers of 15 Great American Stars

7230:

Iconic Mexico: An Encyclopedia from Acapulco to Zócalo

6572: 6379:. New York: Twayne Publishers, Inc., 1964, pp. 155–56. 5922: 5152: 4902: 4900: 4816: 2881:

On 3 August 2017, the 113th anniversary of her birth,

2843:. and the other is in the nursery that bears her name. 2246:. Gazing into the mirror, she said in a half-whisper, 2196:: "The two most beautiful things in the world are the 1759:

1960–1970: Return to Hollywood, television and theatre

1398:

Subsequently, del Río and Fernández’ film crew filmed

1079:

her co-star. Del Río shared the female lead role with

321:, and one of the most beautiful actresses of her era. 7807:

Dolores del Rio statue on Hollywood-La Brea Boulevard

7341:

Bellezas del cine mexicano/Beauties of Mexican Cinema

6696: 5752:(in Spanish). Artes e Historia México. Archived from 5358:"Delores del Rio Charmed Audiences For Over 50 Years" 1657:

In 1954, del Río was slated to appear as the wife of

1333:

crises, she decided to return to Mexico, commenting:

869:

disc selection of dialogue, music and sound effects.

468:(one of the ‘Latin Lovers’ of the silent cinema) and 7512:

Hollywood divas: the good, the bad, and the fabulous

6575:"Develan busto de Dolores del Río en Parque Hundido" 5530: 4391: 4168: 2763:

After her death, her photo archive was given to the

2504:

Del Río spent the last two years of her life at her

2281:

and was called the "best-dressed woman in America".

1590:, del Río was pursued by none other than First Lady 1122:

office, primarily because it presented the court of

5483: 5459: 5051: 4897: 2077:for distinguished contribution to the art of film. 1612:. Del Río gained good notices for her portrayal of 376:. Her most successful films of that decade include 7634: 7596: 7552: 7487: 7326:, Revista SOMOS México, 2002, ed. Televisa, pg. 71 7314: 7288: 6928: 6838: 6400: 6363: 6151: 5795: 5700: 5155:"35 años sin la estrella mexicana Dolores del Río" 2032:In 1978, Dolores made her last film appearance in 1675:. Del Río was one of the many on the blacklist of 1531:In 1947, del Río was invited by the film director 1172: 894:In New York, following the successful premiere of 4498: 4496: 3989:"Dolores del Río: El triunfo de la introspección" 3363:Jarlson, Gary; Thackery Jr, Ted (13 April 1983). 2839:. The other two are busts. One is located in the 1408:was the first Mexican film to be screened at the 1302:At the beginning of 1942, she started working on 1140:. The film was directed by the Russian filmmaker 559: 7825: 7289:"Dolores del Río: El Rostro del Cine Mexicano". 7126:]. Universidad Nacional Autónoma de México. 7097:Dolores del Río vol. 3: Consagración de una Diva 5715:"Dos o tres episodios mexicanos de Orson Welles" 5548: 3628: 2923:, took Dolores del Río as inspiration to create 2159:Del Río's contemporaries comment about her image 483:Del Río's family lost all its assets during the 7376: 7338: 3986: 2653:in which her main portraits and a sculpture by 2639:Instituto Nacional de Bellas Artes y Literatura 1969:1970–1983: Philanthropy and cultural ambassador 42: and the second or maternal family name is 7635:Ruíz, Vicki; Sánchez Korrol, Virginia (2006). 7431:Film Actresses Vol. 23 Dolores del Rio, Part 1 7101:Dolores del Río vol. 3: Consecration of a Diva 6722:(in Spanish). 23 November 2017. Archived from 5971:"Dolores del Río: su vida, un cuento de hadas" 4519: 4517: 4493: 4041:"Contando historias: Dolores del Rio parte II" 4013: 3365:"Dolores Del Rio, Exotic Queen of Films, Dies" 2674:National Institute of Fine Arts and Literature 1697:(1955), directed by her cousin, the filmmaker 590:, who was in Mexico for the wedding of actors 7695: 7597:Rivera Viruet, Rafael J.; Resto, Max (2008). 7466: 7381:. Wilmington, Delaware, Scholarly Resources. 6683: 3698: 2765:Carso Center for the Study of Mexican History 2085: 1947:. The project was originally directed by the 1941:In 1970, she produced and starred in theater 1832:, playing the role of the Cheyenne mother of 1049:offered her a starring role in two films for 290:María de los Dolores Asúnsolo y López Negrete 81:María de los Dolores Asúnsolo y López Negrete 7720:: CS1 maint: multiple names: authors list ( 7469:Dangerous Curves: Latina Bodies in the Media 7401:: CS1 maint: multiple names: authors list ( 7298:Dolores del Río: El Rostro del Cine Mexicano 7078:Dolores del Río vol. 2: Return to the Origin 6328: 6263:"Diego Rivera (1886–1957) La Creación, 1922" 5819:Luis de la Barreda Solórzano (4 June 2004). 4835:Festival de Cannes – Official Selection 1946 3397: 3395: 3393: 2647:Motion Picture Export Association of America 1691:another adaptation of a novel by Benavente, 1341: 7550: 7279: 6878: 6763: 5999: 5579: 5477: 5377: 5375: 4953: 4733:. Universidad Nacional Autónoma de México. 4514: 4241: 4091: 3629:Cisneros Calzada, Fortino (4 August 2017). 2716:was inspired by del Río to write his book, 1908:She also appeared in the American TV shows 1247:", (along with stars like Crawford, Garbo, 657:called del Río to cast her in the war film 413: 7765: 7433:. On Demand Publishing, LLC-Create Space. 7140: 7051:Dolores del Río vol. 1: Un cuento de hadas 6926: 6901:Dolores del Río: Beauty in Light and Shade 6510:. Sunday Calendar, Part E, Calendar Desk. 6041:. Stanford University Press. p. 203. 6039:Dolores del Río: Beauty in Light and Shade 5882: 5501: 4986:. Stanford University Press. p. 249. 4984:Dolores del Río: Beauty in Light and Shade 4504:"Dolores Del Rio: Bird of Paradise (1932)" 4014:Ventura Chávez, Nazareth (3 August 2020). 2446:, "The New Dolores del Río of Hollywood". 1870:. She played Sharif's character's mother. 61: 7615: 7270: 5746:"Cafe Society y las Noches de Nueva York" 5437:Studies in Latin American Popular Culture 5355: 4642: 3757: 3454: 3452: 3446:, Screendeco.wordpress.com, May 18, 2012. 3390: 2732:. Other authors who wrote her poems were 2174:(1935) while wearing this type of garment 2131:According to Austrian-American filmmaker 2059:San Francisco International Film Festival 2017:San Sebastian International Film Festival 1517:Dolores del Río in a photograph taken by 1494:. Del Río plays twin sisters in the film 1299:, who began to boycott Orson's projects. 535:, Del Río danced for the kings of Spain ( 7485: 7447: 7074:Dolores del Río vol. 2: Volver al origen 6836: 6660: 5796:Christian Esquevin (20 September 2016). 5381: 5372: 5153:Nidia Martínez de León (10 April 2018). 4918: 3987:Díaz de la Vega, Alonso (25 July 2018). 3956: 3954: 3726: 3724: 3722: 3401: 2774: 2726:Orchids in the Moonlight: Mexican Comedy 2659: 2558: 2554: 2476: 2472: 2394: 2163: 1872: 1762: 1562:, del Río traveled to Argentina to film 1512: 1426: 1258: 1085: 1002: 926: 871: 777: 708: 563: 417: 7698:Notable Hispanic American Women, Vol. 1 7656:The Great Movie Stars: The Golden Years 7653: 7409: 7377:E. Fey, Ingrid., Racine, Karen (2000). 6968: 6949: 6789: 6573:Víctor Adriân Espinosa (24 June 2011). 6541: 6505: 6036: 6011: 5928: 5148: 5146: 5144: 5142: 5140: 5138: 4981: 4065: 3933:"Dolores del Río a los 11 años de Edad" 3730: 3654: 3553:"Maria Candelaria Reviews, on TV Guide" 3550: 3528: 3404:"The First Latina to Conquer Hollywood" 2930:She appeared in vintage footage in the 2821:painted by the Mexican-American artist 2683:Del Río was the model of the statue of 1992:In 1972, she helped found the Cultural 1157:. Around the same time, she starred in 14: 7904:Mexican emigrants to the United States 7889:Hispanic and Latino American actresses 7826: 7576:Dolores del Río: Historia de un rostro 7529: 7508: 7357: 7319:. Editorial Televisa S.A de C.V. 2002. 7310:. Editorial Televisa S.A de C.V. 1999. 7266:. Editorial Televisa S.A de C.V. 1995. 7191:The Greatest Mexicans: Dolores del Río 7186:Los Grandes Mexicanos: Dolores del Río 7182: 7094: 7071: 7048: 6987: 6388: 6351: 6316: 6139: 6098: 6086: 6074: 6061: 5968: 5916: 5904: 5867: 5712: 5630: 5618: 5418: 5406: 5343: 5331: 5319: 5307: 5295: 5283: 5271: 5259: 5219: 5207: 5179: 5114: 5097: 5069: 5045: 5033: 5018: 5006: 4934: 4760: 4714: 4702: 4683: 4604: 4589: 4577: 4565: 4553: 4541: 4489:from the original on 22 February 2011. 4465: 4448: 4436: 4421: 4409: 4397: 4385: 4332: 4289: 4277: 4265: 4253: 4198: 4186: 4174: 4132: 3919: 3843: 3796:from the original on 11 September 2016 3682: 3670: 3449: 974:In 1932, Selznick entrusted filmmaker 7859:American actresses of Mexican descent 7849:20th Century Studios contract players 7679:Dolores del Río: Woman in the Volcano 7672: 7573: 7428: 7226: 7207: 7117: 7032:Vincent Price: A Daughter's Biography 7029: 7010: 6859: 6744: 6702: 6673:from the original on 25 October 2016. 6341:from the original on 25 October 2016. 6287: 6178: 6118:from the original on 18 November 2021 5743: 5591: 5526:from the original on 25 October 2016. 5430: 5368:from the original on 25 October 2016. 4906: 4822: 4726: 4105:"Dolores del Río: Biografías y Vidas" 3951: 3866: 3816:"La gran familia de artistas famosos" 3719: 3576:DurangoMas: Dolores del Río biography 3480: 3402:Mulcahey, Martin (29 December 2011). 2238:Australian-American costume designer 961:. Her first film with the studio was 667:of 1926, along with fellow newcomers 503:, who was a cousin of Mrs. Asúnsolo. 300: 7894:Metro-Goldwyn-Mayer contract players 7681:]. GeoPlaneta, Editorial, S. A. 7161: 7055:Dolores del Río vol. 1: A Fairy Tale 6897: 6817: 6747:"Coco deleted scene: Celebrity tour" 6617:from the original on 14 October 2016 6550:from the original on 8 November 2016 6152:Javier García Java (11 April 2018). 5808:from the original on 15 August 2017. 5662: 5642: 5561:from the original on 3 December 2013 5536: 5513: 5489: 5465: 5382:Campbell, Federico (16 April 1983). 5191: 5135: 5081: 5057: 3529:Cocking, Lauren (17 November 2016). 3512: 3496: 3380: 2908: 2612:"He painted his tragedy on my face!" 2453: 2147:helped him to define his concept of 1856:invited her to be part of the movie 923:1930–1936: Transition to sound films 794:brought together Pickford, del Río, 7675:Dolores del Río: mujer en el volcán 7324:Dolores del Río: La Mexicana Divina 6692:from the original on 3 August 2017. 6661:Madrigal, Alex (29 November 2006). 5851:"Dolores del Río, The Face of Deco" 5725:from the original on 16 August 2016 5126: 4954:Hall Meares, Hadley (17 May 2021). 4228:at Arne Andersen's Lost Film Files: 2185:German-American actress and singer 1989:), and today remains in existence. 354:, in her years during the American 24: 7332: 7141:Reyes, Luis; Rubie, Peter (1994). 6542:Fandino, Cesar (14 October 2011). 6474: 6179:Cesar, Romero (6 September 2016). 5798:"Orry-Kelly, Women He's undressed" 5549:Lazaro Sarmiento (16 April 2013). 5455:from the original on 3 April 2016. 4376:, IBDb.com; accessed 19 July 2016. 3962:"¿Sabes quién es Dolores del Río?" 3631:"Dolores Asúnsolo y López Negrete" 3470:from the original on 26 July 2015. 2509:various museums after her death. 2061:. During the ceremony, filmmakers 1572:, 1948), a film adaptation of the 1410:Cannes International Film Festival 967:released in 1931, and directed by 25: 7965: 7929:Mexican people of Spanish descent 7729: 7696:Telgen, Diane, Kamp, Jim (1993). 7339:Agrasánchez Jr., Rogelio (2001). 6506:Johnson, Reed (12 October 2003). 5969:Raquel, Peguero (3 August 2004). 4774:"Curiosidades de Dolores del Río" 4510:from the original on 8 July 2011. 3436:The Face of Deco: Dolores Del Rio 2481:Dolores del Río grave located at 1100:Her second film with Warners was 706:, again directed by Raoul Walsh. 313:. Along with a notable career in 7924:Mexican people of French descent 7919:Mexican people of Basque descent 7580:Dolores del Río: Story of a Face 6971:Errol Flynn: The Life and Career 6931:The invention of Dolores del Río 6796:. University of Illinois Press. 6738: 6708: 6677: 6654: 6599: 6566: 6535: 6499: 6468: 6432: 6406: 6369: 6322: 6288:Tomás, Delclós (13 April 1983). 6281: 6255: 6229: 6203: 6172: 6145: 6104: 6067: 6030: 6005: 5962: 5934: 5876: 5861: 5843: 5812: 5789: 5737: 5706: 5672: 5592:López, Alberto (3 August 2017). 5585: 5542: 5507: 5424: 5349: 5225: 4658:. Austinfilm.org. Archived from 3758:Rodríguez, Sayra (26 May 2020). 3731:Pantoja, Vic (13 October 2020). 3307: 3295: 3283: 2866:Rotonda de las Personas Ilustres 2489:In 1978, she was diagnosed with 2407:Del Río met actor and filmmaker 2284: 2080: 650:(1926) also directed by Carewe. 452:Her parents were members of the 279: 202: 173: 126:Rotonda de las Personas Ilustres 7869:20th-century American actresses 7551:Peña Ovalle, Priscilla (2011). 7343:. Archivo Fílmico Agrasánchez. 7183:Torres, José Alejandro (2004). 6684:Wade Sheridan (3 August 2017). 6663:"Dolores del Río, a la Rotonda" 4975: 4867: 4828: 4766: 4720: 4648: 4610: 4471: 4357: 4338: 4295: 4218: 4204: 4138: 4097: 4066:Aguirre, Coral (7 April 2019). 4059: 4033: 4007: 3980: 3925: 3887: 3860: 3849: 3808: 3778: 3751: 3692: 3622: 3596: 3566: 2900:used to sign his autographs as 2390: 2106:’ such as other actresses like 1173:1937–1942: Decline in Hollywood 865:, the film was released with a 222: 198: 169: 7864:American silent film actresses 7844:20th-century Mexican actresses 7819:Photographs of Dolores del Rio 7467:Molina Guzmán, Isabel (2010). 6607:"Blvd dolores del rio Durango" 6217:(in Spanish). 14 December 2017 5883:lmharnisch (27 January 2014). 4656:"Dolores del Rio in Hollywood" 4367:(Broadway at the Park Theatre) 4230:lost 1926 First National films 4047:(in Spanish). 14 November 2019 3867:Cleer, Alida (3 August 2017). 3699:Ortiz Bulle-Goyri, Alejandro. 3428: 3357: 3331: 3261:Dear Liar: A Comedy of Letters 2987: 2943:She was played by the actress 2927:, one of Tracy's main enemies. 2779:Dolores del Río's star in the 2756:also pays tribute to the book 2664:Dolores del Río statue in the 2525:Rotunda of Illustrious Persons 2231:Russian-American photographer 1895:Dear Liar: A Comedy of Letters 1644:(1951), based on the novel by 1441:Her third film with Fernández 560:1925–1929: Silent film stardom 13: 1: 7954:Mexican women trade unionists 7949:Warner Bros. contract players 7934:Mexican silent film actresses 7530:Parish, James Robert (2008). 7509:Parish, James Robert (2002). 7494:. University of Texas Press. 7452:. University of Texas Press. 6516:. p. E48. Archived from 5713:Vargas, Rafael (7 May 2015). 5680:"Dolores del Rio (1905–1983)" 4303:"Listen In on the DODGE HOUR" 3901:(in Spanish). 7 February 2021 3319: 2277:In 1952, she was awarded the 1545:, an adaptation of the novel 1522: 638:, cast del Río in the comedy 586:, an influential director at 7879:Golden Age of Mexican cinema 7673:Taibo, Paco Ignacio (1999). 7639:. Indiana University Press. 7616:Rodriguez, Clara E. (2004). 7559:. Rutgers University Press. 7412:The films of Dolores Del Rio 6996:]. Editorial Celuloide. 6837:Chandler, Charlotte (2006). 6583:(in Spanish). Archived from 6544:"Estatua de Dolores del Río" 6187:(in Spanish). Archived from 5514:Gray, Emma (22 April 2013). 5392:(in Spanish). Archived from 4352:AFI Catalog of Feature Films 4152:(in Spanish). Archived from 3324: 2770: 2643:Mexico's Screen Actors Guild 2260:American actor and director 1219:" (a cigarettes brand) and " 861:and played by del Río. Like 513:Antonia Mercé "La Argentina" 495:, and she and her mother to 399:Golden Age of Mexican cinema 319:Golden Age of Mexican cinema 34:, the first or paternal 7: 7620:. Oxford University Press. 7599:Hollywood: Se Habla Español 7293:. Editorial Televisa. 1995. 7210:The Cinema of Latin America 6935:. University of Minnesota. 6927:Hershfield, Joanne (2000). 6879:Franco Dunn, Cinta (2003). 5872:. No. 290. p. 11. 5362:San Francisco Film Festival 5241:(in Spanish). 3 August 2017 4624:(in Spanish). 3 August 2017 3345:(in Spanish). 11 April 2019 3276: 2994:Dolores del Río filmography 2314:house at 757 Kingman Avenue 2279:Neiman Marcus Fashion Award 1928:The Man Who Bought Paradise 1926:(1966) and in the TV movie 1745:In 1959, Mexican filmmaker 1631:and his brief romance with 1371:Emilio "El Indio" Fernández 1203:. She appeared with him in 818:to speak on the radio show 614:She made her film debut in 578:In early 1925, the painter 27:Mexican actress (1904–1983) 10: 7970: 7884:Golden Ariel Award winners 7601:. Terramax Entertainment. 7486:Nericcio, William (2007). 7414:. New York: Gordon Press. 7120:La "Santa" de Orson Welles 6783: 6420:(in Spanish). 23 July 2010 6377:Henry Wadsworth Longfellow 4780:(in Spanish). 6 April 2018 4730:La "Santa" de Orson Welles 3610:(in Spanish). 3 March 2021 2991: 2852:In 1995, fashion designer 2750:Responsibilities of a face 2691:St. Martinville, Louisiana 2651:Dolores del Rio in the Art 2649:paid her a tribute titled 2626:, Frances Gauner Goshman, 2086:Public image and character 1911:The Dinah Shore Chevy Show 1735:Schlitz Playhouse of Stars 1570:Historia de una mala mujer 1199:to star in two films with 1166:The Widow from Monte Carlo 1075:was the choreographer and 851:Henry Wadsworth Longfellow 324:After being discovered in 302:[doˈloɾesdelˈri.o] 29: 6952:Orson Welles, A Biography 6950:Leaming, Barbara (1985). 6910:Stanford University Press 6822:. Doubleday and Company. 6745:Simoa (5 February 2018). 6460:: CS1 maint: unfit URL ( 6401:Editorial Televisa (1995) 6364:Editorial Televisa (2002) 6243:(in Spanish). 30 May 2021 6014:Orson Welles, A Biography 6012:Leaming, Barbara (1985). 5701:Editorial Televisa (1995) 4879:cinemexicano.mty.itesm.mx 4150:cinemexicano.mty.itesm.mx 3371:. Retrieved 2 April 2020. 3268:The Lady of the Camellias 2889:created by Google artist 2530: 2135:, stars such as Del Río, 1944:The Lady of the Camellias 1812:'s character in the film 1730:1957 Cannes Film Festival 1342:1943–1959: Mexican Cinema 1181:, in 1937 del Río filmed 765:and recorded by del Río. 554: 278: 273: 244: 233: 148: 140: 132: 121: 102: 76: 60: 53: 7944:People from Durango City 7030:Price, Victoria (2014). 6969:McNulty, Thomas (2004). 6906:Redwood City, California 5942:"Secret Marriage Denial" 4307:St. Louis Globe-Democrat 2787:She has her star on the 2411:at a party organized by 2253:Mexican cinematographer 2002:Who'll See the Children? 1903:The Queen and the Rebels 1467:In 1945, del Río filmed 1451:Award for Best Actress. 1308:(released in 1943) with 1281:at a party organized by 1212:International Settlement 1041:Orchids in the Moonlight 957:as an exclusive star of 723:In 1928, del Río filmed 641:The Whole Town's Talking 414:Early life and education 7939:Mexican stage actresses 7899:Mexican artists' models 7789:Dolores del Río profile 7658:. Little Brown and Co. 7654:Shipman, David (1995). 7448:Mendible, Myra (2010). 7410:L. Woll, Allen (1978). 7358:Bodeen, DeWitt (1976). 7103:]. Editorial Clío. 7080:]. Editorial Clío. 7057:]. Editorial Clío. 7013:Mexican National Cinema 6883:. México: Promo Libro. 6764:Fermín Apolonio, Emma. 6477:"Hollywood High School" 6037:B. Hall, Linda (2013). 4982:B. Hall, Linda (2013). 4372:22 October 2012 at the 3786:"Asúnsolo Morán, María" 3224:Selected theatre roles: 3215:The Children of Sanchez 2896:After her death, actor 2593:La vendedorea de flores 2035:The Children of Sanchez 2004:and Mexican telenovela 1548:The Power and the Glory 1297:William Randolph Hearst 1000:was strictly enforced. 820:The Dodge Brothers Hour 782:Dolores del Río in 1928 759:same name musical theme 653:In 1926, the filmmaker 588:First National Pictures 7914:Mexican film actresses 7909:Mexican female dancers 7854:Actresses from Durango 7533:The Hollywood beauties 7515:. Contemporary Books. 7429:Lacob, Adrian (2014). 7233:. New York: ABC-CLIO. 7095:Ramón, David (1997c). 7072:Ramón, David (1997b). 7049:Ramón, David (1997a). 7011:Noble, Andrea (2005). 6845:. Simon and Schuster. 6790:Beltrán, Mary (2009). 5855:Hometowns to Hollywood 5431:López, Ana M. (1998). 4840:3 October 2009 at the 4146:"Dolores del Río cine" 2789:Hollywood Walk of Fame 2783: 2781:Hollywood Walk of Fame 2678:National Museum of Art 2669: 2577:Alfredo Ramos Martínez 2568: 2486: 2404: 2233:George Hoyningen-Huene 2224:American photographer 2200:and Dolores del Río". 2175: 2094: 1884: 1778: 1685: 1528: 1438: 1339: 1274: 1184:The Devil's Playground 1097: 1018: 938: 883: 783: 720: 612: 575: 518:Alfredo Ramos Martínez 434: 298:Spanish pronunciation: 159:Jaime Martínez del Río 7791:, Virtual-History.com 7574:Ramón, David (1993). 7208:Tuñón, Julia (2003). 7118:Ramón, David (1997). 6988:Moreno, Luis (2002). 6860:Félix, María (1993). 5555:Buena suerte viviendo 4727:Ramón, David (1997). 3464:Turner Classic Movies 3238:Lady Windermere's Fan 2830:Hollywood High School 2778: 2663: 2562: 2555:In art and literature 2480: 2473:Final years and death 2398: 2301:, an art director at 2297:In 1930, del Río met 2248:Jesus, I am beautiful 2167: 2090: 1983:Mexican Actor's Guild 1876: 1792:Lady Windermere's Fan 1766: 1681: 1579:Lady Windermere's Fan 1558:After the filming of 1516: 1430: 1420:) becoming the first 1349:La Noche de los Mayas 1335: 1262: 1089: 1006: 945:, an art director at 941:In 1930, del Río met 930: 875: 843:Her next project was 781: 712: 608: 567: 421: 128:, Mexico City, Mexico 7812:12 June 2009 at the 7800:29 July 2020 at the 7227:Zolov, Eric (2015). 7212:. Wallflower Press. 7168:. Ballantine Books. 7162:Riva, Maria (1994). 7124:Orson Welles "Santa" 7015:. Psychology Press. 6898:Hall, Linda (2013). 6818:Carr, Larry (1979). 6391:, vol. 3, pp. 26–27. 6142:, vol. 2, pp. 58–59. 6126:– via YouTube. 6114:. 13 February 2013. 6101:, vol. 2, pp. 51–52. 6089:, pp. 138, 141. 5919:, vol. 2, pp. 35–36. 5621:, vol. 3, pp. 19–20. 5346:, vol. 3, pp. 50–51. 5310:, vol. 3, pp. 37–39. 5298:, vol. 3, pp. 36–37. 5262:, vol. 3, pp. 32–35. 5222:, vol. 3, pp. 25–28. 5210:, vol. 3, pp. 14–15. 5117:, vol. 2, pp. 49–50. 5072:, vol. 2, pp. 48–49. 5048:, vol. 2, pp. 44–45. 5009:, vol. 2, pp. 30–31. 4607:, vol. 1, pp. 54–55. 4592:, vol. 1, pp. 51–52. 4580:, vol. 1, pp. 53–54. 4439:, vol. 1, pp. 43–45. 4346:The Red Dance (1928) 4335:, vol. 1, pp. 36–37. 3937:mexicana.cultura.gob 3792:. 24 February 2012. 3290:Biography portal 2976:María Félix: La Doña 2608:José Clemente Orozco 2382:. Mexican filmmaker 2372:Erich Maria Remarque 2149:glamour in Hollywood 2075:George Eastman House 2063:Francis Ford Coppola 1818:(1960), directed by 1799:. In 1958, the play 1661:'s character in the 1586:. While shooting in 1565:Story of a Bad Woman 1373:invited her to film 1322:Good Neighbor policy 1251:, Marlene Dietrich, 1239:, Joan Crawford and 1223:" (a makeup brand). 1177:With the support of 1067:(1934), directed by 729:(1928), directed by 696:(1927), was filmed. 630:. In the same year, 201: 1930; 172: 1921; 7874:Ariel Award winners 7536:. Arlington House. 7034:. Open Road Media. 6403:, pp. 70–72, . 6375:Williams, Cecil B. 5802:Silver Screen Modes 5690:on 11 October 2016. 5396:on 25 October 2016. 4875:"Bugambilia (1944)" 4662:on 24 December 2013 3822:. 10 September 2015 3790:Enciclopediagro.org 3207:More Than a Miracle 3175:El Niño y la niebla 3031:The Loves of Carmen 2819:Hollywood Boulevard 2800:Catherine Hardwicke 2738:Celestino Gorostiza 2734:Xavier Villaurrutia 2628:Adolfo Best Maugard 2303:Metro-Goldwyn-Mayer 2194:George Bernard Shaw 2133:Josef von Sternberg 2122:More Fabulous Faces 2055:Palace of Fine Arts 1994:Festival Cervantino 1979:Adela Peralta Leppe 1859:More Than a Miracle 1651:El Niño y la Niebla 1646:Benito Perez Galdos 1638:Del Río starred in 1475:Fernando de Fuentes 1473:(1945) directed by 1431:Dolores del Río in 1387:, the screenwriter 1320:, in charge of the 1232:The Man from Dakota 988:(1932) was shot in 947:Metro-Goldwyn-Mayer 931:Dolores del Río in 876:Dolores del Río in 703:The Loves of Carmen 580:Adolfo Best Maugard 501:Francisco I. Madero 454:Mexican aristocracy 439:Victoria de Durango 95:Victoria de Durango 67:Dolores del Río in 7763:TCM Movie Database 6990:Rostros e Imagenes 6726:on 18 October 2018 6587:on 17 October 2016 6520:on 30 January 2018 6487:on 15 January 2011 6440:"Alfredo de Batuc" 6329:Merry MacMasters. 6000:Franco Dunn (2003) 5580:Poniatowska (1995) 5478:Franco Dunn (2003) 4242:Franco Dunn (2003) 4092:Franco Dunn (2003) 3966:hotelplayamazatlan 3551:Mastrangelo, Bob. 3442:2016-01-07 at the 3409:Film International 3095:Devil's Playground 3063:Flying Down to Rio 2784: 2706:La Estrella de Día 2702:Jaime Torres Bodet 2670: 2624:Antonieta Figueroa 2616:Miguel Covarrubias 2581:Roberto Montenegro 2569: 2518:Panteón de Dolores 2487: 2483:Panteón de Dolores 2405: 2176: 2126:two piece swimsuit 1962:Marcus Welby, M.D. 1957:Marguerite Gautier 1885: 1850:Edward G. Robinson 1779: 1529: 1519:Annemarie Heinrich 1439: 1416:(now known as the 1389:Mauricio Magdaleno 1318:Nelson Rockefeller 1275: 1098: 1028:Flying Down to Rio 1019: 1014:Flying Down to Rio 939: 917:George Fitzmaurice 884: 784: 721: 576: 485:Mexican Revolution 435: 385:Flying Down to Rio 309:crossover star in 116:, California, U.S. 7707:978-0-8103-7578-9 7608:978-0-9816650-0-9 7566:978-0-8135-4880-7 7543:978-0-87000-412-4 7522:978-0-07-140819-6 7501:978-0-292-71457-1 7478:978-0-8147-9606-1 7459:978-0-292-77849-8 7440:978-1-5029-8768-6 7240:978-1-61069-044-7 7219:978-0-231-50194-1 7041:978-1-4976-4940-8 7022:978-0-415-23010-0 6980:978-0-7864-1750-6 6919:978-0-8047-8621-8 6862:Todas mis Guerras 6852:978-0-7432-8905-4 6803:978-0-252-07651-0 6513:Los Angeles Times 5947:The Barrier Miner 5821:"Dolores del Río" 5551:"Dolores del Río" 5502:Hershfield (2000) 5480:, pp. 21–22. 5127:Barrios, Carlos. 4825:, pp. 45–46. 4451:, vol. 1, pg. 46. 4068:"Dolores del Río" 3460:"Dolores Del Rio" 3369:Los Angeles Times 3314:Mexico portal 3159:The Unloved Woman 3103:Journey Into Fear 3015:What Price Glory? 2981:TelevisaUnivision 2917:, the creator of 2909:Characterizations 2902:"Dolores del Río" 2893:honoring Del Río. 2808:Dorothy Dandridge 2454:Alleged rivalries 2428:Journey into Fear 2349:Hollywood Canteen 2322:Pacific Palisades 2217:Mexican novelist 2205:Elsa Schiaparelli 2203:Fashion designer 2178:American actress 1930:(1965), opposite 1862:(also 1967) with 1710:Marcelle Maurette 1629:Hollywood Canteen 1618:Columba Dominguez 1610:Jacinto Benavente 1470:La selva de fuego 1412:where it won the 1305:Journey into Fear 1270:Journey into Fear 1249:Katharine Hepburn 1245:box office poison 1179:Universal Studios 1142:Sergei Eisenstein 1133:¡Que viva México! 1106:(also 1934) with 1023:Thornton Freeland 955:David O. Selznick 796:Douglas Fairbanks 665:WAMPAS Baby Stars 660:What Price Glory? 636:Universal Studios 626:(1926), starring 604:Rudolph Valentino 348:Rudolph Valentino 287: 286: 141:Years active 97:, Durango, Mexico 16:(Redirected from 7961: 7785: 7777:Cinema of Mexico 7769: 7725: 7719: 7711: 7692: 7669: 7650: 7631: 7612: 7593: 7570: 7558: 7547: 7526: 7505: 7493: 7482: 7463: 7444: 7425: 7406: 7400: 7392: 7373: 7354: 7320: 7311: 7294: 7285: 7276: 7267: 7251: 7249: 7247: 7223: 7204: 7179: 7165:Marlene Dietrich 7158: 7137: 7114: 7091: 7068: 7045: 7026: 7007: 6994:Faces and Images 6984: 6965: 6946: 6934: 6923: 6904:(1st ed.). 6894: 6875: 6856: 6844: 6833: 6814: 6812: 6810: 6777: 6776: 6774: 6772: 6761: 6755: 6754: 6742: 6736: 6735: 6733: 6731: 6712: 6706: 6700: 6694: 6693: 6681: 6675: 6674: 6658: 6652: 6651: 6649: 6647: 6633: 6627: 6626: 6624: 6622: 6603: 6597: 6596: 6594: 6592: 6570: 6564: 6563: 6557: 6555: 6539: 6533: 6532: 6527: 6525: 6503: 6497: 6496: 6494: 6492: 6483:. Archived from 6472: 6466: 6465: 6459: 6451: 6449: 6447: 6436: 6430: 6429: 6427: 6425: 6410: 6404: 6398: 6392: 6386: 6380: 6373: 6367: 6361: 6355: 6354:, vol. 3, p. 38. 6349: 6343: 6342: 6326: 6320: 6319:, vol. 3, p. 36. 6314: 6308: 6307: 6305: 6303: 6285: 6279: 6278: 6276: 6274: 6259: 6253: 6252: 6250: 6248: 6233: 6227: 6226: 6224: 6222: 6207: 6201: 6200: 6198: 6196: 6191:on 22 March 2021 6176: 6170: 6169: 6167: 6165: 6158:El Sol de México 6149: 6143: 6137: 6128: 6127: 6125: 6123: 6108: 6102: 6096: 6090: 6084: 6078: 6071: 6065: 6064:, vol. 3, p. 11. 6059: 6053: 6052: 6034: 6028: 6027: 6009: 6003: 5997: 5991: 5990: 5988: 5986: 5977:. Archived from 5966: 5960: 5959: 5957: 5955: 5938: 5932: 5926: 5920: 5914: 5908: 5907:, vol. 1, p. 56. 5902: 5896: 5895: 5893: 5891: 5880: 5874: 5873: 5865: 5859: 5858: 5847: 5841: 5840: 5838: 5836: 5827:. 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Archived from 5676: 5670: 5660: 5654: 5640: 5634: 5633:, vol. 1, p. 53. 5628: 5622: 5616: 5610: 5609: 5607: 5605: 5589: 5583: 5577: 5571: 5570: 5568: 5566: 5546: 5540: 5534: 5528: 5527: 5511: 5505: 5499: 5493: 5487: 5481: 5475: 5469: 5463: 5457: 5456: 5428: 5422: 5421:, vol. 3, p. 60. 5416: 5410: 5409:, vol. 3, p. 54. 5404: 5398: 5397: 5379: 5370: 5369: 5353: 5347: 5341: 5335: 5334:, vol. 3, p. 48. 5329: 5323: 5322:, vol. 3, p. 46. 5317: 5311: 5305: 5299: 5293: 5287: 5286:, vol. 3, p. 20. 5281: 5275: 5274:, vol. 2, p. 58. 5269: 5263: 5257: 5251: 5250: 5248: 5246: 5229: 5223: 5217: 5211: 5205: 5199: 5189: 5183: 5182:, vol. 3, p. 16. 5177: 5171: 5170: 5168: 5166: 5150: 5133: 5132: 5124: 5118: 5112: 5101: 5100:, vol. 2, p. 56. 5095: 5089: 5079: 5073: 5067: 5061: 5055: 5049: 5043: 5037: 5036:, vol. 2, p. 45. 5031: 5022: 5021:, vol. 2, p. 38. 5016: 5010: 5004: 4998: 4997: 4979: 4973: 4972: 4970: 4968: 4951: 4938: 4937:, vol. 2, p. 28. 4932: 4926: 4916: 4910: 4904: 4895: 4894: 4892: 4890: 4885:on 14 April 2016 4881:. Archived from 4871: 4865: 4864: 4862: 4860: 4850: 4844: 4832: 4826: 4820: 4814: 4813: 4811: 4809: 4799: 4790: 4789: 4787: 4785: 4770: 4764: 4763:, vol. 2, p. 10. 4758: 4752: 4751: 4749: 4747: 4724: 4718: 4717:, vol. 1, p. 59. 4712: 4706: 4705:, vol. 1, p. 61. 4700: 4687: 4686:, vol. 1, p. 57. 4681: 4672: 4671: 4669: 4667: 4652: 4646: 4643:Monsivais (1995) 4640: 4634: 4633: 4631: 4629: 4614: 4608: 4602: 4593: 4587: 4581: 4575: 4569: 4568:, vol. 1, p. 54. 4563: 4557: 4556:, vol. 1, p. 49. 4551: 4545: 4544:, vol. 1, p. 48. 4539: 4533: 4532: 4529:www.filmsite.org 4521: 4512: 4511: 4500: 4491: 4490: 4475: 4469: 4468:, vol. 1, p. 47. 4463: 4452: 4446: 4440: 4434: 4425: 4424:, vol. 1, p. 39. 4419: 4413: 4412:, vol. 1, p. 46. 4407: 4401: 4395: 4389: 4388:, vol. 1, p. 36. 4383: 4377: 4361: 4355: 4342: 4336: 4330: 4319: 4318: 4316: 4314: 4299: 4293: 4292:, vol. 1, p. 34. 4287: 4281: 4280:, vol. 1, p. 33. 4275: 4269: 4268:, vol. 1, p. 28. 4263: 4257: 4256:, vol. 1, p. 27. 4251: 4245: 4239: 4233: 4222: 4216: 4208: 4202: 4201:, vol. 1, p. 26. 4196: 4190: 4189:, vol. 1, p. 25. 4184: 4178: 4172: 4166: 4165: 4163: 4161: 4142: 4136: 4135:, vol. 1, p. 16. 4130: 4121: 4120: 4118: 4116: 4109:biografiasyvidas 4101: 4095: 4089: 4083: 4082: 4080: 4078: 4063: 4057: 4056: 4054: 4052: 4037: 4031: 4030: 4028: 4026: 4011: 4005: 4004: 4002: 4000: 3984: 3978: 3977: 3975: 3973: 3958: 3949: 3948: 3946: 3944: 3929: 3923: 3922:, vol. 1, p. 12. 3917: 3911: 3910: 3908: 3906: 3899:academiadelamoda 3891: 3885: 3884: 3882: 3880: 3864: 3858: 3853: 3847: 3846:, vol. 1, p. 11. 3841: 3832: 3831: 3829: 3827: 3812: 3806: 3805: 3803: 3801: 3782: 3776: 3775: 3773: 3771: 3755: 3749: 3748: 3746: 3744: 3728: 3717: 3716: 3714: 3712: 3696: 3690: 3680: 3674: 3673:, vol. 1, p. 10. 3668: 3662: 3652: 3646: 3645: 3643: 3641: 3626: 3620: 3619: 3617: 3615: 3600: 3594: 3593: 3591: 3589: 3580:. 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Archived from 3399: 3388: 3378: 3372: 3361: 3355: 3354: 3352: 3350: 3335: 3312: 3311: 3310: 3300: 3299: 3298: 3288: 3287: 3286: 3246:The Road to Rome 3119:María Candelaria 3055:Bird of Paradise 2837:Chapultepec Park 2823:Alfredo de Batuc 2767:by Lewis Riley. 2746:Carlos Monsiváis 2666:Chapultepec Park 2657:were exhibited. 2655:Francisco Zúñiga 2384:Emilio Fernández 2376:Archibaldo Burns 2374:, film producer 2326:Marlene Dietrich 2320:neighborhood of 2267:Bird of Paradise 2255:Gabriel Figueroa 2210:Mexican painter 2187:Marlene Dietrich 2137:Marlene Dietrich 2098: 1802:The Road to Rome 1747:Ismael Rodríguez 1663:20th Century Fox 1527: 1524: 1492:Roberto Gavaldón 1406:María Candelaria 1401:María Candelaria 1393:Pedro Armendariz 1391:and del Río and 1385:Gabriel Figueroa 1197:20th Century Fox 1108:William Dieterle 1059:Marlene Dietrich 1057:and Paramount's 994:Bird of Paradise 985:Bird of Paradise 934:Bird of Paradise 763:L. Wolfe Gilbert 744:The Trail of '98 541:Victoria Eugenie 522:Martínez del Río 474:Ignacio Asúnsolo 404:María Candelaria 379:Bird of Paradise 304: 299: 283: 226: 224: 206: 204: 200: 177: 175: 171: 109: 90: 88: 65: 51: 50: 21: 7969: 7968: 7964: 7963: 7962: 7960: 7959: 7958: 7824: 7823: 7814:Wayback Machine 7802:Wayback Machine 7783: 7773:Dolores del Río 7759:Dolores del Río 7750:Dolores del Río 7741:Dolores del Río 7732: 7713: 7712: 7708: 7689: 7666: 7647: 7628: 7609: 7590: 7567: 7544: 7523: 7502: 7479: 7460: 7441: 7422: 7394: 7393: 7389: 7370: 7351: 7335: 7333:Further reading 7305: 7261: 7245: 7243: 7241: 7220: 7201: 7176: 7155: 7134: 7111: 7088: 7065: 7042: 7023: 7004: 6981: 6962: 6943: 6920: 6891: 6872: 6853: 6830: 6808: 6806: 6804: 6786: 6781: 6780: 6770: 6768: 6762: 6758: 6743: 6739: 6729: 6727: 6714: 6713: 6709: 6701: 6697: 6682: 6678: 6659: 6655: 6645: 6643: 6635: 6634: 6630: 6620: 6618: 6605: 6604: 6600: 6590: 6588: 6571: 6567: 6553: 6551: 6540: 6536: 6523: 6521: 6504: 6500: 6490: 6488: 6475:Deoima, Kayte. 6473: 6469: 6453: 6452: 6445: 6443: 6438: 6437: 6433: 6423: 6421: 6412: 6411: 6407: 6399: 6395: 6387: 6383: 6374: 6370: 6366:, p. 71, . 6362: 6358: 6350: 6346: 6327: 6323: 6315: 6311: 6301: 6299: 6286: 6282: 6272: 6270: 6261: 6260: 6256: 6246: 6244: 6235: 6234: 6230: 6220: 6218: 6209: 6208: 6204: 6194: 6192: 6177: 6173: 6163: 6161: 6150: 6146: 6138: 6131: 6121: 6119: 6110: 6109: 6105: 6097: 6093: 6085: 6081: 6072: 6068: 6060: 6056: 6049: 6035: 6031: 6024: 6010: 6006: 5998: 5994: 5984: 5982: 5967: 5963: 5953: 5951: 5940: 5939: 5935: 5927: 5923: 5915: 5911: 5903: 5899: 5889: 5887: 5881: 5877: 5870:Cinema Reporter 5866: 5862: 5857:. 12 July 2016. 5849: 5848: 5844: 5834: 5832: 5831:on 30 July 2020 5817: 5813: 5794: 5790: 5780: 5778: 5774: 5773: 5769: 5759: 5757: 5750:Dolores del Río 5742: 5738: 5728: 5726: 5711: 5707: 5703:, p. 26, . 5699: 5695: 5678: 5677: 5673: 5661: 5657: 5641: 5637: 5629: 5625: 5617: 5613: 5603: 5601: 5590: 5586: 5582:, p. 24, . 5578: 5574: 5564: 5562: 5547: 5543: 5535: 5531: 5520:Huffington Post 5512: 5508: 5500: 5496: 5488: 5484: 5476: 5472: 5464: 5460: 5429: 5425: 5417: 5413: 5405: 5401: 5380: 5373: 5356:Miguel Pendás. 5354: 5350: 5342: 5338: 5330: 5326: 5318: 5314: 5306: 5302: 5294: 5290: 5282: 5278: 5270: 5266: 5258: 5254: 5244: 5242: 5231: 5230: 5226: 5218: 5214: 5206: 5202: 5190: 5186: 5178: 5174: 5164: 5162: 5151: 5136: 5125: 5121: 5113: 5104: 5096: 5092: 5080: 5076: 5068: 5064: 5056: 5052: 5044: 5040: 5032: 5025: 5017: 5013: 5005: 5001: 4994: 4980: 4976: 4966: 4964: 4952: 4941: 4933: 4929: 4919:Chandler (2006) 4917: 4913: 4905: 4898: 4888: 4886: 4873: 4872: 4868: 4858: 4856: 4852: 4851: 4847: 4842:Wayback Machine 4833: 4829: 4821: 4817: 4807: 4805: 4801: 4800: 4793: 4783: 4781: 4772: 4771: 4767: 4759: 4755: 4745: 4743: 4741: 4725: 4721: 4713: 4709: 4701: 4690: 4682: 4675: 4665: 4663: 4654: 4653: 4649: 4645:, p. 35, . 4641: 4637: 4627: 4625: 4616: 4615: 4611: 4603: 4596: 4588: 4584: 4576: 4572: 4564: 4560: 4552: 4548: 4540: 4536: 4523: 4522: 4515: 4506:. 12 May 2010. 4502: 4501: 4494: 4477: 4476: 4472: 4464: 4455: 4447: 4443: 4435: 4428: 4420: 4416: 4408: 4404: 4396: 4392: 4384: 4380: 4374:Wayback Machine 4362: 4358: 4343: 4339: 4331: 4322: 4312: 4310: 4309:. 29 March 1928 4301: 4300: 4296: 4288: 4284: 4276: 4272: 4264: 4260: 4252: 4248: 4240: 4236: 4223: 4219: 4209: 4205: 4197: 4193: 4185: 4181: 4173: 4169: 4159: 4157: 4156:on 21 June 2015 4144: 4143: 4139: 4131: 4124: 4114: 4112: 4103: 4102: 4098: 4090: 4086: 4076: 4074: 4064: 4060: 4050: 4048: 4039: 4038: 4034: 4024: 4022: 4012: 4008: 3998: 3996: 3993:moreliafilmfest 3985: 3981: 3971: 3969: 3960: 3959: 3952: 3942: 3940: 3931: 3930: 3926: 3918: 3914: 3904: 3902: 3893: 3892: 3888: 3878: 3876: 3865: 3861: 3856:colegio francés 3854: 3850: 3842: 3835: 3825: 3823: 3814: 3813: 3809: 3799: 3797: 3784: 3783: 3779: 3769: 3767: 3756: 3752: 3742: 3740: 3729: 3720: 3710: 3708: 3697: 3693: 3681: 3677: 3669: 3665: 3653: 3649: 3639: 3637: 3627: 3623: 3613: 3611: 3602: 3601: 3597: 3587: 3585: 3584:on 30 July 2020 3572: 3571: 3567: 3557: 3555: 3549: 3545: 3535: 3533: 3527: 3523: 3511: 3507: 3495: 3491: 3479: 3475: 3458: 3457: 3450: 3444:Wayback Machine 3433: 3429: 3419: 3417: 3416:on 25 June 2014 3400: 3391: 3379: 3375: 3362: 3358: 3348: 3346: 3343:ElEdoméxInforma 3337: 3336: 3332: 3327: 3322: 3308: 3306: 3302:Film portal 3296: 3294: 3284: 3282: 3279: 3274: 3221: 3199:Cheyenne Autumn 3127:Las Abandonadas 3079:Madame Du Barry 2996: 2990: 2964:animated movie 2947:in the TV film 2911: 2869:in Mexico City. 2773: 2722:Carlos Pellicer 2710:Star of the Day 2668:in Mexico City. 2557: 2533: 2475: 2456: 2393: 2287: 2244:It is beautiful 2100: 2096: 2088: 2083: 1971: 1932:Angie Dickinson 1880:Cheyenne Autumn 1838:Richard Widmark 1836:. Figures like 1829:Cheyenne Autumn 1761: 1726:Louella Parsons 1525: 1444:Las Abandonadas 1424:film to do so. 1344: 1287:Mercury Theatre 1175: 1160:I Live for Love 1116:Madame Du Barry 1103:Madame Du Barry 1093:Madame Du Barry 1031:. In the film, 998:Production Code 964:Girl of the Rio 925: 800:Charles Chaplin 733:. When actress 562: 557: 416: 391:Madame Du Barry 374:romantic dramas 315:American cinema 297: 294:Dolores del Río 269: 229: 228: 225: 1959) 220: 216: 208: 205: 1941) 196: 192: 189: 179: 176: 1928) 167: 163: 160: 117: 111: 107: 98: 92: 86: 84: 83: 82: 72: 56: 55:Dolores del Río 47: 28: 23: 22: 18:Dolores del Rio 15: 12: 11: 5: 7967: 7957: 7956: 7951: 7946: 7941: 7936: 7931: 7926: 7921: 7916: 7911: 7906: 7901: 7896: 7891: 7886: 7881: 7876: 7871: 7866: 7861: 7856: 7851: 7846: 7841: 7836: 7822: 7821: 7816: 7804: 7792: 7786: 7770: 7756: 7747: 7738: 7731: 7730:External links 7728: 7727: 7726: 7706: 7693: 7687: 7670: 7664: 7651: 7645: 7632: 7626: 7613: 7607: 7594: 7588: 7571: 7565: 7548: 7542: 7527: 7521: 7506: 7500: 7483: 7477: 7464: 7458: 7445: 7439: 7426: 7420: 7407: 7387: 7374: 7368: 7355: 7349: 7334: 7331: 7330: 7329: 7328: 7327: 7312: 7303: 7302: 7301: 7295: 7286: 7277: 7258: 7257: 7253: 7252: 7239: 7224: 7218: 7205: 7200:978-9706669971 7199: 7180: 7174: 7159: 7153: 7138: 7132: 7115: 7109: 7092: 7086: 7069: 7063: 7046: 7040: 7027: 7021: 7008: 7002: 6985: 6979: 6966: 6960: 6947: 6941: 6924: 6918: 6895: 6889: 6876: 6870: 6857: 6851: 6834: 6828: 6815: 6802: 6785: 6782: 6779: 6778: 6756: 6737: 6707: 6705:, p. 372. 6695: 6676: 6669:(in Spanish). 6653: 6628: 6598: 6565: 6546:(in Spanish). 6534: 6498: 6467: 6431: 6405: 6393: 6381: 6368: 6356: 6344: 6337:(in Spanish). 6321: 6309: 6280: 6254: 6228: 6202: 6171: 6144: 6129: 6103: 6091: 6079: 6077:, p. 138) 6066: 6054: 6047: 6029: 6022: 6004: 5992: 5981:on 30 May 2015 5973:(in Spanish). 5961: 5933: 5929:McNulty (2004) 5921: 5909: 5897: 5875: 5860: 5842: 5825:Crónica.com.mx 5811: 5788: 5767: 5736: 5721:(in Spanish). 5705: 5693: 5671: 5655: 5635: 5623: 5611: 5584: 5572: 5557:(in Spanish). 5541: 5539:, p. 229. 5529: 5506: 5494: 5482: 5470: 5458: 5423: 5411: 5399: 5371: 5348: 5336: 5324: 5312: 5300: 5288: 5276: 5264: 5252: 5224: 5212: 5200: 5184: 5172: 5134: 5119: 5102: 5090: 5074: 5062: 5060:, p. 265. 5050: 5038: 5023: 5011: 4999: 4992: 4974: 4939: 4927: 4911: 4896: 4866: 4845: 4827: 4815: 4791: 4765: 4753: 4739: 4719: 4707: 4688: 4673: 4647: 4635: 4609: 4594: 4582: 4570: 4558: 4546: 4534: 4513: 4492: 4470: 4453: 4441: 4426: 4414: 4402: 4390: 4378: 4356: 4354: 4337: 4320: 4294: 4282: 4270: 4258: 4246: 4234: 4217: 4203: 4191: 4179: 4167: 4137: 4122: 4096: 4084: 4058: 4032: 4006: 3979: 3950: 3924: 3912: 3886: 3859: 3848: 3833: 3820:Impacto Latino 3807: 3777: 3750: 3718: 3701:"Julio Bracho" 3691: 3675: 3663: 3655:Beltrán (2009) 3647: 3621: 3595: 3565: 3543: 3521: 3505: 3489: 3473: 3448: 3427: 3389: 3373: 3356: 3329: 3328: 3326: 3323: 3321: 3318: 3317: 3316: 3304: 3292: 3278: 3275: 3273: 3272: 3264: 3258: 3250: 3242: 3234: 3227: 3220: 3219: 3211: 3203: 3195: 3187: 3179: 3171: 3163: 3155: 3147: 3139: 3131: 3123: 3115: 3107: 3099: 3091: 3083: 3075: 3067: 3059: 3051: 3043: 3035: 3027: 3019: 3011: 3002: 2992:Main article: 2989: 2986: 2985: 2984: 2979:, produced by 2971: 2954: 2941: 2928: 2910: 2907: 2906: 2905: 2894: 2879: 2870: 2861: 2850: 2847: 2844: 2841:Parque Hundido 2833: 2826: 2815: 2796: 2772: 2769: 2754:Vicente Leñero 2730:Carlos Fuentes 2714:Vicente Leñero 2556: 2553: 2532: 2529: 2485:in Mexico City 2474: 2471: 2455: 2452: 2440:Rio de Janeiro 2392: 2389: 2299:Cedric Gibbons 2286: 2283: 2219:Carlos Fuentes 2141:Carole Lombard 2089: 2087: 2084: 2082: 2079: 2038:, directed by 1970: 1967: 1854:Francesco Rosi 1760: 1757: 1584:Luis Saslavsky 1582:, directed by 1539:) in the film 1422:Latin American 1381:Flor silvestre 1376:Flor silvestre 1343: 1340: 1326:Rio de Janeiro 1227:Cedric Gibbons 1201:George Sanders 1189:Chester Morris 1174: 1171: 1073:Busby Berkeley 969:Herbert Brenon 943:Cedric Gibbons 924: 921: 915:, directed by 816:D. W. Griffith 812:John Barrymore 808:Gloria Swanson 804:Norma Talmadge 792:United Artists 773:United Artists 771:was the first 749:Clarence Brown 747:, directed by 726:No Other Woman 688:United Artists 634:, the head of 596:Claire Windsor 561: 558: 556: 553: 526:United Kingdom 464:and of actors 415: 412: 307:Latin American 285: 284: 276: 275: 271: 270: 268: 267: 261: 255: 248: 246: 242: 241: 235: 231: 230: 218: 215:Lewis A. Riley 214: 213: 212: 211: 194: 190: 187:Cedric Gibbons 185: 184: 183: 182: 165: 161: 158: 157: 156: 155: 152: 150: 146: 145: 142: 138: 137: 134: 130: 129: 123: 119: 118: 112: 110:(aged 78) 104: 100: 99: 93: 80: 78: 74: 73: 66: 58: 57: 54: 26: 9: 6: 4: 3: 2: 7966: 7955: 7952: 7950: 7947: 7945: 7942: 7940: 7937: 7935: 7932: 7930: 7927: 7925: 7922: 7920: 7917: 7915: 7912: 7910: 7907: 7905: 7902: 7900: 7897: 7895: 7892: 7890: 7887: 7885: 7882: 7880: 7877: 7875: 7872: 7870: 7867: 7865: 7862: 7860: 7857: 7855: 7852: 7850: 7847: 7845: 7842: 7840: 7837: 7835: 7832: 7831: 7829: 7820: 7817: 7815: 7811: 7808: 7805: 7803: 7799: 7796: 7793: 7790: 7787: 7782: 7778: 7774: 7771: 7768: 7764: 7760: 7757: 7755: 7751: 7748: 7746: 7742: 7739: 7737: 7734: 7733: 7723: 7717: 7709: 7703: 7699: 7694: 7690: 7688:9789684068643 7684: 7680: 7676: 7671: 7667: 7665:0-316-78487-7 7661: 7657: 7652: 7648: 7646:0-253-34681-9 7642: 7638: 7633: 7629: 7627:0-19-533513-9 7623: 7619: 7614: 7610: 7604: 7600: 7595: 7591: 7589:9789686717099 7585: 7581: 7577: 7572: 7568: 7562: 7557: 7556: 7549: 7545: 7539: 7535: 7534: 7528: 7524: 7518: 7514: 7513: 7507: 7503: 7497: 7492: 7491: 7484: 7480: 7474: 7471:. NYU Press. 7470: 7465: 7461: 7455: 7451: 7446: 7442: 7436: 7432: 7427: 7423: 7421:0-8490-1364-X 7417: 7413: 7408: 7404: 7398: 7390: 7388:0-8420-2694-0 7384: 7380: 7375: 7371: 7369:0-498-01346-4 7365: 7361: 7356: 7352: 7350:968-5077-11-8 7346: 7342: 7337: 7336: 7325: 7322: 7321: 7318: 7317:Revista Somos 7313: 7309: 7308:Revista Somos 7304: 7299: 7296: 7292: 7287: 7283: 7278: 7274: 7269: 7268: 7265: 7264:Revista Somos 7260: 7259: 7255: 7254: 7242: 7236: 7232: 7231: 7225: 7221: 7215: 7211: 7206: 7202: 7196: 7192: 7188: 7187: 7181: 7177: 7175:0-345-38645-0 7171: 7167: 7166: 7160: 7156: 7154:0-8153-0827-2 7150: 7146: 7145: 7139: 7135: 7129: 7125: 7121: 7116: 7112: 7110:968-6932-38-0 7106: 7102: 7098: 7093: 7089: 7087:968-6932-37-2 7083: 7079: 7075: 7070: 7066: 7064:968-6932-36-4 7060: 7056: 7052: 7047: 7043: 7037: 7033: 7028: 7024: 7018: 7014: 7009: 7005: 7003:9789709338904 6999: 6995: 6991: 6986: 6982: 6976: 6973:. McFarland. 6972: 6967: 6963: 6961:0-670-52895-1 6957: 6953: 6948: 6944: 6942:0-8166-3410-6 6938: 6933: 6932: 6925: 6921: 6915: 6911: 6907: 6903: 6902: 6896: 6892: 6890:84-492-0329-5 6886: 6882: 6877: 6873: 6867: 6863: 6858: 6854: 6848: 6843: 6842: 6835: 6831: 6829:0-385-12819-3 6825: 6821: 6816: 6805: 6799: 6795: 6794: 6788: 6787: 6767: 6760: 6752: 6748: 6741: 6725: 6721: 6717: 6711: 6704: 6699: 6691: 6687: 6680: 6672: 6668: 6664: 6657: 6642: 6638: 6632: 6616: 6612: 6608: 6602: 6586: 6582: 6581: 6576: 6569: 6561: 6549: 6545: 6538: 6531: 6519: 6515: 6514: 6509: 6502: 6486: 6482: 6478: 6471: 6463: 6457: 6441: 6435: 6419: 6415: 6409: 6402: 6397: 6390: 6389:Ramón (1997c) 6385: 6378: 6372: 6365: 6360: 6353: 6352:Ramón (1997c) 6348: 6340: 6336: 6332: 6325: 6318: 6317:Ramón (1997c) 6313: 6297: 6296: 6291: 6284: 6268: 6264: 6258: 6242: 6238: 6232: 6216: 6212: 6206: 6190: 6186: 6182: 6175: 6159: 6155: 6148: 6141: 6140:Ramón (1997b) 6136: 6134: 6117: 6113: 6107: 6100: 6099:Ramón (1997b) 6095: 6088: 6087:Moreno (2002) 6083: 6076: 6070: 6063: 6062:Ramón (1997c) 6058: 6050: 6048:9780804786218 6044: 6040: 6033: 6025: 6023:0-670-52895-1 6019: 6015: 6008: 6002:, p. 79. 6001: 5996: 5980: 5976: 5972: 5965: 5949: 5948: 5943: 5937: 5931:, p. 32. 5930: 5925: 5918: 5917:Ramón (1997b) 5913: 5906: 5905:Ramón (1997a) 5901: 5886: 5879: 5871: 5864: 5856: 5852: 5846: 5830: 5826: 5822: 5815: 5807: 5803: 5799: 5792: 5777: 5771: 5755: 5751: 5747: 5740: 5724: 5720: 5716: 5709: 5702: 5697: 5689: 5685: 5681: 5675: 5668: 5664: 5659: 5652: 5648: 5644: 5639: 5632: 5631:Ramón (1997a) 5627: 5620: 5619:Ramón (1997c) 5615: 5599: 5595: 5588: 5581: 5576: 5560: 5556: 5552: 5545: 5538: 5533: 5525: 5521: 5517: 5510: 5503: 5498: 5492:, p. 32. 5491: 5486: 5479: 5474: 5468:, p. 42. 5467: 5462: 5454: 5450: 5446: 5442: 5438: 5434: 5427: 5420: 5419:Ramón (1997c) 5415: 5408: 5407:Ramón (1997c) 5403: 5395: 5391: 5390: 5385: 5378: 5376: 5367: 5363: 5359: 5352: 5345: 5344:Ramón (1997c) 5340: 5333: 5332:Ramón (1997c) 5328: 5321: 5320:Ramón (1997c) 5316: 5309: 5308:Ramón (1997c) 5304: 5297: 5296:Ramón (1997c) 5292: 5285: 5284:Ramón (1997c) 5280: 5273: 5272:Ramón (1997b) 5268: 5261: 5260:Ramón (1997c) 5256: 5240: 5239: 5234: 5228: 5221: 5220:Ramón (1997c) 5216: 5209: 5208:Ramón (1997c) 5204: 5197: 5193: 5188: 5181: 5180:Ramón (1997c) 5176: 5160: 5156: 5149: 5147: 5145: 5143: 5141: 5139: 5130: 5123: 5116: 5115:Ramón (1997b) 5111: 5109: 5107: 5099: 5098:Ramón (1997b) 5094: 5087: 5083: 5078: 5071: 5070:Ramón (1997b) 5066: 5059: 5054: 5047: 5046:Ramón (1997b) 5042: 5035: 5034:Ramón (1997b) 5030: 5028: 5020: 5019:Ramón (1997b) 5015: 5008: 5007:Ramón (1997b) 5003: 4995: 4993:9780804786218 4989: 4985: 4978: 4963: 4962: 4957: 4950: 4948: 4946: 4944: 4936: 4935:Ramón (1997b) 4931: 4924: 4920: 4915: 4909:, p. 84. 4908: 4903: 4901: 4884: 4880: 4876: 4870: 4855: 4849: 4843: 4839: 4836: 4831: 4824: 4819: 4804: 4798: 4796: 4779: 4775: 4769: 4762: 4761:Ramón (1997b) 4757: 4742: 4736: 4732: 4731: 4723: 4716: 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4199:Ramón (1997a) 4195: 4188: 4187:Ramón (1997a) 4183: 4177:, p. 22. 4176: 4175:Torres (2004) 4171: 4155: 4151: 4147: 4141: 4134: 4133:Ramón (1997a) 4129: 4127: 4110: 4106: 4100: 4094:, p. 11. 4093: 4088: 4073: 4069: 4062: 4046: 4042: 4036: 4021: 4017: 4010: 3994: 3990: 3983: 3967: 3963: 3957: 3955: 3938: 3934: 3928: 3921: 3920:Ramón (1997a) 3916: 3900: 3896: 3890: 3874: 3870: 3863: 3857: 3852: 3845: 3844:Ramón (1997a) 3840: 3838: 3821: 3817: 3811: 3795: 3791: 3787: 3781: 3765: 3761: 3754: 3738: 3734: 3727: 3725: 3723: 3706: 3702: 3695: 3688: 3684: 3683:Torres (2004) 3679: 3672: 3671:Ramón (1997a) 3667: 3660: 3656: 3651: 3636: 3632: 3625: 3609: 3605: 3599: 3583: 3579: 3577: 3569: 3554: 3547: 3532: 3525: 3518: 3514: 3509: 3502: 3498: 3493: 3486: 3482: 3477: 3469: 3465: 3461: 3455: 3453: 3445: 3441: 3438: 3437: 3431: 3415: 3411: 3410: 3405: 3398: 3396: 3394: 3386: 3382: 3377: 3370: 3366: 3360: 3344: 3340: 3334: 3330: 3315: 3305: 3303: 3293: 3291: 3281: 3280: 3270: 3269: 3265: 3262: 3259: 3256: 3255: 3251: 3248: 3247: 3243: 3240: 3239: 3235: 3232: 3229: 3228: 3226: 3225: 3217: 3216: 3212: 3209: 3208: 3204: 3201: 3200: 3196: 3193: 3192: 3188: 3185: 3184: 3180: 3177: 3176: 3172: 3169: 3168: 3167:Doña Perfecta 3164: 3161: 3160: 3156: 3153: 3152: 3148: 3145: 3144: 3140: 3137: 3136: 3132: 3129: 3128: 3124: 3121: 3120: 3116: 3113: 3112: 3108: 3105: 3104: 3100: 3097: 3096: 3092: 3089: 3088: 3084: 3081: 3080: 3076: 3073: 3072: 3068: 3065: 3064: 3060: 3057: 3056: 3052: 3049: 3048: 3044: 3041: 3040: 3036: 3033: 3032: 3028: 3025: 3024: 3020: 3017: 3016: 3012: 3009: 3008: 3004: 3003: 3001: 3000: 2995: 2982: 2978: 2977: 2972: 2969: 2968: 2963: 2959: 2955: 2952: 2951: 2946: 2942: 2939: 2938: 2933: 2929: 2926: 2922: 2921: 2916: 2915:Chester Gould 2913: 2912: 2903: 2899: 2898:Vincent Price 2895: 2892: 2888: 2887:Google Doodle 2884: 2880: 2878: 2875: 2871: 2868: 2867: 2862: 2859: 2855: 2854:John Galliano 2851: 2848: 2845: 2842: 2838: 2834: 2831: 2827: 2824: 2820: 2816: 2813: 2812:Anna May Wong 2809: 2805: 2801: 2797: 2794: 2790: 2786: 2785: 2782: 2777: 2768: 2766: 2761: 2759: 2755: 2751: 2747: 2743: 2739: 2735: 2731: 2727: 2723: 2719: 2715: 2711: 2707: 2703: 2699: 2698:Salvador Novo 2694: 2692: 2688: 2687: 2681: 2679: 2675: 2667: 2662: 2658: 2656: 2652: 2648: 2644: 2640: 2637:In 1970, the 2635: 2633: 2629: 2625: 2621: 2617: 2613: 2609: 2604: 2602: 2598: 2594: 2590: 2586: 2585:Ángel Zárraga 2582: 2578: 2573: 2566: 2561: 2552: 2550: 2549:Eiza González 2546: 2542: 2538: 2528: 2526: 2521: 2519: 2515: 2510: 2507: 2506:Newport Beach 2502: 2500: 2496: 2492: 2491:osteomyelitis 2484: 2479: 2470: 2468: 2463: 2461: 2451: 2447: 2445: 2444:Rita Hayworth 2441: 2437: 2432: 2430: 2429: 2424: 2420: 2419: 2414: 2413:Darryl Zanuck 2410: 2402: 2399:Del Río with 2397: 2388: 2385: 2381: 2377: 2373: 2369: 2365: 2360: 2358: 2354: 2350: 2346: 2341: 2339: 2335: 2331: 2327: 2323: 2319: 2318:Rustic Canyon 2315: 2312: 2308: 2307:Hearst Castle 2304: 2300: 2295: 2293: 2285:Relationships 2282: 2280: 2275: 2271: 2269: 2268: 2263: 2258: 2256: 2251: 2249: 2245: 2241: 2236: 2234: 2229: 2227: 2222: 2220: 2215: 2213: 2208: 2206: 2201: 2199: 2195: 2190: 2188: 2183: 2181: 2180:Joan Crawford 2173: 2172: 2166: 2162: 2160: 2156: 2152: 2150: 2146: 2145:Rita Hayworth 2142: 2138: 2134: 2129: 2127: 2123: 2118: 2117: 2111: 2109: 2105: 2099: 2093: 2081:Personal life 2078: 2076: 2072: 2068: 2064: 2060: 2056: 2051: 2049: 2045: 2044:Anthony Quinn 2042:and starring 2041: 2040:Hall Bartlett 2037: 2036: 2030: 2028: 2024: 2023: 2018: 2013: 2011: 2007: 2003: 1999: 1995: 1990: 1988: 1984: 1980: 1975: 1966: 1964: 1963: 1958: 1954: 1953:José Quintero 1950: 1946: 1945: 1939: 1937: 1936:Buster Keaton 1933: 1929: 1925: 1924: 1919: 1918: 1913: 1912: 1906: 1904: 1900: 1896: 1892: 1891: 1882: 1881: 1875: 1871: 1869: 1865: 1861: 1860: 1855: 1851: 1847: 1846:James Stewart 1843: 1839: 1835: 1831: 1830: 1825: 1821: 1817: 1816: 1811: 1810:Elvis Presley 1806: 1804: 1803: 1798: 1794: 1793: 1788: 1784: 1783:Salvador Novo 1776: 1775: 1770: 1769:Elvis Presley 1767:Del Río with 1765: 1756: 1754: 1753: 1748: 1743: 1741: 1737: 1736: 1731: 1727: 1723: 1719: 1718:Massachusetts 1715: 1711: 1707: 1702: 1700: 1696: 1695: 1690: 1684: 1680: 1678: 1674: 1670: 1669: 1664: 1660: 1659:Spencer Tracy 1655: 1653: 1652: 1647: 1643: 1642: 1641:Doña Perfecta 1636: 1634: 1630: 1626: 1621: 1619: 1615: 1611: 1607: 1606: 1605:La Malquerida 1600: 1597: 1593: 1589: 1585: 1581: 1580: 1575: 1571: 1567: 1566: 1561: 1556: 1554: 1553:Graham Greene 1550: 1549: 1544: 1543: 1538: 1534: 1520: 1515: 1511: 1509: 1505: 1504: 1499: 1498: 1493: 1488: 1486: 1485: 1480: 1476: 1472: 1471: 1465: 1462: 1458: 1457: 1452: 1450: 1446: 1445: 1436: 1435: 1429: 1425: 1423: 1419: 1415: 1411: 1407: 1403: 1402: 1396: 1394: 1390: 1386: 1382: 1378: 1377: 1372: 1367: 1365: 1361: 1357: 1356: 1351: 1350: 1338: 1334: 1331: 1327: 1323: 1319: 1315: 1311: 1310:Norman Foster 1307: 1306: 1300: 1298: 1294: 1293: 1288: 1284: 1283:Darryl Zanuck 1280: 1272: 1271: 1266: 1265:Joseph Cotten 1263:Del Río with 1261: 1257: 1254: 1250: 1246: 1242: 1238: 1237:Norma Shearer 1234: 1233: 1228: 1224: 1222: 1218: 1214: 1213: 1208: 1207: 1202: 1198: 1194: 1190: 1186: 1185: 1180: 1170: 1168: 1167: 1162: 1161: 1156: 1152: 1151: 1145: 1143: 1139: 1135: 1134: 1128: 1125: 1121: 1117: 1113: 1109: 1105: 1104: 1095: 1094: 1088: 1084: 1082: 1078: 1074: 1070: 1066: 1065: 1060: 1056: 1052: 1048: 1044: 1042: 1038: 1037:Ginger Rogers 1034: 1030: 1029: 1024: 1016: 1015: 1010: 1005: 1001: 999: 995: 991: 987: 986: 981: 977: 972: 970: 966: 965: 960: 956: 952: 951:Hearst Castle 948: 944: 936: 935: 929: 920: 918: 914: 913: 907: 905: 901: 897: 892: 890: 881: 880: 874: 870: 868: 864: 860: 856: 852: 848: 847: 841: 839: 838: 837:The Red Dance 833: 829: 823: 821: 817: 813: 809: 805: 801: 797: 793: 790:'s bungalow, 789: 788:Mary Pickford 780: 776: 774: 770: 769: 764: 761:, written by 760: 756: 755: 750: 746: 745: 740: 736: 732: 728: 727: 718: 717: 711: 707: 705: 704: 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