71:, the sisters Adila Fachiri and Jelly d'Arányi being the soloists. Though he had never been much tempted to produce solo concertos, he was now moved to consider a double violin concerto. Other commitments delayed this project for two years, but in August 1929 he began work, bringing it to a first completed sketch in September. In October he gave the manuscript to Fachiri and d'Arányi for their consideration. Early in 1930 he rehearsed it with them at their studio.
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257:"not a wholly satisfactory work: there is too much slow music, and the outer movements lose momentum through frequent changes of speed". Others, on the other hand, have described it as "striking...a fine example of Holst's later, sparer style", "a wonderful work, rhythmic and colourfully orchestrated", and as a fine example of "the art that conceals art. It is remarkable that the composer of
91:, at a Queen's Hall concert on 3 April 1930. Though the soloists were quite equal to the score's challenges, Fried's contribution was not well received; he was described in the press as "quite the least acceptable conductor heard at a London symphony orchestra concert for a long time". During the interval Holst was presented with the
134:
rhythm played by cello and double bass, to which a first theme is added by clarinets, bassoons and violas. A fugue is then begun as the first violin soloist, the second soloist, viola and cello enter one by one. Their counterpoint turns into a bitonal passage for the two soloists, then to a return
248:
wrote that "You made your 2 keys sound like one key, and how otherwise should it be? Any fool can write in X keys and make it sound like X keys. But the subtlety and detachment of the concerto puzzled audiences, who would have preferred Holst to carry on writing works along the lines of
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wrote that it was "completely satisfactory, for even at a first hearing the close relation between form and material is obvious", and noted that the second movement's melody had "moments of rare beauty" in spite of being "just a little heartless". Holsts's friends were encouraging.
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of the first subject. The movement ends with the second soloist returning to a thematic element given earlier by the first, and the first reprising the second soloist's theme from the bitonal passage. The second movement, a mostly bitonal Lament, comprises a melancholy theme in
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253:. It has over the years been an infrequently performed work, perhaps because it gives soloists no chance to display their virtuosity, or because a concerto only about 14 minutes long is hard to programme. In recent years one critic has written that he found the
154:, played by the unaccompanied soloists. The orchestra with muted strings make a gradual entry, as if to soothe, but the melancholy mood continues to the end. This movement includes an extended passage taken from his earlier
51:
is scored for two flutes, two oboes, two clarinets in B♭, two bassoons, two horns in F, two trumpets in C, timpani and strings. The 2nd flute, 2nd oboe, 2nd bassoon, 2nd horn, 2nd trumpet and timpani are cued in.
35:. Though now praised by many critics, it has never been frequently performed in the concert hall. It is characterized by fugal counterpoint, folk-like melody, and
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was a composer of such subtlety." Paul
Shoemaker called it "one of my very favorite of all Holst's works; it is amazing that it is not more frequently played."
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in three movements played without a break. It was written in 1929 and first performed in 1930 by its dedicatees, the sisters
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Holst: St Paul's Suite, Brook Green Suite, Double
Concerto, A Fugal Concerto, Lyric Movement, Two Songs Without Words
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Collected
Facsimile Edition of Autograph Manuscripts of the Published Works. Volume 2: Works for Small Orchestra
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Performance by
Emanuel Hurwitz, Kenneth Sillito and the English Chamber Orchestra, cond. Imogen Holst
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first violin. In these fast-changing passages there are displays of cross-rhythm and bitonality in
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Emanuel
Hurwitz, Kenneth Sillito (violins), English Chamber Orchestra, cond. Imogen Holst (1970).
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Andrew
Watkinson, Nicholas Ward (violins), City of London Sinfonia, cond. Richard Hickox (1994).
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so sure about the scherzo – and even that boils down to not being quite so sure about the
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Janice Graham, Sarah Ewins (violins), English
Sinfonia, cond. Howard Griffiths (2007).
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consists of three movements played without a break. The first movement, a
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507:(26 September 1974). "Holst Centenary Concert. Festival Hall/Radio 3".
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while the first accompanies it, and finally the second accompanies the
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at the Royal
Philharmonic Orchestra's Holst Centenary concert in 1974.
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was first performed by the dedicatees, Fachiri and d'Arányi, with the
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659:"Holst: Double Concerto / St Paul's Suite / Brook Green Suite"
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told him that "The Lament & Ground are splendid – I'm not
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Initially, music critics were divided in their opinion of the
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Holst: Double
Concerto, St Paul's Suite, Brook Green Suite
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Holst: Double Concerto, St Paul's Suite, Brook Green Suite
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596:. Cambridge: Cambridge University Press. p. 17.
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Double Concerto for Two Violins and Orchestra. Op. 49
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Double Concerto for Two Violins and Orchestra. Op. 49
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Gustav Holst (1874–1934): A Centenary Documentation
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891:(2nd ed.). London: Oxford University Press.
858:(2nd ed.). London: Oxford University Press.
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736:The Penguin Guide to Compact Discs: 2002 Edition
568:. Hobart, Tasmania. 17 December 1930. p. 3
98:It was, many years later, performed along with
627:Gustav Holst: A Research and Information Guide
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503:
511:. No. 59202. London. col C, p. 11.
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60:On 21 September 1927 Holst heard the
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630:. New York: Routledge. p. 121.
296:(Revised ed.). London: Curwen.
1170:Second Suite in F for Military Band
948:Gustav Holst: The Man and His Music
13:
1375:Compositions for chamber orchestra
1198:Terzetto for flute, oboe and viola
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624:Huismann, Mary Christison (2011).
156:Terzetto for flute, oboe and viola
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1215:This Have I Done for My True Love
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739:. London: Penguin. p. 645.
158:. The third movement is called
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23:(H. 175; Op. 49) is a work by
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47:Apart from the soloists, the
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888:Gustav Holst: A Biography
855:The Music of Gustav Holst
365:(CD). Chandos. CHAN 9270.
793:Tuttle, Raymond (2007).
587:Greene, Richard (1995).
522:Anderson, Keith (2007).
448:, pp. 167, 182–183.
75:Significant performances
65:Concerto for Two Violins
1380:Double violin concertos
945:Short, Michael (2014).
915:Short, Michael (1974).
328:. London: Faber Music.
921:. London: White Lion.
825:MusicWeb International
773:MusicWeb International
702:MusicWeb International
376:(CD). Naxos. 8.570339.
354:(LP). Lyrita. SRCS 44.
223:Ralph Vaughan Williams
160:Variations on a Ground
1258:First Choral Symphony
1065:The Wandering Scholar
562:"Music and Musicians"
1029:List of compositions
769:"Chandos CHAN10948X"
698:"Chandos CHAN10948X"
421:, pp. 182, 236.
278:. London: J. Curwen.
150:reminiscent of late
39:without dissonance.
1252:O Spiritual Pilgrim
539:, pp. 110–115.
1158:Concert/brass band
1058:At the Boar's Head
727:Greenfield, Edward
1365:1929 compositions
1352:
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1328:Theodor von Holst
1263:A Choral Fantasia
1222:The Hymn of Jesus
1118:Brook Green Suite
821:"Lyrita SRCD 223"
819:Shoemaker, Paul.
696:Barber, Stephen.
477:, pp. 33–34.
107:The Hymn of Jesus
67:performed at the
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1311:Related articles
1175:A Moorside Suite
1136:A Fugal Concerto
1104:A Fugal Overture
1075:Orchestral works
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1128:Concertante
1111:Egdon Heath
1097:The Planets
723:March, Ivan
592:The Planets
566:The Mercury
344:Discography
259:The Planets
251:The Planets
101:The Planets
89:Oskar Fried
56:Composition
1359:Categories
1297:Holst Peak
1272:Film score
964:29 October
934:30 October
928:0728500000
904:30 October
898:0192821938
871:29 October
865:0193154161
843:References
830:30 October
804:30 October
778:30 October
752:30 October
746:014051497X
707:30 October
684:Short 2014
669:30 October
643:30 October
609:30 October
572:30 October
549:Short 2014
537:Holst 1968
492:Short 2014
475:Short 1974
463:Holst 1969
446:Short 2014
434:Short 1974
419:Short 2014
407:Holst 1968
395:Short 2014
303:0852490305
37:bitonality
1280:The Bells
1083:Beni Mora
509:The Times
382:Footnotes
206:Reception
170:pizzicato
165:pizzicato
114:Structure
1345:Category
885:(1969).
852:(1968).
733:(2001).
324:(eds.).
316:(1977).
288:(1973).
274:(1930).
265:Editions
244:tune".
131:ostinato
1243:Thaxted
1044:Sāvitri
982:at the
590:Holst:
292:(ed.).
125:Scherzo
43:Scoring
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227:quite
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860:ISBN
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