453:. According to Kiss, he was simply rejected; Spina, however, notes that he was "for a short while, a Conservatory student." After this failure, he "lived the life of a poor shoemaker in Bucharest, working ten to fourteen hours a day in the shop. Neculuță's most precious hours are spent in this aimless prison-like work. with no perspectives." Such conditions undermined his family life: he was married to a Bucharest woman, but divorced her after six years, thereafter dedicating himself entirely to political work, "one of the most educated and consistent fighters of the Romanian proletariat."
706:, "buried in the tomb of silence". As he notes: "Shoemaker Neculuță's poetry volume is the shrieking anguish of a prostrating and obscured class. His eyes set on the shores of justice, he awakens the proletariat to the coming age." Deșliu similarly claims that "bourgeois criticism and historiography weaved around Neculuță's work that familiar conspiracy of silence", leaving socialist gatherings as the only venue which still cultivated his verse. He argues that this underground fame helped to establish a style of radical poetry, including anonymous interwar hymns by
31:
397:. As noted in the 2004 biographical dictionary of Romanian writers, they reach at least the average quality of contemporary verses, and along with discussing then-current themes (suffering brought about by love, melancholy, vibrations before nature), they bring new elements such as comradeship with those who suffer and an urging toward revolution and belief in the future. His more contemplative poems describe the conflict between the quiet beauty of rural landscapes and the inner turmoil of proletarians who witness them.
585:, he had in fact suffered a fatal heart attack. According to Kiss, his cardiac condition was owed to physical exhaustion from "continuous strenuous work". An inventory carried out on the day of Neculuță's death records that he only owned an iron bed and mattress, a table, a coat hanger, a coffer filled with books, one shirt, plates, and some other items. His definitive manuscript, which he kept under the mattress, went unreported. The funeral cortege, comprising workers, was initially scheduled to walk down
251:. The move, as well as his inclusion in literary textbooks, were contested by various regime critics, who regarded them as incoherent or distasteful. The regime itself scaled down such promotion from the 1960s, returning Neculuță to a more modest position in its literary pantheon. The literary community remains divided between those who regard Neculuță as a genuine poet, who was overvalued for political reasons, and those who dismiss him as mediocre and argue that his reputation was entirely fabricated.
300:, literally "of the cobbler's wife". Essayist Florentin Popescu suggests that "Neculuță" can be viewed as a pen name, favored over "a Ciubotăriții" for stylistic reasons. Popescu also notes that this choice was unusual, since his original surname "made it blatantly clear that he had a very 'healthy' origin". Dragomir, who originally credited this claim, withdrew it in 1959, upon discovering that the poet was in fact known from birth as either Neculuță or Neculiță.
695:, who had achieved international fame, paid homage to Neculuță as a precursor: "the Romanian labor movement has had its poet, a man called Neculuță, the soul of a man who should have lived with other horizons, and in another time, in order to express all of what he felt. Neculuță lived in some shack, unknown to all, yet, had they brought him Paris on a platter, he would not have been surprised: he'd have accepted it as his rightful belonging!"
567:
563:, depictions of ravens and crows, or insistence on the metaphoric qualities of metals such as lead (for both poets) and zinc (favored by Neculuță). Despite this sharing themes in the authors' non-political poems, Regman finds it unlikely that Bacovia's militant verse was ever directly influenced by Neculuță. This is largely because Bacovia "assimilates through transfiguration."
361:. His friend A. Costin recalled in 1905 that Neculuță would spend his Christmas savings on books and plain bread, mocking party-goers; Neculuță also reportedly complained whenever he had to sell parts of his personal library, noting that "everything in today's society goes against men who seek to enlighten themselves!" He made his debut in print in 1894, when
842:, a dentist turned literary critic. In it, Vitner proposed that Neculuță had outranked Eminescu when it came to poetic abilities in depicting the "bitter fate of an individual within the bourgeois and landowning society." Also according to Vitner, the value of Neculuță's work rested in his using traditionalist themes from Eminescu, Coșbuc, and
309:
his birth made it impossible that he would afford tuition, and instead he was pushed to earn a living from age ten, working as a shoemaker's apprentice. His formal education was limited to two grades of primary school. His father dead, and raised by his mother in "great poverty", he ran away to seek his fortune in the former
Moldavian capital,
985:. Revisiting Neculuță's poetry after hearing it recited by his barber, Țoiu commented that he was primarily a "decent shoemaker" and "unfortunate people's bard", who never warranted "the sort of revulsion, of aversion, that I felt toward the dictator." In early 2008, the poet's name resurfaced in a satirical computer quiz game mocking
726:
regarded the event as a pseudo-legal ban on "legal socialism", at a time when Neculuță's poems "are printed and are allowed to be printed." The 24th commemoration in 1928 was marked by a workers' pilgrimage at Bellu, though reportedly no writers were invited. A similar event in 1930 was hosted by the
558:
proposes that there was a crossover of themes and stylistic choices between the two writers—though Neculuță remained
Eminescu-like, and Bacovia took up Symbolism. He believes that Neculuță "foreran Bacovia with a number of intuitions, however incomplete these might have been." Shared elements include
721:
On the 20th commemoration of Neculuță's death on
October 7, 1924, a "great number of workers and intellectuals" visited the socialist club on Brezoianu Street to pay homage; police agents reportedly encircled the hall, and only allowed attendees to leave at midnight. Spina noted that "a few workers,
404:
underclass. However, he remains primarily important for his ability to convey industrial strife. While acknowledging the "gaucherie" of various such compositions, Deșliu highlights their overall primordialism in a
Marxist setting: "Before Neculuță's time—and even for a long time after him—the most
308:
church after 1864: "If we note that back then D. Neculuță was a five-year-old, we can easily conclude that, in his parental home, the child had not been pressured into respecting bourgeois institutions." The boy was passionate about music and had hopes of becoming a violinist; the circumstances of
682:
According to
Petrescu, Neculuță's other contribution was in rekindling socialist agitation after the "generous ones" had split the movement. Overall, he notes, "Neculuță failed to achieve his definitive accomplishment as a poet, since the hurdles of his existence never gave him time to follow the
409:
poet Jenő Kiss, who translated some of Neculuță's poems, highlights the same notion: "the great majority of
Romanian progressive poets had generally talked about the sufferings of 'the people', but by the people they mainly meant the poor peasantry. Others often said proletariat, but meant
420:
in his poetry. The factory and the machine are not enemies of Neculuță and his colleagues. Work and the workplace are 'sacred', the machine is a diligent friend." Kiss further describes Neculuță as stylistically accomplished: "the most difficult and demanding verse forms, primarily the
416:. In Neculuță's poems, the voices of class-conscious urban and industrial workers are unmistakably heard. condenses the tragedy of proletarians selling their labor power into the mood of those waiting for a job opportunity in front of the factory. Despite this, there is no trace of
288:, who misunderstood references to his friend's more distant rural background. Records of the period show that Toader was in fact a shoemaker. A similar confusion surrounds the issue of Dumitru's original surname, with some sources noting that he was first registered with his
863:—among the reasons cited was its failure to sample Neculuță's work. In the early 1950s, samples of Neculuță's poetry were included in the Romanian high-school curriculum, initially as "provisional theses". The 50-year commemoration of Neculuță's death was marked by the
328:
Neculuță was drawn into radical politics from an early age—at some point, he confessed to
Constantinescu that "I was born a revolutionary; I feel within me the hatred of so many generations of proletarians". Proudly self-taught, he was familiarized with the work of
883:
wrote about Neculuță's inclusion in the high school curriculum as an "act of justice toward a writer of working-class origin and—precisely for that reason—chased out of all bourgeois schoolbooks." At that moment in
Romanian history, which came with the embrace of
838:, described as a "work to restore the cultural treasure of the past", which included "bringing out to light the work of our first worker-poet". A monograph on Neculuță, written "in the spirit of the times", was completed and published in 1950 by
976:
calling the previous trend "aberrant": "in poetry, for instance, alongside
Eminescu, and at some point even above him, they worked to establish the reputation of the 'cobbler-poet' D. Th. Neculuță as a proletarian classic". In November 1990,
303:
During his earliest years with his father in Târgu Frumos, Dumitru probably picked up a hostility toward organized religion. This was argued by
Dragomir, who recounts that Toader Neculuță made a point of not going to confession in his local
964:
as one of the earliest Romanian authors to have embraced the social, "with their still-modest means". In November 1989, journalist H. Lerea noted that "the first artisan-poet an innocent victim of overbidding during the dogmatic period".
368:
As Deșliu notes, the poet most of all feared living in an unheated room; this theme permeates his verse, wherein the chimney flame "celebrated as if a loved and longed-for human being". His works were generally inspired by Eminescu and
947:
only had "informative value", and that students could be excused for not memorizing their works, whereas "it is mandatory that they be trained to read any poem by Eminescu". Also that year, critic Serafim Duicu praised socialist doyen
460:, places Neculuță at Bucharest's Sotir Hall, the socialist club, in or shortly after 1895—noting that he was one of two "poet-cobblers" that the PSDMR could count as its own—the other one was Arghir Parua. Dragomir identifies him as
425:, but also other, complicated stanza formulas, right up to the tune of folk songs. With verse forms that required full mastery of the language, selective and abundant rhyme here and there, flawless rhythm, brevity, thoughtfulness."
405:
gifted poets of social rebellion worked with vague terms, with generalized and imprecise notions: people, justice, liberty, truth etc. The grounded, class-based position, only makes its first appearance in verse by D. Th. Neculuță".
768:, critics discovered the patriotic poetry of another proletarian, Leonte Dumitrescu, whom they likened to Neculuță. In that context, Iliescu argued that Neculuță had been "quickly and unjustly forgotten." Also a shoemaker and poet,
605:
were distributed instead. This count was reported to Frimu, who openly rejoiced: "Well then, that there's two hundred friends of our cause! So then, we're growing, we're getting stronger! The future is ours!" Neculuță was buried in
317:, and also that he was for a while a tutor, "paid by the hour", for schoolchildren in Iași's slums. He was working in Iași around the time when Romanian poetry was being revolutionized by Eminescu; Neculuță's first-ever works were
517:, Neculuță also published two prose pieces which later critics describe as being without particular artistic value, as well as several articles that put forth his credo of a politically engaged poet. His work also appeared in
577:"Impoverished and lamented by the proletariat as a whole", the poet died at his one-room home on Bucharest's Ștefan cel Mare Highway shortly after his 46th birthday (on October 17, 1904, in New Style dates). Though writer
935:
in 1961. In his comparative study of Neculuță and Bacovia, put out in 1963, Regman defended Neculuță's status as a poet, arguing that his work had genuine aesthetic value beyond Vitner's "simplified" take.
228:; his cultivation sometimes drew suspicion from Romania's right-wing governments. Public gatherings were held at his commemoration date in October, including one in 1924, which ended with a roundup by
952:
for not having endorsed "modest" Neculuță's elevation to the literary canon. During the later stages of Romanian communism, several authors thanked the regime for having restored balance in assessing
539:
club, alongside Constantinescu and Frimu. Around that time, he also taught the adolescent Gheorghe Ene Filipescu to read; Filipescu would later advance politically as a high-ranking member of the
2370:
915:
The Eminescu–Neculuță comparison, which downgraded the former, came to be seen as controversial, including in Marxist circles. It was criticized as early as April 1958 by a Marxist literary man,
501:("Toward the Shores of Justice"), implicitly condemned PSDMR centrists (known as the "generous ones"). By 1901, he and fellow shoemaker Valerian Prescurea were among the most active members of
956:—specifically referring to Neculuță as a bad model. This was the case with Elena Tacciu, who spoke about Neculuță as having been propped up by a "tyranny of dogmatic schemas", and with
2335:
167:, he was not allowed to pursue his passion for music, and worked from an early age. These circumstances instilled him with a desire to combat the established social order of the
2360:
183:
and his own experience of acute poverty. He wrote for many decades, but was only published from 1894. In parallel, he established his profile as a "poet-activist" for the
760:
239:", but he was largely regarded as a minor author in more official contexts. This contrast was overturned in the late 1930s, when Neculuță was openly celebrated by the
1629:
280:
in Moldavia, his parents were Toader Neculuță and Zamfira a Ciubotăriții. Some sources suggest that they were both poor peasants, though, according to biographer
1373:
1158:
764:, reported that this "poet-cobbler" had lived during an era of slavery, and praised him for his take on the social landscape of ca. 1900. Under the regime of
1059:
821:
1669:Ștefan-Vlad Mardare, "Propaganda comunistă în viziunea unui 'stâlp al puterii': Paul Niculescu-Mizil (Interviu realizat în data de 23 februarie 2007)", in
582:
1991:
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1127:
809:
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171:, driving him into left-wing politics. His interest in music was replaced with a poetic calling: stylistically, Neculuță followed a tradition upheld by
1398:
919:, who opined that only "vulgar sociologism" could account for such views. Neculuță's cultivation was fully curbed in the mid-1960s, with the advent of
688:
510:
2013:
1609:
531:
540:
506:
217:
943:, loathed poems which reminded him of his own shoemaker's training. In 1984, literary scholar Al. Dobrescu argued that poets such as Neculuță and
718:, later a Party eminence, recalled that in his 1930s childhood he "loved Neculuță, a socialist poet", which contributed to his political choices.
1426:
555:
438:
184:
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who have gathered to commemorate the death of their only bard, were dispersed as if a conspiratorial terrorist assembly." Democracy activist
644:
200:
After his unexpected death at age 45, Neculuță enjoyed a cult following in socialist culture in both the Romanian Kingdom and neighboring
1862:
Violeta Zamfirescu, "Cenaclurile literare — nuclee ale afirmării creației artistice revoluționare. O școală de formare a talentelor", in
1751:
742:
By the mid 1930s, the poet was gaining recognition from the authorities themselves. In November 1935, they allowed communists held in
505:
society, which, from its offices on Bucharest's Vamei Street, supported the PSDMR's reestablishment, recruiting intellectuals such as
400:
Neculuță was impressed with the plight of all lower strata, producing some poems specifically about the sufferings of peasants or the
441:(PSDMR), becoming its "poet-activist". Journalist Leontin Iliescu, who met him upon his arrival, recalls that Neculuță only had 4
691:, who had "worked with him in the same shop", instructed younger workers to "maintain his cult." In 1925, the communist novelist
659:
and its Romanian section, which recommended it as "not left out of any enlightened worker's personal library". In October 1911,
635:
report, during the subsequent clampdown socialists made efforts to reach out to peasants with their propaganda. In March 1908, a
450:
1764:
Eufrosina Popescu, "Note și comunicări. Aspecte ale sărbătoririi zilei de 7 noiembrie în presa muncitorească din Romînia", in
2285:
1793:
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play; that night, he bunked with a friend, the sculptor Filip Marin. He tried again to change profession by applying for the
265:
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origin. Users were asked to pick from several public figures, of whom Neculuță, rather than Năstase, was the only Romanian.
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2310:
378:
2365:
2238:, "D. Th. Neculuță, primul poet muncitor din literatura romînă. Cu prilejul aniversării a 100 de ani de la naștere", in
888:, official publishing houses put out editions of his works, some of which ran at 100,000 copies. In 1955, Kiss rendered
2375:
728:
656:
221:
960:, who noted that writers were better if inspired by a "great tradition", and not by Neculuță. He was still honored in
820:
had mandated Al. Gheorghiu Pogonești, a children's writer, with running a Neculuță Literary Circle. Regulars included
750:
with a small festivity, which included recitations from Neculuță's poems. Neculuță was also afforded attention by the
2193:
2058:
1406:
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832:. The brewery of Iași was also named after the poet. These gestures inaugurated what the Communist Party newspaper,
30:
486:("Down with the Vandals!"). According to Iliescu, his poetry in favor of world fraternity was not unlike works by
2345:
610:, originally in a crypt designed by Filip Marin. Marin was later buried in that same spot, alongside his friend.
804:
selected Neculuță as a post-mortem member. The proposal was submitted on behalf of the academicians by novelist
777:
897:
471:
931:. Reportedly, the last piece to include Neculuță within the "commandeered and colonized canon" was put out by
920:
731:, with Anagnoste conferencing "on the poet's life and work." Between these two events, in December 1929, the
663:'s socialist club commemorated Neculuță with public readings from his work. The meeting was attended by poet
551:
334:
156:
45:
1827:
900:. Sample translations from Neculuță were included in Romanian poetry anthologies such as Mario de Micheli's
2350:
2320:
2158:
H. Lerea, "Noua geografie spirituală a țării. București. Conștiință profesională, aspirații culturale", in
949:
885:
864:
817:
668:
2330:
2245:
I. Felea, "Acțiuni de organizare și de luptă ale mișcării muncitorești din Romînia în anii 1900—1904", in
1958:
Dumitru Drumaru, "Note, Comentarii. În legătură cu 'tezele provizorii' de istoria literaturii române", in
478:("Regarding an Act of Antisemitic Vandalism") appeared in a single-issue socialist paper, known either as
969:
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Locuințe pentru muncitori și funcționari. Casa Construcțiilor și parcelarea Vatra Luminoasă (1930—1949)
1785:
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240:
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militants. Some other works of this nature had known authors: as one of the Communist Party founders,
687:, who was inducted by the socialist movement "just seven years after Neculuță's death", recalled that
2266:
2099:
1945:
986:
590:
457:
939:Țoiu believes that Neculuță's posthumous downfall mainly happened because the new communist leader,
993:
923:. As noted by critic Tudor Opriș, it saw the "reduction to their normal dimensions of writers whom
732:
707:
702:", Ion Mehedințeanu argued that "bourgeois criticism" had both Neculuță and his younger colleague,
401:
305:
225:
2036:
1809:
1656:
1531:
1513:
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780:, the General Confederation of Labor issued a volume of "labor poetry", which included Neculuță's
2097:
Serafim Duicu, "Patru decenii de literatură. Spiritul critic românesc la momentul sintezei", in
1973:
1864:
1715:"Caleidoscopul vieții intelectuale: litere, științe, arte. Comemorarea unui poet socialist", in
497:
following an 1899 split in the movement—a "revolutionary appeal" he published that year, called
2325:
972:, Neculuță and other socialist writers underwent further reassessment, with literary historian
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699:
394:
236:
136:
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1804:
916:
825:
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Leontin Iliescu, "Carnetul nostru. Amintiri despre poetul proletarilor: Th. D. Neculuță", in
892:
in Hungarian; the same year, Endre Pálffy published a bio-bibliographic study of Neculuță in
812:, a workers' section of Bucharest, was renamed after Neculuță, having earlier been named for
632:
406:
386:
54:
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189:
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2300:
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437:, the national capital, "toward the turn of the century", Neculuță joined the newly formed
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813:
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and its more radically progressive faction, spending his final years as a co-chair of the
8:
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2340:
982:
953:
846:, crafting them into a "weapon of war against the inimical ideology of the bourgeoisie".
598:
346:
314:
664:
354:
2069:
Adrian Dinu Rachieru, "Despre canonul literar și canonizare (IV). Canonul politic", in
640:
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activist was held in custody for distributing Neculuță's poems, alongside pamphlets by
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74:
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627:; reportedly, its editor was Constantinescu. It was still in print shortly after the
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769:
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a "grave internal melody", the "unmitigated pain of experience", and "crude", quasi-
470:
daily. During the antisemitic agitation of November 1897, Neculuță took the side of
213:
1697:
829:
805:
797:
723:
490:—though, he adds, Neculuță could not have been acquainted with Prudhomme's verse.
350:
248:
164:
1986:
1172:
Sud. Revistă Editată de Asociația pentru Cultură și Tradiție Istorică Bolintineanu
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370:
176:
1651:
868:
711:
652:
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586:
487:
229:
209:
201:
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L. I. (Leontin Iliescu), "Cântarea biruinții. Versurile unui muncitor poet", in
313:. Journalist G. Spina also notes that Neculuță spent time wandering through the
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50:
1927:
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Istoria debutului literar al scriitorilor români în timpul școlii (1820-2000)
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765:
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382:
281:
2259:
Jenő Kiss, "A műfordító emlékeiből. A proletár költő — és késői utódja", in
2235:
857:
officer proposing that Negoițescu's 1947 anthology of Romanian poetry was a
519:
374:
358:
2252:
Katalin Kese, "In memoriam. Pálffy Endre, a román kultúra közvetítője", in
2125:
1357:
1326:
Liviu Brătescu, "Problema evreiască la sfârșitul secolului al XIX-lea", in
957:
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602:
442:
264:
As noted by philologist Katalin Kese, Neculuță was born shortly after the
118:
1170:
Florentin Popescu, "Am citit despre... Pseudonime liteae și nu numai", in
927:
apologetics had hypertrophied"—Neculuță and Vlahuță, but also Bolliac and
365:
magazine took up some of his writings, which he signed as "D. Niculescu".
284:, this is an erroneous information originating with Neculuță's confidant,
163:
poet, socialist activist, and artisan shoemaker. Born to a poor family in
1777:
636:
535:. One of Neculuță's final assignments, from 1902, was as co-chair of the
494:
2145:
2112:
Elena Tacciu, "20 de ani de literatură. Destinul istoriei literare", in
1897:
1882:
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1702:
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834:
466:
464:, the author of an 1895 piece taken up by the illustrated supplement of
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854:
839:
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2018:
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333:, but also kept up with non-political literature. Uninterested in the
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1989:, "Istoria literaturii române pentru clasele a VIII-a și a IX-a", in
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1292:
434:
330:
273:
194:
70:
1782:
Capcanele istoriei. Elita intelectuală românească între 1930 și 1950
978:
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as a cultural bridge between Romanians and Hungarians. A reprint of
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269:
126:
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wrote "poetry in the manner of lyrical cobbler Theodor Neculuță".
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560:
180:
160:
100:
1930:, "Comentarii. Eliminarea lui Călinescu de la Universitate", in
1627:
Ion Mehedințeanu, "Discuții literare. Literatura proletară", in
310:
2371:
People from the United Principalities of Moldavia and Wallachia
1730:"Tribuna muncitorească. Comemorarea poetului Th. Neculuță", in
493:
Overall, Neculuță remained loyal to the Marxist faction led by
422:
342:
122:
2084:
Al. Dobrescu, "În actualitatea literară (Cîteva aspecte)", in
1901:, January 15, 1950, p. 1. See also Voinea & Calotă, p. 227
597:
intervened to stop this from occurring, and also confiscated
338:
337:, he read from Eminescu and the classics of poetry—including
772:
braved Antonescu's censors by titling one of his volumes as
1840:
Petre Popescu Gogan, "Memento! (347) Mihail Sadoveanu", in
581:
recalled in 1997 that Neculuță had died of lung disease in
1962:, Vol. II, Issues 1–2, January–February 1951, pp. 248, 250
1026:"Informații. Comemorarea poetului socialist Neculuță", in
867:
with an official ceremony: Dragomir gave a lecture, while
754:
regime of 1938–1940, which reclaimed him for its brand of
1153:, Vol. X, Issue 7, July 2018, p. 21; Augustin Z. N. Pop,
2336:
Proletarian literature writers in the Kingdom of Romania
1360:, "Bucureștii anului 1906 și ai răscoalei din 1907", in
550:, the younger socialist poet, with whom he attended the
2016:, "Ecuații critice. De la valoare la difuzare (I)", in
1586:
Adevĕrul. Organul Partidului Socialdemocrat din Ungaria
1571:
Damian Hurezeanu, "Răscoala din 1907 în documente", in
1125:, "La centenarul lui D. Th. Neculuță. Contribuții", in
2263:, Vol. XXXVIII, Issue 49, December 1983, pp. 4–5.
623:
Neculuță's only book appeared posthumously in 1907 as
247:
took over, making Neculuță a posthumous member of the
235:
Socialist circles upheld Neculuță as a forerunner of "
216:. During the interwar, he was celebrated by the legal
159:
September 20] 1859 – October 17, 1904) was a
1914:. Paul Cornea de vorbă cu Daniel Cristea-Enache", in
2361:
Members of the Romanian Academy elected posthumously
1584:"Să cetim și să răspândim broșurile socialiste", in
1233:
1231:
1209:
1207:
788:, who called the piece "vigorous" and "predictive".
1445:
1443:
1441:
853:entailed an analysis of his contribution, with one
784:("A Slaves' Choir"). It earned attention from poet
243:; it was also resumed in full after 1948, when the
2034:, "Probleme actuale ale criticii. Delimitări", in
791:
739:was established, and took its name from Neculuță.
2242:, Vol. XL, Issue 1, January 1960, pp. 59–67.
1228:
1204:
683:path of an artist." The young writer-typographer
445:on him, all of which he spent on a ticket to see
2292:
2271:Socialismul în România. 1835 – 6 septembrie 1940
1596:
1594:
1438:
1422:
1420:
1418:
1416:
1414:
1313:
1311:
1221:
1219:
546:In or around 1904, Neculuță hosted in Bucharest
1918:, Vol. XII, Issue 1, January–March 2014, p. 105
1654:, "Antiteze. Să ne imaginăm altminteri...", in
1364:, Vol. II, 1965, p. 235. See also Felea, p. 167
1362:București. Materiale de Istorie și Muzeografie
1149:Rodica Lăzărescu, "Două puncte de vedere", in
1010:
1008:
698:In a 1926 piece on the standards of Romanian "
2256:, Vol. 9, Issues 1–4, 2005, pp. 227–239.
1591:
1543:
1541:
1411:
1328:Anuarul Institutului de Istorie A. D. Xenopol
1308:
1286:
1284:
1282:
1272:
1270:
1216:
1197:
1195:
1193:
1191:
1189:
1807:, "Recenzii. Poezia lui Cristian Sârbu", in
321:from Eminescu, with similar borrowings from
204:. He had shared inspiration and themes with
2280:. Bucharest: Asociația Studio Zona, 2021.
2249:, Vol. IX, Issue 3, 1963, pp. 157–171.
1056:Dicționarul biografic al literaturii române
1005:
651:. Neculuță's volume was also circulated in
439:Social Democratic Workers' Party of Romania
377:writes, they also had distinct echoes from
2088:, Vol. XXV, Issue 9, September 1984, p. 24
1538:
1279:
1267:
1186:
981:'s Poet Neculuță Alley was renamed after
456:The socialist movement's historiographer,
2053:, p. 161. Bucharest: Aramis Print, 2002.
2022:, Vol. XXXI, Issue 32, August 1982, p. 11
1995:, Vol. II, Issue 36, September 1955, p. 4
1682:"Sechestrarea dela clubul socialist", in
1618:, Vol. IV, Issue 60, September 1925, p. 2
1575:, Vol. 30, Issue 2, February 1977, p. 260
2223:, Vol. XIII, Issue 11, March 2008, p. 27
2204:"Kronstadt: Deutsche Strassennamen", in
1813:, Vol. V, Issue 2, February 1952, p. 276
1633:, Vol. III, Issue 16, April 1926, p. 303
1500:
1498:
1496:
1435:, Vol. VI, Issue 25, December 1963, p. 4
1118:
1116:
1114:
1112:
1110:
1108:
1106:
565:
2143:Emil Vasilescu, "Muncă și creație", in
2116:, Vol. XXXVI, Issue 7, July 1985, p. 14
1535:, Vol. XVII, Issue 3, March 1964, p. 58
1517:, Vol. XV, Issue 1, January 1962, p. 27
1466:, "Prepeleac. Nu mai sus de sanda", in
1459:
1457:
1455:
1131:, Vol. VI, Issue 41, October 1959, p. 6
1083:
1081:
1079:
1077:
1075:
1022:
1020:
896:, specifically aimed at readers in the
618:
2293:
2040:, Vol. XI, Issue 4, April 1958, p. 137
1895:"Un măreț tezaur redat poporului", in
1831:, Vol. XII, Issue 7, July 1945, p. 188
1050:
1048:
1046:
1044:
1042:
1040:
1038:
796:In October 1948, when it revamped the
482:("Come Together as One, Peoples!") or
179:, which he infused with the tenets of
1529:, "Un erou al clasei muncitoare", in
1493:
1103:
601:carried by participants. Two hundred
2276:Andrei Răzvan Voinea, Irina Calotă,
2128:, "Redobîndirea specificității", in
1562:Deșliu, pp. 62, 67; Petrescu, p. 160
1452:
1072:
1017:
970:anti-communist rebellion of December
16:Romanian poet and socialist activist
1673:, Vol. VIII, Issue 13, 2020, p. 151
1380:, Vol. 40, Issues 4–6, 2022, p. 141
1035:
849:The arrest and prosecution of poet
554:celebrations at Dacia Hall. Critic
13:
1842:Memoria. Revista Gândirii Arestate
1768:, Vol. XIV, Issue 6, 1961, p. 1483
1339:Deșliu, p. 61. See also Kiss, p. 5
729:Socialist Workers Party of Romania
657:Social Democratic Party of Hungary
589:, and thus parade in front of the
14:
2387:
2075:, Issue 439, December 2020, p. 16
1880:, "Cu cincinalul îndeplinit", in
1853:Voinea & Calotă, pp. 224, 227
1087:G. Spina, "Dumitru Neculuță", in
910:Anthologie de la poésie roumaine
224:, as well as by the underground
208:, and was a direct influence on
185:Social Democratic Workers' Party
29:
2254:Revista Conviețuirea/Együttélés
2213:
2198:
2167:
2152:
2137:
2119:
2106:
2091:
2078:
2063:
2043:
2025:
2007:
1998:
1980:
1965:
1952:
1937:
1921:
1904:
1889:
1871:
1856:
1847:
1834:
1825:, "Cronici. Poezia muncii", in
1816:
1798:
1771:
1758:
1739:
1724:
1709:
1691:
1676:
1663:
1645:
1636:
1621:
1612:, "Panait Istrati în țară", in
1603:
1578:
1565:
1556:
1520:
1484:
1475:
1383:
1367:
1351:
1342:
1333:
1320:
1299:
1258:
1249:
1240:
1177:
792:Official status and downgrading
1376:, "În căutarea bunicului", in
1330:, Vol. LVII, 2020, pp. 208–209
1164:
1143:
1134:
1094:
808:. Also that year, a street in
667:, who expressed his belief in
1:
2229:
1389:Ion Nistor, "Cronologie", in
902:Antologia della poesia romena
879:. The following year, critic
428:
259:
2273:. Bucharest: Dacia Traiana,
1943:Crina Bud, "Alter Nego", in
1844:, Issue 28, September 1999,
1700:, "Politica barbarului", in
1429:, "Neculuță și Bacovia", in
1155:Pe urmele lui Mihai Eminescu
1058:, Vol. II, p. 193. Pitești:
950:Constantin Dobrogeanu-Gherea
669:proletarian internationalism
613:
349:; he also knew the prose of
254:
7:
2316:20th-century Romanian poets
2311:19th-century Romanian poets
2182:Amintiri în dialog. Memorii
898:Hungarian People's Republic
48:September 20] 1859
10:
2392:
1828:Revista Fundațiilor Regale
1766:Studii. Revistă de Istorie
1509:Carte despre vremuri multe
818:Bucharest People's Council
752:National Renaissance Front
241:National Renaissance Front
2376:Burials at Bellu Cemetery
2267:Constantin Titel Petrescu
2210:, November 21, 1990, p. 1
1977:, November 14, 1954, p. 3
1721:, November 16, 1928, p. 2
1481:Deșliu, p. 61; Kiss, p. 5
1183:Deșliu, p. 59; Kiss, p. 4
865:Writers' Union of Romania
758:. Its official magazine,
476:La un vandalism antisemit
458:Constantin Titel Petrescu
373:, but, as communist poet
132:
114:
106:
96:
88:
80:
60:
40:
28:
21:
2366:People from Târgu Frumos
1934:, Issues 3–4/1992, p. 75
1755:, January 11, 1930, p. 3
1736:, October 13, 1930, p. 8
1706:, October 18, 1924, p. 1
1100:Kese, p. 229; Kiss, p. 4
1091:, October 10, 1924, p. 1
999:
629:peasants' revolt of 1907
418:romantic anti-capitalism
226:Romanian Communist Party
145:Dumitru Theodor Neculuță
23:Dumitru Theodor Neculuță
1688:, October 9, 1924, p. 2
1397:, p. XXXII. Bucharest:
1348:Felea, pp. 157, 166–167
1174:, Issues 5–6/2018, p. 2
541:Social Democratic Party
2346:Romanian propagandists
2149:, April 28, 1989, p. 4
1912:Ce a fost — cum a fost
1749:în țară. Pașcani", in
1472:, Issue 36/1997, p. 18
1032:, Issue 217/1911, p. 7
748:October Revolution Day
700:proletarian literature
574:
480:Vă Înfrățiți, Noroade!
237:proletarian literature
155:; October 3 [
153:Dumitru a Ciubotăriții
137:Proletarian literature
35:Photograph of Neculuță
2219:"Ki (nem) roma?", in
2164:, Issue 44/1989, p. 5
2134:, Issue 29/1989, p. 4
1949:, Issue 7/2011, p. 68
1886:, July 10, 1955, p. 1
1868:, March 2, 1984, p. 2
1784:, p. 142. Bucharest:
1660:, Issue 32/2001, p. 2
1305:Petrescu, pp. 117–118
679:, appeared in 1919.
625:Spre țărmul dreptății
569:
499:Spre țărmul dreptății
387:Dimitrie Bolintineanu
84:D. Azur, D. Niculescu
55:United Principalities
2103:, Issue 8/1984, p. 4
1974:Scînteia Tineretului
1865:Scînteia Tineretului
1588:, Issue 6/1913, p. 4
1374:Alexandru Cistelecan
1296:, June 2, 1947, p. 1
1159:Editura Sport-Turism
1157:, p. 16. Bucharest:
776:. Shortly after the
716:Paul Niculescu-Mizil
619:Early commemorations
381:and socialist poets—
286:Alecu Constantinescu
44:October 3 [
2351:Romanian socialists
2321:Romanian male poets
2032:Ovid Crohmălniceanu
1805:Alexandru Andrițoiu
1630:Societatea de Mâine
1553:, May 4, 1942, p. 5
1060:Editura Paralela 45
983:Stephan Ludwig Roth
954:Romanian literature
917:Ovid Crohmălniceanu
826:Alexandru Andrițoiu
778:coup of August 1944
347:William Shakespeare
315:Eastern Carpathians
222:Socialist Laborites
92:shoemaker, activist
1573:Revista de Istorie
1054:Aurel Sasu (ed.),
921:national communism
894:Filológiai Közlöny
641:Christian Rakovsky
583:Colentina Hospital
575:
537:România Muncitoare
526:România Muncitoare
451:Music Conservatory
407:Hungarian Romanian
335:Symbolist movement
190:România Muncitoare
75:Kingdom of Romania
2286:978-973-0-34405-9
1971:"Informații", in
1960:Almanahul Literar
1910:Nicolae Rotund, "
1794:978-973-50-3533-4
1642:Deșliu, pp. 66–67
1511:(fragmente)", in
1490:Deșliu, pp. 61–62
1264:Deșliu, pp. 63–64
1255:Deșliu, pp. 65–66
1246:Deșliu, pp. 62–63
1237:Deșliu, pp. 60–61
1213:Deșliu, pp. 59–60
992:for his supposed
941:Nicolae Ceaușescu
886:socialist realism
873:Ioanichie Olteanu
844:Alexandru Vlahuță
814:Ioan S. Nenițescu
761:Muncă și Voe Bună
756:corporate statism
735:workers' club in
733:Romanian Railways
631:. According to a
413:Lumpenproletariat
395:Alexandru Vlahuță
391:Traian Demetrescu
323:Romanian folklore
142:
141:
133:Literary movement
2383:
2331:Adevărul writers
2247:Anale de Istorie
2224:
2221:Székely Hírmondó
2217:
2211:
2202:
2196:
2171:
2165:
2156:
2150:
2141:
2135:
2131:România Literară
2123:
2117:
2110:
2104:
2095:
2089:
2082:
2076:
2067:
2061:
2047:
2041:
2037:Viața Romînească
2029:
2023:
2011:
2005:
2002:
1996:
1984:
1978:
1969:
1963:
1956:
1950:
1941:
1935:
1925:
1919:
1908:
1902:
1893:
1887:
1875:
1869:
1860:
1854:
1851:
1845:
1838:
1832:
1820:
1814:
1810:Viața Românească
1802:
1796:
1775:
1769:
1762:
1756:
1743:
1737:
1728:
1722:
1713:
1707:
1698:Dem. I. Dobrescu
1695:
1689:
1680:
1674:
1667:
1661:
1649:
1643:
1640:
1634:
1625:
1619:
1607:
1601:
1598:
1589:
1582:
1576:
1569:
1563:
1560:
1554:
1545:
1536:
1532:Viața Romînească
1524:
1518:
1514:Viața Romînească
1502:
1491:
1488:
1482:
1479:
1473:
1469:România Literară
1461:
1450:
1449:Petrescu, p. 160
1447:
1436:
1424:
1409:
1399:Editura Albatros
1395:Versuri și proză
1387:
1381:
1371:
1365:
1355:
1349:
1346:
1340:
1337:
1331:
1324:
1318:
1315:
1306:
1303:
1297:
1288:
1277:
1274:
1265:
1262:
1256:
1253:
1247:
1244:
1238:
1235:
1226:
1223:
1214:
1211:
1202:
1199:
1184:
1181:
1175:
1168:
1162:
1147:
1141:
1138:
1132:
1120:
1101:
1098:
1092:
1085:
1070:
1052:
1033:
1024:
1015:
1012:
822:Gheorghe Achiței
806:Mihail Sadoveanu
802:communist regime
798:Romanian Academy
724:Dem. I. Dobrescu
689:Vasile Anagnoste
665:Sándor Csizmadia
355:Honoré de Balzac
266:1859 unification
249:Romanian Academy
245:communist regime
218:Social Democrats
169:Romanian Kingdom
165:Western Moldavia
67:
64:October 17, 1904
33:
19:
18:
2391:
2390:
2386:
2385:
2384:
2382:
2381:
2380:
2291:
2290:
2232:
2227:
2218:
2214:
2203:
2199:
2184:, p. 82. Iași:
2174:Matei Călinescu
2172:
2168:
2157:
2153:
2142:
2138:
2124:
2120:
2111:
2107:
2096:
2092:
2083:
2079:
2068:
2064:
2048:
2044:
2030:
2026:
2014:Artur Silvestri
2012:
2008:
2003:
1999:
1992:Gazeta Literară
1985:
1981:
1970:
1966:
1957:
1953:
1942:
1938:
1926:
1922:
1909:
1905:
1894:
1890:
1876:
1872:
1861:
1857:
1852:
1848:
1839:
1835:
1821:
1817:
1803:
1799:
1776:
1772:
1763:
1759:
1744:
1740:
1729:
1725:
1714:
1710:
1696:
1692:
1681:
1677:
1668:
1664:
1652:Dumitru Solomon
1650:
1646:
1641:
1637:
1626:
1622:
1610:Sergiu Milorian
1608:
1604:
1599:
1592:
1583:
1579:
1570:
1566:
1561:
1557:
1546:
1539:
1525:
1521:
1503:
1494:
1489:
1485:
1480:
1476:
1464:Constantin Țoiu
1462:
1453:
1448:
1439:
1425:
1412:
1388:
1384:
1372:
1368:
1356:
1352:
1347:
1343:
1338:
1334:
1325:
1321:
1316:
1309:
1304:
1300:
1289:
1280:
1275:
1268:
1263:
1259:
1254:
1250:
1245:
1241:
1236:
1229:
1224:
1217:
1212:
1205:
1200:
1187:
1182:
1178:
1169:
1165:
1148:
1144:
1139:
1135:
1128:Gazeta Literară
1121:
1104:
1099:
1095:
1086:
1073:
1053:
1036:
1025:
1018:
1013:
1006:
1002:
974:Matei Călinescu
869:Demostene Botez
816:. By 1949, the
810:Vatra Luminoasă
794:
774:D. Th. Neculuță
712:Mihail Cruceanu
708:Communist-Party
704:Ion Păun-Pincio
677:Barbu Lăzăreanu
653:Austria-Hungary
649:Peter Kropotkin
621:
616:
595:Romanian Police
587:Calea Victoriei
579:Constantin Țoiu
532:Viitorul Social
488:Sully Prudhomme
472:Romanian Jewish
431:
262:
257:
230:Romanian Police
210:Mihail Cruceanu
202:Austria-Hungary
147:(also known as
69:
65:
49:
36:
24:
17:
12:
11:
5:
2389:
2379:
2378:
2373:
2368:
2363:
2358:
2353:
2348:
2343:
2338:
2333:
2328:
2323:
2318:
2313:
2308:
2303:
2289:
2288:
2274:
2264:
2257:
2250:
2243:
2240:Lupta de Clasă
2231:
2228:
2226:
2225:
2212:
2197:
2166:
2151:
2136:
2118:
2105:
2090:
2077:
2062:
2042:
2024:
2006:
1997:
1979:
1964:
1951:
1936:
1932:Caiete Critice
1928:Alexandru Piru
1920:
1903:
1888:
1870:
1855:
1846:
1833:
1823:Camil Baltazar
1815:
1797:
1770:
1757:
1738:
1723:
1708:
1690:
1675:
1662:
1644:
1635:
1620:
1602:
1590:
1577:
1564:
1555:
1537:
1519:
1492:
1483:
1474:
1451:
1437:
1410:
1391:George Bacovia
1382:
1366:
1350:
1341:
1332:
1319:
1307:
1298:
1278:
1266:
1257:
1248:
1239:
1227:
1215:
1203:
1185:
1176:
1163:
1142:
1133:
1102:
1093:
1071:
1034:
1016:
1003:
1001:
998:
990:Adrian Năstase
987:Prime Minister
968:Following the
929:Alexandru Toma
875:read out from
860:corpus delicti
851:Ion Negoițescu
793:
790:
786:Camil Baltazar
770:Cristian Sârbu
693:Panait Istrati
620:
617:
615:
612:
608:Bellu Cemetery
572:Bellu Cemetery
548:George Bacovia
507:C. Z. Buzdugan
430:
427:
294:a Ciubotăriții
276:. A native of
261:
258:
256:
253:
214:Cristian Sârbu
206:George Bacovia
173:Mihai Eminescu
140:
139:
134:
130:
129:
116:
112:
111:
108:
104:
103:
98:
94:
93:
90:
86:
85:
82:
78:
77:
68:(aged 45)
62:
58:
57:
42:
38:
37:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
2388:
2377:
2374:
2372:
2369:
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2364:
2362:
2359:
2357:
2354:
2352:
2349:
2347:
2344:
2342:
2339:
2337:
2334:
2332:
2329:
2327:
2326:Marxist poets
2324:
2322:
2319:
2317:
2314:
2312:
2309:
2307:
2304:
2302:
2299:
2298:
2296:
2287:
2283:
2279:
2275:
2272:
2268:
2265:
2262:
2258:
2255:
2251:
2248:
2244:
2241:
2237:
2234:
2233:
2222:
2216:
2209:
2208:
2201:
2195:
2194:973-681-832-2
2191:
2187:
2183:
2179:
2175:
2170:
2163:
2162:
2161:Contemporanul
2155:
2148:
2147:
2140:
2133:
2132:
2127:
2122:
2115:
2109:
2102:
2101:
2094:
2087:
2081:
2074:
2073:
2066:
2060:
2059:973-8294-72-X
2056:
2052:
2049:Tudor Opriș,
2046:
2039:
2038:
2033:
2028:
2021:
2020:
2015:
2010:
2001:
1994:
1993:
1988:
1987:George Ivașcu
1983:
1976:
1975:
1968:
1961:
1955:
1948:
1947:
1940:
1933:
1929:
1924:
1917:
1913:
1907:
1900:
1899:
1892:
1885:
1884:
1879:
1874:
1867:
1866:
1859:
1850:
1843:
1837:
1830:
1829:
1824:
1819:
1812:
1811:
1806:
1801:
1795:
1791:
1787:
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1779:
1774:
1767:
1761:
1754:
1753:
1748:
1742:
1735:
1734:
1727:
1720:
1719:
1712:
1705:
1704:
1699:
1694:
1687:
1686:
1679:
1672:
1666:
1659:
1658:
1653:
1648:
1639:
1632:
1631:
1624:
1617:
1616:
1615:Contimporanul
1611:
1606:
1600:Deșliu, p. 67
1597:
1595:
1587:
1581:
1574:
1568:
1559:
1552:
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1471:
1470:
1465:
1460:
1458:
1456:
1446:
1444:
1442:
1434:
1433:
1428:
1427:Cornel Regman
1423:
1421:
1419:
1417:
1415:
1408:
1407:973-24-0125-7
1404:
1400:
1396:
1392:
1386:
1379:
1375:
1370:
1363:
1359:
1354:
1345:
1336:
1329:
1323:
1317:Deșliu, p. 61
1314:
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1302:
1295:
1294:
1287:
1285:
1283:
1273:
1271:
1261:
1252:
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1234:
1232:
1225:Deșliu, p. 60
1222:
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1198:
1196:
1194:
1192:
1190:
1180:
1173:
1167:
1160:
1156:
1152:
1146:
1140:Deșliu, p. 59
1137:
1130:
1129:
1124:
1123:Mihu Dragomir
1119:
1117:
1115:
1113:
1111:
1109:
1107:
1097:
1090:
1084:
1082:
1080:
1078:
1076:
1069:
1068:973-697-758-7
1065:
1061:
1057:
1051:
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1031:
1030:
1023:
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984:
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975:
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946:
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926:
922:
918:
913:
911:
907:
906:Alain Bosquet
903:
899:
895:
891:
887:
882:
881:George Ivașcu
878:
874:
870:
866:
862:
861:
856:
852:
847:
845:
841:
837:
836:
831:
827:
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815:
811:
807:
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789:
787:
783:
779:
775:
771:
767:
766:Ion Antonescu
763:
762:
757:
753:
749:
745:
744:Jilava Prison
740:
738:
734:
730:
725:
719:
717:
713:
709:
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696:
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690:
686:
680:
678:
675:, curated by
674:
670:
666:
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650:
646:
642:
638:
634:
630:
626:
611:
609:
604:
603:black ribbons
600:
596:
592:
591:Royal Mansion
588:
584:
580:
573:
568:
564:
562:
557:
556:Cornel Regman
553:
549:
544:
542:
538:
534:
533:
528:
527:
522:
521:
516:
515:Icoana Vremii
512:
511:Iosif Nădejde
508:
504:
500:
496:
491:
489:
485:
484:Jos Vandalii!
481:
477:
474:victims. His
473:
469:
468:
463:
459:
454:
452:
448:
444:
440:
436:
426:
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419:
415:
414:
408:
403:
398:
396:
392:
388:
384:
383:Cezar Bolliac
380:
376:
372:
371:George Coșbuc
366:
364:
363:Icoana Vremii
360:
356:
352:
348:
344:
340:
336:
332:
326:
324:
320:
316:
312:
307:
301:
299:
298:Aciubotăriții
295:
291:
287:
283:
282:Mihu Dragomir
279:
275:
271:
267:
252:
250:
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242:
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233:
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227:
223:
219:
215:
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207:
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198:
196:
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191:
186:
182:
178:
177:George Coșbuc
174:
170:
166:
162:
158:
154:
150:
146:
138:
135:
131:
128:
124:
120:
117:
113:
110:ca. 1880–1904
109:
105:
102:
99:
95:
91:
87:
83:
79:
76:
72:
63:
59:
56:
52:
47:
43:
39:
32:
27:
20:
2277:
2270:
2260:
2253:
2246:
2239:
2220:
2215:
2205:
2200:
2181:
2169:
2159:
2154:
2144:
2139:
2129:
2126:Ion Cristoiu
2121:
2113:
2108:
2098:
2093:
2085:
2080:
2070:
2065:
2050:
2045:
2035:
2027:
2017:
2009:
2004:Kese, p. 228
2000:
1990:
1982:
1972:
1967:
1959:
1954:
1944:
1939:
1931:
1923:
1915:
1911:
1906:
1896:
1891:
1881:
1873:
1863:
1858:
1849:
1841:
1836:
1826:
1818:
1808:
1800:
1781:
1773:
1765:
1760:
1750:
1746:
1741:
1731:
1726:
1716:
1711:
1701:
1693:
1683:
1678:
1670:
1665:
1655:
1647:
1638:
1628:
1623:
1613:
1605:
1585:
1580:
1572:
1567:
1558:
1548:
1530:
1522:
1512:
1508:
1486:
1477:
1467:
1430:
1394:
1385:
1377:
1369:
1361:
1358:Dan Berindei
1353:
1344:
1335:
1327:
1322:
1301:
1291:
1260:
1251:
1242:
1179:
1171:
1166:
1154:
1150:
1145:
1136:
1126:
1096:
1088:
1055:
1027:
1014:Kese, p. 229
967:
961:
958:Ion Cristoiu
945:Panait Cerna
938:
914:
909:
901:
893:
889:
876:
858:
848:
833:
795:
781:
773:
759:
741:
720:
697:
681:
672:
624:
622:
576:
545:
536:
530:
524:
518:
514:
502:
498:
492:
483:
479:
475:
465:
461:
455:
432:
411:
399:
379:left-liberal
367:
362:
327:
302:
297:
293:
278:Târgu Frumos
263:
234:
199:
188:
152:
148:
144:
143:
119:lyric poetry
66:(1904-10-17)
51:Târgu Frumos
2306:1904 deaths
2301:1859 births
1778:Lucian Boia
1507:, "Dintr-o
1151:Vatra Veche
933:Emil Boldan
904:(1961) and
890:Spre țărmul
877:Spre țărmul
830:Fănuș Neagu
782:Cor de robi
673:Spre țărmul
637:Gorj County
633:Gendarmerie
495:I. C. Frimu
447:Jan Kubelík
97:Nationality
2356:Shoemakers
2341:Sonneteers
2295:Categories
2236:Dan Deșliu
2230:References
1657:Luceafărul
1432:Luceafărul
1276:Kiss, p. 5
1201:Kiss, p. 4
925:Proletkult
855:Securitate
840:Ion Vitner
800:, the new
645:Toma Dragu
520:Lumea Nouă
433:Moving to
429:Later life
375:Dan Deșliu
359:Émile Zola
290:matronymic
260:Beginnings
89:Occupation
2207:Neuer Weg
2188:, 2005.
2178:Ion Vianu
1786:Humanitas
1733:Dimineața
1671:Asachiana
1550:Universul
1401:, 1990.
1293:Universul
1062:, 2004.
614:Posterity
599:red flags
570:Grave at
435:Bucharest
331:Karl Marx
319:pastiches
274:Wallachia
255:Biography
195:Bucharest
71:Bucharest
2146:Scînteia
1916:Ex-Ponto
1898:Scînteia
1883:Scînteia
1878:Agerpres
1788:, 2012.
1752:Viitorul
1747:Viitorul
1718:Adevărul
1703:Adevărul
1685:Adevărul
1378:Hyperion
962:Scînteia
912:(1968).
835:Scînteia
746:to mark
467:Adevărul
353:such as
351:realists
306:Orthodox
270:Moldavia
268:between
161:Romanian
149:Neculiță
127:pastiche
101:Romanian
81:Pen name
2186:Polirom
2072:Tribuna
2019:Flacăra
1527:Ion Pas
1505:Ion Pas
1029:Tribuna
737:Pașcani
685:Ion Pas
655:by the
561:Imagist
552:May Day
462:D. Azur
181:Marxism
2284:
2192:
2114:Steaua
2086:Steaua
2057:
1792:
1405:
1161:, 1978
1089:Opinia
1066:
994:Romani
979:Brașov
828:, and
647:, and
529:, and
423:sonnet
402:Romani
393:, and
345:, and
343:Virgil
123:sonnet
107:Period
2261:Utunk
2100:Vatra
1946:Vatra
1000:Notes
513:. In
503:Munca
339:Homer
115:Genre
2282:ISBN
2190:ISBN
2055:ISBN
1790:ISBN
1403:ISBN
1064:ISBN
871:and
661:Arad
509:and
357:and
311:Iași
272:and
232:.
220:and
212:and
175:and
157:O.S.
151:and
61:Died
46:O.S.
41:Born
908:'s
443:lei
325:.
296:or
193:in
2297::
2269:,
2180:,
2176:,
1780:,
1593:^
1540:^
1495:^
1454:^
1440:^
1413:^
1393:,
1310:^
1281:^
1269:^
1230:^
1218:^
1206:^
1188:^
1105:^
1074:^
1037:^
1019:^
1007:^
824:,
643:,
593:.
543:.
523:,
389:,
385:,
341:,
292:,
197:.
125:,
121:,
73:,
53:,
1745:"
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